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Displayed below are some selected recent viaLibri matches for books published in 1957

        Petite anatomie de l'inconscient physique ou l'anatomie de l'image. Mit 10 Illustrationen von Hans Bellmer.

      Paris, Le Terrain Vague, 1957. . Eines von 950 Exemplaren auf "Neige du Marais". Exemplar außerhalb der Numerierung (GA 1016 Ex.). - Monod 1308. Erste Ausgabe des kunsttheoretischenTextes über die Entstehung von Bildern als Ausdruck des Unbewußten, mit stark erotischen oder sexuell bezogenenen Assoziationen. - Umschlagkanten mit kl. Läsuren

      [Bookseller: Antiquariat Reinhold Pabel]
 1.   Check availability:     Biblio     Link/Print  


        The Hawk in the Rain - SIGNED by the Author with the wrap-around band

      Faber, 1957 A first edition, first printing published by Faber in 1957. A very good+ book with some spotting to the endpapers and to the page edges (as is common with this title) and a little mottling to the boards. SIGNED (with best wishes from) Ted Hughes to the front endpaper. In a very good+ unclipped wrapper with a little repair to the spine tips and corners. Complete with the rare wrap-around band, stating the book to be The Choice of the Poetry Book Society. Exceptionally rare signed and with the band. The Authors masterpiece and first collection of poems.[removed][removed]

      [Bookseller: John Atkinson Books]
 2.   Check availability:     Biblio     Link/Print  


        The Little Bulbs: A Tale of Two Gardens

      New York: Criterion Books, 1957. First Edition, First Printing. Hardcover. Very good in original grey cloth, and very good pictorial dust jacket. Cloth somewhat spotted and jacket toned, worn at the corners, and price-clipped. Text clean and bright. Previous owner's signature on front paste down, obscured by dust jacket flap.. Octavo. 5.75 x 8.5 in. 248 pp. Inscribed by the author on the front free endpaper; scarce signed. With a planting guide laid in from Holland Bulbs.

      [Bookseller: Captain's Bookshelf, Inc., ABAA]
 3.   Check availability:     Biblio     Link/Print  


        BARCHE A PELLESTRINA

      1957. Acquatinta a colori Buon es., incorniciato Es. n.24/33, firmato in basso a sinistra

      [Bookseller: Libreria Minerva]
 4.   Check availability:     maremagnum.com     Link/Print  


        Atlas Shrugged

      New York: Random House,, 1957. Octavo. Original green cloth boards, spine lettered in gilt on black, monogram to front board gilt, top edge blue, yellow endpapers. With the dust jacket. Small bump to centre of spine, front hinge cracked, not affecting endpapers but visible at gutter of title page, text block sound, internally fresh. A very good copy in the bright jacket with two short closed tears to head of spine,some shallow chips and rubbing to extremities. First edition, first printing. Presentation copy, inscribed by the author on the front free endpaper, "To Bill Davidson ? cordially ? Ayn Rand." William Davidson (1888?1947) was an American actor who starred in the 1945 film You Came Along, for which Ayn Rand wrote the screenplay.

      [Bookseller: Peter Harrington]
 5.   Check availability:     Biblio     Link/Print  


        CAROSELLO DI NARRATORI AMERICANI

      ALDO MARTELLO, MILANO 1957 - ITALIANO Timbri biblioteca al frontespizio, pagine leggermente brunite ai bordi causa tempo, coperta morbida ingiallita e con piccoli strappi al dorso, residui di vecchio nastro adesivo La libreria offre per un periodo limitato uno sconto del 20% su tutti i suoi libri. Il prezzo originale dell'articolo era 999,00 euro.

      [Bookseller: Biblioteca di Babele]
 6.   Check availability:     AbeBooks     Link/Print  


        Atlas Shrugged - First Printing

      USA: Random House. Hardcover. 1168 pages. Stated first printing. Book square and unmarked with light wear. Binding sound. Most of front free endpaper neatly removed one-inch from spine with corresponding indentation to half-title page. Dust jacket bears original 6.95 price and 10/57 date on front flap, with publisher's details at base of back flap. Dust jacket, now preserved in archival-grade Brodart, bears above-average wear with 3" x 2" patch at foot of spine. A worthy true first edition copy of this increasingly relevant classic. . Good. 1957. First Edition.

      [Bookseller: RareNonFiction.com]
 7.   Check availability:     Biblio     Link/Print  


        On the Road

      New York: The Viking Press, 1957. First edition. Fine/Fine. A Fine copy of the book in like dust jacket. Very, very slight cocking at the top of the spine, otherwise unread and untouched, with all white lettering sharp and unrubbed. In a Fine dust jacket that has never been messed around with in any way, with only a few very faint spots of rubbing to the black jacket. A decidedly superior copy, quite rare in this condition. Housed in a custom clamshell case. "It changed my life like it changed everyone else's," Bob Dylan said of "On The Road." Jack Kerouac's classic Roman A Clef, published in 1957, was the defining work of the beat generation. It follows the travels of Sal Paradise, a stand in for Kerouac himself, and is based on a series of journeys Kerouac took from 1947 to 1950. The work was typed up on a continuous "scroll" of sheets that Kerouac had taped together. "On The Road" appears on both Modern Library's list of the 100 best novels of the century and on Time Magazine list of the 100 best English language novels from 1923-2005. "[I]ts publication is a historic occasion… the most beautifully executed, the clearest and the most important utterance yet made by the generation Kerouac himself named years ago as 'beat,' and whose principal avatar he is." (Contemporary New York Times review). Fine in Fine dust jacket.

      [Bookseller: Whitmore Rare Books]
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        ON THE ROAD

      1957. Fine. KEROUAC, Jack. ON THE ROAD. New York: The Viking Press, 1957. First edition. 8vo., black cloth. Book plate on front flyleaf else a near fine copy that shows a few faint pencil erasures. The cloth is clean, bright with just a few spots on front boards. The spine has a small slant and crease. (Charters A2).

      [Bookseller: Boston Book Company]
 9.   Check availability:     Biblio     Link/Print  


        Shakespearean Ciphers Examined: An Analysis of Cryptographic Systems Used As Evidence that Some Author Other Than William Shakespeare Wrote the Plays Commonly Attributed to Him

      London: Cambridge University Press, 1957. First Edition. Hardcover. Very Good. Signed by Author. Signed by both authors on front endpaper in Washington dated October 4, 1957 with a small squiggle underneath. First edition, American issue in dark gray cloth, flap priced in dollars. xvii, 303pp. Original gray cloth with gilt spine lettering. Near Fine in Very Good dust jacket with price ($5.00) and Bacon's Bilateral Cipher on rear flap intact, worn along top edge with a small chip, small tear in front panel top edge. Bookseller sticker on front endpaper. A signed copy of a book by two distinguished cryptanalysts who used their considerable skills (William broke the Japanese PURPLE code) on the ciphers within William Shakespeare's works.

