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Displayed below are some selected recent viaLibri matches for books published in 1937

        They Came Like Swallows

      Harpers, New York 1937 - First edition. Contemporary gift inscription, recipient's bookplate, slight spine fading and a some spotting on the front board, a near very good copy in a near very good, moderately worn second issue dustwrapper. Author's second novel, and exceptionally scarce. See this book in 3D on our site. [Attributes: First Edition; Hard Cover]

      [Bookseller: Between the Covers-Rare Books, Inc. ABAA]
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        Autograph musical quotation signed and dated Rome, October 1937

      Notated on a photographic portrait of Casella. 2 measures from an unidentified work. Inscribed to the Colombian musicologist Otto de Greiff. Ca. 170 x 117 mm. Slightly worn; minor smudging to the letter "R" in "Roma."Together with Casella's printed visiting card with an autograph note to de Greiff dated October 22, 1937 apologizing for the delay in sending the photograph. Very slightly browned and foxed. . Casella was one of "the most influentially innovative figures in Italian music between the two world wars." John C.G. Waterhouse and Virgilio Bernardoni in Grove online

      [Bookseller: J & J Lubrano Music Antiquarians LLC]
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        To Have and Have Not

      Scribners 1937 - A fine first edition in a very good price-clipped dust jacket. 1937 on the title page and Scribner's A on the copyright page. Signed on the front free endpaper by the actor Otto Kruger, who was in High Noon. [Attributes: First Edition; Hard Cover]

      [Bookseller: Bookbid]
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        MAIN STREET

      Limited Editions Club, Chicago 1937 - Small quarto (7-1/2" x 10") bound in flexible gray linen with the spine lettered in blue on a yellow field and the front cover lettered in blue on a tan field. Designed by William Kittredge; printed and bound at the Lakeside Press. With a new introduction by the author. Illustrated with nine tinted plates after drawings by Grant Wood. Of a total of 1500 copies SIGNED by the artist on the colophon page, this copy is not numbered (in place of the number is written in ink "Office Copy") and bears the Club's blindstamp stating it is one of 15 presentation copies. Mild rubbing to the spine. Near Fine in a Fine slipcase lacking a label on the backstrip [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Charles Agvent, est. 1987, ABAA, ILAB]
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        CAMILLE

      Limited Editions Club, London 1937 - Quarto (8-3/8" x 11") bound in full white linen with a gilt decoration on the front board and lettering on the spine. Designed, printed, and bound by Oliver Simon at the Curwen Press. Translated, with an introduction, by Edmund Gosse. Illustrated with 12 watercolors by Marie Laurencin printed in process collotype. Copy #509 of 1500 SIGNED by the artist in pencil on the colophon page. Fine, bright copy in a Fine slipcase [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Charles Agvent, est. 1987, ABAA, ILAB]
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        The Crowning Year and Other Poems

      Privately Printed, Corfe Mullen, Dorset 1937 - 60pp. vgc. Decorated green and russet cloth covered boards with russet cloth covered spine. Top edge gilt. Untrimmed fore edge and lower page edges. Published, printed and bound by the author. Red and black coloured lettering throughout with green coloured title letter at start of each poem. Light foxing in margin on p12 and p32. LIMITED edition of 150 copies. This is copy #9. [Attributes: First Edition; Hard Cover]

      [Bookseller: The Bookshop at Beech Cottage]
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        First Fleet, The

      London: The Golden Cockerel Press, 1937. - The Foundation of Australia[GOLDEN COCKEREL PRESS]. RUTTER, Owen. The First Fleet. The Record of the Foundation of Australia from Its Conception to the Settlement at Sydney Cove. Compiled from the Original Documents in the Public Record Office, with Extracts from the Log-Books of H.M.S. Sirius and an Introduction and Notes, by Owen Rutter. Foreword by the Hon. B.S.B. Stevens, M.L.A., Premier of New South Wales. Five Engravings by Peter Barker-Mill. [London]: The Golden Cockerel Press, 1937.Limited to 375 copies (this copy being No. 158). Folio (12 7/16 x 7 9/16 inches; 316 x 192 mm.). 149, [1], [1, colophon], [1, blank] pp. Five wood engravings (including frontispiece) by Peter Barker-Mill. Four pages of facsimiles between pp. 8 and 9 (not included in pagination). "Printed & published by Christopher and Anthony Sandford and Owen Rutter at the Golden Cockerel Press printed on Arnold’s hand-made paper in Perpetua type" (Colophon).Original blue cloth. Front cover with cream-colored cloth label decoratively stamped in gilt. Spine decoratively stamped and lettered in gilt. Top edge trimmed, others uncut. Cloth lightly frayed at spine extremities. Otherwise a fine copy."Published to commemorate the 150th anniversary of the Foundation of Australia, as a salute from England to the Commonwealth. By means of a running commentary the editor wove a judicious selection of the original documents into a connected narrative of that momentous enterprise When paying recognition to its historical merit, the Times Literary Supplement also referred to the distinction of format, paper, printing and binding, adding that it was certainly a volume which all interested in Australia would care to possess, and at the same time paying a high tribute to Peter Barker-Mill’s imaginative engravings" (Pertelote).Cave & Manson, pp. 129-130. Pertelote 123.

