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Displayed below are some selected recent viaLibri matches for books published in 1936

        HIGH WALL.

      New York: Harrision Smith & Robert Haas, 1936 - Octavo, cloth. First edition. A scarce novel which was the basis for the 1947 film noir of the same name starring Robert Taylor. "Stylish, representative late forties noir thriller" - Selby, Dark City: The Film Noir, 167. Silver and Ward (eds.), Film Noir: An Encyclopedic Reference to the American Style (3rd edition), pp. 126-127. Keaney, Film Noir Guide, p.186. Water stain on front cover, staining along top edge of pages through first half of the book, not affecting text, a good to very good copy in very good dust jacket with water stain on front panel and closed tear with creasing at lower right front corner. (#126578) [Attributes: First Edition; Hard Cover]

      [Bookseller: Currey, L.W. Inc. ABAA/ILAB]
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        GARGANTUA ET PANTAGRUEL. ILLUSTRES DE SOIXANTE-SEIZE COMPOSITIONS EN COULEURS DE LOUIS ICART.

      LE VASSEUR ET CIE, EDITEURS. 1936 - 5 VOLUMES PETIT IN-4 (20 X 25,8 X 23 CENTIMETRES ENVIRON) DANS UNE ELEGANTE RELIURE DE L'EDITEUR 1/2 CHAGRIN VIOLINE A COINS, DOS A 5 FORTS NERFS ORNE DE CAISSONS A FLEURONS DORES, COUVERTURE CONSERVEE, TITRE ET TETE DORES, SOUS ETUI BORDE. ILLUSTRE DE 76 PLANCHES HORS TEXTE SOUS SERPENTE LEGENDEE, DONT 5 FRONTISPICES ET UNE SUITE LIBRE DE 16 PLANCHES, GRAVEES SUR CUIVRE. TETES DE CHAPITRES, LETTRINES ET FILETS D?ENCADREMENT DES PAGES GRAVES SUR BOIS. LA SUITE LIBRE DE 16 PLANCHES PRESENTEE SOUS PORTEFEUILLE DE L'EDITEUR CHAGRIN VIOLINE, A ETE GRAVEE PAR LOUIS ICART. PREMIER TIRAGE LIMITE A 996 EXEMPLAIRES NUMEROTES. UN DES 900 SUR VELIN D?ARCHES A LA FORME, CELUI-CI PORTANT LE NUMERO 744. «EDITION TRES RECHERCHEE ET COTEE» (CARTERET. IV. 329). IL MANQUE UNE SERPENTE ET LE LACET DE FERMETURE DANS LA SUITE LIBRE, DOS UNIFORMEMENT PALIS, SINON TRES BEL EXEMPLAIRE.

      [Bookseller: Librairie du Château de Capens]
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        EHON DON KIHOUTE

      1936. Fine. SERIZAWA Keisuke. EHON DON KIHOUTE. Mukomachi: Sunward Press, Showa 11 [1936] #19 of 25 of 100cc. 28.7 x 20.7 cm String-bound Japanese style in lacquered, printed paper covers, done by Suzuki Shigeo. Enclosed in the publisher's patterned cloth-covered chitsu clasped case. Perhaps the finest and most important Creative Print Movement illustrated book of the 20th century and a cornerstone for any collection of Japanese ehon. The Japanese colophon inside the book reveals this example was part of an extra 25 copies printed specifically to be shipped abroad. The book was commissioned by Carl T. Keller, the collector of Don Quixote material and illustrated with 31 hand-colored "stencil-engravings" [katazome], by the master Serizawa, later named a Living National Treasure. The covers, being lacquered, are subject to cracking with any use. This copy is amazingly unblemished, with only the slightest cracking along the hinge line. The chitsu case is complete and very clean with the original clasps. A lovely production, virtually unobtainable, in remarkable condition.

      [Bookseller: Boston Book Company]
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        Exceptional Margaret Mitchell letter as she awaits publication of Gone With the Wind - "I hope you will like the book - ... And not all the characters are noble and brave. Some years of research have convinced me that there were almost as many Scoundrels in the Sixties as there are today. But I hope you like my Scoundrels!..."

