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Displayed below are some selected recent viaLibri matches for books published in 1930

        Madame Bovary - Moeurs de province.

      Paris, Javal & Bourdeaux 1930 - 25 Eaux-fortes originales de Charles Huard (22 hors-texte et 3 bandeaux). Complet & Contrôlé. Édition tirée à 525 exemplaires. Celui-ci (n°57) un des 50 sur annam impérial, numérotés de 26 à 75 contenant 4 états des illustrations : 1 état d'eau-forte pure, un état bistre avec remarques, un état en couleurs avec remarques, un état définitif. Avec un dessin original en couleurs, signé de Carlo Farneti, non justifié (format 29x20). Paris, Javal & Bourdeaux - 1930 - 322 pages. Très belle reliure plein maroquin signée R. et A. Mondrac. Dos lisse avec titre et décor dorés. Contreplats et gardes avec petites pièces de tissus et motifs dorés. Le dessin de Carlo Farneti est contrecollé sur le premier plat de couverture. Couverture et dos conservés. Pas de rousseur. Parfait état. Format in-4° (34x26). Edition illustrée [Attributes: Hard Cover]

      [Bookseller: Livres et Collections]
 1.   Check availability:     IberLibro     Link/Print  


        Institutes de Science économique (3 Tomes - Complet) [ Edition originale - Exemplaire de l'auteur ] Tome I : Introduction à la Science économique ; Tome II : Les Bases du Système économique ; Tome III : La Production et son Marché

      2 vol. in-8 reliure de l'époque demi-basane marron, Bibliothèque Internationale d'Economie Politique, Marcel Giard puis Librairie des Sciences Politiques et sociales Marcel Rivière, 1930-1936 , XIx-268 et 213 pp. ; XV-382 pp. Bon état (dos un peu frotté). Exceptionnel exemplaire, enrichi des nombreuses annotations et corrections autographes de l'auteur. L'ouvrage provient en effet de la propre bibliothèque de l'auteur, le professeur Georges-H. Bousquet (Docteur en droit en 1923 avec une thèse sur "L'évolution sociale en Hollande 1914-1922"), économiste de l'école de Pareto et Schumpeter, mais également islamisant de l'école de Goldziher et Snouck-Hugronje, professeur aux facultés d'Alger puis de Bordeaux. Peu après sa thèse, il participa à la mission de la SDN pour la restauration financière de l'Autriche. Dans les mélanges qui lui furent consacrés en 1965 dans les Cahiers Pareto, il décrit ainsi le présent ouvrage : "Cet ouvrage devait être un exposé, en langage ordinaire, des dites théories, mais comparées systématiquement aux faits, en vue de montrer en quoi elles correspondent ou non à la réalité concrète. Trois tomes en ont paru ; le reste presqu'achevé en brouillon durant les années de guerre, ne paraîtra pas. En effet, j'ai totalement échoué dans mes efforts pour intéresser qui que ce soit à cette tentative" Français

      [Bookseller: Librairie Du Cardinal]
 2.   Check availability:     maremagnum.com     Link/Print  


        THE WORKS

      Oxford: Shakespeare Head Press, 1930-31. No. 302 OF 450 COPIES on paper (and 10 on vellum) n. This is the major modern fine press edition of Homer, with illustrations by one of the most popular woodcut artists of the period. The text here is Chapman's Homer, which Day calls "the greatest verse translation of the Renaissance" and perhaps "the greatest English translation of Homer." George Chapman (1559/60-1634) made his name as a poet and playwright before turning to translating classical literature. His was the first English translation of Homer to be done directly from the Greek, and it remained the standard translation until Pope's 18th century version. Chapman enjoyed a renewed popularity among 19th century poets: Keats composed a much-quoted sonnet, "On First Looking into Chapman's Homer," which begins "Much have I travell'd in the realms of gold"; and Swinburne said, "No praise can be too warm or high for the power, the freshness, the indefatigable strength and inextinguishable fire which animate this exalted work." Wood engraver, painter, illustrator, writer, and teacher John Farleigh (1900-65) had a style perfectly suited to an edition of Homer. In "A History of British Wood Engraving," Albert Garrett writes that "in terms of modern engraving, John Farleigh understood the purity of Greek engraving and largely formed his style upon the few known examples. Like the Greek engraver, he also understood the human form and could express it." He was one of the major engravers of the new British School, which focused on broadening the medium's range of expression and techniques.. 292 x 203 mm. (11 1/2 x 8"). Five volumes. Translated by George Chapman. No. 302 OF 450 COPIES on paper (and 10 on vellum). Publisher's original burnt-orange half morocco over cream-colored buckram, edges untrimmed. In a later paper-covered slipcase. With 52 wood engravings by John Farleigh, comprised of two frontispieces, woodcut-framed title pages to volumes I and V, and 48 full-page cuts. With ink ownership inscription of Daisy Patterson Hall on limitations pages. Ransom, p. 17; Franklin, p. 236; Horne, p. 185. Overall fading and significant chafing to spines, minor dressing residue to leather, faint dampstain covering about a third of the back cover of volume V (a few tiny stray stains on the spine of the same volume), but the bindings showing little wear, and the sides of the other volumes (often found foxed) virtually spotless and very pleasing. Internally a beautiful copy, as fresh and clean as one could hope for.This is the major modern fine press edition of Homer, with illustrations by one of the most popular woodcut artists of the period. The text here is Chapman's Homer, which Day calls "the greatest verse translation of the Renaissance" and perhaps "the greatest English translation of Homer." George Chapman (1559/60-1634) made his name as a poet and playwright before turning to translating classical literature. His was the first English translation of Homer to be done directly from the Greek, and it remained the standard translation until Pope's 18th century version. Chapman enjoyed a renewed popularity among 19th century poets: Keats composed a much-quoted sonnet, "On First Looking into Chapman's Homer," which begins "Much have I travell'd in the realms of gold"; and Swinburne said, "No praise can be too warm or high for the power, the freshness, the indefatigable strength and inextinguishable fire which animate this exalted work." Wood engraver, painter, illustrator, writer, and teacher John Farleigh (1900-65) had a style perfectly suited to an edition of Homer. In "A History of British Wood Engraving," Albert Garrett writes that "in terms of modern engraving, John Farleigh understood the purity of Greek engraving and largely formed his style upon the few known examples. Like the Greek engraver, he also understood the human form and could express it." He was one of the major engravers of the new British School, which focused on broadening the medium's range of expression and techniques.

