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Displayed below are some selected recent viaLibri matches for books published in 1942

        L'EROICA. 1942 (Anno XXXII) QUADERNO 290 - 291 - 292. Rassegna Italiana di Ettore Cozzani.

      In - 4 p., bross. orig. figurata (picc. strappi). Importante rivista mensile di arte e poesia, notevole anche per la veste grafica, impressa su carta forte. I 3 quaderni sono riuniti in un fascicolo, di pp. 64, dedicato all'arte dello xilografo marchigiano Bruno da Osimo (Marsili Bruno, nato nel 1888 a Osimo). E? illustrato da 8 grandi tavole xilografate: "Il mio tavolo da lavoro - La predica di S. Francesco agli uccelli - L'albero di S. Francesco - L'albero di S. Chiara - Il Proto Monastero delle Clarisse - L'infermeria di S. Chiara in S. Damiano - La Madonna di Loreto - Canto notturno di un pastore errante" (4 sono più volte ripieg.), oltre a numerose inc. su legno ed ex libris nel t. Raro e importante, con le ?xilografie che sono veri e propri originali?, dedicato a un misconosciuto ma grande artista del Novecento. Cfr. Servolini, p. 242. Esempl. con barbe, intonso, ben conservato.

      [Bookseller: Libreria Commissionaria Licosa SpA]
 1.   Check availability:     maremagnum.com     Link/Print  


        TARZAN OF THE APES (Signed By the Author AND Maureen O'Sullivan "JANE")

      New York: Grosset & Dunlap, 1942. Burroughs, Edgar Rice. TARZAN OF THE APES. NY: Grosset & Dunlap, (c. 1942). Reprint edition of the very first Tarzan tale SIGNED BY BOTH BURROUGHS and MAUREEN O' SULLIVAN. Burroughs' signature comes first and then the actress who played "Jane" in six Tarzan films (1932-1942) writes "&" followed by her signature. Judging by the matching ink, proximity of the signatures, and the actress' use of the ampersand, there is the distinct possibility that the autographs were acquired at the same time. A Very Good copy (some light finger-soiling to cloth, stain to top-edge) in a Good to Very Good original dust jacket which is chipped at the spine tips and edges and, in general, moderately used. Actor-signed source books are highly collectable and rarely encountered.. Signed. Decorative Cloth. Very Good/Very Good.

      [Bookseller: Lakin & Marley Rare Books ]
 2.   Check availability:     Biblio     Link/Print  


        The Chinese repository Shina soho kaisetsu [Traduction en japonais sous l

      T|ōky|ō: Maruzen Kabushiki Kaisha, 1942. Fine. Maruzen Kabushiki Kaisha, T ?ky ? 1942, 15,5x21cm, 12 vols. reliés. - Rare complete edition of the Japanese translation of this contemporaryical published in Canton from 1832 to 1851 for the use of Protestant missionaries working in southeast Asia. Bindings editor in full burgundy cloth, spine smooth, cased. Designed by Elijah Coleman Bridgman, the first American Protestant missionary in China and appointed editor of the newspaper until his departure for Shanghai in 1847, the repository will then be directed by James Granger Bridgman and Samuel Wells Williams. The Repository was a very important paper which allowed the missionaries to keep abreast of the Chinese currency and collect scattered information into a coherent and readable whole. The newspaper, published for the foreign community and the Aboriginal community, reflected the rich knowledge of its editors of the situation in China. Between 1805 and 1842, Malacca, Penang, Singapore, Batavia, Java, Rangoon, and Ambon were intermediate stages of the Protestant mission early nineteenth century China. The Repository therefore contains detailed information on the activities of foreign missionaries in Southeast Asia information. Rare and beautiful copy. --- Please note that the translation in english is done automatically, we apologize if the formulas are inaccurate. Contact us for any information! - [FRENCH VERSION FOLLOWS] Rare édition complète de la traduction en japonais de ce périodique publié à Canton de 1832 à 1851 à l'usage des missionnaires protestants travaillant en Asie du sud-est. Reliures de l'éditeur en pleine toile bordeaux, dos lisse, sous étui. Créé par Elijah Coleman Bridgman, premier missionnaire protestant américain nommé en Chine et rédacteur en chef du journal jusqu'à son départ pour Shanghai en 1847, le Repository sera ensuite dirigé par James Granger Bridgman, puis par Samuel Wells Williams.Le Repository fut un journal très important qui permettait aux missionnaires de se tenir informés de l'actualité chinoise et de rassembler des informations éparses en un ensemble cohérent et lisible.Le journal, publié à l'intention de la communauté étrangère et de la communauté autochtone, témoignait de la riche connaissance de ses rédacteurs de la situation en Chine. Entre 1805 et 1842, Malacca, Penang, Singapour, Batavia, Java, Rangoon, et Amboine ont été des étapes intermédiaires de la mission protestante de début du XIXe siècle en Chine. Le Repository contient donc des informations détaillées sur les activités des missionnaires étrangers en Asie du Sud-Est. Rare et bel exemplaire.

      [Bookseller: Librairie Le Feu Follet]
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        The Problems of Lasting Peace

      Garden City: Doubleday, Doran and Company, Inc. 1942 - 8vo., blue cloth lettered in gilt; slightly sunned spine. First edition. A presentation copy, inscribed: "To Philip C. Jessup, with the kind regards of Herbert Hoover," additionally signed by Hugh Gibson, on the front free endpaper. ---- Jessup, a judge on the International Court of Justice, was credited with playing a major role in ending the Soviet blockade of West Berlin. Jessup was a U.S. representative to the United Nations General Assembly, as well as a member of the International Court of Justice at The Hague. He also served as a U.S. ambassador at large from 1949 until his resignation in 1953. During that time, he was one of the closest advisers of then-Secretary of State Dean Acheson. After Jessup was maligned by Senator Joe McCarthy for purported communist "affinities," Dwight D. Eisenhower heralded Jessup's "devotion to the principles of Americanism." McCarthy's charges kept Jessup from being reappointed to the U.S. delegation to the United Nations in 1951 but President Harry S. Truman made him an alternate delegate the following year. Meanwhile, at the request of President Truman, Herbert Hoover made several relief trips, supported the Marshall Plan, and called for the rehabilitation of Germany and Japan, positions also advocated by Jessup. A significant presentation copy. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: North Star Rare Books & Manuscripts]
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        The Moon is Down

      New York: The Viking Press, 1942. Advance Reading Copy. Hardcover. Very Good. First edition. Advance reading copy in self-wraps. First state text with a dot between "talk" and "this" on page 112, line 11. Good. Lean to spine. Joints fragile with rubbing and splits started. A bit of excess binder's glue visible at front fold. Pages toned. Very rare in this format.

      [Bookseller: Burnside Rare Books]
 5.   Check availability:     IOBABooks     Link/Print  


        Eigenh. Postkarte m. U. „H. Hesse".

      Zürich [Poststempel], 28. III. 1942. - 8vo. 1 Seite. An seinen Freund, den Dozenten Georg Goetz in Kopenhagen. „Hölderlin sollten Sie nicht lesen, Sie verstehen ihn nicht u. sollten nicht über Qualitäten urteilen, die Ihnen nicht erfaßbar sind. Dieser grösste aller deutschen Dichter wird mehr mißverstanden u. mißbraucht als irgend ein anderer; nehmen Sie nicht daran auch noch teil."

      [Bookseller: Kotte Autographs GmbH]
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        Pilote de guerre EDITION ORIGINALE

      New York: Editions de la Maison française, 1942. Fine. Editions de la Maison française, New York 1942, 18,5x22,5cm, broché. - First edition, one of 450 numbered copies on Corsican. Very nice copy kept in his jacket glassine original pattern spider web that has no default. --- Please note that the translation in english is done automatically, we apologize if the formulas are inaccurate. Contact us for any information! - [FRENCH VERSION FOLLOWS] Edition originale, un des 450 exemplaires numérotés sur Corsican. Très bel exemplaire conservé sous sa jaquette de papier cristal d'origine à motif de toile d'araignée qui ne comporte aucun défaut.

      [Bookseller: Librairie Le Feu Follet]
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        How to Cook a Wolf

      New York: Duell, Sloan and Pearce,, 1942. Octavo. Original grey cloth boards, titles to spine in white, pictorial decoration to front board in white. With the dust jacket. Bookplate to front pastedown. Head of front board bumped, small smudge to fore edge, light abrasion to front pastedown; an excellent copy in the lightly rubbed, price-clipped jacket, with a few shallow chips and nicks to extremities. First edition, first printing. This practical and humorous book, published at the height of food shortages during the Second World War, offered housewives advice on how to achieve a nutritious diet with limited ingredients, as well as other useful advice, such as eating in a blackout, and recipes for home-made toothpaste and a cheap sherry cocktail. She encouraged her readers to find pleasure in cooking balanced meals, and in preparing their own bread, rather than buying vitamin-enriched bread as advised by the US government.

      [Bookseller: Peter Harrington]
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        Lespugue EDITION ORIGINALE Grand papier ENVOI AUTOGRAPHE

      s.l.|(Paris): Chez les auteurs, 1942. Fine. Chez les auteurs, s.l. (Paris) 1942, 35,5x29,5cm, en feuilles sous couverture. - First Edition, one of 110 numbered copies on China, Japan 12 with one draw and one pearl China variously enriched. Book illustrated with 11 original color lithographs by Jean Fautrier. Autograph signed by the author to a couple of his friends. Handwritten signatures of the author and illustrator of the justification of the draw. Our copy is full of its original glassine representative spiders evolving among the stars they have woven. Rare and very light foxing, nice copy. --- Please note that the translation in english is done automatically, we apologize if the formulas are inaccurate. Contact us for any information! - [FRENCH VERSION FOLLOWS] Edition originale, un des 110 exemplaires numérotés sur Chine, seul tirage avec 12 Japon nacré et 1 Chine diversement enrichis. Ouvrage illustré de 11 lithographies originales en couleur de Jean Fautrier. Envoi autographe signé de Robert Ganzo à un couple de ses amis. Signatures manuscrites de l'auteur et de l'illustrateur à la justification du tirage. Notre exemplaire est bien complet de son papier cristal d'origine représentant des araignées évoluant parmi les toiles qu'elles ont tissées. Rares et très légères rousseurs, agréable exemplaire.

