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Displayed below are some selected recent viaLibri matches for books published in 1935

        Lantern Slides and Notes for a Program on Luther Burbank

      Boston, MA: E.W. Goodrich, Tremont Temple. No Binding. Very Good. Rare assemblage of hand-colored glass lantern slides for a lecture series on pioneering horticulturalist Luther Burbank. They are estimated to be mid-1920s based on Corwin's statements that they are used "with permission of Burbank from photographs taken at the time the experiments were made." Slides are housed in a locking pebbled cloth case with attached key on ribbon and were produced by E.W. Goodrich of Tremont Temple, Boston. The lecture notes are for 100 but 93 slides are present. Images include photos of Burbank and family, his home and farms, and many many varieties of plant hybrids. Two brass memorabilia with Burbank's image include a small pin (New York: Medallic Art Co.) and a watch fob proclaiming him as "The Wizard of Horticulture," an "honor award for meritorious work in introducing Stark-Burbank Fruit Creations." Burbank's work gave us spineless cactus, rainbow chard, apricot-plum crosses, the most widely-grown variety of Russet potato in the U.S, and hundreds more varieties of food and ornamental flowers. Burbank viewed his work as humanitarian and in harmony with nature, a perspective that bears interest in the current ideological arguments regarding newer technologies used in manipulation of plant genetic material. Elsie Powers Corwin was a member of the Massachusetts Horticultural Society and is listed in the Official Register and Directory of Women's Clubs in America, Volume 15 under "Dramatic Readers and Recitals" in the list of Official Classified List of Lecturers and Entertainers for the Use of Program Committees. She lists her credentials as a "Bachelor of Literary Interpretation." A folded card accompanies the collection of slides as an advertisement for lectures, and is labeled "Circular 1935." Her programs besides "Luther Burbank, Plant Scientist," included "The Tournament of Roses," "California Travelogues," "Our State Flowers," "Poems of the Flower World," "Shakespeare's Garden," and others. Included are three copies of the text that accompanies the slide program; one is handwritten, the other two are typed carbon copies. Also present are two drafts of a shorter two page essay by Corwin, "Luther Burbank - An Appreciation." Written 19 years after Burbank's death in 1926, Corwin relates visiting him for the last time in October of 1925. The handwritten slide transcript is signed on the last page and underneath notes "Property of Mr[s?] Chas. B. Lewis" of Providence, RI. This is presumed either Dr. Charles B. Lewis, physician and Director of Health and Physical Education in the Providence public schools, or his wife Mary.

      [Bookseller: Back of Beyond Books, ABAA]
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        Recollections of the Republic of Hawaii, (Inscribed)

      Honolulu Star-Bulletin, Ltd., Honolulu, Hawaii 1935 - 32 pages. Illustrated. Inscribed on the front free end paper by the author to a Lieut. Commander and signed "Benjamin L. Marx" and dated June 11, 1945. Benjamin L. Marx was Secretary of Sanford Ballard Dole, President of the Republic and first Governor of Hawaii. This pamphlet records Mr. Marx's recollections of the establishment of the Republic of Hawaii in 1894, the rebellion, and relations with the United States. Two page photo shows the last meeting of the Hawaiian cabinet with Marx and President Dole. In very good condition with slight edge and corner wear, a couple of light tan marks on the rear cover. Protected in a mylar sleeve. A rare, inscribed, historically important Hawaiian pamphlet. [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: ARABESQUE BOOKS]
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        Oeuvres Completes.

      Louis Conard, Paris 1935 - In French.Texte revise et annote par Marcel Bouteron et Henri Longnon. Illustrated by Charles Huard. 38 out of 40 volumes, 8vo, 3/4 dark blue calf over blue marbled boards, red leather labels, gilt raised spines, marbled endpapers, top edges gilt, with original stiff printed wrappers bound in. Paris: Louis Conard, 1935. Fine. [Attributes: Hard Cover]

      [Bookseller: Argosy Book Store, ABAA, ILAB]
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        Residencia en la Tierra I y II

      Cruz y Raya, Madrid 1935 - Tirada de 1100 ejemplares. Dos tomos. Lomo del primer tomo rasgado. Cubiertas con pequeñas manchas de humedad en las tapas de ambos tomos. Estado interior muy bueno [Attributes: Soft Cover]

      [Bookseller: Libros JyE]
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        Green Hills of Africa

      NY, Scribners, 1935, first edition, dust jacket. Hardcover. Hanneman A13a, with decorations by Edward Shenton, includes the Scribner's seal along with the "A" designation of the first edition and the $2.75 price on the jacket, this was Hemingway's second book of nonfiction. Typical fading to the green cloth along the spine and extremities, else a very nice copy indeed in a jacket with the same fading along the spine, overall a very good copy.

      [Bookseller: James M. Dourgarian, Bookman]
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        Ulysses by James Joyce. With an Introduction by Stuart Gilbert and Illustrations by Henri Matisse

      New York: Limited Editions Club, 1935. Sm. folio, xvi, 363, (1)pp., with 6 soft-ground etchings by Henri Matisse, each with reproductions of drawings towards the final plate on colored papers. Original cloth gilt, slipcase, a very good copy without the slipcase Limited to 1500 copies of the book signed by Matisse, of which this is one of only 250 copies also signed by James Joyce. Various theories have been offered for Joyce only signing some copies; in fact, correspondence at the HRC in Austin TX shows that his failing health and sight precluded his signing more than 250 or so, rather than his purported dislike of MatisseÕs illustrations or the theory that Matisse illustrated Homer not Joyce, which upset Joyce. Ã’Matisse had never visited Ireland and so Joyce asked his friend and fellow Dubliner, T.W. Pugh, to send him an illustrated magazine from 1904, the year in which Ulysses is set, so that he could correctly render the details of Dublin life. However, Matisse chose to base his etchings on Homer's Odyssey, depicting the Calypso, Aelous, Cyclops, Nausicaa, Circe and Ithaca episodes of the poem. When asked why he had not illustrated the events of Joyce's novel, he replied: 'Je ne l'ai pas lu' ('I have not read it'; Ellmann, 686).Ó (Cathach Books), One of the most famous, successful, and rarest books of the press, it was designed by George Macy himself and printed by the ClubÕs print shop.& & "One of the very few American livres de peintres issued before World War II. According to George Macy, who undertook this only American publication of Matisse's illustrations, he asked the artist how many etchings the latter could provide for five thousand dollars. The artist chose to take six subjects from Homer's Odyssey. The preparatory drawings reproduced with the soft-ground etchings (Matisse's only use of this medium) record the evolution of the figures from vigorous sketches to closely knit, if less spontaneous, compositions" - The Artist & the Book, 197. Slocum & Cahoon, A 22.

