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Displayed below are some selected recent viaLibri matches for books published in 1944

        Le petit retable de Don Cristobal

      - Edmond Charlot, Alger 1944, 11,5x18,5cm, agrafé. - Prima edizione della traduzione francese, una delle 350 copie numerate su Alfa solo le carte. Nizza e rara copia. - [FRENCH VERSION FOLLOWS] Edition originale de la traduction française, un des 350 exemplaires numérotés sur alfa, seuls grands papiers. Agréable et rare exemplaire.

      [Bookseller: Librairie Le Feu Follet]
 1.   Check availability:     maremagnum.com     Link/Print  


        [HOLOCAUST]. The Death Factory near Lublin. With extracts from further accounts by war correspondents and nine full-page illustrations by Konstantin Mikhailovich

      London: Printed by Illustrated Periodicals, Ltd., for the Daily Worker League, [1944]. First English Edition. Softcover. Good antiquarian condition. 8vo. 32 pp. Original illustrated wrappers (staples a little rusty). Minor wear along extremities, text evenly browned on account of the wartime paper stock. Preserved in a mylar sleeve. The small physical size of the present pamphlet betrays the magnitude of the horror it describes and illustrates; it constitutes the very first report of the reality of the Nazis' industrial-style killing. It is "important not only for being the first such account after liberation, but also for establishing literary norms and imagery that would be used in future depictions of the camps: the gas chambers, the barbed wire, and the mountains of belongings. Indeed, the huge quantities of clothing to be found in the Majdanek stores was SimonovÂ’s best evidence for the scale of the murder carried out there, and he employs it as part of the justification for punishment." (SOURCE: Dan Stone, "The Liberation of the Camps: The End of the Holocaust and Its Aftermath" (Yale University Press, 2015, pp. 37-38). Simonov defines the camp as Europe's largest "death factory." Following Nazi usage, the name of the location was given as "Lublin" and not the more accurate "Majdanek," a nearby suburb but still within the city limits. Incredibly the Majdanek facility remains the best preserved of all Nazi concentration camps. The total number of victims of the camp is uncertain; estimates range from 78,000 to 360,000. The immortal text begins: "What I am now about to relate is too enormous and too gruesome to be fully conceived..." Among the nine reproductions of original photographs, perhaps the most famous is that of a "monstrous" mountain of shoes; Simonov exclaimed that "There may be a million, there may be more. They spill over out of the hut through the windows and the doors. In one spot the weight of them pushed out part of the wall, which fell outwards together with piles of shoes." The shoes were a silent witness to those who had been starved, tortured, incinerated, gassed, and executed, and thus: "It is hard to imagine anything more gruesome than this sight." Simonov's text first appeared in newspaper form in the "Red Star" ("Krasnaia zvezda") in three issues (August 10-12, 1944) and read on the radio on three successive evenings. The present pamphlet is the complete London printing, which was preceded by the "Lublin Extermination Camp," issued by the Soviet Embassy in Washington. Konstantin (Kyrill Mikhailovich) Simonov, 1915-1979, was a Soviet journalist, poet, playwright, novelist, and correspondent of Krasnaya Zvezda. "The Death Factory near Lublin" is doubtless his most important work.

      [Bookseller: Michael Laird Rare Books LLC]
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        Kriegsmarinewerft Kiel (Marinearsenal) - Handschriftliches Tagebuch des Arsenaldampfers T. D. Süd 2 - Schiffsführer Kapitän Kärsten für die Zeit vom 1. Mai 1943 bis 8. April 1944

      Enthalten: tägliche handschriftliche Berichte (Berichtslänge pro Seite zwischen 4 und 22 Zeilen). Der Bericht beginnt im Hafen von Liepaja (deutsch Libau, eine Hafenstadt an der Ostsee im Westen Lettlands), dann Fahrt über die Memel nach Danzig (Werft), zurück nach Libau (Zusammenstoss), Einsatzgebiete zwischen Kiel, Travemünde, Lübeck und Rostock. Es wird über über Fliegeralarme, Kriegsgeschehen an Land, geborgene Torpedos, eingesetzte Taucher, Schiffahrtskontrollen, Suche nach Grundgängern, Havarien, Beschädigungen des Dampfers und Mannschaftsangelegenheiten berichtet. Beigefügt: Arbeitsauftrag für eine Notreparatur (30. 03. 1944). 362 S. 15x21,5 cm. Seiten leicht angebräunt, sonst gut und sauber. Über die Kriegsmarinewerft Kiel: Die Howaldtswerke-Deutsche Werft GmbH (HDW) in Kiel wurde Ende 2012 in ThyssenKrupp Marine Systems GmbH (TKMS) umbenannt. Das Unternehmen entstand 1968 aus der Fusion der Howaldtswerke Hamburg A.G. mit der Kieler Howaldtswerke AG, Kiel und der Deutsche Werft AG. Gründung als Maschinenbauanstalt und Eisengießerei Schweffel & Howaldt in 1838. Die Kriegsmarine übernahm in 1939 die Kieler Werft in Neumühlen-Dietrichsdorf und führte sie mit den Einrichtungen des Marinearsenals Kiel als Kriegsmarinewerft Kiel weiter.

      [Bookseller: Verlag IL]
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        The Lady in the Lake

      Hamish Hamilton, 1944 A first edition, first printing published by Hamish Hamilton in 1944. A very good+ book with one small gift inscription and remains of very small previous owner's bookplate to the front endpaper. In a very good clipped wrapper which has a repaired tear to the front panel and a repair to the bottom of the front panel. Some rubbing and a little loss to extremities. Very rare in the original dust wrapper.

      [Bookseller: John Atkinson Books]
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        Die Ringe des Saturn. Eine englische Wallfahrt. Die Andere Bibliothek, 130. Band

      371 (1) Seiten mit zahlreichen, teils ganzseitigen Abbildungen. 8, gebundene Ausgabe, Hardcover/Pappeinband mit Schutzumschlag, ungelesen und wie neu, auf dem Titel die Signatur des Autors ("W. Sebald"), signierte Bücher des Autors sind im Antiquariatshandel von größter Seltenheit. Winfried Georg Sebald (meist W. G. Sebald * 18. Mai 1944 in Wertach, Allgäu + 14. Dezember 2001 in Norfolk, England) war ein deutscher Schriftsteller und Literaturwissenschaftler, der tödlich verunglückte.

      [Bookseller: Bührnheims Literatursalon GmbH]
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        The Wizard of Oz Animated by Julian Wehr

      Akron, Ohio: The Saalfield Publishing Company, 1944. First edition. Hardcover. Fine/Fine. 8vo. (24)pp. Printed paper boards, spiral spine. Six full page, full color animated plates operated by a tab. A fine, bright copy with all plates in fine working condition. The dustwrapper is not clipped and is fine as well. This is a gift quality copy, seldom seen in this condition. Montonaro, p. 347.