      Atlanta, Georgia, April 13, 1936. 4" x 5". "Autograph Letter Signed ""Margaret Mitchell Marsh,"" with postscript signed ""M,"" four full pages, 4"" x 5"", front & verso on two conjoined sheets. Atlanta, Ga, Mon. April 13, 1936. With original 5.25"" x 4.25"" laminated envelope addressed by Mitchell to ""Miss Martha Angley / 104 Bell Hall / Milledgeville / Ga.,"" postmarked Atlanta, April 14, 1936. Handwritten on back flap: ""M.M.M. (light smudge on final ""M"") / 4 East 17th St N.E. #9 / Atlanta, Ga."" Fine condition.In full, ""Thank you for your letter. I'm glad if the information I sent you was of interest. I hope you will like the book - but it isn't a 'White Columns in the Moonlight - Cape jessamine in Miss Melissy's hair' kind of book. And not all the characters are noble and brave. Some years of research have convinced me that there were almost as many Scoundrels in the Sixties as there are today. But I hope you like my Scoundrels!""Yes, I should so like to meet you but as for an interview - well it should be entertaining for if you've never interviewed anyone, I've never been interviewed! My first impulse is to ask you to come out to supper the first night you are here but - let me tell you my situation. My publication date is, presumably, May 5. But it has been changed so often that for all I know it may be changed again. I have promised several people dates from the 5th to the week end. I know I have a tea on the fifth and one on the seventh. And the dear Lord knows what over the week end. But if publication date is postponed I will not have a thing to do. So you see, I'm up in the air. So will you do this? As soon as you get to town, telephone me. If I'm not here, please leave your number with the cook and I'll phone you and make a date. I think it would be lovely if you could come out and have tea (or do you like tea?) one afternoon. I would like to make a definite date but I just can't, right now.""I will be expecting a call from you. Cordially Margaret Mitchell Marsh. P.S. my phone number is Hemlock 6251 - M.""Mitchell writes in the letter here offered, ""I hope you will like the book - but it isn't a 'White Columns in the Moonlight - Cape jessamine in Miss Melissy's hair' kind of book."" Although it isn't that ""kind of book,"" these terms and phrases appear in Gone With the Wind - Mitchell writes in Chapter XI about a letter Ashley Wilkes wrote to his wife Melanie from the battlefield that her sister-in-law Scarlett O'Hara, read ""surreptitiously."" The letter, in part, ""And so when I lie on my blanket and look up at the stars and say, 'What are you fighting for?' I think of States' Rights and cotton and the darkies and the Yankees whom we have been bred to hate, and I know that none of these is the reason why I am fighting. Instead, I see Twelve Oaks and remember how the moonlight slants across the white columns..."" In Chapter IX, Mitchell writes of a bazaar held at the Armory to raise money for the benefit of the hospitals: ""The smallest, the most fragrant blossoms bedecked the girls. Tea roses tucked behind pink ears, cape jessamine and bud roses in round little garlands over cascades of side curls..."" In GWTW, Miss Melissy was Fanny Elsing's mammy. Chapter XXI: ""Through the lane came the frail and elegant Mrs. Elsing ... Jouncing on the back seat of the carriage was her black mammy, Melissy...""In March 1936, Martha Angley (1916-1993), a student majoring in Southern Literature at Georgia State College for Women in Milledgeville, Georgia, was assigned to do a term paper on an up-and-coming Southern writer. She wrote to Dudley Glass, a newspaper reporter on the ""Georgian American,"" for assistance. On April 1, 1936, Glass wrote Miss Angely, in part, ""I don't know any budding authors, except one. Peggy Mitchell has written a book. A swell book, I understand, and I've forgotten the name of it, though she is a pal of mine and my wife's. Macmillan's is publishing it in May..."" Angley immediately wrote Mitchell, known as Peggy to her friends, who replied on April 6th, in part, ""I was very flattered to get your letter -- and I began to feel like a author. As I will not be published for another month, I haven't felt very much like an author until now..."" After she wrote her eight-page, double-spaced, term paper, Angley sent a copy to Margaret Mitchell who replied on July 6th, in part, ""...thought I'd write you and tell you how much I enjoyed your letter and 'our' term paper. I thought it a grand paper and am very flattered that you picked me to write about...""The official release date for ""Gone With the Wind"" was June 30, 1936. In March 1936, the ""Book-of-the-Month Club"" chose it as its selection for July. On July 10, 1936, Margaret Mitchell sold the movie rights to GWTW to producer David O. Selznick for $50,000. On May 3, 1937, Gone With the Wind won the 1937 Pulitzer Prize for Best Novel. The movie won ten 1939 Academy Awards. A front page article titled ""Book Given by / Peggy Marsh / to Library"" in the October 17, 1936, issue of ""The Colonnade,"" published by the Georgia State College for Women, tells readers: ""The latest member of THE FRIENDS OF THE LIBRARY is Margaret Mitchell, who gave a copy of GONE WITH THE WIND to the library with the following inscription: 'Fir the Library of the Georgia State for Women from Margaret Mitchell.' In a letter accompanying the book she said: 'I would like to present this copy to the library, for I shall be happy to be considered one of the Friends of the Library.'"" On page two: ""In Margaret Mitchell's latest letter to Martha Angley, her campus discoverer, she P.S.'s 'Yes, I am wondering too who will play the parts in the movie. But I do not know. I sold the movie rights outright and have no connection with the production. I am not even going to Hollywood as an 'adviser.' What good could I do anyway? In spite of all my efforts they would probably insist on making the characters say 'you all' when addressing one person.'""On August 25, 1938, Clark Gable was signed to play Rhett Butler. On January 13, 1939, producer David O. Selznick announced that Vivien Leigh would play Scarlett O?Hara. Before announcing it to the press, he sent a telegram to Margaret Mitchell at 5:58 PM that day (8:58 PM Atlanta time). Mitchell wanted her old colleagues at ?The Atlanta Constitution? to get the scoop of the year, so she rushed to the newspaper office. The January 14th morning edition was about to go to press, so the editor took out a portion of the front page, replacing it with a photograph of Vivien Leigh and the story headlined ?Scarlett Officially Named!? ?" subheaded ?Choice Revealed / by Miss Mitchell.? The official shooting of Gone With the Wind began on January 26, 1939.Auction records provide that this is one of only 3 ALS's to have hit the market in at least 4 decades and this particular letter has by far the finest content of all."

      [Bookseller: University Archives]
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        Military Report on Cyprus

      London: Prepared by the General Staff, War Office,, 1936. For Official Use Only. Octavo. Original khaki cloth-backed printed boards, title in black to the spine. 2 large folding coloured maps in end-pocket, 2 folding tables. Externally a little rubbed and soiled, front hinge almost imperceptibly repaired, ink stamp of the National Army Museum to the front pastedown, light toning to text, overall very good. First thus, 625 copies only. Uncommon, Copac listing only BL and IWM, OCLC adds copies in the Cheshire Library System, and at the Australian War Memorial. Issued as a response to the Nicosia Disorders of 1931, this typically thorough War Office geographical over-view superseded the previous report of 1913. This copy with the ownership inscription of writer Alan Sillitoe, a keen student of military cartography.

      [Bookseller: Peter Harrington]
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        Hardy Boys: The Sinister Sign Post

      New York: Grosset and Dunlap,, 1936. Octavo. Original tan cloth with Hardy Boys' silhouette and titles to front board dark brown, orange pictorial endpapers. With the dust jacket. Illustrated throughout by J. Clemens Gretter. Mild toning to fore edge, light wear to cloth at ends of spine, in the price clipped dust jacket with gentle wear to ends of spine and front edges. A very good copy. First edition, first state and format. The 15th Hardy Boys title.