      [Bookseller: John Windle Antiquarian Bookseller]
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        Dogs in the Field

      New York: The Derrydale Press, 1935. First Edition. Hard Cover. Near Fine. First Edition. Oblong folio, pp. [unpaginated]; three-quarter raspberry cloth and terra cotta paper boards gilt; some spotting to spine; fine copy in original glassine dustwrapper (one 3 inch and 2 small edge tears to the glassine). Housed in publisher's cardboard box with the extra portfolio of six plates by Kirmse. PLUS extra inscribed etching laid in. Box has small adhesive mark lower right and minor wera to the extremities, noting a 2 inch piece of the side of the box lacking and several small tears. Inset title piece still nice. First edition. Hard Cover. One of 685 numbered copies printed with the frontispiece drypoint etching signed by Kirmse. Illustrated with twenty-four plates in the volume and the portfolio of six plates. In addition, laid into this copy is another original drypoint etching of a Scotty dog entitled "Anybody Home?" This drypoint, measuring 8.375 x 5.875 inches from the plate impression, is inscribed by Kirmse below the plate mark: "To George and Dorothy West / our very dear friends from the artist - MK." It is also signed by her in full. A special copy of this highly desirable dog book. Siegel 91.

      [Bookseller: Kuenzig Books, ABAA/ILAB]
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        In Licht und Sonne

      . . In Licht und Sonne. 1. Folge - Bei Sport und Spiel. 12 Originalaufnahmen von Kurt Reichert. - Dresden : Flechsig, [1935]. - 12 Taf., 1 Bl. In Mappe, 32 x 24 cm, mit 1 OPhotogr. auf Deckel. - Abzüge 18 x 13 cm auf beigefarb. Karton montiert. /Mp. l. gebrauchssp., Taf. sehr gut erhalten/

      [Bookseller: Antiquariat Hardner]
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        GAUDY NIGHT

      Gollancz 1935 - First edition. Original black cloth lettered in gilt, in yellow dustwrapper printed in black and magenta. A fine copy in a fine dustwrapper, which is bright and crisp with a few spots of foxing to the preliminary page edges and just a hint of fading to the spine of the dustwrapper, but startlingly bright on the panels. An exceptional copy, the finest example we have encountered. Gollancz dustwrappers of this period tend to age very badly, being made of thin paper and fugitive pigments. Survivals such as this are exceptionally rare. Gilbert A21 [Attributes: First Edition; Hard Cover]

      [Bookseller: Jonkers Rare Books ABA ILAB]
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        Scientific American Magazine, Volume 152, Number 3, March 1935 - Albert Einstein Cover

      USA: Munn & Company. Paperback. Pages 113-168. Features: Wonderful cover photo of Albert Einstein at blackboard proving the principle of Equivalence; Exploring Prehistoric Georgia; Radio Facsimile (early fax machine development) - article with great photos; Building the World's Deepest-Water Bridge - connecting San Francisco and Oakland; Preserving rose bushes with paraffin for shipping; Nova Herculis recently discovered; Amazing growth in the packaging industry; Sundials and their construction - part IX - the principle and construction of the armillary sphere; The Oddest Thing About the Jews - Why Jews have some diseases more and others less than Gentiles - they often are first-class insurance risks; Stout "Scarab" auto photos and write-up; Photo of Einstein with Leo J. Scanlon; Tiny race cars - a developing sport; Astounding facts about American homes and sanitary conditions; Creative photo enlargement; Rapidly growing hybrid poplars; Frederick H. Ecker on progress in this age of science; Photo of harvesting American-grown rubber in California - Guayule; and more. Above-average external wear and soiling. Openings at each end of coverfold. Chip from lower corner of back cover. An uncommon Einstein collectible. Please note that large faint text appearing on image is not on magazine. . Fair. 1935. First Edition.

      [Bookseller: RareNonFiction.com]
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        Somebody in Boots (signed)

      The Vanguard Press, New York; (1935) - Author's first book inscribed and signed by him on the front free endpaper "For Harry Schwartz/May Allah be kind/God be good, his/business prosper/and his brandy/ cheep/Nelson/Algren/'58". 322pp., bound in rust cloth, spine lettering black, top edge red, very light bumping to corners, spine fading. Based on Algren's personal experiences of living in Texas and wandering throughout America during the Great Depression. A very good copy. Octavo [Attributes: First Edition]

      [Bookseller: Alcuin Books, ABAA]
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        GREEN HILLS OF AFRICA

      New York: Charles Scribner's Sons, 1935.. Cloth. Almost inevitable modest sunning to the cloth through the dust jacket, but a very good copy in moderately edgeworn, price- clipped dust jacket with crease in front flap, some handsoiling to the spine panel and a streak of rubbing to the rear panel. First edition. Decorations by Edward Shenton. Hemingway's second book-length work of almost non-fiction, a first person narrative of big game hunting in Africa. The first printing consisted of 10,550 copies, and this copy is in the normal form of the dust jacket, with the mid rear-panel green band. HANNEMAN A13a.

      [Bookseller: William Reese Company - Literature ABAA-]
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        THE LEAGUE OF FRIGHTENED MEN

      Farrar & Rinehart, Inc., [1935]., 1935. First edition. Author's second Nero Wolfe title. Gold gilt on spine a bit faded, gilt on front cover sharp and bright, pages 301-304 carelessly opened at the bottom edge, green top color is bright and unfaded, else a near fine, tight, square copy in dust jacket which has been internally restored. An extremely handsome copy of a very scarce book in collector's condition. A Haycraft/Queen Cornerstone title.