      [Bookseller: Thorn Books]
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        Signed Typed Letter from Clark Ashton Smith, as Well as the Original Signed Mailing Envelope ( Two CAS Signatures )(author of Out of Space and Time; Spells and Philtres; The Abominations of Yondo; Tales of Science and Sorcery; etc)

      Auburn, California: Auburn, CA: Clark Ashton Smith, 1944, ( 1st edition ), 1944. -----------typed letter signed by CAS dated 1944, a single page, letter is Very Good+, short note about having to pay more than original issue price for Ebony and Crystal /and/ The Star-Treader and Other Poems, signed boldly and VERY clearly, accompanying the letter is the original mailing envelope with CAS's return address in Auburn CALIFORNIA in the upper left corner again with a nice clear signature, any image directly beside this listing is the actual book and not a generic photo. Signed. First Edition Thus. Soft Cover. Very Good (see description). Illus. by No Cover Art or Design.

      [Bookseller: Leonard Shoup ]
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        Lost Worlds

      Arkham House, WI 1944 - 2043 copies published. [Attributes: First Edition; Hard Cover]

      [Bookseller: Heartwood Rare Books]
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        Code General des Impots Directs et Taxes Assimilees, Trade Edition`

      1944. Hemard's Illustrated French Tax Code in a Handsome Binding Hemard, Joseph [1880-1961]. Code General des Impots Directs et Taxes Assimilees. Texte Inegral des Lois, Decrets, Decrets-Lois, Decret de Codification, Suivi d'un Formulaire Administratif. Paris: Editions Litteraires et Artistiques/Librairie "Le Triptyque", [1944]. x, 330, [1] pp. Caption and text illustrations, those at beginning of sections are hand-colored (pochoir). Quarto (9-1/4" x 6-1/2"). Illustrated stiff color wrappers bound into contemporary quarter sheep over marbled boards, raised bands, lettering piece and gilt title to spine, top-edge gilt, deckle fore and bottom edges, marbled endpapers, ribbon marker. Light rubbing to extremities, a few shallow nicks and scuffs to boards, light rubbing to spine, minor wear to corners, internally fresh. A handsome copy. * Hemard presents the official text of the French Tax Code with witty, and often racy illustrations, colored (au pochoir) by E. Charpentier. It is a sequel to his Code Civil: Livre Premier, Des Personnes (1925) and Code Penal: Commentaires Images (c. 1940). Hemard, a prolific artist, illustrator, designer and author, is best-known for his humorously illustrated editions of serious non-fiction books. The Code General was issued in several forms. Ours is a trade edition of 1,000 copies. It was also issued in a limited edition of 800 numbered copies, the first 145 with an original sheet of text illustrations and a sheet of their original sketches. There is also a signed and numbered edition of 160 printed on Arches paper (papier velin), an edition of 40 non-commercial copies intended for friends and associates (hors commerce) and 60 portfolios of the images alone.

      [Bookseller: The Lawbook Exchange, Ltd.]
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        Seven Sins.

      London, Cassell. 1944. First edition. 8vo. Clean and bright in publisher's orange cloth, titled in black to the spine. In a scintillating dustwrapper depicting all the usual Rohmertropes: corpse, incense, and lashings of sinister orientalism. Some edgewear to the jacket, creasing and chipping to the spine ends, nevertheless most attractive. Foxing to flyleaf, otherwise clean bright.Gaston Max, spy, raconteur and master of disguise combats disreputable Nazi types in wartorn London. As an added incentive it is noted on the rear of the flyleaf that not only has Mr.Rohmer written a lot of books but he was 'suppressed by the Gestapo in 1936!' There can be no higher recommendation that that surely?

      [Bookseller: Adrian Harrington]
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        Gravures Militaires: Les Dernières Milices Cantonales. I-IV, (4 Mappen, je 20 Bl.). Mappe I - IV: Cavallerie (kompl. Serie).

      Mamorierte HLwd.-Mappe, je 20 farb., lose Tafeln. Jede Tafel in Umschlag montiert. Texthefte 6 - 8 Bl.,, Textheft der 1. Mappe fehlt., ansonsten ein tadelloses Exemplar. Nr. XXX. der limitierten Auflage. Text franz. Folge von vier Mappen nach Aquarellen von Albert von Escher, die in der Schweizerischen Militärbibliothek in Bern liegen. Dernieres Milices Cantonales erschien bis 1944 in insgesamt 3 Serien (Artillerie Infanterie Cavallerie) zu je 4 Mappen (je 20 Tafeln) Die Tafeln zeigen die jeweiligen kantonalen Truppen in ihren Uniformen und Bewaffnung vor der eidgenössischen Bundesverfassung von 1848 an.Albert von Escher (1833-1905), Genfer Militärmaler und Hauptmann, bekannt für seine Darstellungen zur Militärgeschichte, seine Schlachtenbilder und Uniformenwerke.

      [Bookseller: antiquariat peter petrej]
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        Untitled Abstraction

      In 1944 Rexroth specified on the back of a photo of this painting what is the top and the bottom. He dated it "1926" and noted the colors: "blues, yellows on blue and blue green, white and black circles." The composition uses Mondrian's palette of primaries with black and white, and is a good example of Rexroth's use of solar and lunar polarities (the white and black circles) combined with the magnet form, which also carries the association of musical notation (as in linked eighth notes). Rexroth was particularly interested in music because (like mathematics) its complex interrelationships are recorded in a precise, universal notation. San Francisco Museum of Art label on the back, title given is "Abstraction"; date "in" is "6/29/42". There is a remnant of another label on the back, the little bit of text remaining is illegible Untitled abstract on Masonite (which Rexroth referred to as "Beaver Board"), 12 1/4" wide x 17 3/8" high, ca. 1926, with a double frame (inner frame is glazed and is by Rexroth, outer frame is contemporary and executed to style). Some minor surface abrasion at top-edge (perhaps from the frame), otherwise in fine condition.

      [Bookseller: James S. Jaffe Rare Books LLC]
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        The Journal of Albion Moonlight

      New York: United Book Guild. 1944. First trade edition, preceded by a highly limited edition in 1941. Near fine in very good or better, price-clipped dustwrapper with old tape shadows on the flaps. Inscribed on a slip affixed to the front fly to Greenwich Village artist Arthur Sturcke "for Arthur for himself -- his painting -- his courage & honesty -- etc etc -- from his friend Kenneth / March 26, 1945." A nice association -- Patchen and Sturcke were lifelong friends, and the author mentioned the artist in his book Memoirs of a Shy Pornographer in a discussion of modern art: "All right, what about Kamrowski? -- or Lee Bell? -- or Jackson Pollack? -- or Arthur Sturcke?" .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        British Columbia Telephone Company (B.C. Tel./Telus) Telephone Talk: Bound Issues January/February 1943 Through November/December1944

