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Displayed below are some selected recent viaLibri matches for books published in 1923

        La mascherata degli impotenti ed altre sintesi teatralii. Interferenze grafiche e ritratto dell'autore di Prampolini

      Edizioni Noi, Roma. 1923 - In 16, pp. 64 con 1 foto applicata e 6 ill. n. t. a piena p. Intonso. Br. ed. Edizione originale di questa sintesi teatrale che si colloca tra futurismo ed espressionismo. Notevoli sono le composizioni di Prampolini. Fanelli - Godoli, Il futurismo e la grafica, p.105 ITA

      [Bookseller: coenobium libreria antiquaria]
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        Dancing. Original-Lithographie.

      1923 - 1923. Blattgrösse: 48x60 cm. Unten rechts von Bailly signiert. Von fremder Hand bezeichnet, links nummeriert. [Attributes: Signed Copy]

      [Bookseller: Biblion Antiquariat]
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        The Second Chance.

      London: The Bodley Head, 1923 - Octavo. Original brown cloth, titles to spine and front board in black. With the dust jacket. Spine lightly rolled, spotting to page edges, endpapers toned, in the dust jacket with light wear to extremities. A very good copy. First edition, first printing. A scarce fantasy novel. [Attributes: First Edition]

      [Bookseller: Peter Harrington. ABA member]
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        Hofer, Karl. - "Badender Mann".

      - Lithografie / Kreidelithografie, in Schwarz, auf hellgelbem G.-Fichtner-Bütten, 1923. Von Karl Hofer. 34,2 x 16,4 cm (Darstellung) / 46,5 x 38,5 cm (Blatt). Rathenau L 59. Rechts unten in Bleistift signiert. Links betitelt: "Badender". - Sehr schönes originalrandiges Exemplar. Tadelloser Zustand. Karl Hofer (1878 Karlsruhe - 1955 Berlin). Auch Carl Hofer. Deutscher Maler und Grafiker, bedeutender Vertreter der Klassischen Moderne. 1896-1901 Studium an der Kunstakademie in Karlsruhe bei Leopold von Kalckreuth und Hans Thoma. Längere Aufenthalte in Italien, Frankreich und Indien. Der Symbolisus von Odilon Redon und Edward Munch übt starken Einfluss auf ihn aus, spätere Beeinflussung von El Gréco und Cézanne. 1908-13 in Paris. 1914-17 Zivilgefangener in Frankreich. Seit 1918 wieder in Berlin. 1919-33 Professor an der Kunstakademie Berlin. 1934 Entlassung als Hochschullehrer sowie Arbeits- und Ausstellungsverbot durch die Nationalsozialisten. 1938 werden 313 seiner Werke aus deutschen Museen entfernt. 1943 Ausbombung und völlige Zerstörung seines Ateliers in Berlin. Nach dem Wiederaufbau der Hochschule für bildende Künste in Berlin wird Hofer 1949 ihr Direktor. 1955 werden kurz nach seinem Tod einige Werke auf der documenta 1 in Kassel gezeigt. Hofer zählt zu den bedeutendsten Vertretern des deutschen Expressionismus und expressiven Realismus. [Attributes: Signed Copy]

      [Bookseller: GALERIE HIMMEL]
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        Hofer, Karl. - Zenana. - Blatt 6. - "Zwei badende Mädchen".

      - Lithografie / Pinsellithografie, in Braun, auf gelblich-grauem Maschinenbütten, 1923. Von Karl Hofer. 29,2 x 20,4 cm (Darstellung) / 42,5 x 33 cm (Blatt). Rathenau L 178. Rechts unten in Bleistift signiert. Links unten in der Ecke nummeriert: "Nr: 44." - Breitrandiges Exemplar. Sehr guter Zustand. Karl Hofer (1878 Karlsruhe - 1955 Berlin). Auch Carl Hofer. Deutscher Maler und Grafiker, bedeutender Vertreter der Klassischen Moderne. 1896-1901 Studium an der Kunstakademie in Karlsruhe bei Leopold von Kalckreuth und Hans Thoma. Längere Aufenthalte in Italien, Frankreich und Indien. Der Symbolisus von Odilon Redon und Edward Munch übt starken Einfluss auf ihn aus, spätere Beeinflussung von El Gréco und Cézanne. 1908-13 in Paris. 1914-17 Zivilgefangener in Frankreich. Seit 1918 wieder in Berlin. 1919-33 Professor an der Kunstakademie Berlin. 1934 Entlassung als Hochschullehrer sowie Arbeits- und Ausstellungsverbot durch die Nationalsozialisten. 1938 werden 313 seiner Werke aus deutschen Museen entfernt. 1943 Ausbombung und völlige Zerstörung seines Ateliers in Berlin. Nach dem Wiederaufbau der Hochschule für bildende Künste in Berlin wird Hofer 1949 ihr Direktor. 1955 werden kurz nach seinem Tod einige Werke auf der documenta 1 in Kassel gezeigt. Hofer zählt zu den bedeutendsten Vertretern des deutschen Expressionismus und expressiven Realismus. [Attributes: Signed Copy]

      [Bookseller: GALERIE HIMMEL]
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        Deutsche Bibliophilen des 16. Jahrhunderts. Die Fürsten von Anhalt, ihre Bücher und ihre Bucheinbände

