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Displayed below are some selected recent viaLibri matches for books published in 1926

        The Riddle of the Tsangpo Gorges

      London: Edward Arnold & Co.. Very Good with no dust jacket. 1926. First Edition. Hardcover. No tears to cloth. Previous owner's rubber stamp on front endpaper: "Legat Dr. h.c. C.A.W. Guggisberg 1981". Some minor foxing. A narrow split to the gutter between the front free endpaper and the half-title page. Cloth boards and spine are clean, bright and unfaded. Folding map has a 1/2" tear to the blank inner stub. Folding map clean with no foxing. A nice copy. ; xv, [1], 328 pages + frontispiece + 20 illustrations on 15 plate leaves + folding colour map at rear. Charcoal grey cloth covers with gilt lettering on spine and pale blue-grey lettering on front board. Page dimensions: 220 x 141mm. An early 20th century expedition through one of the world's deepest gorges. The author was a plant collector, whose botanical interests triumphed over his fear of heights. Contents: Introduction by Sir Francis Younghusband; Tibet; Over the Himalaya; Tsanpo, the Mysterious River; A Botanical Reconnaissance; The Land of the Blue Poppy; The Paradise of Primulas; In the Rhododendron Fairyland; Pemako: The Promised Land; In the Assam Himalaya; A Journey to the Lost Lake; The Crisis at Drukla Monastery; Autumn Colours; The Gorge of the Tsangpo; In the Heart of the Himalaya; The 'Falls of the Bramaputra"; Christmas in Tibet; Winter on the Plateau; Through Bhutan to India; The People of South-East Tibet; House and Home in South-East Tibet; General Index; Index of Plants. Readers interested in this title may also find interesting the account of a more recent expedition in the same area, "The Heart of the World: A Journey to the Last Secret Place" by Ian Baker (2004). ; 8vo .

      [Bookseller: Renaissance Books]
 1.   Check availability:     Biblio     Link/Print  

        Shires and Provinces

      London: Eyre and Spottiswoode, 1926. Splendid book with 16 full page colour illustrations by Lionel Edwards. This is the signed edition, limited to 100 copies, this is number 67 signed in pencil by Lionel Edwards and Sabretache. The boards are Gold decorated cream vellum with just very light yellowing and tiny marks. Inner pages are lightly browned to extreme edges, plates have tissue guards which have a few light foxing spots, these guards have protected the illustrated plates and there is no foxing to these. Pages are untrimmed on two sides and gold on top edge, this is a little dulled but still bright and attractive. VERY HEAVY BOOK 4.5 Kg with secure packing EXTRA POSTAGE REQUIRED FOR OVERSEAS. A really nice copy of a scarce collectable book SEE IMAGE. DETAILED IMAGES AVAILABLE ON REQUEST. Signed by Author and Artist. First Signed Limited Edition. Gold Embossed Vellum. Very Good/No Jacket. Illus. by Lionel Edwards. 14 ¼ x 10½ Inches. Hardcover.

      [Bookseller: Books Bought and Sold]
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        Les poésies de Méléagre. Illustré de quinze eaux-fortes originales en couleurs par E. Chimot

      Paris Editions d'art Devambez 1926. In-folio en feuilles sous couverture rempliée avec étui d'editeur, 171pp., ills. en coul. Complet, belle exemplaire. Bon état (couverture et étui un peu endommagé). Livre d'artiste extraordinaire et très rare!!! N° IV de XXX exemplaires sur papier Japon Spécial hors commerce réservés a l'artiste et a ses amis, contenant quatre états des eaux-fortes (premier état, état en noir avec remarques, état de décompositions et l'épreuve définitive en couleurs), enrichis d'un dessin original en couleurs de l'artiste et enfin cinq planches libres tirées en quatre états.

      [Bookseller: ERIK TONEN BOOKSELLER]
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        Journal intime (1853-1865). Inédit *

      Éditions du Trianon, Paris 12.6-30.8.1926. - 2 tomes reliés plein chagrin vert, dos (passé) à nerfs, titres et têtes dorés, dentelles bordant les contreplats. Menus frottis. Deuxième papier, après les 5 rarissimes japon pour ce journal couvrant plus de 600 pages, dans une traduction de Jean Chuzeville et Vladimir Pozner, avec des commentaires de A. Khiriakov, S. Melgounov et T. Polner. Image visible sur site céleste. Édition originale. L'un des 20 exemplaires numérotés sur Hollande van Gelder, outre 5 Japon Impérial, 100 Rives, 900 bambou de Dap-Kau et 65 hors commerce.

      [Bookseller: Librairie Oh 7e Ciel]
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        Fashizm; Ocherki po Italianskomu Fashizmu

      1926. Novikov, Viacheslav. Fashizm, Ocherki po Italianskomu Fashizmu. S Prilozheniem Teksta Zakona 3. Aprelia 1926 G.O. Fashistkikh Sindikatakh. Paris: Vozrozhdenie - La Renaissance, [1926]. 120, [2] pp. [Bound with two unrelated titles] Items bound in contemporary three-quarter cloth over patterned boards. Light rubbing to extremities. Light browning to text, Fashizm has occasional underlining and annotations in pencil. A well-preserved copy of an uncommon item. * Text in Russian. This uncommon pamphlet offers a contemporary Soviet critique of the Fascist state established in Italy by Mussolini with the Law of Syndicates passed on April 3, 1926. The other two titles are Ramamurti, M. Sri. Gandhi: An Epic Fragment. Vizianagram: Grace & Co., [c.1935?], a biography of Gandhi in verse, and Bel'skii, V[ladimir Ivanovich]. The Golden Cockerel, a Fairy Tale. Opera in Three Acts by N. Rimsky Korsakov. Words by V. Bielsky (after Poushkin). English Version by Basil T. Timotheieff and Charles C. Hayne. New York: Edwin F. Kalmus, n.d., an opera libretto.