      [Bookseller: Phillip J. Pirages Fine Books and Mediev]
 3.   Check availability:     ABAA     Link/Print  


        Originalzeichnungen. Liebesszenen aus Boudoir & Separee. 3 Original Aquarellzeichnungen. Auf Zeichenkarton, randlos.

      Ungarn, um 1930. - Von 13 x 15 cm bis 15 x 16 cm. Drei sehr feine, detailreiche Orig.-Zeichnungen eines ungarischen Künstlers in kräftigen Farben. Sie zeigen eindeutige Liebesspiele zweier Paare untereinander und einer Dame mit sich selbst. Welcher Künstler sich hinter diesen gekonnten Zeichnungen verbirgt, ist nicht belannt. Die Zeichnungen jeweils an den äußersten Ecken mit Stecknadellöchlein. 2 Zeichnungen mit roter Numerierung vorn.

      [Bookseller: Antiquariat Ars Amandi]
 4.   Check availability:     ZVAB     Link/Print  


        Doctors Recommend It! An Abbey Theatrer Tonic in 12 Doses.

      Dublin: Printed for the Subscribers by Colm O'Lochlainn, 1930. Limited First Edition. Hardcover. Near Fine. One of 500 copies. Printed for the Subscribers by Colm O. Lochlainn at the sign of the Three Candles. Oblong 4to. 25 by 31 cm. Unpaginated, twelve plates with black and white drawings by Plunkett of plays performed at the Abbey Theatre. The facing page names the play and who from it is being caricatured. Plays include Yeats' "The Hour Glass", Synge's "The Playboy of the Western World", Lady Gregory's "Dervorgilla", Lennox Robinson's "The Whiteheaded Boy", O'Casey's "The Plough and the Stars". The best-known today of the repertory actors is Barry Fitzgerald. Other actors include Eileen Crown, Michael Scott, F. J. McCormick, Arthur Shields, etc. Uncommon in commerce. A handsome copy, with only the lightest of wear.

      [Bookseller: White Fox Rare Books and Antiques]
 5.   Check availability:     Biblio     Link/Print  


        Wilhelm Leibl eine Darstellung seiner Kunst. Gesamtverzeichnis seiner Gemalde

      Bruno Cassirer, Berlin 1930 - 3/4 vellum over light marbled boards. 156 pp., followed by 259 bw plates, additional bw frontispiece and 3 images within the text. Text is entirely in German. A very nice copy of the limited edition, with the slightest curvature to the front board. Overall an excellent reference and seldom seen this side of the Atlantic. Limited to 400 copies, this being No. 140. [Attributes: First Edition; Hard Cover]

      [Bookseller: Mullen Books, ABAA]
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        A Treatise On Money

      London: Macmillan and Co, Limited,, 1930. In Two Volumes. 2 volumes, octavo. Recent dark blue morocco, titles and decoration to spines gilt, raised bands, single rule to bands, marbled endpapers, gilt edges. Tables and diagrams throughout. An excellent set. First edition, first impression, of the first of Keynes's two major contributions to economic theory and his most comprehensive work on monetary theory. It anticipates many of the ideas of the General Theory, which it immediately preceded and by which it has been, perhaps unfairly, overshadowed.

      [Bookseller: Peter Harrington]
 7.   Check availability:     Biblio     Link/Print  


        Mein Kampf. Zwei Bände in einem Band - Ungekürzte Ausgabe. Erster Band - Eine Abrechnung. Zweiter Band - Die nationalsozialistische Bewegung.

