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Displayed below are some selected recent viaLibri matches for books published in 1937

        CAPTAINS COURAGEOUS MOVIE POSTER/CAPITANES INTREPIDOS/POSTER

      METRO 1937 - CAPITANES INTREPIDOS - 1937, Dir: VICTOR FLEMING, Cast: SPENCER TRACY, WALTER KINGSFORD, MICKEY ROONEY, JOHN CARRADINE, MELVYN DOUGLAS, FREDDIE BARTHOLOME, CHARLES TROWBRIGE, , Nac. film: USA, Company: METRO, Designer: , , Nac. poster: ARGENTINA, Measures (Cm. and Inches) : -70X100-Cm.-27X41-INCHES-1 SH., , Type of product: POSTER, , POSTER are in excellent condition but may have normal wear such as edge wear or a slight hole. I try photograph any flaw but examining the photos closely is your best bet! Please see bigger picture for details., , La mayoría están en excelentes condiciones, pero puede tener desgaste del borde o algun agujero pequeño. Intento fotografiar cualquier defecto, pero el examen de las fotos de cerca es su mejor opción! Por favor ver la foto en grande para más detalles., , SHIPPING COSTS: Fold posters SPAIN 15? -Correo certificado EUROPE and all world 20?

      [Bookseller: BENITO ORIGINAL MOVIE POSTER]
 1.   Check availability:     AbeBooks     Link/Print  


        L'Oeuvre gravé d'Eugene Béjot.

      Paris, Bibliothèque nationale, 1937., 1937. Demi-toile beige, dos lisse, titre doré sur p. de t.. 32/25 cm., 3 pl., 276 pp.. Important travail publié par le cabinet des estampes de la BNF, exemplaire numéroté sur Japon, illustré de trois eaux-fortes originales, deux portraits gravés sur bois, de trois paysages et d'un cul de lampe gravés sur bois et de deux cent trente et une reproductions. Bel état.

      [Bookseller: Librairie Traits et Caracteres]
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        GREAT EXPECTATIONS [SIGNED]

      Edinburgh: Limited Editions Club, 1937. Limited Edition, #1378/1500. 4to., 448 pages; VG; bound in green cloth, spine with black label and gilt lettering, boards with beveled edges; housed in original dark green slipcase, some chipping to edges; protected with original glassine, some chipping to edges, spine sun-faded; illustrated endpapers; top edge of text block gilt; colophon reads: "This edition of Great Expectations reprints the novel by Charles Dickens with the ending which he originally wrote and which has not previously appeared in book form. It conssts of fifteen hundred copies printed for the members of the Limited Editions Club by R. & R. Clark of Edinburgh under the supervision of William Maxwell and the Illustrations are by Gordon Ross who here signs [signature] This copy number 1378"; LP consignment; shelved case 4, Dupont. Full-priced Rockville.

      [Bookseller: Second Story Books]
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        HURRICANE MOVIE POSTER/HURRICANE/POSTER

      UNITED ARTISTS 1937 - HURRICANE - 1937, Dir: JOHN FORD, Cast: DOROTHY LAMOUR, JON HALL, MARY ASTOR, RAYMOND MASSEY, C.AUBREY SMITH, , , Nac. film: USA, Company: UNITED ARTISTS, Designer: , , Nac. poster: FRANCIA, Measures (Cm. and Inches) : 160x240-CM.-63x94-IN., Type of product: POSTER, , POSTER are in excellent condition but may have normal wear such as edge wear or a slight hole. I try photograph any flaw but examining the photos closely is your best bet! Please see bigger picture for details., , La mayoría están en excelentes condiciones, pero puede tener desgaste del borde o algun agujero pequeño. Intento fotografiar cualquier defecto, pero el examen de las fotos de cerca es su mejor opción! Por favor ver la foto en grande para más detalles., , SHIPPING COSTS: Fold posters SPAIN 15? -Correo certificado EUROPE and all world 20?

      [Bookseller: BENITO ORIGINAL MOVIE POSTER]
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        HURRICANE MOVIE POSTER/TIFONE SULLA MALESIA/POSTER

      UNITED ARTISTS 1937 - TIFONE SULLA MALESIA - 1937, Dir: JOHN FORD, Cast: DOROTHY LAMOUR, JON HALL, MARY ASTOR, RAYMOND MASSEY, C.AUBREY SMITH, , , Nac. film: USA, Company: UNITED ARTISTS, Designer: CIRIELLO, , Nac. poster: ITALIA, Measures (Cm. and Inches) : -100x140-Cm.-40x55-In.-2 SH., Type of product: POSTER, , POSTER are in excellent condition but may have normal wear such as edge wear or a slight hole. I try photograph any flaw but examining the photos closely is your best bet! Please see bigger picture for details., , La mayoría están en excelentes condiciones, pero puede tener desgaste del borde o algun agujero pequeño. Intento fotografiar cualquier defecto, pero el examen de las fotos de cerca es su mejor opción! Por favor ver la foto en grande para más detalles., , SHIPPING COSTS: Fold posters SPAIN 15? -Correo certificado EUROPE and all world 20?

      [Bookseller: BENITO ORIGINAL MOVIE POSTER]
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        HURRICANE MOVIE POSTER/HURRICANE/POSTER

      UNITED ARTISTS 1937 - HURRICANE - 1937, Dir: JOHN FORD, Cast: DOROTHY LAMOUR, JON HALL, MARY ASTOR, RAYMOND MASSEY, C.AUBREY SMITH, , , Nac. film: USA, Company: UNITED ARTISTS, Designer: , , Nac. poster: BELGICA, Measures (Cm. and Inches) : -60x80-Cm.-26x36-In., Type of product: POSTER, , POSTER are in excellent condition but may have normal wear such as edge wear or a slight hole. I try photograph any flaw but examining the photos closely is your best bet! Please see bigger picture for details., , La mayoría están en excelentes condiciones, pero puede tener desgaste del borde o algun agujero pequeño. Intento fotografiar cualquier defecto, pero el examen de las fotos de cerca es su mejor opción! Por favor ver la foto en grande para más detalles., , SHIPPING COSTS: Fold posters SPAIN 15? -Correo certificado EUROPE and all world 20?