      [Bookseller: The Lawbook Exchange, Ltd.]
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        Mr. Gilhooley [Signed By Author on Front End paper]

      London: Jonathan Cape, 1926. 288p. with an unusually bright dust jacket free of flaws--a remarkable cover in black and creme against rich green background, cloth is very nice with only bump on upper front cover and some light fading to spine.. First Edition. Cloth. Very Good/Fine. Illus. by John Austen. 8vo - over 7¾" - 9¾" tall.

      [Bookseller: Alcuin Books, ABAA-ILAB]
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        L'homme qui rit. Two Volumes.

      Flammarion, Paris 1926 - Bound by Toumariantz: full bottle-green morocco in Jansenist style, grey watered silk doublures, pastepaper guards, top edge gilt, otheres untrimmed, original wrappers bound in, signed on lower front turn-in: Toumariantz. A very handsome set in fine condition except for ink stains on first three pages of volume 2. [Attributes: Soft Cover]

      [Bookseller: Priscilla Juvelis Inc., ABAA]
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      Methuen & co. London 1926. FIRST EDITION. 8vo. Illustrated throughout with wonderful line drawings by E. H. Shepard. Some waving to the bottom of the pages, mostly to the first half of the book, but no staining or marking. Overall a very good, bright copy in original green cloth, with gilt stamped decorations of Christopher Robin and Pooh to front board. In the original illustrated, very good dustwrapper which has had some expert professional restoration to the spine and edges. The dustwrapper is generally a clean example with just a little darkening to the spine. Overall a very good copy.

      [Bookseller: Paul Foster Books]
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        Correspondance, nouvelle édition augmentée avec index analytique (9 tomes et 4 tomes de suppléments - ensemble de 13 tomes. Complet)

      1926. aux éditions Louis Conard, Jacques Lambert libraire-éditeur à Paris, collection: œuvres complètes de Gustave Flaubert, 1926-1929-1930-1934-1954, Plats et dos de couverture conservés, 13 forts in 8 (21 x 14 cm), XLV + 440 + 485 + 448 + 472 + 437 + 498 + 387 + 417 + 466 + XII + 343+ 319 + 365 + 362 pages. Reliure toile vert clair, titres et tomaisons sur pièces de titre en basane brun, dos orné de 3 fleurons dorés. Les 9 premières séries de cette correspondance appartiennent à l'édition des oeuvres complètes en 25 volumes qui reprend l'édition de 1909-1912 en 18 volumes chez l'éditeur Conard. Une ébauche de cette correspondance avait été publiée en 4 séries entre 1887 et 1893 chez Charpentier par la nièce de Flaubert, Caroline Franklin-Grout née Commanville. Dans ces 9 séries sont publiées pour la première fois le texte intégral des lettres à Louise Colet, et de nombreuses lettres inédites à des contemporains célèbres. L'ensemble que nous proposons ici, en 13 volumes contient, donc aussi les 4 suppléments originaux publiés en 1954 et constitue un regroupement de toute la correspondance de Flaubert, soit 3270 lettres : Première Série (1830-1846) avec en début de volume un avertissement par Caroline Franklin-Grout, et les souvenirs intimes par Caroline Commanville écrits en décembre 1886 - Deuxième Série (1847-1852) - Troisième Série (1852-1854) - Quatrième Série (1854-1861) - Cinquième Série (1862-1868) - Sixième Série (1869-1872) - Septième Série (1873-1876) - Huitième Série (1877-1880) - Neuvième et dernière série (1886) avec l'index de la correspondance et l'index alphabétique des correspondants de Flaubert - Supplément (1830-1863) - Supplément (1864-1871) - Supplément (1872 - Juin 1877) - Supplément (Juillet 1877 - Mai 1880) recueillie, classée et annotée par MM. René Dumesnil, Jean Pommier et Claude Digeon - Reliure en bon état, dos passé, intérieur très frais, à noter que la page de faux-titre du tome 8 est fragilisée par une pliure, Très bon ensemble

      [Bookseller: LES TEMPS MODERNES]
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        Catalogue Des Estampes Erotiques Du Japon

      Tokyo: M. Otsuka, 1926-1928. First edition. Hardcover. Orig. publisher's gray basket weave cloth and white board portoflios stamped in gilt with cloth ties, head and foot ties intact, fore-edge ties lacking. Contents loose as issued. Near fine. 2 vols./No Dust Jacket. 82 pages of text with romanized translations of artists and titles. 13 x 11 3/4". 120 plates, plus two in color. Limited edition, copy 232 of 300, partly unopened. Artists include Hanbei, Kiyomasu, Kiyonobu, Masonobu, Moroshige, Sugimora et al. Bright set, interior and plates clean.

      [Bookseller: Royoung bookseller, Inc.]
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        The Land. With woodcuts by George Plank.

      London: William Heinemann 1926.. Limited edition, no. 87 of 125 copies printed on Japon vellum, signed by both Author and Artist, square 8vo, (xii), 107, (1) pp. Frontispiece and 4 woodcuts, fly leaf, limitation leaf and frontispiece with a couple of creases. Original quarter vellum with some light discolouration, a few marks to the boards. Cross & Ravenscroft-Hulme A13b.

