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Displayed below are some selected recent viaLibri matches for books published in 1958

        THE ORDEAL OF WOODROW WILSON

      McGraw Hill Book Company New York: McGraw-Hill Book Company, (1958). First Edition. Hardcover. Fine in glassine and a close to Fine slipcase. Copy #45 of 500 of the special presentation edition SIGNED by the author on the limitation page.

      [Bookseller: Charles Agvent, ABAA ]
 1.   Check availability:     ABAA     Link/Print  


        ENCICLOPEDIA DELL'ARTE ANTICA. Classica e orientale.

      In-4 p., 7 voll., mz. pelle edit., con un ricchissimo apparato iconografico in b.n. nel t. e tavv. a colori f.t. Offriamo, completi, i soli voll. di testo. In buono stato (good copy).

      [Bookseller: Libreria La Bottega delle Occasioni]
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        Illuminationer.

      Tolkade i ord av Helmer Lång och i bild av Max Walter Svanberg. Allhem, Malmö 1958. 121 s. Dekorerat originalklotband med skyddsomslag, revor i omslaget vid ryggen och bit 15 x 15 mm borta främre omslag vid ryggens huvud. Bibliofilupplaga Nr 34/133 exemplar, signerade av översättaren och konstnären samt med en originallitografi av Max Walter Svanberg. 29 x 25 cm

      [Bookseller: Antiquaria]
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        Memories of Sir Wyndham Deedes

      1958. [Frankfurter, Felix (1882-1965)]. Elath, Elihu, Norman Bentwich and Doris May, Editors. Memories of Sir Wyndham Deedes. [London]: Victor Gollancz, Ltd. In Association with the Anglo-Israel Association, 1958. 93 pp. Cloth in lightly edgeworn and somewhat toned dust jacket. "Felix Frankfurter/ 1958" to front free endpaper, interior otherwise clean. * Frankfurter knew Deedes through their shared interest in Jewish efforts in Palestine. They met at the 1919 Paris Peace Conference, where Frankfurter led the American Zionist delegation. Deedes also attended and went on to serve as chief secretary to the British High Commissioner in Palestine. Deedes founded the Anglo-Israel Association in 1919, one year after the establishment of the state of Israel.

      [Bookseller: The Lawbook Exchange, Ltd. ]
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        YERTLE THE TURTLE

      1958. 1. SEUSS,DR. YERTLE THE TURTLE and other stories. NY:Random Hse (1958). 4to, glazed pict. bds, fine in dw with 2 tape repairs (with price intact). 1st ed.

      [Bookseller: Aleph-Bet Books, Inc. ]
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        French Illuminated Manuscripts

      David MageeSan Francisco: David Magee, 1958 One of 200 copies printed on English handmade paper by the Grabhorn Press. Quarter white parchment over decorative white boards with title in gilt on spine. . Small octavo. Printed in black and brown in Lutetia type with the pages ruled in orange. With an original illuminated manuscript leaf from a fifteenth-century Book of Hours tipped in. Illustrated with a reproduction of an illuminated miniature, redrawn and hand-colored by Mary Grabhorn. A fine copy. The original miniature vellum leaf, 3 1/2" x 2 1/2," is of fourteen lines on each side, has nine gilt initials, and gilt floral scrollwork decoration in one margin.

      [Bookseller: Michael R. Thompson, Booksellers, ABAA/I]
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        Discours de Suède.

      Paris; Gallimard, 1958. First edition on ordinary paper. 19x12 cm. 69, (4, 3 blanks) pp. Original printed wrappers. Publisher's "S.P." perforation on rear cover. A fine copy. A small bookplate on verso of front wrapper, with the initials B. O. J. Printed here are Camus' Nobel Prize award speech and the Nobel Lecture. Inscribed by Camus to his physician Michel Albeaux-Fernet: "au docteur Albeaux Fernet avec beaucoup d'amicales pensées / Albert Camus"

      [Bookseller: Patrik Andersson Antikvariat]
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        LA QUESTION - UNE VICTOIRE. Signed

      Lausanne: La Cité, 1958 Alleg, Henri & Sartre, Jean-Paul. LA QUESTION - UNE VICTOIRE. Signed. Lausanne: La Cité, 1958. First Edition and the First Collected Edition of these important texts exposing the methods of torture used by French troops in the Algerian War. Near fine or better in the publisher's printed wrappers, Inscribed and Signed by Jean-Paul Sartre on the half-title page to close friend Michelle Vian, (Boris Vian's wife). Housed in an elegant custom clamshell case, black cloth over marbled paper, red morocco spine label with gilt titles. An Important Association Copies as Sartre began a life-long affair with writer & maverick creative force, Boris Vian's first wife, Michele L'Eglise in the late 40's, which lasted until Sartre's death in 1980. L'Eglise & Vian divorced in 1951. Sartre & de Beauvoir loved Boris & promoted him often. Sartre nominated Vian for a celebrated literary prize for the novel, L'Ecume. Vian's extraordinary work mirrored his fascinating life. A jazz trumpeter, film actor, cabaret singer, translator, record company executive, jazz writer, inventor of the elastic wheel, Vian moved in both the world of Miles Davis & Dizzie Gillespie, as well as that of Sartre & de Beauvoir.. Signed by Author. First Edition.

      [Bookseller: TBCL The Book Collector's Library]
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        The Memoirs of Field Marshall the Viscount Montgomery of Alamein

      London: Collins, 1958 With a dedication by Montgomery to Alderman Dalton, dated 31st October 1959 on the occasion of the unveiling of the Churchill statue in Woodford Green. Also signed by Winston S Churchill. Housed in a leather and cloth Asprey box, with lovely gilt tooling to the spine. One of the very few items signed jointly by these great men!

      [Bookseller: Madoc Books]
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        Poems de Charles d'Orleans

      One of the original sets of 1200 lithograph copies of Matisse’s original, which was done in color pencil and crayon. The text is a selection of Charles’ poems that Matisse wrote out in hand in French. He then added fleur de lis decorations and hand drawn borders, all in various colors. Slightly more than 100 pages and more than 50 original lithographs, loose in sets of four pages each, housed in illustrated wrappers. A beautiful set with only slight offsetting on some internal pages. The acetate protector on the wrappers is yellowed and has a closed tear bottom left of front cover. Signed by Matisse in pencil on the limitation page. This is copy number 778. The protective cardboard box is in Poor condition, soiled and faded, with splits at the seams and one long, folding flap detached. Even though the number produced was large, intact copies are quite rare – presumably because many copies were broken and sold separately as single Matisse lithographs. This production is widely considered one of the most important illustrated books ever done. Included is a note from M. J. Royer, Antiquarian Bookseller and Gallery of Fine and Applied Arts, Los Angeles, to “Mrs. Tarr” stating that he has located this copy in Europe. The note is dated Dec. 4, 1958; additionally there is an Invoice for the purchase dated 14 Feb. ’59. Special shipping will be required at extra cost.

