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Displayed below are some selected recent viaLibri matches for books published in 1923

        Schiller's Räuber.

      (Hellerau, Avalun 1923). - 4°. 103 S., 2 Bll., durchgehend in Rot u. Schwarz gedruckt. Mit sign. Orig.-Lithographien von Lovis Corinth. Orig.-Pergamentbd. mit Rücken- und Deckeltitel sowie Kopfgoldschnitt (leicht verzogen, Schnitt minimal stockfleckig). 31. Avalun-Druck. - Eines von 150 Ex. der Vorzugsausgabe (Nr. 30) (Ges.aufl. 280 Ex.), jedes Vollbild und Impressum vom Künstler handschriftlich mit Bleistift signiert und gedruckt in einer von Georg Mendelssohn entworfenen expressionistischen Schrift. - Ohne die zusätzliche Suite von sign. Steinzeichnungen, die den ersten 50 Exemplaren beigegeben wurden. Stellenweise leicht stockfleckig, insgesamt jedoch schönes Exemplar. - Rodenberg 337. - Müller 797-808. Lang de

      [Bookseller: Buch + Kunst + hommagerie Sabine Koitka]
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        Islamic Bookbindings

      Kegan, Paul -London, 1923. Original Cloth. Collectible; Fine/Fine. A very attractive copy of the 1923 1st edition, IN THE SCARCE ORIGINAL DUSTJACKET. #123 of 550 copies issued. Clean and Near Fine in its terra cotta cloth. And in a crisp, bright, VG+ to NF dustjacket. Folio, 167 pgs. Also includes publisher's slipcase, which is sturdy and VG-. An impressive copy.

      [Bookseller: Appledore Books, ABAA]
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        Carteggio di pittori e scultori operanti tra la fine dell'800 e gli inizi del '900

      con Enrico Emilio Ximenes (1857-1923), storico e letterato responsabile del Museo dei Mille di Bologna, già direttore del giornale demoratico palermitano «Il Vespro», fervente garibaldino. Sono 15 autografi di 9 artisti che presentiamo come lotto: - a) BAZZARO, Ernesto (1859-1937), scultore, autore di numerosi marmi nel Cimitero di Milano e di monumenti pubblici. L.a.f., 1 p. in-4, Milano, 9 luglio 1908. Spiacente «che il gesso del monumento a F. Nullo in Bergamo donato al Comitato, sfortunatamente nel trasportarlo colà andò tutto in frantumi, per modo che non esiste più». b) BOITO, Camillo (1836-1914), architetto e scrittore, fratello di Arrigo. Bigl. con linee a.f., Milano, 30 aprile 1909: «Ringrazio ma non mi lascio più mettere in Comitati onorari. Devo quindi rinunciare ad entrare in quello dell'Esposizione donatelliana». c) BUTTI, Enrico (1847-1932), scultore in una prima fase impressionista, influenzato dai modi di C. Grandi e T. Cremona, successivamente di impronta verista («Il minatore», 1887). Insegnò all'Accademia di Brera. L. datt. f., 1 p. in-8, Milano, 4 maggio 1909. «. mi duole dichiarare (al Comitato donatelliano) che le mie occupazioni sono tali da non ptere assicurare per eventuali bisogni dell'opera mia. ». d) CALZOLARI, Oreste. L.a.f., 1 p. in-4, 2 luglio 1906: «Il bozzetto del monumento inaugurato a Fiesole .è molto piccolo (1/25 del vero) e dal monumento alquanto diverso. Se queste cose non sono di ostacolo, sarò lietissimo di donarlo per il Museo dei Mille. ». (Unitamente a:) L.a.f., 1 p. in-8,13 settembre (1)908. «Anche per la mia qualità di garibaldino, gradirò intervenire all'inaugurazione del Museo (di Bologna)». e) CASCIARO, Giuseppe (1863-1949), pittore, partecipò a importanti esposizioni internazionali [Parigi, Bruxelles, Monaco (1905)]. Due lettere autografe che peccano di immodestia: L.a.f., 4 pp. in-8, Napoli Antignano 16 giugno 1910: «. appunto perché sono maestro di pittura di S. M. la nostra Regina e di S. A. R. Vera di Montenegro» per accettare l'invito alla mostra collettiva all'Esposizione di Cettigne « vorrei sottoporle alcune condizioni: una sala riservata solo a me decentemente decorata; spese di trasporto delle opere a carico del Comitato; che mi siano conferiti i massimi premi : . data la mia posizione che la nostra Corte stessa mi ha creato, non credo di essere troppo esigente». L.a.f., 3 pp. in-8, Ischia, 10 agosto 1910. Ancora a proposito della Esposizione a Cettigne: «. raccomando l'addobbo decoroso della sala mia che dovrà raccogliere solo i miei pastelli . Data la mia posizione di maestro di S. M. la nostra Regina e di S. A. R. la Principessa Vera, io dovrò emergere su tutti. So che voi siete magna pars». f) JERACE, Francesco (1854-1936), scultore di solida formazione, oscillò tra accademismo e realismo estremo. Noti i suoi busti femminili. 2 cart. ill.f. e 2 lett. a.f. (di cui una del 17 ottobre 1909) di saluti e auguri in riferimento ad opere del Museo dei Mille di Bologna. «Non mi sono dimenticato del gesso che vi promisi. ». g) MATANIA, Fortunino (1881-1963), illustratore e pittore, collaborò a riviste italiane e straniere («L'Illustrazione Italiana», « The Graphic», « The Sphere»). L.a.f., 2 pp. in-8, list, lutto. 18 dicembre 1909. Sulla quarta schizzo a penna di (auto?)ritratto. «Mi giunge un biglietto firmato E. Ximenes, ora, tra gli E. Ximenes ve n 'è uno Eduardo, il quale ha mostrato di essere il peggiore dei nemici e dei denigratori miei e della mia famiglia. Stante la cosa a questo punto non si troverà strano che, almeno per salvare la forma, io desideri di sapere prima d'aver l'onore di un incontro chi è degli E. Ximenes che mi scrive e che cosa si possa desiderare da me». h) NOMELLINI, Plinio (1866-1943), pittore, allievo di G. Fattori, amico di G. Pascoli e di G. Puccini. Dopo un esordio macchiaiolo, si volse a esperienze simboliste e divisioniste. 2 cart. post, f. a) Viareggio, 21.12.09 «. stringiamo dunque l'affare. Il quadro col bambino nudo dal titolo: Baci di sole L. mille. L'altro col titolo La siesta L. 800.»: b) Viareggio 27.1.X (1910) «Pregola farmi sapere perché la cassa mia di ritorno sia gravata di L. 24 da sborsare per ritirarla. La cifra mi sembra enorme». i) ZOCCHI, Arnaldo (1862-1940), scultore [Attributes: Hard Cover]

