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Displayed below are some selected recent viaLibri matches for books published in 1949

        Max Ernst 30 years of his work. About Max Ernst : poems and comments. Paramyths, new poems and collages by Max Ernst.- Exposition à Beverly Hills, California, The Copley Galleries, 10 janvier - 20 février 1949. Avec un envoi de l'artiste.

      Beverly Hills, William Nelson Copley, Copley Galleries, 1949. - 26 x 19 cm, 40 p., 66 notices. Cartonnage éditeur illustré, impression sur différents papiers de couleurs. Edition originale, tirage limité à 513 exemplaires numérotés. Avec un envoi autographe signé de Max Ernst. Textes de André Breton, Piet Mondrian, Joë Bousquet, René Crevel, Paul Eluard, Dorothea Tanning, Benjamin Péret, Man Ray, Robert Desnos, Nicolas Calas. Oeuvres entre 1919 et 1948, avec indication des provenances (Roland Penrose, J. Poe, Soulima Stravinsky, Man ray, Charles de Noailles, Pierre Matisse, Herbert Bayer, Caresse Crosby, Patricia Kane, Dorothea Tanning, Walter Arnesberg, Lila Ployardt, Doris Copley, Ona Munsen.). Superbe cartonnage illustré et série de huit collages reproduits sur papier bleu. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: SOLSTICES RARE BOOKS]
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        Die Musik in Geschichte und Gegenwart (MGG). Allgemeine Enzyklopädie der Musik, Luxus-Ausgabe in Halbpergament, 14 + 3 Bände.

      Kassel und Basel, Bärenreiter Verlag, 1949 - 1986. Grundwerk in 14 Bänden, die Supplementbände I und II sowie der Registerband, insgesamt somit vollständiges Werk in 17 Bänden. Original-Halbpergamentbände im Großformat 28 x 20 cm mit goldgeprägten Rückentiteln. Buchdeckel mit braunen Bezügen und Pergamentecken. Pergament ist ein historisches Einbandmaterial, das im Besonderen vom 15. bis 17. Jahrhundert Verwendung fand und sich durch eine außerordentliche Festigkeit und Langlebigkeit auszeichnet. Unversehrte Bände aus der genannten Zeit zeugen noch heute davon. Die etwas \"schmutzig\" erscheinende Oberfläche sowie bei manchen Bänden dunkle Verästelungen oder Maserungen sind typisch für dieses Material und verleihen jedem Band eine besondere Individualität. Heute wird Pergament nur noch äußerst selten und zumeist nur für Kleinbände als Einbandmaterial verwendet, da es in der Verarbeitung teurer als Echtleder ist. Monumentale einschlägige Enzyklopädie zur Musik und Musikgeschichte und bedeutendstes musikwissenschaftliches Standardwerk im deutschsprachigen Raum nach dem Zweiten Weltkrieg. Das über einen Zeitraum von nahezu vier Jahrzehnten erschienene Werk kann darüber hinaus als eine der bedeutendsten Musik-Enzyklopädien weltweit gelten. Im Gesamtumfang von ca. 30.500 Spalten, 500 Seiten (Vorbemerkungen) und 832 Seiten (Register). Mit zahlreichen, teils ganzseitigen Illustrationen. Inzwischen ist eine zweite Auflage des Werkes erschienen, die der Metzler Verlag zum Preis von EUR 5.645 anbietet. Bei zwei Bänden der Ansatz der Deckelbespannung an der Pergamentfläche etwas ungleichmäßig. Sonst alle Bände in sehr gutem, nahezu tadellosem Zustand. Sehr schönes Exemplar dieser edlen Halbpergament-Ausgabe, die dem Bücherschrank ein historisches Ambiente verleiht. Weitere Fotos auf der Homepage des Antiquariats (bitte Art.-Nr. auf der Angebotsseite in das Suchfeld eingeben). Versand D: 5,00 EUR Musik Lexikon Musiklexikon Musikenzyklopädie Nachschlagewerk

      [Bookseller: Das Konversations-Lexikon]
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        Schriftsteller (1913-1960): Druckfahne (unterer Teil, 14 x 14 cm) einer zentralen Stelle seines Romans "Der blaue Kammerherr" mit sehr zahlreichen eigenh. Korrekturen, Einfügungen u. Ergänzungen in Blau, Schwarz und Rot.

      Ohne Dat. u. U., - "Der blaue Kammerherr. Galanter Roman in vier Bänden" erschien 1949 erstmals bei Suhrkamp und entwickelte sich zum "Longseller". Dieses Hauptwerk von Wolf von Niebelschütz ist zwar nicht so berühmt wie Tolkiens "Herr der Ringe", aber brillanter. Es spielt auf einer fiktiven griechischen Insel zur Zeit des Barock, die antiken Götter sind aber noch aktiv. - Unsere Druckfahne ist der untere Teil des mit "48" bezeichneten Druckbogens, der in der EA zur S. 102 in Band I wurde. - // - Es geht es um das letzte Gespräch des venezianischen Botschafters Don Giovanni von Legua, bevor er von Attentätern niedergestochen wird. Er weist die Warnung des ihn verehrenden Hofnarren Pulcinello zurück und erinnert ihn daran, die verabredete Zusammenarbeit vorzubereiten. Pulcinello ist eigentlich ein in Verbannung lebender Venezianier aus bester Familie und ein Abate, dessen Herkunft und Name schon kurz zuvor im Roman genannt waren. Deshalb hat der Autor in der Druckfahne diese und einige andere bereits bekannte Einzelheiten wie die "klingenden Schnabelschuhe" wider gestrichen und so den Text verdichtet. Dies gilt für weitere Korrekturen, wie z. B.: "`Sie sind ein Narr`, sagte Giovanni und legte ihm flüchtig die Hand auf die Schulter, [gestrichen: ‚aber ein freundlicher"]. ‚Andate, amico, e preparate ["preparate" gestrichen und von Hand ersetzt durch: "fate le preparative" - so gedruckt in der EA. - richtig wäre preparativi]. Don Giovanni [von Hand gestrichen und von Hand ersetzt durch: "Ein Legua"] schleicht sich ungern durch Hintertüren [gestrichen: "davon. Er liebt die Freiheit"]". - Weiter über die letzte Begegnung mit Prinzessin Danae im Pantherfell vor dem Attentat, das tragischer weise gerade durch die Befolgung des Rates des Hofnarren gelingt. In diesem Abschnitt ist z. B. die Amtsbezeichnung "der Botschafter" von Hand durch dessen Name "Herr von Legua" ersetzt, da er schließlich persönlich in die Prinzessin verliebt ist. - Schoner Einblick in die Werkstatt des Autors. Alle Korrekturen wurden in die Druckfassung übernommen (Kopie der S. 102 anbei). Sprache: Deutsch Gewicht in Gramm: 550 [Attributes: Hard Cover]

      [Bookseller: Antiquariat Richard Husslein]
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        Magie der Schiene. Vorzugsausgabe mit einem Inkjet-Edeldruck und der Faksimile, einem Beiheft u. einer DVD.

