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Displayed below are some selected recent viaLibri matches for books published in 1953

        Sept Microbes vu à travers un tempérament

      Paris, Les éditions Cercle d'Art, 30 juin 1953, in-8, non paginé (env. 75 pp.), cartonnage illustré en couleurs de l'éditeur, Édition originale. Tirage limité à 1000 exemplaires sur Marais numérotés après 100 sur Pur Fil (ex n°181). Ensemble de textes formant une suite de sept poèmes (Colline, Madeleine, Lumière, Coloradeau, Plantes-soeurs, Éternité et Dix mille peaux-rouges) accompagnés de vignettes contrecollées reproduisant des oeuvres et respectant l'échelle des oeuvres originales. Bel exemplaire, en dépit d'un choc au dos.

      [Bookseller: Librairie Alain Brieux]
 1.   Check availability:     maremagnum.com     Link/Print  


        Cold Spring Harbor Symposia on Quantitative Biology - Volume XVIII -1953 -- Viruses

      Biological Laboratory, Cold Spring Harbor 1953 - Very slight edgewear and rubbing to boards and spine. Spine is sunned. Light spotting to exterior of textblock. No markings to volume. Interior is clean, and binding is firm and straight. No dust-jacket. Contains the paper "The Structure of DNA" presented by Watson and Crick which amalgamates their two previous Nature (1953a and 1953b) articles where the now famous double-helix DNA structure was first mentioned to the public. [Attributes: Hard Cover]

      [Bookseller: Books Below]
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        Winds

      Original bilingual edition for which there is no mention of large papers. Binding of the editor in full black canvas, smooth back. Autographed and signed autograph from Saint-John Perse to Gaëtan Picon. Pleasant complete copy of its jacket which includes small tears and marginal shortages. Pantheon Books New York 1953 23x31cm reliure de l'éditeur

      [Bookseller: Librairie Le Feu Follet]
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        AGAINST THE FALL OF NIGHT

      [New York]: Gnome Press, Inc, [1953]. First edition. A fine copy in a fine dust jacket, tiny closed tear to upper front panel, touch of rubbing to spine ends. (12228). Octavo, illustrated by Frank Kelly Freas, boards. Signed by Clarke on the front free endpaper. Expanded and rewritten as The City and the Stars (1956). See Anatomy of Wonder (1987) 3-98.

      [Bookseller: John W. Knott, Jr., Bookseller, ABAA/ILA]
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        Kniga o vkusnoi i zdorovoi pishche [Book of delicious and healthy food].

      1953 - Moscow, Pishchepromizdat, 1953. 4to. Original publisher's brown embossed cloth, lettered in gilt, spine additionally ornamented in white; photographic endpapers; pp. 399, 24 leaves of colour plates (2 illustrations double-page size, printed on both sides), several sectional titles printed with photographic background, numerous black and white illustrations in the text; binding minimally rubbed, light bumping to corners, upper endpapers with repaired tears; internally, apart from a few repaired tears and very faint spotting to a small number of pages, clean and fresh. Early edition, issued in the year of Stalin's death, of an all-encompassing compendium of Soviet foodstuffs, presentation of dishes, recipes and the organisation and equipment of a kitchen, lavishly produced, and profusely illustrated. Involved in the design of this work was the eminent Soviet photographer Dimitri Baltermants (1912-1990), renowned for his iconic photos of the Second World War. The editor and spiritus rector of the entreprise was Anastas Ivanovich Mikoian, born in Armenia in 1895, a high-powered functionary of the Bolshevik government, who in the 1920s and -30s had studied American industrialized food production and introduced processed Hamburgers and machine-made icecream to the USSR. The sendvichi, kornfleks, ketchup and other 'rootless cosmopolitan' fare where however expurgated from the 1952 edition onwards. The first edition, as most others up to 1952, when the book appeared first in the present form, had been published in 1939, which was followed by small printruns and abridged versions during the war and in the second half of the 1940s. The printrun of the 12th edition in 1991 had dropped to 22 thousand copies, the gastronomic swan song of the Soviet Union. The book opens with a quotation from Stalin, on the nature of the Revolution, followed by the title on coloured paper, one leaf of preface, and an 11-page introduction headed On towards Abundance! [K izobiliiu!] set in photographic frames depicting harvest, an array of bakery products, cooked meats, fish, a well-stacked food shop, poultry, shelves stacked with cheeses, canned and bottled milk, fruit and vegetables piled up to pyramids. Most of the colour-plates are advertisements for Soviet food brands, several of which are in style with commercial photography of the 1950s, heavily re-touched, and with their colours enhanced. Despite all the propagandistic splendour, this work contains hundreds of useful recipes. 'According to Katya Rogatchevskaia, lead east European curator (Russian) for London's British Library, until its publication, the only other cookbook was A Gift for Young Housewives, which came out in 1861. “The Soviet cookbook was very well received because for a long time there was no cookery book in Russian,” she says. “It became a luxury item that was kept not in the kitchen but in the living room where people could sit down and look through it. Even though books were generally not expensive, shortages meant this one became scarce, making it more like a ‘coffee table’ book.” While the book contains much simple fare, recipes with ingredients such as suckling pig, sturgeon and salmon caviar were all part of an illusion that befitted Joseph Stalin’s ideological trajectory well. In contrast to the Bolsheviks’ ascetic approach to food in the Twenties, writes Von Bremzen, under Stalin food became an integral part of his myth of prosperity' (Maryam Omidi in The Calvert Journal, online). - The book has recently been 'discovered' in the West: there where articles in the Guardian (Anya von Bremzen, The great Stalinist bake off), the FT, the book featured in the British Library's recent exhibition Propaganda: Power and Persuasion and E. Geist placed an article on Anastas Mikoian in the Russian Review in April 2012. - Despite a printrun of half a million of this edition, this formerly ubiquitous Soviet book has become astonishingly rare, especially in good condition. Cagl [Attributes: First Edition; Soft Cover]

      [Bookseller: Henry Sotheran Ltd]
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        Roman Holiday (Original poster)

      Paramount, Los Angeles 1953 - American one sheet film poster for the classic 1953 romantic comedy, "Roman Holiday," directed by William Wyler, written for the screen by Dalton Trumbo (writing under the front Ian McLellan Hunter), and starring Gregory Peck, Audrey Hepburn, and Eddie Albert. Near Fine condition, 27 x 41 inches (105 x 89 cm), linen-backed and rolled.