      [Bookseller: Burnside Rare Books]
 10.   Check availability:     Biblio     Link/Print  


        Disegni e dipinti di Bruno Caruso (1952-1955)

      Priulla G, 1957. 4to (cm. 34,5), 36 pp. con ill.ni in nero e acolori n.t. e 18 tavv. a colori f.t. (anche a doppia pagina). Ritratti originali di Bruno Caruso (2) e Libero Bigiaretti (eseguiti da L. Civerchia). Cartonato editoriale fig. a colori (lievi tracce d’uso). Ottimo esemplare con dedica di Bruno Caruso sulla carta bianca iniziale. Il volume proviene dalla biblioteca del pittore romano Luigi Civerchia. I ritratti qui presenti mostrano l’idea di concepire il libro come un intelligente ed espressivo contenitore di memorie, le proprie innanzitutto, ma anche quelle dei diversi personaggi che egli ritrae, come intrecciandone i destini tra le pagine di uno stesso testo. Vale la pena notare che il nostro pittore ha scelto solo i libri come gallerie per i ritratti. Chi ha visitato qualche sua mostra, tra le tante tenutesi in Italia e all’estero, avrà infatti osservato che nei paesaggi o in altre composizioni le figure umane sono per lo più assenti, o comunque, hanno un ruolo del tutto secondario. E’ quindi una vera scoperta il Civerchia ritrattista, e lo è ancor più considerando la particolarità di esprimersi su di un mezzo singolare come sono le pagine di un libro. Luigi Civerchia è nato a Roma, nel popolare quartiere di Trastevere, nel 1928. Dopo una prima esperienza presso la bottega di uno scultore, continua il suo percorso nell’Atelier di Vittorio Grassi, momento fondante della sua formazione umana ed artistica. Si avvicina poi alla Scuola Romana seguendo con entusiasmo gli insegnamenti dei suoi Maestri ideali: Mafai, Pirandello e Quaglia.

      [Bookseller: Libreria Antiquaria Ex Libris s.r.l.]
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        On the Beach.

      London: Heinemann, 1957 - Octavo. Original red cloth, titles to spine gilt. With the dust jacket. Small tear to head of front board, spine slightly rolled. A very good copy in the jacket with two closed tears to foot of spine panel, some nicks, creases and rubbing to extremities and repairs to verso. First edition, first impression. Signed by the author on the title page, using his full name, "Nevil Shute Norway". Shute's best-known novel, this was the basis for the 1959 film starring Gregory Peck, Ava Gardner and Fred Astaire. Signed copies are very uncommon. [Attributes: First Edition]

      [Bookseller: Peter Harrington. ABA member]
 12.   Check availability:     ZVAB     Link/Print  


        *Das Juristische Büro (JurBüro), Jahrgänge (1957-2006) (50 BÜCHER)

      Flensburg : Kurt Gross. 1957 29x20cm. Gewebe (Blau) Zustand: Gut bis Sehr Gut gering gebräunt (Innen); Einband Außen hat geringe Gebrauchsspuren; Versand D: 4,75 EUR [Zeitschriften / Magazine / Varia]

      [Bookseller: Gebrauchtbücherlogistik]
 13.   Check availability:     buchfreund.de     Link/Print  


        La Tribu Arc-en-ciel; The Rainbow Children. With the assistance of Jo Bouillon.

      Amsterdam: Mulder & Zoon, [1957] - Two works, quarto. Original pictorial boards. The edition in French with the pictorial dust jacket. Extremities lightly rubbed, contents faintly toned, jacket of edition in French slightly chipped, and split at spine panel, edition in English lacking jacket. Bright copies in excellent condition. Illustrated in colour throughout. First edition & first edition in English, first impressions. Both copies inscribed by Josephine Baker on the front free endpaper verso, one copy reading "Maman" and the other "Mama". Written by Baker in collaboration with her then-husband Jo Bouillon, and beautifully illustrated by Piet Worm, The Rainbow Children tells of the adventures of a one-eyed black hen named Kott-Kott. Kott-Kott, a thinly disguised portrait of Baker, travels the world in search of her lost eye and finally finds salvation with the Rainbow Tribe at Les Milandes, Baker's name for her chateau in the Périgord region of France where she lived with Bouillon and their 12 children adopted from around the world, the "tribu arc-en-ciel" of the title. [Attributes: First Edition; Signed Copy]

      [Bookseller: Peter Harrington. ABA member]
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        Freunde. Erzählung.

      Olten, Vereinigung Oltner Bücherfreunde 1957 - 8°. 5 Bl., 106 S., 5 Bl. Mit einem Frontispiz von Gunter Böhmer. Rostroter langgenarbter Maroquinband mit gold- und schwarzgeprägten horizontalen vertikalen Streifen über beiden Deckeln, goldgeprägtem Rückentitel, Stehkantenvergoldung, Innendeckel mit einfacher Goldfiletierung, Kopfgoldschnitt, im Originalschuber (Hugo Peller). "75. Publikation der Vereinigung Oltner Bücherfreunde." - Wilpert-G. 475. - Eines von 35 römisch numerierten Exemplaren der ersten Vorzugsausgabe. - Mit einem handschriftlichen und signierten Gedicht von Hesse. - Rücken verblasst. - Sonst sehr schönes Exemplar.

      [Bookseller: Daniel Thierstein]
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        Gesammelte Schriften. 7 Bände.

      Frankfurt, Suhrkamp, 1957. - 8°. Rote Ganzlederbände mit Rücktitelvergoldung, Kopfgoldschnitt u. Lesebändchen im Orig.-Pappschuber. Mileck I, D. - Exemplar der Vorzugsausgabe in Leder. - Dünndruckausgabe. - Neudruck der 6-bändigen "Gesammelten Dichtungen" von 1952, erweitert um den 7. Band "Betrachtungen und Briefe" in erster Ausgabe. Erschien noch zu Lebzeiten Hermann Hesses und ist die vollständigste Ausgabe der Werke und Briefe. - Die Bände in schöner und frischer Erhaltung. Der Schuber mit mäßigen Gebrauchsspuren. [Attributes: Hard Cover]

      [Bookseller: Altstadt Antiquariat M. Weiers]
 16.   Check availability:     ZVAB     Link/Print  


        A collection of 24 finely executed watercolours of Indonesian (former Dutch Indies) Coconut Palms together with their pests, insects as well as mammals.

