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Displayed below are some selected recent viaLibri matches for books published in 1928

        When We Were Very Young, Winnie-the-Pooh, The House at Pooh Corner and Now We Are Six

      Methuen & Co., Ltd, London 1928 - A complete set of the first, UK trade editions for all four "Pooh" books. "When We Were Very Young" is the first issue, without "IX" on the table of contents page. All books and jackets are correct first editions. Condition ranges from near fine to very good, as shown in photos. More photos available on request. "Winnie The Pooh" has been listed on the New York Public Library's 100 greatest children's books of the century and the Ashdown Forest, where the stories take place, has become a tourist attraction as a result. "I think Pooh's secret is the kindness and generosity of spirit of the characters toward each other." (Jeanne Lamb, NY Public Library). Housed in a custom-made collector's slipcase. [Attributes: First Edition; Hard Cover]

      [Bookseller: Bookbid]
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        SERGEANT YORK

      YORK, Alvin C. SERGEANT YORK: His Own Life Story And War Diary. Garden City, NY: Doubleday, Doran, 1928. 8vo., orange cloth, stamped in blue. First Edition. Signed by Alvin C. York on the front endpaper. With his battalion and division units written in another hand beneath the signature (tape residue marks beneath the units where something was once attached). Basis for the 1941 movie, starring Gary Cooper, Joan Leslie and Walter Brennan. Cooper won an Academy Award for his portrayal of Sgt. York and the film also received nine additional nominations, including one for Best Picture. York's signature in this copy is a little smudging, caused by the book being closed quickly after the ink was applied- little ink offsetting on opposite page). Good (little wear & soil). Enclosed in a custom-designed, leather and cloth clam-shell box, with both the spine and front cover depicting sergeant stripes- all done in leather. Striking!. $1500.00.

      [Bookseller: Antic Hay Books]
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        A Song for Simeon

      Faber & Gwyer, London 1928 - First Edition. One of 500 copies signed by T.S. Eliot. This SIGNED/LIMITED EDITION is in excellent shape, with a slight wear to the edges. The binding is tight and the boards are crisp. The pages are exceptionally clean, with no writing, marks or bookplates in the book. A beautiful copy SIGNED by the author. We buy SIGNED T.S. ELIOT First Editions. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Quintessential Rare Books, LLC]
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        The Assassin limited edition signed

      Jonathan Cape London England 1928 - First limited signed edition. Hard Cover. Book Condition: fine. Dust Jacket Condition: near fine price clipped no inscriptions. 5.5 x 7.75 286 pages. Boards now protected by a new Brodart Archival Mylar Cover. Special Author's Limited Numbered (no. 34 of 150), SIGNED BY AUTHOR. Boards and pages are clean, Tightly bound and sharp cornered with gilt foredge. Scarce only copy with DW. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Trinity Rare Books]
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        The Childermass. Section I. [Signed - Limited Edition]

      London, Chatto and Windus, 1928.. 21.9cm x 14.6cm. 322 pages. Original Hardcover with original dustjacket in protective Mylar. Very good condition with only minor signs of external wear. Signed by the author. Limited Edition - no. 155 of 225 copies.. Percy Wyndham Lewis (18 November 1882 - 7 March 1957) was an English painter and author (he dropped the name 'Percy', which he disliked). He was a co-founder of the Vorticist movement in art, and edited the literary magazine of the Vorticists, BLAST. His novels include his pre-World War I-era novel Tarr (set in Paris), and The Human Age, a trilogy comprising The Childermass (1928), Monstre Gai and Malign Fiesta (both 1955), set in the afterworld. A fourth volume of The Human Age, The Trial of Man, was begun by Lewis but left in a fragmentary state at the time of his death. He also wrote two autobiographical volumes, Blasting and Bombardiering (1937) and Rude Assignment: A Narrative of my Career Up-to-Date (1950). Lewis was reputedly born on his father's yacht off the Canadian province of Nova Scotia. His British mother and American father separated about 1893. His mother subsequently returned to England, where Lewis was educated, first at Rugby School, then at the Slade School of Art, University College, London, before spending most of the 1900s travelling around Europe and studying art in Paris. Mainly residing in London from 1908, Lewis published his first work (accounts of his travels in Brittany) in Ford Madox Ford's The English Review in 1909. He was a founder-member of the Camden Town Group in 1911. In 1912 he exhibited his Cubo-Futurist illustrations to Timon of Athens (later issued as a portfolio, the proposed edition of Shakespeare's play never materialising) and three major oil-paintings at the second Post-Impressionist exhibition. This brought him into close contact with the Bloomsbury Group, particularly Roger Fry and Clive Bell, with whom he soon fell out. In 1912 he was commissioned to produce a decorative mural, a drop curtain, and more designs for The Cave of the Golden Calf, an avant-garde cabaret and nightclub on London's Heddon Street. It was in the years 1913-15 that he developed the style of geometric abstraction for which he is best known today, a style which his friend Ezra Pound dubbed "Vorticism." Lewis found the strong structure of Cubist painting appealing, but said it did not seem "alive" compared to Futurist art, which, conversely, lacked structure. Vorticism combined the two movements in a strikingly dramatic critique of modernity. In his early visual works, particularly versions of village life in Brittany showing dancers (ca. 1910-12), Lewis may have been influenced by the process philosophy of Henri Bergson, whose lectures he attended in Paris. Though he was later savagely critical of Bergson, he admitted in a letter to Theodore Weiss (19 April 1949) that he "began by embracing his evolutionary system." Nietzsche was an equally important influence. After a brief tenure at the Omega Workshops, Lewis quarrelled with the founder, Roger Fry, over a commission to provide wall decorations for the Daily Mail Ideal Home Exhibition, which Lewis believed Fry had misappropriated. He walked out with several Omega artists to start a competing workshop called the Rebel Art Centre. The Centre operated for only four months, but it gave birth to the Vorticist group and the publication, BLAST. In BLAST Lewis wrote the group's manifesto, several essays expounding his Vorticist aesthetic (distinguishing it from other avant-garde practices), and a modernist drama, "Enemy of the Stars." The magazine also included reproductions of now lost Vorticist works by Lewis and others. (Wikipedia)

      [Bookseller: The Time Traveller's Bookshop Ltd.]
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        MAX BECKMANN. Ausstellung 22. April - Ende Mai 1928. Galerie Alfred Flechtheim, Berlin W10, Lützowufer 13.

