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Displayed below are some selected recent viaLibri matches for books published in 1960

        To Kill a Mockingbird.

      Philadelphia: J. B. Lippincott Company, 1960 - Octavo. Original white wrappers, front cover printed black. Housed in a custom green quarter morocco and cloth solander box, with matching chemise. Faint mark to fore-edge and lower fore-corner at pp. 136-40. An excellent, fresh copy, uncommon in such nice condition. Advance reading copy, first issue. "It will . furnish a jackpot of bestseller sales for you during the summer . We are rushing this paper-bound copy to you so that you may share with us the rare fun and lift in the discovery of a new talent" (publisher's blurb). With a printed slip laid in giving the publication date of 11 July 1960. There were two prepublication issues: this one, set in Courier typeface, announced the publication date on the front cover the publication as "in July", and the cover text is directed at booksellers; the second issue had a sheet overlaying the front cover in a more polished typesetting, specified the publication date as 11 July, and the text on the front cover was aimed at readers. [Attributes: First Edition]

      [Bookseller: Peter Harrington. ABA member]
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        ONE FISH TWO FISH RED FISH BLUE FISH

      - SEUSS,DR. ONE FISH TWO FISH RED FISH BLUE FISH. NY: Random House 1960. 8vo, glazed pictorial boards, [63]p., Fine in a VG+ dust wrapper with a few closed tears. 1st edition (correct price on dw, no listing of later titles, correct Random House address). A Beginner Book, illustrated in color. This is one of his most popular books, very hard to find in such nice condition. BEGINNER BOOK #13. Younger / Hirsch 64. [Attributes: First Edition; Hard Cover]

      [Bookseller: Aleph-Bet Books, Inc. - ABAA]
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        One Fish Two Fish Red Fish Blue Fish.

      New York: Random House, 1960 - Octavo. Original laminated pictorial boards, pictorial endpapers, with the dust jacket. Occasional light spotting to pages, previous ownership signature to title page, in the dust jacket with just a touch of wear to lower edges. A very good copy. Illustrated throughout by Dr. Seuss. First edition, first printing. One of Dr. Seuss' most endearing titles. [Attributes: First Edition]

      [Bookseller: Peter Harrington. ABA member]
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        ONE FISH TWO FISH RED FISH BLUE FISH

      SEUSS. SEUSS,DR. ONE FISH TWO FISH RED FISH BLUE FISH. NY: Random House 1960. 8vo, glazed pictorial boards, [63]p., Fine in a VG+ dust wrapper with a few closed tears. 1st edition (correct price on dw, no listing of later titles, correct Random House address). A Beginner Book, illustrated in color. This is one of his most popular books, very hard to find in such nice condition. BEGINNER BOOK #13. Younger / Hirsch 64.

      [Bookseller: Aleph-Bet Books, Inc.]
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        Eine Stadt: Essen. Museum Folkwang, Essen, 18. März - 24. April 1977.

      Stempel vom Vorbeitzer innen. Außen leichte Gebrauchsspuren. Kleiner Bibliotheksaufkleber an der Seite. Als Künstlerbuch anläßlich der Ausstellung Feldmanns analog eines Kataloges herausgegeben vom Museum Folkwang, mit einer kurzen Einführung von Zdenek Felix. Feldmann war über einen Zeitraum von sechs Wochen in Essen und dem angrenzenden Ruhrgebiet mit dem Wagen unterwegs und hat hunderte von Schwarz-Weiß Fotos geschossen. Da er weder spektakuläre Motive wählte noch irgend einen Anspruch an Form und Technik stellte, entstand durch die 318 ausgewählten Fotografien ein Reigen unscharfer, wolkenverhangener, trister Bilder, die die graue Wirklichkeit von Zeit und Umgebung wiederspiegeln. Er kommentiert seine Vorgehensweise treffend: "Nur fünf Minuten des Tages sind interessant. Ich will den Rest zeigen, das normale Leben". Selten. [Vgl. Hans Dickel: Künstlerbücher mit Photographie seit 1960 S. 91 ff mit Abbildungen Lippert. Feldmann - Das Museum im Kopf, S. 100 ff mit Abbildungen Nicht bei Glasmeier, Die Bücher der Künstler]. Buchnummer des Verkäufers 57597AB

      [Bookseller: schoene.andre]
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        HISTORIA N. 37 ANNO IV

      CINO DEL DUCA, MILANO 1960 - ITALIANO Mensile illustrato con pagine brunite da fattore tempo, brossura editoriale illustrata, scolorita e con segni di usura ai bordi ed al dorsetto

      [Bookseller: Biblioteca di Babele]
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        To Kill A Mockingbird

      To Kill A Mockingbird Harper LeeSIGNED by Ms. Lee on the ffep!!!!!!!Stated 23rd Printing married to 19th printing dust jacketLippincott – PublishersCopyright 1960Hard Cover with Dust JacketBook Very Good+ to Near Fine – not remaindered; not ex-library; no marks noted except for signature and very light pencil mark to top right corner of ffep; pages clean, crisp and brightJacket Very Good – not price-clipped ($3.95); minor wear and "crinkling", mostly at the corners (see photos); cover art sill clean, clear and in full color; now protected in BrodartA beautiful, collectible gift-worthy copy!!!!!!!!!!