      Zürich, Kubus-Vlg./edition peter petrej, /2009 1949 - Gr.8°, o. P. (8 Doppelbl. m. 12 ganzseit. u. 2 doppelblattgrossen Abb.); Beiheft 8 Bl., zahlr. teilw. farb Abb.; 1 DVD, 1 Inkjet-Druck in Kassette., Faks.: Lose Doppelbl. in Brosch. m. Bauchbinde; Beiheft (Broschur) und 1 DVD in Schuber. Alles in Kassette (41 x 31,5 cm) mit lose beiliegendem Inkjet-Edeldruck (40 x 30 cm)., Verlagsfrisch NEUERSCHEINUNG. Die Vorzugausgabe ist auf 10 röm. num. Exemplare limitiert und enthält einen Inkjet-Edeldruck (40 x 30 cm). Dieser ist ebenfalls signiert und num.Ein wichtiges Fotobuch und eine Ode auf die Dampfkraft! 60 Jahre nach dem Erscheinen des Originales.Mit einem Begleitheft (Werkschau und einem Essay) von René Teo Schlachter und einem Film von Phil Dänzer «Magie aus der Dunkelkammer - Der Fotograf René Groebli», Zürich 2007Die Erstausgabe von «Magie der Schiene», der Urform von «Rail Magic», ist 1949, vor sechzig Jahren, erschienen. Es war damals eines von wenigen künstlerisch wirklich anspruchsvollen Fotobüchern mit einer eigenen Bildsprache, für welche das Verständnis erst zu keimen begann. Insofern steht diese Publikation als Meilenstein da und rechtfertigt darum den Nachdruck in der vorliegenden Form.Dass diese eigenwillige Bildsprache so lange Zeit benötigte, um verstanden zu werden, verwundert heute. Es ist diese Sprache, die in Groeblis facettenreichem Werk in jeder Phase sichtbar ist und die in jeder seiner Werkgruppen zum Ausdruck kommt.Kenner der Fotografie sammeln Arbeiten von René Groebli, weil sein Werk eine Konstanz in allen Bewertungskriterien aufweist, die auf diesem Niveau äusserst selten ist.Das überaus vielfältige Werk umfasst etliche Themengruppen, die mit ihrer Aussage der Zeit voraus waren. Groebli hat stets alle technischen Möglichkeiten mit grossem handwerklichem Können genutzt, wie zum Beispiel die Bewegungsunschärfe oder das Herausarbeiten von Kornstrukturen. 4000 gr. Schlagworte: PhotographieNeueingänge - Photographie [Attributes: Signed Copy; Soft Cover]

      [Bookseller: antiquariat peter petrej]
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        IL MESSAGGIO DALLA CAMERA OSCURA

      CHIANTORE 1949 - Tracce di nastro adesivo in prima, seconda, penultima, ultima pagina e sovracopertaNum Pagine 444 rilegato in cartonato editoriale con sovracoperta [Attributes: First Edition; Hard Cover]

      [Bookseller: Il Mondo Nuovo]
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        RUSSIA: TABULA RUSSIAE EX AUTOGRAPHO, QUOD DELINEANDUM CURAVIT FOEDOR FILIUS TZARIS BOROIS DESUMTA . . . MDCXIIII.

      - Detailed map shows the area of west Russia, Estonia, Lithuania and Latvia with in-set bird’s eye view of Moscow and a view of Arkhangelsk. Very rare map of Russia by Hessel Gerritsz. Gerritsz was a Dutch cartographer and publisher, considered by some experts „unquestionably the chief Dutch cartographer of the 17th century" (Johannes Keuning "Hessel Gerritsz" (1949) Imago Mundi Vol. 6, pp. 46-66). In the first years of the 17th century he started cooperating with Willem Jansz Blaeu in Amsterdam and in 1610 he opened his own printing shop. His maps were published in atlases by Janssonius and Blaeu, amongst others. As an indipendant publisher he issued his famous map of Russia. The map has a very important place in the history of Russia. As mentioned in the cartouche, the draft was made personally by the Czar of Russia Feodor II Godunov (1589 – 1605), while he was only in his mid-teens. Feodor, a son of Czar Boris Godunov, was a highly intelligent and promising young ruler of Russia, known for his fine education. He was murdered by his opponents in 1605 when he was only 16 years old, during the period of the Russian history known as „Time of Troubles". This turbulent era lasted from the death of the last Russian Csar of the Rurik Dynasty, Feodor Ivanovich, in 1598, to the establishment of the Romanov Dynasty in 1613. Feodor’s manuscript map was brought to Amsterdam by a Dutch merchant and "Kremlinologist" Isaac Massa (1586 - 1643). Massa came to Russia in 1601 and witnessed the civil war in the „Time of Troubles". He left the country in 1609 accompanied with numerous documents including (allegedly) Feodor’s draft. Massa’s bringing the documents to Amsterdam was very risky and could be fatal for his Russian sources. For a long time his map of Siberia was the only printed map of the area and was copied by numerous other authors. In the years after moving back to the Netherlands Massa published texts about the events in Russia, including an almanac with a map of Russia in 1612-1613. The editor was Hessel Gerritsz. Gerritsz published a separately issued map of Russia, based on Czar Feodor’s draft brought to Amsterdam by Massa, in the same year, that was also a year of enthroning of the Tzar Michael I of Russia (Mikhail Fyodorovich Romanov, 1596 – 1645), to whom the map is dedicaded. The family Romanov was reigning the country until the February Revolution in 1917. The bird’s eye view of Moscow, also based on Czar Feodor’s draft, first engraved as an in-set map on Gerritsz map became one of the most reproduced views of the city. In 1618 Georg Braun and Frans Hogenberg replaced their older view of Moscow, based on 16th century Herberstin’s print, in their famous work Civitates Orbis Terrarum with Gerritsz-Massa’s view. Among other famous publishers Matthäus Merian copied this view as well as Gabriel Bodenehr as late as in the early 18th century. The second city on the map, Arkhangelsk, was the most important trading port for Moscow. As the Baltic sea was controlled by Sweden in the 16th century, Ivan the Terrible founded this city on the river Northern Dvina with the exit to the White Sea in 1584. The first state of the map by Gerritsz is extremely rare. A year later, he published a second, corrected state, present here, which is today also rare on the market. The map was highly infuential and was copied by various authors such as Blaeu and Merian throughout the 17th century. References: Schilder, MCN IV, S. 78f.; Bagrow/C. S. 51ff. u. S. 87: Koeman II, 1800:2.1.