      British Columbia Telephone Company, British Columbia 1944 - Half-leather binding. Telephone Talk was the glossy bimonthly publication of the British Columbia Telephone Company. It was written by employees for employees to present information of interest to those engaged in the plant, traffic, commercial, operating, accounting and other departments of the service. Each issue is replete with black and white photos and information on topics such as: company, industry and technological news, traffic levels, expansion plans, personnel announcements, publicity and social events, deaths, weddings, lists of exchanges, and more. As such, these issues serve as a vital preserve of rare and fascinating British Columbia history. This volume covers topics including: "All circuits are busy; I will call you" - the phrase of operators dealing with heavy traffic; Good-bye to the Seymour and Trinity manual offices - photos; Photo of the ladies of the Nelson small bore rifle club; adding switching equipment in Victoria; Gas masks, helmets, and more in Alma operating room - photo; Action photo of the First Vancouver Cadet Training Corps; Record load of telephone calls handled in B.C. in 1942 - article and photos; George Friend - Alma plant man - article and photos; Second birthday of the Van-Tel Credit Union; A few lines from the front lines - parts of letters from phone men on active service; John Jessop dies - photo and article; Back cover wartime announcement "Be Careful What You Say"; Photos of females filling in for males in the Vancouver Engineering department; Victory Bond ad.; Wire Shortage - here's why; "Behind the Lines!" - by George Matthew Adams; Wartime Problems of Telephone Business set forth in Annual Report; Great Cheque mystery solved by new payroll machine - 2 pages of photos and text; Popular traffic official dies - Robert A Henderson; Honour Roll, World War II; Honour Roll, World War I; Credit Union article; Letter by operator Elsie Forman; variety of photos emphasizing wartime parts shortages and recycling; Victory Bond ad.; E.E. (Slim) Sinden, wire chief at Chilliwack; Operator's form association; Roland Arthur Chute, former Kamloops Manager, retires; John Sowerby - survived fire and earthquake to become a phone man - article and photos; P.J. (Pete) McCormick retires; Illustrated letter from G.R. Peakes, Major-General, G.O.C.-in-C., Pacific Command, saluting the telephone industry; Many additional war photos/content; Using phones to report forest fires; Article on operator 'Quiz Kids' - information operators; honour roll of employees who have joined the war effort; Oliver Plant man Reuben Echlis retires; article from Reader's Digest arguing for wartime wage and price controls; James D. Baker passes away; William Henry Cooke retires; Update from Pipe-Major Edmund Esson in Sicily; Ex-operators rally to aid of telephone company, including newspaper ad.; Miss Leonie Michaud retires; Hockey star and telephone man Leslie Steel dies in Vancouver; many wonderful Victory Garden photos; war bond ad; Victory Loan depends on the Phone; Introducing Jack Veitch; Ads showing the wartime contributions of operators; in memory of Henry G. E. Goult; Victoria construction gang at work in photos; Photo of Victoria's operators at work; Farewell to Ernest F. Helliwell; Cranbrook operator, Minnie Egan, retires; Edward Dawson dies suddenly; Sergeant James Clark, R.C.A.F., reported a missing; Ernest S. Harris bids farewell; Cover photo of Pilot Officer Gordon Heselton, the first B.C. man to win a decoration in WWII (with story inside); photo of '25 club' war savings stamp booklet; 40 miles of phone bills - many photos; Record long distance load in 1943 but local calls show decline; John D. Johnston, general commercial manager; Full page instructions with the heading "Strict Conservation of Paper now a Necessity"; Jim Baigent and Arthur (Pop) Harness retire; "Lick Stamps to Lick Hitler" on back cover of one issue; Telephone Talk is shrunk to conserve paper; Net Revenue decrease in 1943; Full-page article on inf [Attributes: First Edition; Hard Cover]

      [Bookseller: RareNonFiction, IOBA]
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        Marginalia

      Arkham House, WI 1944 - Virgil Finlay Cover Art. [Attributes: First Edition; Hard Cover]

      [Bookseller: Heartwood Rare Books]
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        Code General des Impots Directs et Taxes Assimilees, Trade Edition`

      1944. Hemard's Illustrated French Tax Code in a Handsome Binding Hemard, Joseph [1880-1961]. Code General des Impots Directs et Taxes Assimilees. Texte Inegral des Lois, Decrets, Decrets-Lois, Decret de Codification, Suivi d'un Formulaire Administratif. Paris: Editions Litteraires et Artistiques/Librairie "Le Triptyque", [1944]. x, 330, [1] pp. Caption and text illustrations, those at beginning of sections are hand-colored (pochoir). Quarto (9-1/4" x 6-1/2"). Illustrated stiff color wrappers bound into contemporary quarter sheep over marbled boards, raised bands, lettering piece and gilt title to spine, top-edge gilt, deckle fore and bottom edges, marbled endpapers, ribbon marker. Light rubbing to extremities, a few shallow nicks and scuffs to boards, light rubbing to spine, minor wear to corners, internally fresh. A handsome copy. $750. * Hemard presents the official text of the French Tax Code with witty, and often racy illustrations, colored (au pochoir) by E. Charpentier. It is a sequel to his Code Civil: Livre Premier, Des Personnes (1925) and Code Penal: Commentaires Images (c. 1940). Hemard, a prolific artist, illustrator, designer and author, is best-known for his humorously illustrated editions of serious non-fiction books. The Code General was issued in several forms. Ours is a trade edition of 1,000 copies. It was also issued in a limited edition of 800 numbered copies, the first 145 with an original sheet of text illustrations and a sheet of their original sketches. There is also a signed and numbered edition of 160 printed on Arches paper (papier velin), an edition of 40 non-commercial copies intended for friends and associates (hors commerce) and 60 portfolios of the images alone.

      [Bookseller: The Lawbook Exchange, Ltd.]
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        The Happy Turning.

      London: William Heinemann Ltd,, 1944. A Dream of Life. Octavo. Original grey paper wrappers, titles to front cover and spine in black. Small closed tear to head of front panel and half-title, tip missing to outer bottom corner of half-title, light browning to margins; a very good copy. Proof copy, corrected by the author and inscribed by him on the front cover: "Press. H.G.W. There are a few small verbals to correct, otherwise this reading has been admirable", followed by a list of page numbers where he had made corrections; these were minor grammatical changes, made to the text and margins in ink and pencil. The short book, his penultimate work, was published in 1945. The Happy Turning is described by Batchelor in his biography of Wells as, "strikingly cheerful" at odds with his final work Mind at the End of its Tether.

      [Bookseller: Peter Harrington]
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        Zmaga. Zavezni_ka publikacija za Jugoslovane. Posebna izdaja [Victory. Allied Publication for Yugoslavians. Special Edition].

      [Probably South Italy (Bari?): ]. 1944 - Small folio, 4 pp. with b/w maps (Very Good, tiny tears in folds). A very rare newspaper with maps, printed by the Allies in Slovenian language, and dropped with airplanes in Yugoslavia, during the WWII. This very rare WWII newspaper shows three maps. On the cover map of Europe with liberated areas by the Allies in the past 15 months, in the middle a double-page map of the Russian front, including an in-set map comparing the sizes of liberated part of Russia with the size of Germany, and a map of the theatre of War of Pacific on the last page. This newspaper was printed by RAF and USAAF to inform people of Yugoslavia (in this case Slovenia) about the progression of the Allies in Europe and in the world, as they would be probably getting wrong information under German occupation during WWII. The paper was probably printed in Bari in Italy, in an army basis, and distributed by planes to Yugoslavia. On June 7, 1944, the Balkan Air Force was founded in Bari by the Allies, consisting of Yugoslavian Partisans, as well of soldiers of seven other nations. From that newly liberated army base they could fly across the Adriatic in hours to the occupied territory of Yugoslavia. In the numerous operations they have also distributed newspapers to the Partisan controlled areas. All newspapers distributed by planes during the WW II are very rare. We could not trace any other examples of this newspaper in institutions worldwide.