      [Bookseller: BUCKINGHAM BOOKS]
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        Kuttel Daddeldu erzählt seinen Kindern das Märchen vom Rotkäppchen und zeichnet ihnen sogar was dazu. Faksimile.

      Ohne Ort, 1935.. 25,5 x 18,5 cm. Originaler Pappband mit blau-weiß gemustertem Buntpapierbezug und montiertem Vorderdeckelschild. Der Einband ist lichtrandig und etwas bestoßen, das Bezugspapier am Rücken ist abgerieben. Montiertes Etikett im vorderen Innendeckel ('Carpe diem'). Vorbesitzerstempel im hinteren Innendeckel. 8 Blätter mit 12 Zeichnungen des Autors, davon eine ganzseitig und mit Deckfarben handkoloriert sowie signiert mit 'J. R. M.' (= Joachim Ringelnatz Muschelkalk; die Witwe des Dichters). Durchgehend etwas stockfleckig. gutes Exemplar.. Kayser-des Coudres 45. -- Erste Ausgabe. Eines von nur 30 Exemplaren (Gesamtauflage), die Karl Schönberg als Privatdruck für Freunde herstellen ließ. Faksimile eines von Ringelnatz mit der Hand geschriebenen und gezeichneten Manuskriptbuches. #FL0301

      [Bookseller: Antiquariat und Buchhandlung Carl Wegner]
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        THESE ARE THE RAVENS

      San Leandro: Greater West Publishing Co., 1935.. Printed wrappers. About fine. First edition of the author's first book, published in an edition of 1000 copies in the Pamphlet Series of Western Poets. Inscribed by the author in 1966 to his preliminary bibliographer, David Kherdian, and signed by him as Brother Antoninus, at Kentfield Priory. BARTLETT & CAMPO A1.

      [Bookseller: William Reese Company - Literature ABAA-]
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        Plakat - "Platon kretschet" ("Der Chirurg") Narkompros. Gorteatr. Kolchosno-sowchosnyj filial (Volkskommissariat für Bildungswesen. Kolchose-Sowchose Filiale). Moskowskogo gosudarst. kamernogo teatra. Moskauer staatliches Kammertheater. Postankovka (Inszenierung): M. A.Gerscht. Chudoschnik (Künstler): W. Odinokow..

      Moskau, Kollektivist , ca.1935. 82 x 58 cm, Tadell. Preis in CHF: 1320. Text russ. Übersetzung von I. Kruti. - Alexander Jewdokimowitsch Kornejtschuk [möglicherweise auch Korpejtschuk](1905-1972), linientreuer Schreiber von Durchhalte-Stücken aus dem Bürgerkrieg (Hauptwerk: "Untergang eines Geschwaders") mehrfacher Stalinpreisträger. Der Künstler stieg sogar zum Ersten Vizepremier und Außenminister der Ukraine auf. Durch Heirat mit der Krakauer Kollegin Wanda Wassilewska ("Erde im Joch"), Regimentskommissarin bei der Roten Armee, kam Kornejtschuk gar zu einem Orden Volkspolens.

      [Bookseller: Antiquariat Peter Petrej]
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        The Doctor's Son (First Edition)

      New York: Harcourt 1935, Brace and Company. First Edition. First Edition. Fine in a bright, Near Fine dust jacket. An exceptionally fresh copy of what is generally considered to be O'Hara's scarcest title. Jacket is pristine but for a couple of small chips to the crown. A superb example.

      [Bookseller: Royal Books, Inc.]
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        Butterfield 8

      New York: Harcourt, Brace and Company. (1935). First. First edition. Short tear at the foot and a small neat repair to the paper over the front hinge, a very good copy in a good only, but presentable dustwrapper with some chipping, and repairs. Inscribed by the author to fellow novelist Ben Ames Williams: "To Ben Williams Cordially John O'Hara." The author's third book and second novel, and by all accounts one of his best. O'Hara's laconic journalistic style was particularly effective in illuminating the life of the middle-class American, a mantle he seems to have inherited from Sinclair Lewis. Filmed in 1960 with Oscar-winner Elizabeth Taylor, Laurence Harvey, Eddie Fisher, and Dina Merrill. One of the author's best known novels, and seldom found inscribed, especially with a nice association. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Real French Capers / Circa 1935. American "Good Girl" Pin-up pulp soft Erotica

      No Location: Uncredited, 1935 No Location / No Credited Publisher. Circa 1935; volume 1, no. 20, with no year given. Pulp "Good Girl" light erotica piece, with a classic "Good Girl" pin-up type illustration by Reginald Greenwood on the cover. 8.5" x 6.5", 48 pp., pictorial wrappers. In absolutely striking condition for a piece from this genre and era; some rubbing and small wear at some points on the spine, micro-edgewear, and light marginal toning of the pulp-paper contents. Very clean, very bright. The Greenwood cover - most of the limited records available on him credit him as a comic artist, and it is quite possible that anything under that name was done pseudonymously - is a "Good Girl" rarity (see scan), as is the piece in general. Contents include a black & white nude photographic section and a number of b&w "good girl" line drawings as illustrations of the several included pieces of soft-erotica pulp fiction. These illustrations were clearly by a number of different artists, all in "Good Girl" interpretations, and all uncredited. A fascinating and extraordinarily rare piece from a uniquely American pulp genre, in rather spectacular condition. Purchaser must be over 18 years of age, please, due to the nude photographic section (though it is actually rather soft by today's standards). LBB-G

      [Bookseller: Singularity Rare & Fine]
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        Autograph Note Signed on his visiting card, printed Hollywood, 1935

      - The comedy director writes in English, "Dear.Many thanks for your lovely picture. Best Wishes for 1935!." Below his printed name and above "Hollywood" he signs, "E. Lubitsch." Whether with music, as in MGM's opulent The Merry Widow (1934) and Paramount's One Hour with You (1932), or without, as in Design for Living (1933), Lubitsch continued to specialize in comedy. He also made the antiwar Broken Lullaby (also known as The Man I Killed, (1932).

