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Displayed below are some selected recent viaLibri matches for books published in 1946

        Painting

      1946. A fairly early painting by Miller: he had been painting since at least the 1930s and in 1943 earned $1400 from the sale of his paintings -- a not-insignificant sum. He had a large number of paintings in a show, presumably for sale, in London the following year. This is a watercolor of vaguely female serpentine figures around a chaotic center, veering toward the abstract as Miller frequently did, but with plenty of recognizable visual components -- a house, a moon, a star, etc. Signed "Henry Miller - 4/46." 10-1/2" x 11-1/4", matted and framed to 22" x 22-1/2". Fine. Most of the Miller artwork that appears on the market these days dates from the 1960s or 1970s; paintings from the 1940s are uncommon. .

      [Bookseller: Ken Lopez Bookseller, ABAA]
 1.   Check availability:     IOBABooks     Link/Print  


        All the King's Men

      Harcourt Brace New York:: Harcourt Brace,, (1946).. First edition. Maroon cloth, a fine copy in lightly used first issue dust jacket (small old tape repairs inside). An advance copy, with the publisher's dated review slip, tipped to the front free endpaper.

      [Bookseller: Thomas A Goldwasser Rare Books ]
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        The Case of the Walking Corpse [with] the Original Cover Art

      David Lucom New York: David Lucom. (1946). First. Digest-sized paperback. First paperback edition, and first edition under this title, modest wear, a near fine copy [with] a first draft of the original cover art at full size (5.75" x 7.5"), unsigned on the original art (although signed on the paperback), but by, and from the estate of Glenn Cravath. Cravath created very few pulp covers, but many movie posters. He is best-known for his poster and photoplay artwork for the film King Kong. Great, lurid cover art of a clown with a knife buried in his breast, and a horrified couple looking on. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Berg

      26. August 1946.. Orig.-Buntstiftzeichnung. 41 x 32 cm. Seitenränder mit 1 cm. breiten Papierstreifen überklebt. Vom Künstler eh. signiert, dat. u. bezeichnet.

      [Bookseller: Antiquariat Burgverlag]
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        PATERSON. Inscribed

      New York: [1946, 1948, 1949, 1951, 1958].: New Directions, 1946 Williams, William Carlos. PATERSON. Inscribed. New York: New Directions, [1946, 1948, 1949, 1951, 1958]. Five Volumes. First Editions All. This set unique of this landmark work as the first volume is nicely inscribed in an early hand on the front free endpaper: "Bob MacGuffie - Hopefully / William Carlos Williams". Five Octavo Volumes; mostly quite fine in like dustwrappers showing only the slightest use [Volume 4, very good, with a narrow line of damping to the wrapper spine]. All first editions in clear plastic outer wrappers which may not have been originally supplied by the publisher but are certainly contemporary. The first four books limited to only 1000 copies, the fifth to 3000. Williams' epic masterpiece. [Book III - Winner of the first ever National Book Award for Poetry - 1950]. Housed in a fine gilt-lettered custom ¼ morocco over marbled paper clamshell case. "This is [a] . . . long poem in which one of our most consciously American poets attempts to focus in extended form the poetic concepts of many years' work and growth. In the poem Dr. Williams employs the traditions and traits of an American locality - in this case around Paterson, New Jersey - in somewhat the same way as a painter uses abstract form to achieve a definitive statement." Wallace, A24, A25, A30, A34, A44. "This is the first part of a long poem in four parts--that man in himself is a city, beginning, seeking, achieving and concluding his life in ways which the various aspects of a city may embody--if imaginatively conceived--any city, all the details of which may be made to voice his most intimate convictions. Part One introduces the elemental character of the place. The Second Part will comprise the modern replicas. Three will seek a language to make them vocal, and Four, the river below the falls, will be reminiscent of episodes - all that any one man may achieve in a lifetime" - From Williams, introduction to Paterson, which became five, rather than four volumes. Connolly 100 - The Modern Movement.. Signed. 1st Edition.