      [Bookseller: Librairie Le Feu Follet]
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        In the midst of World War II, Shaw writes about the future of democracy, mentioning Churchill, Roosevelt, Stalin, and Hitler, commenting, "Democracy is indestructible; but the world is strewn with the ruins of empires." Over 30 words in his hand!

      n.p., March 10, 1942. 8" x 10". "Typed Manuscript Signed ""Exclusive to Miss Dorothy Royal / G. Bernard Shaw / 10/3/1942"" and additionally annotated, 6 pages, 8"" x 10"", separate sheets, pages numbered by Shaw. No place, March 10, 1942. Upper margins (with original questions) clipped and reattached, chips at margins, penciled editor's marks throughout, light soiling. Fine condition.In this questionnaire, Shaw provides answers to six questions submitted to the playwright by journalist Dorothy Royal of London Sunday Express in early 1942. Titled, most probably by Royal: ""Democracy is indestructable says George Bernard Shaw in a Questionnaire submitted by Dorothy Royal.""Excerpts(1) Do you think that, in the event of the complete victory of Great Britain, the U.S.A., Russia and China, the form of National Socialism called Nazism or Fascism would be entirely destroyed in Germany and Italy? ""... Russia is up to the neck in National Socialism and all the rest are up to the knees in it. None of them could exist for a week without a good deal of National Communism...""(2) Assuming that the war lasts some years longer than Winston Churchill anticipates, do you think it possible that, all the belligerents becoming war weary, a negotiated peace will result? ""Any peace must be a negotiated peace, unless it is the peace of extermination of the vanquished ... Even Versailles, where the vanquished were pitilessly steam-rollered, had to be negotiated.""(3) Assuming the almost impossible happening; would to defeat of the Allies result in the disintegration and downfall of the British Empire? Would this mean the enslavement of Europe and the destruction of democracy? In war nothing is impossible; and its results are never expected by the belligerents. If the Allies are defeated we shall have to do what the German Führer orders: that is all ... But at this time the old British Empire is already disintegrated in the Far East and badly cracked in the Nearest West, now called Eire ... If China recaptures Hong Kong, Singapore, and Burma, she can hardly she expected to make us a present of them ... We may have to drop India as we have had to drop Eire, and leave her to become an independent federation like the U.S.A. or the U.S.S.R. These are all possibilities ... If they are realized, the fat will be in the fire again, with Roosevelt and Churchill contra mundum ... Democracy is indestructible; but the world is strewn with the ruins of empires."" (4) Do you regard Hitler, judged by the atrocities committed in Poland, Holland and Belgrade, to be the enemy of the human race and would you suggest that he and his associates in guilt should, if defeated and captured, be tried by an international jury and dealt with as common felons? ""This is only the old Hang the Kaiser rubbish over again. Adolf Hitler may be in some danger in Germany if he provokes a revolution there; but if he escapes this all he will have to do is to step across the frontier into neutral Switzerland to be as safe as the Kaiser was at Doorn."" Shaw has handwritten: ""If we start recriminating about atrocities he has only to say 'He that is without sin among you let him cast the first stone.'""(5) If Russia wins a complete victory over Germany and thereby ends the war as far as Europe is concerned, do you think that the various countries will adopt communism and federate with the Soviets, or will they continue as Kingdoms and republics under capitalistic conditions? ""Each country will have its own problem, its own readiness for more or less communism. Without a good real of communism no State, no tribe even, can exist at all ... The U.S.S.R. cannot take on the whole world...""(6) Whom do you think is the greatest man this war has yet produced? ""Stalin, of course; but then he is not a product of this war. No other living statesman has been through such a terrific apprenticeship. Others who went through it have been killed by it or had their heads turned. Stalin alone has taken it easily without losing his sense of humor."""

      [Bookseller: University Archives]
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        Par Robert Ganzo EDITION ORIGINALE Grand papier ENVOI AUTOGRAPHE

      Paris: S.n., 1942. Fine. S.n., Paris 1942, 18,5x27cm, en feuilles. - Original, one of 95 numbered copies on Rives BFK only leading copies after 15 China variously enriched Edition. Autograph signed by the author to a close friend. Illustrated book of 23 original lithographs in colors enhanced Gaston-Louis Roux. Nice and rare copy. --- Please note that the translation in english is done automatically, we apologize if the formulas are inaccurate. Contact us for any information! - [FRENCH VERSION FOLLOWS] Edition originale, un des 95 exemplaires numérotés sur B.F.K. de Rives, seuls grands papiers après 15 Chine diversement enrichis. Envoi autographe signé de Robert Ganzo à un proche ami. Ouvrage illustré de 23 lithographies originales rehaussées en couleurs de Gaston-Louis Roux. Agréable et rare exemplaire.

      [Bookseller: Librairie Le Feu Follet]
 11.   Check availability:     Biblio     Link/Print  


        PUT OUT MORE FLAGS

      London: Chapman and Hall. 1942. First edition, first printing. Original grey textured cloth with blue titles to the spine, in dustwrapper. Blue top stain entirely unfaded. A beautiful fine clean, bright and tight copy, the contents without inscriptions or stamps. Complete with the lightly rubbed and nicked dustwrapper which remains exceptionally clean and with only light fading of the spine. Not price-clipped (8/- to the front flap). Very uncommon in this lovely condition. Further details and images for any of the items listed are available on request. Lucius Books welcomes direct contact with our customers.

      [Bookseller: Lucius Books]
 12.   Check availability:     Biblio     Link/Print  


        Put Out More Flags

      London: Chapman & Hall Ltd.,, 1942. Octavo. Original purple and white cloth, titles to spine in blue, blue top-stain. With the dust jacket. Ownership signatures to front free endpaper, bookplate. Spine rolled and creased, cloth rubbed and spotted. A very good copy in the rubbed, chipped, and marked jacket with some scuffs and repairs to the verso. First edition, first impression.

      [Bookseller: Peter Harrington]
 13.   Check availability:     Biblio     Link/Print  


        SPECIAL ATTACK FLOTILLA

      Tokyo: Japan Times, 1942.. [8],82,[1]pp. plus frontispiece and twenty-three pages of photographs. Quarto. Half-title. Original green cloth, gilt, with two string ties. Minor sunning around the edges, light wear along the spine and front joint. Internally clean and bright. Very good. First and only edition of a very rare volume of Japanese propaganda, curiously published in English at the height of the battle for the Pacific in World War II. Subtitled BUSHIDO IN THE WAR OF GREATER EAST ASIA on the half-title page, it is a tribute to the nine Japanese sailors who launched an undersea attack on the United States fleet at Pearl Harbor, Hawaii, December 7, 1941 in a "Special Attack Flotilla" of two-man "midget" submarines. None of them survived. The sailors were treated as heroes and the text is nothing short of worshipful of the "Hero Gods". Includes a fantastic account of the attack, biographies of each of the crew members and skippers, the text of their final letters to their families, an interview of the Japanese Chief of the Naval Press Section of the Imperial Headquarters by Japanese novelist Eiji Yoshikawa and more. The closing text advises: "The end of the War of Greater East Asia is still far off. In order to gain a final victory, the present total war must be fought with unflagging energy to a finish, and for this purpose the nation must form an even firmer resolution to gain complete mastery of all seas." It is not at all clear why this work was published in English, as the colophon, printed in Japanese at the end of the text, warns that it is not for sale; this warning does not appear in English anywhere in the book. OCLC locates only six copies (three in the United States). OCLC 3530134, 12420612.

      [Bookseller: William Reese Company - Americana]
 14.   Check availability:     Biblio     Link/Print  


        Black Alibi

      Simon & Schuster, New York 1942 - Near fine first edition copy, black cloth with gilt lettering to spine, red topstain. Mild reading ridge to spine, gilt slightly rubbed, topstain a bit mottled, tiny bump to top board edge. Tight and unmarked in scarce original unclipped jacket with $2.00 price present and minor edgewear. ; 8vo 8" - 9" tall [Attributes: First Edition; Hard Cover]

      [Bookseller: curtis paul books, inc.]
 15.   Check availability:     AbeBooks     Link/Print  