      [Bookseller: Schulson Autographs]
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        Historia Universal de la Infamia

      Tor Colección Megáfono, Buenos Aires 1935 - Falta el papel del lomo y en consecuencia la tapa y contratapa están sueltas pero en buen estado. El interior en buen estado. Tiene una firma en la portadilla y sello de librería en la portada. Optimo estado para encuadernar conservando las tapas. [Attributes: Soft Cover]

      [Bookseller: Libros JyE]
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        The League of Frightened Men

      Farrar & Rinehar 1935 - First Edition, First Printing. This ORIGINAL First Printing dustjacket has benefitted from professional restoration. The end result is a beautiful dustjacket with NO chips or tears. This price clipped dustjacket is vibrant in color with NO fading to the spine. The book is in excellent condition. The binding is tight, with NO cocks or leans. The boards are crisp with minor wear to the edges. The pages are exceptionally clean with NO writing, marks or bookplates in the book. Overall, a lovely copy of this TRUE FIRST EDITION with the rare First Issue dustjacket in collector's condition. [Attributes: First Edition; Hard Cover]

      [Bookseller: Quintessential Rare Books, LLC]
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        Spanish Maine

      London; John Murray. 1935, 1935. First edition. 8vo. 320pp. Fine in publisher's red cloth titled in gilt to spine and front board. Bright and clean. In a fine, bright dustwrapper, unclipped and unfaded. A very handsome copy indeed.

      [Bookseller: Adrian Harrington Rare Books]
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        TOP HAT (1935)

      RKO 1935 - Vintage original 11 x 14" (28 x 36 cm.) lobby card, USA. Fred Astaire, Ginger Rogers, dir: Mark Sandrich; RKO. Often considered the greatest of all the Astaire-Rogers films, and this is the only card in the lobby set which shows the famous pair dancing together, in the famous "Cheek to Cheek" number, to a musical score by Irving Berlin. This card has a couple of pinholes in each blank corner, a few minor smudges, the tiniest chip at the extreme blank top left corner, overall this is a wonderful example of this rare card, NEAR FINE.

      [Bookseller: Walter Reuben, Inc.]
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        Kuttel Daddeldu erzählt seinen Kindern das Märchen vom Rotkäppchen und zeichnet ihnen sogar was dazu. Faksimile.

      Ohne Ort, 1935. - FL0301 25,5 x 18,5 cm. Originaler Pappband mit blau-weiß gemustertem Buntpapierbezug und montiertem Vorderdeckelschild. Der Einband ist lichtrandig und etwas bestoßen, das Bezugspapier am Rücken ist abgerieben. Montiertes Etikett im vorderen Innendeckel ('Carpe diem'). Vorbesitzerstempel im hinteren Innendeckel. 8 Blätter mit 12 Zeichnungen des Autors, davon eine ganzseitig und mit Deckfarben handkoloriert sowie signiert mit 'J. R. M.' (= Joachim Ringelnatz Muschelkalk; die Witwe des Dichters). Durchgehend etwas stockfleckig. gutes Exemplar. Kayser-des Coudres 45. -- Erste Ausgabe. Eines von nur 30 Exemplaren (Gesamtauflage), die Karl Schönberg als Privatdruck für Freunde herstellen ließ. Faksimile eines von Ringelnatz mit der Hand geschriebenen und gezeichneten Manuskriptbuches. 450

      [Bookseller: Antiquariat und Buchhandlung Carl Wegner]
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        Trouwen

      1935 Rotterdam Nijgh & Van Ditmar NV 1935 - tweede druk - 20 x 14 cm - 165 pgs - origineel linnen met opdruk in zwart - roestplekken op de randen, verder goed

      [Bookseller: A. Van Zaelen antiquariaat]
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        Caviar to Cordial a Book of Recipes

      SIGN OF THE MERMAID, DETROIT, MI 1935 - covers rubbed, spine chipped, corners bumped, DATE PUBLISHED: 1935 EDITION: 129 [Attributes: Hard Cover]

      [Bookseller: Princeton Antiques Bookshop]
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        My Life of Revolt

      London: George G. Harrap & Co. Ltd.,, 1935. With Forewords by Winston S. Churchill and George Lansbury. Octavo. Original blue cloth, titles to spine gilt, blue top-stain. With the dust jacket. Portrait frontispiece and 7 plates, illustrations within the text. Spine slightly faded, light spotting to edges, partial tanning to half-title. An excellent copy in the rubbed, spotted and partially faded jacket with a few short closed tears. First edition, first impression. Scarce in the dust jacket. The autobiography of the labour activist and MP David Kirkwood (1872–1955), with a foreword by Winston Churchill, who writes that, "David Kirkwood and the strong type he represents are the natural foes of tyranny… should the life and freedom of our race again be called in question we shall all find ourselves together heart and hand".

      [Bookseller: Peter Harrington]
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        Seven Pillars of Wisdom, with a Lawrence of Arabia Memorial leaflet