      [Bookseller: Libreria Antiquaria Pregliasco]
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        The Wares of the Ming Dynasty

      Benn Brothers, London 1923 - Limited/Numbered. Quarto. Hardcover. Very good. xvi, 240 pages; 128 plates of which 11 are in full colour; all tissue guarded. Number 1327 of a limited edition of 1500 copies, with gilt lettering. Internally bright, crisp and clean. A highly sought-after early reference work on Ming ceramics written by the leading expert of the time. [Attributes: Hard Cover]

      [Bookseller: Meijering Art Books]
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        The Caerleon Edition of the Works of Arthur Machen

      London: Martin Secker. Very Good. 1923. First Edition; First Printing. Hardcover. Complete in nine volumes. Signed by Machen on the recto of the colophon page in Volume One. 500 numbered sets were printed for England, and 500 for America. This is set number 91. Frontispiece portrait of Machen in Volume One with the tissue guard intact. Top edges gilt, with the lettering on the spines faded. The gilt stamping to the front boards is still legible. Foxing to the endpapers. The volumes show light rubbing and dust soiling, with mottling to the front board of Volume Four. Many leaves in each volume are uncut and unopened. A clean set, lacking the scarce dustwrappers. Additional postage may apply.; Signed by Author .

      [Bookseller: Bungalow Books, ABAA/IOBA/RMABA]
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        THE WORKS OF ARTHUR MACHEN. (9 VOLUMES) The Caerleon Edition.

      Martin Secker. 1923 - The complete nine volume uniform set of Arthur Machen's major works, in editions of 500 numbered signed copies issued in the UK, and 500 numbered signed copies issued in the USA. The set includes — The Great God Pan, The Inmost Light, The Red Hand, (Vol. 1); The Three Imposters, (Vol.2);The Hill of Dreams, (Vol. 3); The Secret Glory, (Vol. 4); Hieroglyphics, (Vol. 5); A Fragment of Life, The White People, (Vol. 6); The Terror, The Bowman, The Great Return, (Vol.7); Far Off Things, (Vol. 8); Things Near and Far. This is Signed set #112 issued in London. A very good set with just legible spines — the spine stamping was never readily discernible even when new — with gold gilt page edges. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Terence McVicker, Rare Books]
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        BOOK OF LOVAT

      - (FRASER,CLAUD LOVAT) THE BOOK OF LOVAT by Haldane MacFall. London: Dent, 1923. 4to, cloth backed pictorial boards, light cover and edge wear, fine in slightly worn dust wrapper. An excellent reference work on the art and life of Claud Lovat Fraser, with many illustrations in color, black and white and from photos. [Attributes: Hard Cover]

      [Bookseller: Aleph-Bet Books, Inc. - ABAA]
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        Macrolepidoptera of the World Vol. 7: Noctuiformes [and] Vol. 8: The American Geometridae

      Stuttgart: Fritz Lehmann, 1923-1931. 2 vols: (iv), 412; (ii), 144, 104 col plates. 4to. HB. 4to, 2 vols bound in 1, qtr calf, gt, a few light scuff marks, raised bands to spine, gt tooling to compartments, leather title-pieces, teg. Plates clean. Vg copy.. English edition. All published. Fine chromolithographic plates - Vol. 7 with 87 plates numbered: 1-49, 55-83, 85-86, 88-91, 93, 94, 96; Vol 8 with 16 plates numbered: 1-15, 17. 'Missing' plate numbers were never published. Includes title page to vol. 7 and provisional title page to vol. 8..

      [Bookseller: Pemberley Natural History Books]
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        Tableaux Parisiens. Deutsche Übertragung mit einem Vorwort über die Aufgabe des Übersetzers von Walter Benjamin. Franz.-Deutscher Paralleltext.

      Heidelberg R Weissbach 1923 - 4°. XVII, 67 S. Opbd. 5. (und letzter) Druck des Argonautenkreises. Rodenberg 349.5. Fromm 2238. Erstausgabe der Übersetzung W. Benjamins. - Papier stellenweise etwas stockfleckig, vereinzelt fingerfleckig. Teils nicht aufgeschnitten. Gewicht (Gramm): 1000 [Attributes: First Edition]

      [Bookseller: Müller & Gräff e.K.]
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        Les fleurs du mal

      Cercle Grolier, Paris 1923 - Un volume in-4 plein maroquin janséniste vert à long grain, dos à faux-nerfs, titre et auteur dorés, gardes de soies, encadrements et motifs en écoinçons dorés intérieurs, tête dorée, les autres tranches non rognées, couverture et dos conservés, étui bordé, reliure de Gruel. Ouvrage à la belle typographie en deux teintes de Kadar, illustré de 42 eaux-fortes hors texte avec remarques de Lobel-Riche. L'une des très belles réalisations du peintre et graveur qui semble ici particulièrement inspiré L'un des 200 exemplaires sur vélin d'Arches. Très bel ouvrage. // One volume, 4to, full green morocco, "Jansenist" plain binding by Gruel, gilt-lettered back, silk-cloth and gilt tooled end-papers, top edge gilt, others untrimmed, original wrappers bound in. Book illustrated with 42 etchinged plates with inset engravings by Lobel-Riche (French painter, 1880-1950). One of the 200 copies printed on Arches vellum paper with one state of the engravings. A work of art, Lobel-Riche's masterpiece. [Attributes: Hard Cover]

      [Bookseller: Le Scriptorium d'Albi]
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        War Memorial.