      Karl W. Hiersemann,, Leipzig, 1923 - Eins von 20 nummerierten Exemplaren der Vorzugsausgabe. Leipzig, Karl W. Hiersemann, 1923. 27 x 35,5. 5 Bll., 98 S., XXXIV Tafeln, 2 Bl. Mit 35 Tafeln, davon 3 farbig. Ganzfranzband auf fünf Bünde, handgestochenem Kapital und Kopfgoldschnitt. Leder leicht berieben, Rücken leicht ausgeblichen (II). Gesuchtes Abbildungswerk des Inkunabel- und Einbandforschers. Handgebundener und -vergoldeter Ganzfranzband der Handbindeabteilung der Leipziger Buchbinderei-Actien-Gesellschaft vormals Gustav Fritzsche. Eins von zwanzig exemplaren der Vorzugsausgabe. Von größter Seltenheit. Ganzfranzband auf fünf Bünde, handgestochenem Kapital und Kopfgoldschnitt. Leder leicht berieben, Rücken leicht ausgeblichen (II). [Attributes: Hard Cover]

      [Bookseller: Buchatelier Bischoff]
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        The Rover

      T. Fisher Unwin Ltd., London, 1923., 1923. Maritime adventure. First Edition. Octavo, pp.317; [1], imprint. With the textul error ' o' for 'go', p. 221, line 2. Publisher's hardcovers in original dustjacket (the preferred full-colour variant showing a seascape). Both book and wrapper are presentable; the gilt has dulled, edges are a little toned/spotted, jacket lightly worn. No inscriptions or price-clipping.Generally near fine. Set in the south of France in the waning years of the French Revolution, "The Rover" is a tale of self-discovery. Seeking rest after a life of adventure, Peyrol returns to his native land to find instead intrigue, love and commitment.

      [Bookseller: Adrian Harrington Rare Books]
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        Kangaroo.

      London: Martin Secker,, 1923. Octavo. Original brown cloth, titles to spine gilt. A very nice copy. First edition, first impression. Signed by the author on the title page and rare thus.

      [Bookseller: Peter Harrington]
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        Gesammelte Werke. Unter Mitwirkung v. Arthur Schurig, Georg Goyert, Joachim von der Goltz u. Andrew Barbey hrsg. v. Wilhelm Weigand. 6 Bände (alles).

      Georg Müller, München 1923 - Gr.-8vo. OHldr. m. dekorativer Rückenvergoldung u. RSchild., Deckelvignette u. violettem Farbschnitt. Die Versuchung des Heiligen Antonius; Salambo; Die Schule der Empfindsamkeit. 2 Bde.; Komödien. Die geraubten Herzen. Der Landtagskandidat; Bouvard und Pécuchet. - Sehr schöne, frische Halblederbände von bester Erhaltung in der sehr seltenen, besonders schönen hellbraunen Einbandvariante. gr.

      [Bookseller: Antiquariat Düwal]
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        Atlas Africanus

      

      [Bookseller: Maggs Bros. Ltd. ]
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        Thy Neighbours Wife

      

      [Bookseller: Maggs Bros. Ltd. ]
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        Modern British Composers

      

      [Bookseller: Maggs Bros. Ltd. ]
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        A Companion Volume

      

      [Bookseller: Maggs Bros. Ltd. ]
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        Neben der Heerstraße. Mit Deckelillustration, illustriertem Titelblatt und 22 Textillustrationen in Original-Holzschnitt von Ernst Ludwig Kirchner.

      Grethlein, Zürich 1923 - 434 S. Roter Orig.-Pappband. Das hintere Rückengelenk unten ca. 3, das vordere ca.1 cm aufgeplatzt und die Deckelkanten gerin bestoßen, insgesamt handelt es sich jedoch um ein ordentliches, wohlerhaltenes, fleckenfreies und wohl ungelesenes Exemplar. Erste Ausgabe. [Attributes: First Edition; Hard Cover]

      [Bookseller: Antiquariat Rolf Bulang]
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        Geronimo de Aguilar.

      Avalun-Verlag [Druck Jakob Hegner], (Wien und Hellerau 1923 - (Wien und Hellerau, Avalun-Verlag [Druck Jakob Hegner], 1923). 8°. 74 S., 2 Bl. Mit 13 Original-Radierungen von Fritz Heubner. Grünes Orig.-Maroquin, rotes Rückenschild, goldgepr. Vignette auf Deckel, Goldprägung auf Rücken, Innenkantenvergoldung (Handeinband Enders, Leipzig). "XXIV. Avalun-Druck". Rodenberg S. 335, Nr. 24; Wilpert/Gühring Nr. 36. - Nr. 213 von 250 Ex. in Ganzleder, jedes des 10 Vollbilder von Heubner signiert, aus einer Auflage von 450, im Kolophon vom Dichter und vom Künstler signiert. Gedruckt in der Fleischmann-Antiqua von 1733. Entgegen der Angabe im Kolophon, dass die Einbände in der Werkstatt Richard Oesterreich jun. in Dresden gefertigt wurden, ist der vorliegende Einband mit dem Stempel von Enders versehen. Die Geschichte ist dem Werk "Der Goldene Spiegel" von 1911 entnommen. - Rücken leicht verblasst, Ränder am Anfang und am Schluss leicht gebräunt, sonst schönes Exemplar. Grünes Orig.-Maroquin, rotes Rückenschild, goldgepr. Vignette auf Deckel, Goldprägung auf Rücken, Innenkantenvergoldung (Handeinband Enders, Leipzig). [Attributes: Signed Copy]