      [Bookseller: David Brass Rare Books, Inc.]
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        The Economics of Inflation - A Study of Currency Depreciation in Post-War Germany 1914-1923 - Sir Halley Stewart Publications IV

      Barnes & Noble Inc., New York 1937 - 464 pages. Index. Originally published in Italian in 1931. This first English edition substantially revised. Inside front boar is the bookplate of M.L. Burstein "One of the sharpest minds in economics of the last century" - from online reference. "The depreciation of the mark of 1914-1923, which is the subject of this work, is one of the outstanding episodes in the history of the twentieth century. Not only by reason of its magnitude but also by reason of its effects, it looms large on our horizon. It was the most colossal thing of its kind in history: and, next probably to the Great War itself, it must bear responsibility for many of the political and economic difficulties of our generation. It destroyed the wealth of the more solid elements in German society; and it left behind a moral and economic disequilibrium, apt breeding ground for the disasters which have followed." - from Foreword. Gilt lettering legible upon blue backstrip which is sunned along with portions of each board. Bit of writing inside front board otherwise clean and unmarked. Binding intact. A sound association copy of this important work. [Attributes: Hard Cover]

      [Bookseller: RareNonFiction, IOBA]
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        Douze Pointes-Seches Originales de Paul-Emil Becat pour illustrer TRENTE-DEUX POEMES D'AMOUR

      Paris, France 1937 - "Cette suite de douze pointes-seches orginales de Paul-Emile Becat a ete tireea quarante exemplaires sur velin d'arches, numerotes de 1 a 40, auxquels on a ajoute un etate en noi, avec remarques de chaque polanche, et a cinq cents exemplaires sur velin de rives, numerotes de 41 a 540. Exemplaire No 215" 12 erotic etchings, in color, 6.5 x 10 inches. With folder sheet with the title etc and table of contents. Lithographies en couleurs. Scans available upon request. [Attributes: Hard Cover]

      [Bookseller: Meir Turner]
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        Tiborc

      Cserepfalvi, Budapest 1937 - Original wrappers with soiling and spotting on front panel. Inside remarkably clean. 24 black and white photographs by Kalman of peasants and factory workers. Interviews by Boldizsar. Extremely rare. Parr and Badger The Photobook, vol. I, p.140. Additional photographs on request. Google 'Ceebe100' to watch a video of this book. [Attributes: Soft Cover]

      [Bookseller: Concept Books]
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        AFKE'S TEN Told from the Dutch by Marie Kierstad Pidgeon

      Muller 1937 - First English edition. 8vo. Green cloth lettered in black in the pictorial dustwrapper. A very good copy, slight damp stain to upper cover, in a very good dustwrapper which has minor wear to the edges, but is bright and clean. Illustrated by Hilda von Stockum. Uncommon. [Attributes: First Edition; Hard Cover]

      [Bookseller: Jonkers Rare Books ABA ILAB]
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        LES GÉORGIQVES DE VIRGILE TEXTE LATIN ET VERSION FRANCAISE DE L'ABBE JACQUES DELILLE

      Paris: Philippe Gonin, 1937 & 1943 [i.e. 1950].. Two volumes, plus portfolio. Quarto. Loose signatures laid into printed wrappers. Some modest foxing early and late (largely to the endleaves) of the second text volume, light foxing to verso of one of the proof plates in the portfolio, otherwise about fine in lightly soiled and corner worn slipcases and vellum-backed chemises. First edition. The text volumes were printed in editions of 750 copies on rag paper watermarked with a special device of a seated nude by Maillol. Each volume is illustrated with 61 beautiful woodcuts, including illustrated initial letters, executed after Maillol's drawings. This is one of the preferred sets, accompanied by the separate portfolio including two extra suites of the woodcuts, each suite laid into special printed pictorial wrappers, one suite printed in black and one in sanguine, each plate with a paraph 'M' stamped in the margin, along with ten early proof states of woodcuts printed in sanguine on China paper contained in a separate folder initialed and franked by the publisher. This beautiful and ambitious project saw its conception during Maillol's and Count Kessler's trip to Greece and Italy in 1908 and was intended as something of a parallel companion project to the masterful Cranach Press ECLOGAE & GEORGICA (1929). Maillol made the first woodcut from his drawings shortly after their return, and a few others in following years, but Kessler was unable to proceed further with the project. Philippe Gonin approached Maillol in 1937, proposing that he resume work on the project, "and the last block was delivered to the publisher in September, 1944, shortly before the artist's death. Most of the cuts were executed by craftsmen after Maillol's drawings on the block, since at that time his eyes were not strong enough for the cutting" - ARTIST & THE BOOK. The number of copies of the portfolio is not explicitly stated, but the edition is frequently reported as being only one hundred copies. ARTIST & THE BOOK 175. MONOD 11339. REWALD 156-61.

      [Bookseller: William Reese Company - Literature ABAA-]
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        Scenario (A film with sound)

      Paris: The Obelisk Press,, 1937. Octavo. Signatures loosely inserted as issued into the original buff wrappers printed in red. Housed in a quarter brown morocco slipcase. Folding frontispiece by Abraham Rattner. Wrappers just a touch sunned but an excellent copy. First edition, first printing. One of 200 numbered copies signed by the author. With the author's signed presentation inscription on the first blank, "To Hans Reichel Emperor of the Oceanic Depths! from his good friend Henry Miller Paris 8/37". Reichel was an artist who had trained with Klee and was acquainted with Kandinsky, Gropius, Feiniger and other members of the avant garde in Weimar Germany. He fled to Paris in the 1930s and became, among other things, Miller's painting teacher. The two men remained friends for their lifetimes and in 1966 Miller published Order and Chaos chez Hans Reichel. A key association copy from the inner circle of Miller's Parisian life.

      [Bookseller: Peter Harrington]
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        Georgica. - Les Georgiques., Texte latin et version française de l`Abbe Jacques Delille.

      Paris, Gonin, 1937 - 50. - Mit 122 OHolzschnitten von Aristide Maillol (einschliessl. Wiederholungen, Randzeichn. und Initialen) The Artist and the book Nr. 175. - Eines von XX von Gonin hs. bezeichneten, num. und sign. H. C.-Ex. (s. Bd. 1, S. 30). Die Einbanddecke von Bd. 2 mit 4 zusätzlichen aufkaschierten Holzschnitten (Wiederholungen aus Bd. 1, S. 115, 92, 98, 107). - Sein letztes illustriertes Buch, Gegenstück zu den 1926 auf der Cranach-Presse gedruckten Eklogen. Die in klassischen Umrisslinien geschnittenen Illustrationen gelten als Maillols reifste Holzschnitte. Schönes Ex. Sprache: de Gewicht in Gramm: 550 Lose Bogen, unbeschn., in OUmschlag, 2 OHPrgt.-Decken, OSchuber.

