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Displayed below are some selected recent viaLibri matches for books published in 1922

        THE CHRONICLES OF RODRIGUEZ

      London & New York: G.P. Putnam's Sons, 1922. Quarto. Half stiff vellum, gilt label, t.e.g., others untrimmed. Frontispiece. Trace of foxing early and late and at edges (but much less than usual), otherwise fine in faintly used pictorial dust jacket. Bookplate of Adrian Goldstone. First limited edition. Illustrated with a frontispiece by S.H. Sime rendered via photogravure. One of only 500 numbered copies, signed by the author, and signed by Sime in the margin of the frontis. Uncommon in dust jacket. BLEILER, p. 65.

      [Bookseller: William Reese Company - Literature ABAA-]
 1.   Check availability:     ABAA     Link/Print  


        Man-Size

      Boston: Houghton Mifflin Company. 1922. First. First edition. Owner name stamped on front pastedown and top and bottom of the page edges, else near fine in near very good dustwrapper with a couple of modest chips, and tears. Signed by the author. Basis for the 1923 film A Man's Size directed by Howard M. Mitchell, and featuring William Russell, Alma Bennett, and Stanton Heck. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Howard Pyle's Book of Pirates: Fiction, Fact & Fancy concerning the Buccaneers & Marooners of the Spanish Main

      New York and London: Harper & Brothers, 1922. Howard Pyle. A handsome copy of this very early, September 1922 edition (born out by Harper's I-W code on the copyright page). Solid and VG (with light rubbing along the spine) in a crisp, price-intact, VG dustjacket, with light chipping along the spine ends and panel edges, and mild darkening to the panels. Tall quarto, nicely illustrated thruout by the redoubtable Howard Pyle.

      [Bookseller: Appledore Books, ABAA]
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        Moby Dick or the White Whale

      St Botolph's Society, Boston 1922 - 8vo, blue cloth binding with gilt lettering and embossed illustration, top edge soiled, owner's gift dedication, book is tight and straight, pages around frontispiece foxed, 545 pages + 8 pages of ads [Attributes: Hard Cover]

      [Bookseller: Stone Soup Books]
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        John Wisden's Cricketers' Almanack for 1922 - 1922 Original Hardback Wisden Signed by Pardon to Caine

      1922. Hi, This lot is a 1922 Original Hardback Wisden in OK Condition, 1922s do not come in very good very often and there are nicer condition 1922s out there but this one is special as it is a presentation Wisden, it is signed by the Editor Sydney H Pardon to Caine (future editor) on the title page. So condition, first off the gilt is bright to front and spine , the boards however are dark and marked and there is a lot of wear between the spine cloth and the front/back boards. Inside the hinges are strong but some yellow coming away to the front hinge. A bit grubby inside but not too bad. Great Photoplate. Sticker to first page.

      [Bookseller: Wisdenshop.com]
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        Tableau de la boxe (illustrated with 33 original etchings by André Dunoyer de Segonzac)

      N.R.F. (Editions de la Nouvelle Revue Française), Paris 1922 - THE MOST BEAUTIFUL BOOK ON BOXING, with 33 original etchings by ANDRE DUNOYER DE SEGONZAC. 213 pp. From a total edition of 333 copies, this is one of 318 numbered copies printed on fine wove paper. 4to. BEAUTIFULLY BOUND BY MERTENS (signed) in half morocco and decorated boards. Spine gilt in six compartments with raised bands. Morocco spine label. Top edge gilt, other edges uncut. Original wraps and backstrip preserved. FINE AND BRIGHT, LIKE NEW, WITH NO DEFECTS. Skira 326. [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Cole & Contreras / Sylvan Cole Gallery]
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        DUTCH COURAGE

      Macmillan Company, New York 1922 - Jack London's posthumous collection of adventure stories, uncommon in the pictorial dustjacket. With the frontispiece photograph of Jack London, and seven plates from drawings. One of 4,348 copies. The dustjacket is bright with just a trace of shelfwear; there is a minor crease to the rear panel, as well as some soiling. The dustjacket has not been price-clipped. The binding is quite sharp and bright, with a small stain (about 1/4") to the top edge and some minor toning to the endsheets. (BAL 11985; Sisson & Martens, p. 105). Near Fine binding / Very Good dust jacket. [Attributes: First Edition; Hard Cover]