      London: Jonathan Cape Ltd., 1935. First edition, first printing. Hardcover. Near fine/Very good . This is the British first edition, first printing in dust jacket, accompanied by a Lawrence of Arabia Memorial leaflet. Seven Pillars of Wisdom is the story of T.E. Lawrence's (1888-1935) remarkable odyssey as instigator, organizer, hero, and tragic figure of the Arab revolt against the Ottoman Empire during the First World War, which he began as an eccentric junior intelligence officer and ended as "Lawrence of Arabia." This time defined Lawrence with indelible experience and celebrity, which he would spend the rest of his famously short life struggling to reconcile and reject, to recount and repress. Lawrence famously resisted publication of his masterwork for the general public during his lifetime. The saga is remarkable. He nearly completed a massive first draft in 1919, only to famously lose it when his briefcase was mislaid at a train station. This first draft was never recovered. At a fever pitch, Lawrence wrote a new 400,000 word draft in 1920. This punishing burst of writing was followed by an equally brutal process of editing by Lawrence. In 1922, a 335,000 word version was carefully circulated to select friends and literary critics - the famous "Oxford Text". George Bernard Shaw called it "a masterpiece". Nonetheless, Lawrence was unready to see it distributed to the public. Finally, in 1926, a further edited 250,000 word "Subscribers' Edition" was produced by Lawrence - but fewer than 200 copies were made, each lavishly and uniquely bound. The process cost Lawrence far more than he made in subscriptions. To recover the loss, Lawrence finally authorized an edition for the general public - but one even further abridged and entitled "Revolt in the Desert". It was only in the summer of 1935, in the weeks following Lawrence's death, that the text of the Subscribers' Edition was finally published for circulation to the general public in the form of a British first trade edition. Here is the first British trade edition, first printing, a near fine copy in a very good dust jacket. The brown cloth binding is square, clean, and tight with bright spine and front cover gilt. We note only trivial shelf wear to the bottom edge and minor wrinkling at the spine ends. The contents remain bright and clean with no previous ownership marks. Light spotting appears confined to the untrimmed fore edges and just a few scattered spots to the endsheets. The dust jacket is complete, retaining the original front flap price and suffering no losses or spine toning. We note moderate overall soiling, with a 2.5 inch diameter ring stain to the rear face, as well as some wrinkling and short closed tears at the spine head, and some wrinkling at the lower front corner. The dust jacket is protected in a removable, archival quality clear cover. Laid in the book we find, and include with the book, a pristine copy of the "Lawrence of Arabia Memorial" leaflet. This single-fold leaflet was produced to raise funds for the T.E. Lawrence Memorial in St. Paul's Cathedral, as well as additional commemorations "some of which would be helpful to young people." The leaflet was signed by seven prominent "friends of Lawrence". "The undersigned friends of Lawrence, who know what he meant to his generation, approve these proposals and submit them to the public." Winston Churchill is listed among these seven, the balance being F.M. Allenby, Herbert Baker, Lionel Curtis, Augustus John, George Bernard Shaw, and Evelyn Wrench. Bibliographic reference: O'Brien A042

      [Bookseller: Churchill Book Collector]
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        Pylon

      Harrison Smith and Robert Haas, Inc., New York 1935 - 315 pp. Blue cloth covered boards, black band with gold lettering wrapping around boards. Price of $2.50 on front flap of dust jacket. A presentable copy of one of Faulkner's important works. Very Good book with age toning to front and rear pastedowns and darkening to the gutters in a near Very Good dust jacket with traces of edge wear, some light chipping, a bit of darkening and rubbing ot the spine panel, and age toning to rear panel . [Attributes: First Edition; Hard Cover]

      [Bookseller: Evening Star Books]
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        Seven Pillars of Wisdom, with a Lawrence of Arabia Memorial leaflet

      London: Jonathan Cape Ltd., 1935. First edition, first printing. Hardcover. Near fine/Very good . This is the British first edition, first printing in dust jacket, accompanied by a Lawrence of Arabia Memorial leaflet. Seven Pillars of Wisdom is the story of T.E. Lawrence's (1888-1935) remarkable odyssey as instigator, organizer, hero, and tragic figure of the Arab revolt against the Ottoman Empire during the First World War, which he began as an eccentric junior intelligence officer and ended as "Lawrence of Arabia." This time defined Lawrence with indelible experience and celebrity, which he would spend the rest of his famously short life struggling to reconcile and reject, to recount and repress. Lawrence famously resisted publication of his masterwork for the general public during his lifetime. The saga is remarkable. He nearly completed a massive first draft in 1919, only to famously lose it when his briefcase was mislaid at a train station. This first draft was never recovered. At a fever pitch, Lawrence wrote a new 400,000 word draft in 1920. This punishing burst of writing was followed by an equally brutal process of editing by Lawrence. In 1922, a 335,000 word version was carefully circulated to select friends and literary critics - the famous "Oxford Text". George Bernard Shaw called it "a masterpiece". Nonetheless, Lawrence was unready to see it distributed to the public. Finally, in 1926, a further edited 250,000 word "Subscribers' Edition" was produced by Lawrence - but fewer than 200 copies were made, each lavishly and uniquely bound. The process cost Lawrence far more than he made in subscriptions. To recover the loss, Lawrence finally authorized an edition for the general public - but one even further abridged and entitled "Revolt in the Desert". It was only in the summer of 1935, in the weeks following Lawrence's death, that the text of the Subscribers' Edition was finally published for circulation to the general public in the form of a British first trade edition. Here is the first British trade edition, first printing, a near fine copy in a very good dust jacket. The brown cloth binding is square, clean, and tight with bright spine and front cover gilt. We note only trivial shelf wear to the bottom edge and minor wrinkling at the spine ends. The contents remain bright and clean with no previous ownership marks. Light spotting appears confined to the untrimmed fore edges and just a few scattered spots to the endsheets. The dust jacket is complete, retaining the original front flap price and suffering no losses or spine toning. We note moderate overall soiling, with a 2.5 inch diameter ring stain to the rear face, as well as some wrinkling and short closed tears at the spine head, and some wrinkling at the lower front corner. The dust jacket is protected in a removable, archival quality clear cover. Laid in the book we find, and include with the book, a pristine copy of the "Lawrence of Arabia Memorial" leaflet. This single-fold leaflet was produced to raise funds for the T.E. Lawrence Memorial in St. Paul's Cathedral, as well as additional commemorations "some of which would be helpful to young people." The leaflet was signed by seven prominent "friends of Lawrence". "The undersigned friends of Lawrence, who know what he meant to his generation, approve these proposals and submit them to the public." Winston Churchill is listed among these seven, the balance being F.M. Allenby, Herbert Baker, Lionel Curtis, Augustus John, George Bernard Shaw, and Evelyn Wrench. Bibliographic reference: O'Brien A042

      [Bookseller: Churchill Book Collector]
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        Der Mythus des 20. Jahrhunderts. Eine Wertung der seelisch-geistigen Gestaltenkämpfe unserer Zeit.