      [Bookseller: EOS Buchantiquariat Benz AG]
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        Der Weibliche Akt

      Verlag H. v. Seggern & Sohn, Hamburg 1923 - Quarto. [2]pp (Title), [6]pp (Introductory text), 12 loose leaves (Plates), as issued. Original photo-illustrated paper portfolio.Rare portfolio of twelve photogravure plates of the nude by Jozsef Pecsi (1889-1956), an influential Hungarian photographer whose Budapest studio was one of the city's busiest in the 1910s and 1920s. His pictorialist portraits, landscapes, advertisements (that amalgamated the elements of new objectivity, still lifes, avant-garde nudes), and his new approach to portraits of people have all proved to be enduring and in many cases have inspired numerous followers. In 1923 Pécsi published this portfolio of twelve photogravures of the nude, in which hisuse of furniture and other props gives his photographs a theatrical mood. Each photogravure measures 5 7/8 x 4 1/4" and is tipped in onto a tan cardstock measuring 9 1/4 x 7 3/8"Some creasing, staining and closed tears to portfolio. Inside of portfolio taped along edges. Minor foxing to title page. Text in German. Portfolio in overall fair to good-, interior in very good condition. [Attributes: First Edition; Soft Cover]

      [Bookseller: ERIC CHAIM KLINE, BOOKSELLER (ABAA ILAB)]
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        Stihotvoreniya 1, 2, 3. Izdaniye izmnyennoye i doponennoye Kniga pervaya (1898 - 1904), Kniga Vtoraya (1904 - 1908), Kniga tretya (1907 - 1916).

      Slovo (printed by LOGOS), Berlin 1923 - Three volumes complete in original paper-covered card covers. Improved and enlarged edition. Usual browning to paper, paper to covers chipped at edges. However an excellent set and appears barely opened. Rather more scarce than the 1922 collected edition. Tchehonine / Chekhonin-like lettering to covers. ; I: Portrait frontis. photo of Blok as a young man. II: Facsimile of 'Neznakomka' as frontis., vol III not published with frontis. [Attributes: Soft Cover]

      [Bookseller: Marijana Dworski Books]
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        EMILY OF NEW MOON

      - MONTGOMERY,L.M. EMILY OF NEW MOON. NY: Stokes 1923 (1923). 8vo, blue cloth, pictorial paste-on, Fine in dust wrapper (dw heavily worn with old tape repairs). 1st edition. Illustrated by MARIA KIRK with color frontis. that is repeated on cover. The first of three "Emily" books, this tells of Emily's life when she is transplated to a huge gloomy house in the care of 2 frigid aunts. [Attributes: First Edition; Hard Cover]

      [Bookseller: Aleph-Bet Books, Inc. - ABAA]
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        La Dame de pique