      [Bookseller: Bow Windows Bookshop, ABA, ILAB]
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        Dix filles dans un pré *

      Cerastico Editore, sans lieu ni date. - En feuilles 24 x 16, couverture tricolore à fond gris illustrée rempliée, ornée d'un regard féminin (mascara d'apparat bleuté), dos muet, sous étui-boîte plein papier vergé à grosse trame (menus défauts), rappelant le Richard-de-Bas, impression au couvercle du motif titré du premier plat du livre. L'un des 120 exemplaires numérotés sur papier torchon à la main de Franco Guardelli. Adorable petit ouvrage soigné, des plus curieux; le texte en français chez un éditeur italien laisse songeur, comme les ornements supposés lithographiques. Quant au texte, en fac-similé autographe, fut-il calligraphié par l'enlumineur ? Et séricigraphié ?Le fin mot de l'histoire ? Laquelle choisir parmi dix filles à marier. à votre santé !Un ballet de Jean-Richard Bloch, publié en 1926 Au Sans Pareil avec des gravures de Marie Laurencin porte le même titre. ô mystères insondables de l'édition.

      [Bookseller: Librairie Oh 7e Ciel]
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        Slaves and Ivory [Signed Presentation Copy together with an ALS] A Record of Adventure and Exploration In the Unknown Sudan, and Among the Abyssinian Slave-Raiders

      London: H. F. and G. Witherby, 1926. First edition. Hardcover. Very Good. A Very Good copy of the first edition, first printing, in the Publisher's original green cloth --lacking the scarce dust jacket, SIGNED BY HENRY DARLEY (mildly askew, spine ends pushed, modest rubbing to corners, intermittent foxing to text, a few small marginal tears with some associated creasing near the end of the volume); Major Henry Darley's account of his time spent in Abyssinia, an area then still under feudal-style rule, in which slavey still was practiced and raids to acquire slaves continued. Darley, and adventurer and explorer, planned to enter Abyssinia by a route never before traversed by a white party and, indeed, became the first European to get through to Addis Ababa from Uganda. The book is complete with 2 maps (one folding), 9 half-tone illustrations (one of which may have been reinserted and tipped in), and the errata slip on page xiii. This copy contains a PRESENTATION INSCRIPTION pasted to the front pastedown reading: "To Capt. Darvill / from / the Author / Henry Darley / Jan / 33. / Lupa diggings / Tanganyika". [There was an area of Tanzania known as the Lupa Goldfields.] Also, to the front free endpaper is tipped a one-page AUTOGRAPH LETTER SIGNED from Henry Darley to Captain Darvill, the first textual line of which reads "You quite astonished me" and going on to briefly mention gold and a potential trip "if there is any truth in the reported gold [alluvial?] find somewhere between Lindi & Kilwa [but?] further up country". (As the presentation inscription refers to the Lupa diggings and the letter to a potential gold find, Darley clearly was interested in more than slave raiding. In fact, he spent years trading in ivory on the borders of the Sudan and Kenya.) A Very Good copy of a quite scarce book by this noted British explorer and adventurer [WorldCat shows only copies of the 1935 American edition], reviewed and commented upon in numerous major publications at the time of its publishing, with a RARE PRESENTATION INSCRIPTION from the author, TOGETHER WITH A RARE AND RELEVANT AUTOGRAPH LETTER SIGNED about a search for gold. RARE.

      [Bookseller: Allington Antiquarian Books, LLC]
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        Show Boat

      Garden City, NY: Doubleday, Page & Co.,, 1926. Octavo. Original yellow cloth, titles to spine and upper board in black, pictorial endpapers. With the dust jacket. A little toning to edges of spine. An excellent copy in the toned and lightly rubbed jacket with a small chip from the head of the spine panel. First edition, first printing of the best-selling novel that inspired the 1927 musical of the same name.

      [Bookseller: Peter Harrington]
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      YOGODA & SAT-SANGA, LOS ANGELES, CALIFORNIA 1926 - soiled cover; spine torn in 2.5"; stains on the front cover; corners rubbed; pages browning along the edges; inside front cover book dealer plate DATE PUBLISHED: 1926 EDITION: FIFTH ED 111 PGS [Attributes: Hard Cover]

      [Bookseller: Princeton Antiques Bookshop]
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      Jaffrey [NH]. Letter. Usual creases. Near Fine. Superb one-page letter on Cather's monogrammed printed stationery dated 15 October [1926] and SIGNED by Cather at the conclusion. Addressed to Dr. [Henry Goddard] Leach, editor of THE FORUM, regarding the first installment of her best-known work, DEATH COMES FOR THE ARCHBISHOP, which was serialized in the magazine from January through June 1927. In full: "I'm so glad you like the first instalment -- it cheers one a lot to have an editor feel really pleased. The Virgin of Guadaloupe begins the second instalment -- it's well to sound that legendary note more than once, I think. Besides, that legend will set the stage for the second number as the Prologue does for the first. I'll send you the second, by the way, when I return to New York the first week in November. Cordially yours, Willa Cather." Cather first visited the small New Hampshire resort town of Jaffrey in 1917 for a three-week vacation but stayed for two months and worked on MY ANTONIA in a snug dormer room on the third floor of the Shattuck Inn. She would return regularly to Jaffrey in the years that followed, always staying in the same room, and eventually was buried in the town. A rare example of Cather writing to an editor about the early stages of publication of her most important book.

      [Bookseller: Charles Agvent]
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        La Poussière de Soleils *

      A. Lemerre, Paris 8.6.1926. - Broché, couverture imprimée. Plis au dos, insolé ainsi que la tête. Pièce en 5 actes, 24 tableaux et 17 décors très colorés. Bien complet du fasciculet de douze pages "La critique et l'auteur de La Poussière de Soleils" (légère décharge en pages de regard).Au sortir de la canicule, cette oeuvre désaltérante. Édition originale. L'un des quelques exemplaires de tête sur Japon (non signalés).