      [Bookseller: Antiquariat Dasa Pahor]
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        Nineteen Eighty Four

      Secker and Warburg, 1949. Hardcover. Very Good/Good. Secker and Warburg, London 1949. First UK Edition / First Printing. First Published 1949 stated on the copyright page. Light green cloth boards. Variant red jacket priced at 10s. Top edge red. Rare Book. Book Condition: Very Good+, light age toning, corners lightly bumped. Brackets in the margins in pencil of several pages, sunning at the front board. Dust Jacket Condition: Good+, chipping, short tears, sunning at the spine. Age toning. Wrapped in a new removable mylar cover.

      [Bookseller: 1st Editions and Antiquarian Books, ABA,]
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        Death of a Salesman (First Edition)

      New York: Viking Press, 1949. First Edition. First Edition. First issue dust jacket, with a price of $2.50 on the front flap and a photograph of the author on the rear flap. Winner of the Pulitzer Prize, a classic American drama and basis for a number of film and television versions with, among others, Fredric March, Lee J. Cobb, Rod Steiger, Dustin Hoffman and Brian Dennehy playing the role of failed salesman Willy Loman. Jacket design by Joseph Hirsch. Owner name at the top of the front endpaper, else about Fine with a lovely, deep brown topstain, in a Very Good jacket that shows no loss, but rubbing at the folds and extremities, and light fray at the crown. A very presentable copy overall.

      [Bookseller: Royal Books, Inc.]
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        OFFICIAL PROGRAM COMMEMORATING THE INAUGURATION OF HARRY S. TRUMAN AND ALBEN W. BARKLEY: January 20, 1949.

      [Washington DC]: 1949 - First edition, limited issue. Program from Truman's second inauguration, SIGNED BY HARRY TRUMAN on May 13, 1967. One of an undesignated number of copies of the "Limited DeLuxe Edition," this being number 781 and signed by MELVIN D. HILDRETH, General Chairman of the Inaugural Committee, presumably as called for. Simulated leather, dark-blue pebbled cloth lettered in gold on front. The Rosalind and Alfred Perlman copy, with their names stamped in gold on bottom front corner. Original printed wrappers bound in. Rosalind Perlman, born in Chicago in 1911, was educated at Washington University in St. Louis, Missouri, and later at St. Louis Teachers College. She is the author of THE BLIND DOCTOR, a biography about Jacob Bolotin, a blind physician who lived and practiced in Chicago in the early part of the twentieth century, She and her husband established, under The National Federation of the Blind, the Dr. Jacob Bolotin Award Program, to recognize individuals and organizations working in the field of blindness that have made outstanding contributions. We assume they were contributors to the Truman campaign and had Truman sign their copy at the later date in May 1967. Magazine size, 74 pages including covers; illustrated with photographs. Fine, and scarce signed. [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Quill & Brush, member ABAA]
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        THE LITTLE SISTER

      Hamish Hamilton, [1949]., 1949. First edition. The U. K. edition is the true first edition and precedes the U. S. edition by 3 months. Spine very slightly faded (but less so than is often the case with this sensitive orange cloth), else a fine copy in a near fine dust jacket with several small chips and tears professionally restored. A young woman, beautiful and in trouble, asks private eye Marlowe for help. She needs to find her brother, a small-town boy who's lost his way in the big city. She's not quite what she claims to be, and the brother isn't what he should have been. As the story progresses, Hollywood and all the people in it lose their shine and get darker and dirtier. And then the bodies begin to pile up ....

      [Bookseller: BUCKINGHAM BOOKS]
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        Death Of A Salesman

      New York: Viking Press, 1949. First edition. Octavo, original wrappers, with the original slipcase. A pre-publication, uncased publisher's copy with sewn signatures, pictorial endpapers, some uneven toning. Signed by Arthur Miller in a contemporary signature. Housed in publisher's cloth slipcase. We have been unable to find a comparable example, most likely one a few copies published before the last transit stage from manuscript to book. A rare example of one of the highspots of twentieth century literature. When Death Of A Salesman premiered in 1949, it was an instant success and secured Arthur Miller's place as one of the great American playwrights of the 20th century. It was the recipient of the 1949 Pulitzer Prize for Drama and Tony Award for Best Play. The play premiered on Broadway in February 1949, running for 742 performances, and has been revived on Broadway four times, winning three Tony Awards for Best Revival.

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
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        Onze peintres vus par Arp. Taeuber, Kandinsky, Leuppi, Arp, Delaunay, Schwitters, Kiesler, Morris, Magnelli, Ernst. Mit einem Originalholzschnitt in Blau von Arp.

      Zürich, Girsberger, 1949. 41 + 5 S. OBrosch. mit bedrucktem Transparentpapier. EA der Normalausgabe von insgesamt 1000 Exemplaren. - Ohne Mängel. Versand D: 7,00 EUR Kunst

      [Bookseller: Antiquariat Weinek]
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        The Story of Television The Life of Philo T. Farnsworth

      NY: W.W. Norton, 1949. Book. Very Good. Hardcover. Inscribed by Author(s). 1st Edition. 8vo - over 7¾ - 9¾" tall. Front hinge shows a hairline split of the paper. Still firm, tight, clean , and bright. Overall VG.

      [Bookseller: Peter Austern & Co. Books & Ephemera]
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        Le foie gras suivi de l'art de le servir et de l'appareiller -

      Compagnie des Bibliophiles Gastronomes 1949 -, Paris - 1 volume. In-4 Reliure plein maroquin bordeaux. Dos à 4 nerfs sautés. Tête dorée. Couverture et dos conservés. Intérieur très propre. Illustré de lettrines et bandeaux. Texte en rouge et noir. Bel exemplaire. TIRAGE LIMITE à 225 exemplaires numérotés sur vélin d'Arches. "Servir correctement le foie gras est une opération comportant à peu près autant de difficultés pour les cuisiniers ou les gourmets que le théorème de Pythagore pour les apprentis bacheliers". [Attributes: Hard Cover]

      [Bookseller: Librairie KOEGUI]
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        The American Wild Turkey. Frontispiece by Walter A. Weber. Gravures by E. Stanley Smith.