        Wir kämpfen gegen die Sowjets Sommer 1941 und Winter 1941/42 - VIII Fliegerkorps

      Dresden, Güntz-Druck, 1942.. . Vollständige Ausgabe im original Verlagseinband (Halbleinen OHLn / HLn 8vo im Format 23,4 x 23,4 cm) mit Rückentitel und Deckelvignette in Silberprägung. Etwa 250 Seiten, ohne Zählung, gedruckt auf Kunstdruckpapier84 Seiten, mit sehr vielen - teilweise ganzseitigen / farbigen - Fotoabbildungen und Druckvermerk: "Zusammengestellt von Hauptmann Freiherr von Heintze und Leutnant Ludwig Wiedemann. Aufnahmen von Kriegsberichtern: Willy Antonowitz, Karl Bayer, Fritz Brecht, Anton Dietz, Günther Göbel, Karl Hagens, Kurt Lorenz, Hans Meincke, Fritz Mittler, Werner Opitz, Gerhard Rauchwetter, Erich Tüllner, Heinrich Wahner, Ludwig Wiedemann, Benno Wundshammer; Einzelaufnahmen aus der Truppe: Oberst Bleck, Major Kierfeld, Freiherr von Heintze, Hauptmann Cehak, Feldwebel Ecker, Gefreiter Deeg, Gefreiter Petersen, Gefreiter Queitzsch; Zeichnungen: Kriegsberichter Kurt Lorenz und Günther Kutzner; Gestaltung des Buches und verantwortlich für den gesamten Inhalt: Kriegsberichter Leutnant Ludwig Wiedemann. Nur für Angehörige des Fliegerkorps VIII. / Weiterverkauf nicht gestattet." - Aus dem Inhalt: Nach dem Osten, von Kriegsberichter Hans Hempel - Über dem brennenden Litauen. Ein Kampfgeschwader bombardiert in rollenden Einsätzen sowjetische Truppenansammlungen und Marschkolonnen, von Kriegsberichter Egon Kiefer - Auf den Spuren eines Kampfgeschwaders. Bombenvolltreffer zerfetzen 50-Tonnen-Panzer. Verheerende Wirkungen der Luftangriffe in der Vernichtungsschlacht von Bialystok, von Kriegsberichte Egon Kieffer - Panzer-Schlachtfelder bei Indura und Grodno - Düna-Übergang erzwungen! Kradschützen, Pioniere, Panzer und Stukas in engster Zusammenarbeit, von Kriegsbericht der Benno Wundshammer - Unter uns brennt Moskau. Der erste Angriff auf die Hochburg des Bolschewismus. Flammenschein schon in 150 km sichtbar. Die deutschen Kampfflugzeuge durchbrechen Flakabwehr und Ballonsperren, von Kriegsberichte Egon Kieffer - Bomben auf Brücken und Rückzugstraßen. Fliehende Sowjetarmee in im Hagel unserer Stukabomben. Brücken fliegen in die Luft. Von der Flucht zum Chaos, von Kriegsberichte Karl Türk - In rollenden Einsatz: Großangriff am Ilmensee. Feuerorkan über rote Stellungen. Stukas beherrschen den Himmel. Durchbruch auf der ganzen Linie. Das Bild des totalen Krieges, von Kriegsberichte Karl Türk - Nachschub bis in die Front. Mit den Kampfwagenkolonnen eines Nachschubführers der Luftwaffe durch dick und dünn. Ein weit vorgeschobene Feldflugplatz wird mit Sprit und Bomben versorgt, von Kriegsberichte Hans Hempe - Kraftfahrer der Luftwaffe, von Kriegsberichte Hans Hempel - Die große Bewährung. Aus der Arbeit eines Gefechtsstandes, von Kriegsberichter Benno Wundshammer - Flug mit dem General, von Kriegsberichter Benno Wundshammer - Der Weg der Vernichtung. Bilder von der nordöstlichen Durchbruchsoffensive, von Kriegsberichte Ernst Heuner - Sowjetflotte im Bombenhagel unserer Stuck aus! Gigantischer Kampf vor Petersburg. Schlachtschiff schwer getroffen! Kreuzer versenkt! Rollender Einsatz trotz mörderischer Abwehr!, von Kriegsberichte Karl Türk - Heiße Tage um Kalinin! Schlachtflieger in vorderster Front eingesetzt, von Kriegsberichter Fritz Mittler - Jäger, von Kriegsbericht der Werner Thaler - Lodernde Fackeln um Moskau, von Kriegsbericht der Fritz Mittler - Der "Verlorene Haufe". Dem Tagebuchblatt eine Sturzkampfgruppe an den Rand geschrieben, von Kriegsbericht der Werner Thaler - Munition fällt vom Himmel. Die Truppe wird aus der Luft mit Nachschub versorgt. Wir suchen eine Straße. Zwölf Steilkurven um die Kirche, von Kriegsberichter Hans Hempel - Luftnachrichten. Telegrafenstange WL. Nr.6023, von Major W. Kierfeld - Luftwaffen-Sturmsoldaten. Vor der Ablösung. Zum ersten Mal in diesem Krieg sind an der mittleren Ostfront Soldaten der Luftwaffe als Infanteristen eingesetzt worden. Flieger, Funker, Kanoniere und Luftwaffen-Bautruppen haben dabei auf vorbildliche Weise gezeigt, daß sie auch im Ersteinsatz ihren Mann stehen, von Kriegsbericht Hans Hempe - Flak. Leichte und schwere Flak bei grimmiger Kälte in vorderster Linie - IVa, das Mädchen für alles. Besuch beim Feldintendanten eines Fliegerkorps, von Kriegsberichter Wolfgang Küchler - Luftwaffen-Bausoldaten, unentbehrliche Helfer der Luftwaffe. E-Hafen-Kommandaturen müssen alles können. Wenig Menschen und Fahrzeuge, aber zahlreiche Funktionen. Ein kleiner Heimat-Fliegerhorst im Feindesland. Brote backen und Milchkühe halten, von Kriegsbericht der Hans Hempe - Gefechtsstandwechsel im Winterfeldzug 1941/42, von Major W. Kierfeld - Wölfe auf der Fährte, von Kriegsbericht der Leutnant Mittler - Um das Dorf K. . . Aus den Briefen eines unbekannten Soldaten der blaugrauen Division an seinen Vater, von Kriegsbericht der Werner Thaler - "Das ist die richtige Sache für uns." Sturmkompanien der Luftwaffe werden nach vorn gebracht. Ein toller Nebelflug. Es wird mit Stoppuhr geflogen. Landung im feindlichen Feuer, von Kriegsbericht der Hans Hempe - Kroatische Freiwillige fliegen gegen die Sowjets - In einem armen Lande. Erlebnisse und Gedanken aus dem Winterfeldzug in der UdSSR, von Kriegsberichter Werner Thaler. - Aus dem Geleitwort: "Mit diesem Buch erscheint die 3.Folge der Bücher, die die Kriegsgeschichte des VIII. Fliegerkorps in Wort und Bild festgehalten haben. Nach dem ersten Buch, das die Kämpfe dieses Korps im Westen nur in Bildern veranschaulicht, wurde im Spätherbst 1941 das zweite Buch "Wir kämpften auf dem Balkan" herausgegeben . . . In dem vorliegenden Buch sind die Erlebnisberichte der Kriegsbericht der derselben Kriegsberichter-Kompanie, die, sei es als Mitflieger der fliegenden Besatzung, bei der Flak oder an den Einsätzen der Flieger bei den Erdkämpfen teilgenommen haben, in Wort und Bild zusammengefasst. Den Angehörigen der gefallenen Kameraden des VIII. Fliegerkorps und den Soldaten dieses Korps, die an den Kämpfen gegen die Sowjets teilgenommen haben, wird auch dieses Buch, das auf Wunsch des Herrn Kommandierenden Generals, Herrn Generaloberst Dr.-Ing. Freiherr von Richthofen, herausgegeben wird, ein wertvolles Andenken bleiben. Im Felde, im März 1942." - Später Kriegsdruck in sehr guter Erhaltung; weiter Bilder s.Nr.19585!)

      [Bookseller: Galerie für gegenständliche Kunst]
 16.   Check availability:     ZVAB     Link/Print  


        Poster: "AMERICA is the loser, too - when avoidable accidents stop production / The U.S. Army says - "Make Haste Safely."

      U.S. Government Printing Office, [Washington DC] 1942 - Superb example of this War Department poster created by J.W. Schlaikjer, where viewers are told that industrial accidents hinder America's ability to win the war and demonstrating the importance of workplace safety. Schlaikjer was a prominent artist from the DC area, who became Official Artist of the U.S. War Department in 1942, securing an office in the Pentagon, from which he issued a long series of wartime inspirational posters for morale and recruiting. Prior to the war, he created an extensive body of work for pulp magazines like Black Mask and Adventure, as well as mainstream publications like Red Book, Collier's, and Woman's Home Companion. Original illustrated poster, lithographed in colors and measuring 72.25cm x 102.5cm (28 3/8" x 40.25"). Professionally linen-backed, with old fold lines faintly visible; expert infilling and retouching to a few pinpoint areas at the intersection of upper-center folds; very Near Fine. A-.

      [Bookseller: Lorne Bair Rare Books, ABAA]
 17.   Check availability:     AbeBooks     Link/Print  


        L'ARTE RUPESTRE DELLA LIBIA

      - Napoli Edizioni della Mostra d'Oltramare 1942, 2 volumes In-4 reliés pleine toile éditeur kaki, 326 pages, 25 figures dans le texte + carte dépliante "STAZIONI D'ARTE RUPESTRE PRECAMELINE DELLA LIBIA", index alphabétique, bibliographie + volume de 160 planches de photographies de Paolo GRAZIOSI. Ensemble bien complet et en bel état. Travail monumental de ce célébre archéologue et anthropologue italien sur l'art rupestre en Lybie, d'autant plus important compte tenu de la situation et des destructions actuelles dans ce pays. De toute rareté. [Attributes: Hard Cover]

      [Bookseller: LIBRAIRIE GIL-ARTGIL SARL]
 18.   Check availability:     AbeBooks     Link/Print  


        My Fifty Years of Chess

      vi+242 pages with 13 illustrations, portraits and diagrams with index. Octavo (8 3/4" x 5 3/4") bound in original publisher's red cloth with gilt lettering with in a black box on cover and spine in original red dust jacket with a picture of Marshall on front cover and white lettering. Volume 2 in the chess classic series. Signed limited edition of which this is 1501942 of 500 copies. (Betts: 29-72) This signed limited edition in not referenced in Betts. First edition.Frank James Marshall (August 10, 1877 ?" November 9, 1944) was the U.S. Chess Champion from 1909 to 1936, and one of the world's strongest chess players in the early part of the 20th century. Marshall was born in New York City, and lived in Montreal, Canada, from age 8 to 19. He began playing chess at the age of 10, and by 1890 (aged 13) was one of the leading players in Montreal. He won the 1904 Cambridge Springs International Chess Congress (scoring 13/15, ahead of World Champion Emanuel Lasker) and the U.S. congress in 1904, but did not get the national title because the U.S. champion at that time, Harry Nelson Pillsbury, did not compete. In 1906 Pillsbury died and Marshall again refused the championship title until he won it in competition in 1909. In 1907 he played a match against World Champion Emanuel Lasker for the title and lost eight games, winning none and drawing seven. They played their match in New York City, Philadelphia, Washington, D.C., Baltimore, Chicago, and Memphis from January 26 to April 8, 1907. Marshall finished fifth at the St. Petersburg tournament in 1914, behind World Champion Lasker, future World Champions Capablanca and Alekhine, and former World Championship challenger Tarrasch, but ahead of the players who did not qualify for the final: Ossip Bernstein, Rubinstein, Nimzowitsch, Blackburne, Janowski, and Gunsberg. In 1915 Marshall opened the Marshall Chess Club in New York City. In the 1930s Marshall captained the U.S. team to four gold medals at four Chess Olympiads. During one round, he returned to the board and found that his teammates had agreed to three draws. After he finished his own game, he gave each of them a stern talk individually on how draws do not win matches.Marshall was best known for his great tactical skill. One aspect of this was the "Marshall swindle", where a trick would turn a lost game around. Andrew Soltis writes that, "In later years his prowess at rescuing the irretrievable took on magical proportions". Not so well known now, but appreciated in his day, was his endgame skill.Condition:Jacket spine sunned, corners chipped, spine ends chipped else a very good to fine copy in a very good jacket.

      [Bookseller: The Book Collector]
 19.   Check availability:     Biblio     Link/Print  


        Aminadab EDITION ORIGINALE Service de presse ENVOI AUTOGRAPHE

      Paris: Gallimard, 1942. Fine. Gallimard, Paris 1942, 14,5x21cm, broché. - First Edition, review copy. Precious and touching autograph signed by the author to his brother, his sister-and his nephews: "Who killed me my death, this is what I ask H. von Kleist.". Back and slightly flat and marginally imaged without gravity. --- Please note that the translation in english is done automatically, we apologize if the formulas are inaccurate. Contact us for any information! - [FRENCH VERSION FOLLOWS] Edition originale, un des exemplaires du service de presse. Précieux et émouvant envoi autographe signé de Maurice Blanchot à son frère, sa belle-soeur et ses neveux : "Qui m'a tué ma mort, c'est là ce que je demande. H. von Kleist". Dos et plats légèrement et marginalement insolés sans gravité.

