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Displayed below are some selected recent viaLibri matches for books published in 1922

        John Wisden's Cricketers' Almanack for 1922 - 1922 Original Hardback Wisden Signed by Pardon to Caine

      1922. Hi, This lot is a 1922 Original Hardback Wisden in OK Condition, 1922s do not come in very good very often and there are nicer condition 1922s out there but this one is special as it is a presentation Wisden, it is signed by the Editor Sydney H Pardon to Caine (future editor) on the title page. So condition, first off the gilt is bright to front and spine , the boards however are dark and marked and there is a lot of wear between the spine cloth and the front/back boards. Inside the hinges are strong but some yellow coming away to the front hinge. A bit grubby inside but not too bad. Great Photoplate. Sticker to first page.

      [Bookseller: Wisdenshop.com]
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        Memorials of St James's Street together with The Annals of Almack's.

      1922 - 8vo., sometime bound by Root in full dark blue crushed morocco, ruled in gilt, spine ruled and lettered in gilt, top edge gilt, rich gilt turn-ins over watered silk endpapers. With 16 illustrations, extra illustrated with 8 colour plates and 44 black and white plates (predominantly portraits). A little rubbing to raised bands on spine otherwise a very good copy. First edition. A handsomely bound extra-illustrated copy including a hand coloured frontispiece of Pollard's Four in Hand at the Roebuck (rather incongruously as The Roebuck was in Turnham Green). With a history of the Club Almack's. Almack's Assembly Rooms was a social club in London from 1765 to 1871 and one of the first to admit both men and women. It was one of a limited number of upper class mixed-sex public social venues in the British capital in an era when the most important venues for the hectic social season were the grand houses of the aristocracy. From 1871 it was renamed "Willis's Rooms" The Assembly Rooms first opened in purposeful rivalry to Mrs. Cornelys' entertainments at Carlisle House; her masquerade balls were becoming notorious. At first it was described as a "female Brook's"â€"a gambling club to which women were admitted, as well as men. Male members proposed and elected the female members, and women proposed and elected the male members. At this time, like Almack's other establishments, it was meant to make money as what would now be called a casino. It was, like a male club, open any night, and gambling was all that went on, besides a little supper served by Mr. and Mrs. Almack, the latter of whom poured tea while wearing a fashionable sack gown. In 1770, Horace Walpole wrote of "The Female Coterie", "There is a new Institution that begins to make, and if it proceeds will make, considerable noise. It is a club of both sexes to be erected at Almack's, on the model of that of the men at White's. Mrs Fitzroy, Lady Pembroke, Mrs Meynell, Lady Molyneux, Miss Pelham and Miss Lloyd are the foundresses. I am ashamed to say I am of so young and fashionable society; but as they are people I live with, I choose to be idle rather than morose. I can go to a young supper without forgetting how much sand is run out of the hour-glass. This first phase of Almack's suffered from competition from The Pantheon or "Winter Ranelagh Gardens" from 1772 until it burned down twenty years later Play seems to have fallen off, as Almack's entered its second phase some time after 1800. [Attributes: First Edition; Hard Cover]

      [Bookseller: Henry Sotheran Ltd]
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        Works

      1922. STEVENSON, Robert Louis. The Works of Robert Louis Stevenson. Vailima Edition. London: Heinemann, et al. and New York: Charles Scribner's Sons, 1922-23. 26 volumes. Octavo, modern three-quarter red morocco, elaboratedly gilt-decorated spines, raised bands, marbled endpapers, top edges gilt, uncut. $9500.Vailima Edition of StevensonÂ’s Works, number 144 of 1000 sets for sale in the United Kingdom, an exceptional 26 volumes handsomely bound by Brentano's in three-quarter crimson morocco gilt.This 26-volume Vailima Edition includes favorites such as Treasure Island, Kidnapped, Dr. Jekyll and Mr. Hyde, and A Child's Garden of Verses, along with several volumes of letters as well as sketches, criticism, and other miscellanea, including some previously unpublished material. Each volume with frontispiece. Number 144 of 1060 sets printed of the United Kingdom issue: 1000 for sale and 60 for presentation. A fine set handsomely bound.

      [Bookseller: Bauman Rare Books]
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        The Writings of Mark Twain.