      [Bookseller: BENITO ORIGINAL MOVIE POSTER]
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        Further Stories From Lord Halifax's Ghost Book

      London: Geoffrey Bles, 1937.. First edition in rare first issue dust-wrapper. Octavo, pp. xi, 171. Publisher's bright red cloth cover with gilt titles to spine and front, tail edge untrimmed, top edge yellow. Cream paper dust-jacket with red and black lettering. Some trivial edgewear; a clean, fine copy. The first issue jacket was printed in black and red on cream paper with the publisher's device on the spine; the second issue was entirely reset, simply printed and only in red on a grey-coloured paper, with no Bles spine imprint.

      [Bookseller: Adrian Harrington Rare Books]
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        ZAMBO, MOVIE POSTER/ZAMBO,/POSTER

      1937 - ZAMBO, - 1937, Dir: Eduardo de Castro, Cast: Fernando Poe, Rosa Del Rosario, , Nac. film: FILIPINAS, Company: , Designer: , , Nac. poster: ESPAÑA, Measures (Cm. and Inches) : 70X100-Cm.-27X41-IN-1 SH., Type of product: POSTER, , POSTER are in excellent condition but may have normal wear such as edge wear or a slight hole. I try photograph any flaw but examining the photos closely is your best bet! Please see bigger picture for details., , La mayoría están en excelentes condiciones, pero puede tener desgaste del borde o algun agujero pequeño. Intento fotografiar cualquier defecto, pero el examen de las fotos de cerca es su mejor opción! Por favor ver la foto en grande para más detalles., , SHIPPING COSTS: Fold posters SPAIN 15? -Correo certificado EUROPE and all world 20?

      [Bookseller: BENITO ORIGINAL MOVIE POSTER]
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        THE LIFE OF EMILE ZOLA MOVIE POSTER/VIE D EMILE ZOLA, LA/POSTER

      WARNER 1937 - VIE D EMILE ZOLA, LA - 1937, Dir: WILLIAM DIETERLE, Cast: PAUL MUNI, GALE SONDERGAARD, JOSEPH SCHILDKRAUT, GLORIA HOLDEN, DONALD CRISP, ERIN O'BRIEN-MOORE, , Nac. film: USA, Company: WARNER, Designer: , , Nac. poster: BELGICA, Measures (Cm. and Inches) : -60x80-Cm.-26x36-In., Type of product: POSTER, , POSTER are in excellent condition but may have normal wear such as edge wear or a slight hole. I try photograph any flaw but examining the photos closely is your best bet! Please see bigger picture for details., , La mayoría están en excelentes condiciones, pero puede tener desgaste del borde o algun agujero pequeño. Intento fotografiar cualquier defecto, pero el examen de las fotos de cerca es su mejor opción! Por favor ver la foto en grande para más detalles., , SHIPPING COSTS: Fold posters SPAIN 15? -Correo certificado EUROPE and all world 20?

      [Bookseller: BENITO ORIGINAL MOVIE POSTER]
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        Lady, Take Heed!

      The Obelisk Press, Paris 1937 - A book by semi-underground literature publisher Jack Kahane who wrote using the pseudonym of Cecil Barr for his production at Obelisk Press. Censorship drove Jack Kahane to form the Obelisk Press in 1929 in an attempt to publish books in France, (in English), and bypass the strict censorship that was practiced in Britain at that time. This is the scarce first issue of this title published June 1937, in very good condition. [Attributes: First Edition; Soft Cover]

      [Bookseller: Sekkes Consultants]
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        The Road To Oxiana.

      London: Macmillan and Co 1937. [Travel literature] FIRST EDITION. Octavo, pp.341; [2], advertisements. Illustrated with maps and photographs. Bound in publisher's royal blue cloth, with gilt titles to spine, pictorial dust-wrapper. No inscriptions or price-clipping, jacket a little edgeworn, some toning to spine and upper part of jacket, some light spotting near folds of flaps. Shows well. Byron, who died young in the Second World War, was one of the Brideshead set immortalized by Evelyn Waugh, but he was also the foremost travel writer of his age. He is best known for 'The Road to Oxiana', a description of his journey in 1933-34 through modern Iran and Afghanistan. Paul Fussell recently suggested that what 'Ulysses' is to the novel and what 'The Waste Land' is to poetry, Byron's book is to travel writing.

      [Bookseller: Adrian Harrington Rare Books]
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        Great Contemporaries

      London: Thornton Butterworth Ltd., 1937. First edition, first printing. Hardcover. This is a British first edition, first printing in a second printing dust jacket. Of note, the second printing occurred just a month after the first printing. The first and second printing dust jackets are nearly identical, differing only in the content of the lower front flap text, which substitutes review blurbs for the first printing jacket's list of individuals about whom Churchill writes in the book. Given the close proximity of the first and second printings, it is plausible to speculate that some of the final first printings may have been issued in second printing jackets. Condition is very good minus in a very good dust jacket. The vivid orange dust jacket remains bright and complete apart from trivial loss to the corners and hinge extremities and a neatly price-clipped lower front flap. Apart from extremities, we note light wear along the top edge with a few miniscule closed tears of no more than .25 inch (.64 cm). Shelf presentation is quite good, the jacket spine notably free of the typical soiling and toning. The dust jacket is protected beneath a removable, archival quality clear cover. The blue cloth binding is square and tight with sharp corners, though with some spine toning and a few small stains to the rear cover. The contents are clean, with no spotting and no previous ownership marks. We note moderate age-toning to the fore and bottom edges, transfer browning to the endpaper rectos from the pastedown glue, and dulling of the blue-stained top edge. Great Contemporaries is Churchill's much-praised collection of insightful essays about 21 leading personalities of the day - including the likes of Lawrence, Shaw, and, most famously, Hitler. Churchill's piece about Hitler can be a shock to the modern ear, as it underscores his ability to write a balanced appraisal of his subject while expressing his earnest desire to avoid the war that he would fight with such ferocious resolve only a few years later. There is a reason this book is still in print today. It was written with what has been called "penetrating evaluation, humor, and understanding." Churchill's balanced and nuanced perspectives are a good model for many of today's more polemic writers. And naturally, in the course of sketching the character of his contemporaries Churchill necessarily reveals some of his own character and perspective. Churchill's portrait of T.E. Lawrence, published just a few years before the Second World War, might well have been written about the author rather than by him: "The impression of the personality of Lawrence remains living and vivid upon the minds of his friends, and the sense of his loss is in no way dimmed among his countrymen. All feel the poorer that he has gone from us. In these days dangers and difficulties gather upon Britain and her Empire, and we are also conscious of a lack of outstanding figures with which to overcome them. Here was a man in whom there existed not only an immense capacity for service, but that touch of genius which everyone recognizes and no one can define." (Great Contemporaries, p.164) While some of the subjects of Churchill's sketches have receded into history, many remain well-known and all remain compellingly drawn. This is as engaging a read today as it was in 1937. Bibliographic reference: Cohen A105.1.a, Woods/ICS A43(a.1), Langworth p.178.