      [Bookseller: Peter Harrington]
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        IN DUBIOUS BATTLE

      1936. STEINBECK, John. IN DUBIOUS BATTLE. NY: Covici Friede, 1936. 8vo., beige cloth with black spine in the original publisher's cardboard slipcase. Signed, Limited Edition of only 99 numbered copies, of which this is copy #71. [Goldstone & Payne A5a]. One of Steinbeck's smallest signed, limited editions. Fine condition; original slipcase has a few minor bumps and two small cracks along the top edge that are repaired with black tape (publisher's title label on spine still nice). While copies of this signed, limited edition appear from time to time, nice ones in the original slipcases are tougher to find. $8,500.00.

      [Bookseller: Antic Hay Books]
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        PETER RABBIT WITH GREAT BIG CUT-OUTS

      BAILEYS. POTTER,BEATRIX. PETER RABBIT WITH GREAT BIG CUT-OUTS. Akron: Saalfield 1936. Folio (10 1/2 x 14 3/4"), stiff pictorial wraps, small ink check on cover else near fine and unused. There are 6 large die-cut pages of cut-out Potter figures illustrated by the Baileys in typical 30's style with bold colors. The center of the book has the text of the story meant to be cut out. The instructions on how to make an actual book are included. Rare.

      [Bookseller: Aleph-Bet Books, Inc.]
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        Berliner Illustrirte Zeitung: 45. Jahrgang 1936: Heft 1 - 52 ( 2. Januar - 29. Dezember 1936 ). In 2 Bänden aufgebunden.

      Ullstein, Berlin 1936 - Mit 2144 Seiten, der 45. Jahrgang hiermit vollständig vorliegend. Mit tausenden von schwarz-weißen Abbildungen und Illustrationen, alle Bereiche des politischen, täglichen, kulturellen, wirtschaftlichen, sportlichen, militärischen Lebens darstellend in Wort und Bild. Jeweils in braunem Halbleinen der Zeit mit marmorierten Buchdeckeln und goldgeprägten Einbandrücken, Folio ( 37,5 x 27,5 cm ). Einbände etwas berieben, Ecken und Kanten gering bestoßen. Innen Papier durchgehend leicht gebräunt, wenige Seiten gering fleckig, wenige Seiten leicht angeknickt, einige Seiten mit kleiner Beschädigung im rechten weißen Außenrand. Insgesamt guter Zustand. - selten - ( Gesamtgewicht ca. 8000 Gramm ) ( Pic erhältlich // webimage available ) [Attributes: Hard Cover]

      [Bookseller: Antiquariat Friederichsen]
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        Chinese Jade. Throughout the ages. A review of its characteristics, decoration, folklore and symbolism. Introduction by Sir Cecil Harcourt-Smith.

      London: B. T. Batsford Ltd, 1936 - Quarto. Original orange cloth, titles to spine and front board in green, Chinese characters blocked to front board in green and red, pattern endpapers. With the dust jacket. Wear to ends of spine and corners, mild soiling to boards, in the dust jacket with just a touch of wear to extremities. 39 colour plates and numerous black and white photographs. First edition, first impression.

      [Bookseller: Peter Harrington. ABA member]
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        A Further Range

      New York: Henry Holt and Company, 1936 First edition, limited issue of 803 numbered copies. Signed by Frost on the limitation page. Publisher's coarse tan cloth, with a brown morocco title label to the spine lettered in gilt; in the publisher's gray-brown slipcase, with the limitation number in holograph on the spine. Fine book; in a fine slipcase. A lovely copy, signed by Frost. Crane A21. A Further Range is a collection of poetry that includes "Design," "Desert Places," "To a Thinker," "Vindictives - The Andes," "The Harship of Accounting," and "Leaves Compared with Flowers," among others. Notably, this anthology earned Frost his third Pulitzer Prize for Poetry. A Further Range is divided into six thematic sections: "Taken Doubly," "Taken Singly," "Ten Mills," "The Outlands," "Build Soil," and "Afterthought." Specifically, the first section contains poems with two titles, the second contains lyric poetry, the third contains brief, witty verses, and the fourth includes mountain-related poetry. The two final sections are the shortest and contain theoretical verse.. Signed by Author. 1st Edition. Hard Cover. Fine.

      [Bookseller: B & B Rare Books, Ltd., ABAA]
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        Honourable Estate (Signed By The Author)

      Gollancz 1936 - The First UK Edition published by Gollancz in 1936.The BOOK is in Very Good+ or better condition.A little toning of the spine and cover edges.Light pushing to the lower spine.The book is tight.Light toning and dustiness to the text block.Three inscriptions from previous owners to the front pastedown and front endpaper.The pages are very clean and do not have any of the toning and foxing usually encountered.The fragile paper WRAPPER is complete and is in Very Good+ condition.Minor edge wear and creasing in places.The wrapper has a mild horizontal crease across it.Closed tears to the upper rear cover and lower front spine fold.Red colouring to the spine remains good.The wrapper looks very attractive in the removable Brodart archival protector. The book has been Signed and Dated by Vera Brittain to the title page.A scarce post WW1 title to find signed. Collectible with such attributes. ashtonrarebooks welcomes direct contact. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Ashtonrarebooks PBFA]
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        Death at the President's lodging / by Michael Innes

      London : Gollancz, 1936, Hardback, Book Condition: Very Good, First EditionVery good copy in a later binding and wrapper. The dust wrapper is somewhat faded and edge-nicked. Previous owner's signature to ffep. Some light, marginal foxing, mainly around first few pages. Remains particularly well-preserved overall. Further scans, images etc. and additional bibliographical material available on request.; 8vo 8" - 9" tall; 318 pages; Scarce copy of the author's first novel which introduced his long-serving detective John Appleby. Includes fold-out plan after main text. 318p. 18cm. Genre: Detective & mystery -- Novel -- Fiction.