      [Bookseller: Antiquariat Dasa Pahor]
 18.   Check availability:     ZVAB     Link/Print  


        Planning your Neighbourhood for home, for work, for play.

      49.5 x 35.5 cms. 20 loose coloured pictorial boards, original pin holes for display to corners. A very good set (without original portfolio). Designed by Erno Goldfinger and Ursula Blackwell. Assistant Martin Cobbett, Collaborators Sheila Hawkins for cartoons and Peter Shepheard for landscaping. The first plate acts as title-page, No.2 and No.3 contrast village and town life, No.s 4-10 describe what planning means: "Shops, Schools, Work and Recreation within easy reach of our home". No.s 9 and 10 talk about different types of homes (houses, flats ot maisonettes) and the space needed to supply accomodation for different sized families. No.s 11-20 show the site in Shoreditch on which the plans were to be based and how the new changes would impact the site. Britain's lack of trained planners in the years after World War II caused many established architects to begin town planning for the first time. As the war drew to a close, architect Ernö Goldfinger worked on exhibitions for the Army Bureau of Current Affairs and this accompanying publication Planning Your Neighbourhood on behalf of the Air Ministry Directorate of Educational Services. With his wife Ursula Blackwell, Goldfinger expounded the popular idea of neighbourhood planning, whereby parts of the cities are reconstructed in a unified style for a set number of people to live. Here, Goldfinger designs a new neighbourhood on land in war-damaged Shoreditch, London. Through diagrams and montages he explains the logic of the design's placing of homes, shops, schools, green spaces, industry and traffic relative to each other. In doing so he planned to sweep away the slums, use space more efficiently, separating pedestrians and traffic and realigning new developments to Patrick Abercrombie's County Plan . From Planning Your Neighbourhood, in which he envisaged the rebuilding of the heavily bombed London district of Shoreditch, to Planning Your Kitchen, Goldfinger's vision of post-war Britain embraced everything from bold urbanism, to warning home owners that "jazzy knobs collect dust". A fascinating, almost utopian, post-war scheme for rebuilding the blitzed London. Goldfinger was to become known for his brutalist high rise developments which ironically were to lead to distinctly non-utopian social disintergration. We were able to locate sets of these panels in RIBA and the National Trust Library only; not listed by COPAC; OCLC locates a set in the Canadian Centre for Architecture.

      [Bookseller: Henry Sotheran Ltd.]
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        Guignol's Band.

      P., Denoël, 1944, 1 vol. in-12° (187 x 120) broché sous couverture blanche imprimée en noir, de 348 pp. - (1) f. (achevé d'imprimer au 15 mars 1944). Dos légèrement plissé, photo dépliante mal restauré au niveau du pli, bon exemplaire par ailleurs. - Edition originale sur grand papier avec la couverture blanche comme il se doit, 1 des 450 exemplaires numérotés sur Alfa (N°128). [Attributes: First Edition]

      [Bookseller: Bouquinerie Aurore (SLAM-ILAB)]
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        A Paris sous la botte des Nazis

      1944. First Edition . EPARVIER, Jean. A Paris sous la botte des Nazis. [Paris Under the Boot of the Nazis]. Paris: Raymond Schall, (1944). Quarto, original photographic paper-covered boards. $2800.First trade edition, published only three months after the Liberation of Paris, with over 225 black-and-white photogravures, many secretly documenting the Nazi-occupation of Paris from June 1940 to August 1944, this unique copy with a laid-in typed letter dated “22 March 1945” and written regarding this copyÂ’s distinctive tipped-in English translations of the French text, notifying the recipient that “your book” is being hand carried from France to Washington, D.C. by Colonel Knowles, then serving with the Under Secretary of War.In this extraordinary photobook published only three months after the Liberation of Paris, the cityÂ’s four-year occupation by German forces is recorded in over 225 black-and-white photographs attributed to leading photographers such as Roger Schall, Robert Doisneau, Pierre Vals, Maurice Jarnoux, Pierre Jahan, and the Seeberger brothers. The bookÂ’s striking images show Nazis marching through the Arc de Triomphe in June 1940, streets littered with smashed barricades, sightseeing German officers, underground prisons with the handprints of tortured prisoners dug into walls, and a series documenting an execution by firing squad. The book closes with the triumphant return of Général de Gaulle through the crowded streets of Paris. Published by Raymond Schall, whose brother Roger Schall, one of the leading photographers of the day, provided the cover image and many uncredited photographs within. When Nazi forces required all photojournalists to register their work, Schall complied but withheld many negatives until their first printing here in book form. In 1962 the editor of Paris Match praised Schall and those like him “who kept alive the spark of journalism that would never die.” Featuring facsimile of de GaulleÂ’s announcement declaring the Liberation of Paris. Introduction by Jean Eparvier. Text in French. Published simultaneously with a limited edition of 1525. Without scarce original printed book band. Censor stamp. This copy with numerous tipped-in English translations of the French text, along with a laid-in typed letter dated “22 March 1945,” notifying the letterÂ’s recipient that this copy has been carried from “this side” to Washington D.C. by a Colonel Knowles (then serving with Under Secretary of War Julius Amberg). The letter writer, signed “Lou,” apologizes for sending the book along without a translation of the Introduction-but “I let the book get out of print before I tried to buy one for myself.”Images fresh and clean, tiny stapler marks to upper edge of printed front free endpaper, light edge-wear, faint soiling to bright photographic boards. Near-fine condition.

      [Bookseller: Bauman Rare Books]
 21.   Check availability:     Biblio     Link/Print  


        Fotocronache di Munari

      Gruppo editoriale Domus, 1944. In 8, cm 16,5 x 24, pp. 94 con illustrazioni fotografiche nel testo. Brossura editoriale con bruniture diffuse e lievissimi danni al dorso, per il resto buon esemplare. Edizione originale rara di uno dei primi libri di Munari. Studio puntuale e didattico ma caratterizzato da un fondo di garbatissima ironia, dedicato all'utilizzo della fotografia come mezzo di comunicazione. Tipicamente munariana la sequenza con la quale trasforma una stessa immagine in base a una lettura verista, impressionista, cubista, futurista, surrealista e astrattista. ITA

      [Bookseller: Libreria Antiquaria Coenobium]
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        1944 Recital at the Washington Club - Original Program

      - A very rare original program from one of the notoriously awful soprano's private song recitals, held in the last year of her life, on April 20th, 1944, at the Washington Club in Washington, D. C. Accompanied by Malton Boyce, the program included "Old English Songs," the "Bell Song" from Lakmé, and "Like a Bird," a song with music by her usual accompanist Cosme McMoon and words by Jenkins herself -- which are printed on a separate insert. The cover features a halftone photograph of a younger Jenkins in profile against a fabric screen, raising one of her arms in a rather odd gesture. 3 pp. Folding creases, some small tears and wear to the edges, but overall in very good condition. 6.25 x 10 inches (16 x 25.4 cm).Florence Foster Jenkins, an American girl born in 1868 in Wilkes-Barre, Pennsylvania to a well-to-do family, has become a legend as "the world's worst opera singer."  She made some vanity 78 rpm records for the Mel-o-tone label during World War Two, and in October 1944 hired Carnegie Hall for a recital.  The bad reviews that resulted from that recital were said to break her heart and she died a few weeks later at age 76, but the recordings have kept her name and her art alive.  In recent years there have been several plays about her, and this year there are three full-length movies.  The first, a French comedy-drama titled "Marguerite," was released earlier this year.  A second, produced in Britain and starring Meryl Streep as Jenkins, is being released in the USA in August, 2016, and later this year a German docu-drama starring soprano Joyce di Donato as Jenkins will premiere.  Two different full-length biographies of Jenkins have appeared within the last weeks in England, one by Darryl Bullock and the other by Jasper Rees. However, autograph material and other historical memorabilia of Jenkins is of the utmost rarity.  