      [Bookseller: Churchill Book Collector]
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        INSCRIBED ORIGINAL PENCIL AND WATER COLOR SKETCH OF FRIEND AND FELLOW ARTIST JOHN LA GATTA

      N. p. ca. 1937 - INSCRIBED ORIGINAL PENCIL AND WATER COLOR SKETCH OF FRIEND AND FELLOW ARTIST JOHN LA GATTA measuring 8.5 inches by 11 inches depicting La Gatta holding up a drawing of his naked model with a full rear end view. Humorously INSCRIBED by Flagg to him thusly, "Signor Giovanni La Gatta ~ That is not such a comic Strip -No?, from his friend Jim Flagg." Along with a printed photo of an illustration of La Gatta by Flagg, A marvelous associational item between two famous illustrators. [Attributes: Signed Copy]

      [Bookseller: THE FINE BOOKS COMPANY / A.B.A.A / 1979]
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        Despair.

      London: John Long, Limited,, 1937. Translated from the Russian by the author. Octavo. Original black cloth, titles to upper board and spine gilt. With the pictorial dust jacket. Housed in a quarter morocco black solander box by the Chelsea Bindery. Endpapers somewhat browned, spine very gently rolled but an excellent copy in the frayed and rubbed dust jacket with loss at the ends of the spine panel and a small triangular chip from the centre of the spine panel. With some neat professional repair to the folds. First English edition, first impression, first issue in the black cloth. Nabokov's second English publication was put out by the small imprint John Long who specialized in unconventional, quirky books, especially mystery, fantasy, and crime novels. They had previously published Nabokov's Camera Obscura with very little success and fared no better with this. Both titles were remaindered in cheaper bindings and copies of either in dust jacket are rare. Of Despair there are thought to be a mere handful. This copy has the ownership signature of Karin de Laval (1894-1973), dated 1937. Laval was a Swedish writer who notably translated works by the likes of Tolstoy and Zola, and also, almost, Nabokov. There are very light pencil annotations to one page which would appear to be explication of idiomatic phrases. We cannot trace any published translation of Nabokov by Laval, but she seems to have considered the attempt. Certainly Laval's was a name known to Nabokov, for in 11 November 1957 he wrote to his Swedish publisher to complain about a poor translation of Pnin: "I must insist that Pnin's translation into Swedish be made by another translator, someone who knows English and can be trusted to respect the text of the original... There is another lady who is supposed to be an honest translator, Mme Karin de Laval. I am not familiar with her work by you might want to ask her to make a sample translation of one chapter or less." The translation by Nils Kjellstrom that was, in the event, published by Wahlstrom & Widstrand in 1958 was so poor that Nabokov had Doubleday arrange for it to be destroyed.

      [Bookseller: Peter Harrington]
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        Despair. Translated from the Russian by the author.

      London: John Long, Limited, 1937 - Octavo. Original black cloth, titles to upper board and spine gilt. With the pictorial dust jacket. Housed in a quarter morocco black solander box by the Chelsea Bindery. Endpapers somewhat browned, spine very gently rolled but an excellent copy in the frayed and rubbed dust jacket with loss at the ends of the spine panel and a small triangular chip from the centre of the spine panel. With some neat professional repair to the folds. First English edition, first impression, first issue in the black cloth. Nabokov's second English publication was put out by the small imprint John Long who specialized in unconventional, quirky books, especially mystery, fantasy, and crime novels. They had previously published Nabokov's Camera Obscura with very little success and fared no better with this. Both titles were remaindered in cheaper bindings and copies of either in dust jacket are rare. Of Despair there are thought to be a mere handful. This copy has the ownership signature of Karin de Laval (1894-1973), dated 1937. Laval was a Swedish writer who notably translated works by the likes of Tolstoy and Zola, and also, almost, Nabokov. There are very light pencil annotations to one page which would appear to be explication of idiomatic phrases. We cannot trace any published translation of Nabokov by Laval, but she seems to have considered the attempt. Certainly Laval's was a name known to Nabokov, for in 11 November 1957 he wrote to his Swedish publisher to complain about a poor translation of Pnin: "I must insist that Pnin's translation into Swedish be made by another translator, someone who knows English and can be trusted to respect the text of the original. There is another lady who is supposed to be an honest translator, Mme Karin de Laval. I am not familiar with her work by you might want to ask her to make a sample translation of one chapter or less." The translation by Nils Kjellstrom that was, in the event, published by Wahlstrom & Widstrand in 1958 was so poor that Nabokov had Doubleday arrange for it to be destroyed. Vladimir Nabokov: Selected Letters 1940-1977, pp.232-4 and p.288. [Attributes: First Edition]

      [Bookseller: Peter Harrington. ABA member]
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        THE LATE GEORGE APLEY: A Novel in the Form of a Memoir

      Boston: Little, Brown, and Company, 1937. First edition. Octavo; 354 pp. Blue cloth, illustrated dust jacket. True first edition, first edition dust jacket with $2.50 price intact. VG-/VG-. Heavy foxing throughout text. Dust jacket somewhat soiled, some foxing to rear panel; chipped at extremities, with one large 1/2" chip at top of spine. Shelve in Case #2. Dupont.