      Small 8vo., original heavy grey wrappers. With front cover and title-page illustration from a wood engraving by David Jones and a single wood engraving by Gill. The engraving is a preliminary study for Gill's relief sculpture entitled "Christ and the Money-Changers" and was the image used for the War Memorial Gill designed for Leeds College.. Wrappers slightly browned otherwise a very good copy. First edition. This pamphlet is Gill's explanation of the work, in which he "commemorates the most just of all wars -- the war of Justice against Cupidity." With the bookplate of Michael Gerveys Sewell. Michael Gerveys Sewell, later Father Brocard Sewell, left school at 16 and found work as a general factotum in the London Office of ?GK?s Weekly?, the paper founded by GK Chesterton. Here he met writers, thinkers and artists. Among the many were, the printer and writer Hilary Pepler, a Quaker who converted to Roman Catholicism, Henry Williamson, the writer of Tarka the Otter and more controversial books, and Arthur Machen, a ?black-arts? writer. After he left GK?s he went to join the Eric Gill?s artistic community at Ditchling in Sussex. In that Catholic community he found an emotional haven and professional direction, and stayed for five years working as a compositor.

      [Bookseller: Henry Southern Ltd.]
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        The Tomb of Tutankhamen.

      

      [Bookseller: Peter Harrington]
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        Liebesunterhaltung. Lithographie.

      1923 - Signiert "Rudolf Schlichter". Druck auf Bütten mit Wasserzeichen "Bergisch Gladbach". Söhn HDO 72716-8. Eines von 25 Exemplaren der Vorzugsausgabe. Blatt 8 aus: Die Schaffenden. IV. Jahrgang, 4. Mappe, 1923. Erschienen im Euphorion Verlag, Berlin. - Der deutsche Künstler Rudolf Schlichter gilt als einer der wichtigsten Vertreter der Neuen Sachlichkeit. Schlichter studierte an der Kunstgewerbeschule in Stuttgart und an der Kunstakademie in Karlsruhe, u. a. bei Wilhelm Trübner und Hans Thoma. Schlichter unternahm mehrfach Studienreisen nach Italien und Frankreich und bekam durch seinen Malerkollegen Julius Kasper Kontakt zur Unterwelt. In Karlsruhe gehörte er zu den Mitbegründern der Gruppe Rih, übersiedelte dann nach Berlin, wo er sich der Novembergruppe, der Berliner Secession, den Berliner Dadaisten und der KPD anschloss. In den frühen 20er Jahren erschienen viele Buchillustrationen Schlichters. Sein Freundes- und Bekanntenkreis reichte von Bertolt Brecht, Sternberg, Alfred Döblin und Grosz bis hin zu Carl Zuckmayer, den er schon in Karlsruhe kennengelernt hatte. 1925 waren Werke Schlichters in der Ausstellung Neue Sachlichkeit in Mannheim zu sehen. Zwei Jahre später lernte er seine spätere Frau Elfriede Elisabeth Koehler, kennen und begann sich von der Politik abzukehren und dem Katholizismus zuzuwenden. Zu seinen Bekannten zählten nun Ernst von Salomon und die Brüder Ernst Jünger und Friedrich Georg Jünger. Unter den Nationalsozialisten wurden viele seiner Werke aus Museen entfernt und Schlichter wurde mit einem Arbeitsverbot belegt. Im Jahr 1939 zog Schlichter nach München, wo er unter anderem Kontakt zu Hans Scholl hatte, und sich der katholischen Zeitschrift Hochland anschloss. 1942 wurde Schlichter ausgebombt und verlor dabei einen Teil seiner Werke. Nach dem Krieg nahm er an der Ersten Deutschen Kunstausstellung in Dresden teil und gründete in München die Neue Gruppe. Gelegentlich arbeitete er für die satirische Zeitschrift Der Simpl. Sein Schaffen wandte sich jetzt dem Surrealismus zu. Rudolf Schlichter trat 1950 dem wiedergegründeten Deutschen Künstlerbund bei. - Das Blatt ist insgesamt sehr gut erhalten. Es ist nur ganz minimal gebäunt, an der unteren rechten Ecke ein klein wenig stärker. Die obere Blattkante hat eine ganz minimale Knickspur. Sprache: Deutsch Gewicht in Gramm: 2100 [Attributes: Signed Copy]

      [Bookseller: Kunstantiquariat Joachim Lührs]
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        THE SHIP THAT SAILED TO MARS: A FANTASY

      London: George G. Harrap & Company, 1923. First Edition. Vellum Binding. Very Good binding. Folio. Backed in vellum with paper over boards; illustrated title blocked in gold on the spine; all 48 illustrations and 48 calligraphic plates are present. NOTE: one of the plates -- No. 40, The Forest Fairies -- is provided in facsimile; a second plate -- N. 17, The Sorrowful Planet, has minor loss to a bottom corner. A few of the backing pages have closed tears at the top or bottom of the page near the inner margin; so to do a few of the pasted in texts preceding the plates. The plates are mounted on grey paper, and several of those leaves have closed tears. .Moderate rubbing to the spine and more so to the boards. One of the great examples of 20th century illustration. Very Good binding.

      [Bookseller: Black Swan Books, Inc.]
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        The Works.

      

      [Bookseller: Peter Harrington]
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        La mascherata degli impotenti ed altre sintesi teatralii. Interferenze grafiche e ritratto dell'autore di Prampolini

      Edizioni Noi, Roma. 1923 - In 16, pp. 64 con 1 foto applicata e 6 ill. n. t. a piena p. Intonso. Br. ed. Edizione originale di questa sintesi teatrale che si colloca tra futurismo ed espressionismo. Notevoli sono le composizioni di Prampolini. Fanelli - Godoli, Il futurismo e la grafica, p.105 ITA

      [Bookseller: coenobium libreria antiquaria]
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        Dancing. Original-Lithographie.

      1923 - 1923. Blattgrösse: 48x60 cm. Unten rechts von Bailly signiert. Von fremder Hand bezeichnet, links nummeriert. [Attributes: Signed Copy]

      [Bookseller: Biblion Antiquariat]
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        The Second Chance.