      [Bookseller: TBCL The Book Collector's Library]
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        Full Production Without War

      Princeton University Press Princeton: Princeton University Press. 1946. First. First edition. Spotting on the boards and a small paper remnant adhered to the base of the spine from the jacket, as well as a pencil note from a bookseller dated in 1985 giving the provenance of the book, thus very good in very good dustwrapper with some small chips and tears at the extremities. Inscribed by the author: "To Susan Jenkins affectionately Harold Loeb." Jenkins was the wife of William Slater Brown, designer for the Provincetown Theatre, and a close friend of Eugene O'Neill's. Loeb's inscriptions are scarce. He was an important figure in Paris' expatriate community. He is also remembered in the literary world as the model for Jake Barnes' rival for the affection of Lady Brett Ashley in The Sun Also Rises, wherein his early kindnesses to Hemingway (using his influence with Horace Liveright to get In Our Time published) was repaid by being portrayed as Robert Cohn, the cowardly and especially "Jewish" villain. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Independent People

      New York: Alfred A. Knopf, 1946.. First American edition of the Nobel Prize-winning author's masterpiece. Octavo, original cloth. Inscribed by Laxness in a contemporary hand on the front free endpage. Bookplate of Yale historian and critic Jeffrey L. Sammons on the front pastedown. Very good in the dust jacket that shows some very light rubbing to the crown of the spine.

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
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        Existentialismen är en humanism.

      Stockholm, Bonniers, (1946). All edges uncut in original printed wrappers w. some minor edge-wear. Internally nice and clean. 137 pp.. First Swedish edition, presentation-copy: "A Carl Ericsson/ avec toute ma sympathie/ JPaulS." Printed the same year as the first edition."L'Existentialisme est un Humanisme" is the second of Sartre's two main philosophical works, which have both influenced 20th century philosophy greatly, and contributed immensely to the development of existentialism in general. "Existentialism is a Humanism" became one of Sartre's most widely read and most critcized works, and it caused great controversies and uproar at the time of its appearance; -as opposed to his "L'Être et le Néant", all of Sartre's critics actually read this work, and so did huge parts of the population, causing the book to appear in huge numbers after the publication of the first edition.The work is the literary re-working of an exposition given by Sartre at a conference in October 1945, where he caused a scandalous discussion, which among other things led to the fact that all references to the existentialist T.E. Lawrence were omitted from the work when it appeared in print. "Cette conférence marqua une date dans l'histoire anecdotique de l'existemtialisme..." (Contat & Rybalka p. 131)."L'Existentialisme est un Humanisme" fut l'un des ouvrages les plus lus et les plus critiqués de Sartre et suscita de considérables malentendus. Comme l'a bien vu M.-A. Burnier dans "Les Existentialistes et la politique" (p. 31), "l'importance prise par ces pages semble due à la paresse d'un bon nombre de critiques qui hésitant à lire "L'Être et le Néant" et qui furent heureaux de pouvoir attaquer Sartre sans grande fatique et avec bonne conscience après avoir parcouru 141 pages." Il est bon de rappeler cependant que l'ouvrage constitue une assez mauvaise introduction à la philosophie de Sartre, surtout pour un public non averti..." (Contat & Rybalka p. 132). Sartre himself also disowned great parts of this work, which makes it all the more interesting, since it is the only one of his works of which he has done so. The work was reprinted numerous times during the first years, and immediately translated into several languages. The first edition (on vellum-paper) is very difficult to come by. First edition: Contat & Rybalka 46/88

      [Bookseller: Lynge & Søn A/S]
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        Ink & Blood

      Limited ed. Full Leather. Very Good. Ink & Blood, A Book of Drawings by Arthur Szyk, with a Prefatory Text by Struthers Burt. New York: Heritage Press, 1946. SIGNED by Arthur Szyk. 74 color and black and white plates. Full black leather. New slipcase. Very Good Condition. LIMITED EDITION, SIGNED by Arthur Szyk. The leading political caricaturist of World War Two, Szyk was a hater of hate, a fact that becomes abundantly clear in this stunning fine art book. Ink & Blood is his personal response to German militarism and 19th century Chancellor Bismarck's emphasis on Blut und Eisen, that is, “Blood & Iron”. Frontispiece shows tipped-in self-portrait of Szyk at his desk, creating Nazi caricatures and trashing some in a garbage can. Most of the cartoons featured in book were drawn during the war with the hope that they ultimately would be published in a single volume, giving voice and expression to the ugly face of war. While the caricatures lampooning the Nazis of Germany as well as the Japanese were published in newspapers and magazines throughout WWII, they did not appear in book format until 1946, the year that Ink & Blood was dedicated as a “Peace Book”, not a “War Book.” The images remind us of the hideousness and horror of war, and the inner face of tyranny; of injustice and intolerance; and how difficult it is to make Peace rather than War.