      [Bookseller: Royal Books, Inc., ABAA]
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        L'attrape-coeurs. Traduit de l'américain par Jean-Baptiste Rossi. (Plus connu sous le nom de Sébastien Japrisot).

      - Robert Laffont, Collection Pavillons. Paris 1953. 252 pages. Edition originale de la traduction, pas de grand papier annoncé. Rare et bel exemplaire. L'Attrape-coeurs (The Catcher in the Rye) est un roman de J. D. Salinger. Publié aux Etats-Unis en 1951, plus de 60 millions d'exemplaires ont été vendus à ce jour et il s'en vendrait environ 250 000 chaque année. Il constitue l'une des oeuvres les plus célèbres du XXe siècle et un classique de la littérature, à ce titre enseigné dans les écoles aux Etats-Unis et au Canada, bien qu'il ait été critiqué en raison de certains des thèmes abordés (prostitution, décrochage scolaire, obsession de la sexualité) et du niveau de langue (langage familier et souvent injurieux). La notion d'antihéros débute alors aux États-Unis et choque le grand public. Le titre original du roman (The Catcher in the Rye) fait référence au poème écossais Comin' Thro the Rye de Robert Burns. La traduction française est de Jean-Baptiste Rossi, plus connu sous son nom d'écrivian, Sébastien Japrisot.

      [Bookseller: Librairie La Rose de Java]
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        STARMAN JONES ..

      New York: Charles Scribner's Sons, [1953].. Octavo, cloth. First edition. "An orphaned youth on an overcrowded future Earth longs to go into space. He manages to gain a berth aboard a starship which goes astray and winds up in an unknown region. Luckily, the hero's mathematical ability enables him to calculate the route home through hyperspace. A gripping 'juvenile' in this author's best vein." - Pringle, The Ultimate Guide to Science Fiction, second edition (1995), p. 349. "Striking are the detailed, convincing pictures of spaceship operational procedures and the suspense whenever the ship must pass through an anomaly."- Anatomy of Wonder (2004) II-516. A fine copy in very good first printing first printing dust jacket (priced $2.50 on the front flap) with light wear at spine ends and corner tips and light internal tanning to spine panel with show through to white lettering. (#150122)

      [Bookseller: L. W. Currey, Inc.]
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        Starman Jones

      Scribner's 1953 - HEINLEIN, ROBERT A. Starman Jones, New York: Scribner's, 1953. Octavo, first edition with Scribner's 'A' and seal on copyright page, light green cloth boards with dark green lettering and spaceship on spine, dark green drawing on front, illustrations by Clifford Geary. Condition of this book: Jacket chipped at extremities, clean and bright with age toning to flaps, interior very good, toning to endpages and edges. [Attributes: First Edition; Hard Cover]

      [Bookseller: Rarities etc.]
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        Scrambled Eggs Super!

      - New York: Random House, (1953). First edition. Folio. Younger & Hirsch 68. Dust-jacket with a few closed tears (with old tape mend ghosts) and a few chips of assorted sizes--despite these faults, still a nice copy. [Attributes: First Edition; Hard Cover]

      [Bookseller: Darren Winston, Bookseller, IOBA, SNEAB]
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        Casino Royale

      UK: Jonathan Cape, 1953. 1st Edition 1st Printing. Hardcover. Very Good+/Very Good. Casino Royale by Ian Fleming First Edition Published by Jonathan Cape 1953. Very small name inscription to fep. No foxing or browning. Page block square and tight, completely unblemished throughout. Covers VG+ with signs of light rubbing to red heart motif and lettering. In original near VG first state dust jacket, price clipped and rubbed. Further images on request.

      [Bookseller: Brought to Book Ltd]
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        Revolt in 2100

      Shasta Publishers, Chicago 1953 - Hardcover, black spine over red cloth covered boards, in original non price-clipped dust-jacket. 317pp., Stated first edition, first printing of the trade edition. Contains the novel-length "If This Goes On.", plus the short stories "Coventry" and Misfit". The third volume of Heinlein's Future History series. Jacket design by Hubert Rogers, introduction by Henry Kuttner. No previous ownership marks. Dust-jacket shows small tears to both outer hinges at top of spine and mild age toning, but is complete and un-clipped retaining original $3.50 price. Book is clean, square and unmarked. A very good+ copy in a near very good dust-jacket Scans sent on request. Size: 8vo - over 7¾" - 9¾" tall [Attributes: First Edition; Hard Cover]

      [Bookseller: Great Expectations Rare Books]
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        Letters): Sympathy Letters to George Whitney, Jr. After the Death of his Son, Robert Whitney

      New York City, New York / New Jersey 1953 - A collection of 164 sympathy letters from 1952-1953 to George Whitney, Jr. and his wife in condolences on the recent death of their son, Robert Whitney. The letters have been hole-punched and affixed together at the tops by two brads, otherwise all items are fine with clear handwritten or typed text.George Whitney, Jr. worked at Morgan Bank for J.P. Morgan & Co. and on Friday December 19th 1952 Robert Whitney, his son, was killed in an accident. The letters do not go in depth to what this accident was. Most of the letters speak fondly of Robert Whitney and that he will be missed greatly, "Please accept my dearest feelings of sympathy in your tragic loss," and "I heard about you son's accident. My sincerest sympathies to you and your wife". Many of the people writing to George Whitney, Jr. were colleagues and close friends. Some of these people include J. P. Morgan, Jr. (who took over his father's business and bank after his passing); Alfred P. Sloan (a long-time President, Chairman, and CEO of General Motors Corporation); Paul Codman Cabot (Chairman of the State Street Investment Corporation and Treasurer of Harvard University); Warren Murray Robbins (an American art collector whose collection led to the National Museum of African Art at the Smithsonian Institution); Bernard M. Baruch (an American financier, philanthropist, and political consultant who devoted his time toward advising U.S. Presidents Woodrow Wilson and Franklin D. Roosevelt); and Clarence Douglas Dillon (an American diplomat and politician as the U.S. Ambassador to France and as the 57th Secretary of the Treasury and also a member of the Executive Committee of the National Security Council during the Cuban missile crisis). Other notable contributors include; F.A.O. Schwarz, Jr., John Lyon Collyer, Gerald M. Campbell, Vernon Munroe Jr., Jean Boyer, and William L. Clayton. Most of the others were prominent in business or socially. An extensive collection of letters in sympathy to an influential businessman after losing his son in the early 1950s exhibiting in some ways the insularity and close-knit social circles of the period.