      Each watercolour measures 365 x 280 mm. and is signed by the artist. Early twentieth century. An interesting and unique collection of highly finished watercolours by Indonesian artists of which Ojong Surjadi is best known. The plates were made for the following book: Buku-gambar berwarna tentang hama-hama kelapa. Djakarta, Noordhoff-Kolff, 1957. Surjadi illustrated several important works on Indonesian plants. Such as the 'Indisch Tuinboek' and 'Indische Tuinbloemen', edited by M.L.A. Bruggeman. The first title was also translated into English. We assume that the other artists are of the same school, documenting Indonesian flora under direction of Dutch botanists. Bruggeman was assistant curator of the famous Bogor (then Buitenzorg) Botanical Garden. Two collections of watercolours by Surjadi were sold at auction in recent years both by Sotheby's one 8 May 2002 lot 34 and the other 14 November 2002 lot 10. The last lot several other artists contributed. Probably due to second world war and the Indonesian war of indepence the publication was considerably delayed. The published book on coconut pest control has just the plates we offer. //All plates apart from 2 have a typed label with Latin nomenclature. 17 plates are signed by Sudirdja, 1 by Sudjana and Sudirdja jointly, 1 by Ojong Surjadi, 3 by M. Kurdi, 1 by Sudjana and Mob. Kurdi jointly, and 1 by Sudirdja and O. Surjadi jointly. The plates are numbered 1 to 24 and were most likely made to illustrate a work on coconut palms and their pests./Below a list of the plates giving the artist and the Latin nomenclature, the English explanation has been added./Plate 1 Sudirdja - Sexava nubile STAL (Locust); Plate 2 Sudirdja - Aleurodicus destructor MASK (Coconut whitefly); Plate 3 Sudirdja - Trichoregma spp (Coconut Aphid); Plate 4 Sudirdja - Aspidiotus destructor rigidus REYNE (Hemiptera: Diaspididae); Plate 5 Sudirdja - Pseudococcus sp (Mealy bugs); Plate 6 Sudirdja - Batrachedra sp (Coconut moth); Plate 7 Sudirdja - Tirathaba rufivena WLK (Coconut spike moth); Plate 8 Sudjana/ Sudirdja - Parasa lepida CR (Nettle caterpillar); Plate 9 Sudirdja - Darna catenatus SN (Coconut limacodid); Plate 10 Ojong Surjadi - Plonata diducta (a member of the Slug Caterpillar moths); Plate 11 Sudirdja - Setora nitens WLK (Nettle caterpillar); Plate 12 M. Kurdi - Thosea molucca RPKE (a species within the kingdom Animalia, family Limacodidae); Plate 13 M. Kurdi - Chalcocelis albiguttata SN (family Limacodidae); Plate 14 Sudirdja - no index; Plate 15 Sudjana/ Mob. Kurdi - Hidari irava MOORE (Coconut skipper); Plate 16 Sudirdja - Brontispa longissima?. (Coconut leaf beetle); Plate 17 M. Kurdi - Plesispa reichei CHAP (Coconut hispid); Plate 18 Sudirdja - Promecotheca cumingi BALY (Coconut leafminer); Plate 19 Sudirdja - no text; Plate 20 Sudirdja - Xylotrupes gideon L (Brown rhinoceros beetle); Plate 21 Sudirdja - Rhynchophorus ferrugineus OLIV - (Red palm weevil); Plate 22 Sudirdja - no text; Plate 23 Sudirdja - Rattus rattus roquei SODY (White bellied rat); Plate 24 Sudirdja/ O. Surjadi - Helarctos malayana Raffl (Sun bear).

      [Bookseller: Antiquariaat JUNK B.V. (Natural History]
 17.   Check availability:     NVvA     Link/Print  


        Marcelle Kuntz : carte de voeux pour 1957 et gravure sur bois Originale

      1957. Carte de voeux. Illus. by Marcelle Kuntz. Très bon. Pas de couverture. Signé par l'illustrateur. Ed. originale. Carte de voeux de Marcelle Kuntz pour l'année 1957. 19 x 12,5 cm, portant une gravure sur bois inspirée par le poète hongrois Sándor Petöfi, signée et numérotée 12/69 à l'encre rouge. Légèrement brunie, sinon en bel état..

      [Bookseller: Des livres autour (Julien Mannoni)]
 18.   Check availability:     Biblio     Link/Print  


        Shakespearean Ciphers Examined: An Analysis of Cryptographic Systems Used As Evidence that Some Author Other Than William Shakespeare Wrote the Plays Commonly Attributed to Him

      London: Cambridge University Press, 1957. First Edition. Hardcover. Very Good. Signed by Author. Signed by both authors on front endpaper in Washington dated October 4, 1957 with a small squiggle underneath. First edition, American issue in dark gray cloth, flap priced in dollars. xvii, 303pp. Original gray cloth with gilt spine lettering. Near Fine in Very Good dust jacket with price ($5.00) and Bacon's Bilateral Cipher on rear flap intact, worn along top edge with a small chip, small tear in front panel top edge. Bookseller sticker on front endpaper. A signed copy of a book by two distinguished cryptanalysts who used their considerable skills (William broke the Japanese PURPLE code) on the ciphers within William Shakespeare's works.

      [Bookseller: Burnside Rare Books]
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        Look Back in Anger. A Play in Three Acts.