      [Bookseller: Antiquariat Galerie Joy]
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        The Road To Oxiana

      London, MacMillan 1937 - First edition, first impression; sixteen illustrations plus five full page maps; sumptuously bound in full with the finest Niger morocco, from the earliest unbound sheets which were originally issued in plain white wrappers, fore-edges burnished in red by binder; gilt border decorations on spine compartments and covers, elaborate gilt designs on spine, raised bands, gilt inner dentelles, gilt tooled titles and date "1937" on spine, marbled endpapers, two pages of advertisements in rear, with three (half inch) ghost shadings on half title page (near spine), appearing also on last advertisement page, no doubt faint evidence of the securing of the unbound sheets prior to binding. Nonetheless, a fine copy. [Attributes: First Edition; Hard Cover]

      [Bookseller: Walt Barrie Rare Books]
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        Autograph letter signed, in Russian with translation, (Julia, b. 1866, Ballerina, sister of the ballerina Matilda Kschessinska, 1872-1971, and wife of Alexander, Baron)

      1937 - to her nephew Slava Kschessinsky (Astafiev) (d. 1976), sending him and his wife best wishes for Christmas, "please do not scold me for not writing for so long and for not sending the photographs you asked for . Aunt Mala is guilty . she was so busy, in the end she had her photograph copied and mine and Vova's she forgot. Aunt Mala sends hers as a present . but I beg you to make a copy of mine and Vova's and return them to us as we have not got any more .We are always thinking of you", 2 sides card, Paris, 20th December When Nicholas II set up Matilda as his mistress in 1892, her father, the famous Polish dancer Felix Krzesinski (1823-1905), insisted that Julia keep house with her, and there Nicholas and Matilda gave dinner parties like any married couple. Slava's mother Serafima Astafieva, 'Sima', 1876-1934, graduated from the Imperial Ballet School to the Maryinsky Theatre (now the Kirov) in 1895 and was in Diaghilev's company 1909-1911. In 1916 she opened a famous school at 152 King's Road, Chelsea. Her pupils included Alicia Markova, Anton Dolin, Margot Fonteyn, and Margot Luck (d. 1976), whom Slava married. Julia's husband was a close friend of Tsar Nicholas II (1868-1918). They were young officers together in the Preobrazhensky Regiment, and the Baron was one of five officers at the select dinner party given by the Tsar on the evening of his wedding. Julia, known as 'Mlle Kschessinska I', married the Baron in 1902 on completing 20 years on the stage. The Zeddelers, with Matilda and her husband Grand Duke Andrei, left the Crimea on the same British warship that brought the Dowager Empress to safety. Later Julia kept house in Paris for Matilda, who maintained her ballet school there till the age of 92. Vova is Matilda and Andrei's son Prince Vladimir.

      [Bookseller: Sophie Dupre ABA ILAB]
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        UNCOMMON DANGER

      Hodder & Stoughton 1937 - First edition. Original blue cloth with black lettering in pictorial dustwrapper. A fine copy in a fine dustwrapper, which just shows minor wear to the corners at the head of the spine, but is exceptionally bright and crisp. Eric Ambler is widely regarded (with Somerset Maugham and Graham Greene) as a principal pioneer of politically sophisticated thrillers. The five books that Ambler wrote between 1936 and 1940, upon which his reputation rests, are novels of complexity and realism, in which he introduced ordinary protagonists who are thrust into political intrigue they are ill prepared to deal with. In the process he paved the way for such writers as Len Deighton and John Le Carre, who described Ambler's novels as "the well into which everybody had dipped". Uncommon Danger is the author's second book and, in our experience, is his scarcest as a first edition in dustwrapper. No copies have been offered at auction for the last thirty years, and we can recall only one other copy approaching this condition offered for sale. [Attributes: First Edition; Hard Cover]

      [Bookseller: Jonkers Rare Books ABA ILAB]
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        Uncommon Danger.

      Hodder and Stoughton 1937 - FIRST EDITION, pp. 314, [6] (adverts.), cr.8vo., original pale blue cloth, the faded backstrip and front cover blocked in black, dustjacket with a quarter inch tear to the front panel at its head and a tiny amount of associated scuffing, very small abrasion mark to the rear panel, a scarce dustjacket and overall in unusually nice condition; dark blue drop-down-back cloth box with gilt lettered mid blue morocco labels, very good With the author’s presentation inscription on the title-page, ‘For Clive Hirschhorn, Eric Ambler London 88’.The author’s second book, published in America as ‘Background to Danger’.

      [Bookseller: Blackwell's Rare Books ABA ILAB BA]
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        BACKGROUND TO DANGER - SIGNED, OTTO PENZLER'S COPY

      Alfred A. Knopf, New York 1937 - First Printing. Octavo; variant orange cloth, with titles and design stamped in black on spine and front panel; 280pp, [2]. Signed by Ambler on the title page. Minor offset to pastedowns, else Fine in a Near Fine dustjacket, unclipped, with a touch of rubbing to edges and joints, and a few tiny, faint pink smudges on the rear panel. This copy came from the distinguished British Espionage collection of publisher and bibliophile Otto Penzler, who served as Ambler's American publisher later in his career. Laid in to this copy is a brief note written in Penzler's hand on Mysterious Press stationary stating: "I have also had a copy identical in every way, except that the binding was red cloth." Basis for the 1943 Raoul Walsh film starring George Raft, Brenda Marshall, and Peter Lorre, following the screenplay written by W.R. Burnett. A superb copy of a title that is rarely encounted signed, much less with such a terrific association between author and publisher. [Attributes: First Edition; Signed Copy]

      [Bookseller: Captain Ahab's Rare Books]
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        Uncommon Danger

      London: Hodder & Stoughton Limited,, 1937. Octavo. Original blue cloth, titles to spine and front board in black, blue endpapers. Boards and spine slightly rubbed with some loss of colour, top edge of rear board a little rippled, a few spots to endpapers, a couple of inner hinges starting. A very good copy. First edition, first impression of the author's second novel. With the author's signed and dated inscription addressed to his friend the historian Mortimer Chambers on the title page, "To Mort Chambers, with 'knowledge and speed' as well as affection. Eric Ambler, Los Angeles 27 February '81".