      [Bookseller: Between the Covers-Rare Books, Inc. ABAA]
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        A Portfolio of Six Paintings

      Austin: University of Texas Press, 1953. First Edition. Folio. 7(1)pp. forward by J. Frank Dobie, six 11 1/2" x 13" color plates tipped onto card stock measuring 16" x 19". Details of each of Lea's original pieces of art and date ar underneath each plate. Titles of each plate is: Fighting Bull, The Pacing White Mustang, The Hills of Mexico, The Shining Plain Trail Herd and Lonely Town, al laid into a cloth covered portfolio lettered in black, also laid in is [6]pp. illustrated prospectus with sample pages for W.W. Mills' Forty Years at El Paso 1858-1859 illustrated by Tom Leas with introduction by Rex. W. Strickland published by Carl Hertzog 1962, El Paso, Texas. printed in red and black. A very nice set with minor chipping to spine ends of portfolio.

      [Bookseller: Alcuin Books, ABAA-ILAB]
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        Journey Cake, Ho!

      New York: The Viking Press, 1953. First Edition. Hardcover. Very Good. Signed. First edition, first printing. Signed by Robert McCloskey (the illustrator and the author's son-in-law) on the title page. Very Good with light rubbing to cloth, previous owner names on front free end paper and toning to pages. In a Good dust jacket, which is price clipped leaving just a sliver of a dollar sign visible, which has foxing, edge tears and chipping to the spine ends. A lovely copy of this scarce Caldecott Honor, signed by the illustrator.

      [Bookseller: Burnside Rare Books]
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        A Portfolio of Six Paintings

      Austin: University of Texas Press, 1953. First Edition. Folio. 7(1)pp. forward by J. Frank Dobie, six 11 1/2" x 13" color plates tipped onto card stock measuring 16" x 19". Details of each of Lea's original pieces of art and date ar underneath each plate. Titles of each plate is: Fighting Bull, The Pacing White Mustang, The Hills of Mexico, The Shining Plain Trail Herd and Lonely Town, al laid into a cloth covered portfolio lettered in black, also laid in is [6]pp. illustrated prospectus with sample pages for W.W. Mills' Forty Years at El Paso 1858-1859 illustrated by Tom Leas with introduction by Rex. W. Strickland published by Carl Hertzog 1962, El Paso, Texas. printed in red and black. A very nice set with minor chipping to spine ends of portfolio.

      [Bookseller: Alcuin Books, ABAA-ILAB ]
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        BEAST FROM 20,000 FATHOMS, THE (1953)

      Warner Brothers 1953 - Vintage original 22 x 28" (55 x 70 cm.) half sheet poster, USA. Paul Christian, dir: Eugene Lourie; Warner Brothers. Classic monster film of a ravaging dinosaur, adapted from a short story by Ray Bradbury called "The Fog Horn." Spectacular art of the rampaging dinosaur. Poster has been professionally paper-backed. Pinholes and small border tears have been addressed. Touch up on fold lines, corner creases addressed. NEAR FINE.

      [Bookseller: Walter Reuben, Inc.]
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        Seven Years in Tibet - SIGNED and with the wrap-around band

      London: Rupert Hart-Davis, 1953. A first edition, first printing published by Rupert Hart-Davis in 1953. A very good/near fine book with a little light mottling to the front board and some spotting to the page edge and to the endpapers. Red topstain still present. SIGNED by Harrer in English and Tibetan on the front endpaper. In a near fine unclipped wrapper with some wear to the spine tips and corners. Complete with the rare wrap-around band. Most signed copies of this book offered for sale are usually Book Society or later printings - this is the true first edition, printed solely by Rupert Hart-Davis.

      [Bookseller: John Atkinson Books]
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        Typed Letter Signed; to John M. Weatherwax

      Washington, D.C., 1953. Some soil and damage to the right margin of the letter from old moisture; slighter damage to the margins of the printed items; pencil notation "Lehman Bill" by recipient to the upper left hand corners.. One page, on United States Senate letterhead; with two printed documents, 211pp and 6pp. The immigration debate takes shape. Lehman writes to the West Coast labor activist, sending him a copy of the bill he had introduced at the end of the first session of the 83rd congress, in August 1953. Along with the complete bill, there is also Lehman's shorter executive summary from the Congressional Record. In 1952, Congress passed the infamous McCarran-Walter bill, overriding President Truman's veto. That bill imposed strict immigration quotas based on national origin. Conceived as an anti-Communist measure, it brought widespread protest for its new infringements on civil liberties. The liberal New York senator, known during his term as "conscience of the senate," introduced his revision of the law at the end of the first session, in order to allow his colleagues time to digest and consider it before taking it up for a vote. It never came up for a vote. Indeed, the controversial McCarran act has remained in effect, with minor tweaks, and has provided legal justification for some of the policies still generating controversy. Lehman's bill was co-sponsored by some notable members of the Senate, including Hubert H. Humphrey, Lyndon B. Johnson, and, the newly sworn in Senator from Massachusetts John F. Kennedy. It was one of the first pieces of Senate legislation to have Kennedy's name on it, early in a term during which he was known more for being absent than for legislative accomplishments. Lehman, who had been FDR's Lt. Governor in New York, and then succeeded him as Governor, was a hero to the liberal wing of the Democratic party. When, later as President, JFK introduced the new Congressional Medal of Freedom, Lehman was named as one of the first recipients. Alas, Kennedy was killed before the medals were cast, and on the day when President Johnson was to bestow the award, Lehman died of a heart attack.

      [Bookseller: Locus Solus Rare Books]
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        My Religious Faith and Fourteen Original Mounted and Captioned Photographs of Bernard Leach the Father of British Studio Pottery

      1953 - Published in 1953, this is a nice example of Bernard Leach's "My Religious Faith" the five page hand sewn pamphlet he wrote explaining why he had become a Bahá'í , printed on handmade Japanese paper. Bernard Howell Leach CH CBE (5 January 1887 - 6 May 1979), was a British studio potter and art teacher. He is regarded as the "Father of British studio pottery". Also included are fourteen original photographs of Bernard Leach potting and teaching pottery along with three showing examples of his work, the photographs have been mounted on card and are all captioned in pen. A nice example of this scarce paper with 14 excellent photographs of the great pottery artist at work [Attributes: First Edition; Soft Cover]

      [Bookseller: Andrew Cox PBFA]
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        [Kinsey Reports] Sexual Behavior in the Human Male, [together with] Sexual Behavior in the Human Female