      [Bookseller: Librairie Le Feu Follet]
 20.   Check availability:     Biblio     Link/Print  


        Poster: "Give It Your Best!"

      Washington DC: U.S. Government Printing Office, 1942. A simply-designed poster, unsigned, but credited to artist Charles Coiner. Among the earliest posters produced by the Office of War Information (OWI Poster No.9), unmistakably patriotic, with the "Give It Your Best" slogan meant to inspire increased production in the nation's factories during wartime. A well-preserved example of one of the iconic propaganda posters of the Second World War. Original poster, lithographed in three colors on off-white stock and measuring 72.25cm x 51.5cm (28.5" x 20.25" - the smallest of three formats). Professionally linen-backed, with old fold lines faintly visible; expert conservation to upper edges of blue portion on the flag, with 2cm infilling and professional re-touching to upper left corner; Near Fine. A-.

      [Bookseller: Lorne Bair Rare Books]
 21.   Check availability:     Biblio     Link/Print  


        [Franklin Simon's Dept. Store Display Photographs]

      New York: Worsinger Photo, [ca.1942]. Very good +. 13 approximately 8" x 10" black and white photographs; 12 loose, 1 in period frame. One image duplicated. Loose prints slightly curled at ends, showing light handling wear. Overall very good. A stylish selection of ca. 1942 window display views from Franklin Simon's flagship location on Fifth Avenue at 38th Street. These show 12 intricately constructed sets populated by mannequins in period clothing surrounded by classic graphics, signage, and furnishings of the era. Each is stamped by Worsinger Photo with a catalog number, store, and photographer name written in the negative. Franklin Simon's store windows were Fifth Avenue landmarks, rising to legendary status when, in the late 1920's, their primary designers were Norman Bel Geddes and Donald Deskey. These later images demonstrate their continuing influence and provide a valuable look at WWII-era retail design and decoration in New York City.

      [Bookseller: Brian Cassidy, Bookseller]
 22.   Check availability:     IOBABooks     Link/Print  


        Die Bauten der NSDAP in der Hauptstadt der Bewegung

      Zentralverlag der NSDAP, Franz Eher Nachf., GmbH, München 1942 - Quarto. 70,[2],pp. Original gold-stamped orange cloth, with Nazi eagle holding a swastika on front cover. Color frontispiece portrait of Hitler after a painting by Horn-Stauffer. Publisher's logo on title page. The Bavarian capital of Munich held a special place in the Nazi pantheon. It was the "Hauptstadt der Bewegung" - the Capital of the Movement - the birthplace of the Nazi Party. Throughout the Third Reich period, Munich remained the spiritual capital of the Nazi movement, with headquarters buildings, museums to house the forms of artworks approved by Adolf Hitler, and shrines to the attempted Nazi putsch in November 1923. These sites were used as the scenes of lavish annual memorial ceremonies, and swearing-in ceremonies for new SS members. Illustrated with 20 photographic reproductions, including 4 in full-color, the buildings featured in this work are: - The "Brown House," the NSDAP's headquarters building in Munich. - The Königsplatz, where in 1935 two "Honor Temples" were erected for the remains of the sixteen Nazis who died in the 1923 Beer Hall Putsch. - The "Führerbau," a major party office building. Hitler's office in the "Führerbau." - The two "Honor Temple" structures. - The "Verwaltungsbau der NSDAP" (The Nazi party's administration building) Very minor and sporadic staining on binding. Text in German. Binding in overall good+ to very good, interior in very good condition. [Attributes: First Edition; Hard Cover]

      [Bookseller: ERIC CHAIM KLINE, BOOKSELLER (ABAA ILAB)]
 23.   Check availability:     IberLibro     Link/Print  


        History of Muskoka

      Fraser, (Capt.) L[evi] R. (Self-Published), 1942, Paperback, Book Condition: Good, First Edition. Size: 4to - over 9¾" - 12" tall, 152 pages. 25xm x 17.5cm. Reproductions of archival black and white photos. Illustrated brown card covers. "Depicts the lives and work of the ordinary men and women who changed Muskoka from a wilderness to one of the foremost tourist resorts of America." - from Preface. Author spent over 60 years in Muskoka farming, steamboating, lumbering, and in municipal serviice. Unmarked. Average wear. Binding intact. A sound copy of this coveted Muskoka memento.

      [Bookseller: RareNonFiction.com]
 24.   Check availability:     Bookzangle     Link/Print  


        Domaine Grand papier ENVOI AUTOGRAPHE

      s.l.: S.n., 1942. Fine. S.n., s.l. 1942, 19,5x25,5cm, en feuilles sous chemise et étui. - Edition illustrated in 8 original etchings and Inserts Oscar Dominguez, one of 70 numbered on Rives BFK, one run with 4 old Japan variously enriched copies. Signed autograph from the author to a couple of his friends on the half-title page. In addition, this copy is enriched with a quatrain signed autograph of the author next to the half-title page. Handwritten signatures of the author and the illustrator to the justification of the draw. Some slight foxing mainly affecting small first leaves, a bit of the shirt with a split and tear over most of its length. Rare copy presented in his shirt and cardboard case flexibly wood. --- Please note that the translation in english is done automatically, we apologize if the formulas are inaccurate. Contact us for any information! - [FRENCH VERSION FOLLOWS] Edition illustrée de 8 eaux-fortes originales in et hors-texte d'Oscar Dominguez, un des 70 exemplaires numérotés sur B.F.K. de Rives, seul tirage avec 4 vieux Japon diversement enrichis. Envoi autographe signé de Robert Ganzo à un couple des ses amis sur la page de faux-titre. En outre, notre exemplaire est enrichi d'un quatrain autographe signé de l'auteur en regard de la page de faux-titre. Signatures autographes de l'auteur et de l'illustrateur à la justification du tirage. Quelques légères petites rousseurs affectant essentiellement les premiers feuillets, un mors de la chemise fendu et comportant un accroc sur la presque totalité de sa longueur. Rare exemplaire présenté sous sa chemise et son étui de cartonnage souple façon bois.

      [Bookseller: Librairie Le Feu Follet]
 25.   Check availability:     Biblio     Link/Print  


        Steuer und Wirtschaft. Teil I: Abhandlungen / Teil II: Rechtsprechung des Reichsfinanzhofs, XII.- XXIII. Jahrgang 1933-1944

      Stuttgart / München / Berlin, Verlag J.Hess / J.F.Bergmann / Springer-Verlag, 1942-1944.. . Vollständige Original-Ausgaben: insgesamt 19 Bände, jeweils gebunden in grünes Ganzleinen / Leinen / OLn / Ln im Format 22 x 30 cm, mit Rücken- und Deckeltitel in Goldprägung, etwa 500 - 650 Seiten je Band, jeweils mit Inhalts- und Schlagwortverzeichnis; o h n e den Band 1939 / II (Rechtsprechung des RFH). - Mitherausgeber: Geh.Reg.-Rat L.Mirremire (Präsident des Reichsfinanzhofs in München), Prof.Dr. Johannes Popitz (Preußischer Staats- und Finanzminister in Berlin), Dr. O.Veiel (Senatspräsident beim Reichsfinanzhof in München) und Zitzlaff (Reichsrichter a.D. beim Reichsfinanzhof in München). U.a. mit dem Aufsatz "Die Reichsfluchtsteuer nach dem heutigen Stand der Gesetzgebung und Rechtsprechung" von A. Seweloh (Reichsrichter beim Reichsfinanzhof, München). - Erstausgabe in guter Erhaltung (Rücken etwas verblichen, einige Ecken minimal gerieben, sonst tadellos)

      [Bookseller: Galerie für gegenständliche Kunst]
 26.   Check availability:     ZVAB     Link/Print  


        Unique Third Reich Photo Album with 45 Original B/W Photographs of the Tanzsportgruppe "Rogge" (17 Professional & 28 Amateur Photographs) & Die Reichsbank - Sport-Gemeinschaft ruft! & Bewegungsformen und Bewegungsmusiken für BDM-Sportfeste

      Georg Kallmeyer, Berlin 1942 - 1) Photo Album: (1941-42). Octavo. (Kordelheftung). Half maroon cloth over tan paper-covered boards bound with decorative string. Printed plate mounted on first leaf: "Zur Erinnerung an das "Ausgezeichnet" im Entscheid beim IV. Sportgruppen-Wettbewerb im Juni 1941. B.S.G. Standard." Plate with two original signatures (unreadable) of the Betriebsführer and Betriebsobmann. Photographs range from 5" x 7" to 2 1/2" x 3 3/4" and are mounted or inserted on heavy card stock. The photos show the female Rogge dance group at practice and performing in their collective outfits with the DAF (Deutsche Arbeitsfront) emblem. All 17 (mounted) professional photographs (5" x 7") are possibly by well-known German photographer Ruth Hallensleben (1898-1977). The rest of the images were taken privately by amateur photographers. Those photos are inserted, some with hand written notes on verso. Five photographs (2 1/2" x 4") are from a March 1941 performance by the Lola Rogge group at the Ufa - Palast. Lola Rogge (1908-1990) was a famous German dancer and choreographer. In 1927, after studying with the legendary pioneer of "Ausdruckstanz", Rudolf von Laban, she founded her own school and later became director of the "Hamburger Laban-Schule." Rogge's groundbreaking teachings focused on developing personality, character and self-expression through the medium of dance. Minor scuffing on cloth, boards slightly bowed. Few photos loose. Binding in very good, photographs in fine condition. Unique, important photographic documentation on the dance group in early 1940s Germany.WITH2) Die Reichsbank - Sport-Gemeinschaft ruft! Berlin (1940). Quarto. 40pp. Original photographic wraps. Rare work on the importance of physical education according to the National Socialists ideals. Illustrated with b/w reproductions of drawings as well as some photographs showing various sports such as skiing, swimming, sailing, tennis, football, shooting and dancing. Introduction by Reichswirtschaftsminister and Reichsbankpräsident, Walther Funk with a reproduction of a photograph of Funk in Nazi uniform. Text in German, gothic script. Some creasing and scuffing on wraps. Staining on rear cover. Wraps in good+, interior in near fine condition. Scarce. OCLC lists only 1 library worldwide owning this item.WITH3) Bewegungsformen und Bewegungsmusiken für BDM-Sportfeste. Herausgegeben von der Reichsjugendführung. Wolfenbüttel und Berlin, 1941. Georg Kallmeyer. 1.-10. Tausend (first edition). 4to. 53, [1]pp. Original photographic wraps protected by modern mylar. Early 1940's National socialist publication with 15 musical scores, composed to accompany dance and gymnastic performances by the Bund Deutscher Mädel (League of German Maidens). The BDM was the female branch of the Nazi party youth movement, the Hitler Youth. It was the only female youth organization in Nazi Germany. Age wear, creasing, staining. 1" closed tear repaired on bottom edge of rear wrapper. Same closed tear affecting last 5 leaves. Some chipping and tearing on spine. Slight age toning to outer edges of pages. Text in German, Gothic script. Wraps in good-, interior in overall very good condition. 3 additional musical scores from the period, laid-in: a) Degerlocher-Hüpfer. b) Der Kesselflicker & Die Blaue Flagge. c) 7 pages of musical score, lacking first 2 leaves (no name). Scarce. [Attributes: First Edition; Soft Cover]