      [Bookseller: Peter Harrington]
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        Les chevaliers de la Table Ronde Pièce en trois actes

      Paris, Gallimard 1937 - Livre d'occasion 18,8 x 12,8 cm, broché, 215 pp. Condition : Edition originale, l'un des 9 ex. num. imprimés sur papier Japon impérial des papeteries Renaud Texier (après 6 ex. sur Chine), sur un tirage total limité à 225 ex. Deux dessins de Cocteau en frontispice. Parfait état. 260g. [Attributes: First Edition; Soft Cover]

      [Bookseller: Librairie Faustroll]
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        On the interaction of elementary particles II [- IV]. 3 parts

      1937-38. <p>First Japanese Physicist to Win the Nobel Prize in Physics </p><p>Yukawa, Hideki (1907-81). (1) [with Shoichi Sakata] On the theory of the -disintegration and the allied phenomenon. Offprint from Proceedings of the Physico-Mathematical Society of Japan, 3rd series, 17 (1935). 467-479pp. Original printed wrappers. Presentation Copy, inscribed &#147;With the compliments of the authors&#148; on the front wrapper. (2) [with Sakata] On the theory of internal pair production. Offprint from Proceedings of the Physico-Mathematical Society of Japan, 3rd series, 17 (1835). 397-407pp. Original printed wrappers. Presentation Copy, inscribed &#147;With the compliments of the authors&#148; on the front wrapper. (3) On a possible interpretation of the penetrating component of the cosmic ray. Offprint from Proceedings of the Physico-Mathematical Society of Japan, 3rd series, 19 (1937). [1], 712-713pp. 271 x 195 mm. (4) [with Sakata, Taketani and Minoru Kobayasi] On the interaction of elementary particles II [-IV]. Parts II and IV are offprints from Proceedings of the Physico-Mathematical Society of Japan, 3rd series, 19 (1937) and 20 (1938); Part III is a mimeograph typescript bound similarly to the other two offprints. Original printed wrappers. Together 4 items in 6 parts. 260 x 188 mm. Spine of no. (4), Part III split at extremities, light vertical creasing. Light browning, but very good. </p><p>First Editions, Offprint Issues; First Separate Edition (?) of no. (3), Part III. In October 1934 Yukawa, then a lecturer in physics at Osaka Imperial University, proposed a unified theory of nuclear forces in which a set of hypothetical particles&#151;now known as mesons&#151;was responsible for the force binding positively charged protons and neutral neutrons together in atomic nuclei. The following year Yukawa published his paper &#147;On the interaction of elementary particles&#148; (not offered here), in which he set forth his meson theory, calculated the mass of the proposed particle (about 200 times that of the electron) and suggested that these particles might be present in cosmic rays. In 1936 Anderson and Neddermeyer reported anomalous cosmic-ray tracks made by particles intermediate in mass between the electron and proton; their observations were confirmed in early 1937 by several other cloud-chamber groups. In June 1937 Oppenheimer, Serber and Stueckelbert sent letters to the Physical Review calling attention to Yukawa&#146;s meson theory, and from then on its success, and that of its author, was assured. In 1949 Yukawa received the Nobel Prize for physics for his prediction of the existence of the meson. </p><p>Despite its later success Yukawa&#146;s meson theory attracted almost no attention in the two years following its announcement, largely because physicists were reluctant to accept the possibility of a new particle without direct observation confirmation. During this fallow period Yukawa published several joint papers with his student Shoichi Sakata on electromagnetic and nuclear phenomena. We are offering the first two of these joint papers in rare offprint form with even rarer presentation inscriptions. The paper on beta disintegration (no. [1] above]) is remarkable in that it contains the only other published reference to the meson prior to 1937. This paper includes &#147;an important calculation of the inverse beta-decay process: the absorption of an orbital electron by a nucleus with the emission of a neutrino. [The paper] was noteworthy, not only because it was the first to call attention to a new effect but also because it was <b>the first additional application of the meson theory </b>[emphasis ours] and thus showed that Yukawa and Sakata had faith in it&#148; (Dictionary of Scientific Biography [Supplement]). </p><p>In 1936, heartened by Anderson and Neddermeyer&#146;s discovery of a new unidentified particle in cosmic rays, Yukawa returned to meson theory. (It should be noted that Anderson and Neddermeyer&#146;s particle, although widely assumed at the time to be the one predicted by Yukawa, is in fact a decay product of the Yukawa particle; Yukawa&#146;s particle, now called the pi-meson or pion, was discovered by Powell and Occhialini in 1947.) Yukawa wrote a letter to Nature that year calling attention to a possible connection between his postulated new particle and the puzzling cosmic-ray cloud chamber tracks observed by Anderson and Neddermeyer; unfortunately, Nature rejected Yukawa&#146;s letter, but he was able to get a similar letter published the following year in Proceedings of the Physico-Mathematical Society of Japan (no. [3] above). </p><p>In 1937 and 1938 Yukawa and his students published three more fundamental papers on meson theory (no. [4] above). &#147;On the interaction of elementary particles II&#148; presents a scalar meson theory of nuclear forces based on the Pauli-Weisskopf method, and speculates on the possible existence of an additional electrically neutral &#147;heavy quantum.&#148; Part III introduces what is now called &#147;vector meson theory&#148;; the fourth and final part completes the pioneering work begun by Yukawa four years earlier. </p><p>Curiously, our copy of Part III is a mimeograph typescript bound in wrappers similar to those of Parts II and IV but omitting the journal imprint information (this information is supplied in manuscript below the wrapper title in our copy). The typescript has a mimeograph label inside the back wrapper with the undated imprint of Teidai Print in Tokyo. OCLC does not list any copies of the separate edition of Part III; we do not know if a typeset offprint version also exists. Magill, ed., The Nobel Prize Winners: Physics, pp. 561-69. Mehra & Rechenberg, The Historical Development of Quantum Theory, 6, pp. 831-836; 946-958. Twentieth Century Physics, 1, pp. 378-392. Weber, Pioneers of Science, pp. 133-34. 43268</p>

      [Bookseller: Jeremy Norman's Historyofscience.com]
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        Gallant Fox" Hand-colored print of the celebrated racehorse "Winner of the Flash, Junior Champion, Wood, Preakness, Kentucky Derby . . World's Greatest Money Winner in 1931 . Property of William Woodward Esquire"