      Philadelphia: W. B. Saunders [through 1953], 1948. First Edition. Hardcover. Fine-/Near Fine+. First Printings of this two-volume landmark work on human sexuality. Thick, tall 8vo: xv[1],804; xxx,841[1]pp. Publisher's maroon cloth, covers blocked in black and navy blue, spines stamped in gilt, typographic dust jackets in orange (male) and yellow (female) printed in black. Human Male: spine ends gently bumped, else Fine; jacket slightly dusty, shade of lightening to spine panel (but less than usual), two small chips at crown (not affecting lettering or design), unnecessary clear tape mends to verso, price obliterated by sticker removal, better than Very Good. Human Female: lower spine very lightly scuffed, small white spot at crown, about Fine; jacket, priced $8.00 to back flap, with light wear to folds and extremities, several small closed tears and creases, spine panel bright and unfaded, Near Fine or better. Garrison-Morton 7037-38. Kinsey and his colleagues at the Institute for Sex Research at Indiana University based the first volume on histories of approximately 5,300 males, collected during a fifteen year period. The text describes the methodology, sampling, coding, interviewing, and statistical analyses. Sexual Behavior in the Human Female was based on personal interviews with approximately 6,000 women. The data was analyzed for the frequency with which women participate in various types of sexual activity and considered how such factors as age, social-economic status, and religious adherence influenced sexual behavior. The evidence suggested that women were less sexually active than men, but the publications were immediately controversial, causing shock and outrage, both because they challenged conventional beliefs about sexuality and because they discussed subjects considered taboo. The Kinsey Reports together sold three-quarters of a million copies and were translated into thirteen languages, making them among the most successful and influential scientific books of the 20th century. N. B. With few exceptions (always identified), we only stock books in exceptional condition, with dust jackets carefully preserved in archival, removable polypropylene sleeves. All orders are packaged with care and posted promptly. Satisfaction guaranteed.

      [Bookseller: Fine Editions Ltd]
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        The Spirit of St Louis

      New York: Scribner's, 1953. Later printing. Hardcover. Very good/poor. Inscribed to Victor Lasky on title page, 3/8" tear to head of free endpaper, otherwise text block tight and unmarked. Head/tail of spine light wear and fading, corners bumped. DJ in four pieces, all panels present. 8vo. 562pp.

      [Bookseller: Liberty Book Store IOBA FABA]
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        ETCHING] THE RABBI OF PRAGUE [SIGNED BT ARTIST]

      1953 - 1st Edition Etching. Framed and Matted. 62.5 by 47.5 cm. Signed, "Moishe, " and Numbered 1/50. "Born in Chicago, Moishe Smith studied at the New School for Social Research and with Mauricio Lasansky at the University of Iowa. He also attended the Skowhegan School of Painting and Sculpture in Maine Smith has focused on landscape as the subject of much of his work, but romantic city views are also found within the range of his graphics. In Kafka-ville: A View of Prague, he etched a bird's-eye-view of the Czechoslovakian city, recording in detail the varied architectural forms that are found side by side in the old metropolis. " (National Gallery of Art, 2017) Smith’s works have been exhibited internationally at major art galleries including MoMA, the Walker, the Boston Museum of Fine Arts, and the Uffizi in Florence. Two of his works are held in the permanent collection of the Art Institute of Chicago. He seldom depicts Jewish subjects. Bears some resemblance to Marc Chagall’s famous "The Praying Jew (Rabbi of Virebsk) " Provenance: Sotheby’s, "Important Judaica 04 December 2014, " Item 134A. Framed shows some wear. Overall Very Good Condition. (PAINT-1-11) [Attributes: First Edition; Signed Copy]

      [Bookseller: Dan Wyman Books, LLC]
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        DELLA LETTERATURA E ALTRI SAGGI

      VALLECCHI, 1953. ITALIANO 0,41 Brossura editoriale morbida, leggermente ingiallita e con lievissimi segni del tempo, sovraccoperta illustrata e con segni di usura ai bordi, pagine brunite attorno ai testi da fattore tempo USATO

      [Bookseller: Biblioteca di Babele]
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        OUT OF THE DEEPS

      New York: Ballantine Books, [1953].. Octavo, boards. First U.S. edition. The author's fourth science fiction novel, the second using the John Wyndham pseudonym. Earth is invaded by beings from another planet who exist under conditions of enormous pressure in the deep sea. Issued earlier in Britain with textual differences as THE KRAKEN WAKES (1953). Anatomy of Wonder (1987) 3-412. A fine copy in fine dust jacket with 10 mm closed tear at top rear spine fold and hint of dust soiling to rear panel. Formerly, Author/editor/publisher Donald A. Wollheim's copy with his name rubber stamped on the rear free endpaper. A very attractive copy. (#155618)

      [Bookseller: L. W. Currey, Inc.]
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        Studio für neue Kunst - Wuppertal. Nachlasskonvolut Autographen und Ephemera.