      Paris: Editions de la Pléiade, J. Schiffrin & Cie, 1923. Copy no. 17 of 25 copies on Japon imperial, signed by J. Schiffrin and illustrated by Vasily Shukhaev, with a suite of illustrations in color on Japon and a suite in black on Chine. Entire edition: 345 copies; 25 on Japon with two suites, as ours; 35 on Japon without suites; 260 on Velin filigrane; 25 hors commerce on Velin). Two volumes. Quarto (7” x 9”). Wrappers. Text in original glassine. 91pp., with 21 illustrations in color, including seven full-page and fourteen in text. Board folder with two suites of the plates (one in color and one in black). Introduction by André Gide. Printed using the “pochoir” process on March 15, 1923 on the presses of G. Kadar in Paris. Fine copy. The illustrations are done by the Russian “neo-Romantic” artist Vasily Ivanovich Shukhaev (1887-1973). (His works were signed Vassili Choukhaeff from 1921-35.) A portraitist, stage designer, book illustrator, and muralist, Shukhaev is now remembered primarily as a superb draftsman. Shukhaev was a member of the influential group of artists and intellectuals “Mir iskusstva” [World of Art] (1898-1903; 1911-1927) from 1917. During this period, the group admitted avant-garde artists that included the Bubnovy Valet (Jack of Diamonds group) with their interest in French art. The miriskusniki (members of the movement) turned away from contemporary art and gravitated toward folk themes and even the 18th-century rococo drawings of Watteau. Although closely associated with Russian avant-garde painters, Shukhaev “lived and worked outside the confines of the avant-garde, and consciously or unconsciously, fought against its extremism. Jacovleff and Shukhaev, for example, never betrayed their allegiance to the canons of the Italian Renaissance” (Bowlt, et al., 247-8). After studying in Italy, Shukhaev moved to Finland, then to southern France, and then to Paris in 1921, where he stayed for 14 years. As a “Russes francisés,” he was part of the early Russian immigration to Paris after the Revolution, allying himself with artists such as Alexandre Benois, Ivan Bilibin, Dimitri Bouchčne, and others. “[His] endeavor to maintain the elegance and measured taste of the World of Art is clear from his pochoir illustrations to the deluxe editions of Alexander Pushkin’s Boris Godunov and Queen of Spades” (Bowlt, et al. II, 372). In addition to book illustrations, Shukhaev did important work in the theatre for Balieff’s Chauve-Souris (he was a close friend of the impresario Baileff) and for Ida Rubinstein’s Sémiramis at Opera de Paris (1934). He also influenced American artist John Steuart Curry (1897-1946) who began painting during a visit to Paris for several months in 1926-27 where he studied at Shukhaev’s drawing academy. In 1935, Shukhaev returned to the USSR and, in the spring of 1937, he was sentenced on a charge of espionage to nine years at a correctional labor camp. He was discharged in 1945. From 1947, he lived in Tbilisi, Georgia where he taught until retirement.* The translator and publisher Jacques Schiffrin (1892-1950) founded Éditions de la Pléiade in 1922. La Dame de Pique was his first book. Later, he expanded the name to the Bibliothčque de la Pléiade, a publishing project founded to provide the public with reference editions of the complete works of classic European authors in a pocket format. Bibliothčque de la Pléiade was integrated into Gallimard in 1936 and is still published today. Gallimard and Einaudi began a similar series of literature in Italian, the Biblioteca della Pléiade. The Library of America series, launched in 1979, is a similar project in the United States inspired by the Bibliothčque de la Pléiade. Schiffrin was born in Baku, Azerbaijan in 1892. Raised in comfortable circumstances due to a petrochemical business established by his grandfather with the assistance of Alfred Nobel, he was educated in Switzerland and in Florence. Schiffrin became secretary to the art historian Bernard Berenson and later served as a Russian language tutor to Peggy Guggenheim. His family assets were nationalized after the Russian revolution. In A Political Education, his son André tells the story of Jacques winning enough money at the tables of Monte-Carlo to support himself for several years. After a short-lived marriage to pianist Youra Guller, he went to Paris in 1921 where he became an apprentice to the art-book publisher Henri Piazza. Jacques decided to create a publishing house for the publication of Russian literary classics translated into French. “It was at the very beginning of the Éditions de la Pléiade that my father [in 1922] got in touch with André Gide, whose help he sought in translating what would be his first book, Pushkin’s The Queen of Spades. The books [of the first years] were lavishly illustrated, some by Russian artists living in Paris, and they had stunning typography, which my father had himself designed” (Schiffrin, 24). Jacques had a long and important friendship and collaboration with André Gide: “They had met in Paris in 1922, shortly after my father’s arrival and his decision to launch his original series of Russian classics with Pushkin’s The Queen of Spades. As was common at the time, my father had been taught French from the earliest days of his Russian childhood, and so he decided to translate the book himself. Nonetheless, he also decided to seek someone to help him check and improve his translation, and out of the blue, he wrote to Gide, who was already very famous” (Schiffrin, 70). Schiffrin, who was Jewish, managed to get his family out of Nazi-occupied France and into the United States because of the work of the American diplomat Varian Fry**. In 1942, Schriffin joined Pantheon Books in New York with the intention of publishing works that were less commercially successful, but intellectually important. *Shaukhaev was the subject of a retrospective exhibition and symposium at the Moscow Museum of Modern Art in 2014. ? For more information about this artist, see the following sources: Bown, Dictionary of Twentieth Century Russian and Soviet Painters, 1900-1980s (London: Izomar Limited, 1998); Lobanov-Rostovsky, “Russian Painters and Their Activities for the Stage, 1885-1935,” Transactions of the Association of Russian-American Scholars in the U.S.A. 2 (1968): 195; “Shukhaev Vasily Ivanovich,” Elysium Art Gallery, http://www.elysium.ru/en/painters/310.html; “Vasili Shukhaev. (1887-1973). Retrospective,” Moscow Museum of Modern Art, http://www.mmoma.ru/en/exhibitions/petrovka/vasili_shukhaev_retrospective/; “Vasily Shukhayev,” RusArtNet, http://www.rusartnet.com/biographies/russian-artists/20thcentury/turn-of-the century/neoclassical-revival/vasily-shukhayev. **Varian Fry (1907-1967): After Germany invaded France in June 1940, the Emergency Rescue Committee, a private American relief organization, sent Fry to France to aid anti-Nazi refugees who were in danger of being arrested by the Gestapo. In Marseille, Fry's network of accomplices forged documents and created clandestine escape routes. He offered aid to antifascist refugees, both Jews and non-Jews, threatened with extradition to Nazi Germany under Article 19 of the Franco-German armistice (the "Surrender on Demand" clause). Fry remained in France for 13 months. He was under constant surveillance, and was questioned and detained by authorities more than once. He established a legal French relief organization, The American Relief Center. Fry's efforts resulted in the rescue of some 2,000 persons, including such distinguished artists and intellectuals as Marc Chagall, Max Ernst, Franz Werfel, Lion Feuchtwanger, and Heinrich Mann. His covert activities angered officials of both the US State Department and Vichy France, and in September 1941, he was expelled from France. References: Bowlt, et al., Russian Stage Design, 1880-1930 (2012); Schiffrin, A Political Education: Coming of Age in Paris and New York (2003).

      [Bookseller: Golden Legend, Inc. ]
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        Stihotvoreniya 1, 2, 3. Izdaniye izmnyennoye i doponennoye Kniga pervaya (1898 - 1904), Kniga Vtoraya (1904 - 1908), Kniga tretya (1907 - 1916).

      Berlin: Slovo (printed by LOGOS). Very Good. 1923. Revised and enlarged edition. Paperback. Three volumes complete in original paper-covered card covers. Improved and enlarged edition. Usual browning to paper, paper to covers chipped at edges. However an excellent set and appears barely opened. Rather more scarce than the 1922 collected edition. Tchehonine / Chekhonin-like lettering to covers. ; I: Portrait frontis. photo of Blok as a young man. II: Facsimile of 'Neznakomka' as frontis., vol III not published with frontis.. .