      [Bookseller: BLACK SWAN BOOKS, INC., ABAA, ILAB]
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        Cave-In-Rock. View on the Ohio

      Schmidt and Guenther, [Leipzig 1922 - Hand-coloured aquatint engraving by L. Weber after Bodmer. From the scarce Leipzig edition printed from the original copper-plates. Limited in number, the prints from the Leipzig edition are more scarce than, and compare favorably to, the first edition. (David C. Hunt, "Karl Bodmer and the American Frontier," Imprint/Spring 85, p.18) En route to St.Louis, Missouri, Bodmer, Prince Maximilian and Dreidoppel traveled via the Ohio river. About twenty-five miles beyond Shawnee Town, Bodmer sketched this intriguing geological rock formation known as Cave-In-Rock on the Illinois side of the river near Cave-In-Rock Island. The scene also includes an Ohio steamer flanked by two Ohio keelboats, all caught against a late evening sky. Unsurprisingly, the area is now part of a National Park. Karl Bodmer's images show great versatility and technical virtuosity and give us a uniquely accomplished and detailed picture of a previously little understood (and soon to vanish) way of life. Swiss-born Bodmer was engaged by Prince Maximilian zu Wied-Neuwied (1782-1867) specifically to provide a record of his travels in North America, principally among the Plains Indians. In the company of David Dreidoppel (Prince Maximilian's servant and hunting companion), their travels in North America were to last from 1832 to 1834. They arrived in Boston in July 1832, traveled on to Philadelphia, where they stayed with Napoleon Bonaparte's elder brother Joseph. From here they headed west across Pennsylvania across the Alleghenies to Pittsburgh and the Ohio country, visiting all the important German settlements en route. Their most important stop on their route west was at the utopian colony of New Harmony in Indiana. The Prince spent five months there in the company of some of the country's leading scientific men, and studying all the relevant literature on backcountry America. On 24 March 1833 the party reached St. Louis, Missouri, and the start of the journey into Indian country. David C. Hunt, "Karl Bodmer and the American Frontier," Imprint /Spring 1985, p.18. Cf.Graff 4648; cf. Howes M443a; cf. Pilling 2521; cf. Sabin 47014; cf. Wagner-Camp 76:1. [Attributes: First Edition]

      [Bookseller: Donald A. Heald Rare Books (ABAA)]
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        THE DAY OF THE BEAST

      NY: Harpers, 1922 . First edition. A fine copy in very good jacket. Inscribed by Zane Grey's son Loren. The front cover of the jacket is darkened from smoke damage caused by a fire in Grey's library.

      [Bookseller: Kubik Fine Books Ltd, ABAA]
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        Ptihn-Tak-Ochatä. Dance of the Mandan Women

      [Leipzig: Schmidt and Guenther, 1922. Aquatint engraving by L. Weber after Bodmer. From the scarce Leipzig edition printed from the original copper-plates. Limited in number, the prints from the Leipzig edition are more scarce than, and compare favorably to, the first edition. (David C. Hunt, "Karl Bodmer and the American Frontier," Imprint/Spring 85, p.18)The dance of the women of the Mandan White Buffalo Cow Society was performed for the factor and his guests at Fort Clark on 25 December 1833. Bodmer and Prince Maximilian overwintered at Fort Clark, between the Knife and Heart Rivers in the territory of the Mandans and the Hidatsas, and made full use of their time to record in detail the life, history and beliefs of the Indian Tribes around them. Both the Mandans and the Hidatsas were divided into a series of age-graded societies into which a person successively purchased membership as he or she got older. The White Buffalo Cow Society was one of four such amongst the women of the Mandan, and they had special hats made of rectangular pieces of the rare and sacred white buffalo hide. These were wrapped around the head and laced at the back with a plume of owl or at the front with raven feathers.Karl Bodmer's images show great versatility and technical virtuosity and give us a uniquely accomplished and detailed picture of a previously little understood (and soon to vanish) way of life. Swiss-born Bodmer was engaged by Prince Maximilian zu Wied-Neuwied (1782-1867) specifically to provide a record of his travels in North America, principally among the Plains Indians. In the company of David Dreidoppel (Prince Maximilian's servant and hunting companion), their travels in North America were to last from 1832 to 1834. They arrived in Boston in July 1832, traveled on to Philadelphia, where they stayed with Napoleon Bonaparte's elder brother Joseph. From here they headed west across Pennsylvania across the Alleghenies to Pittsburgh and the Ohio country, visiting all the important German settlements en route. Their most important stop on their route west was at the utopian colony of New Harmony in Indiana. The Prince spent five months there in the company of some of the country's leading scientific men, and studying all the relevant literature on backcountry America. On 24 March 1833 the party reached St. Louis, Missouri, and the start of the journey into Indian country.David C. Hunt, "Karl Bodmer and the American Frontier," Imprint /Spring 1985, p.18.Cf.Graff 4648; cf. Howes M443a; cf. Pilling 2521; cf. Sabin 47014; cf. Wagner-Camp 76:1.

