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Displayed below are some selected recent viaLibri matches for books published in 1925

        ARROWSMITH

      New York: Harcourt, 1925. Large octavo. White linen and blue boards, t.e.g., printed spine label. Label tanned and with a few spots (spare is still intact in rear), a few spots and smudges to spine, otherwise about fine in edgeworn but sound slipcase. First edition, limited issue. One of five hundred numbered copies, specially printed and bound, and signed by the author. Lewis's Pulitzer winner (albeit declined).

      [Bookseller: William Reese Company - Literature ABAA-]
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        Broderies Chinoises (Traditional Chinese Embroidery)

      Ernst Henri, Paris 1925 - Folio. [6]pp (Title, Introduction, and list of plates), 36 loose plates, as issued. Original half cloth over paper covered portfolio, with illustrated title label pasted on front board. String ties. Splendid collection of 36 striking pochoir plates (printed over collotype) tipped onto heavy mounts, showing 95 examples of fine traditional Chinese embroidery in a wide variety of designs and colors. Most of the plates depict embroidered Kossu, traditional clothes, fabrics, and velvet. Some rubbing along edges of portfolio. One string tie missing. Minor age-toning along paper margin. Text in French. Portfolio in overall good- to good, interior in good+, collotypes in very good condition. [Attributes: First Edition; Hard Cover]

      [Bookseller: ERIC CHAIM KLINE, BOOKSELLER (ABAA ILAB)]
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        Eloge de la folie -

      Emile-Paul Frères 1925 -, Paris - 1 volume. In-12 307 pp. Reliure demi-maroquin rouge à bandes, dos lisse avec date dorée au talon. Tête dorée. Couverture et dos conservés. Reliure signée ALIX. Exemplaire très séduisant. Collection Edmond Jaloux. EDITION ORIGINALE LIMITEE à 10 exemplaires numérotés sur Japon. Jean Cassou est né le 9 juillet 1897 à Deusto, près de Bilbao en Espagne. Son père meurt en 1913, alors que son fils n'a que 16 ans et le jeune homme doit occuper divers petits métiers (secrétariat, cours du soir.) pour faire vivre les siens. Passionné très tôt par la création artistique en général, par la littérature et l'art moderne en particulier, il participe à plusieurs petites revues littéraires auxquelles il donne des articles dès 1919. A 26 ans, en 1923, il réussit le concours de rédacteur au ministère de l'Instruction publique qui le libère de ses soucis matériels. En 1925, il fait paraître son premier roman, Eloge de la folie. Très lié aux artistes de Montparnasse, il fait preuve d'une grande activité intellectuelle, traduisant des auteurs espagnols, publiant des essais sur l'art et des romans, collaborant enfin à des revues renommées comme la NRF et la Revue Européenne. En août 1939, au moment de la signature du pacte germano-soviétique, il rompt avec le PC. Il entre dans la Résistance dès septembre 1940 et entre en contact avec le groupe clandestin du Musée de l'homme. Jean Cassou meurt le 16 janvier 1986 à Paris à l'âge de 89 ans. [Attributes: Hard Cover]

      [Bookseller: Librairie KOEGUI]
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        Konvolut von 1 eigenh. Brief m. Unterschrift, 1 masch. Brief m. U., 3 eigenh. Kartenbriefe m. U. (davon 1 im eigenh. Kuvert), 2 eigenh. Postkarten m. U. sowie 15 Beilagen.

      Immenstadt, 1925-1933. Zus. (ohne die Beilagen) 11 S., versch. Formate. „[...] Nach dem Besuch der Realschule und, ab 1885, der Vorbereitungsschule Hans Heim in München bestand er [Hoess] nach einem halben Jahr die Aufnahmeprüfung an der Akademie der Künste in München. Dort war er vier Jahre lang Schüler der Professoren Kirchbach, Raupp, v. Hackl und Ritter v. Herterich. 1889 zog es in nach Frankfurt, jedoch kehrte er 1891 schon wieder nach München zurück. Dort hatte er zwei Jahre später seine erste Ausstellung mit Jagd-, Wildbildern und Landschaften des Allgäus [...]. Hoess’ Werke bezogen sich auf Landschaften und des darin lebenden Wildes (daher sein Spitzname ‚der Rehfidles-Maler‘). Die von ihm verwendete Technik war die Feder- und Steinzeichnung, die Radierung, das Aquarell, und die Ölmalerei. Zwischen 1900 und 1914 hatte er sich den Ruf als bester Jagdmaler erworben. Sein Erfolg fußte auch auf seine Mitarbeit bei der 1896 gegründeten und weitverbreiteten Zeitschrift ‚Jugend‘. Hoess beschickte mehrere nationale und international Ausstellungen [...]“ (Wikipedia). - An Adalbert von Drasenovich, u.a. über die Illustration dessen Werkes „Ein Hirschenleben“. - Unter den Beilagen u.a. 5 Illustrations-Entwürfe, eine von Hoess illustr. Weinkarte, 1 Orig.-Fotografie (wohl Hoess beim Malen im Freien), 4 Exlibris‘ (u.a. das von Anton Keller) u. eine Orig.-Federzeichnung (9,1 x 14,5 cm). - Versand D: 12,00 EUR Hoess, Drasenovich, Brief, Letter, Lettre, Briefe, Autograph, Autographe, Autographen, Autograf, Autografe, Autografen, Signatur, Signiert, Signed, Signature, Unterschrift, Eigenhändig, Handschrift, Handschriften, Manuscript, Manuscrit, ALS, A.L.S., LAS, L.A.S.