      [New York: privately printed by The Derrydale Press, 1937] - Beautiful specimen of an exceedingly rare Derrydale sporting print commissioned by William Woodward, New York banker and owner of the Bel Air Stud in Maryland, who also commissioned the two most sought after books of the press, 'Gallant Fox A Memoir' and 'Cherished Portraits of Thoroughbred Horses'. With a fine association, inscribed lower left "To William Goodby Loew from William Woodward" This state without jockey. Size of edition unknown. 17-3/4 x 13-3/4 (plate size). Signed by the artist in pencil at lower right. Small stains in margin not affecting image. Fine. Ordeman (2005) pp. 96-7, 108; Siegel p. 234. Provenance: descendant of the Loew family

      [Bookseller: James Cummins Bookseller, ABAA]
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        Typed Letter Signed ("Willa Cather") to Miss Harkins, regarding a quotation from NOT UNDER FORTY

      N.p., september 27, 1937. 4to. One page on personal letterhead "W.S.C.". Fine . A terse inquiry from the author, who, at the time was working on the preparation of her Collected Works which was published by Houghton Mifflin. "My Dear Miss Harkins, "I have just returned from Europe to find a letter from you, in which you credit me with a quotation which, I think, does not belong to me. Would you kindly tell me on what page of NOT UNDER FORTY you find the sentence attributed to me. "Very sincerely yours, "Willa Cather"

      [Bookseller: James Cummins Bookseller]
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        Bachelor Girl

      1937 hardcover - first edition. The integrity of the book is excellent. The pages are clean, uncreased and lightly tanned. There is a bookstore sticker inside the front cover, the front flap of the dust jacket is glued to the cover page, the synopsis page (right after the cover page) has a taped tear at bottom edge, the bottom corner of the rear cover page is missing. The cover is a little smudgy with very light shelf wear though the top front corner is bumped. No dust jacket.

      [Bookseller: birddog360]
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        Chinky the Banker Pony

      Doubleday, Doran & Company, Inc., Garden City, New York 1937 - Beautifully clean and crisp black cloth spine with lovely painting on the front paper-covered boards in many colors of Chinky the Banker Pony on the marshes. The rear paper-covered boards are rose red and clean and new to the touch as well. Very clean and tight throughout with clean crisp colors in register. Two small faint smudges on the top corners of two pages. Lovely endpapers printed in blue and black of Chinky and other ponies on the marshes. In a very striking and scarce dustjacket repeating the scenes and colors on the printed binding of the book. With the original price, net of "$1.00" at the top of the front inside flap. With a few tiny chips to the top of the spine and at the top of the rear panel; tiny small closed tears and light rubbing to the edges of the folds. With 3 small white spots on the rear panel and light soiling. A lovely and uncommon book in the original dustjacket. "What fun Peter and Paula have when they sail on their uncle's schooner Olga from Connecticut to Chincoteague Island, off the coast of Virginia, where the annual roundup of wild ponies takes place. Long before the schooner had been moored at the dock Peter and Paula were watching the ponies on the island marshes. They had even picked out a gay little black fellow with "white stockings" on his forefeet as the one they wanted to take home." (Inside front dustjacket flap) Cloth spine with painted paper-coverd boards First Edition with "First Edition" stated [Attributes: First Edition; Hard Cover]

      [Bookseller: Brainerd Phillipson Rare Books]
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        Confucius Saw Nancy and Essays About Nothing

      The Commercial Press, Limited Shanghai, China 1937 - Presumed Second Edition, first published in 1936. An early theatrical play by Yutang, an important Chinese author. This copy perhaps unique for retaining the original printed Chinese publisher's dustjacket. Near Fine in Very Good plus dustjacket, short closed tear at mid-spine and top rear panel. [Attributes: Hard Cover]

      [Bookseller: Babylon Revisited Rare Books]
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        Soldatisches Führertum. Band 1-10. 10 Bände (vollständig).

      Hamburg: Hanseatische Verlagsanstalt, 1937 - 1942.. 530 S.; 471 S.; 495 S.; 495 S.; 496 S.; 512 S.; 511 S.; 500 S.; 512 S.; 512 S.; mit mehr als 3.359 Porträt-Abbildungen, 4°, gebunden, Orig.-Leinenbände, Kopffarbschnitt,. Verzeichnet 3359 Biographien der Generale ab den Anfängen der kurbrandenburgisch-preußischen Armee bis zum Ersten Weltkrieg, jeweils mit Porträtphoto. Ein Standardwerk. Sehr guter Zustand. /geschichte

      [Bookseller: Altstadt-Antiquariat Nowicki-Hecht UG (h]
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        Soldatisches Führertum. Band 1: Teil 1: Die Generale von den Anfängen der kurbrandenburgischen- preußischen Armee bis 1740. Teil 2: Die preußischen Generale vom Regierungsantritt Friedrichs des Großen bis 1763. Band 2: Teil 3: Die preußischen Generale von 1763 bis zum Tode Friedrichs des Großen. Teil 4: Die preußischen Generale vom Tode Friedrichs des Großen bis 1797. Band 3: Teil 5. Die preußischen Generale von 1798 bis zum Zusammenbruch Preußens 1806. Teil 6: Die preußischen Generale von 1807 bis 1812. Band 4: Teil 7: Die preußischen Generale von 1813 bis 1820. Band 5: Teil 8: Die preußischen Generale von 1820 bis 1840. Band 6: Teil 9: Die preußischen Generale vom Regierungsantritt König Friedrich Wilhelm IV. bis zum jahre 1858 .Band 7: Teil10: Die preußischen Generale von der Übernahme der Regentschaft des Prinzen von Preußen bis zur Schaffung des Norddeutschen Bundes (1858 bis 1867). Band 8: Fortsetzung Teil 10: Die preußischen Generale von der Übernahme der Regentschaft des Prinzen von Preußen bis zur Schaffung des Norddeutschen Bundes (1858 bis 1867). Band 9: Fortsetzung Teil 10: Die preußischen Generale von der Übernahme der Regentschaft des Prinzen von Preußen bis zur Schaffung des Norddeutschen Bundes (1858 bis 1867). Band 10: Fortsetzung Teil 10: Die preußischen Generale von der Übernahme der Regentschaft des Prinzen von Preußen bis zur Schaffung des Norddeutschen Bundes .