      [Bookseller: Squid Ink Books]
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        Mothers and Children

      (NY, 1958). 16mo. 20ff. First edition, limited to 60 copies signed by the artist. This copy bears a presentation inscription on the colophon page to Ben Shahn and his wife, Bernarda Bryson Shahn. Illustrated with eighteen compact etchings of babies sleeping, crying, smiling, or being held by their mothers, which have been printed in a variety of muted colors. This is Schwartz’s second publication, his first effort being a portfolio of etchings for Predatory Birds, printed at the Gehenna Press the previous year. One can certainly detect a hint of Baskin’s influence on this work, from the arrangement of typographic ornaments on the letterpress-printed title page and colophon, as well as some of the stylistic cues in Schwartz’s etchings. In a presentation binding of full olive morocco tooled in blind and gilt by the Harcourt Bindery, the spine of which has toned to an even shade of tan. Apart from some light foxing to endleaves, this is a fine copy of a rare title with an important association.

      [Bookseller: Bromer Booksellers]
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        Appointment with Dishonour [Signed by William H. Gage, Jr. and by George Seferis]

      Boston: Little, Brown and Company, 1958. First edition. A Very Good + to Near Fine copy of the first American edition, first printing -- which preceded the UK edition, in a Very Good, bright, attractive, dust jacket (short closed tear where the upper front panel meets the spine panel, tiny hole near spine tail, some general wear), INSCRIBED AND SIGNED BY WILLIAM GAGE TO NOBEL PRIZE-WINNING AUTHOR GEORGE SEFERIS on the title page as follows: "For George S.____________ / with esteem and / admiration / Bill Gage", and further INSCRIBED AND SIGNED BY GEORGE SEFERIS to fellow author Rex Warner on the front free endpaper as follows: "Rex Warner [underlined] / George Seferis [in Greek, followed by a 4-line poetic inscription in Greek ending with an ellipsis and after which Seferis has drawn 5 stacked curved lines]. The novel dramatizes the Cypriot Revolution against British occupation of Cyprus (a chaotic period during which many Cypriots sought the incorporation of Cyprus into Greece and which, in 1955 gave birth to the violent pro-Enosis movement known as the EOKA whose military wing, led by George Grivas, sabotaged military installations, ambushed military convoys and patrols, and assassinated British soldiers and local informers.) George Seferis first visited Cyprus in 1963 and immediately fell in love with the island. As an important Greek Diplomat who ultimately became Ambassador to the UK, Seferis spent much time and effort seeking a resolution of the Cyprus question, investing a great deal of effort and allowing his personal views to intrude on his diplomatic efforts. Also one of the Twentieth Century's most important Greek Poets, Seferis won the 1963 Nobel Prize in Literature for "his eminent lyrical writing, inspired by a deep feeling for the Hellenic world of culture", making him the first Greek ever to have received the Prize. British author Rex Warner, to whom Seferis has inscribed this novel, was Seferis' close friend and frequent translator. In addition to their deep relationship as friends, each man held the other in high regard, and Warner's excellent translations of his work were a major factor in Seferis' winning the Prize. Both authors were fascinated by Cyprus as, clearly, was Gage. Copies of this novel are quite uncommon, and signed copies are as rare as hen's teeth. Of course, books signed by George Seferis are far from plentiful to the market, and copies of this novel signed by Seferis, who was deeply interested in the subject matter of this work, are rare indeed. A Very Good + copy of this scarce novel centered around the Cypriot Revolution, INSCRIBED AND SIGNED BY WILLIAM H. GAGE, JR. AND BY GEORGE SEFERIS. RARE.

      [Bookseller: Allington Antiquarian Books, LLC]
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        The Hobbit, or There and Back Again, 1958 10th Impression in Original Dustjacket with Custom Slipcase

      London: Allen & Unwin, 1958. 2nd Edition. Original Cloth. J.R.R. Tolkien. 12mo - over 6¾" - 7¾" tall. The Hobbit, or There and Back Again, by J.R.R. Tolkien. Published by Allen & Unwin in 1958. The book is in Very Good Plus/Near Fine condition, with a bit of tanning to the spine of the dustjacket, very light soiling to the white areas, and only the slightest of rubs or wear to the tips and corners of the fold areas. No previous owners name or dates, nor any other writing noted. No foxing marks or offsetting noted. The map endpapers are clean and bright, unmarked. The boards are the original green cloth with dark blue stamping of Tolkien's own Mountains and Dragon design, with no bumped corner, and a bit of spine lean. The title verso has the full printing history up to this tenth impression of 1958. The original dustjacket is incorrectly marked the 9th impression, but would appear to be the original as both book and dustjacket are remarkably well preserved. In 1957 (Ninth Impression book) Houghton Mifflin ordered a number of sheet sets to be imported from A&U for the US 1957 Ninth Printing, however after A&U had already printed the full run, HM backed out of part of the order due to import costs and reduced their order by 1,000 sheet sets. So A&U assumed they would have 1,000 more UK books than originally planned and as such they had Jackets produced for this overrun. Subsequently, HM changed their mind again and took the 1,000 sheet sets they had canceled, thus leaving A&U with 1,000 extra Ninth Impression Jackets. They simply used those extra jackets on the 1958 Tenth Impression Books. So there should be 1000 copies of the 1958 UK Tenth Impression book with a Ninth Impression Jacket, which would make this even more scarce than the 3,500 copies of the Tenth Impression books in the Tenth Impression Jackets. The dustjacket is not price clipped and in Very Good Plus/Near Fine condition, with only the most minor of rubbing to the edges, with a tiny bit of loss at the tips of the folds, but lacking any of the normal tears to the edges. Edges of the text block are clean and unfoxed, with the top edge slightly dusty. A beautiful copy, of an early printing, of this much sought after children's classic. A custom faux leather slipcase included, featuring the original Mountain and Dragon design by Tolkien, reflects the design on the covers of the book. Additional digital images are available, inquire if interested. Other Tolkien books available, include both the UK and US editions, original cloth bindings, custom fine bindings, and Signed/Numbered/Limited Editions. Very Good Plus / Very Good Plus.

