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Displayed below are some selected recent viaLibri matches for books published in 1931

        Salzburger Festspiele - Jedermann : Programm 1931 (+ Beilagen)

      Salzburger Festspiele Salzburg 1931 Programmheft mit 36 Seiten, aber nur die ersten 8 Seiten beschäftigen sich wirklich mit der Jedermann Inszenierung von 1931 (mit s/w-Fotos usw). Die restlichen Seiten sind Landeskunde zur Umgebung und viele Werbeeinschaltungen. Einband stockig, innen aber gut. --- Beiliegend: 4 Original-Foto-Postkarten zu dieser Inszenierung (Alexander Moissi gab zum letzten Mal den Jedermann, Luis Rainer als Tod, Attila Hörbiger als Jedermanns guter Gesell, Eduard von Winterstein als Schuldknecht usw., Regie Max Reinhardt). --- Außerdem beiliegend: einfach gefalzte Besetzungsliste (25. Juli bis 30. August 1931 - Jedermann. Das Spiel vom Sterben des reichen Mannes) --- Und zu guter Letzt: ein Handzettel: Ein altösterreichisches Kulturgut - Die weltberühmte Wiener Spanische Reitschule - Vorführungen in Salzburg im Hofe des Festspielhauses (Felsenreitschule) am 25., 26. und 27. Juli 1931. --- (Bankverbindungen in Österreich und Deutschland) -- (Aus dem Vorlaß eines ehemaligen österreichischen Botschafters) Versand D: 12,00 EUR

      [Bookseller: Antiquariat Gerl]
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        Graziella

      Paris: H. Piazza, 1931. 184, [2] pagine. 23x17 cm.Brossura editoriale molto ben conservata, con qualche leggera macchiolina presso l'angolo superiore della copertina anteriore. Interno ottimo. Opera corredata da numerose illustrazioni di Umberto Brunelleschi colorate a pochoir, alcune delle quali a piena pagina. Lievissime tracce di sporco presso il margine esterno di alcune carte. Esemplare appartenente alla tiratura di 170 copie (su un totale di 1100) stampate su carta Japon impérial, con aggiunta una suite in nero delle illustrazioni. [M236] Umberto Brunelleschi (Montemurlo, 1879 - Parigi, 1949), scenografo, pittore e illustratore, dopo aver studiato all'Accademia di Belle arti di Firenze si trasferì a Parigi nel 1901, curando scenografie per i maggiori teatri della città (Folies Bergère, Mogador, Châtelet, Marigny, Théâtre de Paris) e per numerosi altri teatri stranieri e italiani. Nel 1926 allestì una serie di balletti anche al Roxy di New York. Ricevette nel 1929 la Legion d'onore per meriti artistici. Grande successo riscossero le sue raffinate e inconfondibili illustrazioni approntate per i più noti editori francesi e belgi, in particolare quelle realizzate in ochoir. Sue opere, oltre che in numerose raccolte private italiane e straniere, sono agli Uffizi di Firenze, alle gallerie d'Arte moderna di Milano e Roma e nel museo di Nantes. I figurini da lui creati per la "Turandot" di Puccini sono conservati nel Museo teatrale alla Scala. Espose ininterrottamente alle Biennali di Venezia dal 1914 al 1938. Il "pochoir" è una tecnica di coloritura, interamente manuale, utilizzata soprattutto in Francia nei primi decenni del Novecento. Una volta creato il modello della tavola da colorare venivano realizzati degli stampini, o maschere normografiche, ritagliati e sagomati al loro interno. Si trattava di sagome, una per ogni colore necessario, ottenute da diversi materiali, come cartoncino impermeabilizzato con paraffina o sottilissime lamine di rame o zinco. La coloritura vera e propria avveniva sovrapponendo lo stampino sulla tavola da colorare e stendendo una mano di colore, a spruzzo o a pennello, in modo che il colore stesso aderisse solo sulle parti a vista senza intaccare le altre. Per la coloritura di una sola tavola potevano essere necessari fino a cento diversi passaggi, operazione che richiedeva notevole perizia e abilità. In quel periodo in Francia sorsero veri e propri atelier specializzati che, operando in collaborazione con i più importanti editori, realizzarono, nel campo dell'illustrazione del libro, dei veri e propri gioielli di arte tipografica.

      [Bookseller: Libreria Scarpignato]
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        CAT AND FEATHER

      Henry Holt and Company 1931 - First American edition, Near Fine condition/ Near Fine dust jacket with one external tape repair. Plagiarized from THE BACK BAY MURDERS by Roger Scarlett. [Attributes: First Edition; Hard Cover]

      [Bookseller: Rushton H. Potts]
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        Rose Adler. Splendida rilegatura Art déco, firmata e datata (1931)

      Parigi: Émile-Paul Frères, 1929. 148, [15] pagine. 29x20 cm.Splendida rilegatura in piena pelle con impressioni, firmata e datata (1931) da Rose Adler. Tagli dorati. 16 incisioni originali a bulino e a punta secca di Hermine David. Tiratura di 225 esemplari numerati (n. 91). Camicia e custodia con lievissime e marginali abrasioni. [M243] Meravigliosa rilegatura da grande collezione.Rose Adler (1890-1959), insieme a Pierre Legrain, con il quale collaborò, è stata uno dei massimi esponenti della rilegatura Art Déco. Le sue opere sono custodite nei più importanti musei del mondo.

      [Bookseller: Libreria Scarpignato]
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        Krokodil. Izdanie gazety "Prawda". 30. Jahrgang 1952, Heft 1-36 kplt. in 1 Band; 31. Jahrgang 1953, Heft 1-18 (Januar-Juni) in 1 Band. Dabei: Konvolut von 30 Heften aus den Jahren 1931-1959.