      [Bookseller: TKAM Books]
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        Framed Inscribed Photograph

      , 1960. 1960. unbound. Extraordinary Fabian Bachrach presentation sepia matte photograph, 9.25 x 7.25 inches -- a full-body image depicting the Cardinal in religious attire with his hands grasping his cross, no place, no date, circa 1960. Inscribed on the mount: "Mrs. G. Stanley Wood with affection and blessings, Richard Cardinal Cushing." Fabian Bachrach ownership and copyright symbol at the bottom right-hand margin. Set in a burgundy and gold frame measuring 14.75 x 11.75 inches. Fine condition. American prelate of the Roman Catholic Church who served as Archbishop of Boston from 1944 to 1970, and was created Cardinal in 1958.

      [Bookseller: Argosy Book Store ]
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        The Doors of Perception and Heaven and Hell

      Chatto and Windus 1960 - Hardcover published 1960 by Chatto and Windus being number 28 in The Collected Works of Aldous Huxley Series. The dust jacket, designed by Enid Marx, is clean with tiny nicks at the top of the spine. There are white marks on the spine of the green boards and some marks on the page edges. The binding is tight and the pages clean. [Attributes: Hard Cover]

      [Bookseller: Brenda Books]
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        [Photo Album]: Memory of South Viet-Nam

      Vietnam: , [circa 1960s]. Vietnam. [circa 1960s]. Quarto measuring 9" x 11.5". Green cloth with "Memory of South Viet-Nam" stamped on the front board with a map of Vietnam. Contains 78 color snap shot photographs and 9 black and white photographs measuring between 3.5" x 3.5" and 3.5" x 5" without captions. Very good album with some spotting and short tears with near fine photographs.A photo album kept by Bill Bunting while serving in Vietnam in the late 1960s. The album cover title reads, "Memory of South Viet-Nam" and the first page has a cartoon rabbit with "I'm just a hop from home" written above it. Bunting is referred to by a variety of nicknames including "Papa Whiskey," "Pee Wee Bill," and "Smoke Bringer." Throughout the album the men Bunting served with are depicted in their barracks listening to records, entertaining local girls, and posing for photos with friends. The outfit was made up of several races and Bunting, who was white, was friendly with an Asian American soldier and an African American soldier, both photographed numerous times in this album. On the front pastedown of the album some fellow soldiers wrote messages to Bill saying goodbye and wishing him good luck. "Papa Whiskey - Good luck to you when you get back to the world. Take care of all the broads and stay out of trouble." Another reads "when the power of love overcomes the love for power then we shall have peace." One photo shows the men dancing on a stage with a Vietnamese band and two Vietnamese women dancers during a USO style event. Helicopters, jeeps, one which they named "Whispering Death," and airplanes are also seen throughout the album as well as the landscape around the barracks. Men are posed in the bunks, by jeeps, and in one photo by rows of ammunition. The men are also photographed during their leisure activities enjoying bottles of whiskey and smoking. The last page has some newspaper clippings including two poems "When Death Comes" and "A Soldier's Fate." Another clipping with the headline "Nixon Confronts Boy, 10 'Your Brother is in Heaven'" is also featured in this section. The album ends with "I only wish that I was still over there now - Pee Wee Bill" written on the rear pastedown.A nice collection of Vietnam war photography from a young soldier. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        The Book of Durrow: Evangeliorum Quattuor Codex Durmachensis, Volume II [text]

      Freiburg im Breisgau, Germany: URS Graf-Verlag, 1960. Hardcover. G (Ex-art library, with label on spine, i.d. marks on book block edges and outermost pages, incl. rear pocket; moderate wear to board edges; pages are clean.). Gray paper boards with light brown leather spine, 239 pp., BW illus. and drawings. The second volume only of a two-volume set presenting a copy of The Book of Durrow, a medieval illuminated manuscript rendered in the seventh century. This is the text volume that provides introductory material and technical analysis. (The first and missing volume contains the facsimile.) One of 650 copies. Rare.

      [Bookseller: Mullen Books, Inc. ABAA / ILAB]
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        OCEAN'S 11 (1960)

      Warner Brothers 1960 - Vintage original 14 x 36" (35 x 90 cm.) insert poster, USA. Frank Sinatra, Dean Martin, Sammy Davis Jr., Peter Lawford, Angie Dickinson, Richard Conte, Cesar Romero, dir: Lewis Milestone; Warner Brothers. Ocean's 11 has in time become a mythic film, with its portrayal of mid-century Las Vegas, and with its cast of all the varied members of the famous Rat Pack. Here they all are walking down the Las Vegas strip in this delightful poster. Folder was folded but the fold creases are very light, there is minor corner wear, some creasing along the top right edge side, a bit of soil near bottom right corner, ABOUT FINE

      [Bookseller: Walter Reuben, Inc.]
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        RELIURE EN FRANCE DE SES ORIGINES À NOS JEURS TOME II.|LA

      Jean Rousseau-Girard, Paris, France 1960 - 4to. original stiff paper portfolio, cloth slipcase. 259+(1) pages, 71 plates. Text in French. First edition, limited to 900 copies (Schmidt-Künsemüller 1951). Volume 2 only of a three-volume set. Biographical sketches of binders, bibliography, index. This first volume of this extraordinary work provides a richly illustrated history of bookbinding in France from 1700 to 1850. Tipped in color plate frontispiece. Black and white illustrations throughout text. 71 plates, color and black and white, follow text. Unopened. Slipcase rubbed and scuffed, especially at edges, bumped at corners. Spine tanned; portfolio tanned at edges. original stiff paper portfolio, cloth slipcase [Attributes: First Edition; Hard Cover]

      [Bookseller: Oak Knoll Books, ABAA, ILAB]
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        RITRATO DI ARTHUR RIMBAUD