      [Bookseller: Antiquariat Wolfgang Friebes]
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        Four Photographs of Lajos Kozma Interiors

      Ca. 1925, Hungary - Four original, vintage, black and white photos of interiors, designed by Lajos Kozma. Photographer: Zoltán Seidler. Two with stamp on verso and two with handwritten instructions about re-exposure. Various sizes: 90-115 × 150-175 mm. Lajos Kozma (1884-1948) was one of the chief Hungarian architects and interior designers of the first half of the 20th century. His early works were created in Art Nouveau style but later, through Art Deco, he found his way to the International Modernism. These interiors were designed in the latter style. With: Koch, Alexander Innen-Dekoration. April Heft, 1929. (Ludwig Kozma Number.) Darmstadt, 1929. Alexander Koch. (4), 153-187, (1) p. First edition. In publisher's, illustrated wrappers. Spine worn. In good condition. Special number dedicated entirely to the works of Lajos Kozma. With numerous photographic reproductions, showing his interior designs, furniture and buildings, many full page and one coloured. A corner of one image damaged, otherwise all in fine condition. Four original, vintage, black and white photos of interiors, designed by Lajos Kozma. Photographer: Zoltán Seidler. Two with stamp on verso and two with handwritten instructions about re-exposure. [Attributes: First Edition]

      [Bookseller: Földvári Books]
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        Gentlemen Prefer Blondes (Signed First Edition)

      New York: Boni & Liveright, 1925. First edition. Very Good +/Very Good +. First state with "Divine" on contents page. A very bright copy of the novel in dust jacket. Both book and jacket are in excellent condition, but they are both dampstained on the rear board and rear panel. Signed and dated by the author in 1974. This copy from the famous Barton Currie collection with two letters from top NY dealers in the 30s to Mr. Currie, discussing the issue point of "Divine" and the relative scarcity of copies in the first state. A comic novel about the roaring 20s and a runaway best seller. Inspired in part by H. L. Mencken and supported by him. Edith Wharton declared it was "The great American novel." There have been numerous adaptations for stage and screen, the most famous being the 1953 film starring Marilyn Monroe where she sang "Diamonds are a Girl's Best Friend." Very Good + in Very Good + dust jacket.

      [Bookseller: Whitmore Rare Books]
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        Principia Mathematica. Volume I.

      Cambridge: At the University Press, 1925 First printing of the second edition of Volume I, with a new 33-page introduction, where the authors are correcting, revising and answering critics, especially F.P. Ramsey. Publisher's dark blue cloth ruled in blind with a gilt-lettered spine. . Large octavo. Binding extremities lightly rubbed with some minor fading to the crown and tail of spine. A very good, bright copy. The most influential and most accessible volume of Whitehead and Russell's great work.

      [Bookseller: Michael R. Thompson, Booksellers, ABAA/I]
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        Vom morgenländischen Floh. Dichtung und Wahrheit über den Floh bei Hebräern, Syriern, Arabern, Abessiniern und Türken. Mit Radierungen von Marcus Behmer.

      Insel,, Leipzig, 1925 - Leipzig, Insel, 1925. 8°. 68 + 1 S. OHpgm. EA. Nr. 134 von 330 Expl. Mit allen 13 Orig. Radierungen in Sepia von Marcus Behmer. Sarkowski 1037. - Leicht lichtschattig, Ebd. minimal fleckig. Schönes Expl. - Littmann, (1875 - 1958), studierte 1894-98 Theologie, alte und neue Sprachen sowie Orientalistik in Berlin, Greifswald und Halle, 1898/99 Orientalistik in Straßburg und nahm 1899/1900 und 1904 an Exkursionen der Univ. Princeton nach Palästina und Syrien teil . Er entzifferte zahlreiche Inschriften und sammelte arabische und äthiopische volkstümliche Texte, die er in Original und Übersetzung veröffentlichte. Littmann übersetzte vollständig die Erzählungen aus den 1001 Nächten (6 Bde., 1921-28, Neudr. 1968). Die Übersetzung ist -- vor allem im Blick auf die poetischen Einlagen -- bis heute unübertroffen. - Behmer, (1879 - 1958), begann um 1899 künstlerisch zu arbeiten. 1901 zog er nach München, zeichnete für den "Simplicissimus" und die Münchner Vereinigten Werkstätten (Ornamententwerfer), war dann für den Insel Verlag, später u.a. für die Verlage S. Fischer, Ernst Rowohlt als Buchgestalter tätig und arbeitete für die Zeitschriften "Die Insel", "Jugend" und "Ver Sacrum". Mit seinen Entwürfen zu Oscar Wildes Salome nahm er an der Ausstellung der Berliner Sezession teil. (Zitate nach DBE) Deutsch

      [Bookseller: Antiquariat Weinek]
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        The Place-Names of the Isle of Man.

      Douglas, Isle of Man: Yn Cheshaght Ghailckagh (The Many Society),, 1925-9. With their Origin & History. Six volumes, octavo. Original mottled tan yapp-edged card wraps. 17 folding maps, portrait. Wraps inevitably a little crumpled and split at the edges, but very few chips, and overall a very good set, superbly preserved, unopened. First editions. Wonderful set of this uncommon work of toponymy by the pioneering Manx nationalist, scholar, poet and playwright. It was described by William Cubbon, Manx bibliographer, founder member of the Manx Language Society, secretary and librarian to the Manx Museum, and a driving force behind the Manx National Archive, as representing, "an amazing amount of intensive research Â… The introductory matter is lucidly written, and his explanations of the meanings of the names are not without a certain romantic interest, and in all cases they bear the stamp of authority". Kneen was awarded an honorary MA by Liverpool University in recognition of work on Manx culture, and in 1933, on the recommendation of Professor Carl Marstrander, the Norwegian expert on Irish Gaelic, who had made recordings of the last surviving Manx speakers, King Haakon of Norway conferred on Kneen the Knighthood of the Royal Norwegian Order of St. Olaf.

      [Bookseller: Peter Harrington]
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        The Writings

      Gabriel Wells, New York 1925 - New York: Gabriel Wells, 1925. Leather bound. Twelve volumes. Octavo. The Writings of Oscar Wilde, Introduction by Richard Le Gallienne, the Large Paper Edition is limited to five hundred seventy-five copies which this is number 306. Title include The Happy Prince, The Picture od Dorian Gray, Intentions, Poems, Lord Arthur, A Women of no Importance, Salome, Soul of Man Under Socialism, De Profundis, etc. Bound in three quarter tan morocco between cloth board, gilt decorations to spine, raised band, gilt title, top edge gilt.A handsome set in fine binding. [Attributes: Hard Cover]

      [Bookseller: Imperial Fine Books ABAA, ILAB]
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        Carnets de voyage en Italie. 1921-1922

      Jacques Beltrand, Paris 1925 - In-4 (305 x 223 mm), 4 ff. n. ch., 84 pp., 2 ff. n. ch. En feuilles, couverture crème, titre en doré sur le plat supérieur, chemise cartonnée décorée d'un motif floral répété, rubans d'attache, légères usures aux charnières de la chemise, infime déchirure en tête de la couverture. Une “belle publication très cotée” (Carteret). Ces récits de voyage en Italie de Maurice Denis relatent ses séjours en Sicile, à Rome, Sienne et Florence en 1921, puis Padoue et Venise en 1922. Ils sont illustrés par l'auteur de 34 compositions en couleurs comprenant une vignette de titre, 4 illustrations à pleine page, 4 bandeaux, 22 illustrations dans le texte et 3 culs-de-lampe. Elles furent gravées sur bois en couleurs par Jacques Beltrand, aidé de ses frères Camille et Georges. Cet ouvrage fut tiré à 175 exemplaires numérotés, tous sur vélin d'Arches. Très bon exemplaire. Carteret, Le Trésor du bibliophile, livres illustrés modernes 1875-1945, IV, p. 136. Monod, Manuel de l’amateur de livres illustrés modernes 1875-1975, I, n°3618. [Attributes: Soft Cover]

      [Bookseller: Librairie Pierre Adrien Yvinec]
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        Tango Argentino. Mit 10 signierten Original-Radierungen von Ernst Oppler.