      [Bookseller: Donald Heald Rare Books ]
 10.   Check availability:     ABAA     Link/Print  


        Hakuyo White Sun

      

      [Bookseller: Maggs Bros. Ltd.]
 11.   Check availability:     Direct From Seller     Link/Print  


        Exposition Francis Picabia 18 Novembre - 8 Décembre 1922

      - Galmerie Dalmau, Barcelona 1922, 12,5x19,5cm, broché. - Edizione stampato piccolo numero di questa brochure mostra. Prefazione di André Breton. Libro Illustrato 6 riproduzioni di opere di Francis Picabia. esemplare raro e bello. - [FRENCH VERSION FOLLOWS] Edition originale imprimée à petit nombre de cette plaquette d'exposition. Préface d'André Breton. Ouvrage illustré de 6 reproductions d'oeuvres de Francis Picabia. Infimes piqûres sans gravité en marges de certains feuillets. Rare et bel exemplaire.

      [Bookseller: Librairie Le Feu Follet]
 12.   Check availability:     maremagnum.com     Link/Print  


        Salus infirmorum

      1922. Unpublished. In addition to a few early impressions of the final state, twenty were printed in 1930. Signed, titled and dated "1922" in pencil. 219 x 184 mm. Matted. Very wide margins; All 4 corners irregularly torn. Unpublished. In addition to a few early impressions of the final state, twenty were printed in 1930. Signed, titled and dated "1922" in pencil. 219 x 184 mm. Dodgson 32 V/V

      [Bookseller: James Cummins Bookseller]
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        East of the Sun and West of the Moon

      New York: George H Doran Company,, [1922]. Old Tales from the North. Quarto. Original cream cloth, titles to spine and front cover in red, orange illustrated endpapers. With the dust jacket. Illustrated title page, tipped-in colour frontispiece, 24 colour plates, black and white illustrations to text. Bookseller's ticket to rear pastedown. Slight rubbing to extremities, slight foxing to top edge; an excellent copy in the jacket with spine lightly browned and a little scuffed, nicks to extremities. First US edition in this format, first printing; Doran had also published a large format edition in 1914. The richness of the Danish Nielsen's colour images for this lavish illustrated book of Norse pagan mythology was achieved by a four-colour process, in contrast to many of the illustrations prepared by his contemporaries, such as Rackham and Dulac, which characteristically utilised a traditional three-colour process.

      [Bookseller: Peter Harrington]
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        East of the Sun and West of the Moon. Old Tales from the North.

      New York: George H Doran Company, [1922] - Quarto. Original cream cloth, titles to spine and front cover in red, orange illustrated endpapers. With the dust jacket. Bookseller's ticket to rear pastedown. Slight rubbing to extremities, slight foxing to top edge; an excellent copy in the jacket with spine lightly browned and a little scuffed, nicks to extremities. Illustrated title page, tipped-in colour frontispiece, 24 colour plates, black and white illustrations to text. First US edition in this format, first printing; Doran had also published a large format edition in 1914. The richness of the Danish Nielsen's colour images for this lavish illustrated book of Norse pagan mythology was achieved by a four-colour process, in contrast to many of the illustrations prepared by his contemporaries, such as Rackham and Dulac, which characteristically utilised a traditional three-colour process.

      [Bookseller: Peter Harrington. ABA member]
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        Kabumpo in Oz

      Chicago: Reilly & Lee, 1922. First edition. 297pp. Octavo [23.5 cm] Blue cloth with a full-color illustrated label that covers the front board. Title printed in black on the backstrip. Very good. Light rubbing to extremities. Partial jacket. Complete with all twelve full-color plates by John R. Neill. This is the sixteenth book in the Oz series. Bienvenue p.103. Hanff/Greene p.88-89.