      [Bookseller: The Tolkien Bookshelf]
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        DOCTOR ZHIVAGO

      London- UK: Collins-Harvill Press, 1958. DOCTOR ZHIVAGO- Boris Pasternak- Collins-Harvill Press- Lonndon-UK 1958- TRUE 1st Edition-1st Printing- English. Hardcover:-8vo- VG++-Near FINE/VG+ dj has several nicks, repaired spine tear and dime sized piece missing from top of dj near top spine otherwise price-clipped but complete with B&W photo of Pasternak on back of dj.- Publishers original red cloth with gilt titles on spine- Very Scarce!!-510pp are clean, no tears or writing-A solid book.- SEE PHOTOS- Basis for the 1965 David Lean epic, which featured Omar Sharif, Julie Christie, Geraldine Chaplin, Rod Steiger, Tom Courtenay, Siobhan McKenna, Ralph Richardson, and Alec Guinness. The film won five Oscars-Paternak was awarded the Nobel Prize for Literature in 1958. Fiction-adventure-romance-Russia-revolution-movie-tie-in-Oscar-classic (3444) . 1st Edition-1st Printing-UK. Cloth. VG++-Near FINE/VG+. 8vo - over 7¾" - 9¾" tall.

      [Bookseller: jakoll]
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        Doctor Zhivago

      London: Collins and Harvill Press,, 1958. Translated from the Russian by Max Hayward and Manya Harari. Octavo. Original red cloth, titles to spine gilt. With the dust jacket. Ownership signature to front free endpaper. A superb copy in the very lightly rubbed jacket. First English language edition, first impression.

      [Bookseller: Peter Harrington]
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        The Catcher in the Rye (First Modern Library Edition, inscribed by Salinger in 1959)

      New York: Modern Library, 1958. First printing of this edition. INSCRIBED by the author on the front endpaper: "To Suzie Boorsch, / with best wishes, / J.D. Salinger / The New Yorker / May 2, 1959." The only Salinger inscription we have seen referencing The New Yorker, the magazine Salinger was most closely associated with during his literary career, with a date just two months before the publication of "Seymour: An Introduction" in the June 6, 1959 issue.& & Very Good plus in a Very Good plus dust jacket. Professional repair to split at the front hinge, spine very slightly shaken, with a touch of wear to the tips. Jacket is lightly toned at the spine and edges, with a short closed tear to the front panel and a touch of rubbing at the heel, but presents very well.

      [Bookseller: Royal Books, Inc.]
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        Autograph letter signed, from Christie to Wilder regarding Wilder's movie version of "Witness For the Prosecution"

      South Devon, UK, no date.. ALS, one leaf, pp.2, on Christie's note paper printed with her address. Single hole punch and staple, folded once, fine. Housed in presentation book-box. Written out by the author in blue ink; Dear Billy Wilder, Larry Bachman tells me that you never heard whether I liked your picture Witness For the Prosecution. Well- I did [underlined twice]. What's more- I enjoyed [underlined]- a thing I never suspected to when seeing a film made from one of my books! You did a wonderful job and I admire that film very much still. Most people do. So let me make amends. Yours, Agatha Christie. Superb content, and perhaps the author's only written communication with Wilder, who had directed the Oscar-nominated 1958 adaptation of her classic 1948 short story. Wilder, who was regarded as one of the most brilliant and versatile filmmakers of Hollywood's golden age, and who was nominated for eight Academy Awards (winning twice) was responsible for such acclaimed motion pictures as Sunset Boulevard, The Seven Year Itch, The Spirit of St.Louis, Stalag 17 and Some Like It Hot. Less well know are his contributions to cult 60'as films Ocean's Eleven and Casino Royale! A remarkable piece of cinema history.

      [Bookseller: Adrian Harrington Rare Books]
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        FOUR PAGE TLS FROM ROBERT FINK 11/20/58

      N.P. CA.: Fink, 11/20/58, 1958 FOUR PAGE TLS FROM ROBERT FINK 11/20/58 to Henry Miller from his close friend Robert Fink on 8vo., off-white bond in near fine condition. "Dear Henry:- / I need two paperback Colossi very badly. One for Edie's Spanish teachers also teaches French. He was at one time a student of Wallace Folie and for some curious reason never read any of your books! So I wish to give him Colossus, since he is a nice Jewish boychik and his wife is a typical New York girl from the era when all the Yiddish mamas [during the 20's] were naming their daughters Shirley. The Gentiles used other names. . . [ask your first wife!]. Anyway the enclosed is for the Colossi. / I don't know the author of that limerick "tome". It is banned like the Tropics so I can't get one although I have tried". What follows is more about Miller's new sound system, Fink's shopping for corduroy slacks for Miller & Capri pants for Eve, a note about Nexus & 28 'dirty' limericks, Bob's naughty specialty & Miller's fascination. A curious letter signed twice -at the bottom of page 1 & page 4. Page one in very good condition with one short closed tear repaired archivally, otherwise the following pages are in fine condition. Robert Finkelstein (later Fink) was a fan, correspondent, and benefactor of Henry Miller. Their friendship strengthened when Fink and his wife Edie moved to Los Angeles from Chicago in 1949. Fink soon found an excellent job in Los Angeles and opened his own successful electronics business. The Finks visited Big Sur on weekends, sometimes taking food and other gifts for which Miller reciprocated with manuscripts and water colors. Fink offered help in Miller's attempts to help other impoverished writers who appealed to him for funds, food or a place to stay. Fink also began defending Miller against vilifying editorials, writing articles praising Miller's works and character. Provenance: PBA /The Personal Archive of Henry Miller Part I Fine Modern Literature Thursday, June 26, 1997.. Signed by Author. Original Autographed Letters & Documents.

      [Bookseller: TBCL The Book Collector's Library]
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        The Memoirs of Field Marshall the Viscount Montgomery of Alamein

      London: Collins, 1958 With a dedication by Montgomery to Alderman Dalton, dated 31st October 1959 on the occasion of the unveiling of the Churchill statue in Woodford Green. Also signed by Winston S Churchill. Housed in a leather and cloth Asprey box, with lovely gilt tooling to the spine. One of the very few items signed jointly by these great men!