      Berlin, Eigenbrödler Verlag, o.J. (um 1925). Exemplar Nr. 1.(2)32(1) S., 4°, grüner OMaroquin-Ledereinband in Pappschuber mit Rückenvergoldung, goldgeprägtes Deckelornament, Steh- und Innenkantenvergoldung, Kopfgoldschnitt. Vorliegend: Nr. I von XXV römisch nummerierten Exemplaren (Gesamt: 550) der Luxusausgabe mit den signierten Radierungen, die mit der Hand von der unverstählten Platte abgezogen wurden. Der Druckvermerk von Kyser und Oppler signiert. Einbandentwurf von Ernst Nicolas. Druck in der Offizin Otto von Holten, Berlin. Lang, Impressionismus 146. Wenige Flecken am Fußsteg, Vorsatz mit kleinem Randeinriß, minimale Bereibungen und zwei kleine Flecken am Einband. Gutes Exemplar. Sehr selten. Very rare. 10 handsigned original etchings. Fine copy, limited and numbered. Number 1 of 25 copies. Very rare. Versand D: 5,00 EUR Ernst Oppler (1867-1929), Originalgraphik, Vorzugsausgabe, Luxusausgabe, limited, Bibliophil, Signatur, signed

      [Bookseller: AS - Antiquariat Schröter]
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        The Knave of Hearts

      Charles Scribner's Sons, New York 1925 - A Near Fine copy of the book that suffers from light to moderate foxing throughout (and on the front cover illustration). Original black cloth with mounted cover illustration and pictorial endpapers. Complete with the full complement of illustrations by Maxfield Parrish, his last and most brilliant book illustration project. Oddly, the title page of this copy is printed out of register, so that the font and images are blurry. We have never seen a copy like this and suspect that it was an error caught very early on in the print run.Parrish worked for three years on the illustrations for the book, creating an elaborate model of the castle to use for his inspiration. In agreeing to work on the project, Parrish wrote: "You must understand all this layout to be in gorgeous color. The landscapes back of the figures in the cover lining - a very beautiful affair illuminated by a golden late afternoon sun: castles, waterfall, rocks and mountains." (Letter from Oct. 24, 1920 to H. Chapin of Scribner's). Near Fine. [Attributes: First Edition]

      [Bookseller: Whitmore Rare Books, Inc. -- ABAA, ILAB]
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        La Maison Tellier. Préface de G. de Pawlowski - Eaux-fortes dessinées et gravées par Gio Colucci.

      P., Frédéric Grégoire, 1925, 1 vol. grand in-4 (290 x 220) relié 1/2 maroquin havane à coins, dos à 4 nerfs, tête dorée, couvertures et dos conservés, de XX pp. (faux-titre et titre compris) - 103 pp. - (1) f. (achevé d'imprimer). Dos légèrement insolé, quelques rousseurs, bel exemplaire. - 1 vignette en couverture, 1 vignette en page de titre, 3 entêtes, 3 culs-de-lampe et 14 hors-textes dessinés et gravés par Gio Colucci, tirée à l'eau-forte par Delâtre. Tiré à 112 exemplaires numérotés (N°98). On trouvera relié à la suite, une superbe suite libre de 15 eaux-fortes en bistre du même artiste, non annoncée dans le justificatif. Réf. biblio. : Carteret IV-271 " Edition recherchée et cotée ". [Attributes: Hard Cover]

      [Bookseller: Bouquinerie Aurore (SLAM-ILAB)]
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        [The Pooh books:]

      

      [Bookseller: Peter Harrington]
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        Gurre-Lieder von Jens Peter Jacobsen (Deutsch von Robert Franz Arnold) für Soli, Chor und Orchester... Partitur. [Full score]

      Wien–Leipzig: Universal-Edition. [ca. 1925]. Large folio. Modern quarter mid-tan calf with marbled boards, original publisher's light green printed upper wrapper bound in. 1f. (title within decorative art nouveau border printed in sepia), [1]-179, [i] (blank) pp. Printed on coated paper. A facsimile of the autograph full score, including facsimile signature and date to last page: "Arnold Schönberg Zehlendorf 7. November 1911." With printed titling to upper wrapper: "Gurre-Lieder von Arnold Schönberg Partitur (Facsimile der Handschrift) Universal-Edition No. 3697." Inscription in purple ink to upper right corner of title: "Meinem lieben Richard freundschaftlich Februar 1927 Fritz Soot." Former owner's signature in blue ink to lower right corner of title: "Richard Kraus 1927." Page 107 (between parts 2 and 3) blank, as issued, except for pagination. Upper wrapper slightly browned and stained, professionally repaired; lower lacking. Minor repairs to edges of final leaf. . First Edition, second issue, with newly-designed wrappers (the first issue was published in 1912 in an edition of 500 copies only). Rufer (Engl.) pp. 78-79. Ringer p. 311. Tetsuo Satoh pp. 37-38. The piano-vocal score, prepared by Alban Berg, first appeared in 1913 (U.E. 3696). An engraved full score in large format, including a number of corrections, was published in 1920 (U.E. 6300). First performed in Vienna on February 23, 1913, with Franz Schreker conducting the Vienna Philharmonic Choir and the Wiener Konzartvereinsorches Fritz Soot (1878-1965) was a German tenor. After singing a minor part at the world premiere of Strauss's Elektra (1909), he emerged as a leading singer in the 1910s. He took major parts in operas then new, including Mephistopheles in Busoni's Doktor Faust and the Tambourmajor in Berg's Wozzeck. He performed Schoenberg as early as 1913 (Vossische Zeitung, Berlin, November 17, 1913), and was considered for the part of Waldemar at the world premiere of the Gurrelieder (Schoenberg's letter to Soot of November 18, 1913). It is not known whether he sang the part on a later occasion. Richard Kraus (1902-1978), a German conductor, spent his entire career in his native country; in 1927, he took his first appointment in Kassel. "In March 1900 Schoenberg began setting Jens Peter Jacobsen’s Gurre-Lieder as a song cycle for voice and piano, for entry in a competition... However, Schoenberg soon saw wider possibilities in the text... He therefore decided to connect the songs he had already composed (those in the first two parts of the finished work) with symphonic interludes and set the whole poem as a vast cantata employing several soloists and a huge chorus and orchestra. The work depicts the love of King Waldemar and Tove under the Tristanesque imminence of death, Waldemar’s blasphemous defiance of God after Tove’s death, the nightly ride at the head of a ghostly retinue to which the king’s restless spirit is subsequently condemned, and its dismissal by the summer wind at the approach of day. Schoenberg encompassed all this in a series of tableaux of extraordinary magnificence." O. W. Neighbour in Grove online The Danish poet Jens Peter Jacobsen (1847-1885) wrote his Gurresange in 1871. The German translation is by Robert Franz Arnold (1872-1938).