      1960. Litografia Buon es., incorniciato. Autenticato dalla fondazione. Prova d'autore, firmata in basso a sinistra

      [Bookseller: Libreria Minerva]
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        CAHIERS D'ACTION RELIGIEUSE ET SOCIALE, 1960-1985 (INCOMPLET)

      1960. Action Populaire - Spes. 1960-1985. In-8.Carré. Broché. Bon état. Couv. légèrement passée. Dos satisfaisant. Intérieur acceptable. Env. 220 fascicules d'env. 30 pages chacun. Nombreux numéros manquants. Quelques annotations et tampons de bibliothèque en couvertures. Avec le n° 153 de sept. 1953. 1960: n° 305 (Chrétiens séparés d'Occident). 1961: n° 313, 319, 332. 1962: 337, 339, 349, 343, 352, 353. 1963: n° 362, 364-365, 367, 369, 370, 373. 1964: n° 387, 389-390, 392. 1965: n° 400, 403-419, 421. 1966: n° 421, 422, 423, 426, 427, 428, 430-434, 436-438. 1967: n° 440-453, 458. 1968: n° 478-479. 1970: N° 3. 1972: n° 38. 1973: n° 53, 61. 1974: n° 89-90. 1975: n° 91, 92, 95-99, 101, 103, 106. 1976: n° 113, 116-117, 118-121. 1977: n° 138, 141, 142, 148-150, 152, 153. 1978: n° 154-161, 163-166, 168-174. 1979: n° 175, 177-183, 185, 186, 188, 193. 1980: n° 196, 197, 199, 201, 202, 204, 206-207, 211-216. 1981: n° 217-225, 227-237. 1982: n° 238-248, 250-257. 1983: n° 258, 259-278. 1984: n° 279-299. 1985: n° 302, 303, 305-311 (Les évêques parlent d'immigration, Diagnostic prénatal, Pouvoirs islamiques).

      [Bookseller: Le-Livre.Com]
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        LET US NOW PRAISE FAMOUS MEN ** First Revised/Enlarged Edition, Signed By Walker Evans **

      Houghton Mifflin, NY 1960 - **** This is the first printing of the Revised/Enlarged edition (with the 1960 copyright date, and with no later printings listed on the copyright page). ***** This book is SIGNED and dated by Walker Evans on the front endpage. Mr. Evans did not inscribe this book to anyone; it is just signed and dated by him. ***** Signed examples of this classic title are very rare. ***** This is a very nice hardcover with the original dust jacket. There is NO writing, NO bookplates, and NO remainder marks. It is NOT a book club edition and NOT a former library book. The dust jacket is NOT price-clipped ($6.50). CONDITION: The book is in NEAR FINE condition (nice), and the dust jacket is in VERY GOOD condition (minor edgewear, minor chipping). ***** We include new mylar (clear) dust jacket protectors with all of our books at no extra charge. ***** OUR GUARANTEE TO YOU: All books are guaranteed to be as described. We believe that no sale is complete until you are happy. Any book is returnable for a full refund (including postage) if you're not 100% satisfied. All books are packaged very carefully and shipped via USPS Mail with Delivery Confirmation. Thank you! Richard Vick, Modern First Editions (Buying and Selling Modern First Editions since 1982). [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Richard Vick, Modern First Editions]
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        Two Autograph Letters, Signed, to Seldon Rodman].

      Deya, Mallorca. 21 and 17 February 1960. - Two pages, quarto, in ink on rectos of two sheets of onion-skin letterhead. A few faint creases from mailing, otherwise very good to fine. Very good literary letters to fellow author, Selden Rodman, sending word of Graves' travels plans, discussing Rodman's work, and commenting on the literary climate of the times: "It was good to meet you at last & find that you matched up with my mental picture of you. Thanks very much for the . book which I read on the 707 on the way home. How curiously the author differs from . the down to earth English farmer's son. . Your man is a tapestry figure, and its a very fine tapestry: heroic pseudo- Roman. I loved it. . . ." and ". . . The Insiders [Rodman's 1960 book criticizing formalism in contemporary art] is a tricky project, because the American climate is so stifling to independence of creation that most of an artist's time is spent in fighting for air, instead of getting on with his job. Our village is full of refugees from the chain gang, as they call themselves, but I guess that artists in the U.S. have an easier time than writers because the market isn't quite so exacting ." Poet, dramatist and art critic Seldon Rodman shared another interest with Graves -- in 1937 he published his dramatic narrative poem about T.E. Lawrence, LAWRENCE: THE LAST CRUSADE. Accompanied by a retained carbon copy of a 19 February 1960 typed letter from Rodman in response to Graves's letters, and a clipped article from the NYT about a later, 1964 appearance by Graves at City College, New York, and his Shakespeare revisions.

      [Bookseller: William Reese Company - Literature, ABAA]
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        [Two Autograph Letters, Signed, to Seldon Rodman]

      Deya, Mallorca, 1960. Two pages, quarto, in ink on rectos of two sheets of onion-skin letterhead. A few faint creases from mailing, otherwise very good to fine. Very good literary letters to fellow author, Selden Rodman, sending word of Graves' travels plans, discussing Rodman's work, and commenting on the literary climate of the times: "It was good to meet you at last & find that you matched up with my mental picture of you. Thanks very much for the ... book which I read on the 707 on the way home. How curiously the author differs from ... the down to earth English farmer's son... Your man is a tapestry figure, and it's a very fine tapestry: heroic pseudo-Roman. I loved it . .." and "... The Insiders [Rodman's 1960 book criticizing formalism in contemporary art] is a tricky project, because the American climate is so stifling to independence of creation that most of an artist's time is spent in fighting for air, instead of getting on with his job. Our village is full of refugees from the chain gang, as they call themselves, but I guess that artists in the U.S. have an easier time than writers because the market isn't quite so exacting ...." Poet, dramatist and art critic Seldon Rodman shared another interest with Graves -- in 1937 he published his dramatic narrative poem about T.E. Lawrence, LAWRENCE: THE LAST CRUSADE. Accompanied by a retained carbon copy of a 19 February 1960 typed letter from Rodman in response to Graves's letters, and a clipped article from the NYT about a later, 1964 appearance by Graves at City College, New York, and his Shakespeare revisions.