      [Bookseller: Marijana Dworski Books]
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        Telegramma autografo firmato al ''Fascio combattenti Biella''.

      Datato Roma 10 luglio 1923 ore 23, - 1 pagina in-4, telegramma n. 6937 con timbro di ricezione e archiviazione ''Ministero Affari Esteri 1548, 12 luglio''. ''Ricevuto con sollecitudine encomiabile vostro rapporto stop - approvo vostra linea condotta stop - c'è un liberalismo rispettabile assieme un altro che va duramente combattuto e smascherato. Mussolini''. [Attributes: Hard Cover]

      [Bookseller: Libreria Antiquaria Pregliasco]
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        Bucolica. Hirtengedichte. Deutsch von Theodor Haecker. Mit zwanzig Holzschnitten von Richard Seewald..

      Berlin, Euphorion, 1923 Kl.4°, 3 Bl., 25 Bl., 2 Bl. S. Mit 10 Orig-Holzschnitt-Vignetten und 10ganzseitige Orig-Holzschnitt-abb., Ganz-Ldr. goldgeprägt (Euphorion Einband von Meink, Berlin), mit Lesebändchen u Kopfgoldschnitt., Exlibris a. Vorsatz, Papier minimal gebräunt, minimal berieben - sehr schönes Exemplar. Nr. 46 von 120 Exemplaren die auf Zanders Handpapier abgezogen wurden. und bei denen die 10 Holzschnitte alle von Richard Seewald signiert sind. IZusätzl im Impressum signiert (Gesamtausgabe 700 Ex.). - Richard Seewald (1889-1976). Maler. Illustrator u. Schriftsteller. (Jentsch H 118-137) Versand D: 20,00 EUR Illustr. Bücher - Originalgrafik

      [Bookseller: Antiquariat Peter Petrej]
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        The Nature of Capital and Income

      The Macmillan Company 1923 - First edition, early printing. (First published in 1906, reprinted 17 years later.) Green cloth with gilt lettering. 427 p. About Good condition. Some underlines and notes in margins in pen. Cloth worn away at head and back cover's top edge. Small stain on back board. Rare. One of Fisher's most important contributions to general theory, called "of first-class importance and originality" by Joseph Schumpeter. [Attributes: Hard Cover]

      [Bookseller: Burnside Rare Books]
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        Süddeutsche Monatshefte. Jahrgang 21 bis 29 in 9 Bänden.

      Süddeutsche Monatshefte 1923-1932., München - Zusammen ca. 7000 Seiten. Einheitlich gebundene private Halbleinenbände der Zeit mit goldgeprägtem Rückentitel. Allgemeine Rundschauzeitschrift in Themenheften, die hauptsächlich Aufsätze politischen und wirtschaftlichen, auch literarischen Inhalts und daneben Dichtungen in Prosa sowie einzelne Buchbesprechungen enthält. Sehr vereinzelt geringe saubere Unterstreichungen mit Buntstift, sonst gut erhaltenes Exemplar mit nur leichten Gebrauchsspuren. Erste Ausgabe. [Attributes: First Edition; Hard Cover]

      [Bookseller: Antiquariat Rolf Bulang]
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        Zelt: Eine Folge von 46 Radierungen Mit Versen von Herbert Eulenberg

      Berlin: Amsler & Ruthardt, [1923]. Signed, Limited Edition, 1/120 copies. Leather bound. Very good. Max Klinger. 76, [4] pp. Quarto [36 cm]; attractively bound in full blue morocco, five raised bands, gilt ruled boards, spine gilt-stamped with title and author attribution. Near fine internally, with only mild age toning to page edges. The binding is very good overall, with some surface wear and rubbing at the extremities. The front board is slightly bowed and its joint is starting to crack (about one-inch) at both the top and bottom (but is still solidly intact and completely attached at the inner hinge). A sequence of forty-six etchings by Max Klinger with verse by Herbert Eulenberg. Printed on the hand press by Wilhelm Felsing on van Gelder paper. Bound by Meink of Berlin. One of only 120 copies, this is copy number 32 (hand-numbered on the colophon page). Published just two years after Max Klinger's death, this beautifully produced artist's book is signed at the colophon by the poet, Herbert Eulenberg.

      [Bookseller: Ken Sanders Rare Books, ABAA]
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        Mitteilungen der Wärmestelle Nr. 1- 50 (Bd. 1). Mitteilungen der Wärmstelle Nr. 51- 100 (Bd. 2). 2 Bände.

      A. Bagel AG, Düsseldorf 1923 - Exemp. i.sehr gut.Zust. Geringste Lager-o.Altersspuren b.genauster Betr., mögl. Im Vorsatz unauffällige private Namenseintragung. Etwas vergilbt, stellenweise leicht stockfleckig. Ecken und Kanten leicht bestoßen. Gelenk von Band 2 etwas angerissen. Schnitt etwas angeschmutzt. Alle Seiten festsitzend. Keine privaten Markierungen oder ähnliches. Buchrücken mit Titelgoldprägung, bei Band 2 etwas abgelöst. Innen in sehr gutem Zustand. Frischer Gesamtzustand. Altersgemäß in Top- Zustand. ca. 1300 S. Deutsch 3620g Lex .8° - Lexikonformat (entspricht 25 - 30 cm) Halbkunstleder

      [Bookseller: Guthschrift Antiquariat]
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        Ekspressionizm" zbornik Statei. Cover by N. Goncharova.