      [Bookseller: MW Books Ltd.]
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        Robert Frost: A Chronological Survey

      Middletown, CT 1936 - INSCRIBED Inscribed on flyleaf "Robert Frost/ 1939/ for Fred Rosenstock." Rosenstock was a famous Denver bookman. Quarter green cloth and boards. Fine in chipped glassine [Attributes: First Edition; Signed Copy]

      [Bookseller: James Cummins Bookseller, ABAA]
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        The Artistry of Mixing Drinks

      Paris: Fryam Press, 1936. First Edition. Paperback. Very Good. Signed. Paris: Fryam Press, 1936: Signed. First Edition, First Printing. Signed and inscribed by both Frank Meier and Charles C. Ritz, of the Ritz Hotel in Paris. In About Very Good condition, with front flap of jacket split, though held naturally in place by French flaps. Sewn binding a bit fragile toward early signatures. Light staining to covers, light waviness to front cover. Foxing to pages. Light overall wear. One of 1,000 copies originally printed, extraordinarily rare, signed by Frank Meier, the legendary bartender at the Ritz Bar, as well as by Charles C. Ritz.

      [Bookseller: Burnside Rare Books]
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        A Brief Summary of the New Life Movement

      Nanchang, Kiangsi, China:: The Association for the Advancement of New Life Movement,. ca. 1936.. Pamphlet touting the benefits of the Chinese civic education program known as the New Life Movement, the movement established by General Chiang Kai- shek and his wife within the Chinese Nationalist party (the Kuomintang) to counter the effects of domestic factionalism, Communism and Japanese militarism. Chiang launched this movement from his Nanjing headquarters, when he was the leader of the Republic of China.He expelled Chinese communists from the party and led a successful unification of China. Despite a professed focus on reform, Chiang’s government concentrated on battling Communism within China as well as confronting Japanese aggression. When the Allies declared war on Japan in 1941, China took its place among the Big Four. Civil war broke out in 1946, ending in a victory by Mao Zedong’s Communist forces and the creation of the People’s Republic of China. From 1949 until his death, Chiang led the KMT government in exile in Taiwan, which many countries continued to recognize as China’s legitimate government. Xinsheng Road, a major arterial road in Taipei is named after the movement.The New Life Movement stressed traditional Confucian morality and the Methodist notion of self-cultivation as the solution to the perceived degeneration of the Chinese people, and was considered by the Kuomintang to be key element of Sun Yat Sen's Three Principles of the People. The New Life Movement was suspended and dissolved by 1949. The 'Contents' include the Beginning of the New Life Movement (NLM); The Unification and Promotion of the NLM; the Future of the NLM; The Import-ant Speeches of General Chiang Kai-Shek; The Slogans, Rules and Emblem of the NLM; Outline of the NLM; Appendix: The Staff of the General Association for the Promotion of the NLM. The Appendix (last 2p) comprises a list of the organizations staff; President (Chiang Kai Sheh), 32 Directors, a Director-in-Chief, a General Secretary, Secretary and Head of the First, Second & Third Departments, and 18 Secretaries. The lengthy list of slogans and rules runs to 95 items, including #40. Do not smoke opium.NOT ON OCLC; a similar but shorter item, titled "Outline of the New Life Movement" is recorded as OCLC: 3976888 and is owned by 16 libraries. It seems to be related, but differs to this item.Pamphlet, 8vo, (2), 1-18pp, with additional page text with color plate of the symbol for the organization. Blue paper wrappers bound with pale blue ribbon. Paper wrappers marked & ruffled at spine with 1 1/2" split lower spine, internally very good.

      [Bookseller: Antipodean Books, Maps & Prints ]
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        Collected Poems 1909-1935

      Faber & Faber Limited, London 1936 - First Edition, First Printing SIGNED by T.S. Eliot on a laid in signature. An attractive First Issue dustjacket that has minor wear to the edges. The book is in excellent condition. The binding is tight with NO cocking or leaning and the boards are crisp. The pages are clean with NO writing, marks or bookplates in the book. A wonderful copy with the ORIGINAL dustjacket SIGNED by the author. We buy SIGNED Eliot First Editions. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Quintessential Rare Books, LLC]
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        Homenagem a Fernando Pessoa. Com os excerptos das suas cartas de amor e um retrato por Almada.

      - [Lisbona], Ediçoes Presenza, 1936, in-16, br. edit., pp. 47, [5]. Con un ritratto di Pessoa a piena pagina. Prima edizione. Nipote di Ofelia Queiroz, Carlos Queiroz pubblica per la prima volta qui alcuni estratti di lettere d'amore di Pessoa a sua zia. Salvo una naturale ingiallitura della carta, ottime condizioni. [Attributes: First Edition; Soft Cover]

      [Bookseller: Libreria Oreste Gozzini snc]
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        Medical Classics 1-5, September, 1936 - May, 1941, in Fifteen Volumes

      The Williams & Wilkins Company, Baltimore 1936 - Spines very slightly faded, ink name & date on front flyleaf of single volume. 1936 Hard Cover. Complete in fifteen hardcover volumes custom-bound by Brentano's, comprising issue nos. 1-10 of volumes 1-5 (most volumes contain multiple issue numbers). Red cloth, maroon morocco spine labels, gilt titles & rules, decorated endpapers. Black & white portraits. Garrison-Morton 6662.1: 'Reprints of classic texts, with English translations where necessary. Includes biographical notes and full bibliographies.' Covers important topics such as Parkinson's shaking palsy, breast cancer, tuberculosis (i.e., consumption or phthisis), cardiac health, etc. Includes works by: Sir James Paget; Sir Charles Bell; Oliver Wendell Holmes [Sr.]; Percivall Pott; Theobald Smith; Sir Dominic John Corrigan; Thomas Hodgkin; Nathan Smith; Douglas Argyll Robertson; Guido Banti; Joseph Lister; Johann von Mikulicz-Radecki; Thomas Addison; William Withering; Reginald Heber Fitz; Charles McBurney; Carlos Juan Finlay; Ephraim McDowell; James Marion Sims; Robert Koch; Sir Benjamin Collins Brodie; James Parkinson; Hippocrates; William Stewart Halsted; Claude Bernard; Robert Adams; John Cheyne; William Stokes; Gurdon Buck; Peter Ludwig Panum; John Hughlings Jackson; Rhazes (Abu Becr Mohammed Ibn Zacariya Ar-razi); Guillaume Dupuytren; Sir William Osler; Thomas Sydenham; John Hunter; George Ryerson Fowler; Albert John Ochsner; Giovanni Battista Morgagni; Austin Flint; Friedrich Trendelenburg; Abraham Colles; Caleb Hillier Parry; Robert James Graves; John Fothergill; Sir Jonathan Hutchinson; Sir William Bowman; Ignaz Philipp Semmelweis; William Morrant Baker; William Henry Welch. [Attributes: Hard Cover]