      London: Faber and Faber, 1957 - Octavo. Original brown cloth, spine lettered in gilt. With the dust jacket. Spine rolled, edges of text block foxed. An excellent copy in the jacket with minor loss to head of spine and some rubbing to extremities. First edition, first impression. Inscribed by the author on the title page, "John Osborne, 8.9.89." From the library of Dr Philip Murray, Irish book collector and author of The Adventures of a Book Collector (2011), though unmarked as such. [Attributes: First Edition; Signed Copy]

      [Bookseller: Peter Harrington. ABA member]
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        The Entertainer ( With A Letter Signed By The Author)

      The First UK Printing published by Faber in 1957. The BOOK is in near Fine condition. Light offsetting to the endpapers and a little toning to the text-block. Free from inscriptions, markings and erasures. The WRAPPER is complete and is in near Fine condition. A hint of toning to the lettering on the spine. The photographic wrapper (depicting Laurence Olivier in the title role taken by Tony Armstrong Jones) looks very striking in the removable Brodart archival cover. Accompanied by a loose 2 page hand written letter from the author, signed and dated in 1991. The author refers in the letter his thinking on who the lead character of Archie Rice was based on: '.some people have suggested to me that I modelled Archie Rice on Max Miller.This is not so. Archie was a man. Max was a God, a saloon-bar PRIAPUS.' Osborne goes on to explore the differences between Miller and the character Archie. A wonderful insight into the character of Archie. scarce with such attributes

      [Bookseller: Ashtonrarebooks]
 21.   Check availability:     PBFA     Link/Print  


        A chronological history of the old English landscape painters in oil from the XVIth century to the XIXth century : describing more than 800 painters - Complete in 8 volumes

      1957 - Fine cloth copies all in near fine, very slightly edge-nicked and dust-dulled dust wrappers (lacking on vol. 7), now mylar-sleeved. Remains a particularly and surprisingly well-preservedset ; tight, bright, clean and sharp-cornered.; 8vo 8" - 9" tall; 724 pages; Limited to 500 sets of which this is number 290. New revised and enlarged edition. Physical description; 8 volumes ((724 pages)), 367 plates : portrait ; 29 cm. Subjects; Landscape painters - England. Landscape painting, English - History. 10 Kg. 724 pp. [Attributes: Soft Cover]

      [Bookseller: MW Books Ltd.]
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        Decision at Sundown (Original Film Poster)

      Columbia Pictures, Culver City, CA 1957 - Original US one sheet poster for the third of Budd Boetticher's seven legendary Westerns with Randolph Scott, one of five released through Columbia. Near the end of Randolph Scott's career, producer Harry Brown, Scott, and Boetticher began work on a series of intelligent films that would combine Scott's minimalist approach to acting with Boetticher's lean, spartan approach to filmmaking. The result was a canon of films today referred to as the "Ranown" cycle, a rich canon of films that form an incredibly strong stylistic whole. Boetticher's approach to storytelling was traditional in the sense that it involved traditional Western characters, but revisionist in that his protagonist invariably worked alone, and sought his own brand of morality rather than one established by tradition, government, and family. Apart from ardent fans of Westerns, the films went unrecognized by most until Martin Scorsese made a case for them in his 1995 BFI documentary, "A Personal Journey with Martin Scorsese Through American Movies." In this entry, Scott arrives a stranger in town on a vengeance mission, but over a course of twenty-four hours begins to discover things are not quite as he had believed, and that revenge will not be simple, nor necessarily even justified. Typical of these films, a Western with a seemingly traditional backdrop but a morally complex set of dilemmas. 27 x 41 inches (105 x 89 cm), linen-backed. Near Fine. Kitses, pp. 91-121. Hitt, p. 309.

      [Bookseller: Royal Books, Inc., ABAA]
 23.   Check availability:     AbeBooks     Link/Print  


        Sweet Smell of Success (Collection of 19 photographs from the 1957 film)

      Beverly Hills, CA: United Artists, 1957. Collection of 19 vintage black-and-white studio photographs from the US release of the 1957 film. Both Lancaster and Curtis play against type as a scheming, amoral newspaper columnist and desperate press agent, respectively, in this now-classic film noir. Selected for the National Film Registry in 1993. 8 x 10 inches (20 x 25 cm). Near Fine.

      [Bookseller: Royal Books, Inc.]
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        The CAt in the Hat

      Random House, 1957 A worn first edition, in first state matte boards and with a single signature of pages, inscribed by Seuss with a charming inscription to a "cat-fancier, first class, with very best wishes." The binding is loose but intact. No dust jacket. Housed in a custom-made collector's slipcase.

      [Bookseller: Bookbid Rare Books]
 25.   Check availability:     Biblio     Link/Print  


        Morphological Astronomy

      Springer-Verlag, Berlin 1957 - Scarce copy, presumed first edition, with dust jacket. Yellow cloth boards with very slight bumping to top corners and top edge of spine. Endpapers and pages clean and unmarked, tight in binding. DJ covered in protective mylar, small nicks at spine edges and corners. Photos available upon request. [Attributes: First Edition; Hard Cover]

      [Bookseller: Capitol Hill Books]
 26.   Check availability:     AbeBooks     Link/Print  


        MADELINE AND THE BAD HAT

      BEMELMANS, LUDWIG. BEMELMANS,LUDWIG. MADELINE AND THE BAD HAT. NY: Viking (March 1957). Folio (9 x 12 1/4"), red cloth, Fine in very slightly worn, VG+ dust wrapper. 1st trade edition. Wonderful color illustrations on every page depict the further adventures of Madeline. Nice copy.

      [Bookseller: Aleph-Bet Books, Inc.]
 27.   Check availability:     Biblio     Link/Print  


        D'un château l'autre

      - Gallimard, Paris 1957, 13,5x20cm, reliure de l'éditeur. - Original Edition, una 850 copie numerate sul lavoro pergamena. Cartone Editor collegato dai lavori originali di Paolo Bonet. Bella copia completa del suo rodoide e la sua custodia morbida. - [FRENCH VERSION FOLLOWS] Edition originale, un des 850 exemplaires numérotés sur vélin labeur. Cartonnage de l'éditeur relié d'après la maquette originale de Paul Bonet. Très bel exemplaire complet de son rhodoïd et de son étui souple.

      [Bookseller: Librairie Le Feu Follet]
 28.   Check availability:     maremagnum.com     Link/Print  


        MAPPING THE TRANSMISSISSIPPI WEST 1540-1861. Volume One, The Spanish Entrada to the Louisiana Purchase, 1540-1804; Volume Two, From Lewis and Clark to Fremont, 1804-1845; Volume Three, From the Mexican War to the Boundary Surveys 1846-1854; Volume Four, From the Pacific Railroad Surveys to the Onset of the Civil War, 1855-1860; Volume Five, From the Civil War to the Geological Survey; Volume Five, Part Two, From the Civil War to the Geological Survey.