      [Bookseller: Second Story Books ]
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        [Photo Album]: Young Women at Summer Camp

      New Hamsphire, 1937. Near Fine. Oblong small quarto measuring 8" x 11.5". String-tied brown leather over stiff paper boards. Contains 13 black and white or sepia toned silver gelatin photographs measuring between 3.5" x 4.5"and 7.5" x 9.5" with captions. Near fine photo album with some edgewear and tiny tears with fine photographs.A photo album kept by a young woman at Winnemont summer camp in New Hampshire between 1933 and 1937. The album is full of large, professional photographs depicting activities at the camp. The first two photos show the campers performing a version of *Madame Beaueaire" showing the costumes actors on stage. The sports teams from these years are also featured in group photos posed with the tools of the sport including hockey, basketball, and tennis. There is also a photo of a lodge with campers eating lunch with a banner that says "Winnemont" in the distance. The final two photos show a group shot of "the class of 1937" and a photo of 9 young women with the caption "baby day 1937."A modest but nice collection of photos depicting a 1930s girl's summer camp.

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Handbuch der Deutschen Vogelkunde Band 1 - 3

      - Band 1: Passeres, Band 2: Pici, Macrochires u. a., Band 3: Tubinares, Podicipides u. a. Akadem. Vlg.-Ges. Lpzg. 1937. S. XXIV + 474, X + 545, XII + 568 S. gr8. m. zahlr. Abb. Ln. -2) 3 Bde.

      [Bookseller: Clivia Mueller]
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        The Collected Works : Poems: Prose : Letters & Some Drawings

      The First UK Printing published by Chatto And Windus in 1937. One of only 500 copies printed. The BOOK is in Very Good++ or better condition. A little pushing at the spine ends with a small lightly faded area at the lower spine end corresponding to the the area of loss in the wrapper. Crimson top-stain still present. Gilt titling remains bright. Mild splaying of the front board. Toning to the text block and page edges. Mild offsetting and spotting to the end-papers. The tissue guard to the frontispiece portrait is still present. Free from inscriptions. The WRAPPER is complete and is in Very Good++ condition. It bears the correct price of 12s. 6d. net. Mild edge-wear with some loss at the spine ends and the upper front panel edge. A few closed tears to the folds with some professional japanese tissue repairs on the verso to two closed tears to the spine folds. Light toning to the spine. The wrapper looks striking in the removable Brodart archival cover. Accompanied with the loosely inserted Publisher's compliments slip with the H/W compliments of Mr I. M. Parsons. The latter, an editor at Chatto went on to write the introduction and notes for the revised edition of this title published in 1979 by Chatto. From the library of American poet Richard Eberhart. A very scarce title with such attributes. Only the second copy we have handled to date.

      [Bookseller: Ashtonrarebooks]
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        And To Think That I Saw It On Mulberry Street

      Vanguard Press, 1937 First edition, first issue with white shorts. The dust jacket is a facsimile. Book in good condition, wear, paper cover missing from spine. Dust jacket near fine, very minor wear.

      [Bookseller: Bookbid Rare Books]
 20.   Check availability:     Biblio     Link/Print  


        The Citadel.

      London: Victor Gollancz Ltd,, 1937. Octavo. Original black cloth, spine lettered in gilt. In the dust jacket. Spine ends very slightly bumped, tiny markings to rear cover. A very good copy in the dust jacket, spine panel darkened at head and faded beneath. First edition, first impression, later state dust jacket. Presentation copy, inscribed by the author on front free endpaper to fellow author and close friend Dennis Wheatley: "for Dennis Wheatley, whose study of Chaucer has brought him close to Eve. A. J. Cronin." Loosely inserted is an autograph letter from Cronin to Wheatley, dated 1937, which reads: "My Dear Wheatley, many thanks for your kind letter. You are the most generous fellow in the whole of literary London and so more than ever deserve your success. Sincerely, A.J.C". With Wheatley's bookplate on pastedown. In in his memoirs, Wheatley lists The Citadel among the novels he considers the best of the 1920s and 1930s, noting that Cronin is "also [a] good friend of mine". A film adaptation of the novel under the same name was produced in 1938. The present dust jacket, advertising the demand for and sensation of the book, followed a previous dust jacket without these words, and was in use for the second impression of the book. As Victor Gollancz were quick to change their dust jackets to incorporate successful reviews and sales, it is unknown whether this is a supplied dust jacket from the second impression — though it is unlikely as marks on the book and the jacket concur — or whether part of the first impression was issued in the present jacket.

      [Bookseller: Peter Harrington]
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        Madrid

      Seix Barral ( Colectivizada), Barcelona 1937 - Barcelona: Industries Gràfiques Seix i Barral, colectivizada, 1937. 30 x 24 cm. sin paginar [45 hojas = 90 págs.]. En muy buen estado general de lomo, cubiertas e interior. La esquina inferior con leve pérdida, mínimos desgastes ( las cubiertas sobresalen medio centímetro del resto cuerpo del libro y es fácil que ese borde tenga desgastes en la mayoría de ejemplares). Se presenta con estuche en buckram con tejuelo y con funda de acetato mylar de conservación semirrígido. Excelente oportunidad de adquirir uno de los fotolibros de guerra más famosos del Siglo XX. Libro de denuncia de la República Española contra los bombardeos fascistas sobre la población civil de las ciudades de Madrid y Barcelona. La República Catalana se propuso a través del Comissariat de Propaganda dirigido por Jaume Miravitlles apoyar con sus numerosas publicaciones no solo al Gobierno legítimo y elogiar la lucha de los voluntarios de la Brigadas Internacionales también denunciar las mentiras del Pacto de No Intervención. Esta publicación pretendía señalar la vulneración de los aliados de Franco, Hitler y Mussolini, de dicho pacto. En este sentido este libro Madrid es el testimonio editorial más categórico y fehaciente, el retrato más cruel, de algo que por primera vez se perpetraba en Europa,; el bombardeo masivo de la aviación contra la población civil. El libro comienza con fotos de edificios destruidos por las bombas de aviación en el centro de Madrid ("La destrucción de Madrid"), sigue con fotos de la población refugiándose en los túneles del metro ("Bajo el suelo de Madrid"), continúa con las imágenes del éxodo ("Desolación y éxodo") y acaba con "Los refugiados en Cataluña" . A nivel gráfico destacan las tres dobles páginas litográficas de fotomontajes y la cubierta. De algunas fotos se ha identificado la autoría, destacando aunque vayan sin firmar, las de Robert Capa Editado e impreso durante la Guerra Civil Española, en Febrero del 1937, en los muy eficientes talleres de Seix Barral tomados por la Revolución Española . Comentarios en Catalán - Español - Inglés ¿ Francés Para más información sobre este título véase Martin Parr y Gerry Badger; The Photobook: A History Vol lII y Fotos & Libros; España 1905-1977 de Horacio Fernández. Los pagos por Paypal tienen un cargo adicional del 5%. [Attributes: First Edition; Soft Cover]