      [Bookseller: Historicana ]
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        LE DUR DESIR DE DURER. Avec 25 dessins originaux et un frontispice en couleurs de MARC CHAGALL..

      Arnold-Bordas, Paris, 1946. First edition. In French. Loose leaves in slip-case. A very fine copy. Folio. 25 original + frontespiece by Marc Chagall

      [Bookseller: Jones Antikvariat]
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        Autograph Letter Signed, 2 pages, 8vo, Washington, September 24, 1946

      This letter was written for publication, addressed to the editor of the New English Weekly. Philip Mairet, about Basil Bunting. ?Can anyone send news of Basil Bunting? Considered by a small, determined but highly competent group of leaders to be the most interesting Eng. poet of the late 1920s or early ?30s - Quaker - conscientious objector in first world war, said by the Chicago ?Poetry? to have been doing ground work in air- force, last seen according to rumour on a Trawler.?? Signed, ?Dorothy Pound.?

      [Bookseller: David Schulson Autographs ]
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        President Truman appoints his Secretary of the Treasury John W. Snyder as U.S. Governor of both the International Monetary Fund and the International Bank for Reconstruction and Development

      Partly Printed Document Signed “Harry S. Truman” as President, one page, 22.75” x 19”. Washington, D.C., July 5, 1946. Countersigned “Dean Acheson” as Acting Secretary of State. Completed in calligraphy. Superb 3½-inch diameter Seal of the United States affixed at lower left. Fine condition. In full, “Know ye, that reposing special trust and confidence in the Integrity, Prudence, and Ability of John W. Snyder, of Missouri, I have nominated, and, by and with the advice and consent of the Senate, do appoint him United States Governor of the International Monetary Fund and United States Governor of the International Bank for Reconstruction and Development for a term of five years, and do authorize and empower him to execute and fulfil the duties of that Office according to law, and to have and to hold the said Office, with all the powers and privileges thereunto of right appertaining, unto him the said John W. Snyder, subject to the conditions prescribed by law. In testimony whereof, I have caused these Letters to be made Patent, and the Seal of the United States to be hereunto affixed…” The International Monetary Fund (IMF) and the International Bank for Reconstruction and Development (IBRD) were established at the close of World War II to help oversee the reconstruction of Europe and to prevent further conflict by helping poor third world countries develop economically. Countries who are members of the IMF are also members of the IBRD. Currently, each organization has 187 member nations. The IMF was conceived in July 1944 when representatives of 45 countries meeting in the town of Bretton Woods, New Hampshire, agreed on a framework for international economic cooperation, to be established after World War II ended. They believed that such a framework was necessary to avoid a repetition of the disastrous economic policies that had contributed to the Great Depression . The IMF came into formal existence in December 1945, when its first 29 member countries signed its Articles of Agreement. It began operations on March 1, 1947. Today, the IMF works to foster global monetary cooperation, secure financial stability, facilitate international trade, promote high employment and sustainable economic growth, and reduce poverty around the world. Founded in 1944 to help Europe recover from World War II, the IBRD commenced operations on June 25, 1946. It approved its first loan on May 9, 1947 ($250 million to France for postwar reconstruction). Today, IBDR is the part of the World Bank that works with middle-income and creditworthy poorer countries to promote sustainable, equitable and job-creating growth, reduce poverty and address issues of regional and global importance. Structured something like a cooperative, IBRD is owned and operated for the benefit of its member countries. John Wesley Snyder had a broad background in banking and business. He served as Manager of the Reconstruction Finance Corporation in St. Louis (1937-1940), Executive Vice President and Director, Defense Corporation (1940-1943), Assistant to the Director of the Reconstruction Finance Corporation (1940-1944),Vice President of the First National Bank in St. Louis (1943-1945), Federal Loan Administrator (1945), Director, Office of Mobilization and Reconversion (1945-1946), and Secretary of Treasury (1946-1953). Snyder’s close friendship with Harry S. Truman began in 1928 when Truman was a County Judge. They served together in the U.S. Army Reserves after World War I. Harry S. Truman was Colonel of Field Artillery, United States Army Reserve Corps. Lieutenant Colonel John W. Snyder was in Col. Harry Truman’s Missouri Regiment, the 381st Field Artillery, 102nd Division. His task as Secretary of the Treasury was to establish a stable postwar economy. The main points of Secretary Snyder’s program were maintaining confidence in the credit of the Government, reducing the federal debt, and encouraging public thrift through investment in U.S. Savings Bonds. He also developed programs to promote greater efficiency within the Treasury Department, including a streamlining of the Internal Revenue Service, which assured a more impartial administration of tax laws, and a reform of the federal accounting system. Snyder served as Secretary of the Treasury until the end of the Truman Presidency. On January 16, 1953, four days before the end of his term, President Truman wrote Snyder, in part, “I am sure that no President ever received more dependable advice and assistance than you have given me during the period of almost eight years since I called you back from St. Louis in April, 1945, to join my administration…” A photocopy of this letter is present.