       Das Konvolut zeigt teils Gebrauchs- und Altersspuren, ist aber insgesamt in gutem Zustand. Umfangreiches Nachlasskonvolut des Architekten und Kunstförderers Heinz Rasch anläßlich der von ihm initiierten Ausstellungen in den Räumen \"Studio für neue Kunst - Döppersberg 12\" sowie des Umzuges im Mai 1953 in die \"Ruhmeshalle\" des Kunst- und Museumsvereins Wuppertal. Ab 1945 veranstaltete Rasch in eigenen Räumen insgesamt 70 Ausstellungen mit aktueller Kunst, oft die der zwischen 1933 und 1945 verfemten Künstler, meist aus der Region. Für den Umzug in die \"Ruhmeshalle\" plante er eine große Übersichtsausstellung mit je einer Arbeit jedes Künstlers, den er zuvor ausgestellte hatte. Diesbezüglich ist der Schnriftwechel mit den Künstlern angelegt und kreist um Leihgaben, Wahl der Bilder, Modalitäten etc. Es liegen an Autographen vor: Ida Kerkovius - 2 Briefe, 1 Karte (handschriftlich); E. W. Nay - 1 Brief DIN A5 (Maschine) ; Rolf Cavael - 1 Brief DIN A5 (Maschine); Carl Buchheister - 1 handschriftliche Postkarte sowie 1 Brief (Maschine) DIN A4; Julius Bissier - 2 handschriftliche Postkarten; Friedrich Vordemberg-Gildewart - 2 handschriftliche Briefe DIN A5; Marie-Louise Rogister - 1 handschriftliche Postkarte sowie 1 handschriftlicher Brief, DIN A5; Carl Lauterbach - 1 handschriftlicher Brief DIN A4; Georg Gottfried Leppien für Jean Leppien - 1 Brief DIN A5 (Maschine); Christel Poll - 1 handschriftlicher Brief, DIN A4; Otto Ritschl, 1 Brief DIN A5 sowie DIN A 4 (Maschine) und 1 Postkarte (Maschine); Joseph Jaekel, 1 handschriftliche Postkarte; Hans Jaenisch - 1 handschriftlicher Brief, DIN A5; Wilhelm Imkamp - 1 Postkarte (Maschine); Willi Deutzmann - 1 handschriftliche Postkarte; Jürg Spiller - 2 Briefe DIN A4 (Maschine) sowie 1 Postkarte (Maschine); Helmut Weitz - 2 Postkarten (handschriftlich und Maschine); Franz Josef Blaschke - 2 handschriftliche Briefe, DIN A4; Erwin Damaske - 2 handschriftliche Briefe DIN A4; Max Loviscach - 1 handschriftlicher Brief DIN A4; Karl Ehlers - 1 handschriftliche Postkarte (sowie 12 nicht eruierte weitere Briefe und Karten). Alle Post- und Briefkarten sowie Briefe sind handschriftlich von den Künstlern signiert. Von Heinz Rasch liegen 37 Durchschriften und Durchschläge von Briefen an die Künstler sowie Austausch mit Galerien vor sowie ein Schriftwechsel mit der Galerie Czwiklitzer hinsichtlich der Ausleihe von Arbeiten von Ida Kerkovius und Buchheister. Ferner vorliegend 22 Blatt (meist in der Handschrift Raschs oder maschinenschriftlich mit dessen Ergänzungen) - Künstlerlisten, Adresslisten zur Einladung in die Ruhmeshalle - Leihlisten von Kunstwerken etc. Enthält ferner einige Grußkarten mit Grafiken, teils signiert sowie zwei gewidmete und signierte Kataloge von Gustav Deppe und Karl Otto Götz. In einem Soennecken-Schnellhefter sind 35 gefaltete und gelochte Plakate (teils doppelt oder mehrfach vorhanden) des \"Studio für neue Kunst\" zu Ausstellungen aus den Jahren 1946 - 1947 u.a. von Max Ackermann, Adolf Hoelzel, Emil Schumacher, E. W. Nay, Peter Herkenrath, Heinz Trökes, Max Loviscach, Gustav Deppe, Karl Otto Götz, Georg Meistermann, Elisabeth Kadow, Georg Muche sowie weiterer enthalten. (Die Plakate am unteren Ende teils mit kleinem verklebtem Feuchtigkeitsschaden). 110 an Rasch adressierte Einladungskarten, teils mit Originalgrafik sowie ca. 70 Kataloge und Katalogfolder liegen ebenfalls bei, überwiegend von Künstlern, die Rasch auch in seinen Ausstellungen gezeigt hat. Darunter etwa die Hälfte Kataloge der Galerie Gerd Rosen, u.a. von Emil Schumacher, Hans Uhlmann, Werner Heldt, Mac Zimmermann, Bernhard Heiliger, Heinz Trölkes, Christian Rohlfs, Theodor Werner, Jeanne Mammen, Gustav Deppe, Hans Böttcher, Ernst Kohler, Werner GillesWilli Baumeister, Elisabeth Kadow etc. In dieser Dichte eindrucksvolles Dokument von privat initiierter Kunstförderung nach dem Zweiten Weltkrieg und dem Wiederaufbau der Kulturlandschaft. Versand D: 3,00 EUR 20. Jahrhundert / 20th Century, Deutschland / Germany, Kunst, nach 1945 / after 1945, Wuppertal / Wuppertal

      [Bookseller: Antiquariat Querido - Kunst und Fotograf]
 26.   Check availability:     buchfreund.de     Link/Print  


        American Fables [Unpublished Book Length Manuscript]

      Upton Sinclair 1953 - Upton Sinclair. 1953. F First Edition. S Unbound. Very Good. Believed to be the last of Upton Sinclair's unpublished book-length manuscripts in private hands, AMERICAN FABLES is a uniquely important piece of American literary history. Sinclair's body of work dealt with numerous issues and trends in American, life, society and politics during this era, but often as part of a larger, character-driven narrative. AMERICAN FABLES was his signal attempt to synthesize these key threads by combining sections of his work with that of other authors. The work takes the form of 30 "Fables", seventeen of which are Sinclair, thirteen by others including such prominent American authors (and friends) Jack London, Sinclair Lewis, Lincoln Steffens, and John Reed. Also included are contributions by Cornelius Vanderbilt, Jr, the noted anarchist Prince Kropotkin, E. W. Scripps, Harry Price, Prynce Hopkins, and others. Sinclair's own seventeen "Fables" are taken from or based on previously published works authored 1923-48, with new unpublished material composed in 1952. The thirteen "Fables" of the other authors (Jack London, Sinclair Lewis, et al.), are mostly from between the wars, but range from 1899 (Kropotkin - a bit of an outlier) to 1951. This work has been much discussed for decades among Sinclair scholars. It has been described as Sinclair's attempt to create a politically-layered, fictionalized history of America between the wars told through key stories taken from his own work and that of others. From what Sinclair told Ron Gottesman, it was intended as a domestic "prequel" of sorts to the Lanny Budd series. It was an outgrowth of several earlier drafts conceived of, it is said, as an American equivalent to the "Arabian Nights" or "One Thousand and One Nights". Gottesman indicated that, after Sinclair worked through a number of drafts for the better part of a decade under a different title (see below), finishing and sending this "final" draft to Sinclair's literary agent Bertha Klausner right around the time of the publication of THE RETURN OF LANNY BUDD in 1953, which was the culmination of the enormous series of eleven volumes begun with WORLD'S END in 1940. Sinclair had expected Viking to publish the work, or to easily find another publisher. But this was not to be, as Senator Joseph McCarthy's incendiary attacks against the Left created such a hostile environment, that it intimidated all potential publishers of this new work by the avowed Socialist and one- time Democratic nominee to be Governor of California. After that first flurry of submissions and what Sinclair described to Gottesman as somewhat panicked rejections, the work sat forgotten for years in the files of Sinclair's literary agent, Bertha Klausner, until it was returned to Sinclair in the 1960's. FORMAT: The work is 400 pages, typed on white watermarked paper (8.5 x 11 inches), with 350 of the 400 leaves bearing holograph additions, corrections, and excisions, mainly by Upton Sinclair, but some in the hand of his wife, author Mary Craig Sinclair, 1 page entirely in holograph. The vast majority of typed leaves are ribbon copies. Pagination is almost entirely supplied by hand (correcting the prior typed pagination). The COLLATION is [1-2], 17-54, [54a], 55-189, 190- 1, 192, 193a-193b, 194-215, 261-17, 218-263, 263a, 264-267, 267a, 268- 284, 285-99, 300-425. PROVENANCE: The estate of Upton Sinclair; by inheritance to his son David, by inheritance to David's wife Jean Sinclair. Ink stamp of Sinclair's literary agent Bertha Klausner on title/index leaf. Upton Beall Sinclair, Jr. (1878-1968), pioneering muckraker, American novelist, winner of the Pulitzer Prize, author of the influential novel THE JUNGLE, which created such public controversy about the meat packing industry that it is in large part credited with the passing of the Pure Food and Drug Act, and ultimately to the creation of the Food and Drug Administration (FDA). Outside his literary work, Sinclair was notable i [Attributes: First Edition; Signed Copy]