      [Bookseller: Ken Sanders Rare Books, ABAA]
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        The Idyls of Theocritus and the Idyls of Bion & Moschus

      London: The Medici Society ltd/The Riccardi Press, 1922. Limited Editions. Quarto. In two volumes, limited to 500 copies by the Riccardi Press on hand-made Riccardi paper, 92pp., and 28pp., illustrated by W. Russel Flint with 20 color mounted plates, bound in 1/4 beige cloth over pale blue paper covered boards, paper labels and with spare paper labes to each volume at rear, top edges gilt, one bumped corner to each volume otherwise a near fine set in dust jackets with toning to spine and edges and minor tiny chips to spine ends or corners. Very nice.

      [Bookseller: Alcuin Books, ABAA-ILAB]
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        Tales of the Jazz Age

      New York: Scribner’s, 1922. First Edition. Bookplate; contemporary ownership inscription. Very good or better.

      [Bookseller: Peter L. Stern & Company, Inc. ]
 18.   Check availability:     ABAA     Link/Print  


        Contes et Nouvelles en Vers . illustrés avec compositions gravées d'après les dessins de Charles Eisen

      Les éditions G. Crès et Cie, Paris 1922 - No. 59 of 360 copies printed on Grand Vergé de Rives. Frontispiece portraits of La Fontaine and Eisen from contemporary engravings, with 83 engraved plates from the originals by Eisen, and with numerous wood engraved head- and tailpieces by P. Baudier after the original drawings by Eisen. Text xxviii, 355, [1];384, [2]pp. 2 vols. Samll 8vo. La Fontaine with Eisen Plates. A superb edition featuring the original exquisite Eisen plates, an improved text, beautiful paper, fine typography, a pleasing overall design in a leather binding to match. Bound in three quarter pale blue morocco and marbled paper boards, gilt spines, t.e.g., original wrappers bound in. A beautiful copy Frontispiece portraits of La Fontaine and Eisen from contemporary engravings, with 83 engraved plates from the originals by Eisen, and with numerous wood engraved head- and tailpieces by P. Baudier after the original drawings by Eisen. Text xxviii, 355, [1];384, [2]pp. 2 vols. Samll 8vo No. 59 of 360 copies printed on Grand Vergé de Rives. [Attributes: Hard Cover]

      [Bookseller: James Cummins Bookseller, ABAA]
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        Contes et Nouvelles en Vers illustrés avec compositions gravées d'après les dessins de Charles Eisen

      Paris: Les éditions G. Crès et Cie, 1922. No. 59 of 360 copies printed on Grand Vergé de Rives. Frontispiece portraits of La Fontaine and Eisen from contemporary engravings, with 83 engraved plates from the originals by Eisen, and with numerous wood engraved head- and tailpieces by P. Baudier after the original drawings by Eisen. Text xxviii, 355, [1];384, [2]pp. 2 vols. Samll 8vo. Bound in three quarter pale blue morocco and marbled paper boards, gilt spines, t.e.g., original wrappers bound in. A beautiful copy. No. 59 of 360 copies printed on Grand Vergé de Rives. Frontispiece portraits of La Fontaine and Eisen from contemporary engravings, with 83 engraved plates from the originals by Eisen, and with numerous wood engraved head- and tailpieces by P. Baudier after the original drawings by Eisen. Text xxviii, 355, [1];384, [2]pp. 2 vols. Samll 8vo. La Fontaine with Eisen Plates. A superb edition featuring the original exquisite Eisen plates, an improved text, beautiful paper, fine typography, a pleasing overall design in a leather binding to match.

      [Bookseller: James Cummins Bookseller]
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        Kabumpo in Oz

      Chicago: The Reilly & Lee Co., 1922. First Edition. Blue Cloth, Pictorial Label. Good/No Jacket. Pictures By John R. Neill. Signed By Alden and Joslyn Baum. 1st Printing First Issue, Blue Cloth, "Kabumpo In Oz" Half-Title, "Princess Dorothy" On P.299, 12 Full-Color Plates, Earliest State Of Ampersand. This Copy From The Family Of Frank Joslyn Baum (12/4/83-12/2/58), L. Frank Baum's Oldest Son, With Childish Handwritten Signatures Of His Two Children, "Joslyn" , Joslyn Stanton Baum (1908-1982), And "Alden", Frank Alden Baum, (1914-1944). Alden Is The Dedicatee Of Some Of L. Frank Baum's Own Oz Books; Joslyn Was The Dedicatee Of The Road To Oz. [ Family Copies Of The Oz Books Are Rarely Available On The Market.] Front Hinge Broken.