      München, Verlag Franz Eher Nachf., 1930. 4. Auflage ! 33.-42. Tausend !8°, XXVII, 782 Seiten mit einem Titelportrait A. Hitlers und 8 Seiten Verlagsanzeigen, blauer Original-Leineneinband mit Hoheitszeichen in Goldprg. auf Buchdeckel und Rückentitel in Goldprg. - Namenseintrag auf Vorsatz sonst sehr guter Zustand, schöne frühe Ausgabe - Verkauf erfolgt zu wissenschaftlichen Zwecken gemäß § 86 u. 86 a Stgb. 1930 in der 4. Auflage!! Sehr frühe Ausgabe ! c83792 Versand D: 6,00 EUR NSDAP, Zweiter Weltkrieg II und Nationalsozialismus, Geschichte

      [Bookseller: Antiquariat Ehbrecht]
 8.   Check availability:     buchfreund.de     Link/Print  


        Francisci Petrarca Vergilianus codex ad Publii Vergilii Maronis diem natalem bis millesimum celebrandum quam simillime expressus atque in lucem editus

      Hoepli,, Milano, 1930 - Cm. 43, cc. 269 con la fedele riproduzione in fac-simile del codice delle opere di Virgilio annotate da Servio appartenuto al Petrarca, il cui frontespizio venne mirabilmente dipinto da Simone Martini (e singole carte sono riprodotte a colori, compreso l'oro dove richiesto, nelle stesso formato e con gli stessi difetti del codice originale). Legatura editoriale con dorso a nervi rilevati in pelle marrone con decori ornamentali impressi a secco imitanti quelli delle legature tardomedievali. Piatti lignei. Accluso un fascicolo di 12 pp. in-folio con la titolazione, l'introduzione latina di Ulrico Hoepli e del curatore, Giovanni Galbiati, e l'Index Rerum quae in Francisci Petrarchae volumine insunt. Qualche segno d'usura al dorso, peraltro esemplare complessivamente ben conservato. Bella e non comune riproduzione facsimilare del codice virgiliano del Petrarca, curata dal Prefetto della Biblioteca Ambrosiana (depositaria del manoscritto), Giovanni Galbiati, "ascita etiam Achillis Ratti (nunc Pii XI Pont. Max.) de hoc codice commentatione". Tiratura limitata di soli 350 esemplari. Il taglio, la cucitura e la legatura sono eseguite a mano per ogni esemplare.

      [Bookseller: Studio Bibliografico Benacense]
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        S/W Porträtphotographie. [ca. 23 x 16,5 cm].

      Wien, Fayer, o. J. [um ?]. 1930 - Mit Prägestempel und eighd. Signatur des Fotografen. - Abzug auf Karton montiert, darunter Namensschildchen, Karton m. Gbrsp. sowie Resten von drei Klebefilmstreifen. - Berg, (1883 - 1956), versuchte sich bereits mit 15 Jahren als Komiker am Stadttheater in Leitmeritz; Engagements in Teplitz, Mährisch-Ostrau und Aussig folgten. Erste größere Erfolge hatte er gemeinsam mit Heinrich Eisenbach als Mitglied des Budapester Orpheum in Wien, dem er 17 Jahre lang angehörte. In der Folge trat er in diversen Kabaretts und Lokalen auf, wie dem Theater der Komiker im St. Annahof (Wien), an dessen Führung er sich eine Zeit lang beteiligte, und dem Ronacher. Am 2. Juli 1907 heiratete er die aus Vevey stammende Artistin Susanne Emilie Flückiger. Er spielte auch in einigen österreichischen Filmproduktionen mit, unter anderem in Charly, der Wunderaffe (1915, Regie: Joe May) und der Verfilmung des Hugo Bettauer-Romans Die Stadt ohne Juden. Berg flüchtete 1938 in die USA, wo er vom Verkauf von Papierwaren notdürftig lebte. Hin und wieder hatte er die Möglichkeit, Vorstellungen zu geben, wie im New Yorker Exilkabarett „Kabarett der Komiker". Nach seiner Rückkehr nach Wien 1949 war er unter anderem im Simpl engagiert und gab einige Gastspiele in Amsterdam und Zürich. Nachdem er keine weiteren Engagements hatte, zog er nochmals in die USA. Von 1954 bis zu seinem Tod lebte er wieder in Wien. Seine Grabstelle befindet sich auf dem Wiener Zentralfriedhof im neuen israelitischen Teil, Tor IV. Er wurde im Grab seiner 1918 verstorbenen Mutter beigesetzt. (Zitat) [Attributes: Soft Cover]

      [Bookseller: Antiquariat Weinek]
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        [AUTOGRAPH LETTER, SIGNED, FROM THOMAS B CLARKE TO MANTLE FIELDING, DISCUSSING ARTISTIC BUSINESS MATTERS]

      New York, 1930. [2]pp. on a single. octavo sheet of stationery. Old fold lines, minor wear. Near fine. Noted art collector and Winslow Homer patron Thomas B. Clarke writes to Mr. [Mantle] Fielding on artistic business matters, discussing the current values of American art, etc. In part: "...Mr. Cochran (of J.P. Morgan & Co. has given several more American paintings to Andover Academy, among them 'Eight Bells' by Winslow Homer. In the 'Nineties' Homer asked me to come to his studio...on Washington Square. I went there and he said 'Clarke here is a picture that I have just finished working on, and I have named it 'Eightbells.' I said 'Mr. Homer will you sell it to me?' He replied 'Yes, and I will accept $400 from you.' In 1899... it fetched over $4000.... Levy sold 'Eight Bells' later to one of his clients.... This buyer 'parted with it' very recently for the Andover collection for the sum of seventy thousand dollars! Some commentators upon this sale say that this price was low! The rapid advances of certain works of art by American painters seems very remarkable to me.... My inclination for the selection of oil portraits from life was manifest in the sale of my collection, and at the end of the sale I started to accumulate the paintings now hanging in the Museum in Fairmount Park Phila. and in my residence here (there are 171 in all - I feel like hiding!). ... You and I have known of marvellous increases in the values of portraits of Washington by Stuart, Peale and others. Copley, Trumbull, Sully et al also lead in the great advances. In coming years will portraits by these men mount in value? I feel such a situation is absolutely certain...." Thomas Benedict Clarke (1848-1931), American patron and art collector, is considered by many to be the foremost patron of American painters during the late 1800s. He was praised for his attention to American artists at a time when they considered themselves neglected or ignored. Mantle Fielding is remembered today for his works on portraits of Washington.