      [Bookseller: El Archivo]
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        THE HOBBIT OR THERE AND BACK AGAIN [FIRST IMPRESSION]

      London: George Allen & Unwin Ltd, 1937. First U.K. Edition, First Impression. Hardcover. 8vo., 310pp.; VG/VG; housed in a green clamshell box, 1/4 bound with dark green leather on spine and gilt lettering. rest green cloth with gilt title and gilt stylized Smaug on front board; boards of book are light green cloth, impressed with a stylized Misty Mountains scene in deep blue ink along the top and a dragon at the bottom of both boards; endpaper maps with red and black ink on white background, ffep has minor waviness, some crinkling to gutter; frep has minor yellowing; both endpaper maps whole with no splitting; spine slightly leaning; top edge of textblock has a green stain; frontispiece of 'The Hill: Hobbiton across the Water'; black and white illustrations, with one plate (facing p. 146) and nine text illustrations, including frontispiece; One of only 1500 copies of the original print run; comes with a facsimile dust jacket; JT consign; shelved case 3. Dupont.

      [Bookseller: Second Story Books]
 23.   Check availability:     Biblio     Link/Print  


        Die Kunst im Dritten Reich. 2. Jahrgang 1938, Folgen 1 - 12 (Januar - Dezember) ab Dezember als Ausgabe B (d.h. mit Architekturteil "Die Baukunst) * v o l l s t ä n d i g e r J a h r g a n g

      (noch zu Nr. 26932) - Deutsches / Drittes / Großdeutsches Reich, Großdeutschland vor dem 2.Weltkrieg, deutsches Kunstschaffen unter Adolf Hitler, NS.-Baukunst, nationalsozialistische Monumentalarchitektur, neue Bauten für NS.-Organisationen in der Reichshauptstadt, bildende Kunst im Nationalsozialismus, nationalsozialistische Kunstausstellung / Kunstauffassung, Leistungsschau völkischen Kunstschaffens in München, reichsdeutsche Kunstzeitschrift, arteigene / artgemäße Malerei und Plastik, Kunsthandwerk der 30er Jahre, NS.-Bauten, Sudetendeutsche Kunstausstellung 1937 in Berlin, Führerbau der NSDAP und Ehrentempel am Königlichen Platz in München von Paul Ludwig Troost, Deutsches Stadion auf dem Reichsparteitagsgelände in Nürnberg, Kongressbau, Haus des Deutschen Rechts in München, Ehrenhof Reichsluftfahrtministerium, 1. Deutsche Kunsthandwerkausstellung München 1938, Friedrich Stahl-Gemälde im Besitz der Verwaltung Obersalzberg, Ordensburg Sonthofen, Kollektivausstellung Fritz Clemens in Berlin der Bildhauer Professor Arno Breker, Künstlerschaffen für das Dritte Reich, Braunau die Wiege des Großdeutschen Reiches, Ausstellung Deutsche Plastik der Gegenwart in Warschau, Ehrenpreis des Führers für die Kieler Woche 1935 / zum Großen Preis von Europa 1936, Gemälde von Werner Peiner und Paraskene Bereskine, Adolf-Hitler-Jugendherberge in Berchtesgaden, Bildhauer Max Esser, festliche Räume der Luftfahrt gestaltet von Professor Ernst Sagebiel, Festsaal im Haus der Flieger zu Berlin, Ehrensaal im Reichsluftfahrtministerium, Porzellanfiguren von Lore Friedrich-Gronau und Paul Scheurich, Maler Karl Leipold, Kunstgeschichte, Kunstwissenschaft, illustrierte Bücher, NS.-Schrifttum, völkisches / nationalsozialistisches Gedankengut Versand an Institutionen auch gegen Rechnung

      [Bookseller: Galerie für gegenständliche Kunst]
 24.   Check availability:     booklooker.de     Link/Print  


        Le péril juif

      Fernand Sorlot 1937 - In-8° broché, couverture jaune imprimée, 32 pp. Plaquette rarissime rassemblant trois articles antisémites écrits par Jouhandeau entre 1936 et 1937. Marcel Jouhandeau récupérera en 1945 les rares exemplaires restants pour les détruire. Etat quasi neuf [Attributes: First Edition; Soft Cover]

      [Bookseller: LA 42EME LIGNE - LIBRAIRIE-GALERIE]
 25.   Check availability:     AbeBooks     Link/Print  


        Nero and Other Poems.

      Lakeport, CA: The Futile Press,, 1937. Duodecimo. Original white cloth-backed boards, title to spine in black. With a glassine jacket. Housed in custom slipcase. Spine lightly rubbed. Otherwise, a fine copy. First edition, first printing. Presentation copy, this copy is inscribed by the author to "Claire P. Beck, with the kindest regards and best wishes of Clark Ashton Smith, Auburn, Cal., May 8th, 1938", here with the rare glassine jacket intact, one of 250 copies printed. Tipped-in at the rear is a three-page printing of David Warren Ryder's "The Price of Poetry", first published in the magazine Controversy (7 November 1934), which was printed to accompany the book.

      [Bookseller: Peter Harrington]
 26.   Check availability:     Biblio     Link/Print  


        Waga toso. [i.e. "Mein Kampf"].