      [Bookseller: Madoc Books]
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        Collection of Sherlock Holmes Novels

      1958. A Fine Collection of Sherlock Holmes Novels DOYLE, Arthur Conan. [Collection of Sherlock Holmes Novels]. London: John Murray, [1958-1964].Uniform Edition. Fifteen (of eighteen) octavo volumes (7 1/16 x 4 11/16 inches; 179 x 119 mm.).Comprising the following Sherlock Holmes titles: The Adventures of Sherlock Holmes ([1960]); The Case-Book of Sherlock Holmes ([1960]); The Return of Sherlock Holmes ([1962]); His Last Bow ([1960]); The Hound of the Baskervilles ([1964]); The Sign of Four ([1963]); and The Valley of Fear ([1959]); as well as Sir Nigel ([1959]); The White Company ([1962]); The Refugees. A Tale of Two Continents ([1960]); Rodney Stone ([1963]); Uncle Bernac. A Memory of the Empire ([1959]); The Exploits of Brigadier Gerard ([1961]); The Lost World. Being an Account of the Recent Amazing Adventures of Professor E. Challenger…([1960]); and The Tragedy of the Korosko ([1958]). Without The Memoirs of Sherlock Holmes, Micah Clarke, and Adventures of Gerard.Uniformly bound (probably by Morrell) for Henry Sotheran (stamp-signed on the front free endpaper) in three-quarter red polished calf over red cloth boards. Spines ruled in blind with five raised bands and blue morocco gilt lettering labels, top edge gilt, marbled endpapers. Mildest uniform fading to spines. Otherwise a fine set.

      [Bookseller: David Brass Rare Books, Inc.]
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        *Signed 14x* Walt Disney the Art of Animation; The Story of the Disney Studio Contribution to a New Art

      Golden Press, 1958. First Edition 1st Printing. Hardcover. Good. Signed. This copy is *AUTOGRAPHED/SIGNED* 14 times; by Walt Disney (to Virgina all Best) [obverse front fly], Roy E. Disney (with Love), Jack Hannah [copyright page], Bob Broughton, Emilio Bianchi [pg 44], Bill Justice (Luv to Ginny) [pg 47], Al Bertino [pg 53], Art Cruickshank [pg 123], Ub Iwerks [pg 126], Frank Thomas, Ward Kimball [pg 134], Ollie Johnston [pg 135], Ward Kimball [again], Jack Boyd [pg 158]. Generally signed at their photo or reference, signed 14 times by 13 Disney artists & animators. Good+ (5 of 10) / in Very Good- dustjacket (6 of 10). The DustJacket is protected inside a recent archival plastic protector sleeve. There is rub-through/shelf wear to the bottom. Some minor black staining from previous dj protector to the ends of the boards. First Edition 1st Printing (no additional printings indicated) [Walt Disney (December 5, 1901 - December 15, 1966), Roy E. Disney (January 10, 1930 - December 16, 2009, son of Roy O. Disney, a longtime senior executive for The Walt Disney Company), Jack Hannah (January 5, 1913 - June 11, 1994, an animator, writer and director, credited with developing, if not creating, the personality of the animated version of Donald Duck.), Bob Broughton (September 17, 1917 - January 19, 2009, camera effects artist on both animated and live-action motion pictures), Emilio Bianchi, Bill Justice (February 9, 1914 - February 10, 2011, animator on features Fantasia, The Three Caballeros, Alice in Wonderland, and Peter Pan. Arguably best known as the animator of the rabbit Thumper from 1942's Bambi and chipmunks Chip 'n Dale.), Al Bertino (July 15, 1912-August 18, 1996, animator on Pinocchio and Fantasia, wrote for the Wonderful World of Disney, and helped create a number of attractions at Disneyland), Art Cruickshank (1918 – 1983, joined Disney in February 1939 as an animation camera operator. He handled layouts for the multiplane camera. He won an Oscar for Fantastic Voyage.), Ub Iwerks (March 24, 1901 - July 7, 1971, two-time Academy Award winning American animator, cartoonist, character designer, inventor, creator of Mickey Mouse, and special effects technician.), Frank Thomas (September 5, 1912 - September 8, 2004, animator, one of the nine old men. He animated the dwarfs crying over Snow White's "dead" body, Pinocchio singing at the marionette theatre, Bambi and Thumper on the ice, Lady and the Tramp eating spaghetti.), Ward Kimball (March 4, 1914 - July 8, 2002, animator, one of the nine old men. He created several classic Disney characters including the Crows in Dumbo; Tweedledum and Tweedledee, the Mad Hatter and the Cheshire Cat from Alice in Wonderland; the Mice, Lucifer the Cat and Bruno the Dog from Cinderella; and Jiminy Cricket from Pinocchio.), Ollie Johnston (October 31, 1912 - April 14, 2008, animator, one of the nine old men. He was a directing animator beginning with Pinocchio. He contributed to most Disney animated features, including Snow White and the Seven Dwarfs, Fantasia and Bambi.), Jack Boyd (1916 - 1998, Animator and effects animator 1939-1973 worked on Donald Duck, Goofy, Mickey Mouse, Pluto, Make Mine Music, Fun and Fancy Free, Ichabod and Mr. Toad, Cinderella, Sleeping Beauty, 101 Dalmatians, The Sword in the Stone, Mary Poppins, Bedknobs and Broomsticks, The Fox and the Hound, Mickey's Christmas Carol).]. * * * * * * * * * * {FREE Media Mail Shipping! Images available for any item, just ask. Any images shown next to the listing that have our www.aCastleofBooks.com watermark on them are the exact item you will receive, all other images are for reference only. Free delivery confirmation for domestic orders. Books with Author signatures are guaranteed authentic. We understand collectors needs in terms of accurate grading and proper packaging. We stand behind our descriptions 100%. All items will be shipped securely to insure that they arrive in exactly the same condition in which they left. May have small easily erasable pencil markings on first page. Our Packing Slips do not contain any pricing information so you may order items as Gifts or for Dropship without concern. We ship every Monday, Wednesday & Friday morning. All items subject to prior sale. Why the odd prices? We run a percent discount for our Biblio listings, which insures Biblio has our lowest prices online, but does give odd change.}

      [Bookseller: A Castle of Books]
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        Les Americains [The Americans]

      Paris: Delpire,1958.. First edition of the photographer's masterpiece with 83 black-and-white full-page photogravures. Oblong quarto. Original boards illustrated by Saul Steinberg. Signed by Robert Frank. In near fine condition that shows light wear.