      Hamburg, Hanseatische Verlagsanstalt, ohne Jahr (ca. 1937 - 1942).. 1. Aufl., 10 Bände. zahlreiche sw. Abbildungen, VIII/530/471/495/495/496/512/511/500/512/512 S. Gr.-8°, Oleinwand, Einbände leicht berieben, etwas fleckig, Kapitale leicht bestossen, Schnitt leicht verstaubt und teils leicht fleckig, ansonsten gut.. Insgesamt 3359 Biographien preußischer Generäle, meistens mit einem Bildnis.

      [Bookseller: Altstadt Antiquariat Goslar]
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        Soldatisches Führertum. 10 Bände (so vollständig)

      Hamburg. Haseatische Verlagsanstalt ohne Jahr ca. 1937-1942,. 10 Leinen-Bände, Kopffarbschnitt, 2 Einbände etwas beschmutzt , ansonsten geringe Gebrauchsspuren, alle Bände mit biographischen Notizen auf hinterem Vorsatz. 27,5 x 19,5 cm zusammen ca. 15 kg schwer!; 1. Auflage. Erstausgabe.. Insgesamt 3359 Biographien preußischer Generäle, meistens mit einem Bildnis. Band 1: VIII + 530 Seiten. Teil 1: Die Generale (Generäle) von den Anfängen der kurbrandenburgischen- preußischen Armee bis 1740. Teil 2: Die preußischen Generale vom Regierungsantritt Friedrichs des Großen bis 1763. Band 2: 471 Seiten. Teil 3: Die preußischen Generale von 1763 bis zum Tode Friedrichs des Großen. Teil 4: Die preußischen Generale vom Tode Friedrichs des Großen bis 1797. Band 3. 495 Seiten. Teil 5. Die preußischen Generale von 1798 bis zum Zusammenbruch Preußens 1806. Teil 6.: Die preußischen Generale von 1807 bis 1812. Band 4: 495 Seiten Teil 7: Die preußischen Generale von 1813 bis 1820. Band 5. 496 Seiten. Teil 8: Die preußischen Generale von 1820 bis 1840. Band 6. 512 Seiten. Teil 9: Die preußischen Generale vom Regierungsantritt König Friedrich Wilhelm IV. bis zum jahre 1858 .Band 7. 511 Seiten. Teil10: Die preußischen Generale von der Übernahme der Regentschaft des Prinzen von Preußen bis zur Schaffung des Norddeutschen Bundes (1858 bis 1867). Band 8. 500 Seiten. Fortsetzung Teil 10: Die preußischen Generale von der Übernahme der Regentschaft des Prinzen von Preußen bis zur Schaffung des Norddeutschen Bundes (1858 bis 1867). Band 9. 512 Seiten. Fortsetzung Teil 10: Die preußischen Generale von der Übernahme der Regentschaft des Prinzen von Preußen bis zur Schaffung des Norddeutschen Bundes (1858 bis 1867). Band 10. 512 Seiten. Teil 10. Fortsetzung Teil 10: Die preußischen Generale von der Übernahme der Regentschaft des Prinzen von Preußen bis zur Schaffung des Norddeutschen Bundes .

      [Bookseller: Adalbert Gregor Schmidt Versandantiquari]
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        Shanghai's undeclared War.

      Shanghai, Mercury Press, 1937.. 88 Seiten, 116 Fototafeln. 31 x 23 cm, Original-Halbleinen.. An illustrated factual recording of the Shanghai hostilities 1937. First edition. - Eine Chronik der Ereignisse während des Kampfes um Shanghai und viele Fotos der brutalen Kämpfe. - Erstausgabe, in englischer Sprache. - Einbandkanten angerändert. Letzte Blätter am Rand gering eingerissen. Aus dem Besitz des deutschen Schiffbauers Gustav Wrobbel mit dessen Namenszug auf dem Titel und einigen handschriftlichen Randnotizen.

      [Bookseller: Antiquariat Mertens & Pomplun GbR (Versa]
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        Waterford and Lismore a Compendious History of the United Dioceses

      Educational Co. Of Ireland, Dublin 1937 - Pp. [8], 402. Illustrated. Interesting neat and clear ink presentation inscription on f.e.p. reads: "To my cousins the children of my dear aunt the late Mrs. Maria Cunningham (nee Carroll) a little momento from one of the crowd the last of his name who still lingers in the Old Land.15/12/38". It is initialled HD?P? - we are uncertain as to all the letters. Front cover speckled damp stains. Else a really v.g. copy. This book is rare and scarce and is seldom found in d.j. Size: 8vo [Attributes: First Edition; Hard Cover]

      [Bookseller: Dublin Bookbrowsers]
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        Verve: An Artisitic and Literary Quarterly Appearing in December, March, June and October

      Paris 1937 - Vol. 1, No. 1. Original Lithos. by Ferdinand Leger, Joan Miro, Rattner & Bores. NF in slightly dust soiled pict. wraps. Stain to lower edge pgs. 12-39, penetrating up to 1", affecting though not damaging some plates. Lithos not affected. Size: 4to [Attributes: First Edition; Soft Cover]

      [Bookseller: Contact Editions, ABAC, ILAB]
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        Cristoforo Colombo e la scuola cartografica genovese.

      Stab. Italiano Arti Grafiche,, Genova, 1937 - Tre volumi in 4°, pagg. CCXVI; 568; CCCXL con complessive 122 tavole tra cui una grande carta del porto di Genova ripiegata più volte; elegante legatura in mezza pergamena con fregi e titoli oro su tassello ai dorsi. Volume I°: Magrini G., Picotti M., Revelli P., Issel R., Grosso O. - La partecipazione italiana alla Mostra oceanografica internazionale di Siviglia (1929). Volume II°: Paolo Revelli - Cristoforo Colombo e la scuola cartografica genovese. Volume III°: Emilio Marengo - Carte topografiche e corografiche manoscritte della Liguria e delle immediate adiacenze conservate nel R. Archivio di Stato di Genova. Con prefazione e note di Paolo Revelli. Ex libris applicati alle sguardie. Ottimo stato. Opera non comune. [Attributes: Hard Cover]

      [Bookseller: Libreria Biggio]
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        LA LÉGENDE D' ULENSPIEGEL. ( numéroté).