      Tokyo, Mikasa Shobo, 1937. 8vo. In the original cardboard binding with gilt lettering to spine, with the original yellow shaved wrappers pasted on to the free end papers. Paper labels with Japanese characters pasted on to pasted down front free end-papers. Lower crown with a few tears and lower corner on front board bumped, otherwise fine and clean. (2), 4, 2, 9, (1), (1)-366, (8) Pp. ¶ Rare first Japanese translation of Hitler's 'Mein Kampf'. The present translation, leaving out Hitler's patronizing sections on the Japanese and Japanese culture and extremist racist views in general, was targeted to make Hitler and his Nazi regime look appealing in the eyes of the Japanese population. Hitler's views in Japan changed greatly from the pubcalition of the original German edition in 1925 to after he became Führer. An investigation of the references to Japans in Mein Kampf reveals Hitler's views on Japan before he came to power. [...] Hitler's image of Japan was mirrored in his image of the Jewish people. Furthermore, he seemingly positive depiction of Japan stood in contradiction to his "Yellow Peril" racial ideology. For Example, he contrasted the "culture-founding Aryan" people with the (merely) "culture-bearing " Japanese race, which occupied a lower place than the Aryan people in his racial hierarchy. He patronizingly wrote that Japanese scientific and technical progress would cease without "Aryan" influence. His top lieutenants recalled that he accepted Japanese gains in the Far East with some resignation, and occasionally warned that eventually Germany would find itself in a showdown with what he called the "yellow race."During the 1930ties Hitler changed his views on the Japanese an eventually he gave them status as "Honorary Aryan", a status granted by the Nazi Bureau of Race Research, or by other Nazi officials, to certain individuals and groups of people who were not generally considered to be biologically part of the Aryan race, according to Nazi standards. The services of those peoples were valuable to the German economy or war effort."Heinrich Himmler was another admirer of Japan and the Japanese. In 1937, he wrote the forward to the book Die Samurai: Ritter Des Reiches in Ehre und Treue (The Samurai: Knights of the Empire in Honor and Loyalty) by Heinz Corazza. Although Corazza was not a member of the SS, the book was written primarily for SS troops. The focus on Japanese samurai (or bushi) loyalty mirrored the ideology of Himmler's SS. The SS are identified with the Japanese samurai-glorification of the Japanese! Accordingly, the moral authority and leadership of the samurai in Japanese society became simultaneously the expression of the role of the SS in German society". (Skya, Japanese Nationalism and the Second World War: Part II)In 1940 the Japanese Foreign ministry printed a classified translation of Mein Kampf for its own officials. The introduction to that book stated that the text included 'praiseworthy parts alongside elements that cannot be accepted by Japan and should therefore be discarded"As with the original German edition, first editions are now a scarcity. Although printed in large numbers, by far the greatest part of them will have been thrown out, burned, and otherwise destroyed, and for years they were not considered proper or decent selling- or collecting-objects.OCLC locates only two copies; Harvard Library and the library of University of Illinois.

      [Bookseller: Herman H J Lynge & Søn A/S]
 27.   Check availability:     Antikvariat     Link/Print  


        Brouillon d'un poème de Paul Eluard.

      - 1 manuscrit autographe (brouillon) 1 In-4 (petit) [1937] Sur papier bistre. marge inférieure découpée Brouillon d'un poème des Mains libres (1937), [Le sablier compte-fils], publié dans la N.R.F. du 1er avril 1937. Le recueil Les Mains Libres était présenté comme un recueil de dessins de Man Ray "illustrés par les poèmes de Paul Éluard". Pour ce court poème de 7 vers, les quatre derniers vers sont très corrigés, avec des ratures et variantes. "La rose le coeur dans un champ / De fleurs de givre / La lampe qui boit la lumière [.]". Poète surréaliste. [Attributes: Signed Copy]

      [Bookseller: Traces Ecrites]
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        Les Dernières Milices Cantonales. Cavalerie. [Teile I - III (von 4 Teilen der Abteilung Kavallerie)].

      Lausanne, Les Editions d'Art Suisse Ancien, - 1939 1937 - 4°, jeweils 4 Bl. Text (in Teil III 4 u. 2 Bl.), jeweils 20 auf lose Doppelbl. montierte farb. Tafeln. (zus. 60 farb. Taf.), Textteile geh.; lose Blatt in marmorierter HLwd.-Mappe mit Schliessbändchen., Mappe an den Kanten berieben (Teil III m. Verlust des Bezugspapiers am Fuss), etw. gebrauchsspuriges, gesamthaft gutes Exemplar. EA. Ex. Nr. 62/90 (Teil I) bzw. Nr. 65/90 (Teile II u. III). Text franz. Folge nach Aquarellen von Albert von Escher, die in der Schweizerischen Militärbibliothek in Bern liegen. Die Tafeln zeigen die jeweiligen kantonalen Truppen in ihren Uniformen und Bewaffnung: Teil I: Genf, Waadt, Fribourg, Neuchâtel; II: Bern, Solothurn, Luzern; III: Basel-Stadt, Aargau, Schaffhausen (1779 - 1854). - «Dernieres Milices Cantonales» erschien bis 1944 in insgesamt 3 Serien (Artillerie; Infanterie; Cavallerie) zu je 4 Mappen (je 20 Tafeln). - Albert von Escher (1833 - 1905), Genfer Militärmaler und Hauptmann, bekannt für seine Darstellungen zur Militärgeschichte, seine Schlachtenbilder und Uniformenwerke. 3400 gr. Schlagworte: Militaria-SchweizHelvetica - AllgemeinHelvetica - BaselHelvetica - AargauHelvetica - Schaffhausen [Attributes: Hard Cover]

      [Bookseller: antiquariat peter petrej]
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        Cancionero sin nombre

      Nascimiento editorial, Santiago de Chile 1937 - PRIMERA EDICIÓN FIRMADA POR EL AUTOR. FIRST EDITION SIGNED BY THE AUTHOR. Primer libro libro del autor. MUY BUEN ejemplar con caja protectora artesanal hecha a medida expresamente para este ejemplar. (88)pp [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: 101PoE]
 30.   Check availability:     IberLibro     Link/Print  


        Original Drawing of Snow White

      Disney Studios, Hyperion, Los Angeles 1937 - Production Drawing (animation art) for the 1937 film, Snow White and the Seven Dwarfs. Black graphite, blue and red ink, from a scene while she is in the cottage. The image is 7" tall, on a 12" X 10" sheet of 12 field, 5 peghole, animation paper, production number 77 changed to 81. A note read: "Follow rough for head spacing. Inb. body." "VB" by her hand, 52 in upper corner. Fine condition, authentic, and this will frame nicely. The drawing is either by, or overseen by, Grim Natwick, a Vienna trained artist hired by Disney in 1935, specifically to draw young women.

      [Bookseller: Biblioctopus]
 31.   Check availability:     AbeBooks     Link/Print  


        Spanish Testament. With an Introduction by The Duchess of Atholl.