      Moskau 1931 - 4to. 1931-1959. Je 16 S. Farbig illustrierte OUmschläge. Sprache: Russisch, Ab 1930 war Krokodil die einzige offiziell genehmigte satirische Zeitschrift, hrsg. vom Zeitungsimperium "Prawda", dem Hauptverlag der KPdSU. Sie wurde zum Sprachrohr der Sowjetideologie auf allen Ebenen des gesellschaftspolitischen Lebens (Antisemitismus, Spione, Volksfeinde, amerikanischer Imperialismus etc., etc.). Vorhanden sind: 1931: Nr. 10, 17/18, 26; 1933: Nr. 3, 11/12, 33; 1934: Nr. 8, 13, 18, 22, 28; 1937: Nr. 1, 19-27, 31; 1938: Nr. 4, 8, 11; 1939: Nr. 6; 1940: Nr. 10, 18; 1959: Nr. 33, 35. Teilweise mit Randläsuren. Die Hefte des Jgs. 1952 mit Institut- und Eingangsstempel, die Hefte von Jg. 1953 mit Lochung, ohne Textverlust. [Attributes: Soft Cover]

      [Bookseller: Antiquariat Sibylle Böhme]
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        Destruction d'un coeur

      first edition of the French translation, one of 50 copies on pure vellum Lafuma, ours unnumbered but well justified ""pur-fil" paper" in the middle of the back, only large papers.Pleasant and rare copy. Victor Attinger Paris 1931 12x19cm broché

      [Bookseller: Librairie Le Feu Follet]
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        THE FLOWERS AND FOLKLORE FROM FAR KOREA.

      - Tokyo 1931, Sanseido. Black cloth, very good, 93+4p., all edge gilt, 10.5 x 12.75 inches, 46 tipped-in plates, 2 end paper color plates, slip case, clean solid copy. SCARCE FIRST EDITION This lovely work is arranged by the months of the year and the flowers which bloom during that period. This collection covers many of the best known wild & cultivated flowers of Korea, socres of which are used in medicine, foods and dyes. Together with a description of these flowers are a gathering of literture & learning gleaned from Korean scholars. Useful and beautifully printed botanical reference book.S C A R C E

      [Bookseller: RARE ORIENTAL BOOK CO., ABAA, ILAB]
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        Sanctuary [First State]

      New York: Jonathan Cape & Harrison Smith, 1931. First Printing, First State, with magenta and gray abstract figured end papers. 8vo: [4],380pp. Publisher's ribbed magenta paper over boards, gray cloth spine stamped in magenta, top edge stained deep gray to black. About Fine (and probably unread), with minor bumping to spine ends. Absent the scarce dust jacket. Petersen A8.2. Connolly (Modern Movement) 69. ¶ "Sanctuary, published 9 February 1931, is the sixth in order of publication of Faulkner's nineteen novels, and his fourth about Jefferson, Yoknapatawpha County, Mississippi . . . Arguably his most pessimistic novel, and perhaps his most cynical as well, its sensational subject matter bootlegging, rape, murder, sex, prostitution, two murder trials, a lynching, and an execution made it Faulkner's first best seller, and, in literary circles at least, made him famous, if not infamous." (Literary Encyclopedia) "A formal and stylistic tour de force." (Time 100) N. B. With few exceptions (always identified), we only stock books in exceptional condition, carefully preserved in archival, removable polypropylene sleeves. All orders are packaged with care and posted promptly. Satisfaction guaranteed. Fine-.

      [Bookseller: Fine Editions Ltd]
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        Mourning Becomes Electra. A Trilogy.

      - New York: Horace Liveright, Inc., 1931. Roy. 8vo, [1]-256, [16 "Working Notes"] pp., title-page printed in black and orange. Original white vellum over bevelled boards, gilt stamped facsimile of the author's signature to the upper board, backstrip ruled in gilt, with gilt lettered black morocco label, edges uncut, deckled, with folded sheets of facsimiles of the author's handwritten sheets, tucked into pocket of rear pastedown. Signed by the author and most of the original cast from the Guild Theatre. Other than a hint of shelf-wear to the vellum, a beautiful copy. Edition de luxe limited to 550 copies, this being number 72. This copy has the signatures of the author, and 33 members of the crew and original cast from the first stage production at the Guild Theatre in 1931, collected (for O'Neill perhaps?) by the actress and legendary lesbian Nazimova with her note at the front. A contemporary review by J. Brooks Atkinson on the opening, "Using a Greek legend as his model, he has reared up a universal tragedy of tremendous stature -- deep, dark, solid, uncompromising and grim. It is heroically thought out and magnificently wrought in style and structure, and it is played by Alice Brady and Mme. Nazimova with consummate artistry and passion." Nazimova had an extraordinary career in Hollywood and is credited with inventing the phrase "sewing circle" for covert lesbian meetings. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: John Windle Antiquarian Bookseller, ABAA]
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        The Road Back

      London: G. P. Putnam's Sons,, 1931. Translated from the German by A. W. Wheen. Octavo. Original oatmeal cloth, titles to front board and spine in green, green top edge. With the dust jacket. Top stain slightly faded but an excellent copy in an exceptionally smart jacket with the spine panel a little tanned, a few tiny closed tears to the top edge, and a sliver of loss at the head. First edition in English, first impression. The sequel to Remarque's landmark novel All Quiet on the Western Front.

      [Bookseller: Peter Harrington]
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        Ljudi Govore [People speak]

      PETROVICH, Rastko: Ljudi Govore [People speak]. Beograd: Geca Kon 1931. 8° (13,3 x 20 cm). 140, [2] p. Original publisher's wrappers with b/w photomontage front cover. First edition and a declared example of Petrovich's „automatic writing" inspired by Surrealism which was at its climax in Belgrade in the beginning of the 1930s. The author writes in his foreword: „I jotted down the first words that came to my mind in a bistro that very moment, on a piece of paper bought at the tobacconist's across the street". Rastko Petrovich (1898-1949), who between 1935-49 also settled in the the US (Chicago, Washington DC) as part of the Yugoslavian Corps Diplomatique, is considered to be one of the most gifted and authentic modernist Serbian writers, artists and photographers and his contributions can be found in all major avant-garde periodicals and other publications at that time (e.g. »Putevi« (Paths, 1922/23)»Svedočanstva« (Testimonies, 1924-25), Almanac »Nemoguće« (The Impossible, 1931), »Nadrealizam danas i ovde« (Surrealism here and now) 1931-32). Between 1921-31 he also had 4 books published that are seen as core publications of Serbian Expressionism and Surrealism, one of them being the preceding. Furthermore Petrovich's striking photomontage cover for this book is one of the very few examples of this technique in the realm of the Serbian avant-garde. Bottom of spine professionally restaurated, back side of cover with little ink staining; front paper with contemporary handwritten, dated and signed dedication or owner's remark, one stamp of a Belgrade school and another stamp of the publisher Geca Kon; otherwise inside very fine, printed on machine-mould paper. Vloemans 129, 217; cit. Todić, Nemoguće, 263-64.