      [Bookseller: William Reese Company - Literature ABAA-]
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        Quai du Point-du-Jour (Archive of over 200 original photographs and contact sheets from the 1960 film)

      France: Cinédis, 1960. Archive of 207 vintage borderless single weight still photographs and contact sheets from the 1960 French film. Numerical notations on the verso of nearly all photos in holograph pencil, several cropped contact sheets mounted on larger sheets. Housed in a vintage French Kodak brand photo paper box, with most contact sheets in a two-ring binder (similar to keybook photos). Also included is a press folder from the Cinedis agency in Paris, with star biographies, film credits, and scenario, on Cinedis parchment. Seen in the images is starring actor and screenwriter Buissières, including a large portrait), actress Carrel (several seductive in nature), with shots of director Faurez and the film crew in action, and images of composer Georges Van Parys and singer Colette Renard (famous for her "Irma La Douce" musical roles), presumably working on the film soundtrack. Several images in the contact sheets show scenes from the film taking place in an automobile repair shop, directed scenes from high on a crane, and candid photos of the starring performers. A few of the contact sheets bear credits for the Laboratoire Tele-Photo, film title, client (Cinedis) and photographer. ` Little known gangster drama about a woman and her child caught in the downward spiral of prostitution. Photos vary in size from 3 x 4.5 inches (7.5 x 11.25 cm) to 9.25 x 11.75 inches (23.5 x 29.75 cm), with most being smaller. Very Good plus overall, photos with moderate curling, and photo box Very Good plus.

      [Bookseller: Royal Books, Inc.]
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        Original drawing of a Seussian animal.

      [c. 1960–80] - Light creasing to paper. Presented in a black wooden frame with non reflective glass. Pen and ink on wove paper. Sheet size: 17.7 x 20.3 cm. A Seussian animal holding up a sign on a pole reading "For Judy, John, Willie and Charles". Additionaly inscribed lower middle "With Very Best Wishes - Dr Seuss"

      [Bookseller: Peter Harrington. ABA member]
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        And Grieve, Lesbia

      NY: Aardvark Press. (1960). Signed by the author. Apparently the fourth collection of poems by this Mohawk poet, who has also over the years become an important figure as a publisher -- particularly as a publisher of relatively unknown Native American writers -- as well as casting a high profile as both a Native American writer himself and as a gay writer. Near fine in self-wrappers. Scarce: we've only seen this title a small handful of times, and never signed. Kenny died earlier this year. First Edition. Softcover. Near Fine.

      [Bookseller: Ken Lopez Bookseller, ABAA]
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        RELIURE EN FRANCE DE SES ORIGINES À NOS JEURS TOME II.|LA

      Paris, France: Jean Rousseau-Girard, 1960. original stiff paper portfolio, cloth slipcase. Bookbinding. 4to. original stiff paper portfolio, cloth slipcase. 259+(1) pages, 71 plates. Text in French. First edition, limited to 900 copies (Schmidt-Künsemüller 1951). Volume 2 only of a three-volume set. Biographical sketches of binders, bibliography, index. This first volume of this extraordinary work provides a richly illustrated history of bookbinding in France from 1700 to 1850. Tipped in color plate frontispiece. Black and white illustrations throughout text. 71 plates, color and black and white, follow text. Unopened. Slipcase rubbed and scuffed, especially at edges, bumped at corners. Spine tanned; portfolio tanned at edges.

      [Bookseller: Oak Knoll Books/Oak Knoll Press]
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        THE ONLY RUSSIAN NOBEL LAUREATE IN ECONOMICS] Ekonomicheskii raschet nailuchshego ispolzovaniya resursov [i.e. The Best Use of Economic Resources]

      Izd-vo AN SSSR, Moscow 1960 - 348 pp. Publisher's binding. Very good condition. Previous owner's inscription, spotted to edges, extremities rubbed, corners bumped, pencil marks. First edition. Second printing. Leonid Kantorovich (1912-1986) is best known as the only Russian economist to have become a Nobel Laureate. In 1942 Kantorovich had already written the first version of this monograph. He was so far ahead of his time-and thought so far outside contemporary notions of political economy-that the book was not published until 17 years later. Only then did his pioneering ideas begin to be recognized and accepted by other economists. Subsequently, this book was translated into many languages. Ultimately, he was recognized in the West with the Nobel Prize. The book itself is a summary of the author's long-term research into methods of linear programming which is further developed here and applied to economic planning. The core of this book, and its main value, consists in its use of specific examples in modeling practical solutions to economic problems. [Attributes: First Edition]

      [Bookseller: Bookvica]
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        Galleria Selecta. Mostre 1955-1960