      Small-Arms Technical Publishing Co., a Samworth Book on Hunting, Georgetown, SC 1949 - First edition. 8vo. viii, (2), 3319 pp. Illustrated from photographs, plates, color frontispiece, vignettes; eight-page publisher's advertising supplement dated December, 1948, at rear. The classic work on the subject, based on the author's 55 years hunting and studying the wild turkey in the lowlands of South Carolina. With the bookplate of Ellison Smyth Hudgens (1901-2002), a long-time resident of Flat Rock, North Carolina, who sold his family home "Connemara" to Carl Sandburg in 1945; with a Christmas, 1949, gift inscription to Hudgens from his mother. Casada 55: "Cornerstone of any turkey hunting library and arguably the most important book ever written on the subject." Very good. Original gilt-stamped gold cloth, color illustrated dust jacket (a little rubbed around the edges). (#6030) [Attributes: First Edition; Hard Cover]

      [Bookseller: Bartleby's Books, ABAA]
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        Une Passion Dans le Desert by Honore De Balzac; Illustrations de Paul Jouve gravees a L'eau-forte par R. Haasen

      Paris: Maxime Cottet-Dumoulin, 1949. Hardcover. Orig. publisher's portfolio and chemise, both fine in slipcase with slight edge rubbing. Jouve, Paul. 70 pages in text. 32.5 x 25.4 cm. Limited edition copy 54 of 110 copies (from a total edition of 123), with an extra suite of black and white plates signed by Jouve and the publisher on the colophon. 13 colored etchings, three are double-page. Text printed with red borders, each with Egyptian-themed headpiece heightened in brownish gold. It blends together the heterogeneous stories of a soldier lost in Egypt during Napoleon's campaign, a wild panther named after a dangerous woman, and a couple in Paris leaving a popular show. It presents the two different locales of Egypt and Paris, yet the two places ultimately harbor the same kind of inhabitants (soldiers and wild beasts). Jouve, French painter and sculptor was notable for his paintings and sculptures of Africa's animals. Contents loose as issued, faux snakeskin board and chemise and slipcase. Modest and minor marginal toning.

      [Bookseller: Royoung bookseller, Inc.]
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        Red Sun

      1949-10-20 1949 - Oil on canvas. 9" x 14".

      [Bookseller: Ken Lopez Bookseller, ABAA (Lopezbooks)]
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        The Cosmic Jest," a Greek mythology with music, signed by Herbert Hoover, Gen. Mark W. Clark, and twenty other members of San Francisco's Bohemian Club

      San Francisco, California, 1949. 8vo.. "The Cosmic Jest, A Grove Play by Clarence Budington Kelland, Music by Frank R. Denke. 52p, 6"" x 9"". San Francisco: The Bohemian Club, 1949. Colorful boards. Fine condition. Book Signed ""With the affection of / Herbert Hoover And -"" on the front free-endpaper beneath which 21 have signed, including Gen. ""Mark W. Clark,"" sons ""Herbert Hoover Jr."" and ""Allan Hoover,"" FDR's Press Secretary ""Stephen T. Early,"" publisher ""Eugene Pulliam,"" philanthropist and close Hoover friend ""Jeremiah Millbank,"" restaurateur ""George M. Mardikian,"" son of the play's author ""Tom Kelland,"" journalist ""Paul R. Leach,"" newspapermen ""James L. Wright"" and ""Hank Chandler"" and 11 others. Signed on the second endpaper ""To Mrs Marge with love / Clarence Budington Kelland.""The Bohemian Club is a private club founded in San Francisco in 1872 by and for journalists."

      [Bookseller: University Archives]
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        Nineteen Eighty-Four

      London: Secker & Warburg, 1949 First edition, first printing. Publisher's light green cloth, top edge stained red; in the original green dust jacket designed by Michael Kennard (issued simultaneously in red, without any priority between them), lettered in white. Near fine, with some light toning to the spine and board edges, bright and clean interior; unclipped dust jacket, with some light wear and minor chips to the extremities, some rubbing to the hinges, otherwise bright spine, clean panels. A very good copy. Fenwick A12.a Nineteen Eighty-Four is a novel about a dystopian future in the year 1984. In the future Orwell has created, the totalitarian government controls the civilian population with a detailed system of mental and physical control, including omnipresent two-way TV screens that keep the citizens under constant surveillance. Any criticism of the government is strictly illegal, and independent thought is persecuted as a "thoughtcrime." Even the newly adopted language, "newspeak," which abbreviates many phrases and eliminates words deemed inessential, served "not only to provide a medium of expression for the world-view" of the new totalitarian regime, but also "to make all other modes of thought impossible…. that is, a thought diverging from the [state approved] principles…should literally be unthinkable, in so far as though is dependent on words." This first British edition was published five days before the first American edition.. First Edition.. Hard Cover. Very Good/Dust Jacket.

      [Bookseller: B & B Rare Books, Ltd., ABAA]
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        Quartet. Four Stories by ... Screenplays by R.C. Sherriff

      Garden City, N.Y.: Doubleday & Company, 1949. First American edition. 1 vols. 12mo. Black cloth. Upper cover slightly stained, else very good, in soiled and chipped dust jacket. First American edition. 1 vols. 12mo. Inscribed. Inscribed to the wife of New Yor Post columnist, Leonard Lyons, who was for many years one of New York's most prominent journalists. His column in the New York Post, "The Lyons' Den" was widely read and immensely popular during the many years since its commencement in 1934. Unlike many of his colleagues, however, Lyons was highly respected for his fairness and highmindedness. According to Ralph Blumenthal in STORK CLUB (Boston, 2000), "Lyons didn't believe in writing about romances and divorces. Nor, it was said, did he ever violate a confidence ... He corresponded with world leaders and literary giants ... " (p. 131); and he counted among his friends celebrities as diverse as Ernest Hemingway (at whose funeral Lyons was pallbearer), Marilyn Monroe, and Orson Welles.Maugham has inscribed the flyleaf: "For Sylvia Lyons / W. Somerset Maugham."

