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Displayed below are some selected recent viaLibri matches for books published in 1930

        A Production Being Thirty-Two Collotype Plates Of Designs Projected Or Realised For The Pretenders of Henrik Ibsen And Produced At The Royal Theatre Copenhagen 1926

      London: Oxford University Press, 19304. First edition. Hardcover. Orig. vellum backed red cloth, front cover and spine lettered in gilt. Teg. Near fine in chipped, worn paper chemise and nicked green slipcase. Craig, Edward Gordon. 21 pages in text. Large folio, 51 x 39 cm, Limited edition copy 90 of 105 on hand-made paper signed by Edward Gordon Craig (from total edition of 605). Thirty-two full page theatrical designs, including eleven in color -- watercolor, chalk and gouache drawings with tissue guards. As a director Craig was testy, and considered extremely difficult to work with; he ultimately refused to direct or design any project over which he did not have complete artistic control. In practice this left him mainly jobless for the last forty years of his life.

      [Bookseller: Royoung bookseller, Inc.]
 1.   Check availability:     Biblio     Link/Print  


        Die niederländischen Meister. Beschreibendes Verzeichnis sämtlicher Zeichnungen. 2 Bände (Text- und Tafelband).

      Berlin, Verlag Bard, 1930 - Textband: 5 Bll., 340 Seiten. - Tafelband: 815 Abb. auf 220 Tafeln. Folio. (35,5 x 28 cm). Orig.-Leinenbände mit Rückentitel. *Beschreibendes Verzeichnis und zugleich Bestandskatalog der Niederländischen Zeichnungen im Kupferstichkabinett Berlin. Standardwerk und durch den großformatigen Tafelband mit hervorragenden Lichtdrucktafeln auch ein Augenschmaus für den Kunstkenner. - Der Textband gelegentlich mit kleinen Anstreichungen und handschriftlichen Ergänzungen oder Berichtigungen in Bleistift von Dr. Wolfgang Schulz. Insgesamt sehr gut erhalten. Sprache: Deutsch Gewicht in Gramm: 7000 [Attributes: Hard Cover]

      [Bookseller: Antiquariat Braun]
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        Important archive of signed documents from the files of his agent, Herman Citron, with 9 letters and 6 documents signed by Hitchcock, including: 7 T.Ls.s. relating to the films, I Confess, Mischief, Rear Window, The Trouble with Harry and The Man Who Knew Too Much.

      Various sizes, various dates, 1930s-1970s. , 1930. c.220pp., in card folder. Mostly fine. The archive contains original and retained letters, notes and agreements regarding film direction services, television and record company contracts, publishing and serial rights, and securing film rights including those for The Lodger, Mischief, Strangers On a Train, plus initial interest over Ice Station Zebra (which Hitchcock did not direct). There are also documents with two signatures and six initialled signatures of Patricia Hitchcock - the director's only child - an actress and producer who appeared in his films Stage Fright (1950), Strangers on a Train (1951), Psycho (1960). As expected there is much correspondence with the major Hollywood studios including letters signed by executives of Twentieth Century Fox, MGM, Warner Bros., Universal City Studios, Selznick International Pictures, and Myron Selznick (signed by their managing director). The premium material comprises; Original contract (1938) between Mayflower Pictures and Hitchcock Baker for Jamaica Inn (released 1939) signed and wax sealed by Mayflower. Pp19, plus associated correspondence. Hitchcock's retained copy agreement with Selznick International Pictures, hiring his services for one motion picture (Rebecca, released 1940). Pp.18, Signed by film mogul Daniel O'Shea for David O'Selznick, Culver City, 1938. Hitchcock's retained copy agreement with author Marie Belloc Lowndes securing film rights to her novel 'The Lodger', a psychological thriller based on the story of Jack The Ripper, filmed in 1944 with Merle Oberon. 2pp., 1940. Hitchcock: TLS to MCA (1949) re directing 'Nos deux Consciences' (I Confess, 1953) Hitchcock: original contract (1950) to secure film rights for the novel 'Mischief' by mystery writer Charlotte Armstrong. SIGNED by director and author. Hitchcock and Highsmith; brief agreement (1950) between Mary Patricia Highsmith and Alfred Hitchcock relating to the novel Strangers on a Train. 3 lines, unsigned. Hitchcock; TLS to MCA (1953) relating to the contract to direct Rear Window (1954). Hitchcock: 2 T.L.S.s to MCA (1954) regarding contract with Paramount to direct three motion pictures (which would be Rear Window, To Catch a Thief and The Trouble With Harry). One letter with pencil annotation concerning the three-film deal, noting 'mucho dinero'! Hitchcock; TLS to MCA (1954) regarding The Trouble With Harry (1955). Hitchcock: 2 T.L.S.s to MCA (1955) concerning Filwite Productions Inc. Filwite produced the Hitchcock - directed movie The Man Who Knew Too Much (1956). Hitchcock: a completed UK Income Tax exemption declaration, TWICE SIGNED. Hitchcock: letter re registering the film titles MARNIE and THE BIRDS (unsigned. 1961). Hitchcock: 2 agreements signed, between Hitchcock and his artists agency (1962). Hitchcock: Agreement signed, between Hitchcock and his artists agency (1963). Hitchcock: Signed Agreement to appear on 'The Dick Cavett Show' (1972). Hitchcock: five documents relating to Hitchcock's appearance on BBC TV's 'Film Night (1972). The remaining material concerns all aspects of Hitchcock's career, such as granting permission for use of his name in other productions, contracts with Psycho author Robert Bloch, summaries of production costs for various projects, contributing to an article 'Motion Pictures' published in Encyclopaedia Britannica, memos for Alfred Hitchcock Mystery Magazine and the TV series Alfred Hitchcock Presents.., legal and agency documents, a property taxt refund, plus notes on old agreements where money wasn't collected.