      [Bookseller: ERIC CHAIM KLINE, BOOKSELLER (ABAA ILAB)]
 27.   Check availability:     AbeBooks     Link/Print  


        SHERLOCK HOLMES and the SECRET WEAPON (Unique Manuscript Archive for the 1942 Universal film adaptation of Doyle's 1903 story "The Adventure Of The Dancing Men")

      Los Angeles: Universal Studios, 1942. Doyle, A. Conan (Scott Darling & Edward T. Lowe & Edmund L. Hartmann, screenwriters). SHERLOCK HOLMES and the SECRET WEAPON. Los Angeles: Universal Studios, 1942. This unique film studio archive consists of FIVE scripts: three hand-corrected original manuscripts, a mimeographed copy of the shooting script, and the final dialogue and continuity script. In short, a treasure trove of primary material relating to one of the most endearing and enduring film series of the 1940s. The twelve Sherlock Holmes films produced by Universal Pictures during the years 1942-1946 are legend; they are surely the best known screen-adapted adventures of English Literature's most iconic character and Basil Rathbone and Nigel Bruce are still cherished, despite our current superb 21st century film and TV adaptations, as the definitive Holmes and Watson. 1. Dated March 24th, 1942, Edward T. Lowe & Scott Darling's brad-bound "first rough draft" script includes 7pp of ribbon copy outline and notes for the story, along with a 95pp ribbon copy manuscript with the early and discarded title: "Sherlock Holmes #2". The typescript is complete, here found in typically bland WW2 Universal Studio covers stamped with the production number (7038). Although the cover is chipped and worn, the contents are pristine. There are a few penciled notes scattered throughout. 2. Dated April 22nd, 1942, Scott Darling's complete 110pp ribbon copy manuscript of Sherlock Holmes #2 with "Third Draft" on the cover. Also sports matching drab brown covers which are chipped but contents are Fine. 3. Dated May 22nd, 1942, Edmund L. Hartmann (the third credited writer) is the name on the cover of this remarkable complete 100pp manuscript draft which consists of a mix of original yellow carbon typescript and studio-mimeographed pink revision pages, most of which are covered in detailed penciled marginal corrections, additions, and emendations. Further the first leaf sports an original ribbon copy location manager report complete with a reproduced photo of one of the key settings. 4. Dated May 28th, 1942, this 107pp shooting script credits all three screenwriters, as well as Conan Doyle and "The Adventure of the Dancing Men." The new (but also later discarded) title is "Sherlock Holmes Fight Back" and the script consists of both studio-issued white pages and revised June, 2nd, 1942 blue pages; The drab studio covers are a bit tattered and used, as befits a shooting script but the contents are Very Good indeed. In addition, inserted is a 3pp revised step outline. 5. Dated August 6th, 1942, the complete studio-mimeographed self-wrapper final dialogue continuity script, bound with two brads at the top, bearing the film's final, accurate title "Sherlock Holmes and The Secret Weapon." In Very Good condition. Although 20th Century Fox produced two films from the Sherlock Holmes canon in the 1930s (also starring Rathbone and Bruce), they were set in Victorian England. Once Universal purchased the rights to all of Conan Doyle's characters from his estate, they took a hard look at World War Two audiences and realized that, for a world at war, cobblestoned streets and hansom cabs might seem irrelevant. So the inventive and pragmatic minds at Universal, faced with competing movies full of modern gunplay, car chases, film noir, and horror, made the controversial but essential decision to update Sherlock to modern times and have him take on the Nazis. Thus, although this film was inspired by one of A. Conan Doyle's personal favorites -- "The Adventure of the Dancing Men," the only retained element of the original tale was the dancing men "code" which is the key to solving the mystery. The producer of SHERLOCK HOLMES and the SECRET WEAPON was Howard Benedict (from RKO's Saint and Falcon series). The screenwriters were Scott Darling ("The Ghost of Frankenstein") and Edward T. Lowe ("The Hunchback of Notre Dame"). Additional script rewrite was provided by Edmund L. Hartman ("The Scarlet Claw"). The director, Roy William Neill, became, from this film on, the guiding creative force for the entire Universal Sherlock Holmes series, directing and producing each film. His long directing career included "The Black Room" and "Black Angel" amongst many other credits. SHERLOCK HOLMES AND THE SECRET WEAPON opened on January 4th, 1943 to mixed critical reviews but overwhelming praise from a delighted public. A comprehensive one-of-a-kind archive. Please check out the other Sherlock Holmes original screenplays we have in stock.. Signed. Original Wraps. Very Good.

      [Bookseller: Lakin & Marley Rare Books]
 28.   Check availability:     Biblio     Link/Print  


        Images de la lune -

      Maximilien Vox 1942 -, Paris - 1 volume. In-folio 152 pp. Sous étui et chemise cartonnés. Sous chemise rose rempliée. Avec 30 eaux-fortes originales d'Alexandre ALEXEIEFF. Très bel état. TIRAGE LIMITE. Un des 995 exemplaires numérotés sur papier à la forme pur chiffon des papeteries de Lana avec la signature de l'éditeur.

      [Bookseller: Librairie KOEGUI]
 29.   Check availability:     AbeBooks     Link/Print  


        THE HOUSE OF FEAR (Original 1944 First Draft Script for the Universal Studios film adaptation of A. Conan Doyle's 1892 Sherlock Holmes story "The Five Orange Pips")

      Universal Studios 1942 - Doyle, A. Conan (Roy Chanslor, screenwriter). THE HOUSE OF DEATH [here bearing the initial, later discarded, title "The Murder Club."] Based on the short story "The Five Orange Pips" published in THE ADVENTURES OF SHERLOCK HOMES in 1892. Los Angeles: Universal Studios, 1942. Dated April 4th, 1944, Roy Chanslor's complete first draft 111pp original typed carbon copy manuscript is accomplished on onion-skin paper, brad-bound and housed in original drab brown studio covers (production number 7234), with each leaf rubber-stamped "Contract File Copy" in red block letters save for a 4pp neatly inserted set of revisions (pages 80-83) which boast a few penciled notations. Given the fragile nature of WW2-era scripts, this example is in excellent original condition, very good indeed. If not a unique survival, this "Contract File Copy" would certainly never have existed in more than a few copies circulated in-house. [WITH:] a studio-mimeographed copy of the final continuity and dialogue script for THE HOUSE OF FEAR, complete and dated July 26th, 1944. THE HOUSE OF FEAR was released in New York on March 16th, 1945 to positive reviews. Producer and director Roy William Neill (who directed 11 of the 12 Universal Holmes movies) is often praised for the moody feel of this particular movie which many consider more Victorian in feeling and tone than the first few films in the series. Screenwriter Roy Chanslor ("Johnny Guitar") is occasionally given some credit for the general critical opinion that this is one of the better Universal Sherlock scripts. The twelve Sherlock Holmes films produced by Universal Pictures during the years 1942-1946 are legend; they are surely the best known screen-adapted adventures of English Literature's most iconic character and Basil Rathbone and Nigel Bruce are still cherished, despite our current superb 21st century film and TV adaptations, as the definitive Holmes and Watson. A very rare script. Please check out the other Sherlock Holmes original screenplays we have in stock. [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Lakin & Marley Rare Books ABAA]
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        Spitfire Pilot. THE AUTHOR'S PRESENTATION COPY TO HIS WIFE

      Faber [1942] 8vo., First Edition, with portrait frontispiece and plates, WANTING TITLE, small neat contemporary signature on front paste - down; beige cloth, backstrip lettered in black, covers lightly age - soiled else a very good, bright, clean copy in unclipped, very faintly browned dustwrapper with two short closed tears. THE AUTHOR'S PRESENTATION COPY TO HIS WIFE, WITH HIS SIGNED HOLOGRAPH INSCRIPTION ON HALF - TITLE. The frontispiece reproduces the fine portrait of the author by official RAF war artist Cuthbert Orde. David Crook flew with 609 Squadron throughout the Battle of Britain; his intensely personal memoir is generally regarded as one of the finest eye - witness account of the battle. He began service as Acting Pilot Officer, claimed at least six 'kills' and was subsequently awarded the DFC. Reaching the rank of Flight Lieutenant, he was posted missing in December 1944 during a reconnaissance flight over the North Sea. A WELL - NIGH UNIQUE ASSOCIATION COPY OF AN IMPORTANT AND VALUABLE WORK. Enser, p.156

      [Bookseller: Island Books]
 31.   Check availability:     maremagnum.com     Link/Print  


        MUNDO.- Revista semanal de política exterior y economía. nº 92, 8 de febrero de 1942 a nº 1495, 28 de diciembre 1968.

      Sucesores de Rivadeyra, Madrid 1942 - 30x21. 36-65 pgs. por número. 1403 números, 53 tomos encuadernados en piel (1949-1968) y tela editorial (1942-1948). Los números conservan sus cubiertas originales. Importante revista de historia, política exterior y economía, especialmente interesante para el conocimiento de la Segunda Guerra Mundial y perspectiva internacional durante las décadas de 1940, 1950 y 1960 desde el punto de vista del régimen franquista. Multitud de fotografías, dibujos y mapas. Colección completa, bien conservada y encuadernada, única en su género de ciencia política, económica y social. Obra muy voluminosa, consultar gastos de envío. [Attributes: Hard Cover]

      [Bookseller: Chamorro Ediciones]
 32.   Check availability:     IberLibro     Link/Print  


        My Uncle Dudley

      New York: Harcourt, Brace and Company. (1942). First. First edition. Fine in an attractive, near fine, price-clipped dustwrapper with slight nicking at the crown. A pleasing copy of the author's elusive first book. Morris traveled cross-country by car several times in the 1920s and '30s, experiences which inspired this humorous novel of eight men and a boy who ride east from Los Angeles with no money and no certain purpose. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
 33.   Check availability:     Biblio     Link/Print  


        Les décombres EDITION ORIGINALE ENVOI AUTOGRAPHE

      Paris: Denoël, 1942. Fine. Denoël, Paris 1942, 12x19cm, broché. - Original edition on the current paper it is printed on Rives 50 major papers. Signed autograph from the author to Mr. Le Cocq. Back passed as generally, a slight lack the bottom of the first guard, otherwise nice copy with regard to the poor quality of the paper war. - [FRENCH VERSION FOLLOWS] Edition originale sur papier courant, il n'a été tiré que 50 Rives en grands papiers. Envoi autographe signé de Lucien Rebatet à monsieur Le Cocq. Dos passé comme généralement, un léger manque en pied de la première garde, sinon agréable exemplaire au regard de la médiocre qualité de ce papier de guerre.