      [Bookseller: Arundel Books]
 27.   Check availability:     AbeBooks     Link/Print  


        Actuelles II. Chroniques 1948-1953

      Gallimard 1953 - - Gallimard, Paris 1953, 12x19cm, broché. - Edition originale, un des 130 exemplaires numérotés sur pur fil, tirage de tête après 25 Hollande. Envoi autographe signé d'Albert Camus à Max-Philippe Delatte sur la page de faux-titre. Ex-libris de ce dernier encollé sur une garde. Première garde et page de faux-titre légèrement et marginalement ombrées. [AUTOMATIC ENGLISH TRANSLATION FOLLOWS] first edition, one of the 130 single copies on "pur-fil" paper, draw after 25 Holland paper. Autographed autograph dedication of the author of Albert Camus to Max-Philippe Delatte on the page of false title. Ex-libris of this last glued on a guard. First guard and title page slightly and marginally shaded. [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Librairie Le Feu Follet]
 28.   Check availability:     AbeBooks     Link/Print  


        LOVE AMONG THE RUINS A Romance of the Near Future

      Chapman and Hall 1953 - First edition, deluxe issue. Number 66 of 350 copies, signed by the author. Original red buckram, decoration to upper board and titles to spine gilt, in scarce publisher's glassine, printed on the front flap. Top edge gilt others untrimmed. A fine copy in a slightly worn glassine. Title page in black and sepia and sepia chapter numbers and initials. Full page illustrations "by Various Eminent Hands Including the Author's" also in sepia. This novella is a political satire set in world where politicians agree on all major issues. The blurb informs us that Mr Waugh seeks only to provide an hours entertainment for the still civilised. "Despite their promises at the last Election, the politicians had not yet changed the climate.The weather varied from day to day and from county to county as it had done of old, most anomalously." [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Jonkers Rare Books]
 29.   Check availability:     AbeBooks     Link/Print  


        The structure of DNA.

      - New York, NY, The Biological Laboratory, Cold Spring Harbor, 1953. 4to (27.3 x 20.1 cm). 301 pp., four plates (Watson & Crick: pages 123-131 and seven figures). Original red cloth. Gilt title on the spine.l This is Watson and Crick's third paper on DNA, being the first comprehensive presentation and the first in which they summarize their findings concerning both the structure of DNA and its genetic implications. In this work they go further than in their prior two papers by offering a critique of the DNA scheme that they propose and a challenge to crystallography to provide further data. We offer the complete Cold Spring Harbor Symposia on Quantitative Biology, volume 18. Stamp and remnants of a sticker on the rear paste-down. Front endpapers, half title, title, and other pages clean. A fine copy. Rare. [Attributes: Hard Cover]

      [Bookseller: Antiquariaat Schierenberg]
 30.   Check availability:     ZVAB     Link/Print  


        Go Tell It On The Mountain - Signed and Inscribed by the Author in the year of publication

      London: Knopf, 1953. A first edition, first printing published by Knopf in 1953. A near fine book without inscriptions - SIGNED and inscribed on the front endpaper by the author ('Amities -/Jimmy Baldwin/May 53/Paris'). In a very good+ unclipped wrapper with a crease on the front panel extending to the rear panel (perhaps a printer's errata). A thin chip to the head of the spine. Rubbing to the corners and edges. Not price clipped showing $3.50 net. Signed copies of this book are rare, more so in the month of publication.

      [Bookseller: John Atkinson Books]
 31.   Check availability:     Biblio     Link/Print  


        Wirklichkeit des Theaters.

      Frankfurt am Main, Suhrkamp Verlag, 1953. 1. - 5.Tsd. 215 Seiten mit Einbandzeichnung von Theo Otto. 8°, Broschiert mit Schutzumschlag, dieser etwas fleckig und gebräunt, der Kopfschnitt ebenfalls leicht fleckig, auf dem Vortitel die signierte und datierte Widmung Gustav Gründgens ...\"Peppeline das erste Exemplar... ( 6.12.53) (Marianne Hoppe). Gustaf Gründgens (* als Gustav Heinrich Arnold Gründgens 22. Dezember 1899 in Düsseldorf - + 7. Oktober 1963 in Manila, Philippinen), Sohn von Arnold Hubert und Emmy Gründgens, war ein bedeutender deutscher Schauspieler, Regisseur und Intendant. Seinen Künstlernamen Gustaf führte er ab 1924. Versand D: 5,00 EUR

      [Bookseller: Bührnheims Literatursalon GmbH]
 32.   Check availability:     buchfreund.de     Link/Print  


        American Fables [Unpublished Book Length Manuscript]