      London: Victor Gollancz Ltd, 1937 - Octavo. Original black cloth, spine lettered in gilt. With the dust jacket. A trace of foxing to edges; a superb copy in the slightly soiled jacket with sunned spine, and a few nicks to extremities. First edition, first impression, rare in jacket. The publisher's retained copy with their stamp to the half-title. The author and journalist Arthur Koestler's first published book is his personal narrative of his adventures as a journalist in the Spanish civil war, the most influential of the books published on the civil war by the Left Book Club (Ruth Dudley Edwards, Victor Gollancz: A Biography, 2012, p. 269). Victor Gollancz's characteristically striking jacket advertises "his experiences as the News Chronicle correspondent: & how he was present at the fall of Malaga: his arrest: weeks in prison under sentence of death." [Attributes: First Edition]

      [Bookseller: Peter Harrington. ABA member]
 32.   Check availability:     IberLibro     Link/Print  


        Collecciò de 20 postals (Collection of 20 Republican Spanish Civil War propaganda postcards)

      P.S.U.-U.G.T. edicions del secretariat d'agitació i propaganda, Barcelona 1937 - 12mo (6 x 4"). Twenty loose postcards housed in their original illustrated envelop by Josep Artigas, as issued. Published in Barcelona as a joint project of the Catalan socialist party (PSU) and the General Union of Workers (UGT), this striking collection of twenty postcards reproduces images from larger anti-fascist posters produced during the early stages of the Spanish Civil War (1936/37). They feature the splendid graphic work of some of the most active poster artists of the time, such as Lleó Arnau, Jaume Solá, Parriego, Josep Subirats, Michel Adam (Joan Colom Agustí), Martí Bas i Blasi, Lorenzo Goñi, Carles Fontseré, Rafel Tona, and Xirinin. This collection contains the following postcards:1) U.G.T. El pillatje deshonra el triomf - Eviteu-lo! (Looting dishonors the triumph, Avoid it!): From a General Union of Workers poster by Xirinin. A man with a rifle warns another worker not to steal. 2) U.G.T. Camperol! la revolució necessita el teu esforç (Peasant! The revolution needs your effort): From a General Union of Workers poster by Josep Subirats. A peasant man, wearing a straw hat and with his shirtsleeves and trousers rolled up, works his land with a pick mattock. 3) P.S.U. Per a aixafar el feixisme ingresseu a l'aviacio (To crush fascism, enroll in the air force): From a United Socialist Party of Catalonia poster by Rafel Tona. A raised fist punches the air surrounded by planes flying in the same direction. 4) P.S.U. Els teus germans del front t'esperen per la lluita sagrada de la llibertat (Your brothers on the front await you for the sacred struggle of freedom): From a United Socialist Party of Catalonia poster by Lorenzo Goñi. Bold stencil style figure of a soldier or militiaman, his fist raised in the gesture of solidarity. He wears a forage cap and carries a rifle. 5) P.S.U. Les nits són fredes - treballeu per al front (The nights are cold - work for the front): From a Unified Socialist Party poster by Marti Bas i Blasi. In a cold night, a soldier is seen holding his bayonet and keeping guard at the front.6) P.S.U.-U.G.T. Per als germans del front, dones! Treballeu (For the Brothers at the Front: Women! Work): From a joint United Socialist Party and General Union of Workers poster by Carles Fontseré. The serpentine delineation in this illustration distinguishes between the brown and orange of a female figure figure who sits knitting, and the darker shades of blue above where an armed soldier stands on guard under a night sky. 7) U.G.T.-P.S.U. I tú ? Que has fet per la victòria ? (And you? What have you done for victory?). From a joint United Socialist Party and General Union of Workers poster by Lorenzo Goñi. A powerful image of a prostrate soldier with a bleeding headwound pointing at the viewer and asking what they have done to contribute to victory. 8) P.S.U. Industria de pau? De guerra !! (Industry of peace? Of War!!): From a United Socialist Party of Catalonia poster by Martí Bas i Blasi. A large red anti tank gun in the foreground, with a factory plant with smoking chimney in the background. 9) P.S.U.-U.G.T. Camperol! La collita es la reraguarda dels que lluiten (Peasant! The harvest is the rearguard of those who fight). From a joint United Socialist Party and General Union of Workers poster by Martí Bas i Blasi. A close-up study of a peasant harvesting his field. 10) U.G.T.-P.S.U. Mes homes, Mes armes, Mes municions per al front (More men, more weapons, more ammunition for the front). From a joint United Socialist Party and General Union of Workers poster by Lorenzo Goñi. Four stylized figures marching together with sloped rifles, two wear helmets, one a forage cap, and one a peaked cap. Five aeroplanes fill the top left corner. 11) U.G.T.-P.S.U. Treballadors!: Tots contra el feixisme (Workers! All together against fascism). From a joint United Socialist Party and General Union of Workers poster by "R." A close-up study of a worker wearing a phrygian cap and holding a rifle. 12) U.G.T.-P.S.U. Contra el feixi [Attributes: First Edition; Soft Cover]

      [Bookseller: ERIC CHAIM KLINE, BOOKSELLER (ABAA ILAB)]
 33.   Check availability:     AbeBooks     Link/Print  


        Portrait Photograph of Alfred Pach

      1937 - Seated in a chair. 1 vols. 9-3/4 x 7-1/4 inches. Alfred Pach of the famous portait photographers, Pach Brothers. Atelier stamped on verso: Photograph by Carl Van Vechten/146 Central Park West/Cannot be reproduced without permission. Holograph notations in ink giving the subject of the photograph and the number of the negative Seated in a chair. 1 vols. 9-3/4 x 7-1/4 inches

      [Bookseller: James Cummins Bookseller, ABAA]
 34.   Check availability:     AbeBooks     Link/Print  


        The Second Hurricane A Play Opera In Two Acts

      Boston: C. C. Birchard & Co., 1937. First Thus. Paperback. Very Good/No. First edition thus (preceded by a Boosey & Hawkes edition) of Denby's first published work (he provided the libretto for the opera) and Copeland's first opera. Very good condition in tall bound wrappers. Quite scarce.