      The Grabhorn Press for the Institute of Historical Cartography: San Francisco. 1957, 1958, 1959, 1960, 1963, 1963 - Illustr, 14.5 x 10, tan cloth w/ green leather spines and gilt lettering, brown paper protective covers, 264, 281, 349, 260, 222, 487 pp. Slight bumping near spine on volume three, all have offsetting to endpapers from covers else fine. FIRST ED, LIMITED TO 1000 COPIES. COMES WITH: Seavey, Charles A. MAPPING THE TRANSMISSISSIPPI WEST, 1540-1861: AN INDEX TO CARTOBIBLIOGRAPHY. Occasional Paper No. 3. Map and Geography Round Table of the American Library Association, Speculum Orbis Press: Winnetka, Illinois 1992. 9.25 x 6.25, blue cloth w/gilt lettering, 210 pp. Light bumping to upper spine tip, faint scratch on front cover else a very good/fine. FIRST ED. Seven volumes total, sold as a set only. [Attributes: First Edition; Hard Cover]

      [Bookseller: John K King Used & Rare Books]
 29.   Check availability:     AbeBooks     Link/Print  


        Björn - Bär ( bear ) - Bronzerelief. ( Bronze-relief )

      1957 - Bronzetafel Björn - Bär ( bear ). Maße der Bronzetafel ca. 19 x 23,5 x 2 cm ( Höhe x Breite x Tiefe ), untenstehend mit *Schilkin (19)57* signiert und datiert, verso mit Angabe *24 IFE ( ?) sowie darunterstehender Datierung *19.-24. VIII. 1957* sowie mit Gießerstempel *Högfors 225*. Die Bronzetafel verso mit 2 Haken zum Befestigen. Die Bronze etwas berieben, gering bestoßen, vorn unten rechts gering rostfleckig (?). Insgesamt aber guter Zustand. ( Gewicht 1100 Gramm ) ( Pic erhältlich // webimage available ) [Attributes: Signed Copy]

      [Bookseller: Antiquariat Friederichsen]
 30.   Check availability:     ZVAB     Link/Print  


        4 autograph letters signed (one of which with a full-page drawing) and 1 autograph picture postcard signed.

      Probably Villeneuve, 1955 to 1957. - 8vo and oblong 8vo. Altogether 8 pp. on 5 ff. With 4 autogr. envelopes. Intimate, longing missives to Antonia Mangelmann, probably a former model or student of Kokoschka's at his Salzburg Summer Academy: "You have proven to me a dedication, truly limitless for a mother, in this, your possibly finest letter; do not be angry if the Swan proves human in his desire to embrace you in thanks for all that you keep so close to my imagination that I was overjoyed all day, so very happy. How sweet are your two hearts, and how beautiful your two bodies, such harmony of earthly forms and divine souls was known only to Greek antiquity, and I confess frankly that I return to Salzburg on your behalf alone. To have to leave such wonderful sweetness! for soon I shall have to die, a fate which I find it hard to get used to! That there shall be a wall between the three of us, that the world of shadows shall remove me forever, while you and Inge strew like buds your charm and love beneath the sky, in the light of day and the star's nightly gleam, this hurts me as my love hurts me but still keeps alive / your Oskar" (translation). The reverse of this undated letter shows a sketch of three embracing persons, inscribed "for dear Antonia / variation on our theme / by OK". The persons depicted are apparently Antonia, her daughter Inge, and Kokoschka himself. - All letters with printed letterhead. Includes 11 pp. of responding letters.

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
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        On the Road

      1957: Viking Press First Edition. Fine book in a very near fine Dust Jacket, with a little rubbing and a short tear on the rear panel. Brilliant, fresh copy of this key novel from the Beat Generation. A superior copy housed in a clamshell case.. First Edition.

      [Bookseller: MDS Books]
 32.   Check availability:     Biblio     Link/Print  


        Signed Photograph of John Hammond at the Newport Jazz Festival

      Newport, RI 1957 - American photographer best remembered for his iconic images of the American Jazz scene of the 1950s and 60s, and whose work was prominently featured in the Ken Burns acclaimed documentary "Jazz." He began this work while pursuing his BFA in Photography at the Rochester Institute of Technology (RIT) where he studied with mentors Minor White and Charles Arnold and visiting photographers Ansel Adams, Ernst Hass, Margaret Bourke-White, Alfred Eisenstadt, Beaumont and Nancy Newhall. Silver print, 10.75 x 13.75 inches, Styrofoam mounted, with Hoeffler's full signature, title, and date, in ink, along with his copyright hand stamp on the back. 1957; printed late 1970s. This print is described in the "Rochester Jazz" Photographic Collection as an Exhibition Print of "John Hammond enthusiastically responding to the Count Basie Band at Newport, July 1957." Sitting next to him is his wife Esme O'Brian Sarnoff, former spouse of Robert Sarnoff, Chairman of NBC and RCA Corp. Note: Hammond is considered one of the greatest discoverers of musical talent during the 20th century and is responsible for the careers of Billie Holiday, Count Basie, Bob Dylan, and Bruce Springsteen. Condition: This photograph was originally owned and displayed by Hoeffler as an Exhibition Print and, through handling, there are some minor imperfections, including some surface striations (almost invisible) and flatness and rounding at the corners. Very good(-) condition. [Attributes: Signed Copy]

      [Bookseller: Argosy Book Store, ABAA, ILAB]
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        Vers l`Islam. Texte et croquis de Ed. M. Sandoz.

      Paris, Pierre Bricage, 1957 4°, 108 S., zahlreiche zum teil. ganzseitige handkolorierten Abb., Lose Blätter in Mappe inHPerg.-Umschlag in Schmuckschuber, Mappe min. beschienen, Schuber min berieben, Tadell. Mit Widmung von Sandoz im Impressum. llustre par Ed. M. Sandoz de 100 aquarelles (dont plusieurs en pleine page). accompagnant le texte extrait du journal de l`artiste. exemplaire numerote (No.51). tire sur velin en 250 exemplaires. Edouard-Marcel Sandoz (1881-1971) sculpteur figuriste et animalier et un peintre d`aquarelles suisse. Il est surtout connu pour ses nombreuses boites. bouteilles. carafes. services a the et cafe en porcelaine. Il travaille divers materiaux. le marbre. le bronze. la ceramique. Son style doit beaucoup a l`Art Nouveau. KANN ERST NACH MESSERERHÖFFNUNG VERKAUFT WERDEN! Versand D: 20,00 EUR Illustr. Bücher - Originalgrafik

      [Bookseller: Antiquariat Peter Petrej]
 34.   Check availability:     buchfreund.de     Link/Print  