      London: The Bodley Head, 1923 - Octavo. Original brown cloth, titles to spine and front board in black. With the dust jacket. Spine lightly rolled, spotting to page edges, endpapers toned, in the dust jacket with light wear to extremities. A very good copy. First edition, first printing. A scarce fantasy novel. [Attributes: First Edition]

      [Bookseller: Peter Harrington. ABA member]
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        Hofer, Karl. - "Badender Mann".

      - Lithografie / Kreidelithografie, in Schwarz, auf hellgelbem G.-Fichtner-Bütten, 1923. Von Karl Hofer. 34,2 x 16,4 cm (Darstellung) / 46,5 x 38,5 cm (Blatt). Rathenau L 59. Rechts unten in Bleistift signiert. Links betitelt: "Badender". - Sehr schönes originalrandiges Exemplar. Tadelloser Zustand. Karl Hofer (1878 Karlsruhe - 1955 Berlin). Auch Carl Hofer. Deutscher Maler und Grafiker, bedeutender Vertreter der Klassischen Moderne. 1896-1901 Studium an der Kunstakademie in Karlsruhe bei Leopold von Kalckreuth und Hans Thoma. Längere Aufenthalte in Italien, Frankreich und Indien. Der Symbolisus von Odilon Redon und Edward Munch übt starken Einfluss auf ihn aus, spätere Beeinflussung von El Gréco und Cézanne. 1908-13 in Paris. 1914-17 Zivilgefangener in Frankreich. Seit 1918 wieder in Berlin. 1919-33 Professor an der Kunstakademie Berlin. 1934 Entlassung als Hochschullehrer sowie Arbeits- und Ausstellungsverbot durch die Nationalsozialisten. 1938 werden 313 seiner Werke aus deutschen Museen entfernt. 1943 Ausbombung und völlige Zerstörung seines Ateliers in Berlin. Nach dem Wiederaufbau der Hochschule für bildende Künste in Berlin wird Hofer 1949 ihr Direktor. 1955 werden kurz nach seinem Tod einige Werke auf der documenta 1 in Kassel gezeigt. Hofer zählt zu den bedeutendsten Vertretern des deutschen Expressionismus und expressiven Realismus. [Attributes: Signed Copy]

      [Bookseller: GALERIE HIMMEL]
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        Hofer, Karl. - Zenana. - Blatt 6. - "Zwei badende Mädchen".

      - Lithografie / Pinsellithografie, in Braun, auf gelblich-grauem Maschinenbütten, 1923. Von Karl Hofer. 29,2 x 20,4 cm (Darstellung) / 42,5 x 33 cm (Blatt). Rathenau L 178. Rechts unten in Bleistift signiert. Links unten in der Ecke nummeriert: "Nr: 44." - Breitrandiges Exemplar. Sehr guter Zustand. Karl Hofer (1878 Karlsruhe - 1955 Berlin). Auch Carl Hofer. Deutscher Maler und Grafiker, bedeutender Vertreter der Klassischen Moderne. 1896-1901 Studium an der Kunstakademie in Karlsruhe bei Leopold von Kalckreuth und Hans Thoma. Längere Aufenthalte in Italien, Frankreich und Indien. Der Symbolisus von Odilon Redon und Edward Munch übt starken Einfluss auf ihn aus, spätere Beeinflussung von El Gréco und Cézanne. 1908-13 in Paris. 1914-17 Zivilgefangener in Frankreich. Seit 1918 wieder in Berlin. 1919-33 Professor an der Kunstakademie Berlin. 1934 Entlassung als Hochschullehrer sowie Arbeits- und Ausstellungsverbot durch die Nationalsozialisten. 1938 werden 313 seiner Werke aus deutschen Museen entfernt. 1943 Ausbombung und völlige Zerstörung seines Ateliers in Berlin. Nach dem Wiederaufbau der Hochschule für bildende Künste in Berlin wird Hofer 1949 ihr Direktor. 1955 werden kurz nach seinem Tod einige Werke auf der documenta 1 in Kassel gezeigt. Hofer zählt zu den bedeutendsten Vertretern des deutschen Expressionismus und expressiven Realismus. [Attributes: Signed Copy]

      [Bookseller: GALERIE HIMMEL]
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        Deutsche Bibliophilen des 16. Jahrhunderts. Die Fürsten von Anhalt, ihre Bücher und ihre Bucheinbände

      Karl W. Hiersemann,, Leipzig, 1923 - Eins von 20 nummerierten Exemplaren der Vorzugsausgabe. Leipzig, Karl W. Hiersemann, 1923. 27 x 35,5. 5 Bll., 98 S., XXXIV Tafeln, 2 Bl. Mit 35 Tafeln, davon 3 farbig. Ganzfranzband auf fünf Bünde, handgestochenem Kapital und Kopfgoldschnitt. Leder leicht berieben, Rücken leicht ausgeblichen (II). Gesuchtes Abbildungswerk des Inkunabel- und Einbandforschers. Handgebundener und -vergoldeter Ganzfranzband der Handbindeabteilung der Leipziger Buchbinderei-Actien-Gesellschaft vormals Gustav Fritzsche. Eins von zwanzig exemplaren der Vorzugsausgabe. Von größter Seltenheit. Ganzfranzband auf fünf Bünde, handgestochenem Kapital und Kopfgoldschnitt. Leder leicht berieben, Rücken leicht ausgeblichen (II). [Attributes: Hard Cover]

      [Bookseller: Buchatelier Bischoff]
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        The Rover

      T. Fisher Unwin Ltd., London, 1923., 1923. Maritime adventure. First Edition. Octavo, pp.317; [1], imprint. With the textul error ' o' for 'go', p. 221, line 2. Publisher's hardcovers in original dustjacket (the preferred full-colour variant showing a seascape). Both book and wrapper are presentable; the gilt has dulled, edges are a little toned/spotted, jacket lightly worn. No inscriptions or price-clipping.Generally near fine. Set in the south of France in the waning years of the French Revolution, "The Rover" is a tale of self-discovery. Seeking rest after a life of adventure, Peyrol returns to his native land to find instead intrigue, love and commitment.

      [Bookseller: Adrian Harrington Rare Books]
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        Kangaroo.