      [Bookseller: University Archives ]
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        Explication de l'Étranger.

      Palimugre, (Sceaux), (1946). 12mo. Orig. printed wrappers. Uncut. Wrappers w. minor traces of use. Internally mint. (2), 31, (1) pp., (1) leaf (on which is printed "HORS COMMERCE").. First separate edition of this interesting and rare Sartre-publication, which is considered essential for the understanding of Camus. The work is extremely scarce, and was only printed in a very small number, all the copies of which are on fine paper, either velin de Lana, Lana supérieur or Japan, and no copies were for sale (all being Hors commerce). "(t)irée à petit nombre sur vélin de Lana, Lana supérieur at Japon, elle ne sera pas mise dans la commerce." (verso of first leaf).The work was written in September 1942, and it was printed in the journal "Cahiers du Sud" no. 253 in February 1943, pp. 189 - 206. "Texte fondamental pour la conaissance de Camus; écrit en septembre 1942. A noter que Sartre ne fera la connaissance de Camus que quelques moins plus tard, à la générale de MOUCHES." (Contat & Rybalka, p. 93). Contat & Rybalka 46/97: "Bien qu'en principe hors commerce, cette plaquette, imprimée en janvier 1946, a connu une large diffusion et semble avoir été à l'origine de la carrière d'editeur de Jean-Jacques Pauvert." With the autograph signature of "C.G. Bjurström", dated "Paris juli 1946" in pencil on front fly-leaf. Carl Gustaf Bjurström was a very important Swedish translator and publishing correspondent. He was born in Rotterdam in 1919 and died in Paris in 2001. He graduated as "licentié des lettres" in France and was manager of the Swedish institute in Paris (from 1951 till 1956). He introduced several French writers to Sweden, probably most importantly Camus, and he became the main translator of his works into Swedish. He knew Camus personally and even accompanied him on the train to Stockholm in 1957 to receive the Nobel Prize. He also translated several Swedish writers into French, most importantly probably Strindberg

      [Bookseller: Lynge & Søn A/S]
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        Blue Boy

      Viking NY: Viking. 1946. The first American edition of this novel by Giono, a writer whom Miller had come to admire while in France and whom he had long worked to get published in the U.S. This copy is inscribed by Miller to his muse and former wife, June: "For June/ from/ Henry, Lepska & Val/ Xmas 1947." Lepska was Janina Martha Lepska Miller, Henry's third wife, and Val was their daughter Valentin, who was born in October of 1945 and was named after Lepska's father and Henry's grandfather, who shared the same first name. June and Henry had not been in touch for several years at this point, but she had recently contacted him and was destitute. He arranged for a friend to send her some money (he was still broke in the U.S.; his books had sold well in France and he had a substantial amount of money there but no way, under postwar regulations, to get it out of the country). His renewed contact with June, however, sparked his getting back to work on the Rosy Crucifixion, which he saw as his masterpiece-to-be, but which had been languishing. The part he was about to embark on -- dealing with his time with June and Jean Kronski -- was full of painful memories that Miller would have to relive in order to write it. The contact with June -- with whom he maintained contact thereafter -- allowed him to revisit that time and those experiences, and to finally bring to fruition the long-contemplated work. The cloth is heavily and unevenly faded; corners bumped; a very good copy, lacking the dust jacket. An excellent association copy, representing numerous strands of Miller's life over the prior two decades. . First Edition. Hardcover.