      Gosizdat Gosudarstvennoye Izdatel'stvo, Petrograd i Moskva Petersburg Moscow 1923 - An excellent copy of this scarce work. Cover illustrated by Natalya Goncharova. Paper a little browned but in remarkably good condition. 3,150 copies printed. Not in MOMA, ; Selection of essays on Expressionism. Cover design by Natalya Goncharova, one of the most celebrated artists of the Russian avant-guarde (John Milner pp171-175) Reproductions of sketches by Kokoshka, Kandinsky, Chagall, Paul Klee RUSSIAN AVANT GARDE original edition: ; 234 pages [Attributes: First Edition; Soft Cover]

      [Bookseller: Marijana Dworski Books]
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        New Hampshire

      Henry Holt - B000J4GSJY Dust jacket wrapped- jacket has wear, First Edition - October 1923, has a good binding, no marks or notations. [Attributes: First Edition; Hard Cover]

      [Bookseller: Ed's Editions LLC, ABAA]
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        The Wares of the Ming Dynasty.

      London Benn 1923 - Mit 126 (11 farb.) Abb. auf 59 Tafeln (jeweils mit Beschreibung auf vorgeschaltenen Blatt), ca. 13 Illustr., 1 Schriftzeichentabelle u. 30 Marken. XVI, 240 S., 1 w. Bl. u. 1 Bl. 4°. Illustr., goldgeprägtes Originalleinen, dieses minimal bestoßen, der Kopfschnitt etwas angestaubt. Kleines Schild u. Stempel a. d. Vorsatz, papierbedingt gebräunt u. ganz gelegentlich etwas stockfleckig, tls. etwas angerändert bzw. geknickt, sonst gutes Exemplar. (2190 Gr.) WEITERE AUSKÜNFTE ERTEILEN WIR IHNEN GERNE TELEFONISCH.Nummer 983 von 1500 (gesamt 1783) nummerierten Exemplaren.

      [Bookseller: Antiquariat Held]
 29.   Check availability:     ZVAB     Link/Print  


        The Rover

      T. Fisher Unwin Ltd., London 1923 - First Edition, First Printing with the words "First Published 1923" printed on the copyright page. A beautiful copy. This ORIGINAL clean white dustjacket has light wear to the spine. The book is in excellent condition. The binding is tight with NO cocking or leaning and the boards are crisp. The pages are exceptionally clean with NO writing, marks or bookplates in the book. A wonderful copy with the First Issue dustjacket in collector's condition. [Attributes: First Edition; Hard Cover]

      [Bookseller: Quintessential Rare Books, LLC]
 30.   Check availability:     AbeBooks     Link/Print  


        Poster Art in Vienna. Illustrated by: Klinger, Cosl-Frey, Willrab, Haas, Engelberg, Schwarcz.

       Chicago [1923]. gr.-4°. 4 Bll., 55 (47 farb.) Taf., 7 Bll. OHLn. Farbig illustr. Einband v. Julius Klinger, Vorsatz u. Tit. mit Stempel von Chwala Druck Wien, Etikett von Archiv Chawala`s Druck. Ecken ein wenig berieb. EAvgl. Thieme-B. XX, 512 - Äußerst seltenes Werk über die Wiener Plakatkunst mit herrlichen Wiedergaben der Plakate Juilius Klingers u. a. Hs. Widmung am Tit. Wien, 13. 4. 1931. Julius Klinger (1876-1942), studierte am Technologischen Gewerbemuseum, 1895 Eintritt in das Zeichenatelier der `Wiener Mode` wo er mit Koloman Moser bekannt wurde, Verlagsarbeiten in Deutschland folgten, während des 1. Weltkriegs im österreichischen Kriegsdarchiv in Verwendung, danach Eröffnung eines Ateliers für Plakatkunst aus dem Plakatzeichner wie Cosl-Frey, Willrab, Haas, Engelberg und Schwarz hervorgegangen sind. Einige seiner Plakate wurden bei Chwala gedruckt. Versand D: 4,00 EUR Kunst, Plakate

      [Bookseller: Antiquariat Burgverlag]
 31.   Check availability:     buchfreund.de     Link/Print  


        Maria Magdalena. Ein bürgerliches Trauerspiel in drei Akten. Mit (9 signierten ganzseitigen) Radierungen von Hugo Steiner-Prag.

      Berlin, Propyläen Verlag, 1923 - 114(2) Seiten, goldgeprägtes Rückenschildchen, Kopf-Goldschnitt. Zweifarbiger Titeldruck. Einmalige Auflage von 300 Exemplaren. Textdruck: auf Bütten von Poeschel & Trepte, Leipzig. Handpressendruck der Radierungen: Bibliographisches Institut, Leipzig. Vorliegend: Nr. 187. Sämtliche Radierungen sind von Steiner-Prag mit Bleistift signiert, ebenso das Impressum. Leichter Anflug von Stockflecken auf den ersten Seiten, im weiteren Verlauf sehr vereinzelt kleinere Flecken. Das Einband-Schmuckpapier hat deutliche Abriebspuren. Innen ein schönes Exemplar mit wunderbaren Original-Radierungen. Limited for 300 copies, everyone of the nine etching is signed, also the back by the artist. Sprache: Deutsch Gewicht in Gramm: 1000 ca 21x15 cm (HxB), OHalb-Leder mit goldgeprägtem Vorderdeckel, [Attributes: First Edition; Signed Copy]