      [Bookseller: Schubertiade Music]
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        L'espace du dedans

      First collected edition, an advance (service de presse) copy.Elegant half green morocco over marbled paper boards by P. Goy & C. Vilaine, spine in six compartments, gilt date at foot, marbled endpapers and pastedowns, covers and spine (sunned) preserved, top edge gilt.Handsome autograph inscription from Henri Michaux to Maurice Blanchot.A very good copy in a perfectly suited binding. Gallimard Paris 1944 12x19cm broché

      [Bookseller: Librairie Le Feu Follet]
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        The Razor's Edge A New Novel

      London: William Heinemann, 1944.. FIRST EDITION. Octavo, pp.[4]; 284. Publisher's blue cloth with gilt titles, in the typographic green dust-jacket. Attractive bookplate to front pastedown, slight rolling to spine ends and corners, some spotting to edges. Dust-jacket shows well with some creasing to the top and bottom of the spine, closed tear along the bottom of the fold between spine and rear panels. Very good.

      [Bookseller: Adrian Harrington Rare Books]
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        Drawing of a Landscape Signed 'E.A.' (Edward, 1900-1979, Artist and Illustrator)

      1944 - in black crayon on brown-pink paper, of farmhouses (one with a well) among trees with hills rising behind, 9¼" x 12½" in window mount 14½" x 17½", no place, no date, circa Besides the children's books he illustrated, Edward Ardizzone was an official British War Artist. From the character of the houses we think this drawing may date from the time he was in Italy towards the end of WWII.

      [Bookseller: Sophie Dupre ABA ILAB PADA]
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        The Case of the Black-Eyed Blonde

      Morrow, 1944 A very good first edition, second printing in a very good dust jacket.. 2nd Edition. Hardcover. Very Good/Very Good.

      [Bookseller: Bookbid Rare Books]
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        Very Ordinary Seaman. THE ORIGINAL EDITION IN FULL MOROCCO

      Gollancz, 1944. 8vo., First Edition; handsomely bound in navy blue full morocco, sides with gilt frame border, back with raised bands ruled in gilt, second and fourth compartments lettered and ruled in gilt, all other compartments tooled and ruled in gilt, uncut, a most attractive copy ideal as a gift or for presentation. Fictionalised but accurate account of the author's five months in a destroyer on the Murmansk run. Generally considered one of the finest accounts of life at sea; certainly a minor classic of WWII. A lovely copy of the scarce original edition. Law, 1062.

      [Bookseller: antiquarian bookshop Island Books]
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        FICCIONES

      Editorial Sur 1944 - Primera edicion. Encuadernacion original de editorial. Cubiertas en muy buenas condiciones. Ejemplar para coleccionista. 203 pags. Buenos Aires. [Attributes: First Edition; Soft Cover]

      [Bookseller: Valentin Peremiansky]
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        Situation Normal

      Reynal & Hitchcock, New York 1944 - SIGNED by Arthur Miller on the front free end paper. Octavo, 180 pages. Very Good in a Very Good dust jacket. Soiling to each board and some excess binder's glue to the upper right side of the spine. The dust jacket has some wear at the spine ends, a small tear to the top of the front panel and to the front flap and a chip at the top of the spine. Each flap shows toning to the upper edge. Overall, an attractive copy with the original $2.00 price intact on the front flap. Arthur Miller's debut book, a look at army life. Signed copies are uncommon, especially in a condition this nice. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Le Bookiniste]
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        Printed form letter signed to Emil Hills, with autograph additions.

      1 page. Large octavo, 266 x 184 mm. Dated Los Angeles, October 3, 1944. On printed stationery with watermark "Neenah Glacier Bond Rag Content." In English. Relative to Schoenberg's 70th birthday (September 13, 1944): "For more than a week I tried composing a letter of thanks to those who congratulated me on the occasion of my seventieth birthday... At this age, if one is still capable of giving once in a while a sign of life, everybody might consider this already as a satisfactory accomplishment. I acknowledged this when my piano concerto was premiered and to my astonishment so many were astonished that I still have something to tell..." Signed by Schoenberg, with name of recipient ("Mr. Emil HIlls") and salutation in Schoenberg's autograph. Creased at folds and slightly overall. Together with: A postcard photograph of Schoenberg published by Breitkopf & Härtel reproducing an early portrait. The first performance of Schoenberg's piano concerto, op. 42, took place in New York on February 6, 1944.

      [Bookseller: J & J LUBRANO MUSIC ANTIQUARIANS]
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        L'AVVENTURA 001-226 SERIE QUASI COMPLETA

      S.E.P.I. - SOCIETA' EDITRICE PERIODICI ILLUSTRATI, 1944. L'AVVENTURA le più belle storie - i migliori disegnatori anno I - nn. 1-18 anno II - nn. 1-33 anno III - nn. 1-48 anno IV - nn. 1-126 Serie quasi completa rilegata in 7 volumi S.E.P.I. - Società Editrice Periodici Illustrati 1944-49 cart. vari formati b/n e a colori Stato di conservazione: OTTIMO! Macchie nel n. 11 del 1946 anno III (è presente però una copia sostitutiva del n. 11 del 1946 non rilegata). L'Avventura esce a Roma dopo due mesi dalla liberazione della città (6 agosto 1946) come ideale continuazione dell'Avventuroso di Nerbini. Presenta Gordon l'intrepido (Flash Gordon) di Don Moore, Alez Raymond e Austin Briggs, Audax (King of the Royal Mounted) di Zane Gray e Jim Gary, Cino e Franco (Tim Tyler's Luck) di Lyman Young, Nat Edson, Clark Haas e Tom Massey, Mandrake di Lee Falk e Phil Davis, Jim della giunga (Jiungle Jim) di Don Moore e John Mayo, Marco Spada (Birck Bradford) di William Ritt e Clarence Gray, L'Uomo Mascherato (The Phantom) di Lee Falk, Ray Moore e Wilson McCoy, Agente Segreto X-9 (Secret Agent X-9) di Mel Graff e Steve Canyon di Milton Caniff. La serie qui proposta è rilegata in 7 volumi: Vol. 1 - 1944-46 I anno I nn. 1-14 Vol. 2 - 1944-46 II anno I nn. 15-18; anno II nn. 1-33 Vol. 3 - 1944-46 III anno III nn. 1-25 Vol. 4 - 1944-46 anno III nn. 26-48 Vol. 5 - 1947 anno IV - nn. 1-50 Vol. 6 - 1948 anno V - nn. 51-102 Vol. 7 - 1949 anno VI - nn. 103-126 Mancano gli ultimi due numeri: 127 e 128