      [Bookseller: Adrian Harrington Rare Books]
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        Torrente Marano. Riassunto fotografico di parte delle opere eseguite nel decennio 1946 - 1955.

      Bologna, 1956. Album di grande formato (cm. 50 x 37) in pelle verde con 32 fogli in cartoncini grigio; con 28 foto di 22 x 16 e una 30 x 40. Eccezionalmente interessante documentazione della situazione postbellica del nostro Appennino.

      [Bookseller: Libreria Piani gia' Naturalistica]
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        Photo Album]: Colorado Family including Earthquake

      Pueblo, Colorado 1930 - Oblong quarto. Measuring 7" x 11". String-tied black cloth over paper boards with "Photographs" stamped in gilt on the front cover. Contains 238 sepia toned or black and white gelatin silver photographs measuring between 4" x 3" and 5.5" x 8" affixed to stiff black paper with some captions. Very good photo album with some spotting and edgewear with near fine photographs with some edgewear.A photo album of a Western American family, the Gillian's, kept between the early 1900s through the 1930s in the Colorado area, three photos are printed as cyanotypes. Many of the photos show the family posing around their home in various group photos. Some of the photos show a little girl in various costumes and others show people working on the Gillian's farm. An early photo shows women working at a switchboard. Roughly 24 photos show the aftermath of an earthquake in Pueblo, Colorado, presumably close to the Gillian home. The photos feature the devastating effects the earthquake had on the main street of the town, turning buildings to rubble and uprooting the railroad. One section shows the family on a trip to a ranch which involves horseback riding, hiking, and posing around early automobiles. The Gillians also frequented New York for vacations with trips detailed here of Lake George and Birch Grove.An extensive album of family photos including farm life and an earthquake. [Attributes: Hard Cover]

      [Bookseller: Between the Covers-Rare Books, Inc. ABAA]
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        The Last Hero

      Hodder and Stoughton 1930 - The First Saint book published by Hodder and Stoughton in 1930 - The Last Hero by Leslie Charteris. Scarce First Edition in DJ. Blurb on rear cover explaining what a great writer Leslie Charteris is. Slight restoration to DJ by professional restorer. A beautiful and very rare book. No date but dedication is dated January 1930 and only refers to "Meet the Tiger" on the title page. Some mild foxing to wrapper and spine colour is slightly different shade, as is the spine cloth, see pictures. VG+ book in VG+ wrapper. Please ask any questions you might have. Paypal accepted. [Attributes: First Edition; Hard Cover]

      [Bookseller: Fawsley First Editions PBFA]
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        My Early Life. Together with: Thoughts and Adventures.

      London: Thornton Butterworth, 1930 and 1932., 1930. FIRST EDITIONS, octavo. Handsomely bound in matching half dark green morocco with gilt titles and tooling to spines, green cloth boards, top edge gilt. Illustrated with photographic frontispieces and several cartoons. A fine set, housed in a fleece-lined cloth slipcase. These two volumes represent Churchill's only autobiographical works.

      [Bookseller: Adrian Harrington Rare Books]
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        ELZTAL. Reliefpanorama des Elztals mit den Städten als Vogelschauansichten.

      - Aquarell mit Deckfarben über Bleistift, sign. "J. Ruep", um 1930, 46 x 60 cm. Schöner Blick von Gundelfingen, Glottertal, St.Peter, St.Märgen und Furtwangen in das Elztal, in der Ferne Kinzigtal und Offenburg. Der Hauptort ist Waldkirch, am linken Bildrand noch mit feiner Gesamtansicht von Emmendingen. - Auf Leinwand aufgezogen. [Attributes: Hard Cover]

      [Bookseller: Peter Bierl Buch- & Kunstantiquariat]
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        Vecchia Genova. Trenta litografi di Riccardo Lombardo con testo di Mario Labo.

      Genova, Stabilimenti Italiani Arti Grafiche, 1930. 1 Doppelblatt Titelei, 1 Blatt Verzeichnis der Lithographien, 30 Lithographien in Braunton, jeweils eingelegt zwischen ein Doppelblatt mit Beschreibung und lithogr. Vignette. Lose in Halbleinenmappe mit marmoriertem Bezugspapier, montiertem Titelschild und 2 Leinenschließbändchen. Groß-Folio. (Blattgröße: 52,5 cm x 37, 5 cm; Bildgröße: ca. 38 x 27 cm). Mit Signatur von Roccardo Laombardo und Mario Labo auf Titelei. - Nr. 64 von 290 Exemplaren - . Auf dem Innendeckel der Mappe mit schwarzer und roter Tusche handgeschriebene Urkunde: \"Dem scheidenden Kommandanten des deutschen Wehrmacht-Standort-Offizier Trapani und Genua, Herrn Major Schad in Dankbarkeit seine Offiziere, Beamten, Unteroffiziere und Mannschaften. Genua, den 10. Juli 1943.\" (Mit 19 Unterschriften). Sehr schönes, sauberes Exemplar. Die einzelnen Lithographien: 1. Porta Soprana. 2. La Torre di Palazzo Ducale. 3. Palazzo San Giorgio. 4. La Porta del Molo. 5. Il Ponte di Carignano. 6. Il Campanile di San Lorenzo. 7. I tetti di San Lorenzo. 8. Il Campanile di S. Donato. 9. Santo Stefano. 10. Piazza San Matteo. 11. San Giovanni di Prè. 12. Sant` Agostino. 13. San Pancrazio. 14. San Pietro in Banchi. 15. L`Albergo die Poveri. 16. Palazzo Tursi. 17. Palazzo Durazzo Pallavicini. 18. Piazza del Ferro. 19. Piccapietra. 20. Mascherona. 21. Le Fosse del Colle. 22. Vico delle Grazie. 23. Piazza del Ponticello. 24. Piazza die San Silvestro. 25. L`Altana. 26. Il Colle. 27. S. Pietro della Foce. 28. S. Maria della Sanità. 29. Lo Sperone. 30. S. Barnaba. Versand D: 4,90 EUR [Kunst. Lithographien. Italien. Genua. Deutsche Wehrmacht.]