      [Bookseller: J & J Lubrano Music Antiquarians LLC]
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        This quarter. A international quartely review of the arts

      1925 - in-8 d'un portrait de E. Paris, 1925, , in-8 d'un portrait de E. Pound, 270 pages et 54 planches, exemplaire broché, Rare premier numéro du premier volume de cette revue avant-gardiste trimestrielle dédiée à l'actualité de la création artistique. Ce numéro est dédié au poète américain Ezra Pound, expatrié à Paris depuis 1920. On y lit deux textes d'Hemingway : "Big two hearted river" et "Homage to Ezra". Un "Art supplément" montre de nombreuses reproductions de dessins ou de sculptures de Brancusi. Bon exemplaire dans son brochage d'origine imprimé en rose portant l'ex-libris de Marcel Bekus. ON JOINT : This Quarter, Septembre 1932, numéro spécialement dédié au surréalisme parisien qui regroupe des textes, en anglais, de tous les plus prestigieux représentant de ce mouvement littéraire : Breton, Bunuel, Char, Di Chirico, Crevel, Dali, Duchamp, Eluard, Man Ray, Péret, Tanguy et Tzara. [Attributes: Hard Cover]

      [Bookseller: Librairie Alain Brieux]
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        The Phantom of the Opera

      London Readers Library 1925. Small 8vo. 240pp. Near fine in publisher's burgundy paper covered boards lavishly gilded (in very very cheap gilt), minor dulling to the spine, but a long way improved upon the usual state of this edition. Hardly any wear, clearly barely read, in what is essentially a fine dustwrapper with a hint of wear to the spine ends. A very smart, clean and bright copy. The best we've seen.

      [Bookseller: Jonathan Kearns]
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        LES GRANDS ECRIVAINS DE LA FRANCE.

      1925 - Paris, Libraire Hachete, new editions, 14 volumes plus album of portraits and facsimiles, quarter burgundy morocco over marbled boards. Spines faded, otherwise very good.

      [Bookseller: Graham York Rare Books ABA ILAB]
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        Sammelbände mit ca. 200 Schriften überwiegend von Karl Chudoba. Viele Sonderdrucke aus den verschiedensten Zeitschriften, eingebunden einige Dissertationen und Schriften von von ihm betreuter Studenten und Doktoren sowie ihm zugeeignete Exemplare von Kollegen und Schülern.

      verschiedene Orte und Verlage, - 1972. 1925 - Gr.-8° bis 4°, verschiedene Formate. 11(!) Halbleinenbände mit goldgeprägten Rückentiteln beinhaltend eine Sammlung von ca. 200 Aufsätzen, Dissertationen, Veröffentlichungen, Anreden und Sonderdrucken. Gesamtumfang ca. 2000 Seiten. über Gut erhalten. Enthalten sind z.B.: Die Dissertation von Choduba: Die Dispersion der Plagioklase. Abit und Anorthit. 30 Seiten mit 18 Textfiguren (1925). // Die optische Orientierung des Albits von Rischuna, 10 S. // mit K. Obenauer: Ueber Baryt aus dem Carbon der Grube Friedrichstal (Saargebiet), 1939, 12 S. // Die erste von Choduba betreute Dissertation von Otto Zedlitz: Trachtstudien an Kupferlasurkristallen verschiedener Paragenesen der Tsumeb-Mine. 1929, 44 S. // die zweite von Albert Diefenbach: Mineralogische und chemische Untersuchung von Descloizit und Mottramit. // mit N. Tilmann: Der Gneis von Wartenstein im südlichen Hunsrück. 1929, 24 S. // Der Brandberg. Bau, Bildung und Gestalt der jungen Plutone in Südwestafrika. 1931, 47 S. // und K. Obenauer: Ueber die metamorphen Gesteine bei Winterburg im Hunsrück. 1931, 23 S. // Die Bestimmung der Plagioklase in Doppelzwillingen nach dem Albit- und Karlsbader-Gesetz bei Untersuchungen mit Hilfe des Universaldrehtisches. 1932, 11 S. // mit Helmut Stützel: Die sauerstoffhaltigen, nicht salzartigen organischen Mineralien. 1933, 70 S. // Wilhelm Schilly: Zusammenhänge zwischen Morphologie, Struktur und Genesis bei Cölestin nebst einer vergleichenden Untersuchung dieser Beziehungen für die Bartyggruppe. 1933, 77 S. // Margarethe Löffler: Strukturelle und kristallochemische Grundlagen der Zwillingsbildung. 1933, 68 S. // Hans Behmenburg: Tracht- und Habitusbeeinflussung von Kaliumsulfat (K SO4). 1935, 81 S. // mit T. Dreisch: Farbänderung und Absorption des Zirkons von Mongka, Hinterindien. 1936, 14 S. // Wilhelm Siemeister: Versuch über quantitative Spektralanalyse insbesondere den Nachweis von Vanadium im Sthal und due Untersuchung von Mineralien des Dreiser Weihers (Eifel) und des finkenberges bei Beuel / Rh. 1936, 22 S. // mit von Stackelberg: Dichte und Struktur des Zirkons. 1936, 16 S. // Die Grundlagen nationalsozialistischer Selbsthilfe in der Erzversorung. 1937, 15 S. // Erich Rottenbach: Morphologie und Struktur von Cerussit und den anderen Mineralien der Aragonitgruppe. 1937, 69 S. // Neue Mineralien. Tainolith bis Zamboninit. 1937, 60 S. // Agnes Engels: Chemismus und optische Orientierung kalifeldspathaltiger Plagioklase. 1937, 44 S. // Bezeichnungsübersicht und Bestimmung der Schmucksteine. 1939, 32 S. // Marie-Therese Mackowsky: Zusammenhänge zwischen Optik und Chemismus der Granate. 1938, 69 S. // Gesamtregister zu Hintze: Handbuch der Mineralogie. 1939, 71 S. // Probleme der Farbveränderung und Farbveredelung an Schmucksteinen. Antrittsvorlesung 1938, 19 S. // mit W. Kleber: Über Feldspat von der Serra do Espinhaco, Brasilien. 1940, 5 S. // Ansprache zur Übernahme des Rektorats. // Über die Erweiterung der deutschen Erzbasis. 1940, 25 S. K01049