      [Bookseller: William Reese Company - Americana]
 11.   Check availability:     Biblio     Link/Print  


        Principles of Clothing Selection [ Early 1930s College Course Project from Columbia University Teachers College Student ]

      Very Good. Ephemera. Over 80 loose sheets of manuscript entries illustrating the principles of women's clothing selection using magazine illustrations, cloth swatches, and hand-drawn color sketches. The project appears to be based on the textbooks Principles of Clothing Selection (1930) and Clothing for Women (1929). Home economics and fashion appeared in college curricula after World War I when more women moved into the workforce in professional roles and wardrobe needs changed. The sheets are contained in a worn envelope marked with the name of Hazel Stine, who received a B. S. In Education and Practical Arts from Columbia in 1933. Her observations on style show her preferences (or those of her professors) : "Trim and in quite good taste are the clothes worn by the conservative type." Ms. Stine's project also contains a candid self-assessment: "Weight--174 (much over-weight) ," a sketch of her body from head to toe, a listing of her "Bad Points", and a "Score Card for Personal Appearance." Her color drawings illustrating outfits she would choose for herself appear on two sheets. She received an A- for her effort. ; 14 1/2" x 9" .

      [Bookseller: Back of Beyond Books, ABAA ]
 12.   Check availability:     ABAA     Link/Print  


        Lex - Die Tänzerin Maja Lex.

      Ca. 1930. - ?Silbergelatineabzüge auf Barrytpapier als Postkartendruck. Je 14:9 cm. Alle vorderseitig im Druck bezeichnet. Genaue Zustandsbeschreibung auf Anfrage.

      [Bookseller: M + R Fricke]
 13.   Check availability:     ZVAB     Link/Print  


        Keystone View Company boxed sets of stereoviews (600+ Stereographs in 8 boxes)

      Underwood & Underwood 1930 - 6 volume set (12 volumes bound as 6 + 2 additional boxes). Stereoview boxes bound in navy cloth with gold lettering and stamping. Also includes telebinocular viewer box + light. Includes an additional stereoview box with approximately 25 additional cards primarily on Egypt and the Middle East. Some wear to stereoview boxes, with part of the cloth stained/discolored. Stereographs themselves are in excellent condition. Stereoviews circa. 1892-1933. Approximately 600 stereographs. Card dimensions: 9 x 18 cm. "Keystone's "Tour of the World" set of stereo images includes scenes of England, Switzerland, Germany, Austria and other European countries, the Balkans, Scandinavia, Asia and the Pacific islands, Australia and New Zealand, Africa and the Middle East, Palestine, Canada, the United States, Mexico and Central and South America. Among the things portrayed are physical features, flora and fauna, cities and buildings, industrial and historic sites, and people. The backs of the stereographs contain information about the images along with references to history and occasionally poetry. Some references are made to World War I, a geyser that spouted in Yellowstone in 1928, the presidency of Franklin Delano Roosevelt, and other milestones that help to date the images but many are undated." - Briscoe Center for American History, Univerity of Texas. [Attributes: Hard Cover]

      [Bookseller: Sequitur Books]
 14.   Check availability:     AbeBooks     Link/Print  


        21 Dzeja. Cikls. [21 Poems. Cycle.]

      Tagadne, Riga 1930 - Cover designed by Eriks Kalis. First edition. In publisher's illustrated wrappers, printed in dark orange and black. 56, (8) p. Striking constructivist cover by Eriks Kalis. Cover design by Eriks Kalis (K?lis; 1904-1939) the Latvian graphic designer and scenographer, a member of the avant-garde Riga Artist Group. "[.] K?lis's design for [?] Vilips's poems, 21 dzeja [21 poems], draws on the Constructivist geometry and typography favored by Lissitzky in his Berlin books and by Kassák's own graphic programs from the early 1920s." (Davis, 2007) Pavils Vilips (P?vils V?lips; 1901-1979) was an expressionist Latvian poet, essayist, and translator, with the aspects of contemporary urban life in the focus is his art. Bibl.: Davis, R. H.; Kasinec E.: Graphic Modernism from the Baltic to the Balkans, 1910-1935. The New York Public Library, 2007.). Cover very slightly chipped, with moderate brown stains at extremities. Prices in ink on rear cover. Pages somewhat yellowed due to aging. Overall in fine condition. In publisher's illustrated wrappers, printed in dark orange and black [Attributes: First Edition; Soft Cover]

      [Bookseller: Földvári Books]
 15.   Check availability:     IberLibro     Link/Print  


        THE WORLD IN THE AIR. The Story of Flying in Pictures. Volume one only containing all autographs. Limited edition signed by eight pioneers of aviation history.