      [Bookseller: Antiquariat An der Rott Emma Eigl]
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        Nancy Drew Mystery Stories: The Bungalow Mystery

      Grosset & Dunlap, Inc., 1930 Very good in a very good dust jacket. First edition, first printing, 1930 A-1. Previous owner's name on front free end paper, and small book seller's sticker affixed the to back free end paper. Rubbing along the top and bottom edges, and slight foxing on top page ends. Jacket has two pieces missing at the top of the front panel, as well as missing pieces at the top and bottom of the spine. Chipping at corners and rubbing along the edges, a couple of closed tears at front panel. Comes housed in a custom-made slipcase.. 1st Edition. Hardcover. Very Good/Very Good.

      [Bookseller: Bookbid Rare Books]
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        The Edwardians.

      London: Hogarth Press,, 1930. Octavo. Original orange cloth, titles to spine gilt. Spine gently rolled, slight spotting to edges of text block. An excellent copy. First edition, first impression. Inscribed by the author to Peggy Belsher, secretary and head clerk at the Hogarth Press from 1928 to 1936: "For Miss Peggy Belsher, V. Sackville-West (front free endpaper). July 1930". There was also a signed limited edition of 125 copies.

      [Bookseller: Peter Harrington]
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        Entwurf einer Landschaft. Illustré de lithographie par C.-L. Roux. (d.i. Gaston-Louis Roux)

      Editions de la Galerie Simon, Paris 1930 - Paris, Editions de la Galerie Simon 1930. 19,5x26 cm. 28 n.n. S. mit 5 ganzseitigen Originallithographien. Originalbroschur. Raaben 65.10 - Skira 320. - Erste Ausgabe. - 1/900 numerierten, von Einstein und Roux signierten Exemplare auf Van Geldern Bütten. - Mit handschriftlicher Widmung von Daniel Henry Kahnweiler für Jügen Claus auf dem Vorsatz: "von einem alten Freunde Carl Einsteins". - Kahnweiler hat 1920 die Editions und Galerie Simons gegründet die er, unter dem späteren Namen seiner Frau, als Galerie Louise Leiris, bis kurz vor seinem Tode 1979 weiterführte. - Einsteins lyrischer Text, radikal in seiner Gestaltung und begleitet von ebenso radikalen Grafiken des zu Unrecht fast vergessenen Surrealisten Gaston-Louis Roux. - Schönes, fleckenloses Exemplar. - Selten. Sprache: N [Attributes: First Edition; Soft Cover]

      [Bookseller: Daniel Thierstein]
 12.   Check availability:     IberLibro     Link/Print  


        Aquarell. Signiert „J. Weinheber | 1930".

      O. O., Juni 1930. - Ca. 115:115 mm. Gerahmt hinter Glas. Auf der Rückseite des Rahmens eh. bezeichnet „Original Motiv | Wiesenbach NÖ | J. Weinheber, Juni 1930". – Der Trägerkarton an den Ecken etwas bestoßen.

      [Bookseller: Kotte Autographs GmbH]
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        Labels

      Duckworth 1930 - Limited signed first edition, no. 99 of 110 copies signed by the author and with a page of manuscript tipped-in. Near fine book, very slight rubbing at spine ends and corners. Frontispiece, maps and b/w photos. 206 pp. 1 vols. 8vo. Waugh's First Travel Book. Housed in a custom-made slipcase. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Bookbid]
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        Österreich-Ungarns letzter Krieg 1914 - 1918. Bände 1 bis 7 und Beilagenbände 1 bis 7 (ohne Registerband) Hg. vom Österreichischen Kriegsarchiv

      Verlag der Militärwissenschaftlichen Mitteilungen 1930 - 8°, O-Leineneinbände. Band 1: XIX + 835 Seiten, 1930. Beilagenband 1: Skizzen 1 - 56, Beilagen 1 - 28. Band 2: XV + 814 Seiten, 1931. Beilagenband 2: Skizzen 1 - 36, Beilgaen 1 - 40. Band 3: XVI + 624 Seiten, 1932. Beilagenband 3: Skizzen 1 - 20, Beilagen 1 - 32. Band 4: XVII + 745 Seiten, 1933. Beilagenband 4: Skizzen 1 - 4, Beilagen 1 - 29. Band 5: XIV + 746 Seiten, 1934. Beilagenband 5: Beilagen 1 - 35. Band 6: XVIII + 792 Seiten, 1936. Beilagenband 6: Beilagen 1 - 36. Band 7: XIX + 856 Seiten, 1938. Beilagenband 7: Beilagen 1 - 39, 1 Anlagenheft. Alle Bände in gutem Zustand. Bei Band 1 äußeres Leinen von Rückenkante gebrochen, Bindung nicht betroffen. Ohne dem Registerband. Alle Beilagen komplett (!) vorhanden ohne fehlender Nummern 0 S. [Attributes: Hard Cover]

      [Bookseller: Buchhandlung W. Neugebauer GmbH & Co.KG]
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        The Maltese Falcon

      Knopf, 1930 A very good first edition, with matching 1930 date on copyright page and title page and no mention of later printings. Spine of book slightly sun-darkened. Comes in a custom-made collector's slipcase.. 1st Edition. Hardcover. Very Good/No Jacket.