        L'espèce humaine

      1957. Gallimard, Paris 1957, 14x20,5cm, broché. - Gallimard, Paris 1957, 14x20,5cm, broché. - Edizione in parte originale come riveduto e corretto, per la quale non è stato redatto carta di grandi dimensioni, una copia del servizio stampa. autografo raro e prezioso firmato Robert Antelme Claude Gallimard. Indietro piatti un po 'e marginalmente insolated. "Non c'è nessuna specie umana, non vi è una specie umana. Questo perché siamo uomini come loro che le SS in ultima analisi, impotenti davanti a noi.". Questo lavoro fondamentale sull'esperienza di nazisti campi era la terza e ultima pubblicazione della casa editrice effimera fondata da Marguerite Duras e Robert Antelme, il marito 1940-1946. Inosservato in questa prima versione confidenziale, solo poche copie sono state vendute, è stato messo in vendita l'anno successivo sotto nuove coperture da Robert Marin, il libro soffre la concorrenza dei tanti scritti sull'argomento sono apparsi subito dopo la guerra. Eppure, come riferito da F. Lebelley "in un momento in cui le storie abbondano, il potere speciale di quel libro, una prima sobrietà, sconvolge come scrittore fondazione libro di testo che ha anche preso riconosce Duras. , "l'ampia letteratura." Robert Antelme mai scrivere altro. Nonostante i riconoscimenti e onori, la specie umana sarà solo il lavoro di una vita. " (In Duras, o il peso di una piuma.) Grazie all'intervento di Albert Camus, il libro riappare dieci anni più tardi nel 1957 da Gallimard e poi sa una più ampia diffusione. Pertanto, questo libro è parte della storia della letteratura come uno degli scritti più importanti per la riflessione dolorosa ma necessaria sui campi di concentramento e la condizione umana. E 'dopo di lui che scrittori come Jorge Semprun suo amico inizieranno un nuovo approccio alla scrittura dei campi impossibili. Nel 1947 Antelme ha annunciato nella sua prefazione "solo tornando, abbiamo ridotto la nostra memoria con noi, la nostra esperienza di vita insieme e ci siamo sentiti un frenetico desiderio di raccontare così com'è. E nei primi giorni, però, sembrava impossibile colmare la distanza che abbiamo trovato tra linguaggio e abbiamo avuto questa esperienza [...] Come rassegnarsi a non cercare di spiegare come avevamo venire qui? eppure eravamo lì. Eppure era impossibile. Basta iniziare a dirci che eravamo soffocante. Per noi stessi, quello che avevamo da dire, allora abbiamo cominciato a sembrare inimmaginabile. " Raro ed importante problema, assente dalla maggior parte delle biblioteche nazionali e internazionali, tra cui il BNF. [FRENCH VERSION FOLLOWS] Edition en partie originale, car revue et corrigée, pour laquelle il n'a pas été tiré de grands papiers, un des exemplaires du service de presse. Rare et précieux envoi autographe signé de Robert Antelme à Claude Gallimard. Dos et plats légèrement et marginalement insolés. "Il n'y a pas d'espèces humaines, il y a une espèce humaine. C'est parce que nous sommes des hommes comme eux que les SS seront en définitive impuissants devant nous.". Cet ouvrage fondamental sur l'expérience des Camps nazis parut initialement en 1947. Ce fut la troisième et derniere publication de l'éphémère maison d'édition fondée par Marguerite Duras et Robert Antelme, son mari de 1940 à 1946. Passé inaperçu lors de cette première parution confidentielle, seuls quelques exemplaires furent vendus, il fut remis en vente l'année suivante sous de nouvelles couvertures par Robert Marin, l'ouvrage souffrira de la concurence des nombreux écrits sur le sujet parus immédiatement après guerre. Pourtant, comme le relate F. Lebelley : "à une époque où les récits abondent, la puissance particulière de ce livre-là, d'une sobriété première, bouleverse tel un texte fondateur. Livre d'écrivain aussi qui a pris, reconnaît Duras, "le large de la littérature". Robert Antelme n'en écrira jamais d'autre. Malgré les éloges et les honneurs, L'Espèce humaine restera l'oeuvre unique d'une vie." (in Duras, ou le poids d'une plume.) Grâce à l'intervention d'Albert Camus, le livre reparaît dix ans plus tard, en 1957 chez Gallimard et connaît alors une diffusion plus large. Dès lors, ce livre s'inscrit dans l'histoire littéraire comme un des plus importants écrits affrontant la douloureuse mais nécessaire réflexion sur les camps de concentration et la condition humaine. C'est à sa suite que des écrivains tel que son ami Jorge Semprun pourront commencer une nouvelle approche de l'impossible écriture des camps. Dès 1947, Antelme annonçait dans son avant-propos « nous revenions juste, nous ramenions avec nous notre mémoire, notre expérience toute vivante et nous éprouvions un désir frénétique de la dire telle quelle. Et, dès les premiers jours cependant, il nous paraissait impossible de combler la distance que nous découvrions entre le langage dont nous disposions et cette expérience [...] Comment nous résigner à ne pas tenter d'expliquer comment nous en étions venus là ? Nous y étions encore. Et cependant c'était impossible. A peine commencions-nous à raconter, que nous suffoquions. A nous-mêmes, ce que nous avions à dire commençait alors à nous paraître inimaginable. » Peu après cette réédition chez Gallimard, ce témoignage reçu son plus bel hommage sous la plume de Maurice Blanchot : « Quand l'homme en est réduit à l'extrême dénuement du besoin, quand il devient "celui qui mange des épluchures", l'on s'aperçoit qu'il est réduit à lui-même, et l'homme se découvre comme celui qui n'a besoin de rien d'autre que le besoin pour, niant ce qui le nie, maintenir le rapport humain dans sa primauté. Il faut ajouter que le besoin alors change, qu'il se radicalise au sens propre, qu'il n'est plus qu'un besoin aride, sans jouissance, sans contenu, qu'il est rapport nu à la vie nue et que le pain que l'on mange répond immédiatement à l'exigence du besoin, de même que le besoin est immédiatement le besoin de vivre. » (Maurice Blanchot, L'indestructible, in La Nrf n°112, 1962 repris dans L'Entretien infini) Les envois de Antelme sont d'une insigne rareté, à fortiori à son éditeur qui, après 10 ans d'oubli, permettra la consécration de cet ouvrage fondamental.