      Berlin, Druck von Otto von Holten, 1928,. 16 x 12,4 cm, 12 Seiten, 5 schwarz-weiss Abbildungen; der Katalog verzeichnet 55 Gemälde aus der Entstehungszeit von 1915 bis 1928; Vorwort von Alfred Flechtheim; Lebensdaten ; kurzer Text von Beckmann; Literaturverzeichnis, illustrierte Original-Klammerheftung (mit Gebrauchsspuren), ordentliches Exemplar.. Dascher 467. - Wiegand-Uhl 1510. - Abgebildet sind die Arbeiten: Selbstbildnis 1927; Margueriten 1921; Frau im Bett 1926; Bildnis des russischen Schauspielers Zeretelli 1927; Fischstilleben 1927.

      [Bookseller: Stader Kunst-Buch-Kabinett]
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        Der Große Brockhaus, 15. Auflage, Halbleder-Ausgabe, 20 + 1 Bände.

      Leipzig, F. A. Brockhaus, 1928 - 1935.. Völlig neu bearbeitete Auflage. Der erste "große Brockhaus" mit 20 Bänden im Gesamtumfang von circa 16.000 Seiten. Enthalten sind 200.000 Stichworte und 40.000 Abbildungen im Text, auf 2.400 teils farbigen Tafeln. Vollständiges Grundwerk in 20 Bänden (A - Z) sowie der Ergänzungsband 21, zusammen somit 21 Bände. Schwarze Original-Halblederbände mit goldgeprägten Rückentiteln auf rotem Rückenschild, linienförmiger Goldprägung und Kopfgoldschnitt; Deckel aus blauem Leinen und mit Lederecken. Ästhetisch ansprechende Bände mit gegenüber der Jahrhundertwende versachlichter, aber gleichwohl eleganter Formensprache. Eine Besonderheit stellen die zahlreichen Farb-Bildchen dar, die vom Verlag in jedes einzelne Exemplar eingeklebt wurden. Die 15. Auflage gilt heute als Meilenstein der Brockhaus-Geschichte und Brücke in die Moderne. Für den Bibliographen Gert A. Zischka stellt sie "einen Höhepunkt der deutschen Lexikographie dar (200.000 Stichworte, unübertreffliche Ausstattung) ... Objektive Haltung, sorgfältige Literaturangaben." Auch im Standardwerk der Lexikographie, dem kommentierten Seemann-Verzeichnis, wird sie als "wichtiges Standardwerk" bezeichnet und in ihrer Bedeutung gar mit der legendären 6. Auflage des Meyer-Lexikons verglichen. Darüber hinaus kann sie als detaillierter Zeitspiegel der Weimarer Republik gelten. Trotz des hohen Lobes von lexikographischer Seite wird diese Auflage in ihrer Bedeutung oft unterschätzt.. Alle Bände in sehr gutem Zustand, kaum berieben oder bestoßen. Deckelleinen im Wesentlichen sauber, allenfalls partiel mit leichten Fingerspuren. Seiten frisch und fleckenfrei. Das ausfaltbare Modell des Menschen im 12. Band vorhanden. Zusätzlich beiliegend: Die - eigens für diese Auflage gefertigte, sehr seltene (!) - Broschüre "Die Wünscherute. Praktische Winke zur Erschliessung der ,Grossen Brockhaus' für Leben und Wissen, Arbeit und Unterhaltung", ferner eine Doppelpostkarte des Brockhaus Verlages für Anregungen der Nutzer an den Verlag. Weitere Fotos auf der Homepage des Antiquariats (bitte Art.-Nr. auf der Angebotsseite in das Suchfeld eingeben).

      [Bookseller: Das Konversations-Lexikon - Fachantiquar]
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        Beau Ideal

      John Murray 1928 - The author's own copy of this famous work about the French Foreign Legion; showing author's signature in blue ink on his personal library bookplate. The exterior cover has some discolouration (shown in photograph), also rear cover & lower spine similar; dust jacket absent. Internally, slight fixing to tile page and few pages following but generally clean, with binding in good condition. Text block edges clean. Additional images or information available on request. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: The Bookshop on the Heath Ltd]
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        Maîtres de la Vénerie : Le livre de chasse du Roy Modus - Gaston Phoebus - du Fouilloux - Salnove - Le Verrier de la Conterie - d'Yauville - Boirost de Lacour - Houdetot - Les plus belles fanfares de chasse - Thiebaud

      1928. relié. D'OccasionBonétat. Paris, Emile Noury, 1928-1934. 10 volumes in/4 reliure demi-chagrin marine à coins, dos à nerfs à pièces de titre rouges, dorés sur têtes, couvertures et dos conservées : Le livre de chasse du Roy Modus , 1931 - 28 f., 204 p., 51 figures. Le livre de la chasse de Gaston Phoebus, 1931 - 22 f., 257 p., 87 figures. La Vénerie de Jacques du Fouilloux, 1928 - 55 f., 266 p., 57 figures. La Vénerie Royale de Salnove, 1929 - 26 f., 297 p. , frontispice, 9 estampes Le Verrier de la Conterie. L?'Ecole de la chasse aux chiens courants, 1932 - 9 f., 354 p., 8 estampes. Traité de Vénerie d?'Yauville, 1929 - 296 p., 27 figures (Oudry) Traité de l?'art de chasser avec le chien courant de Boirost de Lacour, 1929 - 10 f., 183 p. La petite Vénerie ou la chasse au chien courant d?'Adolphe d?'Houdetot, 1930. 8 f., 280 p., 40 dessins (V. Adam). Les plus belles Fanfares de Chasse, 1930. 186 p., 2 planches, figures et fanfares. Bibliographie des ouvrages français sur la chasse, la Vénerie et la Fauconnerie 1934. de Thiebaud, 1039 p. Exceptionnel ensemble des dix ouvrages, en excellent état hormis des dos insolés. Exemplaires numérotés sur Alfa satiné. Sous ce titre collectif, l'éditeur E. Nourry a donné d'excellentes et belles réimpressions des classiques français de la vénerie. Thiebaud, col. 625-626.