      Upton Sinclair. 1953. F First Edition. S Unbound. Very Good. Believed to be the last of Upton Sinclair's unpublished book-length manuscripts in private hands, AMERICAN FABLES is a uniquely important piece of American literary history. Sinclair's body of work dealt with numerous issues and trends in American, life, society and politics during this era, but often as part of a larger, character-driven narrative. AMERICAN FABLES was his signal attempt to synthesize these key threads by combining sections of his work with that of other authors. The work takes the form of 30 "Fables", seventeen of which are Sinclair, thirteen by others including such prominent American authors (and friends) Jack London, Sinclair Lewis, Lincoln Steffens, and John Reed. Also included are contributions by Cornelius Vanderbilt, Jr, the noted anarchist Prince Kropotkin, E. W. Scripps, Harry Price, Prynce Hopkins, and others. Sinclair's own seventeen "Fables" are taken from or based on previously published works authored 1923-48, with new unpublished material composed in 1952. The thirteen "Fables" of the other authors (Jack London, Sinclair Lewis, et al.), are mostly from between the wars, but range from 1899 (Kropotkin - a bit of an outlier) to 1951. This work has been much discussed for decades among Sinclair scholars. It has been described as Sinclair's attempt to create a politically-layered, fictionalized history of America between the wars told through key stories taken from his own work and that of others. From what Sinclair told Ron Gottesman, it was intended as a domestic "prequel" of sorts to the Lanny Budd series. It was an outgrowth of several earlier drafts conceived of, it is said, as an American equivalent to the "Arabian Nights" or "One Thousand and One Nights". Gottesman indicated that, after Sinclair worked through a number of drafts for the better part of a decade under a different title (see below), finishing and sending this "final" draft to Sinclair's literary agent Bertha Klausner right around the time of the publication of THE RETURN OF LANNY BUDD in 1953, which was the culmination of the enormous series of eleven volumes begun with WORLD'S END in 1940. Sinclair had expected Viking to publish the work, or to easily find another publisher. But this was not to be, as Senator Joseph McCarthy's incendiary attacks against the Left created such a hostile environment, that it intimidated all potential publishers of this new work by the avowed Socialist and one- time Democratic nominee to be Governor of California. After that first flurry of submissions and what Sinclair described to Gottesman as somewhat panicked rejections, the work sat forgotten for years in the files of Sinclair's literary agent, Bertha Klausner, until it was returned to Sinclair in the 1960's. FORMAT: The work is 400 pages, typed on white watermarked paper (8.5 x 11 inches), with 350 of the 400 leaves bearing holograph additions, corrections, and excisions, mainly by Upton Sinclair, but some in the hand of his wife, author Mary Craig Sinclair, 1 page entirely in holograph. The vast majority of typed leaves are ribbon copies. Pagination is almost entirely supplied by hand (correcting the prior typed pagination). The COLLATION is [1-2], 17-54, [54a], 55-189, 190- 1, 192, 193a-193b, 194-215, 261-17, 218-263, 263a, 264-267, 267a, 268- 284, 285-99, 300-425. PROVENANCE: The estate of Upton Sinclair; by inheritance to his son David, by inheritance to David's wife Jean Sinclair. Ink stamp of Sinclair's literary agent Bertha Klausner on title/index leaf. Upton Beall Sinclair, Jr. (1878-1968), pioneering muckraker, American novelist, winner of the Pulitzer Prize, author of the influential novel THE JUNGLE, which created such public controversy about the meat packing industry that it is in large part credited with the passing of the Pure Food and Drug Act, and ultimately to the creation of the Food and Drug Administration (FDA). Outside his literary work, Sinclair was notable in many fields. He was in some ways a precursor to Bernie Sanders, an avowed Socialist who was the Democratic nominee for Governor of California in 1934, running on the EPIC platform (End Poverty in California). He and Mary Craig produced Sergei Eisenstein's landmark "Que Viva Mexico" in 1930-32. He was a pioneer in such diverse fields as nutrition and health, cooperative living, investigative journalism, self- publishing, free speech and civil liberties, etc., etc. Sinclair's relationships with the authors of the other work included here were often of long-standing. As examples: Jack London had been President of the Intercollegiate Socialist Society, with Upton Sinclair as his Vice President, and he and Sinclair were lifelong friends. In fact London's futuristic novel THE IRON HEEL (1908) was written in response to Sinclair's THE INDUSTRIAL REPUBLIC (1906), and provided the introduction to Sinclair's pioneering anthology of literature on social protest THE CRY FOR JUSTICE (1915). London also was one of the subjects of Sinclair's anti- alcohol book THE CUP OF FURY (1956). Sinclair Lewis served for two months as janitor of Upton Sinclair's abortive co- operative colony, Helicon Hall, in Englewood Cliffs, NJ, which Sinclair established win 1906 with profits from THE JUNGLE (it burned down in 1907). BIBLIOGRAPHIC REFERENCES: For discussion of this item and its earlier unfinished incarnations from the prior decade, see Gottesman and Silet, "The Literary Manuscripts of Upton Sinclair" #A26. See also G&S A26a-f, describing six earlier drafts (dating from the 1940's) of what became this work, under the working titles "American Nights' Entertainments". Signed: I Manuscript

      [Bookseller: Arundel Books of Seattle]
 33.   Check availability:     Biblio     Link/Print  


        ASSIGNMENT IN ETERNITY ..

      Reading, Pennsylvania: Fantasy Press, [1953].. Octavo, cloth. First edition. One of 500 numbered copies signed by Heinlein. Collects "Gulf," "Elsewhen," "Lost Legacy," and "Jerry Was a Man." Some tanning to paste-downs, mostly along gutter margins, else a fine copy in nearly fine dust jacket with rubbing to spine ends and 8 mm closed tear at upper rear spine fold. A nice copy. (#150116)

      [Bookseller: L. W. Currey, Inc.]
 34.   Check availability:     Biblio     Link/Print  


        The Coronation Album.

      London Coronation Book Club 1953 - Landscape folio, limited edition, number 54 of 252 copies, one of 200 copies containing 'United Kingdom Coins and First Day Covers of this Realm', signed Introduction by the Marquess of Aberdeen, photographs and reproductions mounted alongside text on stiff card leaves, a set of first day cover stamps mounted towards the end, pouch at rear containing a full set of commemorative coins and the 'Approved Souvenir Programme', publisher's crushed blue morocco onlaid with crowned ER monogram to upper cover and spine, all edges gilt, a little age-toned, otherwise a near-fine, complete copy. A stunning, comprehensive photographic and illustrative account, from the young Queen resplendent in the golden carriage to the crowds waiting patiently in the June rain for glimpse of their new monarch. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Shapero Rare Books]
 35.   Check availability:     ZVAB     Link/Print  


        Opera omnia di Benito Mussolini. 36 volumi.

      La Fenice 1953-1963, Firenze - Frontespizio: A cura di Edoardo e Duilio Susmel. 36 voll. in-8° (cm 22x14,5), pp. 300-500 ca. per volume. Legatura editoriale in piena tela nera, titolo nero entro riquadro dorato al dorso, medaglione a rilievo con profilo dell'Autore impresso al piatto. Taglio superiore giallo, sguardie marmorizzate nere. Con alcune riproduzioni fotografiche in b/n fuori testo. Legature solide che presentano sporadiche leggere abrasioni. Leggerissimo segno di consunzione alla cuffia del vol. VI. Tagli fioriti, bruniture a bordopagina, pagine ingiallite dal tempo con sporadiche fioriture. Minimi residui di scotch alle sguardie di alcuni voll. Piccolo strappetto e segni di piegatura al controfrontespizio del vol. I. Complessivamente buone condizioni.