      Roma: Galleria Selecta, , 1960. Rilegato (hardback). Molto Buono (Very Good). Cataloghi, rilegati editorialmente, di tutte le mostre tenutesi alla Galleria Selecta - diretta da Carlo Cardazzo e Vittorio Del Gaizo - in via di Propaganda 2 a Roma, dal 1955 al 1960. Introduzione dei due direttori Cardazzo e Del Gaizo. 83 cataloghi di circa 4 pagine ognuno con illustrazioni in bianco e nero e a colori, anche in tavole ripiegate. Indice in cui sono elencate in ordine cronologico tutte le mostre, comprese quelle per cui non fu stampato il catalogo (20 collettive e 63 personali). Tra gli autori dei testi ci sono Giacomo Balla, Dino Buzzati, Vincenzo Cardarelli, Raffaele Carrieri, Mario Diacono, Gualtieri di San Lazzaro, Paul Eluard, Alfonso Gatto, Peggy Guggenheim, Edouard Jaguer, Alain Jouffroy, Carlo Levi, Alberto Moravia, Giuseppe Ungaretti, Emilio Villa, Cesare Zavattini, Leonardo Sinisgalli e molti altri. Tra gli artisti presenti: Campigli, Sironi, De Pisis, Capogrossi, Crippa, Michaux, Sonia Delaunay, Gentilini, Tancredi, Rotella, Scanavino, Fontana, Mathieu, Sanfilippo, Dubuffet, Brauner, Arp, Lo Savio, Deluigi, Franchina, Carrà, De Chirico, De Pisis, Rosai, Boille, Guidi, Tre pittori argentini (Geltrudis Chale, Raquel Forner, Juan Batlle Planas), VI Premio Graziano 1956, Dorazio - Perilli - Rotella - Sanfilippo - Fasola et al.. 8vo. pp. 342. Molto Buono (Very Good). . Tra i cataloghi più interessanti: la prima personale di Francesco Lo Savio con un breve testo dell'Artista che presenta i suoi Spazio-Luce; la presentazione delle opere di alcuni pazienti dell'Ospedale psichiatrico provinciale di Verona con lungo testo di Dino Buzzati; Mimmo Rotella con un suo scritto sui manifesti; Renato Giani racconta la mostra di Lucio Fontana. La Galleria Selecta era la sede romana della Galleria del Naviglio di Milano e della Galleria del Cavallino di Venezia, tutte gestite da Carlo Cardazzo.

      [Bookseller: Studio Bibliografico MArini]
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        Tinker and Tanker. Written and Illustrated by Richard Scarry.

      Garden City, NY: Garden City Books, 1960 - Quarto. Original blue-green cloth, titles to spine in dark blue, titles and Tinker and Tanker design to front board in dark blue and red. Boards slightly bowed, corners gently bumped. Otherwise an excellent copy in a price-clipped jacket with a few closed tears and a 6 x 4 cm tear to the lower half of the rear panel. Illustrated throughout by the author. First edition, first printing. [Attributes: First Edition]

      [Bookseller: Peter Harrington. ABA member]
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        Two rare offprints Nils Aall Barricelli An Analytical Approach to the Problems of Phage Recombination and Reproduction I and II

      Virology Volume II No. 1 May. PAMPHLET. Two rare offprints with Johannes Holtfreter's stamp of ownership. An Analytical Approach to the Problems of Phage Recombination and Reproduction I. Multiplicity Reactivation and the Nature of Radiation Damages and II. High Negative Interference. First Separate editions. Offprint. * . Very Good. 1960.

      [Bookseller: Robinson Street Books, IOBA]
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        The Quare Fellow. Abbey Theatre Programme for "The Quare Fellow" Signed by Brendan Behan

      Abbey theatre 1960 - Programme for "The Quare Fellow" as performed at the Queen's Theatre (pending rebuilding and enlargement of the Abbey) Monday, 29th August, 1960. Inscribed and Signed by Behan on front cover. Very good condition. [Attributes: Signed Copy; Soft Cover]

      [Bookseller: Ulysses Rare Books Ltd. ABA, ILAB]
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        The Lithographs of Chagall

      Monte Carlo; Boston; New York: André Sauret; Boston Book and Art Shop Inc.; Crown Publisher's Inc.,, 1960?86. Introduction by Marc Chagall. Notes and catalogue by Fernand Mourlot, Charles Sorlier. 6 volumes, large quarto. Original tan cloth, titles to front covers and spines in black. With the pictorial dust jackets. Volumes 1 to 4 housed in plain card slipcases. Profusely illustrated throughout and with 24 original lithographs by Chagall. An excellent, near fine, set in the bright jackets; Small open tear to foot of front hinge of Vol. 2 with occasional pencil marginalia not affecting content. Price-clipped jacket on Vol. 1. First editions, first printings. The complete catalogue raisonné of Chagall's lithographic work, a monumental feat of publishing which took more than two decades to complete.

      [Bookseller: Peter Harrington]
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        The Lithographs of Chagall. Introduction by Marc Chagall. Notes and catalogue by Fernand Mourlot, Charles Sorlier.

      Monte Carlo; Boston; New York: André Sauret; Boston Book and Art Shop Inc.; Crown Publisher's Inc., 1960–86 - 6 volumes, large quarto. Original tan cloth, titles to front covers and spines in black. With the pictorial dust jackets. Volumes 1 to 4 housed in plain card slipcases. An excellent, near fine, set in the bright jackets; Small open tear to foot of front hinge of Vol. 2 with occasional pencil marginalia not affecting content. Price-clipped jacket on Vol. 1. Profusely illustrated throughout and with 24 original lithographs by Chagall. First editions, first printings. The complete catalogue raisonné of Chagall's lithographic work, a monumental feat of publishing which took more than two decades to complete. [Attributes: First Edition]

      [Bookseller: Peter Harrington. ABA member]
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        Rocambole 8 volumes Complet.