      [Bookseller: Uta-Janine Störmer]
 32.   Check availability:     ZVAB     Link/Print  


        The World Crisis, full set of six British first edition, first printings

      

      [Bookseller: Churchill Book Collector]
 33.   Check availability:     Biblio     Link/Print  


        Propos sur l'esthétique

      Stock 1923 - - Stock, Paris 1923, 10x14,5cm, broché. - Edition originale, un des 50 exemplaires numérotés sur Hollande, seuls grands papiers. Envoi autographe daté et signé d'Alain à sa tante Françoise Benoist : ". Il faut dire avant de savoir ce qu'on dit." Chaque fin d'article a été datée à la main par Alain. Quelques petites rousseurs. [AUTOMATIC ENGLISH TRANSLATION FOLLOWS] Edition originale, un des 50 exemplaires numérotés sur Holland papere, seuls grands papiers. Envoi autographe daté et signé d'Alain à sa tante Françoise Benoist : ". Il faut dire avant de savoir ce qu'on dit." Chaque fin d'article a été datée à la main par Alain. Quelques petites rousseurs. [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Librairie Le Feu Follet]
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        FRENCH ENGRAVINGS OF THE EIGHTEENTH CENTURY IN THE COLLECTION OF JOSEPH WIDENER, LYNWOOD HALL

      London: Privately Printed at the Chicwick Press, 1923. Limited to 120 copies for private circulation, this no. 57. Quite fine, a few plates with minor spotting. Limited to 120 copies for private circulation, this no. 57. Four volumes. Elephant folio (16' in height). Illustrated with 153 full-page engravings reproduced from the original prints, 62 in color. Beautifully printed by Charles Whittingham and Griggs (printers), Ltd. at the Chiswick Press on fine paper watermarked "1921 Unbleached Arnold linen fibre paper". Bound by Riviere in full scarlet crushed morocco, t.e.g., the spines with gilt titles and richly gilt floral panels, the covers with triple fillet borders, dentelles of rolled floral devices, blue watered silk boblures and flyleaves. Housed in red cloth slipcases. Describes 337 works with full information on states, impressions, etc. Includes Bibliography and Indices of Subjects, Painters and Drauhtsmen, Engravers, Personages, Miscellaneous Information, and Existing Private Collections and Libraries Quoted.

      [Bookseller: First Folio]
 35.   Check availability:     Biblio     Link/Print  


        Das Tigerschiff. Jungensgeschichten.

      Frankfurt, Querschnitt, 1923. Erste Ausgabe. 33 S., 2 w. Bll. Mit 10 sign. Radierungen von René Sintenis. 4°, HLeder mit RSchild (sign. Enders, Leipzig). Flechtheim-Druck 26. - Raabe/H.2, 279.4. - Eines von 250 num. und sign. Exemplaren. Druckvermerk von Autor und Künstlerin sign. - Einband berieben und bestossen, papierbedingt wenig gebräunt. Versandkostenfreie Lieferung

      [Bookseller: Antiquariat Galerie Joy]
 36.   Check availability:     buchfreund.de     Link/Print  


        Les Chansons érotiques

      Paris: Aux dépens d'un amateur, 1923. Ed. numérotée. Couverture rempliée. Très bon. Virot (Chas Laborde). In-8. 162 pages. Exemplaire no. 66/250/260. Complet des 16 illustrations dont 15 planches hors-texte. La vignette de la page-titre est signée Virot, selon Monod les illustrations seraient plutôt de Chas Laborde (Monod, 1392).

      [Bookseller: Librairie Bonheur d'occasion]
 37.   Check availability:     Biblio     Link/Print  


        Ekstatische Geschichten. Mit Steinzeichnungen von Magnus Zeller. \"Das prisma\", 11.

      Berlin, Tillgner Verlag, 1923. 58 S., 2 Bl. Mit 7 (6 ganzs. signierten) Lithographien von Magnus Zeller. 4° (27 x 17,5 cm), grüner Maroquinband mit Filetenvergoldung auf Deckeln und Innenkanten sowie KGoldschnitt, marm. Vorsätze (Entwurf W. E. Gerull). Lang 377. Sennewald 23, 2. Wilpert-Gühring 25. Erste Ausgabe. - Eines von 100 num. Exemplaren der Vorzugsausgabe auf Bütten, im Druckvermerk vom Autor signiert. - Rücken und Ränder etwas ausgeblichen und berieben. Versand D: 2,30 EUR

      [Bookseller: Antiquariat Galerie Joy]
 38.   Check availability:     buchfreund.de     Link/Print  


        Marienbader Elegie.Montagnola,Mardersteig. Stampato per Kurt Wolff Verlag, Monaco,September

      1923 - Versi in lingua originale tedesca scritti il 23 settembre 1823. In fine:Goethes Marienbader Elegie vom 12. September 1823 wurde fuer den Kurt Wolff Verlag in Muenchen in 155 Exemplaren gedruckt davon 4 auf Pergament. Uno dei 151 esemplari su carta di tino Van Gelder. Carattere Bodoni Catania corpo 16 tondo e corsivo. Schmoller,3 29g.

      [Bookseller: La carta bianca studio bibliografico]
 39.   Check availability:     AbeBooks     Link/Print  


        The Meaning of Relativity

      Princeton University Press, 1923 First edition, with Published 1922 on copyright page and 1923 on title page, very good in the very rare dust jacket, which had some wear and chips. Short tear at bottom of rear free endpaper. Housed in a custom-made collector's slipcase.. 1st Edition. Hardcover. Very Good/Very Good.