      [Bookseller: Librairie Le Feu Follet]
 34.   Check availability:     Biblio     Link/Print  


        SHERLOCK HOLMES and the SECRET WEAPON (Unique Manuscript Archive for the 1942 Universal film adaptation of Doyle's 1903 story "The Adventure Of The Dancing Men")

      Universal Studios 1942 - Doyle, A. Conan (Scott Darling & Edward T. Lowe & Edmund L. Hartmann, screenwriters). SHERLOCK HOLMES and the SECRET WEAPON. Los Angeles: Universal Studios, 1942. This unique film studio archive consists of FIVE scripts: three hand-corrected original manuscripts, a mimeographed copy of the shooting script, and the final dialogue and continuity script. In short, a treasure trove of primary material relating to one of the most endearing and enduring film series of the 1940s. The twelve Sherlock Holmes films produced by Universal Pictures during the years 1942-1946 are legend; they are surely the best known screen-adapted adventures of English Literature's most iconic character and Basil Rathbone and Nigel Bruce are still cherished, despite our current superb 21st century film and TV adaptations, as the definitive Holmes and Watson. 1. Dated March 24th, 1942, Edward T. Lowe & Scott Darling's brad-bound "first rough draft" script includes 7pp of ribbon copy outline and notes for the story, along with a 95pp ribbon copy manuscript with the early and discarded title: "Sherlock Holmes #2". The typescript is complete, here found in typically bland WW2 Universal Studio covers stamped with the production number (7038). Although the cover is chipped and worn, the contents are pristine. There are a few penciled notes scattered throughout. 2. Dated April 22nd, 1942, Scott Darling's complete 110pp ribbon copy manuscript of Sherlock Holmes #2 with "Third Draft" on the cover. Also sports matching drab brown covers which are chipped but contents are Fine. 3. Dated May 22nd, 1942, Edmund L. Hartmann (the third credited writer) is the name on the cover of this remarkable complete 100pp manuscript draft which consists of a mix of original yellow carbon typescript and studio-mimeographed pink revision pages, most of which are covered in detailed penciled marginal corrections, additions, and emendations. Further the first leaf sports an original ribbon copy location manager report complete with a reproduced photo of one of the key settings. 4. Dated May 28th, 1942, this 107pp shooting script credits all three screenwriters, as well as Conan Doyle and "The Adventure of the Dancing Men." The new (but also later discarded) title is "Sherlock Holmes Fight Back" and the script consists of both studio-issued white pages and revised June, 2nd, 1942 blue pages; The drab studio covers are a bit tattered and used, as befits a shooting script but the contents are Very Good indeed. In addition, inserted is a 3pp revised step outline. 5. Dated August 6th, 1942, the complete studio-mimeographed self-wrapper final dialogue continuity script, bound with two brads at the top, bearing the film's final, accurate title "Sherlock Holmes and The Secret Weapon." In Very Good condition. Although 20th Century Fox produced two films from the Sherlock Holmes canon in the 1930s (also starring Rathbone and Bruce), they were set in Victorian England. Once Universal purchased the rights to all of Conan Doyle's characters from his estate, they took a hard look at World War Two audiences and realized that, for a world at war, cobblestoned streets and hansom cabs might seem irrelevant. So the inventive and pragmatic minds at Universal, faced with competing movies full of modern gunplay, car chases, film noir, and horror, made the controversial but essential decision to update Sherlock to modern times and have him take on the Nazis. Thus, although this film was inspired by one of A. Conan Doyle's personal favorites -- "The Adventure of the Dancing Men," the only retained element of the original tale was the dancing men "code" which is the key to solving the mystery. The producer of SHERLOCK HOLMES and the SECRET WEAPON was Howard Benedict (from RKO's Saint and Falcon series). The screenwriters were Scott Darling ("The Ghost of Frankenstein") and Edward T. Lowe ("The Hunchback of Notre Dame"). Additional script rewrite was provided by Edmund L. Hartman ("The Scarlet Claw"). The direc [Attributes: Signed Copy; Soft Cover]

      [Bookseller: Lakin & Marley Rare Books ABAA]
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        Poster: "Become A Nurse. Your Country Needs You."

      Washington DC: U.S. Government Printing Office, 1942. OWI Poster No.22 - an iconic image of innocence, purity, and patriotism in the form of a recruiting poster for homefront nurses during World War II. By the time it was issued by the Office of War Information, "Pearl Harbor had fallen six months earlier and President Franklin Roosevelt foresaw a long war with heavy casualties. He made the training and recruitment of new nurses a priority and launched a major poster offensive. 'Become a nurse, your country needs you,' was one of the most successful." The woman photographed in the poster is Weslee Price Wootten D'Audney, who at the time was a pre-med student at Barnard College, Columbia University, and whose modeling career began completely by accident when a talent scout spotted her playing in the courtyard. Her image on the recruiting poster, having a pair of uniformed hands placing a nurses cap on her head, is still relevant and widely-used today. See: http://www.stuff.co.nz/sunday-star-times/features/feature-archive/399030/The-face-behind-a-famous-poster. Original photo-illustrated poster, lithographed in colors and measuring 56.5cm x 71cm (22 1/8" x 28"). Professionally linen-backed, with old fold lines faintly visible; minute, expert retouching to upper fold, center; Fine.

      [Bookseller: Lorne Bair Rare Books]
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        THE HOUSE OF FEAR (Original 1944 First Draft Script for the Universal Studios film adaptation of A. Conan Doyle's 1892 Sherlock Holmes story "The Five Orange Pips")

      Los Angeles: Universal Studios, 1942. Doyle, A. Conan (Roy Chanslor, screenwriter). THE HOUSE OF DEATH [here bearing the initial, later discarded, title "The Murder Club."] Based on the short story "The Five Orange Pips" published in THE ADVENTURES OF SHERLOCK HOMES in 1892. Los Angeles: Universal Studios, 1942. Dated April 4th, 1944, Roy Chanslor's complete first draft 111pp original typed carbon copy manuscript is accomplished on onion-skin paper, brad-bound and housed in original drab brown studio covers (production number 7234), with each leaf rubber-stamped "Contract File Copy" in red block letters save for a 4pp neatly inserted set of revisions (pages 80-83) which boast a few penciled notations. Given the fragile nature of WW2-era scripts, this example is in excellent original condition, very good indeed. If not a unique survival, this "Contract File Copy" would certainly never have existed in more than a few copies circulated in-house. [WITH:] a studio-mimeographed copy of the final continuity and dialogue script for THE HOUSE OF FEAR, complete and dated July 26th, 1944. THE HOUSE OF FEAR was released in New York on March 16th, 1945 to positive reviews. Producer and director Roy William Neill (who directed 11 of the 12 Universal Holmes movies) is often praised for the moody feel of this particular movie which many consider more Victorian in feeling and tone than the first few films in the series. Screenwriter Roy Chanslor ("Johnny Guitar") is occasionally given some credit for the general critical opinion that this is one of the better Universal Sherlock scripts. The twelve Sherlock Holmes films produced by Universal Pictures during the years 1942-1946 are legend; they are surely the best known screen-adapted adventures of English Literature's most iconic character and Basil Rathbone and Nigel Bruce are still cherished, despite our current superb 21st century film and TV adaptations, as the definitive Holmes and Watson. A very rare script. Please check out the other Sherlock Holmes original screenplays we have in stock.. Signed. Original Manuscript. Original Wraps. Very Good.

      [Bookseller: Lakin & Marley Rare Books]
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        Mnésiques

      Budapest , EDITIONS HUNGARIA, 1942 - Avec trois dessins de l'auteur. 8vo. pp. 44 (4). Dedica autografa dell'autore ad un importante letterato italiano (Inscribed and signed by the Author). Ottimo (Fine). Pagine chiuse (Uncut pages). Prima edizione di 101 es. numerati. . [Attributes: Hard Cover]

      [Bookseller: Studio Bibliografico Marini ALAI - ILAB]
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        The Spoilers (Original screenplay for the 1942 film, Marion Pecht's copy)

      Universal City, CA: Universal Pictures, 1942. Original Screenplay for the 1942 film. Copy belonging to studio secretary Marion Pecht, with her notations in holograph pencil throughout, noting revisions to dialogue and direction, and her name on several pages. Based on Rex Beach's 1906 novel, about a miner in Alaska named Roy Glennister (Wayne) and his partner Al Dextry (Carey). The two are financed by saloon entertainer Cherry Malotte (Dietrich), and fight to save their gold claim from crooked commissioner Alexander McNamara (Scott). Poet Robert W. Service makes a cameo and recites some of his poetry. Arguably the most successful, most known of the five screen versions of Beach's Klondike western. Nominated for an Academy Award (Best Art Direction). Set in Alaska in the 1890s. Gray studio wrappers, noted in holograph ink as copy No. 123, rubber-stamped production No. 7009, dated January 9,1942, with credits for screenwriters Hazard and Reed. 123 leaves, mimeograph, with blue revision pages throughout, dated variously between 1/16/42 and 2/6/42. Pages Near Fine, wrapper Very Good, bound with three gold brads. Wrapper encapsulated in mylar. Full collation available upon request. Hardy, The Overlook Film Encyclopedia: The Western, p. 131. Hitt, pp. 173, 305. Pitts 4072.