      [Bookseller: Domenico Jacono - VdAÖ / ILAB]
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        The Road Back Translated from the German by A. W. Wheen.

      London: G. P. Putnam's Sons, 1931 - Octavo. Original oatmeal cloth, titles to front board and spine in green, green top edge. With the dust jacket. Top stain slightly faded but an excellent copy in an exceptionally smart jacket with the spine panel a little tanned, a few tiny closed tears to the top edge, and a sliver of loss at the head. First edition in English, first impression. The sequel to Remarque's landmark novel All Quiet on the Western Front. [Attributes: First Edition]

      [Bookseller: Peter Harrington. ABA member]
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        Market Scene, Malaya.

      1931 - Gelatin silver print. Dimensions: 16.2 x 19.6 cm. Photographer's stamp on reverse, title in ink. 'A great favourite among my Dutch East Indies negatives, full of life and movement; the groups form a most pleasing pattern and the delicate tracery of sun shadows plays on a scale of subtle gradations. Out of thirty exposures spent on the same subject this seemed to offer the most satisfactory grouping of the figures' (description and photograph as appears in 'Hundred Thousand Exposures: The Success Of A Photographer' E.O. Hoppe. The Focal Press 1946) [Attributes: First Edition]

      [Bookseller: Shapero Rare Books]
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        Le grand troupeau.

      Paris, Éditions de la Nouvelle Revue Française, 1931, broché, couv. imp. - petit in-4 de 267-(4) pp. ; Edition originale.Tiré à 931 exemplaires. Un des 100 ex., réimposés dans le format in-4 tellières, sur papier vergé pur fil Lafuma réservés aux Bibliophiles de la Nouvelle Revue Française. Seul grand papier avec les 9 hors commerce sur le même papier.Talvart et Place VII-p. 103 : 1 c.

      [Bookseller: LIBRAIRIE PHILIPPE SERIGNAN]
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        An English Lady in Chinese Turkestan.

      London, Ernest Benn Ltd., [1931]. 8vo. Publisher's green cloth; pp. [vii], 236; sketch map and four photographic plates; cloth a little marked, front free endpaper replaced; occasional spotting to text only, a good copy of a very rare book. First edition of an important title on the Great Game in Central Asia, and a wonderful description of life in Kashgar and surroundings, now in Xinjiang Uyghur Autonomous Region, in China's far west on the Silk Road. 'Catherina Theodora, second daughter of James Borland of Castle Douglas, Kirkcudbrightshire. She had never travelled before but revealed an exemplary ability to 'make do', hosting numerous Russian and Chinese diplomatic guests as well as any passing travellers from home' (ODNB). 'Col Francis Younghusband was the first British Resident in Kashgar, and from 1891 George Macartney (no relation to the first Ambassador to China in 1793) replaced Younghusband and stayed there until his retirement at the end of the First World War. One of the most important duties of the British Political Resident at Kashgar was to send periodic news reports or fortnightly diaries, channelled through the Government of India, to London. The contents of these reports and diaries range from the Resident's daily dealings with the locals to political uprisings in the region. In the countries surrounding India's frontiers, there was little secret intelligence of a direct military kind to be acquired. What the British Government needed to know was mainly political - Russian movement in the region, local events, which tribes might be plotting to overthrow some ruler and what might be the effect on the border tribes. The Political Resident at Kashgar, George Macartney, who was fully bilingual, managed to establish an amicable rapport with Chinese Taotai (a provincial administrator) as well as with the Russian Consul at Kashgar. Through his local contacts, he was well informed of political shifts and likely repercussions within or beyond the borders. In general, it could be said that, like every British Political Agent of that period, Macartney ran a local information or intelligence service, which Russians might have called a spy network, but it tended to be a very informal and parochial affair' (British Library, Chinese Turkestan: British presence, online).

      [Bookseller: Henry Sotheran Ltd.]
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        Gespenster am Toten Mann (signiert)

      1931, Gilde V.,Oln, ohne OSU,mit eigenhändiger Widmung von Ettighoffer (s. Bild),Leineneinbd. stärker stockfl., Seiten papierbedingt nachgedunkelt, fest im Block

      [Bookseller: guggu]
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        La Guerra delle Nazioni, 12 volumi, Treves, 1931 - WW1 Prima Guerra Mondiale

      OPERA OMNIA SUL PRIMO GRANDE CONFLITTO MONDIALE LA GUERRA DELLE NAZIONI 1914-1918 - Storia illustrata Opera completa di 12 volumi Treves Editori di Milano, anno 1931. Opera completa di 12 volumi in ottimo stato di conservazione, veramente rara e non comune in quanto ben tenuta e, specialmente, completa. Pagine complessive 4.112, Treves editori, anno di pubblicazione 1931. Formato in 4°. Dimensioni cm 21 (L) x 29 (H). Importante resoconto degli avvenimenti bellici relativi al primo e grande conflitto mondiale su tutti i fronti, illustrato con foto, cartine, tavole e documenti.  Un vero e ricercato must per ogni collezionista che si rispetti o appassionato della prima guerra mondiale. Piano dell'opera Volume I: Dall'assassinio di Sarajevo alla battaglia della Marna. 432 pagine con 338 illustrazioni. Volume II: Dall'avanzata russa nella Prussia Orientale all'entrata in scena della Turchia. 408 pagine con 249 illustrazioni. Volume III: Dalla lotta accanita della fine del 1914 sui fronti europei Occidentale ed Orientale, all'intervento dell'Italia. 440 pagine con 233 illustrazioni. Volume IV: Dalle vicende dell'impresa dei Dardanelli al principio della riscossa anglo - francese dalla Fiandre all'Alsazia. 336 pagine con 167 illustrazioni. Volume V: Dalla grande battaglia galiziana del 1915 e dall'avanzata tedesca fino a Wilna, all'arresto dell'offensiva russa di Brussilow nel 1916. 312 pagine con 109 illustrazioni. Volume VI: Dall'insuccesso tedesco nella Champagne e dalla drammatica lotta di Verdun fino al consolidamento francese e alla presa di Pozières. 304 pagine con 74 illustrazioni. Volume VII: Dalla tragedia di Verdun al caos Balcanico. 320 pagine con 80 illustrazioni. Volume VIII: Dall'entrata in guerra dell'America alla Rivoluzione Russa. 320 pagine con 61 illustrazioni. Volume IX: Vittoriose iniziative Franco - Inglesi tra il crollo russo e la mobilitazione americana. 312 pagine con 71 illustrazioni. Volume X: Dalla rivoluzione in oriente all'offensiva in occidente. 320 pagine con 57 illustrazioni. Volume XI: L'offensiva generale degli Alleati. 340 pagine con 75 illustrazioni. Volume XII: La grande controffensiva degli Alleati e la Vittoria. 268 pagine con 79 illustrazioni.   