      Hoheneichen, München 1935 - Frontispiz, 773 Seiten. 3 nicht paginierte Seiten Verlagsanzeigen, goldgeprägter OHLdrbd., Kopfgoldschnitt, 22,5 cm. Vorzugsausgabe in Halbleder. - Auf dem hinteren Spiegel der gestempelte Besitzvermerk "Eigentum Reichsleiter Bormann". - Auf dem vorderen Spiegel mit dem jüngeren typographischen Exlibris eines Hamburger Bibliophilen. - Minimal berieben, sonst und insgesamt gutes Exemplar auf gutem Papier. 1002 Gramm. [Attributes: Hard Cover]

      [Bookseller: Antiquariat Tautenhahn]
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        Little House on the Prairie

      Harper & Brothers Publishers 1935 - First edition. First Edition stated on the copyright page. Very good copy with some stains and minor foxing, some wear. No dust jacket. Comes in a custom-made slipcase. [Attributes: First Edition; Hard Cover]

      [Bookseller: Bookbid]
 33.   Check availability:     AbeBooks     Link/Print  


        Little House On The Prairie

      Harper & Bros, 1935-01-01. First Edition. Hardcover. Good. New York: Harper & Brothers, 1935: First Edition, Second Printing. With statement of "Second Edition" on the copyright page; "edition", in this case meaning "printing". With date code of "K-K", corresponding to October, 1935. In Good condition, showing light signs of age. Exterior shows rubbing to the edges and staining to the cloth. Binding lightly shaken. The pages are mostly clean, with the occasional smudge or stain. Small mark to side of page block. Several stamps from the previous owner to the prelims and terminals. Book plate from previous owner on front paste down. Good overall condition, a bit worn. Part of the original dust jacket is tipped in to the front free end paper.

      [Bookseller: Burnside Rare Books]
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        Seven Pillars of Wisdom

      New York: Doubleday, Doran & Company, Inc., 1935. First edition, first printing. Hardcover. Fine/Very good . This is an immaculate first U.S. edition in the first state dust jacket and original publisher's slipcase. Seven Pillars of Wisdom is the story of T.E. Lawrence's (1888-1935) remarkable odyssey as instigator, organizer, hero, and tragic figure of the Arab revolt against the Ottoman Empire during the First World War, which he began as an eccentric junior intelligence officer and ended as "Lawrence of Arabia." This time defined Lawrence with indelible experience and celebrity, which he would spend the rest of his famously short life struggling to reconcile and reject, to recount and repress. Lawrence famously resisted publication of his masterwork for the general public during his lifetime. The saga is remarkable. He nearly completed a massive first draft in 1919, only to famously lose it when his briefcase was mislaid at a train station. This first draft was never recovered. At a fever pitch, Lawrence wrote a new 400,000 word draft in 1920. This punishing burst of writing was followed by an equally brutal process of editing by Lawrence. In 1922, a 335,000 word version was carefully circulated to select friends and literary critics - the famous "Oxford Text". George Bernard Shaw called it "a masterpiece". Nonetheless, Lawrence was unready to see it distributed to the public. Finally, in 1926, a further edited 250,000 word "Subscribers' Edition" was produced by Lawrence - but fewer than 200 copies were made, each lavishly and uniquely bound. The process cost Lawrence far more than he made in subscriptions. To recover the loss, Lawrence finally authorized an edition for the general public - but one even further abridged and entitled "Revolt in the Desert". It was only after Lawrence's death in 1935 that the text of the Subscribers' Edition was finally published for circulation to the general public in the form of British and U.S. first trade editions. Here is the U.S. first edition, first printing, truly fine in a very good first state dust jacket and housed in the scarce original publisher's slipcase. The volume itself is as good a copy as we have seen. The khaki cloth binding is flawless, with no discernible wear. The contents are beautifully bright with no previous ownership marks, no spotting, immaculate page edges, and perfect topstain. Searching for any signs of age or flaws, we can note only some transfer browning to the endpapers from the pastedown glue. The dust jacket is unclipped, retaining the original $5.00 front flap price. O'Brien reports three states of the first edition dust jacket. This is the first state, with a blank rear face. The dust jacket is substantially complete, with some minor chipping and wear along the upper edge, modest spine toning, and light soiling. The dust jacket is now protected in a removable, archival quality clear cover. The publisher's slipcase is in quite good condition, particularly given the fact that these thin cardboard slipcases were very fragile and few appear to have survived. This example remains complete and in one piece. A few seam splits are starting, but all seams remain attached and there is only light wear to a few slipcase corners. The pasted paper portrait panel on the front face remains clean and unchipped. Bibliographic reference: O'Brien A054

      [Bookseller: Churchill Book Collector]
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        Nor was I left without admonitions.

      c. 1935 - Sheet size: 197 × 290 mm. With printed label "Please acknowledge these illustrations as follows: Nicolas Bentley Drew the Pictures". Pen and brush in ink on wove paper. A confident woman, hands on hips, surrounded by three women giving her advice. The cartoons and illustrations of Nicolas Bentley (1907-1978) were part of the warp and weft of English popular culture in the 1950s and 60s. Never savage, though often waspishly accurate and exuding an urbane air of amusement at the foibles of his fellows, Bentley's work was familiar to the public from a wide variety of publications. Between 1952 and 1954 he drew regular cartoons for the weekly Time and Tide, and after that for the daily News Chronicle. Between 1958 and 1962 he drew topical cartoons for the Daily Mail under the title "Watch My Line." He also drew many portraits, in black and white line, of famous people, for various papers, including over sixty for the Sunday Telegraph, which began publication in February 1961.

      [Bookseller: Peter Harrington. ABA member]
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        Green Hills of Africa

      Scribners, 1935-01-01. First Edition. Hardcover. Good. New York: Charles Scribner's Sons, 1935: First Edition, First Printing with both the Scrinber seal and the A present on the copyright page. In an original dust jacket with the proper price of $2.75 intact. In Good condition, in a Good Minus dust jacket. Clean pages, lightly age toned with very light foxing. Bookplate from previous owner present on front paste down. Spine typically faded and discolored, boards are sunned with very light tide marks. The dust jacket has nice front and rear panels, with a sunned spine panel missing a large chip at the head. There is a horizontal tear to the spine panel, and a tear to the fold of the front flap. The jacket is a bit fragile, but comes protected in a brand new, removable sleeve, and presents quite well. Rare in original dust jacket.