      [Bookseller: Librairie Oh 7e Ciel]
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        Home Chat

      28 - London - Mather and Crowther, 1926 Book. Very Good. Hardcover. A charming collection of the weekly periodical designed for women, Home Chat, with somethat featuretheir originalWinnie the Pooh illustrations. Featuring two of the original 'free gift' coloured plates of Christopher Robin and Winnie the Pooh, by Ernest H. Shepard. One loosely inserted into No. 1753, with the other inserted intoNo. 1751, beingone of the six original plates issued with this magazine. Six tuppeny issues containing; Volume CXXVII No. 1653, dated November 27th 1926. Volume CXXXV No. 1751, dated October 13th 1928. Volume CXXXV No. 1752, dated October 20th 1928. Volume CXXXV No. 1753, dated October 27th 1928. Volume CXXXV No. 1754, dated November 3rd 1928. Volume CXXXV No. 1755, dated November 10th 1928. Lastly Volume CXXXV No. 1757, dated November 24th 1928. Each volume features their originalgicle print coloured pictorial paper wraps, with No. 1752holding a photographic front cover of A. A. Milne. With contemporary advertisements throughout each volume. Condition: All volumes are in their original paper wraps. Externally, all volumes are bright and sound, but with some slight chipping to the spines and marks from the original staples. Internally, binding is strained in places, and some leaves are working loose. Each volume is bright and clean, aside from the odd spot and handling mark. Overall: VERY GOOD..

      [Bookseller: Rooke Books]
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        Pour ou contre C.-F. Ramuz *

      Éditions du Siècle, Paris 2.6.1926. - Relié demi maroquin rouge, sous jaquette de papier marbré gris zébré de brindilles rougeoyantes avec étiquette de titre, dos à nerfs avec titres et décors dorés, tête dorée, signet, couvertures et dos conservés, sous étui-boîte demi parchemin 31 x 24 de Jacques Menétrey, dos titré or, plats de papier à structure linéaire gaufrée façon Eternit (on a l'éternité pour lui trouver un nom, à cette étonnante matière), lettre manuscrite sous passe au contreplat. Bel exemplaire de luxe de cette première et copieuse publication exclusivement consacré à Ramuz, hormis un petite plaquette d'Emmanuel Buenzod, un tiré à part sans titre ni couverture de 1917.Ce cahier fut établi par Henry Poulaille, grand défenseur et diffuseur de l'oeuvre de l'écrivain en France, ce dont témoigne une bonne et enthousiaste lettre autographe signée (25 lignes, sans date mais vraisemblablement de 1925, à la sortie de son premier livre) du premier à l'égard du second truffant notre volume. L'ouvrage comporte en première partie des textes plus ou moins copieux signés Poulaille, Cingria, Chavannes, Pourrat, Courthion, la seconde section livrant de plus brefs commentaires de Claudel, Cocteau, Delteil, Gilliard, au total 45 participants pour l'ensemble.Nous en avons également un second tout nu, un Vélin pas moche & un alfa propret. Édition originale. L'un des 25 exemplaires de tête numérotés sur Madagascar, outre 241 Vélin et 3300 Alfa.

      [Bookseller: Librairie Oh 7e Ciel]
 19.   Check availability:     IberLibro     Link/Print  

        The Tent [Signed By the Author]

      London: Jonathan Cape, 1926. Signed by the author on the front endpaper--fine throughout with original pristine pastedown label on spine. 288p.. First Edition. Cloth. Fine/Fine. 8vo - over 7¾" - 9¾" tall.

      [Bookseller: Alcuin Books, ABAA-ILAB]
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        Here and Beyond

      D. Appleton and Company, New York,, 1926. Octavo. Original textured black cloth, titles and decoration to upper board and spine gilt, pictorial endpapers. Text a little toned, spine dull and faded but a very nice copy. First Edition, First Printing. With the author's presentation inscription to the front free endpaper, "John from Edith July 1926". The recipient was John Hugh-Smith, an intimate of Wharton's.

      [Bookseller: Peter Harrington]
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        The Beach

      1926. () Fine. 17.75 X 23 CM (7 X 9.5 inches) original coloured woodcut on paper, 3 / 100. In 2 CM (.75 inch) rounded gilt conservation frame with slight wear. Off white acid free matting and Tru Vue UV protectant glass. In extremely good condition, with no fading or acid burn. Crisp, Clean colours. Frame measures 37 X 43 CM (14.5 X 17 inches). Metal wire hanger across back. With Phillips' signature included to the bottom right of the image as well as signed in pencil on just below the right of the image. There is also a pencil notation of the title and edition number below the image to the left. Boulet MBL96. A beautiful woodcut by the famous Canadian artist depicting a young girl in a teal and orange dress. The girl gently rests on the sand watching a small bird in front of her. A peaceful and delicate image. The excellent quality of framing and pristine condition makes this print especially desirable. Walter Joseph Phillips (October 25, 1884 – July 5, 1963) was an English-born Canadian painter and woodcutter, acclaimed as one of Canada's most famous printmakers and for popularizing the colour woodcut in the style of the Japanese. His artistic career spanned from the 1900s through the 1940s, during which time his work was exhibited throughout North America and Great Britain. In 1940 he was asked to become a resident artist at the Banff Centre, then known as the Banff School of Fine Arts, where he played an important role in the development of their visual arts program. Its Walter Phillips Gallery, which focuses on contemporary art, is named after him. The Glenbow Museum in Calgary, Alberta holds an extensive collection of Phillips works and a research archive..