      1960. Verviers, Marabout, Sans date (vers 1960). 8 volumes in-12 brochés L'héritage mystérieux - Les explois de Rocambole - La revanche de Baccarat - Le club des valets de coeur - Le bagne de Toulon ; les orphelines - Madeleine ; rédemption ; la vengeance de Wasilika - Les chevaliers du clair de lune - Le testament de Grain-de-Sel. Bel ensemble rare complet.

      [Bookseller: Librairie Cultures Vives]
 30.   Check availability:     maremagnum.com     Link/Print  


        My Fear is Your Fear

      Used; Like New/Used; Like New. Screenprint on black wove paper, "My Fear is Your Fear," numbered 313/325, signed in the lower right by the artist, "Glenn Ligon." Very slight creasing to the upper right edge and corner, and a much lighter crease passing through a portion of the signature, otherwise fine condition. <br><br><br />Born in the Bronx in 1960, Ligon is a noted conceptual artist whose work explores race, sexuality, and language, often employing intertextuality to engage with other works of art. His work is held in institutions including the Guggenheim Museum, MoMA, Tate Modern, and the White House collection.

      [Bookseller: Schubertiade Music & Arts]
 31.   Check availability:     Biblio     Link/Print  


        Compagni di strada

      Canesi, 1960. 8vo (cm. 25), 622 pp. con num.me ill.ni in nero su tavv. f.t. Ritratti originali di Leonida Repaci, Filippo De Pisis, Lucian Freud, Manara Valgimigli, Benedetto Croce, Edoardo Sanguineti (2), Giorgio Morandi, Vittorio De Sica (2), Andrea Camilleri, Giorgio De Chirico, Dante Isella, Alcide De Gasperi, Federico Fellini, Giuseppe Berto, Umberto Eco, Ugo Ojetti (eseguiti da L. Civerchia). Tela editoriale entro cofanetto fig. (illustrato a colori da C. Zavattini) con marginali abrasioni. Ds. leggermente allentato, ma buon esemplare. La moltitudine dei ritratti suscita la gradevole impressione di una lettura più completa e coinvolgente, accompagnata dalla viva immagine di tanti ‘Compagni di strada’. Il volume proviene dalla biblioteca del pittore romano Luigi Civerchia. I ritratti qui presenti mostrano l’idea di concepire il libro come un intelligente ed espressivo contenitore di memorie, le proprie innanzitutto, ma anche quelle dei diversi personaggi che egli ritrae, come intrecciandone i destini tra le pagine di uno stesso testo. Vale la pena notare che il nostro pittore ha scelto solo i libri come gallerie per i ritratti. Chi ha visitato qualche sua mostra, tra le tante tenutesi in Italia e all’estero, avrà infatti osservato che nei paesaggi o in altre composizioni le figure umane sono per lo più assenti, o comunque, hanno un ruolo del tutto secondario. E’ quindi una vera scoperta il Civerchia ritrattista, e lo è ancor più considerando la particolarità di esprimersi su di un mezzo singolare come sono le pagine di un libro. Luigi Civerchia è nato a Roma, nel popolare quartiere di Trastevere, nel 1928. Dopo una prima esperienza presso la bottega di uno scultore, continua il suo percorso nell’Atelier di Vittorio Grassi, momento fondante della sua formazione umana ed artistica. Si avvicina poi alla Scuola Romana seguendo con entusiasmo gli insegnamenti dei suoi Maestri ideali: Mafai, Pirandello e Quaglia.

      [Bookseller: Libreria Antiquaria Ex Libris s.r.l.]
 32.   Check availability:     maremagnum.com     Link/Print  


        Bericht an die Freunde. Letzte Gedichte.

      Olten, Vereinigung Oltner Bücherfreunde. 1960 - 8°. 4 Bl., 49 S., 1 Bl., 4 w. Bl. Brauner langgenarbter Maroquinband mit gold- und schwarzgeprägten horizontalen und vertikalen Streifen über beiden Deckeln, goldgeprägtem Rückentitel, Stehkantenvergoldung, Innendeckel mit einfacher Goldfiletierung, Kopfgoldschnitt, im Originalschuber (Hugo Peller). "85. Publikation der Vereinigung Oltner Bücherfreunde." - Wilpert-G. 507. - Eines von 60 römisch numerierten Exemplaren der ersten Vorzugsausgabe. - Mit einem handschriftlichen und signierten Gedicht von Hesse. - Rücken verblasst. - Sonst sehr schönes Exemplar. [Attributes: Signed Copy]

      [Bookseller: Daniel Thierstein]
 33.   Check availability:     ZVAB     Link/Print  


        La leggenda di san Giuliano l'Ospitaliere

      A. Tallone 1960 - 625g. [Attributes: Hard Cover]

      [Bookseller: Prodigolibro]
 34.   Check availability:     AbeBooks     Link/Print  


        THE CHALLENGES WE FACE

      McGraw Hill (1960), New York - Nixon's uncommon first book, a selection of his speeches compiled when he was Vice President. INSCRIBED and SIGNED to --- -- "With best wishes/from/Richard Nixon" and dated 8 September 1977. With the recipient's mailing label from Nixon with his printed free frank laid in. Near Fine in a Very Good, price-clipped dustwrapper [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Charles Agvent, est. 1987, ABAA, ILAB]
 35.   Check availability:     AbeBooks     Link/Print  


        Madrigaux. Images de Raoul Dufy

      Cercle du Livre Pr&#142;cieux - Spadem, Paris 1960 - Perfetto stato di conservazione n.n. con 25 tavole pochoir colorate a piena pagina di Dufy p. 295x235 mm br.edit. con sovraccoperta conservata in tela editoriale illustrata e cofanetto

      [Bookseller: Libreria Antiquaria Giulio Cesare]
 36.   Check availability:     AbeBooks     Link/Print  


        Komposition 168.