      New York: G. P. Putnam's Sons, 1930. The first and most important volume only of a two volume set. Lacking Volume II. Number 155 of 500 printed on Ragleaf all rag paper, and signed by the author and the publisher. Also signed by: Henri Farman who made the First Kilometer Flight by Aeroplane in Europe (1908); Louis Bleriot who made the world's first cross-country airplane flight (1908) and the First Airplane Flight Across the English Channel (1909); Glenn Curtiss who made the first public flight in America (1908); A. Whitten Brown co-commander of the First Non-Stop Airplane Flight across the Atlantic Ocean (1919); G. Herbert Scott Commander of the First Transatlantic Voyage in an Airship (1919); Hugo Eckener Commander of the "Graf Zeppelin" during the first flight from Germany to America (1928) and the first airship flight around the world (1929); and Claude Dornier the German designer and builder of multi-engined aircraft. Vellum-style parchment spines and corners with minor wear and minor soiling, with light purple with dark purple and gold-veined hand-made paper-covered boards. The spine label is present but with chipping to the top edge. The text is clean and unmarked. . Signed. First Edition. Hardcover. Very good condition. Quarto (4to).

      [Bookseller: Kurt Gippert Bookseller (ABAA)]
 16.   Check availability:     Biblio     Link/Print  


        Capital of Japan. Reconstruction Work 1930

      Tokyo Municipal office 1930 - Original cloth, 58 black and white photos, 7 color maps, gilt text and design on boards [Attributes: First Edition; Hard Cover]

      [Bookseller: Far Eastern Booksellers / Kyokuto Shoten]
 17.   Check availability:     AbeBooks     Link/Print  


        Self-Portrait

      San Francisco: 1930. Pencil drawing. 17.5 x 11.75 inches. Annotated S.P. ind no. 271. Signed and dated.

      [Bookseller: Alan Wofsy Fine Arts]
 18.   Check availability:     Biblio     Link/Print  


        GENERALS DIE IN BED

      William Morrow: New York, 1930. Tan cloth lettered in red, black on white illustrated page edges, black top page edges. pp [14], 269, [5]. Yellowing and slight foxing to page edges, else fine. The striking yellow, black & red non-pictorial Art Deco jacket (by Wenck) has tiny chips to head of very lightly darkened spine; small narrow rubbed spot to rear spine fold; tiny chips to lower edge of front panel and outer corners; yellow rear panel has a 1 cm tear at bottom, minor dust soiling; else fine. First published earlier in 1930 by a small British publisher; Morrow having previously rejected the manuscript, ended up reprinting it a few times. This powerful tale is the most important Canadian World War I novel and no doubt one of the top ten WWI novels. Harrison was born in Philadelphia and by age sixteen was working for The Montreal Star. He enlisted with the Royal Montreal Regiment and was a machine-gunner in Belgium and France, wounded at Amiens in 1918, after which he returned to Montreal for a while before moving on to New York. The novel was praised by Ford Madox Ford, and in its partial appearance in magazines, including German ones, may have influenced Remarque in the writing of ALL QUIET ON THE WESTERN FRONT. "The story of the looting of Arras by Canadian troops and their conflict with the English Military Police is told for the first time. But piquant as are these and many other revelations of the realities of war in and behind the lines, the real quality of the work lies in the exquisite, and withal unselfconsciousness, expression of the beauty and graciousness of human relationships, however startling and unorthodox, amid the foulness and brutality of that inferno." - jacket flap. See the two columns about Harrison in Toye, Oxford Companion to CanLit. Now quite scarce on the market in any sort of dust jacket. This is a lovely copy, by far the best I have ever seen, very scarce indeed in this condition. Binding: Hardcover. .

      [Bookseller: Steven Temple Books]
 19.   Check availability:     Direct From Seller     Link/Print  


        Soldiers' Pay [Dennis Wheatley's copy]

      London: Chatto & Windus, 1930. First Edition. Hardcover. Fine-/Near Fine+. First Impression (no further printings noted), one of only 2000 copies of the author's first title published in the United Kingdom, with preface by Richard Hughes (who wrote "A High Wind in Jamaica" and, incidentally, helped launch Faulkner in England). 8vo: xii,326,[6, including four pages of publisher's advertisements]pp. Publisher's coarsely woven aquamarine cloth, spine lettered in gilt, top edge stained aquamarine, bottom edge uncut; cream-colored dust dust jacket printed in red and black, priced 7s/6d. Dennis Wheatley's copy, with his bookplate on front paste down. Top edge spotted, others lightly browned, otherwise about Fine, square and tight, in better than Near Fine jacket, the spine dust-soiled and a bit darkened, edges lightly rubbed and nicked. Petersen A2.14. In 1925, Faulkner moved to New Orleans where he joined a literary circle centered on Sherwood Anderson and was introduced to the modernist innovations of T. S. Eliot and James Joyce. His interest in experimental writing was piqued, and he began a novel, his first, Soldier's Pay, portraying the tragic homecoming of a wounded war hero. Though set in Georgia, it was, nonetheless, a kind of rehearsal for the later Mississippi novels, full of despair and "mythic motifs of impotence and futile love." (The Literary Encyclopedia) Wheatley's stylish thrillers and occult novels made him one of the world's best-selling writers from the 1930s through the 1960s. His Gregory Sallust series was a key inspirations for Ian Fleming's James Bond stories. Note: With few exceptions (always identified), we only stock books in exceptional condition, with dust jackets carefully preserved in archival, removable polypropylene sleeves. All orders are packaged with care and posted promptly. Satisfaction guaranteed.