      [Bookseller: Bookbid Rare Books]
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        Discours des misères de ce temps [gravures au burin sur cuivre d'Albert Decaris]

      Paris: Le fuseau chargé de laine, 1930. Livre. Illus. by Albert Decaris. Assez bon. En Feuilles. Signé par l'illustrateur. In-4. Paris, Le fuseau chargé de laine, 1930. 33 x 26 cm, in-4, (6) 193 (6) pp. - frontispice et 19 planches hors texte (compris dans la pagination), vignette de titre, 22 gravures dans le texte (en-têtes et culs-de-lampe), 12 lettrines gravées, couverture gravée sur les deux plats (soit 57 gravures au total), en feuilles sous couverture illustrée, chemise et étui muets. Tirage à 359 exemplaires. Celui-ci l'un des 300 sur vergé de Montval (n° 177). Notre exemplaire est enrichi de DEUX DESSINS ORIGINAUX (lavis et mine de plomb) signés de Decaris, au format de l'ouvrage (32 x 25 cm) mais n'ayant pas servi à l'illustration de celui-ci. Rousseurs parfois un peu envahissantes. (MONOD, 9905 ; CARTRET, IV, 347 : "très belle publication recherchée et fort cotée").

      [Bookseller: Des livres autour (Julien Mannoni)]
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        Ölgemälde \" Apfelblüte im Alten Land \"

       Hübsches kleines Ölgemälde der Apfelblüte im Alten Land ( bei Hamburg ) des Künstlers Eduard Möller. Abmessungen: Höhe x Breite: 44 x 39 cm ( mit Rahmen 52,5 x 48 cm ). Alt gerahmt. Ca. 1930 gemalt, rechts unten signiert. ( Bitte beachten. Aufgrund der Bildgröße hier nur ausgerahmter Versand ohne Rahmen oder aber Selbstabholung des Bildes in meinem Ladengeschäft ). ( Pic erhältlich /webimage available ) Versandkostenfreie Lieferung Altes Land, Alte Land, Vier- und Marschlande, Hamburg, Gemälde, Ölgemälde, Eduard Möller, Möller

      [Bookseller: Antiquariat Friederichsen]
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        Discours des misères de ce temps [gravures au burin sur cuivre d'Albert Decaris]

      Le fuseau chargé de laine, Paris 1930 - Paris, Le fuseau chargé de laine, 1930. 33 x 26 cm, in-4, (6) 193 (6) pp. - frontispice et 19 planches hors texte (compris dans la pagination), vignette de titre, 22 gravures dans le texte (en-têtes et culs-de-lampe), 12 lettrines gravées, couverture gravée sur les deux plats (soit 57 gravures au total), en feuilles sous couverture illustrée, chemise et étui muets. Tirage à 359 exemplaires. Celui-ci l'un des 300 sur vergé de Montval (n° 177). Notre exemplaire est enrichi de DEUX DESSINS ORIGINAUX (lavis et mine de plomb) signés de Decaris, au format de l'ouvrage (32 x 25 cm) mais n'ayant pas servi à l'illustration de celui-ci. Rousseurs parfois un peu envahissantes. (MONOD, 9905 ; CARTRET, IV, 347 : "très belle publication recherchée et fort cotée") [Attributes: Signed Copy; Soft Cover]

      [Bookseller: Des livres autour (Julien Mannoni)]
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        4 TYPED LETTERS, INCLUDING 3 SIGNED, by the Modernist poet WALLACE GOULD admired by William Carlos Williams & Marsden Hartley.