      [Bookseller: Bookbid Rare Books]
 40.   Check availability:     Biblio     Link/Print  


        Le tombeau de Pétosiris. Tomes I, II & III (complete set)

      Paul Geuthner, Paris 1923 - Very rare complete set of 3 volumes bound in 2. Librairie Paul Geuthner, Paris, 1923-4. First edition. Folio, viii + 213 & 103 & 60 pages, 1 & 58 plates. Half-leather. Spine leather is very worn, but binding is firm. Otherwise in excellent condition. [Attributes: First Edition; Hard Cover]

      [Bookseller: Meretseger Books]
 41.   Check availability:     AbeBooks     Link/Print  


        New Hampshire A Poem with Notes and Grace Notes

      New York: Henry Holt & Company. Near Fine. 1923. 1st Trade Edition; 1st Printing. Hardcover. B&W Illustrations; SIGNED EDITION. This book is in Near Fine condition and is lacking the dust jacket. First Trade edition, following a limited signed printing. The book and its contents are in clean, bright condition. The text pages are clean and bright. This copy has been signed on the title page by the author (with a short inscription) dated 1958. This copy also includes the gift notation from Francis and and Grace Batchelder -- Francis Batchelder was the first student to register at Stanford, October 1, 1891. He attended Stanford 1891-1893 and 1903-1904. This book received the first of Frost's Pulitzer prizes and includes the poems: "Stopping by Woods on a Snowy Evening" and "Fire and Ice." ; Signed by Author .

      [Bookseller: S. Howlett-West Books]
 42.   Check availability:     Biblio     Link/Print  


        Las Seiscientas Apotegmas y Otras Obras En Verso.

      Sociedad De Bibliófilos Españoles, Madrid 1923 - CXVI - 330pp.en papel de hilo. Edición numerada de solo 300 ejemplares. Perfecta encuadernación firmada por Brugalla a plena piel. Lomera con nervios. Cantos fileteados. Cortes dorados. Y guardas enmarcadas en piel decorada. =Juan Rufo Gutiérrez1 (n. Córdoba, 1547 - m. ibídem, 1620) fue un escritor y soldado español. Fue alabado por autores contemporáneos como Luis de Góngora o Miguel de Cervantes. De Toledo salieron Las seiscientas apotegmas (1596) que suponen uno de los primeros ejemplos de literatura epigramática en lengua española: dichos, aforismos, breves y brillantes reflexiones, en las que, además de la sagacidad y sensibilidad de su autor, se encierra la vida cotidiana de una época. Pese al título, consta de 707 apotegmas; sigue como modelo la Floresta española de apothegmas de Melchor de Santa Cruz, aparecida en 1574. Aunque coinciden generalmente en contenido y estilo, la obra de Rufo es más moralista y carece de estructura temática. Es una colección de anécdotas, de influjo erasmista. La obra está escrita con un gran dominio de la lengua y revela en el escritor a alguien muy dotado para el ingenio y la frase aguda, que le valieron al autor los elogios de Baltasar Gracián. Size: 4º [Attributes: Hard Cover]

      [Bookseller: BALAGUÉ LLIBRERÍA ANTIQUÀRIA]
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        Harmonium

      Knopf, 1923 First edition, one of 500 copies in first state binding, bound in patterned paper-covered boards, with blue, red, yellow, and white checker pattern. Title label on spine. Octavo. 140 pages. The author's first book. Book near fine with top and bottom board edges slightly rubbed. Housed in a custom-made clamshell case.. 1st Edition. Hardcover. Near Fine.

      [Bookseller: Bookbid Rare Books]
 44.   Check availability:     Biblio     Link/Print  


        THE PROPHET.

      Alfred A. Knopf. New York. 1923 - FIRST EDITION. 1st printing. Octavo. (8.3 x 5.8 inches). Illustrated with 12 full page mono plates by the author. A bright and clean copy finely bound in recent full black morocco leather. Spine with five raised bands, the compartments ruled and lettered in gilt. Single gilt ruled border on boards. Marbled endpapers. A complete early dustwrapper has been bound in at the rear on five leaves (Spine, front and rear panels and inner flaps each onto one leaf). Overall a fine copy of the true first edition of Gibran's masterpiece, which has sold millions of copies worldwide. [Attributes: First Edition; Hard Cover]

      [Bookseller: Paul Foster. - ABA & PBFA Member.]
 45.   Check availability:     AbeBooks     Link/Print  


        Tarzan and the Golden Lion

      A. C. McClurg & Company, Chicago, IL 1923 - Hardcover with dustjacket, the original edition with the scarce original dustjacket, the book is near pristine, a couple of minor flaws only: a bit of softening to the cloth at top edge of spine and a hint of tanning to the blank end-papers, the jacket is age-darkened on the spine and along the flap-folds, mild darkening on the rear panel, the spine-tips and corners show wear and there are two tears along the spine-folds, also a short edge-tear at the bottom of the rear panel, the front panel illustration is attractive but a few small, faint tanned imperfections (not foxing) are present, flaps are bright, quite presentable overall with a professional (removable) mylar cover provided, with eight illustrations by J. Allen St. John who also illustrated the jacket [Attributes: First Edition; Hard Cover]

      [Bookseller: Mainly Books]
 46.   Check availability:     AbeBooks     Link/Print  

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