      Anvers, De Sikkel, 1937.** - Relié, plein-toile, plats orné d' estampe doré et de titre doré, dos orné de titre doré, 19,5x25,5cm, 369pp+390pp, illustré n/b. Bois de Frans Masereel. N° 217de 500 exemplaires numérotés sur papier Steinbach de Malmédy. 2670 g. [Attributes: Hard Cover]

      [Bookseller: BOOKSELLER - ERIK TONEN BOOKS]
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        La Photographie n'est pas l'art.

      Editions GLM, Paris, France 1937 - First Edition. Softcover with black die-cut jacket. 4to. Near fine condition. Text in Japanese. Unpaginated. 12 half tone plates by Man Ray with text by Andre Breton. 17 loose leaves in all, housed in a blue cover and outer black die-cut jacket. A touch of edgewear, vertical crease to the back side edge and a 2cm crease to the bottom corner of the outer black jacket. Blue inner jacket lightly sunned to where the die-cut window is. Small blemish to the top right corner of the front of the blue jacket. Previous booksellers very small price tag attached to the bottom edge of the inside cover of the blue jacket. Light foxing to the title page and less to the text pages. All plate pages printed on yellow paper are clean. A near fine copy. Language: eng [Attributes: First Edition; Soft Cover]

      [Bookseller: Bondi Books (ABAJ, ILAB)]
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        De l'humour noir.

      G.L.M 1937 - - G.L.M, Paris 1937, 15x19cm, broché. - Edition originale, un des 15 exemplaire sur Hollande, tirage de tête sous couverture bleue illustrée par Yves Tanguy. Notre exemplaire comporte bien le texte de Sade et la reproduction du collage de Breton sur les maîtres de l'humour noir avec, au revers, les noms des personnages. Exemplaire d'une insigne rareté et d'une fraicheur exceptionnelle. [Attributes: First Edition; Soft Cover]

      [Bookseller: Librairie Le Feu Follet]
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        Nero And Other Poems

      Futile Press, Lakeport, Cal. 1937 - Signed by the author. One of approximately 200 copies. Bound in publisher's original quarter cloth and paper boards. Minor wear at corners, otherwise fine. Signed by Author [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: James & Mary Laurie, Booksellers A.B.A.A]
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        Back to the Stone Age - 1st Edition

      Edgar Rice Burroughs, Inc., Tarzana, CA 1937 - A bright First Edition/First Printing, blue cloth with red lettering on the front cover and spine in Very Good+ condition with minor rubbing to board edges and signs of tape residue to front and rear pastedowns in Very Good-, unlaminated dust-jacket with moderate edgewear and chipping, some small tape repairs. Zeuschner 25; When the great dirigible, the giant 0-220, sailed majestically through the north polar opening out of that weird and savage inner world, Pellicular, it left behind, unaccounted for, but a single member of its original crew that had sailed with Jason Gridley and Tarzan to the rescue of David Innes (from the dust-jacket) [Attributes: First Edition; Hard Cover]

      [Bookseller: Books Tell You Why - ABAA/ILAB]
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        BIRDS OF THE CONNECTICUT VALLEY IN MASSACHUSETTS

      1937 - BAGG, Aaron Clark & Samuel Atkins Eliot, Jr. BIRDS OF THE CONNECTICUT VALLEY IN MASSACHUSETTS. Northampton, Massachusetts: The Hampshire Bookshop, 1937. First edition. Illustrated with a color frontispiece and black and white plates, most are from photographs. Quarto: [12],lxxiv,[22],813 pp. Bound in unbleached linen, title printed in brown to spine and upper board, endpaper maps. This copy belonged to Aaron C. Bagg, one of the co-authors; it is signed by him on the verrso of the ffep. and contains many marginal notes and some underlinings in the text by him. Binding is slightly sunned at spine and shows negligible dust- soling, else fine.

      [Bookseller: Boston Book Company, inc.o ABAA]
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        STORY OF FERDINAND

      - LEAF,MUNRO. THE STORY OF FERDINAND. Lond.: Hamish Hamilton (1937). Sq. 8vo, cloth backed pict. bds, near Fine in dw with several closed tears and a few chips. 1st U.K. edition of one of the most popular and enduring children's books ever written (one year after the U.S. ed.). Illus. in incomperable style by ROBERT LAWSON. "It is dynamic text and no less vital picturization" (Bader p. 145). Amazingly enough, Little Brown turned down the offer to publish Ferdinand, which Viking accepted after much persuasion! [Attributes: First Edition; Hard Cover]

      [Bookseller: Aleph-Bet Books, Inc. - ABAA]
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        Oeuvres Complètes.