      [Bookseller: Il Tempo Che Fu]
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        Andersen, Meyer & Company Limited of China. Its History: its Organization Today, Historical and Descriptive Sketches Contributed by Some of the Manufacturers it Represents. March 31, 1906 to March 31, 1931

      Shanghai: Kelly and Walsh, 1931. Hardcover. Very good condition. A presentation copy of a scarce volume celebrating the 25th anniversary of a Danish engineering company that brought western technology to the industrial development of 1900s China, and secured the exclusive right to represent General Electric in China. Andersen Meyer first worked on a joint basis with an American import export firm based in Shanghai named Fearon, Daniel & Company, to set up an engineering firm in China. In 1907 it won the right to represent G. E. in China and in 1908 secured its first large contract with the Mukden Electric Light Works. The firm quickly diversified from the construction and engineering fields to partner with American makers of textile machinery and equipment, selling the first cotton mill entirely equipped with American machinery. It also expanded into power plant machinery, electrical machinery including Xray equipment, plumbing and heating equipment, agricultural machinery, and drugs and chemicals. Offices were located in Tientsin, Peiping, Harbin, Mukden, Hankow, Tsingtao, Tsinan, Hong Kong and Canton. Meyer Andersen represented the major American manufacturers of the day, from G. E., American Radiator, International Harvester, Masonite, Parke Davis (once America's oldest and largest drug maker), Sherwin Williams and more. This is a signed presentation copy, to a long term business associate who was the principal of a company acquired by Pittsburgh Coal Co., from the founder Vilhelm Meyer, and signed below Meyer's frontispiece portrait: "F. L. Robbins, with thanks for your long and loyal cooperation. From your old friend, Vilhelm Meyer. March 1931". The first section is written in English; the second section in Chinese, translated and prepared by Kuang Chao Lee, with a special title page and separate pagination with Chinese numerals. The volume is impressive for its wide array of b&w photographic illustrations in all the areas in which the company operated, including staff portraits, showrooms of the various departments, interior views of factories including cotton & silk mills, power plants, lighting of Shanghai buildings, railway and locomotive equipment and workshops, and bridge construction. There is an unusual double spread photograph of the Bund in Shanghai with 29 numbered buildings and a chart below listing all the heating supplies provided by Andersen Meyer to the prominent landmark buildings all along the waterfront! (pp92-93). The many images in a broad range of fields provide a vivid sense of the tremendous impact of western techonology on China's industrial growth. In 1934 Vilhelm Meyer died, and the ownership of the company passed to its main American partner, General Electric. In 1949, following the founding of the People's Republic of China, many international firms in Shanghai were nationalized, including Andersen Meyer. By 1950 it was completely Chinese controlled. Large 4to, 247pp; 134pp, frontispiece, b&w photographic illustrations (including portraits of staff, maps). With the book plate of F. L. Robbins at the front paste down. Dark blue stamped buckram covers, title in English at front cover, in Chinese at rear cover, original titles in yellow, somewhat dulled. We located four copies, at the National Library of Singapore, National Library of Australia, the University of Hong Kong, and Stanford. OCLC: 123199443. Libraries Australia ID 5041194.

      [Bookseller: Antipodean Books, Maps & Prints]
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        Les Auques. Imatgeria Popular Catalana

      Editorial Orbis, Barcelona 1931 - Vol. I : 198 págs. y 55 págs. del Catálogo de las Aucas. Sumamente ilustrado con grabados entre el texto y 2 láminas a color. Portadas decoradas e iluminadas a mano a varias tintas. Vol. II : 100 láminas a doble página con facsímiles de aleluyas. 10 de ellas a color. Edición de 465 ejs. (nº219) Impreso sobre buen papel de hilo, fabricado especialmente para esta edición. Excelente encuadernación art-decó firmada por Manuel Bueno con mosaico a cuatro pieles. Guardas enmarcadas en piel fileteada al oro y negro. Magníficas cajas de resguardo forradas en piel decorada al oro en su interior y con acabados en piel. Size: 2 Vols. De 35 x 24 Cm. [Attributes: First Edition; Hard Cover]

      [Bookseller: BALAGUÉ LLIBRERÍA ANTIQUÀRIA]
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        Les auques.

      - B-Edit. Orbis, 1931. 35 cm. 2 vols.: (I) 1 f., 7-198 p., 1 f., LV f. de catàleg. Il.lustr. amb gravats i capitals, en el text i 2 facsímils a color fora del text. (II) 2 f., 100 làm. de gravats, alguns a color. Enq. en tela arpillera. Edició numerada en paper de tinta ex.420/465. Cubiertas deslucidas.(10807-COL). FOLKLORE. IMAGINERÍA POPULAR CATALANA.

      [Bookseller: Llibreria Antiquària Casals]
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        Remote Places

      London: Duckworth, 1931. A first edition, first printing published by Duckworth in 1931. A very good book with a neat former owner's name to the front free endpaper and a little off-setting to the endpapers also. There is a little foxing to the page edges and a touch of bleeding from the boards onto the bottom edge of the early pages of the book. In the VERY RARE dust wrapper priced at 10/6 (as called for) on the spine. The wrapper is complete apart from some very minor wear at the head and tail of the spine with a touch of loss not affecting any lettering. Waugh's early travel book about Africa, the inspiration and source of his comic 'Scoop'. Illustrated, with folding map. Very uncommon in the dust wrapper.

      [Bookseller: John Atkinson Books]
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        What Bernard Shaw told the Americans about Russia! His famous Broadcast.