      [Bookseller: Fine Editions Ltd]
 20.   Check availability:     IOBABooks     Link/Print  


        Gefesselter Blick. 25 kurze Monografien und Beiträge über die neue Werbegestaltung. Mit Unterstützung des "Ringes der Werbegestalter des Schweizer Werkbundes" u.a. herausgegeben und mit einer Einleitung versehen von Heinz und Bodo Rasch. 140 Abbildungen. Stuttgart. Wissenschaftlicher Verlag Dr. Zaugg & Co. 1930. 26 x 21,5 cm. 111 Seiten. Originalleinenband mit Vorderdeckel aus transparentem Zelluloid.

      Wissenschaftlicher Verlag Dr. Zaugg & Co. Originalausgabe. Herausragend gestaltete Publikation zur avantgardistischen Werbegestaltung der Zeit mit Beiträgen u.a. von Willi Baumeister, Max Bill, Max Burchartz, Walter Dexel, John Heartfield, El Lissitzky, Moholy-Nagy, Kurt Schwitters, Jan Tschichold, Vordemberge-Gildewart und Piet Zwart. Das Buch dokumentiert Material, welches im Rahmen einer Wanderausstellung durch mehrere Städte vom Graphischen Klub Stuttgart im Februar 1930 gezeigt worden ist. Einband und Typografie des Buches besorgten die Brüder Rasch. Mit dem häufig fehlenden Erratablatt. Der empfindliche Zelluloid-Einband schön erhalten. In diesem Zustand sehr selten. Referenz: Andel, Avant-garde Page Design 348 - Fleischmann, Bauhaus Drucksachen, Typografie, Reklame, Seite 354 - The Avant-Garde applied Cat.L326 mit Abbildung auf Seite 336

      [Bookseller: Antiquariat Günter Linke]
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        ORIGINAL WATERCOLOR STORYBOARDS CREATED BY DOOLEY DIONYSIUS, A SAINT LOUIS, MISSOURI ARTIST WHO WORKED FOR THE WALT DISNEY STUDIOS, AND THE PUBLIC WORKS OF ART PROJECT (PART OF THE CIVIL WORKS ADMINISTRATION, A PRECURSOR TO THE WPA) IN THE 1930's

      1930. A group of 57 meticulously hand-drawn and richly colored illustrations by Dooley Dionysius: 24 panels created to illustrate "Pinocchio," each approx. 14 1/2 x 11 1/2 in., on stiff buff card stock or art paper (including a mock-up of the title page, 16 panels split between a color illustration and a penciled sample line or two of text, 1 page of black & white design illustrations for chapter ends, and 6 full page color illustrations); and 33 panels for an original tale entitled "The Story of the Taj Mahal," on stiff buff card stock or art paper, in varying sizes from 9 x 12 in. up to 16 1/2 x 23 in. (including a full color title page, a pen & ink and black watercolor title page, 24 pen & ink and black watercolor illustrations, and 7 full color illustrations, 5 of which are matted [some old staining to mats]). Traces of mounting on versos of most of the images. Dionysius was known for his almost microscopic brush strokes, fanciful designs, and jewel-like painting, often compared by critics to Persian miniatures. His work was exhibited in many St. Louis galleries in the 1930's (including the St. Louis Art Center where two of the "Pinocchio" drawings were displayed), as well as at shows in Los Angeles, including the Los Angeles County Museum of Art, the California Water Color Society, and Marguerite Zimbalist's Twenty Dollar Gallery. Born in Kirkwood, Missouri, H.J. "Dooley" Dionysius attended the Washington University School of Fine Arts in the mid-1920's. He spent 10 years in Hollywood working alternately as a jewelry designer, an apprentice to Willy Pogany designing murals for William Randolph Hearst, and in the art department at the Walt Disney studios. In 1932, the Healy Galleries in St. Louis mounted a one-man show of his works. A story by Guy Forshey in the St. Louis Post-Dispatch on March 13, 1932 describes Dionysius' work: "His subject matter is of a nature that lends itself admirably to his peculiar style of treatment. He paints pure fancy. His scenes are almost invariably placed on lost continents or in lands which have existed only in the imagination of men.... Unlike most water color painters, he does not blend color into color, but builds color on color producing an opaque effect." He often worked in miniature, and critical reviews of his watercolors remark on their exotic nature: "The tiny still life arrangements of flowers remind one of medallions in enamel or semi-precious stones. In all of these the draughtsmanship is meticulous and the compositions are so perfectly in balance that you do not think of such an element as deliberate composition in connection with them. You feel the rhythm of the dancing figures, the swing of the boats and the swell of the waves...." His work for the PWAP/CWA during the 1930's included creation of a mural of Mother Goose for the Benton School Kindergarten in St. Louis. Dionysius' ambition was to write and illustrate childrens books. According to brief biographies in "Artists in California, 1786-1940," by Edan Hughes and in "Who's Who in American Art 1936-41," he was the author/illustrator of two books, "Black Opal," and a version of "Mother Goose Rhymes." The Census records of 1940, record him in New York City as a lodger, his profession listed as "illustrator," most likely looking to find a market for his other book designs. We have found no record that either his "Pinocchio" or his "Story of the Taj Mahal" was ever published.

      [Bookseller: Bartlebys Books]
 22.   Check availability:     Biblio     Link/Print  


        Miesiecznik literacki. / Miesi?cznik literacki. Reporta?e konkursowe. 1930 pa?dziernik-listopad, number 13. [Literary Monthly. 1930 October-November. No. 13.]