      [Bookseller: Yesterday's Muse, ABAA, ILAB, IOBA]
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        PEER GYNT; A DRAMATIC POEM

      George C Harrap 1936 - LIMITED EDITION NO. 122 OF 460. 12 coloured illustrations by Arthur Rackham, mounted with tissue guards, decorated endpapers, top edge gilt, other edges uncut, original vellum, some very slight discolouration to top of front board, otherwise a fine copy, with original slipcase, numbered label, discolouration and split in one joint and remains of original cellophane wrapper. Size: Quarto [Attributes: First Edition; Hard Cover]

      [Bookseller: Old Hall Bookshop, ABA ILAB PBFA BA]
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        Absalom, Absalom!

      Random House, New York 1936 - First Printing. Octavo (21cm); black cloth, with titling and rule stamped in red and gilt on spine and front panel; red topstain; dustjacket; 384pp, [1] fold-out map. Partial, thin split to paper on front hinge, with subtle fading to topstain; Near Fine. Dustjacket is unclipped, toned at spine and rear panel, with some very shallow chipping at the crown and moderate rubbing to extremities and flap folds; Very Good. [Attributes: First Edition]

      [Bookseller: Lorne Bair Rare Books, ABAA]
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        A Gun for Sale

      London: William Heinemann Ltd., 1936., 1936. Thriller. First Edition. Octavo, pp.261. Publisher's red cloth with titles in gilt to spine, red endpapers. The faintest sunning to spine else a truly fine copy of one of the author's rarest titles in first edition, lacking only the ridiculously rare dustwrapper. Published as 'A Gun For Hire' in America.

      [Bookseller: Adrian Harrington Rare Books]
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        The Trouble I've Seen

      London: Putnam, 1936., 1936. First Edition. Octavo. Bound in green cloth, with titles in black to spine. Dust jacket, black with white stars and with red and white title details to cover and spine, with further titles published by Putnam to rear cover. With introduction by H. G. Wells. Binding is in fine order. The dust jacket is in good condition, colours bright, with some minor rubbing to front edge and top and tail of spine. The text is clean, and without signs of spotting. An attractive copy of an early work by one of the most significant war correspondants of the twentieth century, and who was married to Ernest Hemingway for the duration of World War II.

      [Bookseller: Adrian Harrington Rare Books]
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        IN DUBIOUS BATTLE

      1936 - STEINBECK, John. IN DUBIOUS BATTLE. NY: Covici Friede, 1936. 8vo., beige cloth with black spine in the original publisher's cardboard slipcase. Signed, Limited Edition of only 99 numbered copies, of which this is copy #71. [Goldstone & Payne A5a]. One of Steinbeck's smallest signed, limited editions. Fine condition; original slipcase has a few minor bumps and two small cracks along the top edge that are repaired with black tape (publisher's title label on spine still nice). While copies of this signed, limited edition appear from time to time, nice ones in the original slipcases are tougher to find. $8,500.00. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Antic Hay Books]
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        Step by Step. 1936-1939

      London, Odhams Press Limited, . FIRST ODHAMS EDITION. 8vo., with 2 maps (1 double-page), pp. 350 + epilogue. Publisher's hardback cloth binding in dustjacket. SIGNED ON TITLE-PAGE BY THE AUTHOR. Book has a small damp-stain to top edge, slightly rubbed to spine and joints. near fine. Churchill's foreign affairs articles from 1936 to 1939 are compiled in this important work, which chronicles Britain's loss of air parity, France's decline, and the renascent Germany of Adolf Hitler. Woods A45

      [Bookseller: Adrian Harrington Rare Books]
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        POÈMES INTERDITS. Treaduits de l'espagnol par Edmond Vandercammen.

      Le Cahiers du journal de poètes,, Bruxelles 1936 - 14x19.5. 68pp. 2hh. Retrato de Maples en frontis por el traductor. Antigua y tenue mancha de humedad que afecta la parte inferior del lomo. Algo de óxido. Conserva el papel glassinne original, con una pequeña pérdida. Tirada de 612 ejemplares, 100 de ellos 'de luxe, sur papier Featherweigh fort', numerados (éste es el 42. Dedicatoria autógrafa al hispanista belga Lucien-Paul Thomas (1880-1948), que se especializó en Culteranoismo, Góngora y Calderón de la Barca. [Attributes: Soft Cover]

      [Bookseller: Carmen Alonso Libros]
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        Men of Concord

      Houghton Mifflin Company, Boston, MA 1936 - E. B. White's (1899-1985) personal copy of this edition of "Men of Concord." White has signed "E B White" in black ink on the second free endpaper. White had a great affinity for Henry David Thoreau, owning many copies of works by him. From the Estate of Joel (1930-1997) & Allene White. xxiii, 391, [1] pp. 12mo. Paper covered boards with a floral design, red cloth spine with gold embossed titling which has faded slightly over time; corners bumped with small losses. The ten color plates (which includes the frontispiece) and the endpapers of the book were created by N. C. Wyeth; the additional twenty-four pen & ink drawings and title page are by Andrew Wyeth under his father's direction (Allen & Allen). [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Artisan Books & Bindery, ABAA/ILAB]
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        Important Typed Letter Signed on embossed personal letterhead

      1936. unbound. 1 page, 10.5 x 7.25 inches, no place, June 16, 1936. Written to Frederic R. Coudert, a powerful New York attorney, whose firm represented Great Britain's interests in North America for almost a century, giving his views on the latest chapter of British appeasement towards Nazi Germany, in part: "...I agree with you that the world is in a very dangerous condition generally. The recent action in the British Parliament shows a recession in the whole theory of international cooperation which I would never have believed possible. Incidentally, it rather confirms a memorandum that I gave to President Wilson, suggesting to him that they should omit all sanctions and elements of force as being impractical of use and therefore dangerous..." Hoover strongly opposed the severe sanctions levied against Germany in the Versailles Treaty and felt that its vindictive nature would result in another World War. Natural folds and several creases; very good(-) condition.