      [Bookseller: Librairie Le Feu Follet]
 35.   Check availability:     maremagnum.com     Link/Print  


        A History of the English Speaking Peoples Volume I: The Birth of Britain; Volume II: The New World; Volume III: The Age of Revolution

      New York: Dodd, Mead, 1957. First American Editions. 3 vols. 8vo. Each in a publisher's presentation binding of full blue morocco, upper covers with red morocco onlay stamped gilt lion rampant, spines lettered in gilt, each with 2 ornaments of red and gilt morocco onlays, turn-ins with double gilt fillets, t.e.g., by the Kingsport Press. Spines of first two volumes slightly faded. In original slipcases. First American Editions. 3 vols. 8vo. In Unique Presentation Bindings. These unique (as far as is known) copies of the First American Editions of Churchill's History were presented to the president of the Book-of-the-Month Club. The fact the the publisher did not present a copy of the fourth and final volume is not surprising: whereas the early volumes of the series were enormously successful, by the time the final volume was published (1958), interest had considerably dropped. According to Dodd, Volume I was published simultaneously in America (April 23, 1956); of Volume II , the English edition came out on Nov. 26, 1956, the American edition Dec. 3, 1956; of Volume III, the American edition on Sept. 23, 1957, appears to have preceded the English (on Oct. 14, 1957); oddly enough Dodds mentions no American edition of volume IV. Again, printings were enormous. Cohen, A267.3 (I); A267.3 (II); A267.3 (III)

      [Bookseller: James Cummins Bookseller]
 36.   Check availability:     Biblio     Link/Print  


        KNOCK AND WAIT A WHILE.

      Boston: Houghton Mifflin Company, 1957., 1957. First edition. First edition. Author's first book. The Mystery Writers of America winner of the Edgar Award for the Best First Novel. Fine, bright, tight copy in a price-clipped dust jacket, lightly rubbed and with some light professional restoration to the spine ends and corners. A superb espionage novel set during the Cold War. A U.S. Intelligence Case Officer arrives in Frankfort, Germany on his way to one assignment and is drawn inescapably in another direction into a net of personal involvement, clandestine operations, international cunning and violence that he wants no part of. An exceptional copy.

      [Bookseller: BUCKINGHAM BOOKS]
 37.   Check availability:     Biblio     Link/Print  


        Lehrbuch d. Anthropologie. In systemat. Darstell. m. bes. Berücks. d.anthropolog. Methoden (Leinen)

      Leinen Ausgetragenes Bibliotheksexemplar, ohne Schutzumschläge, Deckel stellenweise leicht berieben / mit einzelnen leichten Lagerspuren, Seiten altersgemäß angedunkelt, Band II und IV : Buchrücken an einer Stelle repariert, Band I von 1957, Band II von 1959, Band III von 1962, Band IV von 1966

      [Bookseller: Versand-Antiquariat Konrad von Agris]
 38.   Check availability:     booklooker.de     Link/Print  


        L'érotisme -

      Les éditions de Minuit 1957 -, Paris - 1 volume. In-8 306 pp. Couverture crème avec titre en bleu. Intérieur très propre. Dos jauni. En bon état. EDITION ORIGINALE LIMITEE à 35 exemplaires numérotés sur purfil. [Attributes: Soft Cover]

      [Bookseller: Librairie KOEGUI]
 39.   Check availability:     AbeBooks     Link/Print  


        Sestina a Firenze

      Schwarz,, Nuovo campionario, 1957. 10 litografie originali in nero a piena pagina di Ottone Rosai eseguite dall'Artista pochi giorni prima della sua morte (cm 50x35). Edizione numerata e firmata da Fortini e Schwarz . Folio. pp. 50. Ottimo (Fine). Prima edizione di 90+X es. numerati e firmati.

      [Bookseller: Studio Bibliografico Marini]
 40.   Check availability:     maremagnum.com     Link/Print  


        L'espèce humaine

      Gallimard 1957 - - Gallimard, Paris 1957, 14x20,5cm, broché. - Edition en partie originale, car revue et corrigée, pour laquelle il n'a pas été tiré de grands papiers, un des exemplaires du service de presse. Rare et précieux envoi autographe signé de Robert Antelme à Claude Gallimard. Dos et plats légèrement et marginalement insolés. "Il n'y a pas d'espèces humaines, il y a une espèce humaine. C'est parce que nous sommes des hommes comme eux que les SS seront en définitive impuissants devant nous.". Cet ouvrage fondamental sur l'expérience des Camps nazis parut initialement en 1947. Ce fut la troisième et derniere publication de l'éphémère maison d'édition fondée par Marguerite Duras et Robert Antelme, son mari de 1940 à 1946. Passé inaperçu lors de cette première parution confidentielle, seuls quelques exemplaires furent vendus, il fut remis en vente l'année suivante sous de nouvelles couvertures par Robert Marin, l'ouvrage souffrira de la concurence des nombreux écrits sur le sujet parus immédiatement après guerre. Pourtant, comme le relate F. Lebelley : "à une époque où les récits abondent, la puissance particulière de ce livre-là, d'une sobriété première, bouleverse tel un texte fondateur. Livre d'écrivain aussi qui a pris, reconnaît Duras, "le large de la littérature". Robert Antelme n'en écrira jamais d'autre. Malgré les éloges et les honneurs, L'Espèce humaine restera l'oeuvre unique d'une vie." (in Duras, ou le poids d'une plume.) Grâce à l'intervention d'Albert Camus, le livre reparaît dix ans plus tard, en 1957 chez Gallimard et connaît alors une diffusion plus large. Dès lors, ce livre s'inscrit dans l'histoire littéraire comme un des plus importants écrits affrontant la douloureuse mais nécessaire réflexion sur les camps de concentration et la condition humaine. C'est à sa suite que des écrivains tel que son ami Jorge Semprun pourront commencer une nouvelle approche de l'impossible écriture des camps. Dès 1947, Antelme annonçait dans son avant-propos « nous revenions juste, nous ramenions avec nous notre mémoire, notre expérience toute vivante et nous éprouvions un désir frénétique de la dire telle quelle. Et, dès les premiers jours cependant, il nous paraissait impossible de combler la distance que nous découvrions entre le langage dont nous disposions et cette expérience [.] Comment nous résigner à ne pas tenter d'expliquer comment nous en étions venus là ? Nous y étions encore. Et cependant c'était impossible. A peine commencions-nous à raconter, que nous suffoquions. A nous-mêmes, ce que nous avions à dire commençait alors à nous paraître inimaginable. » Peu après cette réédition chez Gallimard, ce témoignage reçu son plus bel hommage sous la plume de Maurice Blanchot : « Quand l'homme en est réduit à l'extrême dénuement du besoin, quand il devient "celui qui mange des épluchures", l'on s'aperçoit qu'il est réduit à lui-même, et l'homme se découvre comme celui qui n'a besoin de rien d'autre que le besoin pour, niant ce qui le nie, maintenir le rapport humain dans sa primauté. Il faut ajouter que le besoin alors change, qu'il se radicalise au sens propre, qu'il n'est plus qu'un besoin aride, sans jouissance, sans contenu, qu'il est rapport nu à la vie nue et que le pain que l'on mange répond immédiatement à l'exigence du besoin, de même que le besoin est immédiatement le besoin de vivre. » (Maurice Blanchot, L'indestructible, in La Nrf n°112, 1962 repris dans L'Entretien infini) Les envois de Antelme sont d'une insigne rareté, à fortiori à son éditeur qui, après 10 ans d'oubli, permettra la consécration de cet ouvrage fondamental. [AUTOMATIC ENGLISH TRANSLATION FOLLOWS] New edition, first for some parts, as corrected and reviewed, of which there were no large paper copies, one advance (service de presse) copy. Rare and handsome autograph inscription from Robert Antelme to Claude Gallimard. Spine and covers slightly and marginally sunned. "There are no human beings, there is just humankind. It's because we are people just like t [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Librairie Le Feu Follet]
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        The Ordeal of Gilbert Pinfold