      [Bookseller: James Cummins Bookseller ]
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        Werkbau in der kleinen Stadt. Tuschzeichnung koloriert.

      1949 32 x 24 cm, 49 x 40 cm in Passepartout, Rahmen versilbert, Rahmen min. gebrauchspurig, Blatt tadell. Links unten signiert. rechts signiert und datiert. Robert S. Gessner (1908-1982) beschäftigte sich ab 1924 mit abstrakter und ungegenständlicher Malerei. Von 1925 bis 1927 absolvierte er eine Schaufensterdekorateur-Lehre beim Warenhaus Jelmoli in Zürich. In den Jahren 1927 bis 1931 besuchte er die Kunstgewerbeschule Zürich in der Klasse von Alfred Altherr. später erfolgte sein Übertritt in die Grafikklasse. wo er mit den Lehrern Walter Roshardt. Ernst Keller. Karl Hügin. Otto Meyer-Amden und Ernst Gubler in Kontakt kam. Ab 1932 arbeitete Gessner als selbständiger Gebrauchs-/Werbegrafiker und Maler. 1938 wurde er Mitglied der Künstlervereinigung allianz. die ein Jahr zuvor von Leo Leuppi und Richard Paul Lohse gegründet wurde und aus dem Kreis der Zürcher Konkreten hervorging. Von 1940 bis 1956 war Robert S. Gessner an der Kunstgewerbeschule Zürich Beauftragter für die Ausbildung von Lehrlingen und Volontären. 1944 und 1945 war er Hilfslehrer. von 1957 bis 1963 Fachlehrer für Zeichnen für Zeichnen. Prorektor bei Hans Fischer und Leiter der Lehrlingsbildung. In den Jahren 1957 bis 1963 folgten verschiedene Aufenthalte auf Ibiza. [Ein Weihnachtgeschenk für Architekinnen und Architekten.] Versand D: 20,00 EUR Gemälde - Mischtechnik Architektur - Allgemein

      [Bookseller: Antiquariat Peter Petrej]
 21.   Check availability:     buchfreund.de     Link/Print  


        Une Saison en enfer. Lithographies originales de Louis Favre.

      Le Haag und Paris, A.A.M. Stols. 1949. Mit 11 Original-Farblithographien von Louis Favre (1891-1956) und Text in französisch auf 65 S. in losen Lagen, Inhaltsverzeichnis und Impressum. Folio. OUmschlag. Exemplar 117 von 125 nummerierten Exemplaren auf Van Gelder (mit Wz.) der Gesamtauflage von 150 Exx. Im Impressum signiert und nummeriert. - 1873 im Privatverlag gedruckt, verblieb die Auflage bis auf wenige Vorab-Exemplare im Lager und galt bis zur Auffindung 1901 als von Rimbaud selbst vernichtet. Louis Favre hatte eine Ausbildung als Landvermesser und machte sich im jungen Alter auf, um in Paris Maler zu werden. In den zwanziger Jahren enteckte er nach langem Experimentieren die alte Technik der ägyptischen Wachsmalerei. Der Kritiker und spätere Direktor des Groninger Museums Jos de Gruyter schrieb im Vaderland über Favre: Seine Farben sind genauso reich wie die eines gotischen Kirchenfensters. - Titel etwas lichtgegilbt, Fingerspur und kleine Bereibung. 1 Bl. minimal wellig. Insgesamt sehr sauberes, gut erhaltenes Exemplar. Versand D: 5,00 EUR Rimbaud, Symbolismus, Expressionismus, Surrealismus, Louis Favre,

      [Bookseller: Kunstantiquariat Joachim Lührs]
 22.   Check availability:     buchfreund.de     Link/Print  


        Corneille Le cavalier de la nuit

      - The artist, 1949. 23,3 x 27 cm, original lithograph. Very early and rare Corneille print who started to make prints in 1948. Paper size is 23,3 x 27 cm, image size is 10,5 x 19 cm. The print is titled and signed in pencil Le cavalier de la nuit Corneille '49 and printed in a very small edition. Very fine copy of this early Cobra period Corneille work.

      [Bookseller: De blinde reiziger]
 23.   Check availability:     AbeBooks     Link/Print  


        One-Way Ticket

      Hughes, James Mercer Langston (1902?"1967) One-Way Ticket New York, Alfred A Knopf, 1949. xviii+136 pages with six woodblock prints by Jacob Lawrence. Octavo (8 ½" x 6") bound in original publisher?s quarter cloth over blind stamped yellow boards with gilt lettering to spine in original jacket. Inscribed First edition.Langston Huges? poetry and fiction portrayed the lives of the working-class blacks in America, lives he portrayed as full of struggle, joy, laughter, and music. Permeating his work is pride in the African-American identity and its diverse culture. Hughes stressed a racial consciousness and cultural nationalism devoid of self-hate. His thought united people of African descent and Africa across the globe to encourage pride in their diverse black folk culture and black aesthetic. Hughes was one of the few prominent black writers to champion racial consciousness as a source of inspiration for black artists. His African-American race consciousness and cultural nationalism would influence many foreign black writers, including Jacques Roumain, Nicolás Guillén,Léopold Sédar Senghor, and Aimé Césaire. Along with the works of Senghor, Césaire, and other French-speaking writers of Africa and of African descent from the Caribbean, such as René Maran fromMartinique and Léon Damas from French Guiana in South America, the works of Hughes helped to inspire the Négritude movement in France. A radical black self-examination was emphasized in the face of European colonialism. In addition to his example in social attitudes, Hughes had an important technical influence by his emphasis on folk and jazz rhythms as the basis of his poetry of racial pride. Condition: Inscribed on front end paper. Jacket rubbed and sunned at spine and edges, spine panel detached with small nicks and closed tears at extremities else a very good copy in a good jacket.

      [Bookseller: The Book Collector]
 24.   Check availability:     Biblio     Link/Print  


        Sixth Column

      US: Gnome Press. New York, Gnome Press, 1949. Hardback first edition and first impression. A near fine copy with some bumping and rubbing to the spine tips and a few signs of age. Some signs of ageing to the page block and the inside of the jacket. Some edge wear, and a very slight fade. Overall much better than usually found. . Near Fine. Hardback. 1st Edition. 1949.

      [Bookseller: Hyraxia]
 25.   Check availability:     Biblio     Link/Print  


        Nineteen Eighty-Four. A Novel

      London: Secker & Warburg, 1949.. First edition, 8vo, 312 pp. Modern green half morocco, marbled sides, black spine labels, an excellent copy.