      [Bookseller: Supergulp di Rem Srl]
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        Dantes Hoelle / Deutsch von Benno Geiger

      Halbfranzband mit Lederecken mit 5 falschen Bünden, marmorierter Überzug. Braune Rückenschilder mit Goldtitel, Rücken minimal verblasst und mit minimalen Spuren von [Locheisen?-]Abdrücken. Verblasster Goldschnitt am Kopf. Hss. Vermerk auf Vorsatz "Mailand März 1944". Umschlagteile der Orig.-Broschur sind mit eingebunden. Auf dem Titelblatt verso der Vermerk: "Dreihundert Exemplare dieser Auflage sind auf handgeschöpftem Bütten gedruckt". Buchbinderisches Schmuckstück aus den 40-er Jahren, schön und sauber gemacht. - Es handelt sich nicht um ein Exemplar auf Bütten.

      [Bookseller: antiquariat birk]
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        Proclamation No. 1

      1944. First Edition . EISENHOWER, Dwight D. Proclamation No. 1. Military Government—Germany. Supreme Commander's Area of Control. No place, [1944]. Printed broadside (measures 19-1/2 by 21 inches); matted and framed, entire piece measures 27 by 27 inches. $5000.1944 World War II broadside of Proclamation No. 1, General EisenhowerÂ’s powerful message to the German people announcing the Allied ForcesÂ’ arrival in Germany, their intent to “overthrow Nazi rule, dissolve the Nazi Party andÂ… eradicate that German Militarism which has so often disrupted the peace of the world,” text printed in both German and English.On September 28, 1944, two weeks after U.S. troops cross the Siefried line and entered Germany, Eisenhower issued Proclamation No. 1. This momentous document proclaims a turning point in history with its immortal line: “We come as conquerors, but not as oppressors.” EisenhowerÂ’s Proclamation further reads, in part: “We shall obliterate Naziism and German Militarism. We shall overthrow the Nazi rule, dissolve the Nazi Party and abolish the cruel, oppressive and discriminatory laws and institutions which the Party has created. We shall eradicate that German Militarism which has so often disrupted the peace of the world Military and Party leaders, the Gestapo and others suspected of crimes and atrocities will be tried and, if guilty, punished as they deserve.” Eisenhower additionally provides for the suspension of all German courts and the continuation of essential public utilities. The United Press reported from Allied Supreme Headquarters in London that same September: “A broadcast message directed to Western and Southwestern Germany said that Eisenhower will exercise supreme legislative, judicial and executive authority in the theatre under his commandÂ…The broadcast, sent by a Supreme Headquarters spokesman over ABSIE (American Broadcasting Station in Europe) said that ‘this process begins immediately on the arrival of the Allied armies in each area and the inauguration of the Allied Military GovernmentÂ… Front dispatches have told of the posting of Allied Supreme Headquarters announcements in such towns as Roetgen, Echternach and Vollendorf, towns which the Allied armies are known to have occupied.” With printed September 1944 date “(9/44)” present in the lower left corner; future printings did not have a date. Text printed on the recto in both English and German. Text fresh and clean, light edge-wear, some expertly repaired closed tears along foldlines. Beautifully framed.

      [Bookseller: Bauman Rare Books]
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        Der Panzerknacker 1944

      German Army High Command 1944 - German military handbook. German WW2 anti-tank manual "Der Panzerknacker". Published in 1944 by German Army High Command. Enemy armor recognition guide and anti-armor operation and tactics. Good condition. 22 pages. Rare. Softcover. [Attributes: First Edition; Soft Cover]

      [Bookseller: K&K Antiques]
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        WWII UNDERGROUND PRINTING - POETRY & FINE ART: Jama [The Pit].

      [Topusko, Croatia: Naprjed] Izdanje kluba kulturnih radnika Hrvatske [Publishing House of Cultural Workers of Croatia] [End of November] . 1944 - A superlative edition of one of the great classics of Croatian and World War II poetry, Ivan Kovacic’s Jama, printed by a secret underground Partisan press, and bound in a parachute linen. A numbered example, signed by the illustrator and publisher. - Ivan Kovacic, with a nickname Goran, was born in Lukovdol in Croatia, on the southern Slovenian border to a Croatian father Ivan Kovacic and Jewish mother Ruža, neé Klein. After unfinished study of Slavistics in Zagreb, he became journalist, writer and poet. In 1942 he joined the Partisans and participated in battles through the difficult terrain of Bosnia. In the months of seeing cruel battles and slaughtering of civilians, he wrote his most famous poem Jama (The Pit). This epic poem was inspired by a genocide made by the Croatian Nationalistic Army, Ustashe, upon the Serbian people. In first person, with cruel, yet beautiful verses, he describes torture, and eventual death as a part of mass killings. In 1943, only 30 year old Kovacic was killed in Case Black – a joint attack by the Axis, which aimed to destroy the main Yugoslav Partisan force in Bosnia, mostly known by its final phase final phase, the Battle of the Sutjeska. After the battle of Sutjeska, Kovacic was hiding in a farmhouse, weakened by a lung illness, listening the Serbian Nationalist Army Chetniks killing wounded Partisans. Eventually he was also tracked down by Chetniks, slaughtered and buried in an unmarked grave. Kovacic’s death was accepted by the Partisans with great sadness. The journalist and politician Mosa Pijade (1890-1957) described his death:Goran Kovacic did not survive the horrendous fifth offensive. This young Croatian poet, who in "The Pit" formed the strongest poem of a protest against the Ustasha massacres against the Serbs, was killed by "Serbian vigilante" Chetnik degenerates, these Swabian and Ustasha allies. They cut the throat, which had so sincerely and strongly thundered from the Croatian fraternal soul against Ustasha crimes against Serbian youth. Never before a more honest and humane work of a poet was punished and never a forehead of a murderer was tainted by more disgraceful crime. Reading the Goran's "Jama", hearts of generations and generations of Serbian youth will tear over the crimes, which caused such a cry of a poet, but also over the crime, which slit the throat of this beautiful seagull. The poem is considered one of the most beautiful war poems ever made and one of the greatest poems of Croatian literature. The artists of lithographs, Edo Murtic (1921–2005) and Zlatko Prica (1916-2003), were both famous Croatian academic painters. Their original signatures are on page 2. The most known translation of the poem was made already in 1948 in French language, with a title La fosse commune. The illustration in it was made by Pablo Picasso. - Circumstances of printing: This edition was printed by a Partisan press, during WWII on so called "Liberated area", or in the "Federal State of Croatia", in the German occupied area. This underground state was founded on May 8th-9th 1944 in Topusko, Croatia, by the Croatian anti-Fascist movement and was not a constitutionally socialist state, or even a republic, as the war in Yugoslavia lasted for another year. The woody area around Topusko was at the time controlled by the Partisans, which enabled them to print this book with more time consuming techniques, then their colleagues in other underground secret presses could use. As written on the title page the work has been printed in 250 examples on normal paper and bound in parachute linen. The lithograph press has been constructed in a Partisan workshop. The first 150 examples have been signed by the authors of lithographs. (Ove je djelo tiskano u 250 primjeraka na obic?nom papiru i vezano u padobransko platno. Litografska presa konstruirana je u partizanskoj radionici. Prvih 150 primjeraka provi?eno je originalnim potpisima autora litografija). This is nr of the numbered and signed copies. I