      [Bookseller: Aquila Books]
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      London: Methuen & Co. Ltd., (1926). First Edition. Hardcover. Fine copy, handsomely bound. E. H. Shepard. The true first printing of this children's classic with illustrations by Ernest H. Shepard, this appearing to be one of a small number of the more luxurious deluxe edition produced in soft leather and printed on coated stock. This copy has been rebound in full blue morocco leather with the same gilt depiction on the front cover of Christopher Robin and Pooh that appeared on the original deluxe edition and with gilt depictions of Pooh on the spine, with all edges gilt. Clean copy with a sticker "Jane Austen Prize" pasted to the recto of the first blank.

      [Bookseller: Charles Agvent]
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      1926. [In Two Volumes.] With Eight Plates [in each volume]. London, New York, Toronto and Melbourne: Cassell and Company, n.d. (1926). Original dark blue cloth, with dust jackets. First Edition of Doyle's major work on spiritualism. Ever since his son and his brother had each died of pneumonia during the Great War, Doyle's obsession had been spiritualism, with short tracts such as THE NEW REVELATION and THE VITAL MESSAGE; however, it was in this two-volume compendium that Doyle sought to bring together all of the movement's history. (Doyle acknowledges in his Preface that the majority of the research and even perhaps of the writing was done for him by the psychic authority and book-collector Leslie Curnow; Doyle wanted Curnow to share the credit, but the publisher insisted that only Doyle's name appear on the title page and binding.)~The volumes are unusually bright, in fine condition except that there is very light, occasional foxing on some leaves (as one would expect with this thick wove paper); the rather scarce dust jackets are very good-plus (slight soil and edge-wear, including one small chip at an upper corner and an inch-plus closed tear). Although the number of copies printed is unknown, it was probably relatively few (as the book was priced at 42 shil­lings per set, and as Doyle had had to share in the cost of publication). Green & Gibson B37a.

      [Bookseller: Sumner & Stillman]
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        All The Sad Young Men

      New York: Scribner, 1926. First. hardcover. near fine/very good(+). 8vo, green cloth, d.w. New York: Scribner's 1926. First Edition. A beautiful, fresh copy. The dust jacket shows minimal wear, but is not price-clipped and has no chips. Cloth slipcase.

      [Bookseller: Argosy Book Store]
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        All the Sad Young Men

      New York:: Charles Scribner's Sons,, 1926.. First edition.. A very good copy in a very good, unrestored dust jacket. Photos available on request.. 8vo, original green cloth, gilt lettering, [viii], 267, [1] pages. Original dust jacket. Let me tell you about the very rich. They are different from you and me." Bruccoli A 13.1.a., noting that the first three printings have no textual variants but that "Batter has been noted at 38.6-9 (left margin), 248.21-24 (left margin), and 90 (folio)." This copy without any type batter and with little to no type batter to the lips of the figure on the dust jacket. Just the slightest bit of rubbing to the lower corners of the front board, with a little toning to the leaves; faint unobtrusive stain across the upper edge of the text block; small chip to the upper edge of the rear panel of the dust jacket and a slight chip at the head of the spine, with a small stain to the upper edge of the inside rear panel and to the rear panel; jacket spine just a trifle darkened and worn.

      [Bookseller: Garrett Scott, Bookseller (ABAA)]
 26.   Check availability:     Biblio     Link/Print  


      New York: Charles Scribner's Sons, 1926. First Edition. Hardcover. Text block cracked before the half-title page with a small piece lacking from the front free endpaper where it somehow was glued down to the pastedown. Still a Near Fine, bright copy in a near Very Good, unrestored example of the uncommon dustwrapper that has some light green stains on the spine with light chipping at the head. The front panel is neatly separated from the spine . Fitzgerald's first book published after his masterpiece THE GREAT GATSBY which had a print run of 20,870 copies while this book had a run of less than half of that number: 10,100 published. Includes 9 stories, among them "The Rich Boy," which scholar Matthew Bruccoli described as "an extension of THE GREAT GATSBY, enlarging the examination of the effects of wealth on character." The story contains one of Fitzgerald's most famous passages: "Let me tell you about the very rich. They are different from you and me. They possess and enjoy early, and it does something to them, makes them soft where we are hard, and cynical where we are trustful, in a way that, unless you were born rich, it is very difficult to understand. They think, deep in their hearts, that they are better than we are because we had to discover the compensations and refuges of life for ourselves." Bruccoli A 12.I.a

      [Bookseller: Charles Agvent]
 27.   Check availability:     Biblio     Link/Print  

        All the Sad Young Men

      Charles Scribner's Sons, 1926. Hardcover. Very Good. Charles Scribner's Sons, New York 1926. First Edition / First Printing / First Issue. Dated 1926 on the title and copyright pages with no additional printings listed. Scribner's Seal present. Page 248 with perfect type. {ref: Bruccoli A13.I.a, McBride}. Dark bluish green cloth boards blindstamped title and author's name. Book Condition: Very Good+, clean boards and spine, light shelf wear, minor fraying at the spine, tight spine, previous owner names at the front endpaper, minor repair at the front endpaper hinge, light age toning. The scarce dust jacket is not present.