      [Bookseller: Antiquariat und Buchhandlung Carl Wegner]
 20.   Check availability:     ZVAB     Link/Print  


        THE CHINA JOURNAL OF SCIENCE AND ARTS

      Shanghai 1925. Stiff wrs., vol. 3, issues #1-12, full year,. profusely illustrated, b.w. photos, maps, fold-outs, charts,. statistics, some color tipped in plates, 676 is last number-. ed page, very good, complete year. RARE !. A MAJOR JOURNAL WITH PROFUSE ILLUSTRATIONS This journal was an exceptionally ambitious work. It covers throughly both art and science as well as natural history. Articles are on most every subject imaginable and were auth- ored by a large number of authorities and expers, old China hands, great Sinologists & scholars of the time. It covers in much detail gardens, plants, flowers, ceramics, jade, fish, bugs, beasts, whales, hunting game, travel commentar- ies, theater, exploration, cultural matters, folklore, all forms of art & archaeology, lacquer, jade, bronzes, biology, medicine, zoology, herpetology, philosophy, history, drama, theatre, literature, numismatics, obituaries, news, intelli- gence, Burma, French-Indo China, the Emperor, as well a host of fascinating subjects, far too many to list individu- ally here. * About half of the work always contains superb articles on natural history or science. It was widely contributed to and by British and other foreign intellectuals in the community. A profusion of articles by the makers and shakers of the times: Ayscough, Hall, Sowerby, Bretschneider, Brewitt- Taylor, including a substantial number of Chinese authors as well. * It is a true reflection of the excitement of its authors, and the active and energetic times of the foreign residents in China. Many of the articles are the first appearance of these essays, later a good numbere were expanded into books. * The copious indices make this a valuable reference tool researchers and collectors alike. Complete years or long runs of this journal are always R A R E. Sets beginning from vol. vol. 1, #1 are indeed the RAREST of all. * The ex-library copies are exceptionally clean, with the usual and minimal marks, some blind stamps, * This title was published by North-China Daily News & Herald, in single LIMITED EDITION OF ONLY 1500 COPIES confirming its scarcity. * Color scans can be sent by email. Images displayed may not always be the exact photo of the copy in stock for sale at any given time. If you want to see the exact image of the book or edition in stock today, please request this by email. . Photos of most of our books are posted to our .

      [Bookseller: Rare Oriental Book Company, ABAA, ILAB -]
 21.   Check availability:     Biblio     Link/Print  


        GREAT GATSBY

      New York Charles Scribners' Sons 1925 - FIRST EDITION, FIRST PRINTING, with "chatter"on p. 60, line 16, "northern" on p. 119, line 22, "it’s" on p. 165, line 16, "away" on p. 165, line 29, "sick in tired" on p. 205, lines 9-10, and "Union Street station" on p. 211, lines 7-8. 8vo, publisher’s original dark green cloth lettered in gilt on spine, and lettered in blind on the upper cover. 218 pp. A very attractive copy, the cloth with no fading, dark and rich green, the gilt just a bit mellowed as is normal, only very minor evidence of any age, internally clean and fresh, all solid and sound, hinges firm and endpaper’s fine. SCARCE FIRST EDITION, FIRST ISSUE. Fitzgerald's most highly acclaimed novel and one of the most iconic American novels of the 20th century. THE GREAT GATSBY, F. Scott Fitzgerald’s finest novel, relates a tale of life, love, infidelity and death among the rich and beautiful residents of Long Island. It has become recognized as a sensitive and symbolic treatment of the themes of modern life, conveying with irony and pathos the legend of the "American Dream" [Attributes: First Edition; Hard Cover]

      [Bookseller: Buddenbrooks, Inc. ABAA]
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        Traité pratique de droit civil français

      - 14 vol. in- 8, reliure uniforme, 1925-34. Paris, LGDJ. Demi basane noire d'origine, très bel état. (Tous les volumes sont aussi disponibles séparément). Le tome XIV contient " Additions et Tables générales".

      [Bookseller: JURIDICA]
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        THE CHINA JOURNAL OF SCIENCE AND ARTS.

      Shanghai 1925. Maroon cloth, vol. 3,issues #1-12, full year,. profusely illustrated, b.w. photos, maps, fold-outs, charts,. statistics, color tipped in plates, 676p., clean ex-library. copy, usual marks, very good, 2 volumes, index. RARE !. A MAJOR JOURNAL WITH PROFUSE ILLUSTRATIONS This journal was an exceptionally ambitious work. It covers throughly both art and science as well as natural history. Articles are on most every subject imaginable and were auth- ored by a large number of authorities and expers, old China hands, great Sinologists & scholars of the time. It covers in much detail gardens, plants, flowers, ceramics, jade, fish, bugs, beasts, whales, hunting game, travel commentar- ies, theater, exploration, cultural matters, folklore, all forms of art & archaeology, lacquer, jade, bronzes, biology, medicine, zoology, herpetology, philosophy, history, drama, theatre, literature, numismatics, obituaries, news, intelli- gence, Burma, French-Indo China, the Emperor, as well a host of fascinating subjects, far too many to list individu- ally here. * About half of the work always contains superb articles on natural history or science. It was widely contributed to and by British and other foreign intellectuals in the community. A profusion of articles by the makers and shakers of the times: Ayscough, Hall, Sowerby, Bretschneider, Brewitt- Taylor, including a substantial number of Chinese authors as well. * It is a true reflection of the excitement of its authors, and the active and energetic times of the foreign residents in China. Many of the articles are the first appearance of these essays, later a good numbere were expanded into books. * The copious indices make this a valuable reference tool researchers and collectors alike. Complete years or long runs of this journal are always R A R E. Sets beginning from vol. vol. 1, #1 are indeed the RAREST of all. * The ex-library copies are exceptionally clean, with the usual and minimal marks, some blind stamps, * This title was published by North-China Daily News & Herald, in single LIMITED EDITION OF ONLY 1500 COPIES confirming its scarcity. * Color scans can be sent by email. Images displayed may not always be the exact photo of the copy in stock for sale at any given time. If you want to see the exact image of the book or edition in stock, please request this by email. . Photos of most of our books are posted to our .