      London: Martin Secker,, 1923. Octavo. Original brown cloth, titles to spine gilt. A very nice copy. First edition, first impression. Signed by the author on the title page and rare thus.

      [Bookseller: Peter Harrington]
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        Gesammelte Werke. Unter Mitwirkung v. Arthur Schurig, Georg Goyert, Joachim von der Goltz u. Andrew Barbey hrsg. v. Wilhelm Weigand. 6 Bände (alles).

      Georg Müller, München 1923 - Gr.-8vo. OHldr. m. dekorativer Rückenvergoldung u. RSchild., Deckelvignette u. violettem Farbschnitt. Die Versuchung des Heiligen Antonius; Salambo; Die Schule der Empfindsamkeit. 2 Bde.; Komödien. Die geraubten Herzen. Der Landtagskandidat; Bouvard und Pécuchet. - Sehr schöne, frische Halblederbände von bester Erhaltung in der sehr seltenen, besonders schönen hellbraunen Einbandvariante. gr.

      [Bookseller: Antiquariat Düwal]
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        Atlas Africanus

      

      [Bookseller: Maggs Bros. Ltd. ]
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        Thy Neighbours Wife

      

      [Bookseller: Maggs Bros. Ltd. ]
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        Modern British Composers

      

      [Bookseller: Maggs Bros. Ltd. ]
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        A Companion Volume

      

      [Bookseller: Maggs Bros. Ltd. ]
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        Neben der Heerstraße. Mit Deckelillustration, illustriertem Titelblatt und 22 Textillustrationen in Original-Holzschnitt von Ernst Ludwig Kirchner.

      Grethlein, Zürich 1923 - 434 S. Roter Orig.-Pappband. Das hintere Rückengelenk unten ca. 3, das vordere ca.1 cm aufgeplatzt und die Deckelkanten gerin bestoßen, insgesamt handelt es sich jedoch um ein ordentliches, wohlerhaltenes, fleckenfreies und wohl ungelesenes Exemplar. Erste Ausgabe. [Attributes: First Edition; Hard Cover]

      [Bookseller: Antiquariat Rolf Bulang]
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        Geronimo de Aguilar.

      Avalun-Verlag [Druck Jakob Hegner], (Wien und Hellerau 1923 - (Wien und Hellerau, Avalun-Verlag [Druck Jakob Hegner], 1923). 8°. 74 S., 2 Bl. Mit 13 Original-Radierungen von Fritz Heubner. Grünes Orig.-Maroquin, rotes Rückenschild, goldgepr. Vignette auf Deckel, Goldprägung auf Rücken, Innenkantenvergoldung (Handeinband Enders, Leipzig). "XXIV. Avalun-Druck". Rodenberg S. 335, Nr. 24; Wilpert/Gühring Nr. 36. - Nr. 213 von 250 Ex. in Ganzleder, jedes des 10 Vollbilder von Heubner signiert, aus einer Auflage von 450, im Kolophon vom Dichter und vom Künstler signiert. Gedruckt in der Fleischmann-Antiqua von 1733. Entgegen der Angabe im Kolophon, dass die Einbände in der Werkstatt Richard Oesterreich jun. in Dresden gefertigt wurden, ist der vorliegende Einband mit dem Stempel von Enders versehen. Die Geschichte ist dem Werk "Der Goldene Spiegel" von 1911 entnommen. - Rücken leicht verblasst, Ränder am Anfang und am Schluss leicht gebräunt, sonst schönes Exemplar. Grünes Orig.-Maroquin, rotes Rückenschild, goldgepr. Vignette auf Deckel, Goldprägung auf Rücken, Innenkantenvergoldung (Handeinband Enders, Leipzig). [Attributes: Signed Copy]

      [Bookseller: EOS Buchantiquariat Benz AG]
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        Der Weibliche Akt

      Verlag H. v. Seggern & Sohn, Hamburg 1923 - Quarto. [2]pp (Title), [6]pp (Introductory text), 12 loose leaves (Plates), as issued. Original photo-illustrated paper portfolio.Rare portfolio of twelve photogravure plates of the nude by Jozsef Pecsi (1889-1956), an influential Hungarian photographer whose Budapest studio was one of the city's busiest in the 1910s and 1920s. His pictorialist portraits, landscapes, advertisements (that amalgamated the elements of new objectivity, still lifes, avant-garde nudes), and his new approach to portraits of people have all proved to be enduring and in many cases have inspired numerous followers. In 1923 Pécsi published this portfolio of twelve photogravures of the nude, in which hisuse of furniture and other props gives his photographs a theatrical mood. Each photogravure measures 5 7/8 x 4 1/4" and is tipped in onto a tan cardstock measuring 9 1/4 x 7 3/8"Some creasing, staining and closed tears to portfolio. Inside of portfolio taped along edges. Minor foxing to title page. Text in German. Portfolio in overall fair to good-, interior in very good condition. [Attributes: First Edition; Soft Cover]

      [Bookseller: ERIC CHAIM KLINE, BOOKSELLER (ABAA ILAB)]
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        Stihotvoreniya 1, 2, 3. Izdaniye izmnyennoye i doponennoye Kniga pervaya (1898 - 1904), Kniga Vtoraya (1904 - 1908), Kniga tretya (1907 - 1916).