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
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        THE RED SCARF

      New York: Mystery House New York: Mystery House,. [1958]. cloth.. Some light black staining to edges of black boards and endpapers from. an old style dust jacket protector, light abrasion to front free. endpaper, a very good plus to near fine copy in very good dust jacket. with light shelf wear to spine ends and corners with a little stress. creasing, lower edge of dust jacket shows a little black staining.. Still an attractive copy of a scarce book. (#125552). First edition. Gil Brewer was on the major writers in the Gold Medal line of paperback originals. This hard-boiled novel is one of two books published in hardcover by Brewer, both of which are scarce. "But his most accomplished work is one of two hardcovers, THE RED SCARF -- a tense story of a motel owner caught up in a web of greed, treachery, and violence made all the more complex by his own weakness." - St. James Guide to Crime & Mystery Writers (4th edition), p. 109. Anthony Boucher called THE RED SCARF the "all around best Gil Brewer ... a full packed story" (New York Times). Pronzini and Muller, 1001 Midnights, pp. 90-1.

      [Bookseller: L. W. Currey, Inc. ]
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        The Bill of Rights

      Presentation copy of Judge Hand's only book-length work--"To Edward Weinfeld / who brings to our common / calling a devotion to justice / a penetrating intelligence / and a fabulous industry / Learned Hand / April 14, 1958". Original green cloth, gilt, a trifle worn and the gilt on the spine a bit dull, else a very good, clean copy. Harvard University Press, Cambridge, 1958.

      [Bookseller:  Meyer Boswell Books, Inc.]
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        IL GATTOPARDO.

      In-8 p., cartonato edit. giallo figur., pp. 330. "Rara prima edizione" (novembre 1958) del romanzo di Giuseppe Tomasi principe di Lampedusa (Palermo 1896 - Roma 1957), ritenuto uno dei massimi capolavori della letteratura italiana del '900. Esemplare ben conservato.

      [Bookseller: Libreria Antiquaria Malavasi]
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        Le Poème Électronique.

      Paris: Editions de Minuit 1958. Rigt illustr. i s/h og farver. 235 s. Orig. hellrd. Richly illustr. in black/white and colour. Publisher's cloth. With dust jackets

      [Bookseller: Peter Grosell's Antikvariat]
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        Paterson

      New Directions (New York): New Directions. (1946, 1948, 1949, 1951, 1958). First. First editions. Five volumes. A somewhat worn set of the first editions, lacking the dustwrappers. Poet and critic Karl Shapiro's copies with his ownership signature in each of the first four volumes and his notes in each volume. Shapiro has marked the number of each volume (in Roman numerals) on the front board and on the spine. Shapiro was an important if not easily classifiable poet. He rejected both the "new criticism" and the pragmatists and instead settled on Walt Whitman and William Carlos Williams as his models for great American poetry. His championship of Williams' poetry, and particularly of Paterson, was influential in establishing the high regard in which the work is now held. A magnificent association copy of one of the great American poem cycles. Connolly 100. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Doctor Zhivago. Translated from the Russian by Max Hayward and Manya Harari.

      London, Collins and Harvill Press, 1958. Orig. full red cloth w. gilt lettering to back in an excellent, not price-clipped orig. red, blue and yellow dust-jacket w. only very minor nicks and creases to extremities. An excellent, nice and clean copy.. First English edition, first printing of this modern classic, which tells the tragic story of the medical doctor and poet, Yuri Zhivago, in the years during the Russian Revolution.Though begun several decades earlier, the work was completed in 1956, and was submitted for publication to the journal "Novij Mir" the same year, but due to the controversial contents of the work and the Soviet government's dislike of Pasternak, it was rejected. The following year the manuscript was smuggled out of the Soviet Union by the Italian publisher Feltrinelli, who published the book in Russian in Milan in 1957. Already the following year numerous European translations of the work had been made, and the English and Italian ones appeared as the first. These immediate translations and the publications of them partly caused Pasternak being awarded the Nobel Prize for literature in 1958. Due to the immense popularity of the work, all the European translations were reprinted numerous times.In 1965 the work was made into the large-scale film-production by David Lean, which was nominated for ten Oscars and won five

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        [Cyrillic:] Doctor Zhivago.

      Milano; Feltrinelli, n. d. [late 1958 or early 1959]. First official, or first trade edition in Russian. 22x14,5 cm. (3, 1 blank), 566, (1, 1 blank) pp. Publisher's green boards with pictorial dustjacket. The jacket is price-clipped and a bit chipped at extremities. Spine ends and corners are slightly bumped, and there is a small pressure mark on front board. Contents are clean but a bit toned in margins, as should be expected. There is a small separation between the half title and the title leaf, and a minimal hole in the gutter between rear free endpaper and rear board. A gift inscription in Cyrillic on front free endpaper. This edition is often referred to as the first Russian, but it was in fact preceded by the limited edition by Mouton in The Hague, published in late 1958 (cf. Biondi, Working and typesetting manuscript trees and the first and early editions of Doctor Zhivago, in the magazine Firsts, June 2003). Pasternak finished the novel in late 1955, but was never able to publish it in the Soviet Union, since it had been turned down by the official stately publisher, Goslitizdat. Several typescripts of the novel reached Western Europe and a number of translations were initiated, based on the different versions. Feltrinelli's Italian edition of 1957 was the first to be published. Since Pasternak was a candidate for the 1958 Nobel Prize for literature, both Feltrinelli and Mouton wished to publish the novel in Russian before August, should the novel be considered by the Swedish Academy as a part of Pasternak's literary achievement, and Mouton carried this out shortly before Feltrinelli

      [Bookseller: Patrik Andersson Antikvariat]
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        METHUSELAH'S CHILDREN

      Hicksville N.Y.: Gnome Press Hicksville, N.Y.: Gnome Press,. [1958]. boards.. Text block age-darkened (less than usual), a fine copy in fine first. state dust jacket (with the publisher's address "80 East 11th St.,. New York 3" at bottom of rear panel) with some light foxing to spine. panel and along rear flap fold. A nice copy. (#106899). First edition. First binding of black boards with spine panel lettered in red. The scarcest volume in Heinlein's "future history" series. Anatomy of Wonder (1995) 3-89. See Survey of Science Fiction Literature IV, pp. 1645- 54.