      [Bookseller: Bow Windows Bookshop]
 26.   Check availability:     Biblio     Link/Print  


        Autograph letters signed ("Henry").

      Hoglands, Perry Green, Much Hadham, Hertfordshire, 25. X. 1949. - 8vo. 1 p. To his friend and former teacher Barry Heart: "I've had this reply from the Hanton Stone people - & I've just written back to them agreeing with their suggestion of two 11 ½" pieces instead of one 1 ft 11 piece & have asked them to get on with the work as quickly as possible [.]". - With printed address.

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
 27.   Check availability:     ZVAB     Link/Print  


        The Sheltering Sky

      London: John Lehmann, 1949. First Edition. Hardcover. Good. First edition. (This, the British edition, preceded all others.) 304 p. Good+ condition. Former owner's name on free front end paper. Cloth sunned along edges, spine cocked and sunned with foxing. Foxing to fore edge as well. One of only 4,000 copies printed. Bowles' epic first novel, a keystone of Beat literature, in its sought-after original British publication. Named by Time magazine as one of the 100 Best English-language Novels from 1923-2005.

      [Bookseller: Burnside Rare Books]
 28.   Check availability:     Biblio     Link/Print  


        Primo convegno giuliano del Folclore. A cura dell'ENAV.

      Dattilo 1949 In 8 g., pp. 200 circa+10 del depliant. Rilegat. in brossura, copertina del depliant applicata al piatto. Dattilo. Dal Sito dell'Istituto Giuliano (http: / / www.istitutogiuliano.it / pubblicazioni / Folclore_giuliano.htm) si legge "Del primo convegno abbiamo poco, solo una fotocopia del depliant di presentazione, per cui conosciamo solo gli argomenti trattati ed i nomi dei relatori, i maggiori studiosi del tempo, come Alberto Catalan, Marcello Fraulini, Lina Galli, Loris Premuda, Silvio Rutteri, Gianni Pinguentini, lo stesso (Mario Pini) Livio Grassi e altri". Il documento si presenta in ottime condizioni e comprende gli interventi di tutti i Relatori che figurano nel depliant con l'eccezione di Lina Galli, Carlo Riccobon e Silvio Rutteri. Rispetto a quanto riportato nel depliant inoltre l'intervento di Gianni Pinguenti compare nel dattilo con un titolo diverso "Xilografie e stampe del folclore triestino".

      [Bookseller: Nuovi Quaderni di Capestrano]
 29.   Check availability:     maremagnum.com     Link/Print  


        FOTOGRAFIA ORIGINAL DEL F. C. BARCELONA, FIRMADA POR LOS JUGADORES, VICTOR ALVAREZ 1949

      1949 - FOTOGRAFIA ORIGINAL DEL F. C. BARCELONA, FIRMADA POR LOS JUGADORES, VICTOR ALVAREZ 1949. 39X28. [Attributes: Soft Cover]

      [Bookseller: Libreria Anticuaria Marc & Antiques]
 30.   Check availability:     IberLibro     Link/Print  


        ENCICLOPEDIA ITALIANA DI SCIENZE, LETTERE ED ARTI - Edizione 1949 - Complete: 35 Volumes + Indici + Appendice I, II and III.

      Rome : Istituto della Enciclopedia Italiana, 1949-1960. 41 Books. 4°, Halbleder 41 Books!!! The Complete Encyclopedia in 35 Volumes. Comes together with 1 Indici (Index), Appendice I (1st Appendix, 1938), Appendice II: 1938-1948 (2nd Appendix, 2 Volumes, 1948) and Appendice III: 1949-1960 (3rd Appendix, 2 Volumes, 1961). Half-Leather Bindings. Former Library Books, each Volume with small signature Label on Spine. Covers partly rubbed. Spines of many Volumes slightly bumped and with Splits. Spine of Volume 16 is torn off. Pages Clean. Still in good Condition. Please ask for more Photos and Information about Shipping. // Komplette 35bändige Ausgabe mit 6 Zusatzbänden: Index, Appendix I (1938), Appendix II (2 Bände, 1948) und Appendix III (2 Bände, 1961). Aus ehem. Bibliotheksbestand, mit kl. Rückensignaturen. Einbände berieben, Leder-Buchrücken teils etwas eingerissen. Rücken bei Band 16 abgeplatzt. Seiten sauber. Bindungen fest. Noch im guten Zustand. Mehr Bilder und Informationen zum Versand gern auf Anfrage! mbx Versand D: 5,00 EUR

      [Bookseller: Antiquariat Bookfarm]
 31.   Check availability:     buchfreund.de     Link/Print  


        The Fires of Spring.

      Random House [1949], New York - Fine copy in a fine dust jacket, bright and unfaded with only a few tiny closed tears. Michener's second book, probably just as uncommon as his first, especially in such fine condition. [Attributes: First Edition; Hard Cover]

      [Bookseller: Robert Dagg Rare Books, ABAA]
 32.   Check availability:     AbeBooks     Link/Print  


        12 eigenh. Briefe mit U., 5 eh. (Bild-)Postkarten mit U., 1 eh. Albumblatt mit U. und 1 Telegramm.