      [Bookseller: 1st Editions and Antiquarian Books, ABA,]
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        Today is Friday (First Edition, with signed calling card laid)

      New York: The As Stable Publications, 1926. First Edition. First Edition. With Hemingway's calling card, a printed "Mr. Hemingway" on the recto, to which Hemingway has added "and Mrs." after "Mr." and "with compliments from the Dry Tortugas" just below, a destination Hemingway generally visited with his male friends for fishing expeditions, but in this case likely traveled with his second wife Pauline Pfeiffer, and probably circa early 1930s.& & Near Fine in sewn wrappers, original mailing envelope (also Near Fine) and a handsome folding clamshell case with gilt spine lettering. One of 300 copies published (this being No. 172). An early play by Hemingway, extremely scarce, particularly in this condition and including the envelope. Further, we have never before encountered one of Hemingway's cards with any kind of his ink.& & In a custom folding chemise and quarter-leather clamshell slipcase.& & Hanneman A5.

      [Bookseller: Royal Books, Inc.]
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      New York: Albert & Charles Boni, 1926. First Edition. cloth. Very Good in a Near Very Good, soiled dustwrapper with a few tears and small chips. Brown cloth. Illustrated with drawings. INSCRIBED and SIGNED by the author on the front endpaper nearly filling the page: "Frank Wilson/Best Wishes/of/Will Rogers/almost an author/Houston June 28, 1928." The title page states "Volume I" but Rogers in his preface reveals that statement to be a joke indicating that many more of these humorous sketches disguised as letters and telegrams to President Coolidge could be compiled. Rogers was born in Indian Territory in 1879 and had some Native American blood in his veins. He began in vaudeville and moved on to motion pictures, a career that was cut short when he died in a small plane crash in 1935 near Point Barrow, Alaska. Perhaps he was best known, however, for his syndicated newspaper column which had such a massive following that the proposition that he run for President was once seriously advanced. His saying, "All I know is what I read in the newspapers," became a popular catchword of the times. Books signed or inscribed by this most popular of American humorists, especially with such a fine inscription, are rather uncommon.

      [Bookseller: Charles Agvent]
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        The Etchings of Frank Brangwyn, R.A. A Catalogue Raisonne by W. Gaunt

      London: The Studio, 1926. First edition. Hardcover. Orig. full vellum, black leather spine label lettered in gilt. Fine in slipcase moderately worn./No Dust Jacket. Brangwyn, Frank. 235 pages. 29 1/2 x 23 cm. Limited edition, copy 95 of 125 with an etching signed by Brangwyn, "A Londoner (Type Cockney)" with lettered tissue guard. 331 black and white illustrations. Catalogue of Etchings. A List of Plates in Chronological Order with Corresponding Numbers in the Fine Art Society's' and Newbolt's Catalogues Respectively. List of Public Galleries and Museums. Index. Bibliography. Important reference work -- clean, very fresh copy, beveled edges, gilt front cover lettering bright. FREITAG 1022.

      [Bookseller: Royoung bookseller, Inc.]
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        Eigenh. Brief mit U.

      O. O., 11. I. 1926. - 3 SS. auf Doppelblatt. Kl.-4to. An einen namentlich nicht genannten Adressaten: "Besten Dank für Ihre freundliche Einladung. Eine gute neue Fotografie (Brustbild) wurde anläßlich meiner großen Ausstellung in Wien von Fotograf Willinger gemacht [.] Eine Autopiografische [!] einzusenden, ist mir jetzt leider nicht möglich vielleicht später einmal. Überhaupt, über mich selbst zu schreiben, wo heute fast alles schon publiziert ist, erscheint mir, von meinem Standpunkte aus, überflüssig [.]". - Auf Briefpapier mit gedr. Briefkopf.

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
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        The Sun Also Rises

      Charles Scribner's Sons, 1926. Hardcover. Very Good. Charles Scribner's Sons, New York 1926. First Edition / First Printing / First Issue. Dated 1926 with Scribner's Seal present on the copyright page. Black cloth boards with labels. First issue with stoppped on page 181, line 26. {ref: Hanneman A6a}. Rare. Book Condition: Very Good, book is tight and square, light age toning, shelf wear and rubbing at the corners and spine label, collector's name at the front endpaper. The rare dust jacket is not present.

      [Bookseller: 1st Editions and Antiquarian Books, ABA,]
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        Album composite de bois gravés originaux de A. La Borderie (1926-1931)

      1926. Estampe. Illus. by A. La Borderie. Très bon. album cousu. Signé par l'auteur. In-4. 32,5 x 25 cm. Album comportant 21 ff. portant chacun un bois gravé original signé et un numéro d'inventaire au composteur au verso, 1 f. dactylographié ("Catalogue des oeuvres de A. La Borderie"), toutes les planches sous serpente, l'ensemble cousu sous une couverture de fort papier vert Véronèse portant au premier plat l'ex-libris gravé de l'artiste. Sont jointes séparément : 4 gravures sur bois tirées sur mauvais papier, chacune signée, datée 1928 et légendée "bois original pour La Maison du Maltais de Jean Vignaud". Très curieux album d'un artiste totalement inconnu sur lequel nous n'avons trouvé aucune information (il s'agit peut-être d'un pseudonyme). Dans le catalogue de 23 gravures qu'il fournit (dont 21 sont présentes dans l'album, 2 autres ayant été découpées, probablement par l'artiste), l'artiste nous indique le titre des gravures et, pour certaines, le salon où elles ont été exposées. D'après ces informations, le mystérieux graveur aurait exposé aux salons de la Nationale (Société Nationale des Beaux Arts) de 1926, 1929 et 1930 ainsi qu'au salon des artistes français (Société des artistes français) du Grand Palais de 1931. Les bois sont tirés, en noir ou en sanguine (une sanguine tirant vers le sang-de-boeuf), pour la plupart sur fort vergé grisé, bleu roi, beige ou bleu fumé, certains sont sur papier du Japon. Ils sont tous signés, deux sont également légendés et justifiés ("Rêverie", 2/20 - "En mer", 10/20). Les quatre planches présentées à part font partie de ce qui ressemble à un projet d'illustration non abouti pour le roman "La Maison du Maltais", un grand succès de l'époque qui inspira un premier film en 1927 (et un second en 1938) : il n'existe en effet pas à notre connaissance d'édition illustrée par "La Borderie" de ce texte, pas même en revue. Trois des planches de cette suite (qui ressemble à un essai d'impression) se retrouvent dans l'album, tirées sur un meilleur papier, et auraient été présentées aux salons de 1929 ou de 1931. Trois autres planches de l'album font par ailleurs manifestement partie de cette série. Les gravures sont généralement délicates, certaines sont puissantes, et elles sont de caractère varié : certaines, dans un style art déco, sont subtilement érotiques, d'autres sont clairement exotiques ou d'inspiration mythologique, d'autres son champêtres, l'une enfin, peut-être la plus intéressante, est à thème maritime. Provenance inconnue (l'album figura au catalogue d'une vente Ader de 2008 - 17/10, lot n° 258, invendu semble-t-il). Un album rare, de grande élégance et mystérieux..