      [Bookseller: Libreria La Fenice di Pietro Freggio]
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        Appogiatures

      Editions du Rocher 1953 - - Editions du Rocher, Monaco 1953, 14,5x19cm, broché. - Edition originale, un des 100 exemplaires numérotés sur pur fil, tirage de tête. Ouvrage illustré, en frontispice, d'un portrait de l'auteur par Modigliani et d'un dessin hors-texte de Hans Bellmer. Très bel exemplaire. [AUTOMATIC ENGLISH TRANSLATION FOLLOWS] first edition, one of the 100 numbered copies on "pur-fil" paper, drawing of head. Illustrated book, on the frontispiece, of a portrait of the author by Modigliani and an out-of-text drawing by Hans Bellmer. Very nice copy. [Attributes: First Edition; Soft Cover]

      [Bookseller: Librairie Le Feu Follet]
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        THE NIGHT OF THE HUNTER

      New York: Harper & Brothers, 1953. First Edition. First Printing. Octavo (21cm); black and blue-gray cloth-covered boards, with titles stamped in white on spine; dustjacket; [10], 273, [5]pp. Pinpoint rubbing to lower corners, with trivial wear to base of spine, else Fine. Dustjacket is unclipped (priced $3.00), with the correct printers codes at the bottom of both flaps and rear panel; some pinpoint wear to extremities, light wear to spine ends, and a few tiny tears; overall a bright, Near Fine example. Grubb's first novel, a finalist for the National Book Award in 1955, and basis for Charles Laughton's 1955 film noir starring Robert Mitchum, Shelley Winters, Lillian Gish, and James Gleason. The Dark Page, Vol.II, pp.86-87; Criterion #541.

      [Bookseller: Captain Ahab's Rare Books]
 38.   Check availability:     Biblio     Link/Print  


        SOVRANIE TRUDOV (Collected works). 2 volumes. ¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿ ¿¿¿ 1 /¿¿¿ 2

      Izdatel'stvo Akademii medicinskix nauk SSSR, Moscou 1953 - M. K. Petrova. Sovranie trudov. Izdatel'stvo Akademii medicinskix nauk SSSR. 1953. 2 vol. 15,5x22,5 cm. of 250 and 223 pages. Brown quarter cloth. Gilt title on plate and on red piece on spine. 4500 ex. See pictures. Voir photos. LE COMMENTAIRE DU LIBRAIRE : M. K. Petrova (1874-1948) was a very close friend and the main co-worker of Pavlov. Petrova ¿¿¿¿ ¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿ ¿ ¿¿¿¿¿¿¿¿, ¿¿¿¿¿ ¿¿¿¿¿¿¿ ¿ Pavlov [Attributes: Soft Cover]

      [Bookseller: Librairie Hervé Sciardet]
 39.   Check availability:     AbeBooks     Link/Print  


        LE JOURNAL D'UNE FILLE DE FERME - Roman pornographique illustré clandestin

      S.l.n.n. (vers 1952 ? 1953 ?) - S.l.n.n. (vers 1952 ? 1953 ?) 1 volume in-4 (25 x 19 cm), en feuilles sous couverture imprimée rempliée. 81 pages. 12 illustrations libres tirées en sanguine. Texte imprimé en bleu et encadré d'une frise mince imprimée en lie de vin. ÉDITION ORIGINALE. TIRAGE ANNONCÉ A 500 EXEMPLAIRES. Celui-ci est numéroté au stylo bleu. Il est fort probable que le tirage réel de ce volume a été bien moindre que celui annoncé à la justification. Il ne se rencontre pas facilement. Notre exemplaire est bien le premier tirage mentionné par Dutel. Publié au début des années 1950. Elle se distingue de la contrefaçon, parue très peu de temps après, par une couverture imprimée en bleu et un format plus grand (25 x 19 cm au lieu de 22,5 x 17,5 cm pour la contrefaçon). Dutel ne mentionne aucune information tant pour l'auteur que pour l'illustrateur. Ouvrage condamné pour la première fois le 18 décembre 1954. "Plusieurs années après la fermeture des maisons closes un étudiant qui occupait la chambre d'une ancienne pensionnaire trouva sous une lame de parquet le manuscrit que nous publions. Les feuillets, sous l'assaut de la vermine, étaient rognés à de nombreux endroits et nous avons rétabli le texte de notre mieux." (Note de l'éditeur). "Ses seins affleuraient le bord de son corsage et me tentèrent. Je les dégageai et posai mes lèvres sur le bout rose que je caressai d'instinct avec la langue. Elle haletait en poussant de petits cris. A la fin elle n'y tint plus, écarta les jambes, me prit la main qu'elle posa sur son sexe. Je fus étonnée de voir qu'elle avait tant de poil car j'étais loin d'être aussi bien fournie. Et puis, si je savais branler les hommes je n'avais encore jamais branlé de femme, pas même moi, si étrange que cela puisse paraître. [.] Au moment de jouir elle reprit ma main et introduisit directement mon doigt dans son vagin en lui donnant un rapide mouvement de va et vient. Alors elle se tordit littéralement en criant et quand je retirai ma main elle était toute mouillée. [.]" (extrait). Référence : Dutel, Bibliographies des ouvrages érotiques publiés clandestinement en français entre 1920 et 1970, n°1808. BEL EXEMPLAIRE, TEL QUE PARU. [Attributes: First Edition; Soft Cover]

      [Bookseller: Librairie L'amour qui bouquine]
 40.   Check availability:     AbeBooks     Link/Print  


        Essays in Zen Buddhism (Third Series)

      London: Rider and Company for The Buddhist Society, 1953. 8vo. Frontispiece, half-tone plates. Original cloth; printed dust jacket. INSCRIBED BY SUZUKI on the title-page: "Daisetz T. Suzuki New York October 1956" followed by an inscription in Japanese. Foreword by Christmas Humphreys. This is the third of the three separate series of essays on the subject of Zen Buddhism by Suzuki. Some light toning and soiling to the jacket.

      [Bookseller: Riverrun Books & Manuscripts]
 41.   Check availability:     Direct From Seller     Link/Print  

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