      [Bookseller: L. W. Currey, Inc. ]
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        Mexico

      Tokyo: Kenko sha Tokyo: Kenko-sha, (1958). First Edition. Folio. Lovely gravure images (with several color shots) of the people and monuments of Mexico. Very light foxing, else fine in a near fine jacket, publisher's colorful cardboard slipcase, evenly worn, with a small stain at the bottom of the spine. OCLC locates a single copy.

      [Bookseller: Harper's Books, Inc. ]
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        Unter Krahnenbäumen

      Koln: Greven Verlag Köln: Greven Verlag, (1958). First Edition. Square quarto. The photographer's first book. Images of the Krahnenbäumen neighborhood in Köln. Text by Heinrich Böll. Uncommon book by an important European photographer best-known for his Parr / Badger book, "Koln 5 Uhr 30" Near fine in an almost near fine jacket.

      [Bookseller: Harper's Books, Inc. ]
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        Odes/Odas

      Colombo Buenos Aires: Colombo, 1958. Quarto. 32pp. From an edition of 52 copies, this is one of thirty-two copies printed on Ingres. An elegantly-printed bilingual edition of Keats's Odes, in English and Spanish, each with a full-page lithograph by Raúl Veroni of the poem's subject. The first illustration is signed in pencil by the artist. The collection includes such poems as "Ode on a Grecian Urn" and "To a Nightingale," with English and Spanish version of the poems opposite each other on facing pages. Veroni collaborated with the prominent Argentinean publisher Francisco A. Colombo for many years, beginning in 1937 when he was still a student at the National Academy of Fine Arts. The experience prepared him well to open his own graphic studio in the 1970s. Bound in off-white printed wrappers, with original glassine. This is the fourth volume in a series of poetry chapbooks, La Cabellera, by Veroni. Two small spots of discoloration to rear wrapper, and a couple of faint spots to page edges. Very fine.

      [Bookseller: Bromer Booksellers ]
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        Mayor Watching and Other Pleasures

      New York: Rinehart & Company New York: Rinehart & Company, 1958. First edition, first printing. From the library of fellow writer at The New Yorker and friend, Joseph Mitchell bearing his ownership stamp to the front endpaper. Presentation copy; signed and inscribed by Hamburger for Mitchell and his wife, Therese: "For Joe & Therese/ With warm/ regards from/ their friend/ Philip Hamburger". Near fine and very lightly rubbed at the extremities; in a jacket with some light wear rubbing with some light chipping to the spine ends, some splitting and some chips along upper front flap, else very good. An attractive copy with an excellent New Yorker magazine association.. Signed by Author. First Edition. Hard Cover. Very Good/Dust Jacket Included.

      [Bookseller: B & B Rare Books, Ltd., ABAA ]
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        Komplet samling af Tunströms værker i bogform i originaludgaver alle i orig. bd. Sthlm., Lund, Uddevalla, Ungern, Göteborg m.v., 1958 - 1998. 27 bind.