      [Bookseller: Antiquariat Dasa Pahor]
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        Autograph letter signed on both sides of a plain postcard to 'Dear Miss Kraty' (Grand Duchess, 1875-1960, Sister of Nicholas II and Wife of his Cousin Grand Duke Alexander)

      1944 - thanking her for her letter "& sending me Nadia's", (Princess Nadejda Dmitrievna, 1933-2002, only daughter of the writer's fourth son Dmitri Alexandrovich, 1901-1980), "& also for the book - it wasn't the one I meant so I suppose it is somewhere" among Nadia's mother's things, (Russian-born Marina, 1912-1960, née Countess Golenistcheva-Kutuzova), "The one you sent belongs to Xenia", (Princess Xenia Andreevna, 1919-2000, elder daughter of the writer's eldest son Andrei, 1897-1981), "& her brothers", Michael & Andrew, "Poor little thing - she does miss you & feels 'homesick'! I wonder what was the matter with her Mama. Not one of the family has ever written to me which I call beastly! I wonder why a french school was chosen for her, tho' on the other hand it is a good thing she is learning french", the Grand Duchess is very worried about her second son Feodor, (Feodor Alexandrovich, 1897-1968), "he had another hemorrage a week ago and is laid up again - too unfortunate and such a set back. He feels weak, very nervous, and is altogether very cut up! The D[octo]rs say it isn't alarming, but that doesn't help matters, as he feels none the better for it. He is going to the Sanatorium this week, probably dreads the thought of it - poor dear - as [he] hates the place! .", continuing about "M[other] Martha", whose presence in spite of deafness and other ailments "is such a comfort and help", at Balmoral it is "more like November", 2 sides postcard, Balmoral, 3rd April Written to 'Miss Kraty', who is no doubt at Wilderness House, since 1937 the Grand Duchess's 'grace and favour' home in the grounds of Hampton Court Palace. Many of Xenia's family lived there much or most of the time, especially the grandchildren mentioned. Dmitri Alexandrovich left Russia with his mother in 1919 on board HMS Marlborough. In the 1930s he worked briefly at Coco Chanel's in Biarritz, where he fell in love with and in 1931 married Marina, not yet 19, a Chanel model. In WWII, Dmitri was a Lieutenant- Commander in the Royal Navy Volunteer Reserve on convoys to Murmansk and taking part in the Dunkirk evacuation. Their daughter Nadejda had been born in France, but at this date the Grand Duchess must be talking of a French school in England. In 1947 Nadejda's parents separated and both later re-married. Mother Martha, a formidable Russian mystic, was acquired by the Grand Duchess in 1938 as a companion. She went on to dominate Xenia's life and control all who visited.

      [Bookseller: Sophie Dupre ABA ILAB PADA]
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        Der Öffentliche Gesundheitsdienst. Jahrgang 1 - 10 (mehr nicht erschienen) in 14 Bänden. Zeitschrift des Reichsausschusses für Volksgesundheitsdienst E.V., der Staatsmedizin Akademie Berlin und der Wissenschaftlichen Gesellschaft der deutschen Ärzte des öffentlichen Gesundheitsdienstes.

      (1. Jhg, A.) XXVIII, 1010 (2. Jhg, A.) XIV, 998 (3. Jhg. A/B) XIV,1016, XII, 844 (4. Jhg. A/B) XIV, 1024, X, 764 (5. Jhg. A/B) X, 770, VI, 528 (6. Jhg. A/B) X, 756, VI, 564 (7. Jhg. B) VI, 528 (8. Jhg. B) IV, 332 (9. Jhg. B) IV, 296 (10. Jhg. A/B in einem Band) 196, 144 S. Mit Abb. Hln. mit Goldprägung. Schnitt tls. stockfleckig. Papierbedingt tls. etw. gebräunt. Guter Gesamtzustand. Ohne die "Teilausgaben B" des 1. und 2. Jahrgangs und die "Teilausgaben A" des 7 - 9 Jahrgangs. ("Während die Ausgabe A dieser Zeitschrift sich mit den ärztlichen Aufgaben und Wissensgebieten befassen soll, wird die Ausgabe B sich an Verwaltungsbeamte, Lehrer und Erzieher sowie an die nicht ärztlichen Hilfskräfte der Gesundheitsämter wie an alle diejenigen wenden, die innerhalb der nationalsozialistischen Bewegung oder in der privaten Wohlfahrtspflege sich mit den oben gekennzeichneten Wissensgebieten und praktischen Erfahrungen beschäftigen wollen." Gütt, aus dem Vorwort). - Umfangreicher und eindringlicher Einblick in das medizinische Feld zur Zeit des Nationalsozialismus. Der Herausgeber Arthur Gütt, Urheber der nationalsozialistischen Zwangssterilisationspolitik, möchte mit dem Blatt die bis dato verschiedenen Organisationen des Gesundheitswesen einigen, und "ermöglichen, die Ärzte und Hilfskräfte der Gesundheitsämter im Sinne nationalsozialistischer Staatsführung und nationalsozialistischer Weltanschauung zu erziehen, um sie zu befähigen, das nationalsozialistische Wollen der Gesetze Adolf Hitlers und seiner Regierung auf dem Gebiet des Gesundheitswesens praktisch durchzuführen". Die Zeitschrift enthält somit nicht nur medizinische Fach- und Forschungsberichte, Statistiken, Personalia, (Fach-)Referate (alles zum zeitgenössischen Trend), sondern auch gesetzliche Anordnungen, Erlasse und Leitfäden zur Durchführung. Selbst im Kriegsjahrgang 10 (1944) wird die Ärzteschaft im Vorwort des Reichsgesundheitsministers Conti motiviert, gerade in Zeiten des "Bombenterrors", "Gesundheit und Leistungskraft des deutschen Volkes zu erhalten" sowie "Mit Einsatz des ganzen Könnens (..), Verletzte und Erkrankte wiederherzustellen, ihren Lebensmut und Leistungswillen anzuspornen, Weichheit und Schwäche entgegenzutreten und darüber hinaus in der Abwehr allgemeiner gesundheitlichen Gefahren, wie in der Seuchenabwehr, Entscheidendes zu leisten. (...) Ihre Erfüllung wird der Beitrag des deutschen Arztes zum Siege sein."