      [Bookseller: Rare Oriental Book Company, ABAA, ILAB -]
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        Inquisiciones / Jorge Luis Borges

      Buenos Aires: Editorial Proa, 1925. 160, [3] p.; 20 cm. Errata: p. [162]. Number 281 of 500 copies. First edition of Borges' first prose book. 23 essays including "El 'Ulises' de Joyce" which opens, "Soy el primer aventurero hispanico que arribano al libro de Joyce." This collection shows the wide range of interests that Borges would develop through his life. From the library of Argentine scholar Manuel Lizondo Borda. Stock#OB966. Good+ in original printed green wrappers, some spine tears, first & last signatures heavily foxed, a characteristic of other copies I identified.

      [Bookseller: Auldfarran Books, IOBA]
 25.   Check availability:     TomFolio     Link/Print  


        Gouache-Malerei. Tanzendes Paar.

      o. J. (um 1925 - Großformatige Orig.-Gouache-Malerei. Ovalförmiges Format, Durchmesser ca. 55 cm quer und 27 cm hoch, das Blatt mit säurefreien Klebestreifen auf geschnittenen.Leinenbezogenen Klapp-Passepartout an der Rückseite montiert. Prachtvolle und leuchtend intensive Gouachemalerei im Stil von Brunelleschi Von uns unleserlich am unteren Rand mit Bleistift signiert (ev. Leonci?). Im Stil des Art Deco: ein tandendes Paar auf einer Lichtung. Lediglich der Passepartoutrahmen leichter bestoßen, sonst sehr gut erhalten. GROßFORMATIG! [Attributes: Signed Copy]

      [Bookseller: Antiquariat Riepenhausen]
 26.   Check availability:     ZVAB     Link/Print  


        PIERRE NOZIERE Eaux Fortes de VIGOUREUX (avec couleurs) LETTRE AUTOGRAPHE MANUSCRITE D'ANATOLE FRANCE A ENTETE DU CHATEAU DE PIERREFONDS

      1925 - Sans Date, mais 1925, René KIEFFER Petit In-quarto broché impeccable, dans sa couverture rempliée, 3 ff. p. de fx titre, p. de Justification du tirage n) 184 sur un tirage de 500. P. de titre, 284 p. 4 ff. nn. dont table, 20 eaux fortes soulignées de couleurs. JOINTE UNE LETTRE AUTOGRAPHE MANUSCRITE SIGNEE, 1 f. double in-12 à Entête du CHATEAU DE PIERREFONDS LES BAINS (gravure) adressée à son Ami DEWEZ VERS 1898/99 "Pierrefonds, 27 sept. Mon Cher Dewez, Croyez bien que je prends une grande part à votre douleur. J'irai, dès mon retour à Paris vous serrer la main cordialement. Signé Anatole France. ENRICHI D'UNE TRES BELLE LETTRE D'ANATOLE FRANCE A ENTETE DU CHATEAU DE PIERREFONDS écrite probablement à l'époque ou il rédigeait son Chapitre "PIERREFONDS" des Promenades de Pierre NOZIERE EN FRANCE. Petit Tirage à 500 Exemplaires, un des 400 sur vélin blanc nté 184. Le titre du premier de ces ouvrages laisse entendre que Pierre Nozière est un ami d'Anatole France : en réalité il s'agit d'un double de l'écrivain qui lui permet d'évoquer plus facilement ses souvenirs. Cet ouvrage raconte l'enfance de Pierre/Anatole France à travers différentes scènes de vie et les premières conquêtes amoureuses. L'ouvrage de 1899 intitulé Pierre Nozière est en trois parties. La troisième s'intitule Promenades de Pierre Nozière en France, avec des descriptions de Pierrefonds dans l'Oise, . [Attributes: Signed Copy; Soft Cover]

      [Bookseller: LIBRAIRIE ANCIENNE BERNARD MARIE ROLIN]
 27.   Check availability:     AbeBooks     Link/Print  


        Rare partly-printed Document Signed "F.E. Ives"

      Chicago 1925 - American-born inventor and father of color photography, first demonstrated at the Exposition of the Franklin Institute in Philadelphia in 1885. Originally called "chrome-scope," the quality of the color was highly praised but was not a commercial success due to its prohibitive costs. In 1903 Ives invented the Parallax Stereogram, the first "no glasses" auto-stereoscopic 3-D images. His son Herbert E. Ives (1882 - 1953), a Nobel Prize nominee for his development of the Color Television System and the inventor of the Color Fax, improved on his father's invention by creating Lenticular 3-D images, of the type used today on 3-D postcards, trading cards, and similar novelties, assuring a huge increase of the family fortune. "Ives snubs his Nobel-nominated son Herbert!" Outstanding and exceedingly rare document, 1 page, 11 x 8.5 inches, Chicago, Illinois, no date, circa 1925 -- a questionnaire sent out by Funk & Wagnall's to notable Americans for inclusion in their Famous Family Series. Ives provides relevant information pertaining to his parents and children, in part: ".Large families on both sides, mostly male, and mostly married young and had numerous children. My father was one of eleven and my mother, one of nine. I had only two sons F.E.I. (Frederic Edgar Ives) born in 1856 and H.E.I. (Herbert Eugene Ives) born in 1882. No other 'distinguished' member of my family, but my grandson is promising. Sorry, I have no more detailed data to give you." At the time this questionnaire was completed Herbert E. Ives had already won the Edward Longstreth Medal for Accomplishments in Science in 1907, 1915, and again in 1919. He had already successfully invented and transmitted the first color facsimile. Within three years he would lead a team of more than 200 scientists and engineers at the famed Bell Laboratories and create the first Color Television System. But like his autobiography states: "No matter what I did or accomplished - it was never good enough for my father." Letters and written material in the hand of Frederick Eugene Ives rarely come to market as he was a notoriously bad correspondent. All of his papers are currently in the possession of the Library of Congress. Small chips, creases, and tears around the edges; very good(-) condition. [Attributes: Signed Copy]