      A. Chwat [Aleksander Wat] (Drukarnia Przemys?owa w Krakowie), Warszawa 1930 - First edition. In publisher's, printed, constructivist wrappers, designed by W?adis?aw Daszewski. 569-616 p. First edition of the thirteenth number of the magazine, whose cover was designed by W?adis?aw Daszewski. "Miesi?cznik Literacki" was an unofficial organ of the Communist Party in Poland, with social and cultural content, in the genre of the German expressionist movement and the ideas embraced by the Soviet Novyi Lef. It was published between 1929 and 1931, twenty numbers were issued until it was banned and many of the contributors arrested. The editor Aleksander Wat (1900-1967) considered being one of the most important Polish writers of the 20th century and one of the precursors of the Polish Futurism in the early 1920s. After the war and his imprisonment in the Soviet Union he gave up his sympathy to Communism and in 1959 he emigrated to France, and later became a professor of Slavic literature at Berkeley, in California. The cover of the magazine was design by W?adys?aw Daszewski (1902-1971) the Polish stage designer and architect, who was deeply involved in the avant-garde movement since the 1920s. A very light water stain to the upper right corner of the cover and the first two leaves. Spine broke at the tail (ca. 3 cm). Slightly chipped at lower edge. Pages yellowed due to aging. Overall in fine condition. In publisher's, printed, constructivist wrappers, designed by W?adis?aw Daszewski [Attributes: First Edition; Soft Cover]

      [Bookseller: Földvári Books]
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        L'Odalisque. Ouvrage traduit du Turc. Texte et illustrations gravés à l'eau forte par |Leon Courbouleix|.

      Ohne Ort, Handpressendruck des Künstlers, ohne Jahr [um 1930]. - 4°. 70 nn. Seiten. Ungebundene Büttenlagen, eingelegt in einen illustrierten Umschlag, im Schuber. Eins von 252 handschriftlich und vom Künstler |signierten| Exemplaren (Gesamt 350). Das gesamte Werk, einschließlich des Textes, wurde vom Künstler radiert. Opulent illustriert; es finden sich |10 große Radierungen| auf Tafeln, ausgeführt als kräftige Farbradierungen, sowie |11 kleine Radierungen| im Text. Sie zeigen nackte oder spärlich bekleidete Frauen, in orientalischem Ambiente, mit ihren turban-geschmückten, meist bekleideten Liebhabern. Das Ganze nie pornografisch, aber von eindeutiger erotischer Spannung. Titelblatt geschmückt mit einem Porträt von Voltaire. Der Text gedruckt in rot/schwarz, gesetzt in einen goldfarbenen breiten Schmuckrahmen. Meisterhafte Ausstattung für diese europäische Orient-Phantasie. Schuber etwas berieben, Kanten bestoßen. Stellenweise etwas fingerfleckig. Gutes Exemplar. ------------- Courbouleix. Voltaire. L'Odalisque. Ouvrage traduit du Turc. Texte et illustrations gravés à l'eau forte par Leon Courbouleix. Sans lieu, Imprimée sur la presse à bras de l'artiste, sans date [vers 1930]. In-4. 70 ff. sur vélin, couverture illustrée, chemise, étui. Un des 252 exemplaires numérotés et signés par l'artiste (en total 350) ; iÇi un des exemplaires d'artiste, celui-ci spécialement imprimé pour M Maurice Tardif. Envoi autographe signé de l'artiste sur la page de justification. L'œuvre fut entièrement gravée, le texte inclus. Somptueusement illustrée ; il y a 10 eaux-fortes sur planches, en couleurs vives, ainsi que 11 petites gravures in-texte. Elles montrent des femmes nues ou peu habillées, dans une ambiance orientale, avec leurs amants habillés, portant souveant un turban. Jamais pornographique, mais dans une amtosphère et tension clairement érotiques. Page de titre décorée avec un portrait de Voltaire. Le texte imprimé en noir et rouge, dans un large encadrement d'or en style oriental. Une présentation magistrale pour cette imagination européenne sur l'orient. Étui et bords un peu cognés. Taches de doigts par endroits. ------------------------------ |English description available on request.| [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Antiquariat Ars Amandi]
 24.   Check availability:     ZVAB     Link/Print  


        ARSENAL V HUDDERSFIELD TOWN 1930 (F.A. CUP FINAL) FOOTBALL PROGRAMME

      1930 - Official programme for the FA Cup Final at Wembley on April 26th, 1930. Arsenal beat Huddersfield Town 2-0. 8vo. 26pp. Illustrated, mainly portraits. Original illustrated wrappers. Some rusting to staples but otherwise a very good copy.

      [Bookseller: Sportspages]
 25.   Check availability:     AbeBooks     Link/Print  


        The Book of Three Dragons

      Longmans, Green and Co. 1930 - A fine first edition in a near fine price-clipped dust jacket. The scarce trade issue with the Longmans, Green imprint on the title page and first edition on the copyright page, not the later more common Junior Literary Guild issue. [Attributes: First Edition; Hard Cover]

      [Bookseller: Bookbid]
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        Maggie of the Suicide Fleet. As written from the log of Raymond D. Borden, Lieutenant, U.S.N.R.