      [Bookseller: Librairie]
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        DRUMS

      - (WYETH,N.C.)illus. DRUMS by James Boyd. NY: Charles Scribners Sons (1928). 4to (7 1/2 x 9 1/2"), black cloth, pictorial paste-on, Fine in dust wrapper with mounted color plate (dw lightly frayed at spine ends). First edition, illustrated by Wyeth with cover label (repeated on wrapper) pictorial endpapers and title page, 14 color plates plus many black and white line illustrations in-text. This is an especially nice copy not often found in dw. [Attributes: First Edition; Hard Cover]

      [Bookseller: Aleph-Bet Books, Inc. - ABAA]
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        When We Were Very Young, Winnie-the-Pooh, The House at Pooh Corner and Now We Are Six

      Methuen & Co., Ltd, London 1928 - A complete set of the first, UK trade editions for all four "Pooh" books. "When We Were Very Young" is the first edition, second issue, with "IX" on the table of contents page. Otherwise all books and jackets are pure first editions. Condition ranges from near fine to very good, as shown in photos. More photos available on request. "Winnie The Pooh" has been listed on the New York Public Library's 100 greatest children's books of the century and the Ashdown Forest, where the stories take place, has become a tourist attraction as a result. "I think Pooh's secret is the kindness and generosity of spirit of the characters toward each other." (Jeanne Lamb, NY Public Library). Housed in a custom-made collector's slipcase. [Attributes: First Edition; Hard Cover]

      [Bookseller: Bookbid]
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        Ma vie et la psychanalyse suivi de Psychanalyse et médecine EDITION ORIGINALE Tirage de tête

      Paris: Gallimard, 1928. Fine. Gallimard, Paris 1928, 12x19cm, relié. - First edition of the French translation by Marie Bonaparte, one of 65 numbered copies on "pur-fil" paper, only large papiers.binding black half morocco, spine with five nerves, when golden tail, marbled paper plates, paper guards and contreplats to the tank, covers and spine preserved (second flat discolored Length, back insolated), golden head, elegant binding signed P. & C. Goy Vilaine.Quelques small rousseurs.Exemplaire well established. --- Please note that the translation in english is done automatically, we apologize if the formulas are inaccurate. Contact us for any information! - [FRENCH VERSION FOLLOWS] Edition originale de la traduction française établie par Marie Bonaparte, un des 65 exemplaires numérotés sur pur fil, seuls grands papiers. Reliure en demi maroquin noir, dos à cinq nerfs, date dorée en queue, plats de papier marbré, gardes et contreplats de papier à la cuve, couvertures et dos conservés (deuxième plat décoloré en pied, dos insolé), tête dorée, élégante reliure signée de P. Goy & C. Vilaine. Quelques petites rousseurs. Exemplaire parfaitement établi.

      [Bookseller: Librairie Le Feu Follet]
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        Business the Civilizer

      Atlantic, Boston 1928 - Second printing. viii, 309, [1] pp. 1 vols. 8vo. Presentation copy, inscribed by the author to his wife, and specially bound by Alfred de Sauty for Donnelley. Calkins (1868-1964) was an influential advertising executive. His firm Calkins and Holden created the concept of the advertising campaign and were the first to use jingles. Full black morocco, cover tooled in gilt with pointillé lines, small circular red morocco onlays, to "fireworks" design, spine with raised bands and six compartments, lettered in two compartments, the rest tooled with onlays to similar design as covers, full red morocco doublures with initials "AAC" in central panel in gilt, all edges gilt, by R.R. Donnelly, Chicago. With a slip identifying all the participants in the binding, "Sewn by E. Dvorak, forwarded by B.J. Cronk, finished by W.H. Anson, designed by A. de Sauty XII,XXII, MCMXXVIII' and signed below by Alfred de Sauty. With bill for binding from Donnelley for $85.00 and a TLS from de Sauty. Bookplate of author and his wife. Slight scuff at head of spine, else fine, in a custom cloth slipcase [Attributes: Signed Copy]

      [Bookseller: James Cummins Bookseller, ABAA]
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        Bambi: A Life in the Woods

      New York: Simon and Schuster, 1928. Limited First Edition. Hardcover. Good. Limited first edition in English. One of 1,000 copies issued preceding the first trade edition, from the Inner Sanctum of Simon and Schuster. Very Good. Rubbing at corners and spine ends. Cloth at spine lightly faded, gilt lettering dulled. A rather sharp copy of the scarce first English language issue.

      [Bookseller: Burnside Rare Books]
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        THE HOUSE AT POOH CORNER

      London:: Methuen & Co.. (1928).. First edition. SIGNED BY MILNE on the title page. Usual offset to endpaper and small crimp to base of spine, else fine in good to perhaps very good dust jacket with moderate soiling, split at spine fold internally mended with archival tape, chip at base of spine taking out "Methuen," and a narrow corner chip but otherwise only marginal wear. This trade edition is becoming scarce signed. .

      [Bookseller: Quill & Brush]
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        The Ghoul (First Edition)

      London: Geoffrey Bles, 1928. First Edition. First Edition. Rare in jacket.A pulp thriller about a criminal mastermind, known only as The Ghoul, who has plunged London into a crime wave. Basis for the 1933 film of the same name, directed by T. Hayes Hunter and starring Boris Karloff. The film added mystical elements to the story in order to capitalize on Karloff's previous film, "The Mummy," but rationalized them during the conclusion, in keeping with the non-supernatural source material.Very Good plus in an about Very Good example of the rare dust jacket. Jacket is chipped, with loss to the title and author name at the crown, spine toned, vertical creasing to the front panel, but illustration still crisp and bright.