      [Bookseller: Argosy Book Store, ABAA, ILAB]
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        When We Were Very Young

      Methuen, London 1925 - Publisher's Deluxe soft blue morocco binding. complete with blue silk ribbon. This is the second edition of the de luxe edition and the tenth edition overall published in July 1925. A lovely book in it's original glassine dust wrapper, which has a slight nick to the bottom front corner.All presented in the original box with label to front and to top edge. The box has a small split to top left hand corner. Otherwise it is a remarkable survival. [Attributes: Hard Cover]

      [Bookseller: barnoble-books]
 29.   Check availability:     AbeBooks     Link/Print  


        Catalogue of the Etchings and Dry-Points of Childe Hassam, N.A. of The American Academy of Arts and Letters

      New York: Scribners, 1925. Hardbound. VG or better, a lovely copy. Blue paper covered boards with cloth gilt embossed spine. xiv, [2], 96 pp. with numerous bw illustrations in addition to one original, signed etching as a frontice. The frontispiece is an original etching by Childe Hassam, "Cos Cob Harbor View", signed in pencil with his monogram cypher. The etching in this book was printed by Peter Platt. This is copy No. 333 of a limited edition of 400 copies, 375 of which were numbered and for sale.

      [Bookseller: Mullen Books, Inc. ABAA / ILAB]
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        Porträtpostkarte (Brustbild im Frackhemd, mit Monokel und Zigarette) mit eigh. Widm. und Unterschrift auf der Bildseite, um 1925.

      - "Frl Vera Hirschmann zur freundlichen Erinnerung! Fritz Lang". - Geringfügig fleckig, Tinte etwas geblasst, leichter Stempelabklatsch.

      [Bookseller: Wiener Antiquariat Ingo Nebehay GmbH]
 31.   Check availability:     ZVAB     Link/Print  


        The Prince and Betty

      UK: Newnes, 1925. 1st Edition . Hardcover. Fine/Good+. The Prince and Betty by PG Wodehouse First thus Newnes circa 1925. No inscriptions, no browning. Covers fine in seldom seen original pictorial dust jacket with loss to tail of spine. Scarce.

      [Bookseller: Brought to Book Ltd]
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        LAFCADIO HEARN'S AMERICAN DAYS. By Edward LaRocque Tinker.

      London 1925, Bodley. FIRST ENGLISH EDITION. Blue cloth, dj.,. 59 b.w. illustrations, with index not found in the American. edition, 382p., very good, printed from the American sheets.. FIRST & ONLY LIMITED EDITION OF 1500 COPIES Excellent and interesting biographical study of Hearn's time spend in Cincinnati and New Orleans as a youth. Fascinating essay illustrates Hearn's growing period, and his early edu- cation as a newspaper clerk, and beginning as a reporter. With the first printing of 16 articles. Color scans can be sent by email. Images displayed may not always be the exact photo of the copy in stock for sale at any given time. If you want to see the exact image of the book or edition in stock, please request this by email. . Photos of most of our books are posted to our .

      [Bookseller: Rare Oriental Book Company, ABAA, ILAB]
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        Christian Kruck (1925-1985). Ansicht von St. Peter in Rom. Aquarell auf Leinwand

      - Christian Kruck (1925 Hamburg-Frankfurt am Main 1985). Ansicht von St. Peter in Rom. 1954 . Aquarell auf Leinwand auf Karton. -- Beschreibung: -- Aquarell auf Leinwand auf Karton. unten rechts signiert und datiert: "Kruck 54", verso Atelierstempel. -- Größe/Size: -- 25 x 34,4 cm. -- Zustand: -- Sehr guter Zustand. -- Weitere Beschreibung: -- Direkt aus dem Nachlass des Künstlers erworben. Christian Kruck (1925-1985), Leiter der Druckwerkstatt an der Städelschule in Frankfurt, unternahm zahlreiche Reisen nach Italien zwischen 1961 und 1979. [Attributes: Signed Copy; Soft Cover]

      [Bookseller: H. W. Fichter Kunsthandel e.K.]
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        Arrowsmith

      Harcourt Brace and Company, 1925. Hardcover. Very Good. Harcourt Brace and Company, New York 1925. Limited First Edition. Cloth boards. Top edge gold gilt. Limited to 500 copies. Number 447/500. Signed by Sinclair Lewis on the Limitation page. The Signature is Guaranteed Authentic by the Publisher. Book Condition: Very Good, tight spine, spots on the boards. Shelf wear, age toning. In a glassine wrapper.

      [Bookseller: 1st Editions and Antiquarian Books, ABA,]
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        In Our Time

      New York: Boni And Liveright, 1925 First American edition, first printing of the author's first book published in the United States. One of 1,335 copies. Publisher's black cloth, with a concentric square pattern to the front board in gilt, lettered in gilt; in the original light gray dust jacket, lettered in dark blue and brown. Very good, with dimmed spine, else bright and fresh; price-clipped dust jacket, with some light rubbing, some toning to the spine, some chipping to the spine ends and corners, small tape reinforcements to the verso at the spine head and top of the rear flap fold, closed split to the bottom half of the rear hinge, narrow 1" loss to the rear panel, otherwise bright and clean panels. A tight and attractive copy in the scarce dust jacket. Hanneman A3a. In Our Time is Hemingway's first collection of short stories, which was published before he gained notoriety as an author. In Our Time was preceded by in our time, a collection of 18 short untitled "chapters" published in a limited edition of 170 copies by the Three Mountains Press in Paris in 1924. This first American edition includes seventeen of the original vignettes, fifteen of which are interwoven with longer stories as "interchapters." The other two original vignettes were titled "A Very Short Story" and "The Revolutionist" and are published here along with "Indian Camp," "Big Two-Hearted River" (Parts I and II)," "The End of Something," "Cat in the Rain," and "My Old Man," among others. Hemingway's distinct writing style drew attention, and as The New York Times wrote in its 1925 review, the "very prose seems to have an organic being of its own. Every syllable counts toward a stimulating, entrancing experience of magic. The covers of his book should strain and bulge with the healthful ferment that is between them.". 1st Edition.. Hard Cover. Near Fine/Dust Jacket Included.