      Circa, [1930]. [1930] - - Four letters by the poet Wallace Gould addressed to John Hyde Preston, author of "Mad Anthony Wayne" and "Revolution 1776" and associated with "Direction" Magazine. Three of the letters are signed by Gould, the other unsigned but with a manuscript correction in the poet's hand. All four letters are typed on 14 inch high by 8-1/2 inch wide buff paper. Each, directly or indirectly mentions his book "Aphrodite" which he would like to correct and revise by hand. In what appears to be the first letter, with over 400 words densely typed on one page, Gould writes to Preston: "I have intended to write you. I shall ask you if you possess a volume of Aphrodite. If so, would you find it interesting to possess in exchange for it another, with subsequent corrections and revisions? I have a great desire to place such a volume in your possession frankly with the ulterior motive of its being thus preserved for posterity. Like so many other publishing houses, the Macaulay house is primarily interested in socialism and negrophilism and memoirs of famous bad women, including Peggy Joyce, but not Aphrodite, and has taken up the publication of poetry only as a new broom to sweep out Eleanor Glynn." Far from wealthy, Gould inquires whether a play to be performed at the University is free: "And do I understand rightly that a Greek play is to be given soon at the University? . And like Pericles, does Jefferson open the theater free to the mob? I quiver in suspense." Signed in full "Wallace Gould".In a second letter, nearly 600 words densely typed on 2 pages, Gould again inquires about Aphrodite, apologizing for the necessity of trading copies with Preston because his "financial affairs have come to a crisis here." He comments on Preston's forthcoming book "Mad Anthony Wayne": "I am eager to read the history of your American madman. Get the publishers to do up the book, so that you will have no excuse for not sending it." He goes on to say: "You asked about Farmville. Farmville is where Lee surrendered ----- southern Virginia, middle southern, a hundred and some miles from Richmond. No, less than a hundred. Peggy Hopkins Joyce and I put Farmville on the map. She was born here." Signed in full.In his third letter of approximately 380 words, Gould now addresses his friend as "My dear Preston" and indirectly inquires if Preston has received his copy of Aphrodite. He goes on to reveal that "You and Alfred Kreymborg are the only ones I ever write to, these days. Do you know Alfred? He is an exception to the rule that applies to the artistic cult, so far as old fashioned friendship goes." He later asks, "By the way, honey, solve a mystery for me if you can. In the November number of Harper's (I think November) there was a sonnet with a strange theme. It was written by a woman by the name of Onsett or some such name and was called Expatriate ------- was all about some poor devil playing solitaire as I do in my own poems, exactly, and about teakwood (which I would not have in the house). But the rest of it ran true, even to the end, at which point the expatriate, whatever that is, went to the window and looked out on the night, and off, up toward Maine. Strange, is it not?" Gould has made 2 corrections in pencil and signed in pencil "Wallace Gould". The left edge of this letter is roughed and the letter is slightly soiled and creased with several finger smudges as if it had been handled frequently.His last sad letter, nearly 400 words, speaks of deep poverty: "There must come a change before I do more work. My very soul is sick with disgust and boredom. For the first time in my life I have been powerless to act ------ to rouse myself and get out of it all. Sheer poverty has forced me to chloroform all but three of my only spiritual companions, my cats, and for them I have three bottles of chloroform ready. I read your letter with a thrill for you, however, and particularly your hopes of going westward, willy-nilly, even though with money. Go on. Make yourse [Attributes: Soft Cover]

      [Bookseller: Blue Mountain Books & Manuscripts, Ltd.]
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        Schwarzes Revier.

      - Bln., Fischer 1930, Or.-Ln.m.illustr.Schutzumschl.151 S., 127 Fotos d.Verf.auf 64 Taf., Band-u.Umschlagentw.(m.Fotomontage) v.W.Beucke.1.Ausg.dieser berühmten Reportage aus dem Ruhrgebiet.Umschlagränder etw.berieben, mit kl.Einrissen u.2 kl.Fehlstellen, Schnitt schwach stockig, sonst schönes Expl. [Attributes: Hard Cover]

      [Bookseller: Antiquariaat Die Schmiede]
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        Eva

      First edition, one of 15 numbered copies on Montval, deluxe edition after 6 pearly Japan.Nice copy in double coverage and presented in shirt and holster from the publisher. Grasset Paris 1930 17,5x22,5cm broché sous chemise et étui

      [Bookseller: Librairie Le Feu Follet]
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        The Tale of Little Pig Robinson

      Philadelphia: David MacKay Company,, 1930. Octavo. Original blue cloth, titles and pictorial pig motif to front board in maroon and gilt, titles to spine in maroon, pictorial endpapers. With the dust jacket. Housed in a blue cloth solander box. Frontispiece, 5 colour illustrations, and 34 full-page black and white illustrations by the author. A fine copy. First US edition, first printing. McKay were prepared to publish more black and white illustrations than Warne, resulting in an additional 12 drawings appearing in the US edition, as well as 13 head and tails for the chapters. The colour plates were the same for both editions. The two editions were likely published simultaneously, though the exact publication date of the US edition is unknown.

      [Bookseller: Peter Harrington]
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        Banalité. Illustré de réogrammes et recherches d'objets de (Fabian) Loris et (Roger) Parry.

      Editions de la Nouvelle Revue Française, Paris 1930 - Paris, Editions de la Nouvelle Revue Française 1930. 28,5x39,5 cm. 81 p., avec 16 photogravures en noir et blanc. Broché, couverture rempliée. Parr / Badger I, 100. - Première édition illustrée. - 1/322 exemplaires nummérotés sur Hollande, signé par Loris et Parry à la justification du tirage. - Roger Parry (1905 - 1977) devient l'assistant de Maurice Tabard en 1928, au studio de photographie publicitaire Deberny-Peignot. A l'aide d'images aussi dépouillées qu'efficaces, il introduit dans cet art appliqué qu'est la photographie publicitaire les audaces formelles des avant-gardes (photogrammes, photomontages, solarisations. Très vite, il prépare avec Fabien Loris l’illustration photographique d’un recueil de poèmes de Léon-Paul Fargue, Banalité. Sa publication en 1931 va le faire apprécier des milieux intellectuels ; il participe alors aux expositions collectives qui réunissent de nombreux talents de l’époque comme Kertész ou Man Ray. Parry travaille dès les années trente comme photographe pour les édition Gallimard. - Petites déchirures au bas du dos et au bord de la couverture. Autrement en état de neuf. Sprache: Französisch [Attributes: Signed Copy; Soft Cover]

      [Bookseller: Daniel Thierstein]
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        Foochow UHS". Union High School teacher's photograph album; the Methodist Episcopal Church in China, 1930.