      [Bookseller: Royal Books, Inc. ]
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        DICKEY BYRD

      TENGGREN. (TENGGREN,GUSTAF)illus. DICKEY BIRD by Elizabeth Woodruff. Springfield, Mass: Milton Bradley (1928). Large 4to (9 1/4 X 12"), black imitation leather stamped in yellow. FINE IN DUST WRAPPER (dw VG, lightly frayed. 1/2 piece off top of backstrip). First edition of one of the scarcest and loveliest of Tenggren's books. This is illustrated with 6 large and magnificent tipped-in color plates. There are also many charming full-page and in-text illustrations by Carl Wehde plus pictorial endpapers and dw. The story is a fantasy about a boy named Dickey Bird and what happens when his toy menagerie and toy soldiers come alive. Beautiful copy, rare in the dust wrapper.

      [Bookseller: Aleph-Bet Books, Inc.]
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        The House at Pooh Corner

      London: Methuen and Co., Ltd., 1928., 1928. FIRST EDITION, PUBLISHER'S DELUXE LEATHER BINDING housed in a green custom-made cloth case, lettered in gilt to the spine. Octavo, pp. xi; 178. Bound in soft grey-green calf covers with attractive gilt ruling; charming image of Christopher Robin and Eeyore coloured in gilt to front cover. All edges gilt, titles in direct lettering to spine with Pooh Bear's animal friends decorating spine; all gilt remains very bright. Green ribbon bookmark (incomplete) sewed into binding. Illustrated throughout by Ernest H. Shepard. Shows some shelf wear, particularly at corners and toward spine. Leather shows very well. Pictorial pink endpapers depicting silhouttes of main characters with their names below. Cloth case in fine condition. The first edition is captivating, brimming with nostalgia and childhood adventure. An exceptional item.

      [Bookseller: Adrian Harrington Rare Books]
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        CATHERINE PARIS. Avec trente pointes sèches de CERIA.

      Société d'Édition Le Livre, Émile Chamontin, Paris 1928 - in-4 (24 x 31cm) de 285pp., en feuilles, sous couverture rempliée imprimée, chemise et étui de l'éditeur. (étui légèrement sali et décoloré, petite faiblesse au sommet d'une charnière de la chemise). Ouvrage illustré de 30 pointes sèches originales de Ceria, dont un frontispice, 6 hors-texte et 23 in-texte. Tirage limité à 380 exemplaires numérotés. Un des 35 exemplaires sur japon numérotés (n° 30) contenant une double suite des gravures dont un premier état sur vieux japon et un état définitif sur hollande van Gelder Zonen.¿ Bel ouvrage, intérieur frais. [Attributes: Soft Cover]

      [Bookseller: Aparté]
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        Landschaft und Gesichte. Dichtungen

      Verlag Kurt Scholtze Nachf., Leipzig, 1928, - 1 79 Seiten altersbedingt guter Zustand Hardcover,

      [Bookseller: ralfs-buecherkiste]
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        irca 1928 – 1958 Collection: New York Brother – Sister Cycling & Speed Skating Enthusiast Photographs & an Archive of Documents of Her Merchant Marine – U S Navy Partner