      [Bookseller: Argosy Book Store]
 28.   Check availability:     Biblio     Link/Print  


        MT. FUJI AT DAYLIGHT. A Large Size Color Print.

      A BEAUTIFUL VIEW OF MT. FUJI WITH THE LAKE IN FOREGROUND [Tokyo 1936, - Doi]. A large size print, sheet size 43 x 29 cmprint size 39.5 x 26 cm., deckel edge to the right, signedKoitsu, red sealed, Doi publisher, Yokoi printer, Harada thecarver, fine copy, excellent color and registry. R A R E Color scans available for this book on request. Description content 2015Copyright Rare Oriental Books Co.

      [Bookseller: RARE ORIENTAL BOOK CO., ABAA, ILAB]
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        Journey Without Maps

      London: Heinemann, 1936., 1936. Tall 8vo. Publisher's lemon cloth, decorated and titled in brown to spine, illustrated map endpapers, top edge red.Text block clean, ink ownership (1936) to half-title, minor toning to extremities of binding. A clean, presentable copy of a most uncommon title. FIRST EDITION. Greene's first travel book. Several critics suggested that the author's trip to Liberia and the resulting published work mark a change both in his mind and in his fiction. Greene talks of how the journey to Africa is not just back into time or to beginings, but to a place where elemental power exists without modern sophisticated trappings. When Greene compares the African manifestations of that power with his dreams in the short section 'Mythology' (p.209), he suggests that evil united with Power is more a qualioty of civilization. A second travel book 'The Lawless Roads. A Mexican Journey' was published in 1939, which was followed by the Mexico-based prize-winning novel 'The Power & the Glory' in 1940, both of which bear close relation to Journey Without Maps. Wobbe [A11a]. Listed in National Geographic's 100 Greatest Adventure books

      [Bookseller: Adrian Harrington Rare Books]
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        The General Theory of Employment, Interest and Money

      London: Macmillan, 1936. xii, 403pp, [1]. Original cloth in DJ. DJ spine browned as often, chipped to head of spine and corners with tiny amounts of loss, tear to head of lower panel, but with no loss . Book generally bright and clean. Internally some light browning to endpapers, a hint of dust staining to top edge of text block, occasional pencil lines to margins, but generally bright and clean. Keynes' magnum opus, PMM 423. First Edition. Hardback. Very Good/Good. 8vo.

      [Bookseller: Temple Rare Books]
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        Gone With The Wind (First UK Edition With The Scarce Promotional Band)

      The First UK printing published by Macmillan (London) in 1936.The BOOK is in near FINE condition.A little pushing at the spine tips with very early splaying of the boards.Covers are clean with black titling.Mild offsetting to the prelims and end papers. Mild toning and spotting to the text block.Previous owner's inscription to the verso of the front blank end paper. Green top stain still present but faded.The WRAPPER is the correct First Issue state and is price-clipped.It is in VERY GOOD++ or better condition.Minor edge wear with loss at the upper front spine and front upper flap fold.Closed tear to upper rear spine fold.Amazingly, there is No fading of colouring to the spine.The wrapper has spotting to the verso which comes through very mildly in places to the front.The 'Daily Mail Book Of The Month' Promotional Band is complete and bears the correct price of 10s 6d net.It is a little foxed in places.The period wrapper design looks very striking in the removable Brodart archival protector.A monumental classic considered by many to be not only the greatest love story ever written,but also the greatest Civil War saga.Margaret Mitchell's 'Gone with the Wind' is the bestselling novel of all time and her unforgettable characters have become American icons. One of the most important books in American literary history,Mitchell's Civil War epic was a huge success when published, winning the Pulitzer prize for fiction. It's international renown was further enhanced by the film version starring Clark Gable and Vivien Leigh. Incredibly scarce as a first UK edition and at the time of listing, the only available copy available on the market.A fabulous copy with such attributes! ashtonrarebooks welcomes direct contact.

      [Bookseller: Ashtonrarebooks]
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        Chinese Jade

      London: B. T. Batsford Ltd,, 1936. Throughout the ages. A review of its characteristics, decoration, folklore and symbolism. Introduction by Sir Cecil Harcourt-Smith. Quarto. Original orange cloth, titles to spine and front board in green, Chinese characters blocked to front board in green and red, pattern endpapers. With the dust jacket. 39 colour plates and numerous black and white photographs. Wear to ends of spine and corners, mild soiling to boards, in the dust jacket with just a touch of wear to extremities. First edition, first impression.

      [Bookseller: Peter Harrington]
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        Keep the Aspidistra Flying

      London: Gollancz,, 1936. Octavo. Original blue cloth, titles to spine in blue. With the dust jacket. Housed in a black quarter morocco solander box by the Chelsea Bindery. A superb copy in the dust jacket and wraparound band. First edition, first impression. The first edition consisted of 3,000 sets of sheets of which only 2,500 were bound. Of these more than 200 were destroyed during the war. Copies in dust jacket appear on the market with considerable infrequency. We have handled just two other examples. Publisher's file copy.