      1931 - First edition. 8vo., original printed wrappers, preserved in a folding box. London, Friends of the Soviet Union. Loosely inserted is a compliments slip inscribed by Shaw: ?I will not autograph books for sale. This silly trade in the American broadcast disgusts me. Why put me out of temper by bothering me with it? GBS. 24/2/35?. [Attributes: First Edition; Soft Cover]

      [Bookseller: Maggs Bros. Ltd ABA, ILAB, PBFA, BA]
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        Preferred Business Real Estate Locations of the Principal Cities of the United States and Canada

      Springfield, Mass: Nirenstein's National Realty Map Co, 1931. Hardcover. Very good + condition. While most real estate atlases show major buildings and landmarks from a bird's eye view, this unique Atlas identifies businesses on every block, at the street level, and it does so on the eve of the great Wall Street Crash of 1929! This was an invaluable guide to potential investors and store owners of the day. Every small business, not just the large commercial enterprises and hotels, is recorded on the maps. Each map also provides a wealth of other information on each building in each block, including the property owner name, city assessed land valuation and building valuation, area of each lot, and building heights and construction materials. In the New York city map which includes Grand Central, you can see that the terminal also was home to the Terminal Drug Store, the Savarin Restaurant, Wilson Bros. Men's Clothes, Ligetts Drug Store, the St. Regis Sandwich Shop, Nedlicks Soda and the Arcadia Luncheonette. North of Grand Central is St. Bartholomew's Church with Cathedral High School, the Waldorf Astoria is marked "under construction" (it wasn't completed until 1931), the Park Lane Hotel building includes a Doubleday Book Shop, and the Chrysler Building (Cooper Union recorded as owner) houses many businesses including hardware shops, confectioners and Roger's Barber Shop. The city maps are: Akron, Albany NY, Allentown PA, Altoona PA, Atlanta, Birmingham, Canton OH, Chicago, Cincinnati, Cleveland, Columbia S. C., Columbus, Dayton OH, Denver, Des Moines, Detroit, Elizabeth NJ, Erie PA, Fall River Mass, Evansville Ind, Fitchburg Mass., Gardner Mass., Flint MI, Fort Wayne IN, Grand Rapids, Greenfield Mass., Harrisburg PA, Hollywood, Houston, Indianapolis, Johnstown PA, Kansas City, Lawrence Mass., Knoxville, Long Beach Cal., Los Angeles, Louisville (with an updated map of Louisville for 1953 loosely inserted), Madison, Milwaukee, Minneapolis, Montreal, Nashville, New Orleans, New York City (16 total), Niagara Falls, Norfolk VA, North Adams, Northampton Mass., Oakland, Omaha, Ottawa, Pasadena, Pawtucket, Philadelphia, Pittsburgh, Phoenix, Portland, Reading PA, Richmond VA, Rochester NY, Sacramento, St. Louis, San Antonio, Schenectady NY, San Diego, Santa Barbara, San Francisco (2 maps), Scranton, So. Manchester CT, Seattle, Spokane, Springfield OH, Stamford, St. Paul, Syracuse, Tacoma, Toledo, Toronto, Trenton, Topeka, Tulsa, Vancouver BC, Waterbury CT, Westfield MA, Wilkes Barre PA, Wilmington DE, Yonkers NY, and Youngstown OH. The maps were compiled from actual surveys and official plans, by Cobb, Beesley & Miles, civil engineers under the personal direction of Nathan Nirenstein. An elephant folio, maroon leatherette cloth, a total of 88 cities on 85 leaves (some of the leaves are stuck together and therefore have been counted as one). The Atlas is bound at the left side, and folds open to maps measuring 29 wide by 22 1/4", each with leather index tabs at foredges of leaves. The maps are on wrapped over leaves so that they are double elephant folio size. The Atlas housed in its original box wrapper 18 x 23", with large color illustration of city skyline laid down at front cover, title below illustration printed in red and white. Gilt title at spine, "Nirenstein's Real Estate Atlas", gilt a bit faded; edges a bit rubbed. Legend laid down at rear paste down. The maps remarkably bright and clean, no marks or tears at edges. OCLC 8368425.

      [Bookseller: Antipodean Books, Maps & Prints]
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        How to Write

      How to Write, Stein, Gertrude. Published by Plain Edition, 1931. First Edition of which only 1,000 copies were printed. 16mo up to 6½" tall. 395pp. Grey paper over lighter grey paper-covered boards, printed paper spine label. Issued without dust jacket . Shakespeare and Company book label to rear pastedown including name of original proprietor Sylvia Beach and shop's address as 12 Rue de L'Odeon, Paris. Light fading to boards, light soil mark outside top edge, otherwise in beautiful, unmarked condition; binding tight and square. This volume has significant literary importance. Gertrude Stein (1874-1946), was one of the most influential American modernists of the 20th Century. A prolific and experimental writer herself, Stein regularly hosted a literary and artistic salon from her Paris home at 27 Rue de Fleurus. Guests included Ernest Hemmingway, Ezra Pound, Pablo Picasso, Henri Matisse, and F. Scott Fitzgerald. From 1930 to 1933, Stein and her life-long partner Alice B.Toklas were publishers of their own press called The Plain Edition. The Plain Edition published 5 books in total; this volume How To Write was limited to 1000 copies. Sylvia Beach, (1887-1962) an American ex-pat, owned the English language bookstore Shakespeare and Company located at 12 Rue de L'Odeon, Paris. It became an iconic gathering (and sometimes residence) for writers of the 'Lost Generation'. Gertrude Stein could be found there as well as Ernest Hemingway, Scott Fitzgerald, TS Eliot, Ezra Pound, Andre Gide, William Carlos Williams and James Joyce. Beach published Joyce's controversial book Ulysses in 1922 under the Shakespeare and Company imprint. Hemmingway writes about the store in A Moveable Feast. Shakespeare and Company closed in December 1941 during the German occupation of France in World War II. Hemmingway claimed to have 'personally liberated' the store at the end of the war although Beach chose not to reopen. In 1951 American George Whitman opened up an English-language bookstore on the Paris left bank intentionally modelling it on Shakespeare and Company. It too became the gathering place and residence for many famous writers and the publisher of literary firsts. With Beach's prior permission, Whitman renamed his shop Shakespeare and Company after Beach's death. Whitman's daughter Sylvia Whitman, (named after Sylvia Beach) took over the shop in 2003.