      [Bookseller: Arroyo Seco Books]
 21.   Check availability:     Biblio     Link/Print  


        A HASTY BUNCH

      Paris: Contact Editions, 1922. First edition. Printed wraps. 4.5 x 7.25 inch broadside "From an h'English Printer to an English Publisher" laid in. Aprx 300 copies printed. A clean, tight copy with minimal wear to the brown printed wrapper. Near Fine condition. McAlmon's second book and the first publication of the press he founded.. First Edition. Near Fine. 12mo - over 6¾" - 7¾" tall.

      [Bookseller: Revere Books, ABAA & IOBA ]
 22.   Check availability:     ABAA     Link/Print  


        Cave-In-Rock. View on the Ohio

      [Leipzig: Schmidt and Guenther, 1922. Hand-coloured aquatint engraving by L. Weber after Bodmer. From the scarce Leipzig edition printed from the original copper-plates. Limited in number, the prints from the Leipzig edition are more scarce than, and compare favorably to, the first edition. (David C. Hunt, "Karl Bodmer and the American Frontier," Imprint/Spring 85, p.18) En route to St.Louis, Missouri, Bodmer, Prince Maximilian and Dreidoppel traveled via the Ohio river. About twenty-five miles beyond Shawnee Town, Bodmer sketched this intriguing geological rock formation known as Cave-In-Rock on the Illinois side of the river near Cave-In-Rock Island. The scene also includes an Ohio steamer flanked by two Ohio keelboats, all caught against a late evening sky. Unsurprisingly, the area is now part of a National Park. Karl Bodmer's images show great versatility and technical virtuosity and give us a uniquely accomplished and detailed picture of a previously little understood (and soon to vanish) way of life. Swiss-born Bodmer was engaged by Prince Maximilian zu Wied-Neuwied (1782-1867) specifically to provide a record of his travels in North America, principally among the Plains Indians. In the company of David Dreidoppel (Prince Maximilian's servant and hunting companion), their travels in North America were to last from 1832 to 1834. They arrived in Boston in July 1832, traveled on to Philadelphia, where they stayed with Napoleon Bonaparte's elder brother Joseph. From here they headed west across Pennsylvania across the Alleghenies to Pittsburgh and the Ohio country, visiting all the important German settlements en route. Their most important stop on their route west was at the utopian colony of New Harmony in Indiana. The Prince spent five months there in the company of some of the country's leading scientific men, and studying all the relevant literature on backcountry America. On 24 March 1833 the party reached St. Louis, Missouri, and the start of the journey into Indian country. David C. Hunt, "Karl Bodmer and the American Frontier," Imprint /Spring 1985, p.18. Cf.Graff 4648; cf. Howes M443a; cf. Pilling 2521; cf. Sabin 47014; cf. Wagner-Camp 76:1.

      [Bookseller: Donald Heald Rare Books]
 23.   Check availability:     IOBABooks     Link/Print  


        Masterstvo teatra = [Mastery of the Theater]. No. 1.

      Moscow: Izd. Russko Teatral'nogo Obshestva. 1922 - "Vremennik Kamernogo teatra."--Cover. 8vo. 108 pp., illus. Text in Russian. Premier issue of rare periodical featuring articles by leading experts on Russian experimental theater; essential resource for historians of Russian and Soviet art, theater critics. Very good, bound in black cloth boards, preserving the original wraps; title page has been mounted and tipped in, table of contents is worn and loosely inserted, marginal tears and glue residue on p. 110 verso. [Attributes: Soft Cover]

      [Bookseller: Wittenborn Art Books]
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        The Shirley Letters From California Mines 1851-1852