      [Bookseller: Derringer Books, Member A.B.A.A.]
 35.   Check availability:     Biblio     Link/Print  


        Original drawing

      An original pen-and-ink drawing on paper, signed lower right and dated November 1937. 2 7/8 x 4 1/2 inches. A superb, characteristic drawing by the legendary Rube Goldberg.

      [Bookseller: Riverrun Books & Manuscripts]
 36.   Check availability:     Direct From Seller     Link/Print  


        L'aventure des objets.

      Chez José Corti 1937 - . In-12 agrafé. " Collection Orbes ". Préface de Jacques-Henry Levesque. Texte de C. Bryen, photographies de Raoul Michelet [Raoul UBAC]. E.O. ex. num. Envoi autographe de Camille Bryen. [Attributes: First Edition; Signed Copy]

      [Bookseller: Librairie Les Autodidactes - Aichelbaum]
 37.   Check availability:     AbeBooks     Link/Print  


        Serve It Forth (First Edition, Second Printing, 1937, In Dust Jacket)

      Harper & Brothers, New York 1937 - 253 Pp. First Book On Food By M F K Fisher, The Second Printing, August 1937 (The First Printing Was In June). Book Is Bright And Clean, All Gilt Brilliant, Just A Trace Of Wear At Corners, No Fraying, No Names Or Marks. Dj Worn At Edges, Price-Clipped At Top Of Front Flap, Large Chip/Loss In Bottom Half Of Spine, Removing Bottom Of "Forth" And First Three Letters Of Publisher's Name, Some Closed Tears And 1/4" Losses At Corners But Otherwise Complete, Just A Trace Of Fading To Pink Areas At Top And Bottom Of Spine, No Damp Spotting, No Soiling. [Attributes: Hard Cover]

      [Bookseller: Arroyo Seco Books, Pasadena, Member IOBA]
 38.   Check availability:     AbeBooks     Link/Print  


        Die Kunst im Dritten Reich. 2.Jahrgang 1938, Folgen 1 - 12 (Januar - Dezember) Ausgabe B (d.h. mit Architekturteil "Die Baukunst) * 2 Bände, vollständiger Jahrgang

      (noch zu Nr.24910) - Deutsches / Drittes / Großdeutsches Reich, Großdeutschland vor dem 2.Weltkrieg, deutsches Kunstschaffen unter Adolf Hitler, NS.-Baukunst, nationalsozialistische Monumentalarchitektur, neue Bauten für NS.-Organisationen in der Reichshauptstadt, bildende Kunst im Nationalsozialismus, nationalsozialistische Kunstausstellung / Kunstauffassung, Leistungsschau völkischen Kunstschaffens in München, reichsdeutsche Kunstzeitschrift, arteigene / artgemäße Malerei und Plastik, Kunsthandwerk der 30er Jahre, NS.-Bauten, Sudetendeutsche Kunstausstellung 1937 in Berlin, Führerbau der NSDAP und Ehrentempel am Königlichen Platz in München von Paul Ludwig Troost, Deutsches Stadion auf dem Reichsparteitagsgelände in Nürnberg, Kongressbau, Haus des Deutschen Rechts in München, Ehrenhof Reichsluftfahrtministerium, 1. Deutsche Kunsthandwerkausstellung München 1938, Friedrich Stahl-Gemälde im Besitz der Verwaltung Obersalzberg, Ordensburg Sonthofen, Kollektivausstellung Fritz Clemens in Berlin der Bildhauer Professor Arno Breker, Künstlerschaffen für das Dritte Reich, Braunau die Wiege des Großdeutschen Reiches, Ausstellung Deutsche Plastik der Gegenwart in Warschau, Ehrenpreis des Führers für die Kieler Woche 1935 / zum Großen Preis von Europa 1936, Gemälde von Werner Peiner und Paraskene Bereskine, Adolf-Hitler-Jugendherberge in Berchtesgaden, der Bildhauer Max Esser, festliche Räume der Luftfahrt gestaltet von Professor Ernst Sagebiel, Festsaal im Haus der Flieger zu Berlin, Ehrensaal im Reichsluftfahrtministerium, Porzellanfiguren von Lore Friedrich-Gronau, und Paul Scheurich, Maler Karl Leipold, Ausstellung Albin Egger-Lienz in Berlin, Erste internationale Handwerksausstellung in Berlin, Inneneinrichtung im Nationalsozialismus, Mosaik in der Adolf-Hitler-Weihestätte in Pasewalk von Georg Gruber ausgeführt von vereinigte Süddeutsche Werkstätten für Mosaik und Glasmalerei, Mosaik im Schwimmbad des KdF.-Schiffes "Wilhelm Gustloff", der Bildhauer Josef Thorax, Bildnisbüste des Führers von WMF gestaltet von Bildhauerin Hedwig Maria Ley, Führerrede zur Eröffnung der Großen Deutschen Kunstausstellung 1938, nationalsozialistischer kultureller Aufbauwille, Farbzeichnungen von Paul Scheurich "Festlicher Zug in festlicher Stadt", Bronzen, Bronzeguss, Reichsparteitaggelände und Zeppelinfeld in Nürnberg, Führerhaus in München: Inneneinrichtung, Ordensburg Vogelsang in der Eifel, Kunstgeschichte, Kunstwissenschaft, illustrierte Bücher, NS.-Schrifttum, völkisches / nationalsozialistisches Gedankengut Versand an Institutionen auch gegen Rechnung

      [Bookseller: Galerie für gegenständliche Kunst]
 39.   Check availability:     booklooker.de     Link/Print  


        Land des Ahr-Burgunder. Zwölf Gemälde von Professor Fritz von Wille in originalgetreuen Farbendrucken. Mit einem Geleitwort von Kreisleiter und Landrat Dr. Simmer sowie einer Einführung von Dr. Karl Kollbach, Remagen. Herausgegeben vom Kreisausschuß des Kreises Ahrweiler.

      4quer, VIII Seiten und 12 farbige Tafeln nach Gemälden von Fritz von Wille KOMPLETT!, betitelter Originalleinen mit Goldprägung - Einbandkanten gans leicht ber. sonst sehr guter Zustand - 1937. Sehr selten ! und KOMPLETT! AW95370

      [Bookseller: Antiquariat Ehbrecht - Preis inkl. MwSt.]
 40.   Check availability:     booklooker.de     Link/Print  

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