      [Bookseller: Back Lane Books (Member of IOBA)]
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        Sovetskaja Architektura No 1-2 (1931)

      The first published issue, two fascicules in one volume, 126 pp., of the influential Soviet architectural journal, which opens with an article on the 1931 Bauhaus exhibition in Moscow, with contributions from important Soviet architectural figures including Nikolai Ladowski, Georgi Krutikow, Lenid and Alexander Vesnin, Moisei Ginzburg, and others. Profusely illustrated throughout from photographs, drawings, and plans. Ink dedication and inscription to inside front coer, ink staining to upper right corner of approximately last 25 pp. 4to. Orig. typographic paper wrpps., some tanning, slightly rubbed especially along spine, possibly restored. Moscow (Gosudarstvennoe Techniko-Teoret) 1931. Hannes Meyer, the second director of the Bauhaus organized two exhibitions in Moscow, in 1930 and 1931, after emigrating to the Soviet Union in 1930. The first was held at the Architecture Academy and was a minor, almost-impromptu affair. The second was held at Moscow's State Musuem of New Western Art and took the form of a retrospective of more than 140 drawings, prints, and photographs along with around 40 objects, including textile samples. It was called "Bauhaus Dessau Währent der Leitung Unter Hannes Meyer 1928-1930", or "The Dessau Bauhaus during the Directorship of Hannes Meyer 1928-1930". Compared with the impressive exhibition on behalf of the German Werkbund at the Grand Palais in Paris, these Moscow exhibitions were humble and quite sparse. As of August 2017, we could find only four holdings worldwide and not a single holding in North America.

      [Bookseller: F.A. Bernett Books]
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        Blood on the Moon (Uncorrected Proof)

      Coward-McCann, New York 1931 - UNCORRECTED PROOF, preceding the First Edition. The author's fifth book. Very Good in printed wrappers. Spine faded, light dampstain to the lower front wrapper, separation to the front hinge. [Attributes: First Edition; Soft Cover]

      [Bookseller: Royal Books, Inc., ABAA]
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        Essays in Persuasion.

      London: Macmillan and Co., Limited, 1931 - Octavo. Original green cloth, spine lettered in gilt. With the dust jacket. Bookseller's ticket to front pastedown. Spine lightly rolled, very minor foxing to contents; a few nicks and a little loss to dust jacket extremities and a neat split to the spine, professionally reinforced using Japanese paper; a very good copy. First edition, first impression, of Keynes's first collection of essays. "Keynes's intensive public activity with respect to the policy discussions of the inter-war period was reflected in the more than three-hundred articles he wrote for the 'highbrow' news magazines of the time (particularly the Nation and Athenaeum- of whose board Keynes was chairman in the 1920's - and its successor The New Statesman and Nation) as well as for the popular press. Many of the latter articles were syndicated in newspapers all over the world. A selection from these and similar writings were reissued by Keynes in 1931 under the title Essays in Persuasion. They are marked by a brilliant style, truly the work of a literary craftsman" (Patinkin in The New Palgrave). Mattioli 1810; Moggridge A 8.1.1; The New Palgrave III, pp. 19–39. [Attributes: First Edition]

      [Bookseller: Peter Harrington. ABA member]
 27.   Check availability:     ZVAB     Link/Print  


        Die Erotik in der Photographie, 3 Bände. Die Geschichtliche Entwicklung der Aktphotographie und des erotischen Lichtbildes und seine Beziehung zur Psychopathia Sexualis - Ergänzungsband die Sexualbezügliche Bedeutung der intimen Photographie und die Beziehung des erotischen Lichtbildes zur Psychopathia Sexualis Bilderatlas - Nachtragsband die Rolle der intimen Photographie in Aesthetik und Soziologie die Bedeutung des erotischen Lichtbildes für Sexualpsychologie un Pathologie.

      Wien Brlin Leipzig, Verlag für Kulturforschung, 1931, 1932. Erstauflage, EA. 252, 127 und 126 Seiten 8° , Leinen zahlreiche Abbildungen und Tafeln diese teilweise koloriert, Einbände etwas begriffen, sonst guter Zustand Versand D: 5,00 EUR

      [Bookseller: Antiquariat Buch-Buch]
 28.   Check availability:     buchfreund.de     Link/Print  


        BEDFORD FORREST AND HIS CRITTER COMPANY

      New York: Minton, Balch & Co., 1931. Black cloth, pictorial labels. Portrait. Minuscule, almost imperceptible tidemark in extreme upper forecorner of five prelims, otherwise very good to near fine in lightly worn, very good dust jacket with light discoloration in top forecorner of the front panel. First edition, first issue, of the author's first book, in the most often seen form of the binding. Signed by Lytle on the half- title. When Putnam took over the backstock of Minton, Balch & Company, some sets of sheets of this title were trimmed and newly bound up in an appropriate binding, with a cancel title. This first issue is sometimes incorrectly referred to as a "large-paper" issue.

      [Bookseller: William Reese Company - Literature ABAA-]
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        L'ASSASSINIO DELL'ALBERO ANTICO

      MILANO: CORBACCIO, 1931. IED. BROSSURA. BUONO. 14 20. USATO

      [Bookseller: Biblioteca di Babele]
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        THE NONESUCH HOMER The Iliad and Odyssey. Translated by Alexander Pope.