      1930 - The Missionary Society of the Methodist Episcopal Church sent its first missionaries to Foochow (Fuzchou), China, in 1846. Foochow was an important provincial capital of Fujian province. This album is a record of some of the missionary teachers at the schools in 'Foochow' in the 1930s, during the Chinese Civil War.This home made photographic album consists of 7 b&w real photographs laid down, in a folding captioned album, with stiff red boards, the front board with handwritten title "Foochow UHS" and the rear, in Chinese characters. The photographs include: "Hillside Looking SW across Lotus Lake to River Min"; The House by the Side of the Road, SE corner where dispensary is"; "'We' in south yard, hillside"; Taken August 1930, G. M. N. "Jimmie and I, Jean and "Jade Eyes"; "Living and Dining Room, Camera looking East"; "George in his Study"; and "Hillside Taken from Hill back of School looking north toward hills where fighting occurred". The last names of the subjects are not noted; the one photograph of Westerners shows a white man with tennis racket, his seated wife, and a standing young woman holding a cat, in which the man is noted as "Jimmie". "Jimmie" is possibly James Edward Skinner, who moved from Kucheng to Yenping, on the Min River in the Fukien Province. Skinner built the Alden Speare Memorial Hospital, and became superintendent of the hospital, educating Chinese doctors. During this period of the Chinese civil war, Mao Zedong's army was struggling with the Communist army for control of the area. The fighting mentioned in the caption of the photograph of the school most likely refers to this. In 1933, Yenping fell to the Communists and the Skinners escaped to Haitan Island.Album measures 8 x 7" folded. Very good condition. [Attributes: Hard Cover]

      [Bookseller: Antipodean Books, Maps & Prints, ABAA]
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        THE UNHOLY THREE

      A. L. Burt Company Publishers [1930]., New York - Octavo, pp. [1-4] 5-282 [283-288: ads], original red cloth, spine panel stamped in black. Photoplay edition. Photoplay edition with four stills from the 1930 Metro-Goldwyn Mayer film "The Unholy Three," directed by Jack Conway, starring Lon Chaney, which was based on this macabre mystery novel about three criminous circus misfits, also known as "The Terrible Three" and THE THREE FREAKS. This was Chaney's last film and only talking picture, a remake of Tod Browning's 1925 silent film in which Chaney also starred. See Barron (ed), Horror Literature 3-166. Bleiler (1948), p. 236. Hubin (1994), p. 686. Touch of wear to spine ends and corners, a nearly fine copy in a very good dust jacket (with photograph of Chaney and costars on front panel) with professional restoration to spine ends and corners, dust soiling to spine and rear panels. (#147536) [Attributes: Hard Cover]

      [Bookseller: Currey, L.W. Inc. ABAA/ILAB]
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        The Savoy Cocktail Book

      London: Constable & Company, 1930. First Edition. Hardcover. Good. Signed. First edition. Signed limited edition; Copy number 38 of an unspecified number of copies. Good+, with wear to spine cloth and rubbing at extremities, front inner hinge exposed and fragile, pages lightly toned though illustrations remain vibrant. A scarce copy of this cocktail classic, in publisher's special binding.

      [Bookseller: Burnside Rare Books]
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        1 LOT dépareillé : 250 Numéros de la Revue Française d' Histoire d'Outre-Mer [ Anciennement Revue d'Histoire des Colonies ] ---- Depuis les N° 70 environ au N° 370 [ soit 2 € le Volume ]

      SFHOM - Paris , de 1930 à 2011. -- 250 Numéros - Parfait état -- Brochés. Format in-8° ( 24 x 16 cm ).*************** Les Numéros de ce lot sont au nombre de 250 mais ne se suivent pas tous. Commençant vers le N° 70 et finissant vers les N° 370 . [Attributes: First Edition; Soft Cover]

      [Bookseller: Okmhistoire]
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        The Savoy Cocktail Book: Being in the main a complete compendium of the Cocktails, Rickeys, Daisies, Slings, Shrubs, Smashes, Fizzes, Juleps, Cobblers, Fixes, and other Drinks, known and greatly appreciated in the year of grace 1930, with sundry notes of amusement and interest concerning them, together with subtle Observations upon Wines and their special occasions

      New York: Richard Smith, 1930. Octavo, 287 pages. Illustrated throughout with color decorations by Gilbert Rumbold. First American edition (simultaneous with the British edition), first printing, with the errata slip, and lacking the Bacardi Cocktail recipe present in subsequent printings. The iconic art-deco, prohibition-era cocktail book, compiled by ex-patriot bartender Harry Craddock of London's Savoy Hotel. A near fine copy, with the printed foil on the decorative boards bright and clean except for some minor scratches to the rear panel, and the cloth spine and gilt stamping fresh. [Noling, Beverage Literature, page 118].

      [Bookseller: Rabelais - Fine Books on Food & Drink]
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        Autograph quotation signed.

      [Antibes], 22. I. 1930. - Large 4to. 1 p. "La santé est le seul et unique principe de vie pour le corps humain: pour un peuple c'est l'union avec l'accord et non la guerre qui le fera vivre [.]". - Mounted on cardboard.