      Slovo (printed by LOGOS), Berlin 1923 - Three volumes complete in original paper-covered card covers. Improved and enlarged edition. Usual browning to paper, paper to covers chipped at edges. However an excellent set and appears barely opened. Rather more scarce than the 1922 collected edition. Tchehonine / Chekhonin-like lettering to covers. ; I: Portrait frontis. photo of Blok as a young man. II: Facsimile of 'Neznakomka' as frontis., vol III not published with frontis. [Attributes: Soft Cover]

      [Bookseller: Marijana Dworski Books]
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        EMILY OF NEW MOON

      - MONTGOMERY,L.M. EMILY OF NEW MOON. NY: Stokes 1923 (1923). 8vo, blue cloth, pictorial paste-on, Fine in dust wrapper (dw heavily worn with old tape repairs). 1st edition. Illustrated by MARIA KIRK with color frontis. that is repeated on cover. The first of three "Emily" books, this tells of Emily's life when she is transplated to a huge gloomy house in the care of 2 frigid aunts. [Attributes: First Edition; Hard Cover]

      [Bookseller: Aleph-Bet Books, Inc. - ABAA]
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        La Dame de pique

      Paris: Editions de la Pléiade, J. Schiffrin & Cie, 1923. Copy no. 17 of 25 copies on Japon imperial, signed by J. Schiffrin and illustrated by Vasily Shukhaev, with a suite of illustrations in color on Japon and a suite in black on Chine. Entire edition: 345 copies; 25 on Japon with two suites, as ours; 35 on Japon without suites; 260 on Velin filigrane; 25 hors commerce on Velin). Two volumes. Quarto (7” x 9”). Wrappers. Text in original glassine. 91pp., with 21 illustrations in color, including seven full-page and fourteen in text. Board folder with two suites of the plates (one in color and one in black). Introduction by André Gide. Printed using the “pochoir” process on March 15, 1923 on the presses of G. Kadar in Paris. Fine copy. The illustrations are done by the Russian “neo-Romantic” artist Vasily Ivanovich Shukhaev (1887-1973). (His works were signed Vassili Choukhaeff from 1921-35.) A portraitist, stage designer, book illustrator, and muralist, Shukhaev is now remembered primarily as a superb draftsman. Shukhaev was a member of the influential group of artists and intellectuals “Mir iskusstva” [World of Art] (1898-1903; 1911-1927) from 1917. During this period, the group admitted avant-garde artists that included the Bubnovy Valet (Jack of Diamonds group) with their interest in French art. The miriskusniki (members of the movement) turned away from contemporary art and gravitated toward folk themes and even the 18th-century rococo drawings of Watteau. Although closely associated with Russian avant-garde painters, Shukhaev “lived and worked outside the confines of the avant-garde, and consciously or unconsciously, fought against its extremism. Jacovleff and Shukhaev, for example, never betrayed their allegiance to the canons of the Italian Renaissance” (Bowlt, et al., 247-8). After studying in Italy, Shukhaev moved to Finland, then to southern France, and then to Paris in 1921, where he stayed for 14 years. As a “Russes francisés,” he was part of the early Russian immigration to Paris after the Revolution, allying himself with artists such as Alexandre Benois, Ivan Bilibin, Dimitri Bouchčne, and others. “[His] endeavor to maintain the elegance and measured taste of the World of Art is clear from his pochoir illustrations to the deluxe editions of Alexander Pushkin’s Boris Godunov and Queen of Spades” (Bowlt, et al. II, 372). In addition to book illustrations, Shukhaev did important work in the theatre for Balieff’s Chauve-Souris (he was a close friend of the impresario Baileff) and for Ida Rubinstein’s Sémiramis at Opera de Paris (1934). He also influenced American artist John Steuart Curry (1897-1946) who began painting during a visit to Paris for several months in 1926-27 where he studied at Shukhaev’s drawing academy. In 1935, Shukhaev returned to the USSR and, in the spring of 1937, he was sentenced on a charge of espionage to nine years at a correctional labor camp. He was discharged in 1945. From 1947, he lived in Tbilisi, Georgia where he taught until retirement.* The translator and publisher Jacques Schiffrin (1892-1950) founded Éditions de la Pléiade in 1922. La Dame de Pique was his first book. Later, he expanded the name to the Bibliothčque de la Pléiade, a publishing project founded to provide the public with reference editions of the complete works of classic European authors in a pocket format. Bibliothčque de la Pléiade was integrated into Gallimard in 1936 and is still published today. Gallimard and Einaudi began a similar series of literature in Italian, the Biblioteca della Pléiade. The Library of America series, launched in 1979, is a similar project in the United States inspired by the Bibliothčque de la Pléiade. Schiffrin was born in Baku, Azerbaijan in 1892. Raised in comfortable circumstances due to a petrochemical business established by his grandfather with the assistance of Alfred Nobel, he was educated in Switzerland and in Florence. Schiffrin became secretary to the art historian Bernard Berenson and later served as a Russian language tutor to Peggy Guggenheim. His family assets were nationalized after the Russian revolution. In A Political Education, his son André tells the story of Jacques winning enough money at the tables of Monte-Carlo to support himself for several years. After a short-lived marriage to pianist Youra Guller, he went to Paris in 1921 where he became an apprentice to the art-book publisher Henri Piazza. Jacques decided to create a publishing house for the publication of Russian literary classics translated into French. “It was at the very beginning of the Éditions de la Pléiade that my father [in 1922] got in touch with André Gide, whose help he sought in translating what would be his first book, Pushkin’s The Queen of Spades. The books [of the first years] were lavishly illustrated, some by Russian artists living in Paris, and they had stunning typography, which my father had himself designed” (Schiffrin, 24). Jacques had a long and important friendship and collaboration with André Gide: “They had met in Paris in 1922, shortly after my father’s arrival and his decision to launch his original series of Russian classics with Pushkin’s The Queen of Spades. As was common at the time, my father had been taught French from the earliest days of his Russian childhood, and so he decided to translate the book himself. Nonetheless, he also decided to seek someone to help him check and improve his translation, and out of the blue, he wrote to Gide, who was already very famous” (Schiffrin, 70). Schiffrin, who was Jewish, managed to get his family out of Nazi-occupied France and into the United States because of the work of the American diplomat Varian Fry**. In 1942, Schriffin joined Pantheon Books in New York with the intention of publishing works that were less commercially successful, but intellectually important. *Shaukhaev was the subject of a retrospective exhibition and symposium at the Moscow Museum of Modern Art in 2014. ? For more information about this artist, see the following sources: Bown, Dictionary of Twentieth Century Russian and Soviet Painters, 1900-1980s (London: Izomar Limited, 1998); Lobanov-Rostovsky, “Russian Painters and Their Activities for the Stage, 1885-1935,” Transactions of the Association of Russian-American Scholars in the U.S.A. 2 (1968): 195; “Shukhaev Vasily Ivanovich,” Elysium Art Gallery, http://www.elysium.ru/en/painters/310.html; “Vasili Shukhaev. (1887-1973). Retrospective,” Moscow Museum of Modern Art, http://www.mmoma.ru/en/exhibitions/petrovka/vasili_shukhaev_retrospective/; “Vasily Shukhayev,” RusArtNet, http://www.rusartnet.com/biographies/russian-artists/20thcentury/turn-of-the century/neoclassical-revival/vasily-shukhayev. **Varian Fry (1907-1967): After Germany invaded France in June 1940, the Emergency Rescue Committee, a private American relief organization, sent Fry to France to aid anti-Nazi refugees who were in danger of being arrested by the Gestapo. In Marseille, Fry's network of accomplices forged documents and created clandestine escape routes. He offered aid to antifascist refugees, both Jews and non-Jews, threatened with extradition to Nazi Germany under Article 19 of the Franco-German armistice (the "Surrender on Demand" clause). Fry remained in France for 13 months. He was under constant surveillance, and was questioned and detained by authorities more than once. He established a legal French relief organization, The American Relief Center. Fry's efforts resulted in the rescue of some 2,000 persons, including such distinguished artists and intellectuals as Marc Chagall, Max Ernst, Franz Werfel, Lion Feuchtwanger, and Heinrich Mann. His covert activities angered officials of both the US State Department and Vichy France, and in September 1941, he was expelled from France. References: Bowlt, et al., Russian Stage Design, 1880-1930 (2012); Schiffrin, A Political Education: Coming of Age in Paris and New York (2003).