      [Bookseller: Peter Harrington]
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        GONE WITH THE WIND

      Macmillan, New York 1936 - First printing, May 1936, in first issue jacket. A stunning, Fine copy, exceptionally rare in this condition. The book is pristine with a bright yellow topstain, square binding and a tight hinges, completely unread. Fine dust jacket is bright and unworn with only the lightest rubbing at the corner tips. Both book and jacket completely untouched by any repair or restoration. Housed in a custom clamshell case.The basis for the critically acclaimed, 1939 film starring Clark Gable and Vivien Leigh. Mitchell managed to create a book that is both an engaging romance (without being sentimental) as well as a sympathetic portrayal of the devastation to the Southern way of life in the wake of the Civil War. No other work of literature more fully captures the old Southern gentility than "Gone With the Wind." "This is beyond a doubt one of the most remarkable first novels produced by an American writer. It is also one of the best." (J. Donald Adams, New York Times Book Review July 5, 1936). Fine in Fine. dust jacket. [Attributes: First Edition]

      [Bookseller: Whitmore Rare Books, Inc. -- ABAA, ILAB]
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        Manuscript of two works: Christmas Literature, A Bibliographical Study. [With:] The Tryal of Old Father Christmas

      [Chicago]: ?'Privately Printed at the Sign of the Holly Wreath?", 1936. UNIQUE. Typescript within ruled borders, pen-and-ink and colored drawings and decorations, all done by the author. 3 vols. 4to. Bound in quarter red-morocco, giltÊholly-leaf ornaments, over vellum boards, spines gilt, t.e.g., gold-stamped green leather title labels on spines, by the Monastery Hill Bindery, Chicago, in a divided red cloth open-faced slipcase. Author's manuscript of two major works on the bibliography and history of Christmas. Christmas Literature, later titled Christmas Through the Centuries, was published in 1938 by W.M. Hill, Chicago in an edition of 500 copies by the Red Hart Press. The Tryal of Old Father Christmas, a history of the controversies about celebrating the holiday, as well as an edition of Josiah King's text, was published in 1937 in an edition of 500 copies by the Torch Press. The present typescripts contain illustrations and borders, drawn and illuminated by the author. The author was a Law Professor at the University of Chicago.

      [Bookseller: James Cummins Bookseller]
 36.   Check availability:     Biblio     Link/Print  


        Traité élémentaire d'occultisme et d'astrologie. Initiation à l'Étude de l'Esotérisme hermétique

      paperback, sewed, 8vo large, 375 pps., ills., Éditions Dangles, Paris, 1936, good

      [Bookseller: In De Ronde Toren]
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        L'idylle. Première version inédite. Manuscrit autographe complet