      London: Chapman & Hall,, 1957. A Conversation Piece. Octavo. Original red cloth titled in gilt to the spine, bottom and fore edges uncut. A touch of fading to the spine. A near fine copy. First edition, large paper issue. Presentation copy, inscribed by the author to his friend and biographer Christopher Sykes, "Christopher with love. Look out. It might be you next. Evelyn" on the front free endpaper. Sykes first met Waugh in 1929 shortly after the collapse of Waugh's first marriage, and the pair became good friends. According to Waugh's son Auberon, he was chosen to be the author's official biographer "because he was the only one of Waugh's obituarists who caught something of the gaiety as well as the recklessness of the man" (ODNB), though his book, published in 1975, was inhibited by a respect for Waugh's widow "a decline in energy" (idem), and perhaps a delayed feeling of resentment at his friend's success.

      [Bookseller: Peter Harrington]
 42.   Check availability:     Biblio     Link/Print  


        Autograph Letter on her Calling Card, mentioning Traviata

      Used; Like New/Used; Like New. Autograph note to an unidentified recipient on both sides of her printed visiting card. Ca. 47 x 84 mm., with "Maria Meneghini Callas" printed to recto. One corner very slightly creased. "Dear friend â?? I am terribly sorry but Saturday is taken with my rehearsal of Traviata. Please call me and we will see each other if possible after the 6th. Thank you and best regards."<br><br><br />Maria Callas was the most famous and also the most glamorous opera singer of her time. Her fame was enhanced by her attractive physique, and her early death turned her into an almost mythical figure. Initially performing dramatic roles including most of Wagner's soprano parts, she later focused on the Italian belcanto repertory. "Of Callas's artistic pre-eminence there can be no doubt. Among her contemporaries she had the deepest comprehension of the Classical Italian style, the most musical instincts and the most intelligent approach. There was authority in all that she did on the stage and in every phrase that she uttered. Her voice, especially during the early 1950s, was in itself an impressive instrument, with its penetrating individual quality, its rich variety of colour and its great agility in florid music." (Grove Music Online)<br><br><br />Callas sang Violetta in La Traviata at the Metropolitan Opera on February 6, 1957.

      [Bookseller: Schubertiade Music & Arts]
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        George Braque, Varengeville, France, 1957. Original Fotografie. Silbergelatine-Abzug (1980er Jahre). Bildformat: 18,2 x 24,0 cm. Rückseitig montiertes Schild mit den Daten zur Fotografie. - Minimale Knickspuren. - Der Abzug wurde im Zusammenhang mit der Ausstellung der Aperture Foundation "Paul Strand. The World on My Doorstep, 1950-1976" erstellt. - Exzellenter Abzug. - Siehe die ABBILDUNG.

      ***** STRAND, Paul: George Braque, Varengeville, France, 1957. Original photography silver gelatin print (1981). Size: 18,2 x 24,0 cm. On verso mounted label with image description. - Printed in the context of exhibition by the Aperture Foundation "Paul Strand. The World on My Doorstep, 1950-1976". - Minor crease, else excellent. 6

      [Bookseller: FOTOKUNST-Antiquariat Fahl Inhaber: Joac]
 44.   Check availability:     booklooker.de     Link/Print  


        George Braque, Varengeville, France, 1957. Original Fotografie. Silbergelatine-Abzug (1980er Jahre). Bildformat: 18,2 x 24,0 cm. Rückseitig montiertes Schild mit den Daten zur Fotografie. - Minimale Knickspuren. - Der Abzug wurde im Zusammenhang mit der Ausstellung der Aperture Foundation "Paul Strand. The World on My Doorstep, 1950-1976" erstellt. - Exzellenter Abzug. - Siehe die ABBILDUNG.

      - ***** STRAND, Paul: George Braque, Varengeville, France, 1957. Original photography; silver gelatin print (1981). Size: 18,2 x 24,0 cm. On verso mounted label with image description. - Printed in the context of exhibition by the Aperture Foundation "Paul Strand. The World on My Doorstep, 1950-1976". - Minor crease, else excellent. Sprache: Deutsch Gewicht in Gramm: 1600

      [Bookseller: FOTO-Antiquariat Joachim und Silvia FAHL]
 45.   Check availability:     ZVAB     Link/Print  


        Autograph letter signed ("Vlaminck"). N. p., 28. X. 1957.

      1957. 4to. 1 p. To one "monsieur" about the identification of one of his paintings as forgery. Vlaminck mentions certain forgers, whose productions are still in circulation: "Reçois votre lettre ci-joint photo. Toile fausse. Pour ce qui est de la publication de Faux Vlaminck il y a eu des faux Galand en 1927. Le faussaire arrêté, de nombreuses toiles de ce faussaire se trouvent chez des vendeurs [...] Ci-joint quelques photos de faux [...]".

      [Bookseller: Antiquariat Inlibris]
 46.   Check availability:     maremagnum.com     Link/Print  

______________________________________________________________________________


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