      Meist Lörrach und Efringen-Kirchen, 1920 bis 1949. - Zusammen 27 SS. auf 21 Bll. Verschiedene Formate. Die Karten mit eh. Adresse. Mit einer Beilage (s. u.). Freundschaftliche Korrespondenz mit dem Publizisten Rudolf Goldschmit-Jentner (1890–1964): „[.] Was nun die Dramoletts angeht, könnten Sie in sauberer Maschinenschrift bis am 15. Okt. 1920 in Ihrer Hand sein. Sie sind alle sehr leicht und dankbar zu spielen, mit ganz wenigen Personen, in einem nur ihrer zwei, davon die eine stumm spielt. (Es giebt [!] bei Strindberg eine ähnliche Szene). Ich zweifle nicht, sondern weiß, daß ich mit diesen Dramoletts eine Kunstart anschneide, die mir liegt und mir gestattet, das Dramatische in Essenz zu geben, selbst das verdorbene Kino ‚Publikum’ zu spannen [.]" (a. d. Br. v. 22. September 1920). – „Seien Sie herzlich bedankt für Ihre freundliche Einladung zu den Heidelberger Festspielen. Leider bin ich so leidend, daß ich nicht nach Heidelberg kommen kann; dankbar wäre ich Ihnen für eine möglichst genaue Wiedergabe von Stresemanns Rede [.]" (Br. v. 16. August 1926). – „[.] Bei dieser Gelegenheit möchte ich Sie auf den großen und edeln [!] Künstler Max Laeuger in Karlsruhe aufmerksam machen. Ich war am letzten Mittwoch in seinem Atelier, bewunderte seinen Unterricht an Studenten der Techn. Hochschule denen er genial Anschauung und Urteil vermittelt. Ich sah seine Keramiken: da sind ganz auserlesene Dinge dabei, wie ich sie überhaupt noch nirgends sah. Der Anlaß, der mich zu ihm führte (den ich über 20 Jahre als Künstler nicht gesehen hatte!), war angenehm genug. Die Stadt Lörrach, die morgen mich öffentlich ehrt, hat mir eine große Majolika-Figur von L. zum Geschenk gemacht [.]" (a. d. Br. v. 26. November 1927). – Hermann Strübe, so Burte mit bürgerlichem Namen, studierte in Paris den französischen Impressionismus, war mit einem Volksroman bei einem Preisausschreiben erfolgreich und wählte den Namen des Helden als Pseudonym. Fortan als Schriftsteller und Maler tätig, erschien 1912 „unter dem Eindruck der Vorkriegsstimmung der völkisch-nationalistische Heimatroman ‚Wiltfeber, der ewige Deutsche’, in dem durch die Verehrung eines aristokratischen Führers und das Streben nach Erneuerung des Volkstums wesentliche Elemente der nationalsozialistischen Ideologie vorweggenommen wurden. Willig übernahm er die Rolle eines Propagandadichters und rechtfertigte die Judenverfolgung. Nach dem Krieg wurde sein nationalsozialistisches Engagement weitgehend ausgeklammert, und er blieb in seiner süddeutschen Heimat geschätzt" (DBE), 1957 wurde er gar mit der Jean-Paul-Medaille ausgezeichnet. – Tls. mit größeren Einrissen und sonstigen Gebrauchsspuren; der Br. v. 22. September 1920 Fragment (es fehlt zumindest ein drittes Blatt). – Beiliegend ein an den Carl Pfeffer Verlag, Heidelberg gerichteter e. Br. mit U. (dat. 11. August 1949, 2 SS., qu.-gr.-8vo). [Attributes: Soft Cover]

      [Bookseller: Kotte Autographs GmbH]
 33.   Check availability:     ZVAB     Link/Print  


        Criminal Justice Act, 1948: An Explanatory Handbook for Magistrates, Practitioners and Probation Officers

      Butterworth, 1949. Hardcover. Used; Good. Hardcover; English language; No jacket; 12mo - over 6.75" - 7.75" tall; good condition; spine-cover faded. Your book will be securely packed and promptly dispatched from our UK warehouse. All international orders are sent Royal Mail airmail.

      [Bookseller: Sunrise Books Ltd]
 34.   Check availability:     Biblio     Link/Print  


        Original painting of 'Snow-Drop and the Prince', for frontispiece of 'Grimm's Fairy Tales' [published by Blackie & Sons, sold with a reprint of the book in dustjacket with design by Baynes.]

      circa 1949 - watercolour and gouache, 22 x 14 cm approx., mounted and framed using high-grade acid-free materials, with pencil titling by Baynes visible at foot of image [40 x 30.5 cm approx. within frame], very good. An attractive and richly-coloured image, done as the frontispiece for an early '50s edition of Grimm's Fairy Tales - the title has been written by Baynes in pencil at the foot of the image, whilst it is signed in the bottom-right corner with a spread-eagle device that was not used in her later work. The frontispiece reproducing this image (as often the reproduction is poor when set next to the original) is the only major illustration in the accompanying 1960s edition of the book. Best known for her work for Lewis and Tolkien, this is very accomplished early illustration work by Pauline Baynes whose affinity with the subject-matter is testified to by her returning to the world of Fairy and Folk Tales throughout her career.

      [Bookseller: Blackwell's Rare Books ABA ILAB BA]
 35.   Check availability:     AbeBooks     Link/Print  


        Film Form., Essays in Film Theory, edited and translated by Jay Leyda

      Harcourt, Brace and Company New York, 1949,. - 279 S., OLn mit aufgeklebtem Rückenschild, minimale Läsuren an den Einbandkanten (eher zeitbedingt), zahlreiche Filmfotos, englischer Text, auf Vorsatzblatt mit handschriftlicher Signatur "brecht", gleiches auf dem Rückenschild signiert. Gutes Exemplar, welches wohl aus dem Bestand von Bertolt Brecht (1898-1956) selbst stammt. The book is handsigned by Bertolt Brecht. Rare. Sprache: Englisch Gewicht in Gramm: 1000 [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Uta-Janine Störmer]
 36.   Check availability:     ZVAB     Link/Print  


        La Peinture Chinoise Contemporaine de Style Traditionnel, LIMITED to 500 copies, Contemporary Chinese Paintings of Traditional Style. With paintings from Xu Beihong, Zhang Daqian, Qi Baishi, Wu Zuoren, Fu Baoshi, Xie Zhiliu, Ding Yanyong.

      Paris, Editions Euros, 1949. Fol., Leinen Very Rare Limited Edition of only 500 copies. All housed in its original portfolio and slipcase. 16 pages. (title, introduction and titles of plates) + 8 colour plates, (one is on heavier card), + 1 beautiful colour plate on silk, under a mount, 18\" X 13\".(46,5 x 33,5 cm) One of only 500 copies on paper out of a total of only 528, this is number 298. A set of paintings reproductions on hard paper. Painters represented are: Ju Péon (Xu Beihong) - Tchang Ta Ts\'ien (Zhang Daqian) - Tsi Pei Che (Qi Baishi) - Sié Che Lieou (Xie Zhiliu) - Pan Chun K\'in - Fou Pao Che (Fu Baoshi) - Ou Sogène (Wu Zuoren) - Ting Yen Yong (Ding Yanyong). Covers are a little rubbed/bumped, unevenly faded/marked. The slipcase is rubbed, spilt on some edges, marked. Inside the loose pages are a bit foxed/marked/stained. Beautifully illustrated. Highly collectable and extremely scarce. Versand D: 5,00 EUR Chinesische Kunst, Malerei

      [Bookseller: Antiquariat an der Uni München]
 37.   Check availability:     buchfreund.de     Link/Print  


        Pioneers of Space

      Los Angeles: Leonard-Freefield Co, 1949. First Edition. Very Good. Signed. First edition, first printing. Signed by George Adamski on the front free end paper, inscribed "Good luck to you" and dated 11-12-1950. Very Good, lacking the dust jacket. Bowing to rear board. Light rubbing to gilt stamping and cloth at edges, slight fading to spine. Pages toned, offsetting to end papers. Small water spot to edge of page block. Contact address for Adamski's "Advanced Thinkers Club" is revised and updated in pencil. A very rare Adamski title, ghost-written for him by his secretary, Lucy McGinnis. Critics would later draw similarities between this early work of science fiction and his later claims of real-life space travel in Inside the Space Ships.