      [Bookseller: Burnside Rare Books]
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        20,000+ SCIENCE FICTION, FANTASY AND HORROR PAPERBACK BOOKS

      [various places]: [various publishers] [1935-2000 with some later additions], 0000 First editions, first US editions, first UK editions, first paperback editions, plus selected later printings. My personal [20th Century] science fiction, fantasy and horror paperback collection, assembled and continuously upgraded over more than 30 years of collecting. 20,000+ books [with the "+" being several thousand---I stopped actually counting quite some time ago]. Remarkable both for the degree of completeness [US from 1939 and up, starting with the first Pocket Books printing of LOST HORIZON, the LA Bantam Tarzan---three variant copies present---and Shadow titles, etc, etc, and even including several hundred "adult xxx" titles; plus vintage UK from 1935 through 1960 plus selected later titles, plus a sampling of English-Language editions from other countries, etc; with an estimated 95% or so of all non-childrens/juvenile genre-labelled titles included, plus selected childrens/juvenile and non-genre-labelled titles] and for superior condition overall [the majority of books being Near Fine or better copies, save for normal paper aging]. The collection includes hundreds of signed/inscribed copies from dozens of authors/editors/artists and other contributors; plus a number of both US and UK paperbacks in Dust Wrapper; etc. I seriously doubt that there are more than a handful of comparable collections that exist anywhere in the world, and it is the only such collection that I have ever seen offered for sale at any price. Serious inquiries only, please. [NB: Due to the physical size/weight of this item, unless other arrangements regarding potential transportation are mutally agreed to, this item is available on a "pick-up" only basis].. Signed. First Edition. Mass Market Paperback. Very Good.

      [Bookseller: Other Worlds Bookstore]
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        Mediterranean and Near Eastern Embroideries from the collection of Mrs. F. H. Cook. Plates

      London: Halton and Company. Very Good; 10 x 12.5 Hardback in Very Good condition. Slight bumps to . corners. Tight and clean. Plates unmarked.. 1935. Hardcover. Illustrated by 56 color plates, 78 black and white; Plate Volume only. GWO 2341. An excellent and scarce book on the embroideries of Algeria, Morocco, Greek islands, Turkey, the Caucasus, Persia, Turkestan and India. Publishers original green buckram binding, gilt titling to spine and front covers. Embossed gilt bird on front cover.; 9.5 .

      [Bookseller: RugBooks]
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        Gershwin inscribed and signed photograph as frontispiece facing the title page of the program of the original 1935-1936 Broadway production of ?Porgy and Bess?

      Framed Display! Program Photograph inscribed ?For Kathleen ?" / Try this on your piano ?" / with best wishes. / George Gershwin Mar. 31 ?36.? Two facing pages, 8.5? x 11.75?. Frayed at outside edge of each page, glue stain and remnant in blank left margin of frontispiece. Double matted and framed to 25.75? x 21?. In apparent very good condition.Title page: ?The / Theatre Guild / Presents / PORGY and BESS / Music by / George Gershwin / Libretto by / Du Bose Heyward / Lyrics by / Du Bose Heyward and / Ira Gershwin / Settings by / Sergei Soudeikine / Orchestra Conductor / Alexander Smallens / Production Directed by / Rouben Mamoulian / Published by / Gershwin Publishing Corporation / New York, N.Y.?Opening on October 10, 1935, ?Porgy and Bess? closed on January 25, 1936, after 124 performances, then went on national tour. It has been revived on Broadway six times, most recently winning the 2012 Tony Award for Best Revival of a Musical.

      [Bookseller: University Archives]
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        The seven pillars of wisdom. A triumph.

      Jonathan Cape 1935 - First trade edition after 1935 limited edtion. First impression. Buckram cloth, gilt cover and spine title lightly sunned but still bright and readable. Gilt scimitars, motto to front cover. Plain endpapers. Deckled edges. Includes 4 fold-out maps, b/w plates only, no color. Illustration to pp 304-5 incorrectly listed as pp302-3. Binding tight and straight, corners show light wear. Owner name, date (11/30/35) to inner pastedown. Inner pages crisp and unmarked. Several pages unevenly cut but no tears or edgechips. ; 672 pages [Attributes: First Edition; Hard Cover]

      [Bookseller: Books on the Boulevard]
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        Decoration Moderne dans L'interieur

      Paris: S. De Bonadona, 1935. First Edition. Hard Cover. Near Fine. First Edition. Oblong portfolio, approximately 13.125 x 9.875 inches; ff [2] + 48; printed pale green paper boards; black cloth backstrip; black cloth ties; remains of bookseller's ticket to front pastedown; sheets clean and without tears; some slight bowing to sheets, else fine. (No date but 1930-1935 attribution based on OCLC/Worldcat dating). Presumed first edition. Illustrated with 48 lithograph and pochoir plates showing Bauhaus and especially Art Deco interior design mostly for residential and office space. A Table of the Plates is also printed. Introductory note by Parisian architect Henry Delacroix, who produced several portfolios of design ideas for various architectural settings. Painterly elements figure in some of the designs, showing the influence of modern masters such as Braque, Chagall and Mondrian. A fine and desirable example. Hard Cover.

      [Bookseller: Kuenzig Books, ABAA/ILAB]
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        Les campagnes navales de Mohammed Aly et d'Ibrahim.