      San Francisco: Thomas C. Russell, 1922. First Edition thus; Limited Edition of 450 copies (this one is #105 of the first 200 copies on Exeter book-paper), SIGNED by the printer. 8vo. (l) 350pp. 8 full-page hand colored plates (including frontispiece) with tissue guards; decorative chapter headings, endings and initials in blue. Original tan linen spine over blue-grey boards; printed paper spine label in blue-grey dustjacket with gilt lettering and decoration. Fine in dustjacket (faint initials inked to lower spine label). Originally published in the Pioneer Press Magazine of 1854-55 under the pseudonym Dame Shirley, "these letters present a vivid and unexcelled picture of every-day life in the mines." - Howes. "These superlatively readable and informative letters may well be accorded first place in any gathering of notable Gold Rush Literature." - Wheat. "Her letters rightly receive such high acclaim not only for featuring a woman's viewpoint but also for recording in beautifully crafted language a realistic picture of life in the mines." - Kurutz, Sloan Z80:69. (Graff 727; Howes C427; Kurutz 133b; Zamorano Eighty #69).

      [Bookseller: Carpe Diem Fine Books]
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        Le martyre d?un grand peuple.

      Frz. In acht Folgen zahlr. und teils farbig bebilderte chronologische Darstellung von der russischen Oktoberrevolutuion bis zu den Wirren des Bürger- und Interventionskrieges 1922. Einband Umschlag der ersten Folge lose und mit Randläsuren. Alle weiteren Umschläge gleichfalls stellenweise mit kleineren Einrissen und Randläsuren. Sehr selten!

      [Bookseller: Rotes Antiquariat]
 26.   Check availability:     booklooker.de     Link/Print  


        La Céramique Chinoise, De l'époque des Han a l'époque des Ming (206 av. J.- C.-1643), ditto. De l'époque de K'ang-Hi à nos jours (1662-1911). 2 vols.

      Paris: Éditions Albert Morancé, 1922. Ce n'est pas une édition bilingue. Texte en français uniquement, pas en anglais. Deux volumes in 8vo en feuilles sous chemises à lacets, 31pp. et 40 planches; 29pp. et 44 planches, en b&n et en couleurs. Bien complet. Ces deux ouvrages comprennent l'étude de céramiques chinoises conservées au Musée du Louvre avec de belles reproductions. Notons l'état très exceptionnellement frais des exemplaires. This is not a bilingual edition. Text in French only, not in English. Presumed first edition. Complete in two volumes. Printed and bound by Éditions Albert Morancé, Paris. Each volume consists of unbound text sheets plus loose plates, all in a portfolio. Size of sheets is 22.5 x 17.5 cm. (9 x 7 inches). 31,(1) and 29,(1) pages, plus 40 and 44 plates, as called for. Thus no missing plates. As to Vol. I, 28 plates are colored/tinted, 12 are monochrome. As to Vol. II,32 plates are colored/tinted, 12 are monochrome. First and last pages of the text in both volumes with moderate age-toning. Minor age-toning to the edges of all plates in both volumes. Vol. I, Pl. 32 with foxing/soiling in the right margin, not into the plate itself. Else the pages and plates are impressively clean. The two matching portfolios in plain paper-covered hardboards and with gray buckram spines. Gilt- and blue-stamped lettering to the front boards, gilt-stamped lettering to the spines, and small gilt publisher's emblem to the rear boards. The portfolio spine heads and tails with moderate abrasion and bumping. With a light brown ribbon tie along the fore-edge of each portfolio. Marbled paper lining to the insides of the portfolios. Minor soiling and age darkening to the exterior of the portfolios. A Very Good Plus set of unbound sheets in Good Plus portfolios. Overall Very Good. With an interesting commentary in English, hand-written in ink, laid in. The commentary addresses Chinese ceramics from the perioid of the reign of the Emperor K'ang Hi. Excerpt: "The XVIIth and the XVIIIth centuries have been the golden age of Chinese procelains. The Louvre is one of the museums where may be most easily studied the ceramics of that period. Mr. Grandidier had indeed applied himself to collecting for the reigns of K'ang Hi, Yong Tcheng, and K'ien Long a series as abundant as varied. This magnificent collection (given by him in 1894) is one of the most complete in Europe.". First French Edition. Unbound. Very Good. 8vo - over 7¾" - 9¾" tall.

      [Bookseller: Marc Sena Carrel]
 27.   Check availability:     Biblio     Link/Print  


        Boddenbrooks. Verfall einer Familie. 2 Bände (komplett). [Signierte Vorzugsausgabe].