      [Bookseller: Antiquariat Hamecher]
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        Diary of an Ad Man

      1944. First Edition . Signed. YOUNG, James Webb. The Diary of an Ad Man. The War Years, June 1, 1942-December 31, 1943. Chicago: Advertising Publications, 1944. Octavo, original green cloth, original red paper spine label, original dust jacket. $2200.First edition of the groundbreaking work by Young, one of the ""giants"" of early advertising, inscribed, ""To Frank Rand Jr., With regard, Jim Young."" Young's leadership at the J. Walter Thompson agency revolutionized advertising. Together with Stanley Resor, he used research ""to study the working of advertising in psychological and behavioral terms, and they made advertising an international activity. Under the guidance of Resor and Young, J. Walter Thompson was the leading player on the advertising stage from the late 1920s to the late 1950s"" (Jones, Advertising Organizations, 322). David Ogilvy, ""the original Mad Man"" (Wall Street Journal), often ""invoked the giants of earlier generations: James Webb Young"" in particular (Jones, International Advertising, 174). Diary of an Ad Man is Young's ""most interesting work. The book is made up of the weekly writings that Young had sent to Advertising Age magazine between June 1942 and December 1943: an exceptional testimony to an era seen through the eyes of a true expert in customs and lifestyles. Because of his standing, President Truman called on Young to chair the War Advertising Council (the predecessor of the American Advertising Council)"" (Elliot, Just Doing It). The pivotal works of advertising forerunners such as ""Bernbach, Burnett, Ogilvy and Young are informed by profound knowledgeÂ… There are not many such works"" (Jones and Slater, What's in a Name, 11). Recipient Frank Rand Jr., the prominent New Mexico publisher, was also a onetime president of New York's Turf and Field Club, ""where he owned a racing stable. His thoroughbreds won featured raced at major tracks, including Belmont. In the 1940s Rand was the publisher and owner of The New Mexican, Santa Fe's only daily newspaper, and was active in the state's Republican Party"" (New York Times).Book fresh and clean, only lightest edge-wear to dust jacket. An about-fine inscribed copy.

      [Bookseller: Bauman Rare Books]
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        THE DIARY OF AN AD MAN. The War Years June 1, 1942 - December 31, 1943.

      Chicago, IL: Advertising Publications, Inc., 1944. 256 pages of text. Hardcover binding with minimal soiling to the top edge. Unclipped dustjacket with a large closed tear at the bottom of the spine, a few small tears and creases, and minor soiling and shelfwear; protected in archival mylar. A tiny stain to the bottom edge of the closed pages. The first printing of the First edition, uncommonly found in a dustjacket.. First Edition. Hardcover. Near fine condition/Very good+ condition (DJ). 12mo - over 6¾" - 7¾" tall.

      [Bookseller: Kurt Gippert Bookseller (ABAA) ]
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        Photograph album. WITH: Photographs of Abraham Lincoln

      , 1944. 1944. (LINCOLN, Abraham) MESERVE, Frederick Hill. Photograph album. WITH: Photographs of Abraham Lincoln. No place, no date; New York: Harcourt Brace, 1944. Loose album sheets (9 by 12 inches) featuring 191 photographic images. Housed in a cloth four-fold portfolio binder. WITH: Octavo, original navy cloth, original dust jacket. $22,000.Extraordinary album comprising over 191 photographs, primarily silver and platinum prints, of Abraham Lincoln, his family, and contemporaries assembled by Frederick Meserve. Accompanied by the first trade edition of Meserve's landmark work, accomplished in collaboration with Carl Sandburg, Photographs of Abraham Lincoln, featuring 100 images of the 16th President, in daguerreotypes, cartes-de-visite, stereoviews, and more by photographers including Matthew Brady, Alexander Gardner, and Alexander Hesler.Photographer ""Frederick Hill Meserve was an important collector of Lincoln photographs. Sandburg asserts… that 'it is quite probable that certain Lincoln photographs would not have come to light but for Meserve'"" (University of Illinois). This unbound photograph album appears to confirm that assertion. In 191 photographs, some of which bear penciled identification in Meserve's hand, Meserve carefully creates a tableau of Lincoln's life in portraiture, capturing both Lincoln and his social circle

      [Bookseller: Bauman Rare Books ]
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        Steep Ascent

      1944. First Edition . Signed. LINDBERGH, Anne Morrow. The Steep Ascent. New York: Harcourt, Brace, (1944). Octavo, original blue cloth, original dust jacket. $3200.First edition, inscribed by Charles Lindbergh: ""To John Oldrin and Gin Oldrin, from their friend, Charles A. Lindbergh."" With an autograph postcard signed ""Anne"" by Anne Morrow Lindbergh, mentioning ""working like mad to get my book into galleys"" laid in.""A fictional account of an actual incidentÂ… the story of a dangerous flight over the Alps made by a young couple."" The 3-1/2 by 5-1/2-inch postcard, dated ""Friday, Dec. 8,"" is penned entirely by Anne Morrow Lindbergh and reads, ""Dear John – Thank you so much for letting me see this. I also liked very much the Hymn to Orion — didn't you? The story of Lucy & the shells given to the sand-baby is enchanting — but not surprising. Lard has a little girl, too, born yesterday. I had to share the news with you. 'Thank heaven for little girls!' In haste — I am working like mad to get my book into galleys before we leave for Aspen & Xmas — gratefully, Anne.""Book fine; dust jacket with two small chips around head of slightly toned spine, extremely good.

      [Bookseller: Bauman Rare Books]
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        La Reine Morte

      1944. MONTHERLANT, Henry de. La Reine Morte [The Dead Queen]. Drama en Trois Actes. Illustrations de V. Stuyvaert. Paris: (Aux dépens dÂ’un groupe de Bibliophiles, 1944). Tall quarto (10 by 12-1/2 inches), contemporary full crushed black morocco with decorative inlays to front board, gilt raised spine emblem, marbled endpapers, top edge gilt, uncut, original wrappers bound in, original slipcase. $1800.Limited first French edition, number 46 of 599 copies, of MontherlantÂ’s first play, one of only 50 copies printed on Lana with an additional double-suite of color plates (20 total), from original watercolors au pochoir by renowned artist Victor Stuyvaert, each text and plate leaf richly bordered in gilt filigree, handsomely bound in full morocco with pictorial inlays on the front board. A gorgeous production.The notorious award-winning French novelist and dramatist Henry de Montherlant was “one of FranceÂ’s finest playwrights Admired by such as Malraux, Camus, Graham Greene and Peter QuennellÂ… Montherlant will live as one of the outstanding writers of the century.” La reine morte (The Dead Queen), MontherlantÂ’s electrifying first drama, premiered in Paris in 1942 at the Comédie Francaise. This limited first edition of La reine morte, published in 1944 amidst the rubble of Nazi occupation, contains striking full-page color illustrations after watercolors au pochoir by Belgian artist Victor Stuyvaert. MontherlantÂ’s play, set in Portugal, draws “on the grisly legend that after the death of Inez de Castro, ‘her husband, when he became King, had her body disinterred and crowned Queen beside himÂ… The legend is all Montherlant needs. It sets him off on a bitter, ruthless inquiry into the nature of power” (New York Times). Limited first edition of 599 copies with ten full-page color plates: one of only 50 copies printed on Lana and containing an additional double-suite of the volumeÂ’s ten color plates (20 total). Text in French. A fine and bright copy, scarce in original slipcase.

      [Bookseller: Bauman Rare Books]
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