      [Bookseller: Ken Lopez Bookseller, ABAA ]
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        Matthew Flinders' Narrative of His Voyage in the Schooner Francis: 1798

      1946. Matthew Flinders’s “Narrative of an Expedition to Furneaux Islands”[GOLDEN COCKEREL PRESS]. FLINDERS, Matthew. Matthew Flinders’ Narrative of His Voyage in the Schooner Francis: 1798. Preceded and Followed by Notes on Flinders, Bass, the Wreck of the Sidney Cove, &c, by Geoffrey Rawson. With Engravings by John Buckland Wright. [London]: Printed in Great Britain at The Golden Cockerel Press, 1946.Limited to 750 numbered copies (this copy being No. 547). Folio (12 1/4 x 7 7/16 inches; 310 x 189 mm.). 100, [2], [2, blank] pp. Nine wood-engravings by John Buckland Wright (including frontispiece, title vignette, six head-piece vignettes, and printer’s device). Map. Printed in black and green. “Matthew Flinders’ Narrative has been designed, produced, and published by Christopher Sandford at the Golden Cockerel Press, London, on Arnold’s mould-made paper in 16pt. Aldine Bembo type, with Centaur initials, designed by Bruce Rogers, and Lyons capitals, designed by Louis Perrin, upon the model Latin inscriptions in 1846” (Colophon). “Bass’s journal of the whaleboat voyage”: pp. 29-43.Publisher’s full green buckram. Front cover pictorially stamped in gilt with a schooner designed by John Buckland Wright, spine stamped and lettered in gilt, top edge gilt, others uncut. Small red ink stamp on front free endpaper. A near fine copy.“The principal feature of this volume is the printing in full of Flinders’ 1798, ‘Narrative of an expedition to Furneaux Islands,’ the largest island of which is named Flinders Island. Included are several articles relating to Flinders’ interest in Australia, including his earlier explorations of Tasmania with George Bass. An abridgement is given of Flinders’ circumnavigation of Australia” (Hill).“Printed from the original manuscript, in the Victoria Public Library, which has title: Narrative of an expedition to Furneaux Islands on the coast of New South Wales” (Hill).“This is another book of daring exploration in our ‘Sea Series’. I tried to produce these stories of high adventure in an exciting way, and planned to make the book a symphony in green. I even thought of scenting the paper with seaweed, and imagined clients commenting to each other… ‘Strange thing about this book—it seems to bring a breath of the sea!’” (Cockolorum).Cave & Manson 170. Cockalorum 170. Hill I, pp. 106-107.

      [Bookseller: David Brass Rare Books, Inc. ]
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        Undzere Churban In Bild, Our Destruction in Pictures

      Bergen Belsen, Undzere Shtima (Our Voice) December, 1946 Oblong folio, conservation case-bound using fully acid free materials the decorative colour wrapper in on top has been inset to prevent any damage. Published under the auspices of the Central Committee of the Liberated Jews in the British Zone. The text is in English, Yiddish, Hebrew and German. Each language has its own title page. Printed on card. Contains 115 photographs of the destruction of the Jews by the Nazis. Each page contains 3 or 4 pictures. The introduction of the book poignantly describes its purpose: "The incentive to produce this collection gave us our deepest desire to show the world the crimes of Germany, to give expression to the throttled cry of pain of the Jews. The desire to bring back our memories of Jewish Settlements which were drowned in torrents of Jewish Blood. May the world have this knowledge and ponder on it. When words are too weak and too poor to convey the destruction and extermination of Jewish life, may these pictures found by accident on arrested SS Soldiers, speak for themselves of the bestiality which will forever bring shame on human kind"

      [Bookseller: Fishburn Books]
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        THE DANCING DETECTIVE

      Philadelphia and New York: J. B. Lippincott Co. Philadelphia and New York: J. B. Lippincott Co.,. 1946. cloth.. Some dustiness to edges of text block, some offsetting to front free. end paper, a near fine copy in very good plus to near fine dust. jacket with light rubbing to corners and folds, minor chipping to. spine ends, and dust soiling to white background of rear panel.. (#125708). First edition. A collection of eight crime stories including "Two Men in a Furnished Room," the source for the 1947 noir film "The Guilty."

      [Bookseller: L. W. Currey, Inc. ]
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        We Happy Few. An Anthology I: Britain at War, II: Britain at Sea, III: Britain in the Air.