      [Bookseller: Burnside Rare Books]
 38.   Check availability:     IOBABooks     Link/Print  


        TRIBAL FANTASY

      [Philadelphia, 1949. In fine condition, in a burnished gilt wood frame. Fantastical painting by Robert Riggs, showing two Indian warriors performing the Sun Dance, the first with ropes attached to piercings on his chest, and the second attached by piercings at his eyelids. Buffalo skulls also swing from ropes attached to the dancers, while they hold feather-covered leather shields. Blood streams from all their piercings. In classic Riggs style, each bead on the moccasins of the dancers is picked out clearly, and the painting is thick with Native details. Robert Riggs (1896-1970) was in his heyday one of the best-known artists and illustrators in the United States. After studies at the Art Students League and service during World War I, Riggs settled in Philadelphia, his home base for the rest of his life. In the 1930s and '40s he rose to national prominence as an illustrator, lithographer, and commercial artist, producing well-known images of boxers and circuses (two life-long obsessions), and of soldiers during World War II. In 1940, around the peak of his career as an illustrator, his drawings commanded $750-$1500 each, and his name was as well-known in the trade as that of Norman Rockwell. But Riggs loathed this commercial work, and after 1950 he slid increasingly into obscurity, although revered by those who knew him in the Philadelphia art world. When he died in 1970, he was almost forgotten. Riggs was never comfortable working in oils or watercolor, preferring dry mediums such as pencil and charcoal. For the few large paintings he created, he employed a technique of blending dry pigments with mastic varnish and alcohol, working on panels he had especially manufactured for his use. This technique, which creates a surface similar to the look of egg tempera, adds to the extraordinary character of Riggs' major compositions. Riggs had a particular fascination with American Indians. In his days of affluence during the Depression and World War II, he formed a major collection of American Indian artifacts. According to his biographer, he owned "an odd and unsettling collection of American Indian artifacts...He was a serious and widely read amateur anthropologist, whose hobby, an expensive one into which he happily poured much of his substantial income...was guided in part by Frank N. Speck of the University of Pennsylvania, a friend who was perhaps the foremost authority then on Indians of the Northeast." This collection played an important part in the creation of the present painting, and particular artifacts depicted are probably based on items in his collection. Riggs clearly went to great lengths to make the finely realized details of his painting completely accurate. His own collections and his friendship with Speck aided him in this (Riggs did small drawings of artifacts for several of Speck's publications). Thus, such details as the figures' elaborate body paint are based on Riggs' understanding of the Native American traditions and practices at work in the ceremony. At the same time, the distortions of scale and perspective typical of Riggs' flamboyant paintings are fully in evidence.

      [Bookseller: William Reese Company - Americana]
 39.   Check availability:     Biblio     Link/Print  


        Hoggie

      Hollis & Carter 1949 - 1949. First Edition. 179 pages. Grey illustrated dust jacket with white lettering over brown cloth. B&W illustrations throughout. Clean pages with no noticeable markings or annotations. Few light dash marks here and there. End papers are rippled from some mild water damage, leaving some light marking. Some internal hinge cracks exposing netting. Both hinges cracked, thus the front board is slack. Mild tanning to endpapers and page edges. Moderate discolouration to endpapers at top of hinges. Mild wear to spine, edges and corners. Heavy water staining and white discolouration to boards which are slightly warped. Unclipped dust jacket. Heavy wear, with large tears and loss. Rub-wear marking to lighter areas of jacket. Some tape repair. Mild to moderate soiling to DJ. [Attributes: First Edition; Hard Cover]

      [Bookseller: World of Rare Books]
 40.   Check availability:     ZVAB     Link/Print  


        La Banlieue de Paris. Texte de Blaise Cendrars sur 130 photos de Robert Doisneau.

      Lausanne, Le Guilde de livre, 1949 Gr.8°, 54 S., 1 Bl., 135 S. m. Photographien, 2 Bl. (Register), Kart., Min angeschmutzt, wenig beschienen, Ecken min gestaucht, innen sauber. [Das poetische Paris der einfachen Leute. abgerissen und durch unmenschliche Neubaut-Ghettos ersetzt.] Mit Widmung: »An Nelly und Bruno zum Hochzeitstag. Wir durften an Euer Liebe teilnehmen. Nehmt Teil an Unserer. Damit die Welt weit werde! 20. April 1950 Suzy. Max [Rascher]. Versand D: 20,00 EUR Photographie

      [Bookseller: Antiquariat Peter Petrej]
 41.   Check availability:     buchfreund.de     Link/Print  


        Doisneau, Robert. La Banlieue de Paris. Texte de Blaise Cendrars sur 130 photos de Robert Doisneau.

      La Guilde du Livre, Lausanne. 1949. - gr. 8°. OPb. 135(2) S. Auflage 4300 nummerierte Expl., dieses 1082. Mit Widmung und Signatur von Blaise Cendrars [Attributes: Hard Cover]

      [Bookseller: Kunstkiosk im Helmhaus]
 42.   Check availability:     AbeBooks     Link/Print  


        Die Pickwickier (Band 1 und 2) (2 Bände)

      Deutsche Buch Gemeinschaft, Berlin 1949 - roter Kopfschnitt, Einband etwas angeschmutzt bei Band 1, Buchblock gut erhalten, Buchrückenkanten leicht berieben - Text in Frakturschrift. Die nachgelassenen Papiere des Pickwick-Klubs enthaltend einen getreuen Bericht der Wahrnehmungen, Gefahren, Reisen, Abenteuer und heiteren Erlebnisse der korrespondierenden Mitglieder des Klubs. Mit vielen Bildern nach zeitgenössischen Stichen. deutsch 942 pages. 8 [Attributes: Hard Cover]

      [Bookseller: Der Bücherhof]
 43.   Check availability:     ZVAB     Link/Print  

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