      New York: No Publisher Noted, 1928. The collection traces the youth and adult careers of Clifford Hoffman and his sister Eleanor Hoffman in cycling and speed skating on Long Island and elsewhere; Eleanor was also a stage singer and entertainer and subsequently married a merchant marine, Glen Willis. His papers from the same time period and WWII listed below tell of his career. Including: Cycling Ephemera: The below cycle-racing ephemera are in very good condition, light wear. The Tri-Boro Wheelmen of Astoria, L.I. Present The First Annual "Tour of Long Island" Sunday, May 29, 1938. (8) printed sides, including the covers; "…Starting at Van Dam Street, Long Island City, and finishing at Hillside Avenue & 244th Street, Creedmore, L.I.; official souvenir program; with an introductory letter from Arthur Burke, club secretary, officials for the race and entries lists; Cliff Hoffman, of G.B.S.C. (German Bicycle Sport Club) is listed in the Class A No. 1 position and as New York State Road Champ; listing prizes, advertisers, supporters. Ninth Annual "100 Mile Bike Classic" (Divisional Handicap) Sponsored by the German Bicycle Sport Club of New York Sunday June 12th, 1938; with race information, (12) printed sides; similar to above; Clifford Hoffman is listed as the 1936 winner on the front cover; and in the Class A No. 1 position and New York State Road Champ.The Tri-Boro Wheelmen of Astoria, L.I. Present The Second Annual "Tour of Long Island" Sunday, May 14, 1939; (4) sides, Hoffman listed in the No. 2 and 'unattached' - not with the G.B.S.C., (it was perhaps no longer politic for him to be so - given the date).Tenth Annual "100 Mile Bike Classic" (Divisional Handicap) Sponsored by the German Bicycle Sport Club of New York Sunday June 11th, 1939; Hoffman listed in the 12th A class position for this.Souvenir Program Second Annual Two Hour Team Race Auspices of Plainfield (NJ) Wheelmen June 18th, 1939 Borough Park Track (12) printed sides; Clifford Hoffman is teamed with Conrad Wilhelm also of Long Island; the name list at back has penciled entries of times for the laps for their twosome and a few of the other racing duos, noted by Clifford's sister Eleanor at the race. Photographs: 50 black & white speed skating photos, some candid, some race-oriented, men's and women's events, practice, groups; average 3" x 5" size. 2 are photo-postcards sent from American speed-skater Ray Blum, in St. Moritz for the 1948 Olympics skating competition, both signed by him and addressed to Eleanor Hoffman, evidently a good friend. 45 b & w cycle racing photos, some candid, some race-oriented, men's and women's events, practice, groups; Eleanor H. & Cliff H. are both pictured as racers; circa 1938 - 1945; a small group is identified as the brother-sister cyclers as participants in the 1946 National Bicycle Races at Franklin Park, Columbus Ohio; average 3" x 5" size, some larger, some smaller. 25 b & w photographs of candid downhill skiing action, individuals & groups, mostly having fun; average 3" x 5" size, some larger, some smaller. Photograph album: With about 20 black and white images that are cycling-related, car with racing bikes aboard, the family traveled for events; a couple identified as taken after NY state championship races 1937; 100 mile club race; class A sprints; as preparing for races, candids at Broad Channel Long Island; after the German-American championship 1937; a few of other cycle races, identified; also with circa 115 family photos, mom & pop & kids, traveling around Long Island in the late 1920 - '30s, mostly from Sayville, with a couple of Kings Park, Roosevelt Field (with plane); Washington DC and others; average 3" x 5" size; loosely mounted in; just about all are identified and some have additional information on the backs.(with) approximately 300 black and white family photographs, portraits, military friends & relations, of varying sizes; including a shot of Clifford Hoffman and Camp Upton, N.Y. in Nov. 1942, corporal's uniform; with the sad note on back that he'd passed away June of 1978 at age 58; with a few color photos as well. With Eleanor Hoffman's class friendship 'autographs' album and the 1944 'Archway' Richmond Hill H.S. yearbook; with a couple of flyers laid-in of small performances by her as 'Eleanor Willis Irish Soprano, Radio and Television Celebrity' and some professionally-taken studio publicity photographs; she married Glen Willis, (engraved wedding announcement here); from Lynbrook, LI & Harrison, NY - Willis was a graduate of Harrison H.S. and the U.S. Merchant Marine Academy at King's Point, LI; at time of wedding he was in the U.S. Naval Reserve. Merchant marine material: Paperwork concerning Willis' maritime career: U.S. Merchant Marine Academy King's Point NY Cadet Coxswain's Ticket for 1943, signed off for Oars & Sail, tucked into his copy of the small pocket-size "A Prayer Book for Soldiers and Sailors" 1941, Episcopal denomination; with his U.S. Coast Guard Continuous Discharge Book # 276395 with photo i.d., thumb print - he served on ships from 1943 to 1945, as deck cadet and then as 3rd mate on the MV Lightning, the S.S. Alexander Ramsey, the S.S. Alden Besse, S.S. Benjamin Waterhouse and finally back serving on the M.V. Lightning; with stamps and voyage description in the book; various other certificates related to this maritime career, lifeboat man, third mate license, engine dept.; with a letter of reference from the chief officer of the Alexander Ramsey, John J. Kelly, commending Willis' performance, to Lt. Comdr. C.F. Felture of the War Shipping Admin; and other letters and notes concerning the Naval Reserve and payments for time served during the war and veteran's rights, job offers from shipping lines; a few photographs for identification and on trips; U.S. Navy Reserve information pamphlets; a Seaman Passport (no entries other than his identification items); A Moore-McCormack Lines, Inc. Ficha de Identidad for him ( all in Spanish) and various i.d. cards: Captain of Port i.d. for him as a cadet; War Shipping Administration card i.d and cards for his Atlantic War Zone Bar & M.M. Combat Bar & Pacific Zone bar awards for service; punched 1945 AFL National Organization Masters, Mates & Pilots of America union card; Selective Service System cards. The merchant marine group of material with some wear and soiling, especially cards and i.d. materials as they were carried during a length of service; other papers & photos in good to very condition. . Photography. Not Bound. Good.

      [Bookseller: Certain Books, ABAA]
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        A Song For Simeon

      Faber & Gwyer Ltd, London 1928 - LIMITED EDITION authentically SIGNED by T.S. Eliot on the limitation page. The book is bound in the original publisher's boards with some spotting to the front panel. The binding is tight. The pages are clean with minor wear. There is NO writing, marks or bookplates in the book. Overall, a lovely copy SIGNED by the author in collector's condition. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Quintessential Rare Books, LLC]
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        Der Zauberberg. Hundertste Auflage. 2 Bde. Mit Porträtfrontispiz in Röteldruck nach Olaf Gulbransson. Mit Vorwort von Hans Reisiger "Der hundertsten Auflage zum Geleit".

      Berlin/ S. Fischer 1928 - 578 S., 629 S. OHPgt. mit Goldprägung & Goldschnitt. Einbanddeckel & Kanten leicht berieben; Schnitt vereinzelt leicht fleckig; ansonsten sehr guter Zustand! Ungelesen! 1100 Gramm. Limit. Ausg. [Nr. 336] von Thomas Mann signiert!. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Eugen Küpper]
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        MÉTROPOLIS - IN "LA PETITE ILLUSTRATION" NO 372

      Paris: Imp. de L'Illustration, 1928. A Fine copy in photo-illustrated wrappers, with 20 sepia-toned stills from Fritz Lang's 1927 masterpiece Metropolis. This special 12-page issue (3 March, 1928) is dedicated entirely to the film. The French premiere of Metropolis was on October 14th, 1927, shown at L?'Imperial for three months. In March of 1928, the film had a short one-week revival at the same theater; this issue of La Petite Illustration was printed in anticipation of that event. A scarce piece of ephemera related to one of the towering giants of the silent film era. The original version of the film was heavily cut for its American debut, and as a result, any of the original printed material from the film has become historically significant, and quite desirable. Auction results for this item are a mixed bag; copies will invariably turn up from time to time, but they're usually worn, torn, soiled or worse. This is the copy that won't disappoint, with bright ivory pages and little to be desired - the best copy we've seen or handled.

      [Bookseller: Captain Ahab's Rare Books]
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        Verlainiens et décadents EDITION ORIGINALE ENVOI AUTOGRAPHE

      Paris: Editions Marcel Seheur, 1928. Fine. Editions Marcel Seheur, Paris 1928, 13x18cm, relié. - Original edition on the current paper. Binding half morocco cherry, back with five nerves, golden tail date marbled paper plates, paper contreplats guards and the tank cover and spine preserved (back insolated), gilded head, elegant binding signed P. Goy & C. Vilaine. Rare autograph signed by the author to his friend Aristide Boureaud. Iconography. Nice copy pleasantly established. - [FRENCH VERSION FOLLOWS] Edition originale sur papier courant. Reliure en demi maroquin cerise, dos à cinq nerfs, date dorée en queue, plats de papier marbré, gardes et contreplats de papier à la cuve, couvertures et dos conservés (dos insolé), tête dorée, élégante reliure signée de P. Goy & C. Vilaine. Rare envoi autographe signé de Gustave Le Rouge à son ami Aristide Boureaud. Iconographie. Bel exemplaire agréablement établi.