      The Golden Cockerel Press, London 1946. 150 s. 8:o. Halvmarokängband med övre guldsnitt, övriga oskurna. Illustrerad med 11 trägravyrer av John O'Connor. Tryckt med Caslon Old Face i 750 numrerade ex. Detta exemplar är nummer 35 från den specialbundna delupplagan som utgör 100 ex. Mycket gott skick. "The binding of the 'specials' in red and blue (with the spine in red, the fore-edge in blue, and the goldlion on the white panel between) seemed to me one of my more than usually successfuk experiments." (Cockalorum 171)

      [Bookseller: Antikvariat Morris Stockholm/Södertalje]
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        Das Glasperlenspiel.

      Zürich, Fretz & Wasmuth Verlag. 2 volumes in the original full blue cloth with black title labels and gilt ornamentation to spines. In the original dust jacks, which are very well preserved . Overall a very fine, near mint copy.. First edition of Hesse's last novel which was mentioned in his citation for the 1946 Nobel Prize for Literature. This utopian novel occupied him for eleven years. The year it was published Hesse's name was placed on the black-list of authors in Germany

      [Bookseller: Lynge & Søn A/S]
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        The Last Twist of the Knife

      Charles Scribner's Sons New York: Charles Scribner's Sons. 1946. First. First edition. A bookplate on the front fly, else very near fine in near fine dustwrapper with a faint crease on the spine. Wealthy Laguna Beach playboy is stabbed to death during a film screening in Sun Valley. Very uncommon title, the second and final mystery by the second (and final) wife of Malcolm Lowry. A recent article in The New Yorker raised substantial questions as to whether Bonner should have been implicated in Lowry's demise, a death that was labeled at the time as accidental. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Existentialisme est en humanisme.

      (Paris), Les éditions Nagel, (1946). 8vo. Fully uncut and unopened in the orig. blank wrappers, with the original white wrapper w. black and blue printing, some monor soiling, and a small very neat repair to upper capital, not affecting lettering. Internally near mint. Ex libris to front free end-paper ((P.R. Méry). On vellum-paper. 141, (3) pp.. First edition, no. 466 of 500 copies on "vélin supérieur des papeteries Navarre, numérotes de 1 a 500.""L'Existentialisme est un Humanisme" is the second of Sartre's two main philosophical works, which have both influenced 20th century philosophy greatly, and contributed immensely to the development of existentialism in general. "Existentialism is a Humanism" became one of Sartre's most widely read and most criticized works, and it caused great controversies and uproar at the time of its appearance; -as opposed to his "L'Être et le Néant", all of Sartre's critics actually read this work, and so did huge parts of the population, causing the book to appear in huge numbers after the publication of the first edition.The work is the literary re-working of an exposition given by Sartre at a conference in October 1945, where he caused a scandalous discussion, which among other things led to the fact that all references to the existentialist T.E. Lawrence were omitted from the work when it appeared in print. "Cette conférence marqua une date dans l'histoire anecdotique de l'existemtialisme..." (Contat & Rybalka p. 131)."L'Existentialisme est un Humanisme" fut l'un des ouvrages les plus lus et les plus critiqués de Sartre et suscita de considérables malentendus. Comme l'a bien vu M.-A. Burnier dans "Les Existentialistes et la politique" (p. 31), "l'importance prise par ces pages semble due à la paresse d'un bon nombre de critiques qui hésitant à lire "L'Être et le Néant" et qui furent heureaux de pouvoir attaquer Sartre sans grande fatique et avec bonne conscience après avoir parcouru 141 pages." Il est bon de rappeler cependant que l'ouvrage constitue une assez mauvaise introduction à la philosophie de Sartre, surtout pour un public non averti..." (Contat & Rybalka p. 132). Sartre himself also disowned great parts of this work, which makes it all the more interesting, since it is the only one of his works of which he has done so. The work was reprinted numerous times during the first years, and the first edition (on vellum-paper) is very difficult to come by. Contat & Rybalka bibliographically merely state "141 pages. Volume paru en mars 1946. Nombreuses réimpressions". This copy states "Achevé d'imprimer en février 1946..." and "(1946 1er trimestre)" on colophon.Contat & Rybalka 46/88

      [Bookseller: Lynge & Søn A/S]
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