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
 30.   Check availability:     ZVAB     Link/Print  


        The Savoy Cocktail Book: Being in the main a complete compendium of the Cocktails, Rickeys, Daisies, Slings, Shrubs, Smashes, Fizzes, Juleps, Cobblers, Fixes, and other Drinks, known and greatly appreciated in the year of grace 1930, with sundry notes of amusement and interest concerning them, together with subtle Observations upon Wines and their special occasions

      New York: Richard R. Smith. 1930. First. First American edition. Illustrations by Gilbert Rumbold. Small label of rare bookseller M.M. Einhorn Maxwell on front pastedown, modest rubbing to the illustrated foil boards, but less so than usual, corners a little bumped and rubbed, with the spine gilt bright, overall a near fine copy without dustwrapper, as issued, of this classic colorful Art Deco cocktail book. A considerably better than usual copy. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        1. Salmon, Andre: Clément Redko. - 2. George, Waldemar: [Joseph] Csaky. Avec in poème de Blaise Cendrars.

      Paris, (1930)., Editions "Ars", - 8°. 17 S., 1 Bl. + 20 Tafeln / 20 plates; 18 S., 1 Bl. + 24 Tafeln / 24 plates. OKart. Original cased boards. Erste Ausgaben. 1st Editions. - Zwei Kataloge der legendären Pariser Edition über den russischen Avantgarde-Maler Clément Redko während seiner Pariser Zeit (1927-1935) sowie über den ungarisch-französischen Bildhauer und Puppenkünstler Joseph Csaky, dem Pionier der kubistischen Plastik. Two catalogues of the legendary Paris Edition primarily about the Russian Avant-garde painter Clement Redko showing his Parisian period and secondly the Hungarian-French sculptor and doll artist Joseph Csaky, a pioneer of the cubistic sculpture. Unbedeutender, schwacher Lichtrand auf Umschlag von 1. Cover of 1 sunned along the margin. de Band:

      [Bookseller: erlesenes · Antiquariat & Buchhandlung]
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        Civilization and its Discontents.

      London: by Leonard and Virginia Woolf at the the Hogarth Press and [by] The Institute of Psycho-Analysis,, 1930. Authorized translation by Joan Riviere. Octavo. Original green cloth, titles to spine gilt, fore and bottom edges untrimmed. Photographic portrait frontispiece. Laid-in manuscript note explaining provenance. Light foxing to edges, endleaves, and very occasionally to margins, light toning, very short nick to fore edge of earlier leaves. A very good copy. First edition in English, first impression. Inscribed by Alec Guinness "For My dear Tony, with gratitude and most sincere admiration, and may we do lots more together. Alec, Hamlet 1938" on the front free endpaper. The recipient was Tyrone Guthrie, who directed Guinness as Hamlet in his " famous—some would say notorious—modern-dress production at the Old Vic in 1938" (ODNB). For Guinness it was the culmination of a string of classic roles through which he established his reputation. He later damned his own performance as "'pale, ersatz Gielgudry', yet James Agate, while not immediately at home with Guinness's distaste for heroic struttings and bellowings, considered his playing of the last scene the finest he had ever seen" (Telegraph obituary). Civilization and its Discontents was originally published in Vienna in the previous year as Das Unbehagen in der Kultur.

      [Bookseller: Peter Harrington]
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        Corps et biens

      Gallimard 1930 - - Gallimard, Paris 1930, 12x19cm, relié. - Edition originale, un des exemplaires du service de presse. Reliure en demi maroquin moutarde, dos à cinq nerfs, plats de papier marbré, gardes et contreplats de papier marron, couvertures et dos (insolé) conservés, tête dorée, reliure signée de P. Goy & C. Vilaine. Précieux envoi autographe signé de Robert Desnos à Colette Clément dont il décline avec humour le nom : "A Madame Colette Clément / Clément Marot non Jacques Clément (ces mots barrés) / non / hommage de l'auteur Robert Macaire." Ex-libris du dédicataire encollé en dessous de la justification du tirage. [AUTOMATIC ENGLISH TRANSLATION FOLLOWS] First edition, review copy. Binding in morocco half mustard, back with five nerves, marbled paper plates, guards and contreplats brown paper covers and backs (insolated) preserved, gilt, signed binding Goy P. & C. Vilaine. Precious autograph signed by Robert Desnos Colette Clement he accepts with humor the name: "To Madame Colette Clement / Clement Marot non Jacques Clément (these words crossed out) / no / tribute to the author Robert Macaire." Bookplate pasted the dedicatee below the justification of the draw. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Librairie Le Feu Follet]
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        The Murder at the Vicarage

      Collins Crime Club, London 1930 - The first printing of the first Agatha Christie Collins Crime Club publication with the six previous Collins Christie publications listed in double rows under 'By the same author' on the leaf opposite the title-page. 2pp of advert leaves at rear for 'New 7/6 Detective Novels' these being by Crofts, Mavity, Fielding and Cole. The original bright orange publisher's cloth is stained and somewhat faded to the spine with pushing to the head of the spine. The page edges are dusty but the interior and text block is generally clean with a short closed marginal tear to page 9. Over all a good minus copy of a scarce highpoint featuring, for the first time, Miss Marple and the village of St. Mary Mead. [Attributes: First Edition; Hard Cover]

      [Bookseller: Frances Wetherell]
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        The Most Picturesque Trip in Sweden: Göta Canal.

      Anon. The Most Picturesque Trip in Sweden: Göta Canal Original lithograph in colours, printed by Mezata Gothenburg, c. 1930s-1940s 960 x 660 mm. £925

      [Bookseller: Henry Southern Ltd.]
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        The Shepheards Calender. Conteyning Twelve Æglogues Proportionable to the Twelve Monethes.