      Le Vasseur,, Paris, 1937 - 10 voll. in-8° (242x184mm), tra le 250 e le 400 pp. ca. ogni volume, bella legatura del tempo di gusto Déco (non firmata, ma di Longatte di Parigi) in pelle blu oltremare con titolo e fregi in oro al dorso e inserti ai piatti azzurri a seminato dorato. Tagli di testa dorati. Conservate le brossure originali illustrate a colori disegnate da Draeger. Ogni volume è illustrato da decine di belle tavole calcografiche f.t. colorate all'acquatinta di Georges Lepape. Testo entro filettatura tipografica. Fregi tipografici ed ornamentazione di Draeger. Perfetto stato conservativo. Raccolta completa di questa pregevole edizione numerata di 2.820 esemplari (n° 1876 "sur Vélin de Rives à la forme") delle "Oeuvres Complètes" di de Musset, inclusiva anche di parte dell'epistolario, degli scritti postumi, dei suoi saggi di critica e di varia letteratura pubblicati su "Le Temps", sulla "Revue des Deux Mondes" e in altre sparse sedi. Il volume delle "Oeuvres posthumes" contiene anche cinque facsimili di lettere e liriche autografe di de Musset. Comprende: I) "La Confession d'un enfant du siècle". II) "Premières Poésies. 1828-1833". III) "Poésies nouvelles. 1833-1852". IV-V) "Contes et Nouvelles". VI-VIII) "Comédies et Proverbes". IX) "Mélanges de littérature et de critique". X) "Oeuvres posthumes". Lepape (Parigi, 1887-1971) si formò all'atelier Humbert, dove ebbe modo di frequentare alcuni dei migliori artisti della prima metà del Novecento, Braque, Picabia, Marie Laurencin. La sua opera risente nella stilizzazione della patente influenza delle stampe giapponesi. Fu collaboratore di varie riviste, fra cui "Vogue", di cui disegnò moltissime copertine, disegnò apprezzati costumi teatrali per balletti e per l'"Oiseau bleu" di Maeterlinck, creò affiches e illustrò molti volumi. Carteret, IV, 301: "Belle publication cotée. L'une des meilleures illustrations de l'artiste". Bénézit, V, 590. [Attributes: Soft Cover]

      [Bookseller: Gilibert Libreria Antiquaria (ILAB-LILA)]
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        LOS DESATRES DE LA GUERRA. LÁMINA Nº 41. ESCAPAN ENTRE LAS LLAMAS.

      0 - Grabado Original, edic. 7ª del año 1937, impreso por Rupérez en la Calcografía Republicana, para el Mº de Instrucción Pública y Bellas Artes de la 2ª República. Medidas: Papel 36,5x28,2 cm. huella 23,7x16,8 cm. imagen 20x13,5 cm. grabado al ácido y buril en dos partes, en la segunda se refuerza las líneas de las llamas arriba y primer término. Ligera mordida falsa en la segunda erróneamente atribuida por algunos a aguatinta. Firmada en la plancha, Goya, en la esquina inferior izquierda. Información del libro "Grabados de Goya" por Thomas Harris. Una pequeña marca de agua en el margen derecho, por efecto del tiempo un poco amarronado en casi todo el grabado. El papel verjurado Arches (marca de agua) de 380x285 mm. La tinta varia de sepia rico a sombra tostada oscura. Las planchas son biseladas (dejan poca huella). [Attributes: Soft Cover]

      [Bookseller: Librería Torreón de Rueda]
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        Monetary Nationalism and International Stability - Publications of the Graduate Institute of International Studies, Geneva, Switzerland No. 18

      London: Longmans, Green and Co.. Hardcover. 94 pages plus 3 pages of advertisements at back. "The five lectures which are here reproduced are necessarily confined to certain aspects of the wide subject indicated by the title. They are printed essentially as they were delivered." - from Preface. Lectures include: National Monetary Systems; The Function and Mechanism of International Flows of Money; Independent Currencies; International Capital Movements; The Problems of a Really International Standard. Blue cloth-covered boards. Gilt lettering legible upon spine despite moderate sunning. Binding and hinges intact. Unmarked. Average wear. Very light foxing to front endpaper - even less to back endpaper. Moderate foxing to edges. A sound copy. . Good. 1937. First Edition.

      [Bookseller: RareNonFiction.com]
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        The White Horses of Vienna.

      London: Faber and Faber Limited, 1937 - Octavo. Original black cloth, titles to spine in silver. With the dust jacket. An excellent copy with very faint spotting to the edges and to some early and late leaves, in the very lightly rubbed jacket with three small closed tears along edges. Inscribed first UK edition, first impression, copy of Kay Boyle's first book to be published in England (originally published in the US by Harcourt, Brace & Co. in the preceding year). The White Horses of Vienna, for which Boyle won the O. Henry Award for best short story of the year, was written while she was living in Austria 1933-6, observing the rise of Nazism. Boyle's striking presentation inscription on the title page sums up the book's animus: "Dear Burton: Thomas Mann spoke a great truth when he said that "if the writers of Germany through their vision and their expression of that vision had made more impelling promises than those Hitler made, it would have been Hitler, and not the writers of Germany, who would have been forced into exile. It is always the writers who must bear the full weight of moral responsibility." My love goes with this message and this book. July 9, 1991, Kay". Burton Norval Hatlen (1936-2008) was an American literary critic and professor at the University of Maine, who wrote the Introduction to Kay Boyle's The Death of a Man. [Attributes: First Edition; Signed Copy]

      [Bookseller: Peter Harrington. ABA member]
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        SALLY BOWLES

      THE HOGARTH PRESS, LONDON. 1937 - EXQUISITE COPY 1/1 FIRST EDITION IN VERY FINE INDEED CONDITION SIGNED IN BLACK INK ON THE TITLE PAGE "CHRISTOPHER ISHERWOOD" FULL DARK BLUE MOROCCO WITH (IN GOLD) ON THE SPINE, TITLE, SALLY BOWLES ,WITH GOLD DESIGN,THERE IS ALSO A GOLD LINE TO THE BINDINGS EDGES.THIS IS EN-CASED IN A FINE MARBLED BOX. AND WAS EDWARD BAWDENS COPY AND BEARS HIS NAME IN INK ON LABEL MOUNTED INSIDE FRONT COVER,A GREAT COLLECTORS ITEM. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: David Eastwood]
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        Denkmäler des alten Reiches (Catalogue Général du Musée du Caire, 1295-1808)

      SAE 1937-1980 - Complete set, first edition. 4 volumes bound in 3. Very rare. Band I: 1295-1541, 244 pages, 52 plates. Modern green half-leather, L. Borchardt, Cairo 1937. Band II: 1542-1808, 220 pages, plates 53-116, modern green half-leather, L. Borchardt, Cairo, 1964. Band III fasc. 1 & 2: Altars and offering tables, 42 pages + plates, modern green half-leather, MORET Alexandre / DIA ABU GHAZI, Cairo 1978-1980. All volumes in perfect condition without markings. (Catalogue General du Musee du Caire) [Attributes: First Edition; Hard Cover]

      [Bookseller: Meretseger Books]
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