      1) Inringning. Dikter. (Sthlm., 1958). Ubesk. i orig. omsl. Rent og friskt eksemplar af T.s debut. Omsl. af Håkan Engström.2) Två vindar. Dikter. (Sthlm., 1960). Ubeskåret og uopskåret i orig. omsl. Helt frisk. Omsl. af Lennart Iverus.3) Karantän. Roman. (Sthlm., 1961). Ubeskåret i orig. omsl. Omsl. m. en anelse brugsspor, men ellers et rent eksemplar af T.s første roman. Omsl. af Lars Wellton.4) Nymålat. Dikter. (Sthlm., 1962). Ubeskåret i orig. omsl. Foromsl. m. små rifter for oven. Omsl. af Lena Cronquist.5) Maskrosbollen. Roman. (Sthlm., 1962). Ubeskåret i orig. omsl. Ren og pæn. Omsl. af Stig Claesson.6) Familjeliv. En berättelse från Tobobac. (Sthlm., 1964). Ubeskåret i orig. omsl. m. det orig. sorte smudsomsl. m. kighullerne til omsl. Kighullet på forsiden af smudsomsl. m. små rifter, ellers rent og friskt, delvist uopskåret ekspl.7) Om förtröstan. Dikter. (Sthlm., 1965). Ubeskåret i orig. omsl. Helt frisk. Omsl. af Lena Cronquist.8) De andra de till hälften synliga. Dikter. (Sthlm., 1966). Ubeskåret og uopskåret i orig. omsl. Aldeles frisk. Omsl. af Lena Cronquist.9) Hallonfallet (kanske en deckare). Sthlm., (1967). Ubeskåret i orig. omsl. Omsl. m. en smule brugsspor. Roman skrevet under T.s pseudonym Paul Badura Mörk. Omsl. af Bernt Johansson.10) Samtal med marken. Sthlm., (1969). Ubeskåret og uopskåret i orig. omsl. Helt frisk. "Förhandsexemplar". Omsl. af Lena Cronquist.11) De heliga geograferna. Roman. (Lund, 1973). Ubeskåret i orig. omsl. Omsl. m. lidt brugsspor, ellers ren og pæn. Omsl. af Tage Åsén.12) Stormunnans bön. Teckningar av Lena Cronqvist. (Uddevalla, 1974). Orig. omsl. Lille stempel på foromsl: "För benägan anmälan". Omsl. af Lena Cronqvist.13) Svartsjukans sånger. Dikter. (Sthlm., 1975). Ubeskåret i orig. omsl. Foromsl. m. lidt brugsspor i højre margin, ellers ren og pæn. "Recensionsexemplar från Albert Bonniers Förlag". Omslagsvignet af Lena Cronqvist.14) Guddottrarna. (Sthlm., 1975). Ubeskåret og uopskåret i orig. omsl. Helt friskt ekspl. Omsl. af Tge Åsén.15) Sandro Botticellis Dikter.(Sthlm., 1976) Ubeskåret og uopskåret i orig. omsl. Frisk. Omslagsvignet et Lena Cronqvist.16) Prästungen. Berättelse. (Sthlm., 1976). Orig. brunt helshirtbd., orig. smudsomsl. En anelse stødt v. kapitæler og hjørner, ellers ren og frisk. Illustrationer af Lena Cronqvist. Omslagsfoto af Nisse Peterson.17) Dikter till Lena. I urval av författeren. Förord av Lars Grahn. Sthlm., (1978). Orig. rødt papbd. En smule brugsspor v. kapitæler, ellers pæn og ren.18) Ökenbrevet. (Sthlm., 1978). Orig. lysebrunt helshirtbd., orig. smudsomsl. Omsl. m. en smule brugsspor v. hjørner og kanter, ellers ren og pæn. Omsl. malet af Lena Cronqvist. M. egenhændig DEDIKATION fra "Göran" Tunstrøm til "Margareta", dat "febr 79". Indlagt ORIG. BLYANTSTEGNING forestillende Tunström, udført af Margareta?19) Sorgesånger. Dikter. (Sthlm., 1980). Ubeskåret i orig. omsl. Foromsl. m. en anelse brugsspor, ellers ren og pæn. Omslagsvignet af Lena Cronqvist.20) Juloratoriet. Roman. (Ungern, 1983). Orig. rødt helshirtbd., orig. smudsomsl. Aldeles friskt og rent ekspl. af romanen, for hvilken T. fik Nordisk Råds Litteraturpris 1 1984. Omslagsmaleri af Lena Cronqvist, omsl. af Jan Biberg.21) Indien - en vinterresa. Teckningar Lena Cronqvist. (Uddevalla, 1984). Orig. hvidt helshirtbd., orig. smudsomsl. Omsl. m. lidt rifter for oven, ellers pæn og ren.22) Tjuven. Roman. (WSOY, Finland, 1986). Orig. mørkerødt helshirtbd., orig. smudsomsl. Særdeles friskt ekspl. Omsl. Jan Biberg.23) Chang Eng ett skådespel. (Sthlm., 1987). Orig. gult helshirtbd., orig. gult smudsomsl. Foromsl. m. revne i højre hjørne, ellers ren og frisk. Omsl. Jan Biberg.24) Det sanna livet. (Wettergrens Bokhandel AB Göteborg har utgivit Göran Tunströms Det sanna livet som julhälsning 1987). Orig. blankt omsl., orig. smudsomsl. Ren og pæn. Omsl Lena Cronqvist. Udkom ikke i boghandelen.25) Under tiden. (WSOY, Finland, 1993). Orig. grå-grønligt helshirtbd., orig. smudsomsl. Helt frisk. Signeret af Göran Tunström på smudstitelbladet. Omsl. Jan Biberg. "Tjugoförsta-tjugosjunde tusendet".26) Skimmer. Roman. (Smedjebacken, 1996). Orig. rødt helshirtbd., orig. smudsomsl. Helt frisk. Omslagsmaleri af Linus Tunström.27) Berömda män som varit i Sunne. Roman. (Falun, 1998). Orig. rødt papbd, orig. smudsomsl. Aldeles friskt ekspl. af det sidste værk, der udkom i T.s levetid. Omsl. af Johan Petterson.. For første gang til salg et komplet sæt af Tunströms bogværker i originaludgaver. Tunström er en af Sveriges mest læste og elskede forfattere. Han døde i 2000 og har uden tvivl sat sig dybe spor i litteraturen. Hans værker er oversat til flere sprog, og han har modtaget adskillige priser for sin fremragende litteratur, bl.a. Nordisk Råds Litteraturpris i 1984

      [Bookseller: Lynge & Søn A/S]
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        Derrière Le Miroir No. 107 - 108 - 109, Sur 4 murs. Miro, Chagall, Giacometti, Tal Coat..

      Maeght Éditeur, Paris, 1958. In French. 32 including the covers. Wrappered. Good condition

      [Bookseller: Jones Antikvariat]
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        Candy.