      [Bookseller: Librairie Le Feu Follet]
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        Poësie Essais sur la poëtique et la poëte EDITION ORIGINALE

      Paris: Bertrand Guégan, 1928. Fine. Bertrand Guégan, Paris 1928, 20x26,5cm, relié. - Edit partly original, one of 300 numbered copies on vellum pure royal cloth. Binding half purple sorrow with corners, back with nerves decorated cleared two black nets, marbled paper plates, guards and contreplats of handmade paper, preserved covers and backs, head veil. Handwritten signature of the author to the justification of the draw. The preamble and "The notebook of the poet" here in the original edition. Book illustrated with 8 original etchings inset-author. - [FRENCH VERSION FOLLOWS] Edition en partie originale, un des 300 exemplaires numérotés sur vélin royal pur chiffon. Reliure en demi chagrin violet à coins, dos éclairci à deux nerfs orné de filets noirs, plats de papier marbré, gardes et contreplats de papier à la cuve, couvertures et dos conservés, tête voilette. Signature manuscrite de l'auteur à la justification du tirage. Le préambule et "Le calepin du poëte" sont ici en édition originale. Ouvrage illustré de 8 eaux-fortes originales hors-texte de l'auteur.  

      [Bookseller: Librairie Le Feu Follet]
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        Christmas Tree

      [New York: American Book Bindery,, 1928]. Octavo. Uncut and unopened in original pink cloth-backed boards, pale green endpapers, printed silver label to front board. Single silver leaf facing title page, text printed in green and orange. Content unopened. Boards sunned and rubbed, label tarnished, light wear to extremities, 2 cm long closed tear to fore margin of front free endpaper, a couple of short splits to rear inner hinge. A very good copy. First edition, first separate printing. Inscribed by the author in pencil and over-written by him in ink on the front free endpaper: "For Aunt Ellen, Merry Christmas! E.E.C." Cummings's aunt was Ellen Montresor Clarke (1869?-1939).

      [Bookseller: Peter Harrington]
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        The Novels & Selected Writings

      Oxford & New York: Basil Blackwell & Houghton Mifflin,, 1928. [Including Robinson Crusoe; Moll Flanders; Memoirs of a Cavalier; Journal of the Plague Year.] 14 volumes, octavo (230 x 155 mm). Finely bound in publisher's brown three-quarter crushed morocco, spines gilt in compartments, light brown cloth sides ruled in gilt, top edges gilt, others untrimmed, brown endpapers, partly unopened. Numerous plates, several folding, with captioned tissue guards. A few minor scuffs to bindings. An excellent set. Limited large-paper edition, number 117 of 530 copies printed at the Shakespeare Head Press. A bright, attractive set of what is generally considered to be the best collected edition of the author's works.

      [Bookseller: Peter Harrington]
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        Munda-Magyar-Maori. An Indian Link Between the Antipodes. New Tracks of Hungarian Origins. [ Munda Magyar Maori ]

      Luzac & Co., London 1928 - 25.5 cm, xii, 438 pp, b&w photo plates at rear, cloth over boards. Name stamp and shelf number (private collection) to title page. A little sporadic foxing, moderate to page edges. VG to VG minus overall. A heavy book - overseas buyers please ask for a freight quote. [Attributes: First Edition; Hard Cover]

      [Bookseller: Archway Books]
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        The Tower

      Macmillan and Co., Limited, London 1928 - A very nice, first edition copy. Binding is tight and pages are clean. Some pages are uncut. Strong color on front board. No dust jacket. 110 pages. This would a fine addition to a Yeats collection. [Attributes: First Edition; Hard Cover]

      [Bookseller: Wolfmueller's Books]
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        Ichabod Crane

      1928. Watercolor and pen and black ink on paper, signed "Arthur Rackham" (lower right). 8-1/2 x 6-3/4 in. Matted and framed. Watercolor and pen and black ink on paper, signed "Arthur Rackham" (lower right). 8-1/2 x 6-3/4 in. Rackham's superb illustration of the hapless schoolmaster of Sleepy Hollow, Ichabod Crane. Rackham has captured the essence of Irving's description: "He was tall, but exceedingly lank, with narrow shoulders, long arms and legs, hands that dangled a mile out of his sleeves, feet that might have served for shovels, and his whole frame most loosely hung together. His head was small, and flat at top, with huge ears, large green glassy eyes, and a long snipe nose, so that it looked like a weather-cock, perched upon his spindle neck, to tell which way the wind blew. To see him striding along the profile of a hill on a windy day, with his clothes bagging and fluttering about him one might have mistaken him for the genius of famine descending upon the earth, or some scarecrow eloped from a cornfield" Provenance: Estate of Connecticut artist Rachel Breck. Literature: Irving, The Legend of Sleepy Hollow (George G. Harrap & Co, 1928); Latimore & Haskell, pp. 63-4; Riall, pp. 164-5

      [Bookseller: James Cummins Bookseller]
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        Kiosk with Magazines, Pedestrians and Subway logo [New York City]

      San Francisco: Circa 1970s. Oil on canvas. Signed lower right. 20 x 24 inches. Unframed. John J. Payne (1928-1999) was a San Francisco based artist. He studied with Lorser Feitelson at the Art Center College of Design in Los Angeles. Payne painted in a naif and hard edge style. He exhibited in the Tillman Place Gallery and the Maxwell Gallery in the 1950s and 1960s. The artist's sister, Frances Payne, PhD, numbered each of the artist's works. This is Work no. 77.