      [Bookseller: Des livres autour (Julien Mannoni)]
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        The Torrents of Spring

      Scribner's 1926 - First Edition, First Printing with the Scribner seal printed on the copyright page. This is the TRUE FIRST EDITION published 1926 with NO indication of later printings. A wonderful copy. This ORIGINAL dustjacket has light wear to the edges with NO tears or pieces missing. This First Issue dustjacket has the printed price of $1.50 present on the front flap. The book is in great condition. The binding is tight, with no leans and the boards are crisp. The pages are exceptionally clean with NO writing, marks or bookplates in the book. Overall, a beautiful copy of this TRUE FIRST EDITION. Includes a custom clamshell slipcase to protect the book. We buy Hemingway First Editions [Attributes: First Edition; Hard Cover]

      [Bookseller: Quintessential Rare Books, LLC]
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        Confessions of an Actor SIGNED/INSCRIBED

      The Bobbs-Merrill Company, Indianapolis 1926 - "Confessions of an Actor" by John Barrymore. First edition first printing. Published by The Bobbs-Merrill Company, Indianapolis, 1926. Inscribed by the author on the front endpaper- "To Symon Gould, With Sincerest Best Wishes, John Barrymore". Gould had been the founder of the International Film Arts Guild in New York. Illustrated with black-and-white photographic reproductions of Barrymore and his theatrical family. Small octavo [5.75" x 8.25"]. The book is in very good minus condition. Wear and rubbing to the boards with lightly bumped corners. Fraying with some cloth loss at the edges of the spine. The lettering on the front board and spine is worn. Minor discoloration at the gutters. The textblock is clean and supple. The plates are bright and fresh. John Barrymore (February 15, 1882 ¿ May 29, 1942) was an American broadway, stage, and film actor. The most prominent member of a multi-generation theatrical dynasty, he was the brother of Lionel Barrymore and Ethel Barrymore, and was the paternal grandfather of Drew Barrymore. ~Wikipedia. Please view the many other rare titles available for purchase at our store. We are always interested in purchasing individual or collections of fine books. Inventory #(D8-4) [Attributes: First Edition; Hard Cover]

      [Bookseller: Ernestoic Books]
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        Mémoires écrits dans un souterrain *

      Bossard, Paris 1926. - Reliure signée de Janssens, triste demi chagrin bordeaux à coins, dos à nerfs, titré or, couvertures et dos conservés. Dos un brin passé avec charnières frottées, intérieur très frais. Édition originale. L'un des 21 exemplaires de tête réimposés et lettrés sur vélin d'Arches, outre 3 hors commerce sur le présumé même papier et 50 vélin pur fil Lafuma, seuls tirages numérotés.

      [Bookseller: Librairie Oh 7e Ciel]
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        Lettres espagnoles *

      Le Livre/E. Chamontin, Paris 10.10.1926. - Broché 25 x 17, couverture imprimée rempliée, double emboîtage neuf plein papier or ange chiné (pour un exemplaire japoniais), titre en doré. Bel exemplaire en premier papier de cet ouvrage déjà luxueux en tirage courant, ne l'étant pas, le nôtre comportant en sus de la triple suite sur Japon Impérial (en premier état), puis sur Hollande van Gelder et Vieux Japon (état définitif, barrées sur le second), un ex-libris gravé par l'artiste au nom de Édouard Wassermann. Édition originale. L'un des 25 exemplaires de tête numérotés sur Japon avec triple suite des estampes, avant 275 vélin de cuve (dont 12 réservés à Édouard Champion comportaient une suite en sanguine) et 25 hors commerce.

      [Bookseller: Librairie Oh 7e Ciel]
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      1926. Drypoint. Signed in pencil. 19 in an edition of 150. Image measures 6 x 8". Sheet measures 9.5 x 11". This etching shows a peaceful waterfront scene at dusk. In the foreground, a bird skims along the surface of the water with its wings outstretched, dragging its feet among the fine reeds. Above, another bird glides in the dimming sky, which has been beautifully depicted with gestural lines. The shadowy trees reflected in the water indicate the setting of the sun. This image is from the second state of the print. It is a bright impression in excellent condition with full margins and no chips or tears. Frank W. Benson (1862--1951) was an American Impressionist and Realist artist known best for his work in painting, watercolor, and etching. He got his start as a portrait and mural artist for the Library of Congress and found success as a painter of Academic Realist portraits. Around the turn of the century, his summers in New Hampshire inspired him to take an interest in plein-air Impressionism, with a particular interest in the capture of light and natural surroundings. Yet it is perhaps for his etchings of wildlife for which Benson is most famous, and in particular his etchings of wild fowl, which won him both critical and popular acclaim as well as a place in art history as one of the foremost printmakers of the 20th century. This beautiful image of birds demonstrates what made Benson such a successful and valued artist.