      Um 1960 - Bildgrösse: 48,5x70 cm. Unten links signiert. Gerahmt unter Glas 65x86 cm. Helen Dahm geb. 21.5.1878 Egelshofen, &#134; 24.5.1968 Männedorf. Zunächst schwierige Jugend. Zeichenunterricht bei Max von Sury. Ab 1897 nach Zürich. Ausbildung an der Kunstgewerbeschule Zürich, vorwiegend in den grafischen Techniken, da unter dem Einfluss der Zürcher Lehrer Hermann Gattiker und Ernst Würtenberger. Ab 1906 bei Robert Engels (1866&#150;1926) und Julius Exter (1863&#150;1939) in München. Begegnung mit den Werken der Künstlergruppe Der Blaue Reiter. 1913 Rückkehr nach Zürich, auseinandersetzung mit dem Expressionismus. 1938 Auflösung des Haushalts und Aufbruch mit einer Frauengruppe in den Ashram von Shri Meher Baba (1894-1969) in Meherabad, Indien. Erkrankung an Ruhr und 1939 Heimkehr nach Oetwil. 1953 Retrospektive im Helmhaus Zürich und ersehnter Durchbruch; 1954 nimmt Helen Dahm als erste Frau den Preis für bildende Kunst der Stadt Zürich entgegen. Werke in diversen Museen und Sammlungen der Schweiz. [Attributes: Signed Copy]

      [Bookseller: Biblion Antiquariat]
 37.   Check availability:     AbeBooks     Link/Print  


        Journey to a Woman

      Greenwich, Connecticut: Fawcett Gold Medal. (1960). First. First edition. Paperback original. A fine and bright copy in wrappers. Signed by the author on the title page. The author's fourth book, about a married woman attracted to a woman from her past. Bannon wrote a handful of novels on lesbian themes, and then retired from the writing scene to become a successful, and for a time married, college administrator. Most of her books, all paperback originals, were re-released decades later by the Cleis Press in their series of lesbian pulp fiction classics. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
 38.   Check availability:     Biblio     Link/Print  


        The History of Surrealist Painting.

      New York: Grove Press,, [1960]. Translated by Simon Watson Taylor. Octavo. Original black cloth. white lettering to spine, red, yellow and green graphics to front board. With the dust jacket. 386 plates, 36 in full colour, newspaper cutting at rear. A fine copy in the very slightly nicked dust jacket. A copy with a letter from the author-artist: "With the best wishes of Lily and Marcel Jean".

      [Bookseller: Peter Harrington]
 39.   Check availability:     Biblio     Link/Print  


        A very personal Marilyn Monroe notepad, from the start of her demise

      n.p., c.1960-1961. 6" x 9". "Spiral bound stenographer notebook, 6"" x 9"", by Chase Press Stationers & Printers, who supplied Monroe with her custom stationery. Four pages with notes in Monroe's hand. The first page reads ""Tonight / be there at 7:15 - Strassberg's [sic]"" then ""Later - Norman & Hedda - drums?"" and ""Tomorrow be ready at 12:30PM (for lunch) - John Houston [sic]"" and ""4:00 Norman's play reading."" The second page has a list of phone calls to make. The other two pages contain single words: ""Ruby"" and ""My"".It is always a thought provoking event to hold someone's personal note pad 'post mortem', but with this one being Marilyn Monroe's, in somewhat chaotic scribble, one can 'see' between the lines. Although only a few pages have writing on them, they clearly time stamp the note pad and show that this was the beginning of Monroe's demise.The people Marilyn scripts in her note pad are John Huston, Strassberg, and Norman and Hedda. Her notes are chaotic, rushed. Although Arthur Miller, her then husband is not referenced in this pad, Miller's long time friends, Norma and Hedda are. They were artistic college friends of Arthur Miller's and the two would visit them at their home/cottage in Port Jefferson. Monroe had been seeing them since she moved to Manhattan even though they were both still married at the time. John Huston, a Hollywood director, (who she misspells as Houston on two occasions in the pad), is also referred to in her notes. Huston only directed a few films with Monroe, however the one that matches the timing elements to her friendship of Norma and Hedda, and Arthur Miller, can only be on the set of the ""The Misfits"", a film drama released in 1961 which was written for Monroe by her then husband Arthur Miller, and sees her acting alongside her childhood hero, Clark Gable, as well as the great Montgomery Clift, Eli Wallach, and Thelma Ritter. It was directed by the legendary John Huston, and Monroe's acting coach at the time was Paula Strasberg, who Monroe also refers to in her personal pad.It is especially ironic that this film's title and concept focused on a plot centering on a recently divorced woman (Monroe) and her time spent with a cowboy (Gable) and his rodeo-riding friend (Clift) in the Western Nevada desert in the 1960s. The uncanniness of both Monroe's personal life at the time along with the issues of the cast and crew completely paralleled the plot of the movie. The making of The Misfits was troublesome on several accounts, not the least of which was the sometimes 108 degrees (42 °C) heat of the northern Nevada desert and the breakdown of Monroe's marriage to writer Arthur Miller, Monroe's then husband. This was Miller's first original screenplay, written as a vehicle for Marilyn Monroe, whom he had married four years earlier. However, it was literally during the filming of this movie that their marriage broke and crumbled, and Monroe was sinking further into alcohol and prescription drug abuse. According to the director, Huston, in a 1981 retrospective interview, he was ""absolutely certain that she was doomed"" while working on that film: ""There was evidence right before me every day. She was incapable of rescuing herself or of being rescued by anyone else. And it affected her work. Monroe was nearly always late to the set, sometimes not showing up at all. Huston noted we had to stop the picture while she went to a hospital for two weeks."" Monroe was nearly always late to the set, sometimes not showing up at all. Huston literally had to shut down production in August 1960 to send Monroe to a hospital for detox. But the chaos did not end with Monroe's marital demise or her path into alcohol and drugs, Huston himself was struggling with his own demons. Director Huston gambled and drank, and occasionally fell asleep on the set. The production company had to cover some of his gambling losses. In a documentary about the making of ""The Misfits"", Wallach told a story of Huston's directing a scene in which Wallach was at a bar with Gable. Huston told him that the most intoxicated he had ever been was the day before, even though he had seemed sober. Mr. Huston got involved in other local Nevada activities outside gaming, including promoting the first annual camel races, which have continued annually every September to this day. But during one of his commutes, Huston's car overheated on the drive up to Virginia City via Hwy 341 Geiger Grade, and Huston ""executed"" the car by reportedly firing a stunt gun blank into the radiator (no doubt an act which was not performed sober). The chaos did not end during the making of the film either, and found within what is considered the most powerful image of the film was perhaps but a premonition of things to come, Monroe was in the scene where she runs into the middle of the desert and in her helplessness shouts: “You are all dead, you are all dead!”. Just two days later after the filming ended, Clark Gable, suffered a heart attack and died ten days later, November 16, 1960. Monroe and Miller divorced, and her addition to alcohol and drugs was in full throttle. Monroe later said that she hated the film and her performance in it. Within a year and a half, she was dead of an apparent drug overdose. There may be only a few pages of writing in Monroe's personal notepad, but it tells of many, many stories between the lines. A phenomenal and highly personal piece for a Monroe collector!"