      Berlin, S. Fischer Verlag 1922 - 8°. 19 cm. 499 und 477 Seiten, 1 Blatt. Blauer Original-Ganzlederband mit goldgeprägter Deckelvignette, goldgeprägtem Titel auf rotem Lederschildchen. Kopfgoldschnitt. (Thomas Mann. Gesammelte Werke). Nummer 55 von 150 im 2. Band nummerierten und von Thomas Mann im Impressum signierten Exemplaren auf Hadern-Velin-Papier. Bürgin II 1, Ausgabe III, Potempa A1, Ausgabe IV. 119. - 128. Auflage. Oberes Kapital mit Einrissen, Einband am Rücken aufgehellt, wenig berieben, Name auf Vorsatz. Gute Exemplare. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Antiquariat Lenzen GbR]
 28.   Check availability:     ZVAB     Link/Print  


        La Céramique Chinoise, De l'époque des Han a l'époque des Ming (206 av. J.- C.-1643), ditto. De l'époque de K'ang-Hi à nos jours (1662-1911). 2 vols.

      Paris: Éditions Albert Morancé, 1922. Ce n'est pas une édition bilingue. Texte en français uniquement, pas en anglais. Deux volumes in 8vo en feuilles sous chemises à lacets, 31pp. et 40 planches; 29pp. et 44 planches, en b&n et en couleurs. Bien complet. Ces deux ouvrages comprennent l'étude de céramiques chinoises conservées au Musée du Louvre avec de belles reproductions. Notons l'état très exceptionnellement frais des exemplaires. This is not a bilingual edition. Text in French only, not in English. Presumed first edition. Complete in two volumes. Printed and bound by Éditions Albert Morancé, Paris. Each volume consists of unbound text sheets plus loose plates, all in a portfolio. Size of sheets is 22.5 x 17.5 cm. (9 x 7 inches). 31,(1) and 29,(1) pages, plus 40 and 44 plates, as called for. Thus no missing plates. As to Vol. I, 28 plates are colored/tinted, 12 are monochrome. As to Vol. II,32 plates are colored/tinted, 12 are monochrome. First and last pages of the text in both volumes with moderate age-toning. Minor age-toning to the edges of all plates in both volumes. Vol. I, Pl. 32 with foxing/soiling in the right margin, not into the plate itself. Else the pages and plates are impressively clean. The two matching portfolios in plain paper-covered hardboards and with gray buckram spines. Gilt- and blue-stamped lettering to the front boards, gilt-stamped lettering to the spines, and small gilt publisher's emblem to the rear boards. The portfolio spine heads and tails with moderate abrasion and bumping. With a light brown ribbon tie along the fore-edge of each portfolio. Marbled paper lining to the insides of the portfolios. Minor soiling and age darkening to the exterior of the portfolios. A Very Good Plus set of unbound sheets in Good Plus portfolios. Overall Very Good. With an interesting commentary in English, hand-written in ink, laid in. The commentary addresses Chinese ceramics from the perioid of the reign of the Emperor K'ang Hi. Excerpt: "The XVIIth and the XVIIIth centuries have been the golden age of Chinese procelains. The Louvre is one of the museums where may be most easily studied the ceramics of that period. Mr. Grandidier had indeed applied himself to collecting for the reigns of K'ang Hi, Yong Tcheng, and K'ien Long a series as abundant as varied. This magnificent collection (given by him in 1894) is one of the most complete in Europe.". First French Edition. Unbound. Very Good. 8vo - over 7¾" - 9¾" tall.

      [Bookseller: Marc Sena Carrel]
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        Exposition Francis Picabia 18 Novembre - 8 Décembre 1922

      Galmerie Dalmau 1922 - - Galmerie Dalmau, Barcelona 1922, 12,5x19,5cm, broché. - Edition originale imprimée à petit nombre de cette plaquette d'exposition. Préface d'André Breton. Ouvrage illustré de 6 reproductions d'oeuvres de Francis Picabia. Infimes piqûres sans gravité en marges de certains feuillets. Rare et bel exemplaire. [AUTOMATIC ENGLISH TRANSLATION FOLLOWS] Edition printed small number of this exhibition brochure. Preface by André Breton. Illustrated book 6 reproductions of works by Francis Picabia. Rare and beautiful copy. [Attributes: First Edition; Soft Cover]

      [Bookseller: Librairie Le Feu Follet]
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