      The Nonesuch Press 1931 - Two volumes, limited issue. The Iliad is number 97 of 1450 copies for sale in England, and Odyssey is 526 of 1300 copies. Original tan morocco, lettered and tooled in gilt with five raised bands to the spine. Top edge gilt with untrimmed pages. A near fine set, with just a little fading to the spines. Titles printed in black and red with wood-engraved title page and head-piece illustrations by Rudolf Koch. [Attributes: Hard Cover]

      [Bookseller: Jonkers Rare Books]
 31.   Check availability:     AbeBooks     Link/Print  


        What Happened At Midnight Mystery, 1931A-1 True 1st Edition, 1st Printing, THICK RED Cloth with Black Shield on Front, Series # 10 Hardy Boys IN Photo LASER Color COPY OF 1ST Edition DUSTJACKET with All the Points, One of the Toughest Red Hardys to Find,

      Grosset & Dunlap, NY 1931 - HBDJ,1931 A-1 True First Printing, 1st Edition, IN Photo LASER Color COPY OF 1ST Edition DUSTJACKET with all the Points, NF-/NF+, AS-IS. Book has bright Red Cloth boards and all lettering is very clear and unfaded & is DarkGold outlined in Black Lettering. Binding (mild spine lean and a just a tad shaken) is tight, Small purple stamp can be seen at the very top of some pages and the back blank endpaper has a light shadow fox of where possibly a piece of paper was stored there for many years. Pretext Lists thru This Title & also list of Ted Scott Thru Danger Trails, 213 pgs + ADS,Back of the book has 6 pages of advertisements with the .Back of the book has 6 pages of advertisements with the First Listing Hardys Thru Great Airport Mystery, (this is the indicator it's the true 1st printing by the way). , Glossy Frontispiece Joe He Shouted & Sprang Forward, is Intact of Boy on Ground with 3 others in Nickers & Shining a Flashlight on Boy on Ground, and Blank endpapers have no writing (small purple stamp of a name in the back endpaper and the front blank endpaper has a section near the middle where some of the white was pulled away a bit). Slight FoX Wear Endpapers, [Attributes: First Edition; Hard Cover]

      [Bookseller: Bluff Park Rare Books]
 32.   Check availability:     AbeBooks     Link/Print  


        Samnium Pubblicazione trimestrale di Studi Storici Regionali

      BENEVENTO: Tipografia Istituto Maschile Vittorio Emanuele III - Benevento, 1931. Brossura. DISCRETO. 18 25,8. Samnium - Pubblicazione trimestrale di Studi Storici Regionali USATO

      [Bookseller: Biblioteca di Babele]
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        Rumour at Nightfall

      William, London 1931 - Rumour at Nightfall by Graham Greene, First edition. William Heinemann, London 1931, Rumour at Nightfall is one of Graham Greene's first publications and is his third book. It follows The Name of Action, and Greene suppressed both volumes as they failed to achieve the success of his first novel, "The Man Within". This volume is in very good condition and would add to a collection of this classic British author. Original red cloth boards with star imprint on the front cover. The spine is darkened with bright gilt lettering on he spine. Wear to front lower corner and otherwise the covers are in very good condition. The contents are clean and tidy and the bindings are tight. 8vo 300 pp [Attributes: Hard Cover]

      [Bookseller: Rare And Antique Books PBFA]
 34.   Check availability:     AbeBooks     Link/Print  


        Paris

      Jeanne Walter, Paris 1931 - 295x223mm, 94 pages non paginées (y compris 4 pages blanches) broché sous jaquette photographique, titrée en bleu sur la couverture et le dos. 80 photomontages de Moï-Ver ; introduction de Fernand Léger. Moshe Raviv-Vorobeichic, dit Moï Ver fut d¿abord élève de Josef Albers au Bauhaus de Dessau avant de compléter sa formation avec Klee et Kandinsky. Il est à Paris en 1928 ou il suit les cours de Fernand Léger à l¿Académie Moderne. « C¿est la réalisation sous forme d¿album photographique d¿un projet esquissé par Moholy-Nagy dans son ouvrage «Malerei, fotografie, film» : Dynamik der Grosstad (Dynamique de la grande Ville) » Annoncé dans Arts et Métiers Graphiques n°23, 15 mai 1931 ; hors-texte publicitaire dans AMG 22. Photographie Bauhaus pp. 47 à 83 et p. 353. Sinibaldi-Couturier n°45 ; Andel p.302-303 n°401-402-403. Léger p.318-319 n°3. Roth 70-71-72-73. [Attributes: Soft Cover]

      [Bookseller: Chloé et Denis Ozanne]
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        POZICIJA NADREALIZMA [Die Position des Surrealismus]

      MATIĆ, Dušan; RISTIĆ, Marko et al.: POZICIJA NADREALIZMA [Die Position des Surrealismus]. Signatura Rerum. Beograd: Nadrealisticka izdanja 1931. 11 S. Gr. 8° (17:22 cm). Hellrosa Broschur in Klammerheftung mit dunkelrotem Umschlagtitel auf Vorder- und Hinterseite des Umschlags. Zentrales Dokument des serbischen Surrealismus, in dem "zum ersten Mal die Ziele der Bewegung inhaltlich präzisiert, eine Verbindung von Marxismus und Psychoanalyse, von Revolution und Poesie, angestrebt wird." Die 11 Unterzeichner dieser Schrift, Aleksandar Vučo, Oskar Davičo, Milan Dedinac, Vane Bor, Radojica Živanović-Noe, Djordje Jovanović, Djordje Kostić, Dušan Matić, Koča Popović, Petar Popović und Marko Ristić, hatten ihre Position bereits im kurz davor erschienen Almanach "Nemoguče" (Das Unmögliche) künstlerisch dargelegt. Gemeinsam mit »Nacrt za jednu fenomenologiju iracionalnog« (Versuch einer Phänomenologie des Irrationalen, 1931) und »Anti-Zid« (1932) bildet die »Pozicija« das theoretisch-philosophische Dreigestirn der Belgrader Surreale. Durch das in vorliegender Schrift offene Eintreten für eine soziale und politische Revolution setzten sich die Autoren im damals diktatorisch regierten Königreich Jugoslawien grosser persönlicher Gefahr aus. "On ne pouvait pas se tromper sur l'attitude de "Position". On ne pouvait surtout pas tromper une censure rigoureuse. Ainsi la "Position du surréalisme"a été toute des suite interdite par le régime..." Die Abhandlung wurde von den französischen Surrealisten als kollektive politische Äusserung der Belgrader Gruppe verstanden und auch sofort in der Zeitschrift "Surréalisme au service de la révolution" abgedruckt. - Vorliegendes Exemplar ist in einen für mich sonst nicht nachweisbaren Umschlag aus dünnem, hellrosa Maschinbütten mit dem Wasserzeichen der Fa. Canson geheftet. Die mir sonst bekannten Exemplare haben Umschläge aus grauem oder blauem Maschinenpapier (mit rotem bzw. braunem Umschlagtitel). Hinterseite des Umschlags mit minimalem Ausriß an einer Ecke, die Ränder aufgrund von Büttenstruktur und Überhang des Umschlagpapiers geringfügig bestoßen, sonst makelloses, unaufgeschnittenes Exemplar dieser bedeutenden Proklamation, in der vorliegenden Umschlagvariante von größter Seltenheit. Richter, L., Olschowsky, H., Literaturen Ost- und Südosteuropas, 1990, S. 341f.; Kapidzic-Osmanagic, H., Le surréalisme serbe, Seite 187f.