      Paris, The Olympia Press, (1958). Original printed green wrappers. Green border on title-page. Spine a bit worn, with minor loss of upper layer of paper to hinges and capitals. Light wear to extremities. Lower corner of front wrapper slightly bent. Internally nice and clean.. The scarce first edition, first issue (Traveler's Companion Series, number 64, printed October 1958, with the Francs 1.200 to back wrapper, not overstamped. - N.B. the 1.200 has been crossed out by hand, with a pen, but it is NOT stamped over) of Southern and Hoffenberg's greatly scandalous novel, which was confiscated by the Brigade Mondaine (i.e. La Brigade de répression du proxénétisme (BRP)) and officially banned in France. Candy not only caused an inevitable furor for its vulgar take on contemporary culture, but brought about landmark changes in how the First Amendment applied to erotic literature. The work, which constitutes the unison of three greatly provocative and time-changing minds (Southern, Hoffenberg, and Girodias), quickly gained classic status and is now one of the most famous Beat-novels. It was famously made into an all-star film (starring Marlon Brando, Richard Burton, James Coburn, Charles Aznavour, John Huston, Ringo Starr, Walter Matthau, John Astin, and Ewa Aulin) by Christian Marquand in 1968, and in 2006 Playboy Magazine listed it among the 25 Sexiest Novels Ever Written, describing the story as a young heroine's picaresque travels, a kind of sexual pinball machine that lights up academia, gardeners, the medical profession, mystics and bohemians.The work was published pseudonymously by Maurice Girodias, owner of the scandalous Olympia Press, in October of 1958. Almost immediately noticed by the BRP, who seized copies of it in the Paris bookshops, Candy was officially banned in France in May of 1959 (under a statute called the 1939 Decree, an amendment to the law of 1881, which gave the French government more power to ban offensive publications in foreign languages).In December of 1958, Maurice Girodias changed the title of Candy and reissued it as Lollipop in order to fool sensors and sell the remaining copies of the work. This supposedly work quite well and many copies of the book survived thus, leaving the first edition with the original title quite a scarcity, both in the first (not-overstamped) issue and the second issue. Later on, Candy was published in North America, by Putnam, under the authors' own names, those being Terry Southern and Mason Hoffenberg. In an interview, Terry Southern explains the origin of the pseudonym as thus: Yeah. And the name of the author was Maxwell Kenton. A name I first used with David Burnett, of all people. He was the son of Martha Foley and Whit Burnett of The Best American Short Stories fame. We were collaborating on some short detective stuff, and even sold a couple to Argosy Magazine, and we used the pseudonym 'Maxwell Kenton'. So when Mason at one point had an attack of conscience and said, Man, I've decided I don't want my mother to know about this book, we took the name Maxwell Kenton so his mother would be spared anguish at her Mah-Jong parties. (Smoke Signals).Terry Southern, though mostly famous for his bestseller Candy, which greatly influenced popular culture of the 1960'ies, was known for a lot of things, including writing much of the film dialogue of the landmark films Dr. Strangelove and Easy Rider. In his The Candy Men. The Rollicking Life and Times of the Notorious Novel Candy'', Nile Southern tells the story of the book, the men behind it, and the furor that it caused: When I was in grade school in 1967, one of my six-year-old classmates, Daisy Friedman (now a writer), turned to me and said, Your father is a dirty old man! I asked how she knew that, and she said, He wrote a book called Candy - and it's a dirty, dirty book! Again, I asked how she knew all this, and she said, Because my parents told me - they have it on their bookshelf. Not knowing what a dirty old man was, I came away with the impression that whatever my father was, he was a great Upsetter. I would later learn that young, literate New Yorkers had no issue about having a copy of Candy in their libraries, but this was certainly not the case across the country - censorship and prudishness were in fact still alive and well, not only in the United States but abroad.I first got the idea for The Candy Men after reading a letter in Terry's files from a British barrister advising how (even in 1968) the only way Candy could appear in England would be to undergo a pornectomy - eliminating about eighty instances of what was considered indecency, which the barrister had handily indexed in a kind of blueprint for the operation. The assessment featured page after page of cryptic references to offending words and passages to be excised or modified: Page 60 line 7 COME amend to come to you without capitals; Line 15 jack-off amend to liberate; Page 93 line 2 exactly like an erection. Delete.(...)There were three men responsible for bringing the erotic fantasy Candy to fruition - and they could not have been more different. The first, Maurice Girodias, was Europe's most infamous publisher and indefatigable survivalist. Girodias put out otherwise unpublishable works of (mostly) erotic literature in English when the English-speaking world needed them most: Lolita, Naked Lunch, Henry Miller's The Tropics, the Marquis de Sade. As Girodias wrote of himself, The connecting link is clear enough: anything that shocks because it comes before its time, anything that is liable to be banned by the censors because they cannot accept its honesty. Girodias was also a seasoned gambler. A day out of court is a day wasted, he used to quip.Mason Hoffenberg, the second of the three, was one of the smartest, hippest, most undisciplined poets on the scene - whether it be Joe's Dinette, the Riviera bar in the Village, or the Old Navy on the Left Bank of Paris. A permanently kicking junkie as William Burroughs once described him, Mason the writer never really got started - though Terry, his best friend, described him as a Nobel Prize-type genius.And Terry Southern, a writer with a destiny and a killer ear for dialogue. Terry's mandate was to take things as far out as they could go - with absolute credibility. A prose stylist gone Hollywood - his Texan, Irish, and Native American roots made him Trickster and Taurus bull - oblivious to the rules of the Game

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        Oeuvre complète: Le Corbusier & Pierre Jeanneret 1910- 1929; Le Corbusier 1929-34; Le Corbusier & P. Jeanneret 1934-1938; Le Corbusier 1938-46; Le Corbusier 1946-52; Le Corbusier 1952-57; Le Corbusier 1957-65 ( 7 Bde.).

      Quer-Gr.8°, zus. ca. 1700 S., zahlr., oft farb. Abb., OLwd. m. OU, OUs min. randrissig u. tlw. unsauber. Bücher im Schnitt und einige S. stockfleckig - gutes Exempalr. Div. später Auflagen. Text mehrheitl. frz., einige Bde. m. frz./dt./engl. Kommentaren.

      [Bookseller: Antiquariat Peter Petrej]
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        Whistle Down the Wind: A Modern Fable

      London: T.V. Boardman & Company Limited. (1958). First. First edition. Very near fine in an about very good dustwrapper with an ink squiggle on the front panel, several small chips and tears, and with clippings for the world premiere of the stage version and for the film laid in. Inscribed by the author to actress Vivien Leigh: "For Vivien for Christmas with my love always. Mary." A fable for children, basis for the film of the same name, which included one of the earliest performances by the author's daughter, Hayley Mills. Also made into a musical by Andrew Lloyd Webber in 1992 with lyrics by Jim Steinman. Leigh was a close family friend and the godmother of Hayley's sister, Juliet Mills. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Original machine-written letter with original hand-written signature (in full) for "Lieber Herr Giustiniani!".

      Dated "Freiburg i Brsg. 6. März 1958". 1/2 page 4to. Heidegger thanks Giustiniani for a very nice evening in his house together with his Italian students. He furthermore thanks him for an admittance card to the Italian national museaum and asks G. to thank the Government Department for it as well. Heidegger, who was not fond of travelling, hopes to be able to visit soon, since he has long wished to visit Italy.. The letter is for the Italian Freiburger colleague, Vito R. Giustiniani (1916 - 1998). Enclosed it the carbon copy of the letter written by Giustiniani to Heidegger on "5.3.1958", in which he thanks him in very warm tones for having visited him and spent time with his students, and in which he tells him about the entrance card for the national Italian museum and the excavations, which the Italian Ministery of Teching has made for Heidegger and his wife

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        Quiet Days in Clichy

      Olympia Press Paris: Olympia Press. 1958. First. Second edition. Photographs by Brassai. Bound sheets in dustwrapper as issued. Fine in very slightly rubbed, fine dustwrapper. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Pour la forme. Ébache d'une méthodologie des arts.

      Edite par L'Internationale Situationniste, Paris 1958. 4to. 136+(2) pages. With numerous b/w illustrations by the author. Publisher's soft cover with illustration by Jorn on front. Near fine with very slight edgewear and minor discolouring on the back side.. With a large inscription by Asger Jorn to Knud W. Jensen, the founder of the Danish art museum Louisiana: 'Tak for besøget i Louisiana Hr. og Fru Knud W. Jensen fra Asger Jorn 13/12 1958' - [Thank you for the visit at Louisiana ... - signature in full].** Asger Jorn visited Lousiana at the year of its foundation and a few years later there was a great retrospective exhibition. Today Asger Jorn paintings have their own room at the fine museum just north of Copenhagen. A truly great association copy.*** Jorn's most important contribution to the publications by his and Guy Debord's Situationnist movement

      [Bookseller: Vangsgaards Antikvariat]
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