      [Bookseller: Alan Wofsy Fine Arts]
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        A Record of the Collections in the Lady Lever Art Gallery Port Sunlight, Cheshire Formed By the First Viscount Leverhulme. Vol. I: Paintings, Drawings and Sculpture; Vol. II: Chinese Porcelain & Wedgwood Pottery; Vol. III: Furniture, Tapestry & Needlework

      London, England: T. A. Batsford, Ltd, 1928. The complete set of three volumes. The edition of this work was limited to 200 copies for sale in Great Britain and 150 copies for sale in the U.S.A. All three volumes published in 1928. With a foreword by C. Reginald Grundy. Vol. I: English Painting of the XVIIIth - XXth Centuries, With some examples of the Spanish, French & Dutch Schools, and of Original Drawings, together with a collection of Historic & Modern Sculpture; Vol. II: Chinese Porcelain & Wedgwood Pottery with Other Works of Ceramic Art; Vol. III: English Furniture, Tapestry & Needlework of the XVIth - XIXth Centuries. Letterpress printed by Morrison and Gibb, Ltd., London and Edinburgh. Monochrome plates by Herbert Reiach, Ltd., London. Colored plates by Edmund Evans, Ltd., London. Contemporary heavy-duty bindings of medium blue buckram, with crisp gilt-stamped armorial device to the front boards and with crisp gilt-stamped lettering to the spines. The bindings are immensely clean and with no apparent scuffing or rubbing. Generally unbumped spine heads and gently bumped tails, and with sharp corners, except that there is a moderate bump to the top front corner of Vol. I. All text blocks firmly bound in.13 x 10.25 inches. T.E.G. and with fore- and bottom edges deckled to a handsome effect. Vol. I with xiv and 187 numbered pages of text and with 113 plates. Vol. II with xii and 227 numbered pages of text and with 103 plates. Vol. III with xvi and 155 numbered pages of text and with 113 plates. Generally speaking the color plates are tipped in. All plates, including B&W, are on medium-weight, glossy stock. Slight off-setting to the front and rear pastedowns of each volume. Else an immensely clean set of volumes. Very gently read, as is evidenced by a number of unopened pages. Each volume housed in the original dust jacket. The DJs are of plain blue paper with black lettering. Light wear here and there at the edges of the dust jackets but all in all the jackets in impressive condition, and quite clean overall. Each DJ fully encased in a lovely new Brodart DJ protector. A Near Fine set with Very Good Plus DJs. One would be hard put to find a finer set. "William Hesketh Lever, 1st Viscount Leverhulme (1851-1925) was an English industrialist, philanthropist, and politician. Lever is noted for founding the soap and cleaning product firm, Lever Brothers, with his younger brother James in 1885. The Lady Lever Art Gallery opened in 1922.". First Edition. Buckram. Near Fine/Very Good Plus. Folio - over 12" - 15" tall. Limited Edition.

      [Bookseller: Marc Sena Carrel]
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        MY PEEK-A-BOO SHOW BOOK

      - MOVEABLE. (VOLLAND) MY PEEK-A-BOO SHOW BOOK by Carrie Dudley. Minneapolis: Buzza, a Gordon Volland Book 1928. Large oblong 4to, cloth backed pict. bds, Very Fine IN ORIGINAL BOX (box flaps repaired). Written and illustrated by Dudley. There are 8 thick cardboard scenes with holes cut out in various places. Any one of these scenes can be placed over any one of 6 paper pages so the reader can change the text and illustrations to create a number of stories (very similar to Tom Seidmann Freud's grids on her famous toy-books). Illustrated in bright Volland style, this is a scarce and interesting book, rare in the box. [Attributes: Hard Cover]

      [Bookseller: Aleph-Bet Books, Inc. - ABAA]
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        The House at Pooh Corner. Decorations by Ernest Shepard

      London, Methuen and Co., 1928., 1928. 8vo., pp. 178. Publisher's pink cloth in dustwrapper. One neat, short tear to half title, wrapper with a few chips and marks, some soiling, spine joint has archival support to rear. Generally bright and clean. A very good copy indeed. FIRST EDITION. A clean copy. Contains a loose advertising insert for a contemporary Shepard exhibition displaying the drawings contained within this title. Book Collector No.271, 'The Great Illustrators'.

      [Bookseller: Adrian Harrington Rare Books]
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        Traité du style EDITION ORIGINALE

      Paris: Nrf, 1928. Fine. Nrf, Paris 1928, 16,5x21,5cm, broché. - First edition, one of 109 numbered copies on laid Lafuma Navarre and reimposed in quarto format foolscap, leading copy. Beautiful and rare copy. --- Please note that the translation in english is done automatically, we apologize if the formulas are inaccurate. Contact us for any information! - [FRENCH VERSION FOLLOWS] Edition originale, un des 109 exemplaires numérotés sur vergé Lafuma Navarre et réimposés dans le format in-quarto tellière, tirage de tête. Bel et rare exemplaire.

      [Bookseller: Librairie Le Feu Follet]
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        Deutsches Gefängniswesen. Ein Handbuch unter Mitwirkung von ( u.a.) Bleidt, Brucks, Degen, Dörken, Ellering, Fischer, Frede, Freudenthal, Gentz, Hagemann, hansen, Hasse, Hippel, Klatt, Koch, Leppmann, Marx, Mayer, Meyer, Seyfarth, Starke, Umhauer.

      Vahlen, Berlin 1928 - X, 537 Seiten mit 10 Tafeln ( meist photographischer Abbildungen ). Ohldr, Groß8°. Inhalt: Die geschichtliche Entwicklung der Freiheitsstrafe - Die Freiheitsstrafe als Problem der Gesetzgebung - Die Gefangenenanstalten in Deutschland und die Organisation ihrer Verwaltung - Die Strafanstaltsbeamten - Die innere Organisation der Strafanstalten in Deutschland - Die Strafvollstreckung - Die rechtliche Stellung der Gefangenen - Die Behandlung der Gefangenen - Die Arbeit der Gefangenen - Gesundheitsfürsorge in den Gefangenenanstalten - Geisteskranke und geistig Minderwertige - Seelsorge an evangelischen Gefangenen - Seelsorge an katholischen Gefangenen - Geistige und seelische Hebung der Gefangenen - Der Strafvollzug in Stufen - Berufsverbrecher - Der Strafvollzug an Frauen - Junge Gefangene - Der soziale Gedanke im Strafvollzug - Vorläufige Entlassung und Beurlaubung auf Wohlverhalten - Fürsorge für Gefangene und Entlassene - Vollzug der Untersuchungshaft - Militärische Strafanstalten - Polizeigefängnisse - Österreichisches Gefängniswesen - Grundsätze für den Vollzug von Freiheitsstrafen vom 7. Juni 1923 - Sachregister. Einband berieben, Bibliotheksschildchen auf dem Rücken. Rückenkapitale leicht beschädigt. Ecken bestoßen. Titelseite mit aufgeklebtem Wappen der Stadt Friedenau. Papier stellenweise leicht gebräunt. - sehr selten - ( Pic erhältlich / webimage available ) [Attributes: Hard Cover]