      Garden City: Doubleday, Doran & Co.. 1930. First. First edition. Illustrated by Herb Roth. Bookstore label on the front pastedown, else fine in very near fine, price-clipped dustwrapper. The story of the pleasure yacht of Isaac Emerson, the Bromo-Seltzer King, who turned it over to the American submarine patrol fleet, manned it with farmers, and set them out to protect the coast, resulting in various misadventures. Nicely Inscribed to Emerson's wife, Margaret, the namesake of the yacht, by the illustrator Herb Roth, with a drawing of a sailor: "To Margaret Emerson from the Coxswain who illustrated Borden's Diary and one of the few survivors of the 'Maggie'. Herb Roth." .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
 27.   Check availability:     ABAA     Link/Print  


        THE JEWISH AGENCY FOR PALESTINE CONSTITUENT MEETING OF THE COUNCIL HELD AT ZURICH, AUGUST 11TH-14TH, 1929.

      London : The Agency, 1930. 1st Edition. Original Wrappers. 8vo. 72 pages ; 22 cm. The Official Report from the inaugural meeting of the Jewish Agency for Palestine held immediately after the 16th Zionist Conference in Zurich, which established the Agency. Includes the speeches and minutes from the conference.

      [Bookseller: Dan Wyman Books LLC]
 28.   Check availability:     maremagnum.com     Link/Print  


        Everybody's Boswell

      G. Bell and Sons, London 1930 - #61 OF 350 COPIES SIGNED BY ERNEST SHEPARD on the limitation page. A beautiful copy to boot of the 1930 1st thus. Bound by Asprey & Co. of London in a sumptuous full red leather. Decorative raised bands, gilt-tooled compartments and gilt-rule to the panels. Bright and Fine, all edges gilt. Thick octavo, 609 pgs., marbled endpapers. Signed by Illustrator. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: APPLEDORE BOOKS, ABAA]
 29.   Check availability:     AbeBooks     Link/Print  


        Important Porcelains, Including Pieces from the Imperial Collection; Snuff Bottles, Bronzes, Enamels, Semi-Precious Mineral Carvings, Rare Early Dynastic Pottery; Property of Ton-Ying & Company

      New York: American Art Association / Anderson Galleries, Inc, 1930. Softcover. VG interior; some wear to cover corners and darkening to cover edges. Writing along top edge of front cover not seen in picture.. Camel card wraps with black lettering. 133 pp. with numerous bw photos. Catalogue from Sale Number 3812, Chinese Art from January 24th and 25th, 1930. 399 objects up for auction, each described. With a foreword by the authors. Sung pottery, Ming porcelains, temple vases of the Chia Ching and Wan Li periods, blue-glazed pottery from the T'ang dynasty, Chun ware from the imperial collection and much more.

      [Bookseller: Mullen Books, Inc. ABAA / ILAB]
 30.   Check availability:     Biblio     Link/Print  


        Moby Dick

      New York: Random House, 1930. Very Good. First trade edition thus. Near Fine, with light rubbing to silver stamping, light light rubbing to edge of page block, light toning to pages and with light offsetting from images. A stunning example of Melville's classic, illustrated by Rockwell Kent.

      [Bookseller: Burnside Rare Books]
 31.   Check availability:     IOBABooks     Link/Print  


        Bruyère - fashion design 1930s.

      "Diner au cabaret??Modetekening van de collectie van Marie-Louise Bruy?re. Medio jaren 1930. Gouache op grijs papier.Mme. Bruy?re (1884-?) was geboren op het Franse platteland, maar haar ambitieuze ouders verhuisden naar de groeiende voorsteden van Parijs, waar het hen voor de wind ging. Ze woonden in het chique Saint Gratien, waar ook Princesse Mathilde (het nichtje van Napoleon I) woonde. Ze volgde haar opleiding bij Cheruit en vervolgens bij Lanvin. In 1928 opende ze haar eigen ?Bruy?re Couture??, en met haar collectie van begin 1930 plaatste ze zich tussen de toonaangevende jonge ontwerpers van haar tijd zoals Schiaparelli, Alix, Rochas en Mainbocher. Haar faam groeide internationaal, waardoor ze in 1937 een grand salon aan de Place Vend?me kon openen. Haar kleding was chique, zeer draagbaar en bovenal modieus, opvallend door subtiele en ongewone design elementen. Met twee shows per jaar van elk 200 modellen, had ze een enorme productie en had in 1947 328 medewerkers. Haar bedrijf groeide tot midden jaren 1950. Als men dan overstapt naar prêt-a-porter gaat het na een paar jaar ten onder.Prijs: ?750,- (incl. lijst).

      [Bookseller: Inter-Antiquariaat MEFFERDT & DE JONGE]
 32.   Check availability:     NVvA     Link/Print  


        L'ITALIANO anno V n.4 QUINDICINALE DELLA RIVOLUZIONE FASCISTA

      Stabilimenti Poligrafici Riuniti, BOLOGNA 1930 - ITALIANO Periodico quindicinale con forma leggermente più piccola di un quotidiano, 12 pagine ancora intonse, leggermente ed uniformemente brunite dal tempo, con illustrazioni in nero e con vari scritti, Bartolini, Malaparte alcuni dei nomi, prima ed ultima pagina quasi del tutto staccate La libreria offre per un periodo limitato uno sconto del 20% su tutti i suoi libri. Il prezzo originale dell'articolo era 999,00 euro.

      [Bookseller: Biblioteca di Babele]
 33.   Check availability:     AbeBooks     Link/Print  

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