      [Bookseller: University Archives]
 40.   Check availability:     Biblio     Link/Print  


        Ansicht des Klosters Fahr bei Zürich. Öl a. Leinwand.

      1960 - 50 x 67 cm , gerahmt, Wandmalerei Karl Peterli wurde 1897 in Wil geboren. Wie schon sein Grossvater, wirtete auch sein Vater im Restaurant Sonne, führte nebenbei aber noch ein Limonadengeschäft. 1907 starb sein Vater. Die Mutter musste sich fortan alleine um die acht Kinder, die Gäste in der «Sonne» und das Geschäft kümmern. Karl und seine Geschwister wurden dazu erzogen, zu Hause mit anzupacken.Ein besonders guter Schüler soll Karl Peterli nicht gewesen sein. Nur im Zeichnen, da erfreute er seinen Lehrer. Als Jugendlicher begann er dann eine Lehre zum Dekorationsmaler. Die Begegnung mit dem Winterthurer Maler Hans Schöllhorn leitete eine Wende ein. Als 20-Jähriger besuchte Peterli die Ecole des Beaux Arts in Genf, wo unter anderem Ferdinand Hodler unterrichtete. Es folgen Aufenthalte in Italien, Studien in Paris, Reisen nach Deutschland und Holland.Doch Peterli zog es zurück nach Wil. 1925 liess er sich wieder in seiner Heimatstadt nieder und heiratete die Musikerin Rita Tuason, mit der er drei Kinder hatte. Mit seiner Rückkehr nach Wil entschloss Peterli sich definitiv zu einer freien künstlerischen Tätigkeit. Gelegentlich entwarf er auch Fahnen und Beschriftungen und erteilte Zeichenunterricht an der Gewerbeschule. Er starb 1975 2500 gr. Schlagworte: Gemälde - nach 1945Helvetica - ZürichHelvetica - St. Gallen Neueingänge - Helvetica

      [Bookseller: antiquariat peter petrej]
 41.   Check availability:     IberLibro     Link/Print  


        Jazzlife - Collector's Edition --- Collector's Edition

      ca. 700 Abbildungen696 SeitenAuf 1.000 Exemplare limitierte, nummerierte und signierte Sammlerausgabe des legendären Fotobandes von William Claxton, mit dem nicht minder hervorragenden Text von Joachim E. Berendt und der Bonus CD mit digital-bearbeiteten Aufnahmen die 1960 während der Reise von Berendt und Claxton entstanden.Jedem Exemplar sind vier signierte und nummerierte Pigment Prints im Format 50 x 60 cm beigelegt:* William Claxton, Jazzlife: Bild 1Das Metropole Café auf dem Broadway in der Nähe des Times Square, New York City, 1960* William Claxton, Jazzlife: Bild 2Stan Getz an einem Bühneneingang auf der Cosmo Alley, Hollywood, 1956* William Claxton, Jazzlife: Bild 3Die George Williams Brass Band, New Orleans, 1960* William Claxton, Jazzlife: Bild 4Ray Charles mit einer Raylette, New York City, 1960 Buch und Drucke kommen in einer stoffbezogenen Geschenkbox Vorrätig ist Nummer 223.

      [Bookseller: Medium Buchmarkt]
 42.   Check availability:     booklooker.de     Link/Print  

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