      [Bookseller: B & B Rare Books, Ltd., ABAA]
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        CHERI.

      H. Blanchetière 1925 - Petit in-4 carré ( 260 X 200 mm ) de 202 pages, en feuilles sous couverture imprimée rempliée et étui cartonné. Premier livre illustré par LOBEL-RICHE, portrait de COLETTE gravé sur bois en frontispice et 21 fines pointes sèches dont 10 à pleine page. Tirage à 275 exemplaires, celui-ci numéroté sur papier vélin à la cuve de Fabriano avec dans une chemise cartonnée:1- Une suite à part en 2e état avec remarques tirées en sanguine des 21 planches gravées et utilisées dans l'ouvrage.2- Une épreuve en 1er état des 3 planches refusées.Très bel exemplaire. ( Carteret IV, 108 « Premier et bon ouvrage de Lobel-Riche ». ) Litterature illustré-moderne [Attributes: Hard Cover]

      [Bookseller: Tiré à Part]
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        The Last Of The Bighams Being A True Story

      Florence, South Carolina, 1925. Hardcover. Good. With Illustrations From The Album Of A Strange Family Who By Their Own Misdeeds Have Become Extinct With Frontispiece Picture Of Leonard Bigham with caption The First Of The Bigham Clan. 230 pages. Green cover. Slightly cocked; previous owner's signature on front endpaper with price written in pencil. Mild fraying to one foreedge of cover and rubbing along spine. Also rubbing to upper spine edge with back cover also exhibiting rubbing. Pages 22, 23, 86, 95, 133, and 182 have slight rips at lower or upper edge, each page having one of such rips, ranging from 1/8 inch to approx. one inch. There are previous fold marks evident on numerous upper corners from where previous owner folded over the corner of the page. Pages 56 through 62 each have an approx. 1/4" ink blot-type stain on bottom of pages measuring approx. 1/4". There is foxing throughout with page 86 having some kind of minor stain on the lower corner. Thank you for your interest in this listing. All proceeds from the sale of this book, after listing costs, go to the Darlington County Humane Society Animal Shelter Rescue Fund.

      [Bookseller: Blue Star Books]
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        THE COMMON READER

      London: Published by Leonard & Virginia Woolf at the Hogarth Press, 1925.. Cloth and pictorial paper boards. Tipped-in bookplate of Abel Berland, small bump to lower edge of upper board, faint offset from jacket to boards, otherwise a very good or better copy, in a good, unrestored example of the uncommon Vanessa Bell dust jacket (a bit tanned, somewhat chipped at crown of spine and upper corners, affecting the 'th' and 'c' in the spine titling, with shallow loss at the toe of spine, and some fraying along the lower joint). First edition, first binding. The entire first printing consisted of 1250 copies. An uncommon jacket in any condition. WOOLMER 81. KIRKPATRICK A8a.

      [Bookseller: William Reese Company - Literature ABAA-]
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        The Later Ceramic Wares of China being the blue and white, famille verte, famille rose, monochromes, etc., of the K'ang Hsi, Yung Cheng, Ch'ien Lung and other periods of the Ch'ing dynasty.

      London Benn 1925 - Mit 159 (46 farb.) Abb. auf 76 (8 gefalteten) Tafeln (jeweils mit Beschreibung auf einem vorgeschalteten Blatt), 1 Schriftzeichentabelle, 8 (2 mehrtlg.) Illustr. u. ca. 63 Marken. 1 w. Bl., XXIX, 155 S. u. 1 Bl. 4°. Illustriertes, goldgeprägtes Originalleinen, dieses etwas bestoßen, der Kopfschnitt leicht angestaubt. Name a. d. Vorsatz, gelegentlich gering fleckig u. tls. etwas angerändert, sonst gutes Exemplar. (2160 Gr.) WEITERE AUSKÜNFTE ERTEILEN WIR IHNEN GERNE TELEFONISCH.

      [Bookseller: Antiquariat Held]
 40.   Check availability:     ZVAB     Link/Print  


        Magyar Irás. Az új m?vészet folyóirata. 1925. Karácsony. V. évf. 20. szám. [Hungarian Writing. Review of Modern Art. Christmas, 1925. 5th Year, Number 10.]

      Tivadar Raith (Europa Irodalmi és Nyomdai R.-T.), Budapest 1925 - Linocut on cover by Jen? Gábor. With a photographic reproduction of János Mattis-Teutsch's painting. First edition. In publisher's illustrated wrappers. 125-140 p. Magyar Írás was a Hungarian avant-garde, leftist review of art, edited by Tivadar Raith between 1921 and 1927. This issue contains Raith's overview of the Yugoslavian avant-garde movement the Zenitism, poems by the chief artists of the movement, Ljubomir Mici? and Branko B. Poljanski, also an essay about Cubism, beside the literary works of Hungarian avant-garde poets and writers. Illustrated with a work by János Mattis-Teutsch. Folded. Restored. Overall in fine condition. In publisher's illustrated wrappers [Attributes: First Edition; Soft Cover]

      [Bookseller: Földvári Books]
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        Tauromachie. Mit einleitendem Text von August L. Mayer.

      Leipzig, E. A. Seemann, o. J. (um ). 1925 - 4°-quer. 25,8 x 32,0 cm. [ 16 ] Seiten typographierter Text, 31 Radierungen, das sind ein radierter Titel und 30 signierte Original-Aquatintaradierungen von W. Geiger. Illustr. Orig.-Halbpergamentband. Wenige Stockfleckchen in den weißen Rändern, die Radierungen nicht betroffen. Wohlerhaltenes Exemplar. Vorliegend die Nummer 15 von 100 numerierten Exemplaren. -- Vollmer II, 218.Vgl. Thieme-Becker 13, 346 (nur Werke bis 1919). -- Die Kaltnadelradierungen in Tondruck auf festem Vélinkarton in hervorragenden Drucken. -- Einer der bedeutendsten graphischen Zyklen Geigers. Seine spanischen Bildnisse sind "ausgezeichnet durch tiefgründige Psychologie". Er erfaßt als Radierer "die Impressionen eines Zuschauers, der von oben in die glutatmende Arena herabschaut, mit der Treue eines photographischen Apparates " (Th./B.). M07109

      [Bookseller: Antiquariat und Buchhandlung Carl Wegner]
 42.   Check availability:     ZVAB     Link/Print  

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