      Imprimerie Nationale,, Paris, 1935 - 2 Bde. Paris, Imprimerie Nationale, 1935. 4°. (2) Bl., VI, 489 S.; 305 S. Mit 2 gefalt. Karten ("Comprenant le pays de Nedjd ou Arabie Centrale" und "Campagne navale de Juillet à Décembre 1832"), 1 Portrait-Tafel und 170 num. Tfln. Schwarze Ganzmaroquinbände über 5 erhabenen Bünden, mit zweifacher Goldfilete auf den Decken und vier der sechs Rückenfelder, Steh- und reicher Innenkantenvergoldung (Signiert: Zaehnsdorf, London). Lavishly illustrated Monograph on "the Founder of Modern Egypt". - Hervorragendes Exemplar dieser reich illustrierten Monographie über die herausragenden militärischen Fähigkeiten Muhammed Ali Pashas (1769-1848), "Begründer des modernen Aegyptens" und Gründer der königlichen Khediwen-Dynastie. Geschrieben wurde das zweibändige Werk auf Wunsch des ersten ägyptischen Königs Fouad von dem französischen Vize-Admiral G. Durand-Viel (1875-1959). Ursprünglich albanischer Herkunft, kam Muhammed Ali als Angehöriger der türkischen Armee 1799 nach Aegypten. Bereits 1803 wurde er zum Titular-Gouverneur von Djidda ernannt, im April 1806 erfolgte Alis Einsetzung als Vize-König von Aegypten. Die militärischen Erfolge der ägyptischen Truppen sowie seiner List (er lies unter einem Vorwand alle Fürsten der Umgebung, es waren um die 1200 Herscher, zur Hochzeit seines Sohnen Ibrahim kommen, schloss die Zitadellen bei Kairo und schlachtete alle ab in einer Nacht) erhöhten sein Ansehen bedeutend in ganz Arabien und im Vorderen Orient. Erstmals erachtete die europäische Politik Aegypten als wichtigen politischen Faktor. Die Bedeutung stieg noch durch Alis Expeditionen nach dem Süden und Syrien. Eine bedeutende Phase in Muhammed Ali Paschas Karriere wurde schliesslich auch seine Mitwirkung bei der militiärischen Unterdrückung des griechischen Aufstands durch die Türken. Sein grausamer Sohn Ibrahim, brannte auf der Peloponnes alles nieder und vergiftete alles Wasser. - Ein frisches und sehr dekorativ gebundenes Exemplar. An excellent copy in a decorative morocco binding of this lavishly illustrated monograph on the dynasty of Mohammed Ali Pasha (1769-1848), written by the French Vice-Admiral G. Durand-Viel (1875-1959) in commission of King Fouad of Egypt. Mohammed Ali, an Albanian lieutenant in the Ottoman army came to Egypt in 1799. The Ottomans elevate him to khedive or viceroy of Egypt 1806. Although Mohammed Ali was nominally a representative of the Ottoman Sultan he was for all intents and purposes an absolute ruler. He was dedicated to the modern development of Egypt, building factories, railways and canals, bringing in European architects and technicians to create a modern state. Ali was also an ambitious expansionist whose armies extended his power over Syria, Sudan, Greece and the Arabian Peninsula until by 1839 he controlled a large portion of the Ottoman Empire. - Full green morocco binding, with double gilt dentelles around sides and spine panels, gilt inside dentelles and top edges gilt (by Zaehensdorf, London). Sprache: Französisch Schwarze Ganzmaroquinbände über 5 erhabenen Bünden, mit zweifacher Goldfilete auf den Decken und vier der sechs Rückenfelder, Steh- und reicher Innenkantenvergoldung (Signiert: Zaehnsdorf, London). [Attributes: Hard Cover]

      [Bookseller: Biblion Antiquariat]
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        Seven Pillars of Wisdom. A Triumph

      London: Jonathan Cape, 1935. Large octavo, with 54 illustrations including frontispiece, 4 folding maps, some minor foxing to endpapers otherwise crisp; very good, in three-quarter brown crushed morocco, spine with raised bands, gilt. An attractive copy of the first trade edition of T.E. Lawrence's autobiographical account of his experiences in the Middle East. Lawrence was one of the British officers sent from Syria to help the Sherif of Mecca in the Arab revolt against the Ottoman Turks in World War 1. The first printed edition of 1926 was a limited run for private circulation and then in 1927 a shortened version was printed with the title Revolt in the Desert. This 1935 edition was published the year after Lawrence's death. The 54 illustrations are a selection of black & white reproductions from the 1926 edition. They come from a variety of different work including photographs, works in oil, pastel, charcoal, pen and wash. 31 of the illustrations are by Eric Kennington (1888-1960). Lawrence had met Kennington in 1920 on tour through London contemporary art shows while searching for material to use for the illustrations in his book. Kennington, who had served on the Western Front, was already established as a World War 1 artist. Lawrence approached Kennington for advice and after Kennington read the book he travelled to the Middle East at his own expense to return with a series of pastel portraits that he exhibited in Leicester Galleries in London before publishing in the book. Some of the works in this series are now held in the Tate Modern. A very good copy of Lawrence's epic story described by Winston Churchill as "ranking with the greatest books written in the English language

      [Bookseller: Hordern House Rare Books]
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        Game-Used Polo Ball signed by Walt Disney with family provenance ? Disney?s cartoon ?Mickey?s Polo Team? was in production at the time the polo ball was signed

      n.p., [1935] Polo Ball Signed ?Walt Disney,? ?Jack Holt,? and ?Snowy Baker.? White wooden ball, 3? diameter ?" about the size of a baseball. Lightly soiled. The chipping on the ball occurred before it was signed indicating it is a game-used polo ball, probably hit by Disney! Purchased by University Archives from Tom Donaldson who states that this is ?a polo ball that my father had signed in 1935 by Walt Disney, Jack Holt and Snowy Baker...? On August 14, 1934, the annual midsummer list of polo handicaps was announced in New York. Ten goals was the highest rating. The ?Los Angeles Times? reported, ?The motion-picture colony in California, becoming more and more interested in polo, is represented in the list of changes by Will Rogers and his son, Will, Jr., both advanced two to three goals. Walt Disney, creator of Mickey Mouse, is listed at one goal instead of the beginner?s rating of zero ... Other changes included ... (Snowy) Baker, Rivera Country Club, 0 to 2...?From MousePlanet.com: ?[Will]

      [Bookseller: University Archives]
 45.   Check availability:     Biblio     Link/Print  

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