      [Bookseller: Domenico Jacono - VdAÖ / ILAB]
 36.   Check availability:     Direct From Seller     Link/Print  


        1706 - 1931 [RussianHorseGuard Commemoration1706-1931].

      izd. E.I.V. Velikogo Kniazia Dmitriya Pavlovicha 1931 - Tall8vo(27x18.5cm).87pp., with 3 plates with tipped-in illustrations.Original wrappers. A rare publication issued in a limited edition of five hundred copies only, presenting history of one the most prestigious Imperial regiments. Published by H.I.H Grand Duke Dmitriy of Russia (1891 - 1942), this book contains a synopsis of the history of over two hundred years of loyal service rendered by the gallant regiment of The Horse Guards to Emperor and country. The illustrations contained in the present volume have been reproduced from paintings and engravings belonging to the Horse Guards`Museum in St. Petersburg; what their fate may have been since the revolution is not known. Our copy in number 122, one of the 250 copies (numbered 1 to 250) that have been presented by Grand Duke Dmitriy to Members of the Russian Imperial Family, to all members of the Association of Former Officers of the Horse Guards and to some National Libraries. This copy was printed for Countess Maria Sergeevna Benckendorff (Born Princess Dolgorukova, 1846 - 1936). Savine No 25488 - "Rare". [Attributes: Soft Cover]

      [Bookseller: Shapero Rare Books]
 37.   Check availability:     ZVAB     Link/Print  


        Autograph Letter Signed Aldous Huxley to Mr Blumenfeld likely Simon Blumenfeld friend of Huxleys a journalist whose pen name was Sidney Vauncez

      3 1/2 pages 8vo, The Athenaeum, Pall Mall, 10 October 1931. An interesting, detailed, eloquent letter to Huxley's recently married friend ("all best wishes for your future happiness"), written in the year Huxley wrote his magnum opus Brave New World, and touching on his serious political concerns. Includes two of the most perfectly succinct political comments this cataloguer has encountered recently - "have just returned to this political bedlam", "Really, the lunacy of the world" - (still relevant today); here specifically referring to the British political climate (just prior to the election that would be held later that month (27 Oct 1931), which would provide results that "were the most astonishing in the history of the British party system" (in the words of Ivor Bulmer-Thomas)), thence suggesting a way to possibly mend the financial problems of the world. Huxley also mentions that he had "hoped to go to Russia [that] summer" but had been "prevented by press of work".

      [Bookseller: Maggs Bros. Ltd.]
 38.   Check availability:     Direct From Seller     Link/Print  


        The Good Earth

      The John Day Company, New York 1931 - "The Good Earth" by Pearl S. Buck. Published by The John Day Company, New York, 1931. Winner of the 1932 Pulitzer Prize for Novel (Fiction). First edition, first printing, first issue; With edition points: "The copyright page states "COPYRIGHT, 1931, BY PEARL S. BUCK" and there is no mention of subsequent printings. The bottom of the copyright page says "FOR THE JOHN DAY PUBLISHING COMPANY, INC." which was later changed to "FOR THE JOHN DAY COMPANY" late into the first printing, and is found on all subsequent printings. So although the "JOHN DAY PUBLISHING COMPANY" error is the first state,the second state "JOHN DAY COMPANY" is much more scarce. The dust jacket is rare and adds most of the value to the book. It is the only Pulitzer Prize winning novel whose first trade edition is WITHOUT a price on the dust jacket. Even advance issues, identical to the first printing trade dust jacket, are without a price statement." With its very rare original dust jacket. The dust jacket is in good condition. Chipping and creasing to the edges with small chips to the rear panel. Stains to the panels and spine. Sunning to the spine with paper loss at the bottom edge. The book is in very good to very good plus condition. The boards are well preserved with firm edges. Faint sunning to the spine with rubbing to the gilt titling and decoration. The front board is slightly cocked. Previous owner's bookplate on the front paste-down. The binding is starting at page 23 and 283. The textblock is gently toned, largely clean, unmarked, and complete. A scarce copy of this American classic. Please view the many other rare titles available for purchase at our store. We are always interested in purchasing individual or collections of fine books. Inventory #(H8-40) [Attributes: First Edition; Hard Cover]

      [Bookseller: Ernestoic Books and Bindery]
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        L'OMBRA DELLA GLORIA TETRALOGIA DELLE OMBRE

      VERONA: MONDADORI, 1931. BROSSURA. BUONO. 13 19. USATO

      [Bookseller: Biblioteca di Babele]
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        Match Making

      Advertising brochure, with colour lithograph cover by Paul Nash, printed in yellow, blue, green and black; 4vo; 55 pages, photographs by Francis Bruguiere, text by E. P. Leigh-Bennett. Fine, although the staples have been removed.

      [Bookseller: York Modern Books]
 41.   Check availability:     PBFA     Link/Print  


        THE ILIAD [and] ODYSSEY

      London: Nonesuch Press, 1931. Limited, numbered editions. Full Leather. Royal Octavo. Bound volumes bound as issued in full dyed niger morocco with marbled endpapers; top edge gilt; housed in publisher issued slipcases in matching marbled paper; fairly uncommon thus. Both volumes are limited and numbered: 977 of 1450 and 1122 of 1400, respectively. Spines are a trifle darkened as usual; contents clean and binding sound. A finely printed bilingual edition of this classic. Ransom 72/78.

      [Bookseller: Michael Pyron, Bookseller]
 42.   Check availability:     Biblio     Link/Print  


        ANTOLOGIA CRITICA SUGLI SCRITTORI D'ITALIA vol. III parte II DAL PARINI AL DE SANCTIS

      FIRENZE: VALLECCHI, 1931. IIIED. BROSSURA. DISCRETO. 14 20. USATO

      [Bookseller: Biblioteca di Babele]
 43.   Check availability:     Biblio     Link/Print  

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