      [Bookseller: Golden Legend, Inc. ]
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        Stihotvoreniya 1, 2, 3. Izdaniye izmnyennoye i doponennoye Kniga pervaya (1898 - 1904), Kniga Vtoraya (1904 - 1908), Kniga tretya (1907 - 1916).

      Berlin: Slovo (printed by LOGOS). Very Good. 1923. Revised and enlarged edition. Paperback. Three volumes complete in original paper-covered card covers. Improved and enlarged edition. Usual browning to paper, paper to covers chipped at edges. However an excellent set and appears barely opened. Rather more scarce than the 1922 collected edition. Tchehonine / Chekhonin-like lettering to covers. ; I: Portrait frontis. photo of Blok as a young man. II: Facsimile of 'Neznakomka' as frontis., vol III not published with frontis.. .

      [Bookseller: Marijana Dworski Books]
 35.   Check availability:     Biblio     Link/Print  


        Telegramma autografo firmato al ''Fascio combattenti Biella''.

      Datato Roma 10 luglio 1923 ore 23, - 1 pagina in-4, telegramma n. 6937 con timbro di ricezione e archiviazione ''Ministero Affari Esteri 1548, 12 luglio''. ''Ricevuto con sollecitudine encomiabile vostro rapporto stop - approvo vostra linea condotta stop - c'è un liberalismo rispettabile assieme un altro che va duramente combattuto e smascherato. Mussolini''. [Attributes: Hard Cover]

      [Bookseller: Libreria Antiquaria Pregliasco]
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        Bucolica. Hirtengedichte. Deutsch von Theodor Haecker. Mit zwanzig Holzschnitten von Richard Seewald..

      Berlin, Euphorion, 1923 Kl.4°, 3 Bl., 25 Bl., 2 Bl. S. Mit 10 Orig-Holzschnitt-Vignetten und 10ganzseitige Orig-Holzschnitt-abb., Ganz-Ldr. goldgeprägt (Euphorion Einband von Meink, Berlin), mit Lesebändchen u Kopfgoldschnitt., Exlibris a. Vorsatz, Papier minimal gebräunt, minimal berieben - sehr schönes Exemplar. Nr. 46 von 120 Exemplaren die auf Zanders Handpapier abgezogen wurden. und bei denen die 10 Holzschnitte alle von Richard Seewald signiert sind. IZusätzl im Impressum signiert (Gesamtausgabe 700 Ex.). - Richard Seewald (1889-1976). Maler. Illustrator u. Schriftsteller. (Jentsch H 118-137) Versand D: 20,00 EUR Illustr. Bücher - Originalgrafik

      [Bookseller: Antiquariat Peter Petrej]
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        Süddeutsche Monatshefte. Jahrgang 21 bis 29 in 9 Bänden.

      Süddeutsche Monatshefte 1923-1932., München - Zusammen ca. 7000 Seiten. Einheitlich gebundene private Halbleinenbände der Zeit mit goldgeprägtem Rückentitel. Allgemeine Rundschauzeitschrift in Themenheften, die hauptsächlich Aufsätze politischen und wirtschaftlichen, auch literarischen Inhalts und daneben Dichtungen in Prosa sowie einzelne Buchbesprechungen enthält. Sehr vereinzelt geringe saubere Unterstreichungen mit Buntstift, sonst gut erhaltenes Exemplar mit nur leichten Gebrauchsspuren. Erste Ausgabe. [Attributes: First Edition; Hard Cover]

      [Bookseller: Antiquariat Rolf Bulang]
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        Zelt: Eine Folge von 46 Radierungen Mit Versen von Herbert Eulenberg

      Berlin: Amsler & Ruthardt, [1923]. Signed, Limited Edition, 1/120 copies. Leather bound. Very good. Max Klinger. 76, [4] pp. Quarto [36 cm]; attractively bound in full blue morocco, five raised bands, gilt ruled boards, spine gilt-stamped with title and author attribution. Near fine internally, with only mild age toning to page edges. The binding is very good overall, with some surface wear and rubbing at the extremities. The front board is slightly bowed and its joint is starting to crack (about one-inch) at both the top and bottom (but is still solidly intact and completely attached at the inner hinge). A sequence of forty-six etchings by Max Klinger with verse by Herbert Eulenberg. Printed on the hand press by Wilhelm Felsing on van Gelder paper. Bound by Meink of Berlin. One of only 120 copies, this is copy number 32 (hand-numbered on the colophon page). Published just two years after Max Klinger's death, this beautifully produced artist's book is signed at the colophon by the poet, Herbert Eulenberg.

      [Bookseller: Ken Sanders Rare Books, ABAA]
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        Mitteilungen der Wärmestelle Nr. 1- 50 (Bd. 1). Mitteilungen der Wärmstelle Nr. 51- 100 (Bd. 2). 2 Bände.