      First original and complete version of the manuscript, written in 1936. Manuscript writing very dense, with many erasures, corrections and additions. "The Idyll, Youth Maurice Blanchot text first published in 1947 and reissued in 1951 alongside the Last Word in a small volume entitled the eternal rehashing has often been described as" insoluble enigma "[...] the circumstances of writing and publication adds to the mystery: not only the first manuscripts were lost, but the experiences he testifies and the spirit that inspired its design remain elusive. » These findings Vivian Liska (in Blanchot, Herne Cahiers 107) following those of Christophe Bident (Maurice Blanchot, invisible partner), give these first two stories, the most reprinted works of Blanchot, a unique status in his work. If the Last Word is logically part of the Thomas the Obscure writing work (Either maturation or deconstruction), Idyll appears to have "no relation to the other fictions Blanchot, both past and future, "according to Michael Holland, researcher and professor of French literature at St Hugh's College, Oxford, author of several articles on Maurice Blanchot Before that say: Essays on Blanchot appeared in 2015 at Hermann. Enigmatic literary object, even in light of a work itself complex, Idyll, more than a new youth seems at once an "experiment unrelated or incompatible with the poetics" of work to come (V. Liska) and the birth of a writing of silence. And throughout his publications, Idyll questions to its author himself who in Aftermath sees ousting of his own creation and will eventually wear identification, warning from the introduction of the futility of the attempt. First is the question of the title of the news. "Idyll" title adopted for publication reviewed in 1947, is seen from the first volume edition in 1951, dominated by another title with two-news: The eternal rehashing. In 1983, it is in turn preceded by the title of the afterword: Aftermath. The question is asked by Blanchot himself in the afterword through the designation distanced (and suddenly enriched with a subtitle) of this "story that seems to have been named - is it ironically? - The "Idyll" and the torment of the happy idea. » But this title is just missing the manuscript (which was not the case of the Last Word - see our catalog Grand Palais 2014), which undoubtedly affects the status of the story and the editorial intent of the author. Of course, beyond the title, it's the same story that resists analysis, the critics, that of Blanchot also: "It is impossible for me to know [...] how they are written and how unknown requirements they had to meet. " The original manuscript appears as a crucial source of information to try to solve some of the puzzles of the text. It says the development of character names, the various stages of writing: striped phrases indicated by single quotation marks, superimposed variants ... we discover long unpublished passages deleted directly on the manuscript or intact until publication. We can analyze it changing authorial thought by increasing accuracy of the manuscript with corrections are dwindling in the pages to become increasingly close to the published version. But what strikes, like the manuscript of The Last Word is the presence in the original version of deeply meaningful elements whose removal will contribute to the creation of a voluntary aporetic work. Blanchot's writing proceeds by pruning. We know how many weight-loss program has been Thomas the Obscure to reach its final form. In the case of The Idyll, retrenchment is more meaning since, as Blanchot notes, "as narrative, which said, stating what he has to say [...] it is he who is the idyll ". Therefore, his substance should dwindle for its essential structure appears, says Michael Holland. The many passages of the manuscript removed in 1947 are not without fulfillment traces of a version, but the revelation of a field out of the final work. The outfield is largely constituted by the relationship between the manager and his wife, Louise, which is precisely the focus of the work. The past couple we thus revealed and interpreted by the various protagonists. The director: "thirty years I have experienced the most joy that can be reserved for a man (?). I almost died of suffocation ... " Louise: "[much crossed out] the young man called every night from the garden, she refused to go down ..." Piotl: "They themselves did not have children. The revenge the fate that deprived them of origin they take it by depriving any result. They triumph of evil that they do not deserve to be a damning new misfortune which they are responsible ... "(p. 7) The characters are also more vocal about the current situation of the couple: Page 5: "A strange party, Alexander Akim, we quarreled. [Long Reach crossed out] quarrels, do you hear that? Is that true? "Said the stranger, turning to the director. - "Yes, said the latter, of course. There is something inexplicable in anger; you are looking for the cause and it is invisible; we want to see the suites and they are without number. Fortunately, she can do nothing against true friendship. » This confession of "friendship" instead of love awaited by the director himself, is a first response to the questions of Akim, response inconsistent with the mystery dominating the printed versions. But the most significant manuscript passage is probably the one, central guardian describing his discovery of the couple, shortly after their marriage, both dead and alive. More extensive than the printed version, it is especially enriched with a capital revelation, redefining the very title of the work. Page 11: "I knew something terrible had happened. [...]. I thought they were dead, both. [...]. They were sitting apart from each other on bad chairs (?), Silent and foreign, to the point that anyone would have taken for vagrants. [...] They were absolutely out of the way, they did not care that you do not fall [...]. - That's it? Akim asked. But what you describe here is [...] the feeling that is the heart of any romance, true happiness without words. - Oh Really? said the supervisor, and you call it? I call it desperation [adjective follows in quotes appears to be "happy" but was scratched by Blanchot]. » The "happy despair": the paradox was a response in the narrative, the question of the true meaning of the idyll. This is at the cost of the removal of this "interpretation" and all the narrative elements that lead to it, Blanchot can turn the question posed in the story in question by the narrative. Because the manuscript reveals is that the story of Blanchot is not elliptical, structured by the absence of meaning, but willingly incomplete, prepared by successive withdrawals of the signifier. In this obvious deterioration of the internal sense to the story, we discover also that of the symbolic link between the elements of the story. Thus, the throttle Akim by another inmate, had in the original story a disturbing echo in the relationship of the director and his wife: "She wants him to live with this hand to the throat that the clamp enough to to death. "(P. 7) Other elements of pathos, deleted publication reinforce the parallel between the silent tragedy of the couple and the detainees: "I spit in your face"; "The whip was soft and sharp steel instrument under which penetrated the flesh and by withdrawing the tearing. . "Unlike the complicity of the couple beyond misunderstanding resonates very Blanchot in a fully deleted information. It reveals a literary complicity between overseas and a supervisor "totally unaware" that "surprised Akim busy reading a little book that he always carried himself and was written in the language of his country." Among the most serious questions to which he is confronted in Aftermath, Blanchot particular emphasis on the relationship of the prophetic Idyll to history. "Wash yourself; Here we focus on hygiene. [...] He sat down and, while the water began to fall in the smoke and noise, he was seized with nausea and lost consciousness. "The episode of the shower, which opens the story almost induces a post-round concentration reading in turn assumed and rejected by Blanchot. Reading the manuscript and its variation with the printed text, if it does not resolve the issue, the yet redirects: "Here we are concerned with hygiene" proves to be originally, "everyone here is clean"; "He was seized with nausea and lost consciousness" was "he was dizzy that lifted his heart and made ??him lose consciousness." There is no correction in the manuscript, the change is contemporary with the publication and not the writing. On purely literary terms, the figure of the foreigner returns, always in anticipation to that famous Camus (which Blanchot also be the first defender): "The theme that I recognize first because Camus make the familiar is designated the first words: 'stranger'. " The manuscript here only confirms the immediate importance of the designation of the character. Michael Holland particularly emphasizes these elements that disrupt the dating of the original text: "The Idyll, while motioning towards a past (1936) is being separated and thus disoriented in relation to it, marks the emergence of a narrative in Blanchot space quite original in which disaster looming in 1936 to become final in 1940 in the fictional narrative not a mirror but a speech which by its very impossibility, is the measure of what the disaster means. » Blanchot's insistence to reject the new in the distant past, pre-apocalyptic, with the first issue in 1947, leaves no surprise. He did the same in his dedications, specifying the untimeliness of these stories: "Unfortunately these ancient pages," he wrote on the two copies of the eternal rehashing he addressed to his brother and sister, as well as his sister and his mother (see our catalog March 2015) - also note the very mysterious "alas". But it was in 1983 in Aftermath, qu'insistant still long on this seniority "these old stories, so old (fifty years)"; Blanchot offers a disturbing put into perspective this emphasis: "before Auschwitz story. At some time it may be writing any story now will be before Auschwitz. » Thus, the evocation of the camps in a new Can only be prophetic because "there can be no Auschwitz-fiction story." Therefore, what better way to escape the impossibility of writing before history? Which can not be said can also be predicted. It is tempting to look in the same story of the Idyll track of this approach in the past of this impossible. The transition to the bookseller is troubling in this regard; it offers Akim, "an ancient book that traced the history of the whole region." Akim, who would have preferred a "most recent" work, however, derives "from reading more profit he had hoped for." If the "Books" in the final version we add to this that the first visit was in the manuscript, "an old book store" and that in the passage of the loan from rare book, Blanchot deleted version published "because [the book] seemed interested in a time long past," the assumption of a fictitious dating from the author makes sense. If true, this deception of course bring a completely new light on this new and the entire work of Blanchot. However, it does not seem that the manuscript could, if not by the little details, be dated after the war. The manuscript is in large part by its size, paper quality and the writing density Blanchot, the manuscript of The Last Word we proposed in a previous catalog (or the Last Word seems to be dated with certainty). On the other hand, it is not dated, or if the date - 1936 - was a fiction element, it is likely that the Maurice Blanchot was affixed at the manuscript. A thorough study of these documents, Blanchot's writing and paper, but would definitely answer this question participating in the mystery of the most enigmatic writing of Maurice Blanchot. S.n. s.l. S.d (1936)20 pages in-8 (13,5x21cm)

      [Bookseller: Librairie Le Feu Follet]
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        Gone with the Wind

      MacMillan Company 1936 - MacMillan Company, New York 1936. First Edition / First Printing. Published May 1936, no additional printings. Rare. Gray Cloth boards. First issue jacket Gone with the Wind is in the second column, priced at $3.00. Early 22 page promotional booklet from the publisher included. Book Condition: Very Good+, tight spine, light shelf wear, sunning at the spine. Short tear at the cloth spine, light repair at the front endpaper hinge, age toning. Dust Jacket Condition: Good-, shelf wear, chipping, paper loss, tears. Tape at the reverse side of the jacket folds. Wrapped in a new mylar cover. [Attributes: First Edition; Hard Cover]

      [Bookseller: 1st Editions and Antiquarian Books]
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