      [Bookseller: Argosy Book Store]
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        Rien que la terre *

      B.Grasset, Paris 12.6.1926. - Broché 23 x 18, double couverture tricolore imprimée rempliée. Infimes piqûres en tête, non coupé. Sympathique & ironique envoi de l'auteur à un aimable vieux fidèle suisse; chacun sait que Paul Morand finit ses jours du côté de Vevey.Une pléiade de papiers (onze en tout) pour faire le tour de notre bonne vieille Terre.Nous disposerions d'un Japon sur demande. et ferions un geste pour ce duo sur présentation de carte de membre des Bibliophiles Bridés. Édition originale. L'un des 55 exemplaires réimposés et numérotés sur Chine, outre 4 vieux Japon, 160 Japon, 515 Hollande, 27 Madagascar, 13 vergé de Rives, 12 vélin d'Arches, 17 vélin chiffon héliotrope et, désimposés, 47 vert lumière, 170 vélin pur fil Lafuma et 6'600 vergé apprêté.

      [Bookseller: Librairie Oh 7e Ciel]
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        Tropical agriculture : the offical journal of the Imperial College of Tropical Agriculture [21 volumes : 1926-1948]

      St. Augustine, Trinidad : Imperial College of Tropical Agriculture, [1926-1948], 1926. 1st Edition in this form. Description: 21v. Illus. ; 28cm. Subjects: Tropical agriculture - Trinidad - Journal - Periodicals. Agriculture - Tropics - Periodicals. Tropical crops - Periodicals. Agriculture - Periodicals. Includes volumes 3, 5-16, 18-21, 23-26. Also includes supplement to volume 9. Lacking volumes 1,2, 17, & 22. Referenced by: Biological & agricultural index 0006-3177. Referenced by: Bibliography of agriculture 0006-1530. Referenced by: Biological abstracts 0006-3169. Referenced by: Chemical abstracts 0009-2258. Referenced by: Energy information abstracts 0147-6521. Referenced by: Environment abstracts 0093-3287 Very good copies in contemporary library bindings of gilt-blocked cloth. Slight suggestion only of dust-dulling to the spine bands and panel edges. Remains particularly well-preserved overall; tight, bright, clean and strong. Minor library marks remain. Provenance: From the University of Liverpool with their bookplate to the front pastedown of each volume.

      [Bookseller: MW Books Ltd.]
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        The Chinese Parrot

      New York: Collier Books, 1926. Front hinge expertly repaired. Book housed in a magnificent, one of a kind, custom slipcase. Signed by Author. Later Printing. Hard Cover. Very Good/No Jacket. 8vo - over 7¾.

      [Bookseller: Brooklyn Books]
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        3 eigenh. Briefe mit U.

      Wien, 1926. - Zusammen (½+½+¾ =) 1¾ SS. auf 3 Bll. Gr.-4to. Ein Brief mit einem eh. Notenbeispiel. An den Komponisten Paul von Klenau mit innigem Dank für Klenaus Dirigat bei der Uraufführung von Bittners großer Messe (auch Missa Austriaca) im großen Saal des Konzerthauses: "Die gestrige Aufführung meiner D-Messe hat mir einen großen Erfolg gebracht, den ich Dir, einzig und allein Dir verdanke. Kein Mensch wird das je besser machen können. Du beherrschst die Partitur, als wenn Du sie selbst gemacht hättest. Deine wundervolle Begeisterung hast Du auf alle Mitwirkenden übertragen und so eine Aufführung zustande gebracht, die glatt als mustergiltig bezeichnet werden kann. Du hast auch dirigiertechnisch ein Meisterstück vollbracht und in dieser einen, ersten Aufführung gleich den Stil für alle folgenden festgelegt. Einen idealeren Interpreten als Dich kann ich mir gar nicht denken. Ich danke Dir für Deine Freundestat, die auch eine große Kunsttat geworden ist [.]" (4. II. 1926). - "Mit mehr Begeisterung hat noch nie ein Mann den anderen mit dem Worte Freund angeredet wie ich heute. Das, was Du für meine Messe geleistet hast, ist mit Talent, Fleiß usw. nicht zu machen. Das kann nur die Liebe. Und die hast Du in überreichen Maße meinem Werke entgegengebracht, hast Dich an das Werk geradezu königlich gebend verschwendet. Mit bloßem Danksagen ist da gar nichts zu machen. Ich kann Dir nur sagen, daß ich die Tage unserer Zusammenarbeit, der Zusammenarbeit zweier schaffen der Künstler, nie vergessen werde [.]" (gleichfalls 4. II. 1926). - "[.] Wie Dir Botstiber vielleicht schon geschrieben hat, plant man für den 6. März eine Wiederholung unserer Messe. Hoffentlich ist es Dir recht. Man quält mich, die zweite Gloriafuge [folgt das Notenzitat "Cum santo spirito - tu in gloria"] ganz wegzulassen. Was sagst Du dazu? An Zeit werden damit 5 Minuten gewonnen. Mehr nicht [.]" (16. II. 1926). - Jeweils auf Briefpapier mit gedr. Briefkopf; etwas knittrig.

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
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