      A. Bagel AG, Düsseldorf 1923 - Exemp. i.sehr gut.Zust. Geringste Lager-o.Altersspuren b.genauster Betr., mögl. Im Vorsatz unauffällige private Namenseintragung. Etwas vergilbt, stellenweise leicht stockfleckig. Ecken und Kanten leicht bestoßen. Gelenk von Band 2 etwas angerissen. Schnitt etwas angeschmutzt. Alle Seiten festsitzend. Keine privaten Markierungen oder ähnliches. Buchrücken mit Titelgoldprägung, bei Band 2 etwas abgelöst. Innen in sehr gutem Zustand. Frischer Gesamtzustand. Altersgemäß in Top- Zustand. ca. 1300 S. Deutsch 3620g Lex .8° - Lexikonformat (entspricht 25 - 30 cm) Halbkunstleder

      [Bookseller: Guthschrift Antiquariat]
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        New Hampshire

      Henry Holt - B000J4GSJY Dust jacket wrapped- jacket has wear, First Edition - October 1923, has a good binding, no marks or notations. [Attributes: First Edition; Hard Cover]

      [Bookseller: Ed's Editions LLC, ABAA]
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        The Wares of the Ming Dynasty.

      London Benn 1923 - Mit 126 (11 farb.) Abb. auf 59 Tafeln (jeweils mit Beschreibung auf vorgeschaltenen Blatt), ca. 13 Illustr., 1 Schriftzeichentabelle u. 30 Marken. XVI, 240 S., 1 w. Bl. u. 1 Bl. 4°. Illustr., goldgeprägtes Originalleinen, dieses minimal bestoßen, der Kopfschnitt etwas angestaubt. Kleines Schild u. Stempel a. d. Vorsatz, papierbedingt gebräunt u. ganz gelegentlich etwas stockfleckig, tls. etwas angerändert bzw. geknickt, sonst gutes Exemplar. (2190 Gr.) WEITERE AUSKÜNFTE ERTEILEN WIR IHNEN GERNE TELEFONISCH.Nummer 983 von 1500 (gesamt 1783) nummerierten Exemplaren.

      [Bookseller: Antiquariat Held]
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        The Rover

      T. Fisher Unwin Ltd., London 1923 - First Edition, First Printing with the words "First Published 1923" printed on the copyright page. A beautiful copy. This ORIGINAL clean white dustjacket has light wear to the spine. The book is in excellent condition. The binding is tight with NO cocking or leaning and the boards are crisp. The pages are exceptionally clean with NO writing, marks or bookplates in the book. A wonderful copy with the First Issue dustjacket in collector's condition. [Attributes: First Edition; Hard Cover]

      [Bookseller: Quintessential Rare Books, LLC]
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        Poster Art in Vienna. Illustrated by: Klinger, Cosl-Frey, Willrab, Haas, Engelberg, Schwarcz.

       Chicago [1923]. gr.-4°. 4 Bll., 55 (47 farb.) Taf., 7 Bll. OHLn. Farbig illustr. Einband v. Julius Klinger, Vorsatz u. Tit. mit Stempel von Chwala Druck Wien, Etikett von Archiv Chawala`s Druck. Ecken ein wenig berieb. EAvgl. Thieme-B. XX, 512 - Äußerst seltenes Werk über die Wiener Plakatkunst mit herrlichen Wiedergaben der Plakate Juilius Klingers u. a. Hs. Widmung am Tit. Wien, 13. 4. 1931. Julius Klinger (1876-1942), studierte am Technologischen Gewerbemuseum, 1895 Eintritt in das Zeichenatelier der `Wiener Mode` wo er mit Koloman Moser bekannt wurde, Verlagsarbeiten in Deutschland folgten, während des 1. Weltkriegs im österreichischen Kriegsdarchiv in Verwendung, danach Eröffnung eines Ateliers für Plakatkunst aus dem Plakatzeichner wie Cosl-Frey, Willrab, Haas, Engelberg und Schwarz hervorgegangen sind. Einige seiner Plakate wurden bei Chwala gedruckt. Versand D: 4,00 EUR Kunst, Plakate

      [Bookseller: Antiquariat Burgverlag]
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        Maria Magdalena. Ein bürgerliches Trauerspiel in drei Akten. Mit (9 signierten ganzseitigen) Radierungen von Hugo Steiner-Prag.

      Berlin, Propyläen Verlag, 1923 - 114(2) Seiten, goldgeprägtes Rückenschildchen, Kopf-Goldschnitt. Zweifarbiger Titeldruck. Einmalige Auflage von 300 Exemplaren. Textdruck: auf Bütten von Poeschel & Trepte, Leipzig. Handpressendruck der Radierungen: Bibliographisches Institut, Leipzig. Vorliegend: Nr. 187. Sämtliche Radierungen sind von Steiner-Prag mit Bleistift signiert, ebenso das Impressum. Leichter Anflug von Stockflecken auf den ersten Seiten, im weiteren Verlauf sehr vereinzelt kleinere Flecken. Das Einband-Schmuckpapier hat deutliche Abriebspuren. Innen ein schönes Exemplar mit wunderbaren Original-Radierungen. Limited for 300 copies, everyone of the nine etching is signed, also the back by the artist. Sprache: Deutsch Gewicht in Gramm: 1000 ca 21x15 cm (HxB), OHalb-Leder mit goldgeprägtem Vorderdeckel, [Attributes: First Edition; Signed Copy]

      [Bookseller: Uta-Janine Störmer]
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        The World Crisis, full set of six British first edition, first printings

      

      [Bookseller: Churchill Book Collector]
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        Propos sur l'esthétique

      Edition originale, un des 50 exemplaires numérotés sur Holland papere, seuls grands papiers.Envoi autographe daté et signé d'Alain à sa tante Françoise Benoist : "... Il faut dire avant de savoir ce qu'on dit..." Chaque fin d'article a été datée à la main par Alain.Quelques petites rousseurs.   Stock Paris 1923 10x14,5cm broché

      [Bookseller: Librairie Le Feu Follet]
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