      Folio. Original quarter vellum over beige silk cloth, spine lettered in gilt, top edges gilt, others untrimmed; additional coloured title and 12 head-pieces by John Nash, hand-coloured through stencils at the Curwen Press; some foxing to the boards, otherwise very good in dust-jacket which is defective along the top edge and darkened at the spine. Limited to 350 numbered copies on Barcham Green hand-made paper. A handsomely printed and illustrated edition.

      [Bookseller: Henry Southern Ltd.]
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        Hirosaki Castle in Moonlight

      Hirosaki Castle in Moonlight.Shuncho Mori (active c.1940-1950), 1930. 380 x 250mm. £980

      [Bookseller: Henry Southern Ltd.]
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        Lettering for Students and Craftsmen.

      4to., original white buckram, lettered in gilt on spine. With four hundred and three illustrations. A little browning to endpapers, otherwise a near fine copy. First edition, Edition de Luxe. One of 380 numbered copies on handmade paper, signed by the author, "and containing two specially designed and hitherto unpublished alphabets by the Author". Born in 1864, William Graily Hewitt was educated at Westminster School and Trinity College, Cambridge. He was called to the bar in 1889 but interrupted his legal career by writing a novel and a volume of short stories. In 1899 he attended Edward Johnston's evening classes at the Central School of Arts and Crafts and was rapidly brought in to teach there, and at Camberwell School of Art, when Johnston gave up due to pressure of work (1901). Graily Hewitt taught at the Central School until c.1930. He published in tandem with Johnston in the early years of the century and collaborated with other scribes and illuminators throughout his life. Graily Hewitt and Ida Henstock worked together on the Book of Subscribers to the Bodleian Appeal (1949) and Graily Hewitt collaborated with many private presses as a decorator. His many publications on handwriting and type design appeared from 1915 to 1943, his work is in the Victoria and Albert Museum's collection and he was one of the original members of the book and printing circle, the Double Crown Club.

      [Bookseller: Henry Southern Ltd.]
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        Christmas Journey.

      MAYS, Douglas Lionel. Christmas Journey. Original pencil, gouache and watercolour illustration, signed 'Mays' within the image, c.1930. 360 x 210 mm. £495

      [Bookseller: Henry Southern Ltd.]
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        The Holy Bible, containing the Old and New Testaments and the Apocrypha.

      8vo. 14 vols.; original full black morocco, blocked in gilt with a device of a book with a crown above it at the centre of the covers, a smaller version of the device used as centre tools on the spine, the spines also titled and ruled in gilt; dark blue marbled endpapers, top edges gilt, others untrimmed; lavishly illustrated with fine engraved plates, mostly after paintings; a very nice set. The 'Hinkley' Bible which exists in various limitations and styles of binding. This is the Library Edition limited to 1000 numbered sets, printed by D.B. Updike at the Merrymount Press, Boston. A handsome, well-illustrated production.

      [Bookseller: Henry Southern Ltd.]
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        Invitation to his Daughter's Wedding to Rene Hague.

      Single large folio sheet on which is mounted the invitation printed in Joanna with a calligraphed slip by Eric Gill mounted above "The Bride and Bridegroom". A very rare Gill piece using the engraving "Christ as Minister". It is likely that only a handful of these invitations have survived. The calligraphed slip may have been a place setting for the reception which Rene or Joanna Hague then mounted with the invitation as a momento of their happy day.

      [Bookseller: Henry Southern Ltd.]
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        The Greenwood Hat. Being a Memoir of James Anon 1885-1887.

      8vo., original full green leather lettered in gilt on spine and upper board. With 10 illustrations. Spine and edges a little sunned, lower board and spine with a little staining otherwise a very good copy. First edition, limited edition of 50 copies privately printed for Barrie to give to his friends. This copy inscribed by Barrie to Sir Edward Grey of Fallodon. Barrie and Grey were close friends and it was Barrie who threw the lavish party for Grey's 70th birthday. Guests included Winston Churchill, the Archbishop of Canterbury, Neville Chamberlain, Augustus Birrell, the American and French Ambassadors and John Buchan. The Greenwood Hat is a collection of reworked autobiographical articles that Barrie wrote when he first moved to London. Subjects range from women's cricket to Arthur Conan Doyle to Shakespeare to ghosts in London Clubs. The final illustration is a folded facsimile of a page of a letter written to Barrie by Captain Scott which was found in Scott's tent after his death. Scott wrote various ?last letters? including those to his widow Kathleen Scott, Mrs Oriana Wilson, Mrs Emily Bowers, Sir Reginald Smith and George Egerton. Barrie was Godfather to Scott's son and when he received Scott?s note three years later, he not only obeyed Scott?s wishes to look after the boy, but also he carried the letter with him everywhere as his most prized possession. He even read aloud from it during his inaugural address as Rector of St Andrews University: an address entitled simply ?Courage?. In his final letter to Barrie, Scott referred to a disagreement between the two men ?It hurt me grievously when you partially withdrew your friendship or seemed so to do?. It is unclear exactly what this was about, yet Scott maintained that ?My attitude towards you and everyone connected with you was always one of respect and admiration - under these circumstances I want you to think well of me and my end and more practically I want you to help my widow and my boy, your godson - we are showing that Englishmen can still die with a bold spirit fighting it out to the end.?

      [Bookseller: Henry Southern Ltd.]
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        A Roving Commission

      

      [Bookseller: Churchill Book Collector]
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        Gulliver's Travels

      

      [Bookseller: David Brass Rare Books, Inc.]
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