      [Bookseller: Royal Books, Inc.]
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        SHERLOCK HOLMES and the VOICE OF TERROR (Unique Script Archive for the 1942 Universal adaptation of "His Last Bow")

      Burbank, Ca: Universal Studios, 1942. Doyle, A. Conan (John Bright and Lynn Riggs, screenwriters). SHERLOCK HOLMES and the VOICE OF TERROR. Los Angeles: Universal Studios, 1942. This unique film studio archive consists of two hand-corrected original manuscripts, a mimeographed copy of the shooting script, and the final dialogue and continuity script. In short, a treasure trove of primary material relating to one of the most endearing and enduring film series of the 1940s. The twelve Sherlock Holmes films produced by Universal Pictures during the years 1942-1946 are legend; they are surely the best known screen-adapted adventures of English Literature's most iconic character and Basil Rathbone and Nigel Bruce are still cherished, despite our current superb 21st century film and TV adaptations, as the definitive Holmes and Watson. 1. Dated March 10th, 1942, John Bright's brad-bound first draft includes a 4pp ribbon copy outline of the story along with a 120pp annotated carbon copy manuscript with the early and discarded title: "Sherlock Holmes vs. Lord Haw-Haw." The typescript is complete in typically bland WW2 Universal Studio covers stamped with the production number (7025), the pages are pale yellow, and there are a few notations in pencil and pen. The cover is a worn but the contents are Very Good indeed. 2. Dated April 2nd, 1942, Lynn Riggs' complete 121pp ribbon copy manuscript entitled "Sherlock Holmes #1" with numerous penciled annotations. It also sports drab brown covers with handwritten notes in red and regular pencil. Cover worn, contents in excellent condition. 3. Dated May 4th, 1942, this 113pp studio-mimeographed shooting script credits both John Bright and Lynn Riggs, as well as Conan Doyle and "His Last Bow." The new (but also later discarded) title is "Sherlock Holmes Saves London" and consists of both studio-issued white pages and revised blue pages. The studio covers are slightly tattered and worn, as befits a shooting script. Contents still fresh and Very Good indeed. 4. Dated July 28th, 1942, the complete studio-mimeographed self-wrapper final dialogue continuity script, bound with two brads at the top, bearing the film's final, accurate title "Sherlock Holmes and The Voice of Terror." In Very Good condition. Although 20th Century Fox produced two films from the Sherlock Holmes canon in the 1930s (also starring Rathbone and Bruce), they were set in Victorian England. Once Universal purchased the rights to all of Conan Doyle's characters from his estate (for $300,000), they took a hard look at World War Two audiences and observed that, for a world at war, cobblestoned streets and hansom cabs might seem irrelevant. So the inventive and pragmatic minds at Universal, competing with other movies full of modern gunplay, car chases, film noir, and horror, made the controversial but essential decision to update Sherlock to modern times and have him take on the Nazis. Thus, although this film was inspired by Conan Doyle's "The Last Bow" which had an espionage plot set in WW1, very little of that plot found its way into the film. The producer of SHERLOCK HOLMES and the VOICE OF TERROR was Howard Benedict (from RKO's Saint and Falcon series). The screenwriters were John Bright ("Public Enemy") and Lynn Riggs ("The Garden Of Allah"). The director, John Rawlins, known for quick and cheap serials, was the weakest link in this creative group. He was soon replaced by the genius behind the Universal Sherlock films Roy William Neill who directed the other eleven Universal Sherlock Holmes movies. SHERLOCK HOLMES AND THE VOICE OF TERROR opened on September 18th, 1942 to mixed critical reviews but a wildly enthusiastic embrace by a thrilled public. One might call this The Case of the Once-In-A-Lifetime Opportunity. Please check out the other Sherlock Holmes original screenplays we have in stock. . Signed. Original Manuscript. Unbound. Very Good.

      [Bookseller: Lakin & Marley Rare Books]
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        First Papers of Surrealism

      New York: Coordinating Council of French Relief Societies, Inc.,, 1942. Small quarto. Original stapled yellow pictorial perforated wrappers, green endpapers. Wrappers a little rubbed, sporadic light foxing to contents. An excellent copy. First edition of this exhibition catalogue of the First Papers of Surrealism exhibition, with the wrappers designed by Duchamp. The exhibition was organised by André Breton and "his twine" Marcel Duchamp (Rudi Blesh notes that in French slang, ficelle means both "twine" and "chum" or "buddy"); it was held in New York between 14 October and 7 November 1942. It included paintings and sculptures by more than 30 artists, and featured Duchamp's famous "mile of string" installation, festooning the venue, the Whitelaw Reid Mansion, with a tangled web of twine. The title of the exhibition derived from the application for American citizenship - immigrants had to file a declaration of intention, also called first papers, in which they renounced allegiance to foreign governments; many surrealists like André Breton, Marcel Duchamp and Max Ernst had fled Europe with the outbreak of World War II.

      [Bookseller: Peter Harrington]
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        The Sixteenth Stair

      Collins 1942 - Red cloth in pictorial dust jacket. A scarce first edition of an early Lorac. The book is very good, with minor edge-wear, some toning to pages, an unobtrusive bookstore stamp on the bottom edge of the front paste-down, and tender front hinge. In a good to very good dust jacket, price-clipped, with moderate chipping, particularly to spine, corners and bottom edge, along with some rubbing and soiling to rear panel. Still a quite presentable copy of an elusive book. [Attributes: First Edition; Hard Cover]

      [Bookseller: Book 'Em]
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        L'étranger EDITION ORIGINALE ENVOI AUTOGRAPHE

      Paris: Gallimard, 1942. Fine. Gallimard, Paris 1942, 12x19cm, broché sous chemise et étui. - Edition for of wich no leading copies exists and having the correct one colophon, false entry of the third edition. Bound in half morocco cherry strips, back with five nerves, date tail, blankets and kept back, gilt-head witnesses, lined morocco case cherry, binding signed Boichot. Our copy is enriched with a signed autograph card of Albert Camus addressed to René-Louis Doyon, congratulating him on his award booksellers: "Your friends rejoice, dear Doyon, a consecration of quality and should . anything complacency I wanted to tell you, at least: there are few opportunities to see the true and honest talent rewarded. " and a stamped and dated 1956 autograph envelope mounted on tab. Copy of the library René-Louis Doyon having passages underlined in pencil, paper and a few signs in pen. The first edition of the Stranger was pulled to 4400 copies 21 April 1942 and divided into eight fictitious "editions" of 550 ex. very nice copy well established. --- Please note that the translation in english is done automatically, we apologize if the formulas are inaccurate. Contact us for any information! - [FRENCH VERSION FOLLOWS] Edition originale pour laquelle il n'a pas été tiré de grands papiers et comportant bien le bon achevé d'imprimer, fausse mention de troisième édition. Reliure en demi maroquin cerise à bandes, dos à cinq nerfs, date en queue, couvertures et dos conservées, tête dorée sur témoins, étui bordé de maroquin cerise, reliure signée Boichot. Notre exemplaire est enrichi d'une carte de visite autographe signée d'Albert Camus adressée à René-Louis Doyon, le félicitant pour son prix des bouquinistes: " Vos amis se réjouissent, cher Doyon, d'une consécration de qualité et qui ne doit rien à la complaisance. Je voulais vous le dire, au moins : les occasions sont rares de voir le vrai et honnête talent récompensé." et d'une enveloppe autographe timbrée et datée de 1956, montées sur onglet. Exemplaire de la bibliothèque de René-Louis Doyon comportant des passages soulignés au crayon papier et quelques rares signes à la plume. La première édition de l'Etranger fut tirée à 4400 exemplaires le 21 avril 1942 et divisée en huit "éditions" fictives de 550 exemplaires. Très bel exemplaire parfaitement établi.

      [Bookseller: Librairie Le Feu Follet]
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        31st Fighter Group 12th Army Air Force jacket

      n.p., c. 1942. "Army Air Force Jacket. ?Lt. G.A. Douglass? imprinted on label inside jacket. ?U.S.? and U.S. AAF Wing and Prop pin on each lapel; four ribbons above left pocket: American Campaign Medal Ribbon, World War II Victory Medal Ribbon, European-African-Middle Eastern Campaign Medal Ribbon (three metal stars affixed), and American Defense Medal Ribbon; triangular 12th AAF insignia patch on right shoulder; circular AAF insignia patch, (no number) on left shoulder. Nine jacket buttons, each with the Seal of the United States, are present. Matching Seahorse pins on epaulets. Excellent condition.Lt. George A. Douglass, Jr., 0-325324, was promoted to Captain and his name appears on the August 10, 1943, roster of the 31st Fighter Group, 307th Fighter Squadron.Concern over the USAAF's inability to escort B-29s all the way to mainland Japan resulted in the highly classified ""Seahorse Project,"" an effort to ""navalize"" the P-51D aircraft. The project was cancelled after U.S. Marines secured the Japanese Island of iwo Jima and its airfields, making it possible for standard P-51D aircraft to accompany B-29s all the way to the Japanese home islands and back. In April 1945, the 31st Fighter Group began to concentrate their efforts against tactical targets in Northern Italy. Four or five missions a day were flown by each squadron escorting medium bombers of the 12th Air Force and carrying out armed reconnaissance patrols in support of Allied Armies. The fighting in Italy ended on May 2, 1945, and the War in Europe officially ended May 8th. The 31st Fighter Group ended the war as the top scoring allied fighter group in the Mediterranean Theater of Operations and the 5th highest overall for the USAAF with 570½ confirmed aerial victories."

      [Bookseller: University Archives]
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        Aminadab EDITION ORIGINALE Service de presse ENVOI AUTOGRAPHE

      Paris: Gallimard, 1942. Fine. Gallimard, Paris 1942, 14x20,5cm, relié. - First edition, one copy of the service presse.binding half morocco cherry back with five nerves, when golden tail, flat marbled paper, guards and contreplats of handmade paper, blankets and insolated spine preserved head golden elegant binding signed P. Goy & C. Vilaine.Très beautiful and valuable autograph dedication signed by the author to his brother René and his wife Inge: "A monk once asked the monk Sozan Daishi: What whichis the ? world's most valuable / Anything, carrion, Head Device a dead cat, Sosan said Daishi / Why -.? becaufe can evaluate Zenso Mondo / For Rene and Inge in any condition... Maurice. "Beautiful copy perfectly established a moving source. --- Please note that the translation in english is done automatically, we apologize if the formulas are inaccurate. Contact us for any information! - [FRENCH VERSION FOLLOWS] Edition originale, un des exemplaires du service de presse. Reliure en demi maroquin cerise, dos à cinq nerfs, date dorée en queue, plats de papier marbré, gardes et contreplats de papier à la cuve, couvertures et dos insolé conservés, tête dorée, élégante reliure signée de P. Goy & C. Vilaine. Très bel et précieux envoi autographe signé de Maurice Blanchot à son frère René et sa femme Inge : "Un bonze demanda un jour au bonze Sozan Daishi : Qu'est-ce quiest le plus précieux au monde ? / N'importe quoi, une charogne, latête d'un chat mort, répondit Sosan Daishi. / Pourquoi ? ? Parcequ'on ne peut l'évaluer. Zenso Mondo. / Pour René et Inge en toute affection. Maurice."Bel exemplaire parfaitement établi d'une émouvante provenance.