      [Bookseller: Antiquariat Friederichsen]
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        A Record of the Collections in the Lady Lever Art Gallery Port Sunlight, Cheshire Formed By the First Viscount Leverhulme. Vol. I: Paintings, Drawings and Sculpture; Vol. II: Chinese Porcelain & Wedgwood Pottery; Vol. III: Furniture, Tapestry & Needlework

      London, England: T. A. Batsford, Ltd, 1928. The complete set of three volumes. The edition of this work was limited to 200 copies for sale in Great Britain and 150 copies for sale in the U.S.A. All three volumes published in 1928. With a foreword by C. Reginald Grundy. Vol. I: English Painting of the XVIIIth - XXth Centuries, With some examples of the Spanish, French & Dutch Schools, and of Original Drawings, together with a collection of Historic & Modern Sculpture; Vol. II: Chinese Porcelain & Wedgwood Pottery with Other Works of Ceramic Art; Vol. III: English Furniture, Tapestry & Needlework of the XVIth - XIXth Centuries. Letterpress printed by Morrison and Gibb, Ltd., London and Edinburgh. Monochrome plates by Herbert Reiach, Ltd., London. Colored plates by Edmund Evans, Ltd., London. Contemporary heavy-duty bindings of medium blue buckram, with crisp gilt-stamped armorial device to the front boards and with crisp gilt-stamped lettering to the spines. The bindings are immensely clean and with no apparent scuffing or rubbing. Generally unbumped spine heads and gently bumped tails, and with sharp corners, except that there is a moderate bump to the top front corner of Vol. I. All text blocks firmly bound in.13 x 10.25 inches. T.E.G. and with fore- and bottom edges deckled to a handsome effect. Vol. I with xiv and 187 numbered pages of text and with 113 plates. Vol. II with xii and 227 numbered pages of text and with 103 plates. Vol. III with xvi and 155 numbered pages of text and with 113 plates. Generally speaking the color plates are tipped in. All plates, including B&W, are on medium-weight, glossy stock. Slight off-setting to the front and rear pastedowns of each volume. Else an immensely clean set of volumes. Very gently read, as is evidenced by a number of unopened pages. Each volume housed in the original dust jacket. The DJs are of plain blue paper with black lettering. Light wear here and there at the edges of the dust jackets but all in all the jackets in impressive condition, and quite clean overall. Each DJ fully encased in a lovely new Brodart DJ protector. A Near Fine set with Very Good Plus DJs. One would be hard put to find a finer set. "William Hesketh Lever, 1st Viscount Leverhulme (1851-1925) was an English industrialist, philanthropist, and politician. Lever is noted for founding the soap and cleaning product firm, Lever Brothers, with his younger brother James in 1885. The Lady Lever Art Gallery opened in 1922.". First Edition. Buckram. Near Fine/Very Good Plus. Folio - over 12" - 15" tall. Limited Edition.

      [Bookseller: Marc Sena Carrel]
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        Die Unüberwindlichen., Nachkriegsdrama in vier Akten.

      Wien, Leipzig, Verlag " Die Fackel",, 1928 - 158 Seiten mit Schutzumschlag, dieser fleckig, leicht gebräunt und mit hinterlegten Läsuren, Einband ebenfalls leicht fleckig, Schnitt etwas gebräunt und stockig, auf dem Vorsatzblatt mit der mikroskopisch kleinen Signatur von Karl Kraus, datiert "Juli 28", das Buch schon sehr selten, noch seltener die Signatur Karl Kraus. Karl Kraus (* 28. April 1874 in Jicín (deutsch: Jitschin oder auch: Gitschin), Böhmen, damals Österreich-Ungarn, heute Tschechien; † 12. Juni 1936 in Wien) war einer der bedeutendsten österreichischen Schriftsteller des beginnenden 20. Jahrhunderts, ein Publizist, Satiriker, Lyriker, Aphoristiker, Dramatiker, Förderer junger Autoren, Sprach- und Kulturkritiker – vor allem ein scharfer Kritiker der Presse und des Hetzjournalismus oder, wie er selbst es ausdrückte, der Journaille. Herausgeber der Zeitschrift "Die Fackel" (ab 1899), EA, W/G II, 46 Sprache: Deutsch Gewicht in Gramm: 244 [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Bührnheims Literatursalon GmbH]
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        The Argonaut Manuscript Limited Edition of the Collected Works of Frank Norris

      Garden City: Doubleday, Doran, 1928. 10 vols., 8vo, original japan vellum binding, in fine condition. Limited to 245 numbered sets with a manuscript leaf of Norris?s most famous novel, McTeague (a horrendous tale of avarice and violence which became the basis for Von Stroheim?s Greed). The manuscript leaf is in the publisher?s printed envelope. It is an interesting leaf from early in the book and exhibits many textual additions and corrections. Incredibly, the publisher decided to break up the original working manuscript for arguably the most famous novel set in San Francisco before The Maltese Falcon, and enclosed a leaf in vol. one of every set. Some of these leaves have inevitably been lost or misplaced; the Bancroft Library is attempting to reassemble the manuscript digitally by scanning every extant leaf they can gain access to.

      [Bookseller: John Windle Antiquarian Bookseller]
 40.   Check availability:     Biblio     Link/Print  

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