      [Bookseller: Librairie Le Feu Follet]
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        L'apprentissage de la ville EDITION ORIGINALE Grand papier

      Paris: Denoël, 1942. Fine. Denoël, Paris 1942, 12x19cm, broché. - Original, one of 40 numbered copies on "pur-fil" paper, ours one of 10 hors commerce, leading copy after 15 Arches paper Edition. Two clear traces of light exposure at the head and foot of the back which also includes tiny bites without gravity. --- Please note that the translation in english is done automatically, we apologize if the formulas are inaccurate. Contact us for any information! - [FRENCH VERSION FOLLOWS] Edition originale, un des 40 exemplaires numérotés sur pur fil, le nôtre un des 10 hors commerce, tirage de tête après 15 Arches. Deux claires traces de légère insolation en tête et en pied du dos qui comporte également d'infimes piqûres sans gravité.

      [Bookseller: Librairie Le Feu Follet]
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        Les beaux draps ENVOI AUTOGRAPHE

      Paris: Nouvelles Editions Françaises, 1942. Fine. Nouvelles Editions Françaises, Paris 1942, 12x19cm, broché. - New edition a year after the original. Precious autograph signed by the author, Micheline Deshayes du Châtelet concluded by this amazing signature: "The Ogre - Ferd Céline." Micheline Deshayes dancer Châtelet is a friend of Lucette Almanzor Celine frequent since 1935. It became, after the war, dancer, and found about her criticism of one of his performances at the Grand Theatre in Reims Concert Guide 1956: "The two stars high class dancers (...) have earned a great success especially in Preludes Liszt where Micheline Deshayes admire him finish his technique in the service of grace as sensitive as light ". Celine passion for dance and dancers born in 1915 in London Music Hall, and quickly becomes constitutive of his life as his work. On Elizabeth Craig, his wife from 1926 to 1933, the dedicatee Travel Lucette Almanzor (with whom he married in 1944), and her friend Karen Marie Jensen, the most important in the life of Celine women dancers. Celine appears regularly in his correspondence of the importance of this art form for him: "It is impossible to live without dance" and "dancing all here - Nietzsche (if overrated) was not mistaken - 'I believe in god if he argues that pedant dance at school! " (See specifications of Herne 3 and 5). Since 1933, he composed several ballets he tried in vain to play. As H. Godard, which devotes a chapter of his biography (Gallimard, 2011, p.222-231) points out, the dance is for Celine "an existential need (...) it has the power to alleviate her suffering intimate caused by its so dark vision of man and life. " And he concludes: "Celine dancers help to bear the violence [of the world] (...) as well as those they aroused in him in return." And his pamphlet, "Trifles" is he opens the image of communion with the world of "refinement": "In a dancer's leg the world, its waves, its rhythms, its follies, its vows are registered! ... Never written! ... The more nuanced poem in the world! ... (...) The incredible poem, warm and fragile as a leg dancer moving equilibrium is online, Gutman my friend, listens to the largest secret is God (...) I do not want to work for the dancers to dance ... All ". This is Dr. Leo Gutman (aka René Gutman, "humanistic, passionate dance (...) who had the difficult task of being Jewish friend Celine and Morand" cf. J. Lecarme in Albert Cohen's century p.232) that addresses this praise and it is to him that the narrator asked to play two ballets: "The Birth of a Fairy" and "Thug Paul, brave Virginia" whose lyrics follow. The failure of Gutman then trigger the long monologue Semitic. But note Lecarme J., at the end of a new pamphlet denouncing the intervention Gutman paranoia Celine: "You delusions Ferdinand (...) I'll make you intern (...) They are all Jews in asylums ..! . things are going well ... entertaining to hear your number ... your silly nonsense ... (...) You fouteras us peace ... you will return to your novels ... if you're wise you get a pencil ... First is Junk ... race does not exist anymore ... it's myths ... "Céline and conclude these 6 pages of" incisive "conversation" Gutman, he had the last word. " In this strange offset violence narration adds a new evocation of their common passion: dancing ballet with another author: "Van Bagaden", the text of which closes the book. Towards reconciliation (? Impossible) Celine with the world is through dance that expresses the terrible admission of failure of Travel: "We have a lot more music in itself to dance life , here. " But it is also the dance that ensures the saving function of writing: "The text [must] be dance, stand still on the verge of death, but do not fall into" (note to one of his translators, see . H. Godard, p. 226). Marginal tiny scratches with no gravity on the boards, light bites at the bottom of the second flat. Rare and valuable autograph dedication signed by Louis-Ferdinand Céline a dancer who will remain a friend to the end despite the insults of Celine. (References: Henri Godard, Céline, Gallimard, 2011; Jacques Lecarme Images of the League and in tasks Céline In Cohen Albert Cohen in his century: proceedings of the international symposium Cerisy-Hall.) --- Please note that the translation in english is done automatically, we apologize if the formulas are inaccurate. Contact us for any information! - [FRENCH VERSION FOLLOWS] Nouvelle édition postérieure d'un an à l'originale. Précieux envoi autographe signé de Louis-Ferdinand Céline, à Micheline Deshayes du Châtelet, conclu par cette étonnante signature: "L'ogre - Ferd Céline". Micheline Deshayes danseuse au Châtelet , est amie de Lucette Almazor que Céline fréquente depuis 1935. Elle deviendra, après guerre, danseuse étoile, et on retrouve à son propos la critique d'une de ses prestations au Grand théâtre de Reims dans le Guide du Concert de 1956: "Les deux danseurs étoiles de grande classe (...) se sont taillés un beau succès en particulier dans les préludes de Liszt où Micheline Deshayes fit admirer le fini de sa technique mise au service d'une grâce aussi sensible que légère".La passion de Céline pour la danse et les danseuses naît en 1915 dans les Music-Hall londoniens, et devient rapidement constitutive de sa vie comme de son oeuvre. D'Elisabeth Craig, sa compagne de 1926 à 1933, dédicataire du Voyage à Lucette Almanzor (avec laquelle il se marie en 1944), et sa grande amie Karen Marie Jensen, les femmes les plus importantes de la vie de Céline sont des danseuses. Céline témoigne régulièrement dans sa correspondance de l'importance que revêt pour lui cette forme artistique: "il m'est impossible de vivre sans la danse" et "danser tout est là - Nietzsche (si surfait) ne se trompait pas - 'je ne croirai à un dieu que s'il danse s'il raisonne ce cuistre à l'école !" (cf. cahiers de l'Herne n° 3 et 5). Dès 1933, il compose plusieurs ballets qu'il tentera vainement de faire jouer. Comme le souligne H. Godard qui y consacre un chapitre de sa biographie (Gallimard, 2011, p.222-231), la danse constitue pour Céline "un besoin existentiel (...) elle a le pouvoir d'alléger en lui la souffrance intime causée par sa vision si noire de l'homme et de la vie". Et il conclut: "les danseuses aident Céline à supporter les violences [du monde] (...) aussi bien que celles qu'elles suscitaient chez lui en retour."Ainsi son pamphlet, "Bagatelles" s'ouvre-t-il sur cette image de communion avec le monde, de "raffinement" : "Dans une jambe de danseuse le monde, ses ondes, tous ses rythmes, ses folies, ses voeux sont inscrits ! ... Jamais écrits !... Le plus nuancé poème du monde !... (...) Le poème inouï, chaud et fragile comme une jambe de danseuse en mouvant équilibre est en ligne, Gutman mon ami, aux écoutes du plus grand secret, c'est Dieu !(...) Je ne veux plus travailler que pour les danseuses... Tout pour la danse !". C'est au docteur Léon Gutman (alias René Gutman, "humaniste, passionné de danse (...) qui eut la rude tâche d'être l'ami juif de Céline et de Morand" cf. J. Lecarme in Albert Cohen dans son siècle p.232) que s'adresse cette éloge et c'est à lui que le narrateur demande de faire jouer ses deux ballets: "La naissance d'une fée" et "Voyou Paul, brave Virginie " dont les textes suivent. L'échec de Gutman déclenchera alors le long monologue antisémite. Mais, note J. Lecarme, a la fin du pamphlet une nouvelle intervention de Gutman dénonce le délire paranoïaque de Céline: "Tu délires Ferdinand (...) Je vais te faire interner ! (...) Ils sont tous juifs dans les asiles !... ça va bien les divertir... d'entendre ton numéro de folies... tes bêtises... (...) Tu nous fouteras la paix... tu retourneras à tes romans... si t'es sage t'auras un crayon... D'abord c'est des insanités... la race ça n'existe plus... c'est des mythes..."et Céline de conclure ces 6 pages d'"incisive" conversation par : "Gutman, il avait le dernier mot". A cet étrange contrepoids à la violence de la narration s'ajoute une nouvelle évocation de leur passion commune : la danse avec un autre ballet de l'auteur : "Van Bagaden", dont le texte clôt le livre.Voie de la réconciliation (impossible?) de Céline avec le monde, c'est à travers la danse qu'il formule le terrible constat d'échec du Voyage: "On n'a plus beaucoup de musique en soi pour faire danser la vie, voilà." Mais c'est aussi la danse qui assure la fonction salvatrice de l'écriture : "Le texte [doit] être danse, se tenir toujours au bord de la mort, mais ne pas tomber dedans" (note à un de ses traducteurs, cf. H. Godard, p. 226).Infimes éraflures marginales sans aucune gravité sur les plats, légères piqûres en pied du deuxième plat.Rare et précieux envoi autographe signé de Louis-Ferdinand Céline à une danseuse qui demeurera une amie jusqu'à la fin malgré les avanies de Céline.(références bibliographiques: Henri Godard, Céline, Gallimard, 2011; Jacques Lecarme. Images de la S.D.N ches Céline et chez Cohen In Albert Cohen dans son siècle: actes du colloque international de Cerisy-la Salle).

      [Bookseller: Librairie Le Feu Follet]
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        Ballet de Sangre. La caida de Francia

      Nigromante ediciones, México 1942 - Memorias de la gestión diplomática del Embajador de México en Francia en 1940 durante la ocupación de Francia por el ejercito alemán. Entre los relatos se dedica especial atencion a Manuel Azaña, Presidente de la República Española de 1936 a 1939 que murió en las habitaciones declaradas embajada de México por Luis I. Rodríguez. PRIMERA EDICIÓN DEDICADA Y FIRMADA POR EL AUTOR. FIRST EDITION SIGNED AND DEDICATED BY THE AUTHOR. Capitular de Pablo Neruda. MUY BUEN ejemplar encuadernado en tapa dura. 252pp [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: 101Poe /La FOTO del libro es descripción]
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