      New York: Gabriel Wells, - In 37 Vols. 1922-1923. (Vols.36-37 were published by Harper & Brothers Publishers, New York and London, 1924). Definitive Edition. This definitive edition consists of 1024 sets, the first volume of each bearing the original autograph signature of Mark Twain. This copy no.381. At flyleaf: ". signed by Mark Twain in 1906 in anticipation of the present definitive edition of his works." with the signature by Albert Bigelow Paine and the next tipped-in plate is signed by "SL. Clemens / Mark Twain. Vols.1-29 are Mark Twain's works, vols.30-33: Mark Twain: a biography by Albert Bigelow Paine, vols.34-35: Mark Twain's letters, arranged with comment by Paine, vols.36-37: Mark Twain's autobiography with an introduction by Paine. Uniformly bound in 3/4 red morocco and pink cloth, gilt title to spine, t.e.g. With a b/w frontis.and b/w plates (except for vols.36-37) to each vol. Ex-libris.(Melville Harris) to front flyleaf of each vol. Boards and spine sl.darkened and sl.rubbed at edges and corners. Edges sl.foxing. Vol.2: Lower margin of half title page sl.torn. Vol.3: Fore edge of p.77 sl.torn. Vol.4: Joint of front e.p.somewhat damaged. Vol.9: A line scarred to upper side of spine. Vol.13: Front e.p.sl.stained. Vol.19: Frontis.was bound with the right and left sides reversed. Vol.21: A corner of front board somewhat stained. Vol.25: Spine title misspelled as "Vol. XXIV."Vol.27: Margin of p.121 partly missing. Vol.30: Margin of p.379 torn and repaired. An Attractive set. 22.8x15.5cm. (contens as follows: Vols.1-2. The innocents abroad, or, The new pilgrim's progress; Vols.3-4. Roughing it; Vols.5-6. The gilded age / by Mark Twain and Charles Dudley Warner; Vol.7. Sketches new and old; Vol. 8. The adventures of Tom Sawyer; Vols.9-10. A tramp abroad; Vol. 11. The prince and the pauper; Vol.12. Life on the Mississippi; Vol.13. The adventures of Huckleberry Finn; Vol.14. A Connecticut Yankee in King Arthur's court; Vol.15. The American claimant, and other stories and sketches; Vol.16. Pudd'head Wilson and those extraordinary twins; Vols.17-18. Personal recollections of Joan of Arc by the Sieur Louis de Conte [her page and secretary]. Freely Translated Out of the Ancient French Into Modern English from the Original Unpublished Manuscript in the National Archives of France by Jean Fran?ois Alden; Vol.19. Tom Sawyer abroad, Tom Sawyer, detective, and other stories, etc., etc.; Vols.20-21. Following the equator; Vol.22. Literary essays; Vol.23. The man that corrupted Hadleyburg, and other essays and stories; Vol.24. The $30,000 bequest, and other stories; Vol.25. Christian Science with Notes Containing Corrections to Date; Vol.26. What is man? and other essays, with an appreciation by Brander Matthews, with an introduction by Albert Bigelow Paine; Vol.27. The mysterious stranger, and other stories; Vol.28. Mark Twain's speeches, with an introduction by Albert Bigelow Paine; Vol.29. Europe and elsewhere; Vols.30-33. Mark Twain: a biography. The Personal and Literary Life of Samul Langhorne Clemens. By Albert Bigelow Paine; Vols.34-35. Mark Twain's letters, arranged with comment by Albert Bigelow Paine; Vols.36-37. Mark Twain's autobiography.) [Attributes: Hard Cover]

      [Bookseller: Ogawa Tosho,Ltd. ABAJ, ILAB]
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        ULYSSES

      John Rodker, Paris 1922 - 8vo, 732pp. #1547 of 2000 copies. Published for the Egoist Press, London by John Rodker, Paris. Has paper label on spine. A fine copy in very good condition. [Attributes: Hard Cover]

      [Bookseller: Colebrook Book Barn ABAA]
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        L'homme traqué

      First edition, one of 20 numbered copies on vélin de cuve paper reserved for the "XX" bibliophile group, the tirage de tête.Signed by the author on justification page. A good copy complete with its double covers by Albin Michel and the "XX" bibliophile group. Joints of chemise rubbed, modern slipcase, tiny insignificant worming to endpapers. Albin Michel Paris 1922 17x25,5cm en feuilles sous chemise et étui

      [Bookseller: Librairie Le Feu Follet]
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        SEFER HA-SHIRIM : LE-GANE-YELADIM U-LE-VATE-SEFER `AMAMIYIM VE-TIKHONIM, LE-BAYIT ULE-MAKHELAH

      Berlin : Yudisher Farlag, 1922 - Revised edition, this edition containing first publication of Hava Nagila anywhere. Original boards. 8vo. 168 pages. 23 cm. In Hebrew. Title translates to "Book of Songs : For Kindergartens and National Schools. " Abraham Zevi Idelsohn was a prominent Jewish musicologist, composer, and cantor. He is perhaps best known for his lyrical contribution to the song Hava Nagila and for his 10 volume work "Thesaurus of Hebrew Oriental Melodies. " (Wikipedia, 2016) In the work for sale here, Idelsohn analyzes various musical modes and intonations that are present in the wide spectrum of Jewish music. Thus, the reader gains a greater understanding of how songs are adapted to the various Jewish cultures of the Diaspora. "‘Hava Nagila’ (Havah Nagilah, ‘Let us rejoice’) is an Israeli folk song traditionally sung at Jewish celebrations. It is perhaps the first modern Israeli folk song in the Hebrew language that has become a staple of band performers at Jewish weddings and bar/bat mitzvah celebrations . Abraham Zevi Idelsohn (1882–1938) , a professor at Hebrew University, began cataloging all known Jewish music and teaching classes in musical composition; one of his students was a promising cantorial student, Moshe Nathanson, who (with the rest of his class) was presented by the professor with a 19th-century, slow, melodious, chant (niggun or nigun) and assigned to add rhythm and words to fashion a modern Hebrew song. There are competing claims regarding Hava Nagila's composer, with both Idelsohn and Nathanson being suggested. The niggun he presented has been attributed to the Sadigurer Chasidim, who lived in what is now Ukraine, which uses the Phrygian dominant scale common in music of Transylvania. The commonly used text was probably refined by Idelsohn. In 1918, the song was one of the first songs designed to unite the early Yishuv [Jewish enterprise] that arose after the British victory in Palestine during World War I and the Balfour Declaration, declaring a national Jewish homeland in the lands newly liberated from Turkey by the Allies and entrusted to Britain under the Treaty of Versailles. Although Psalm 118 (verse 24) of the Hebrew Bible may have been a source for the text of ‘Hava Nagila’, the expression of the song and its accompanying hora (‘circle’) dance was entirely secular in its outlook" (Wikipedia, 2016) . Ex-library with usual markings. Binding is starting. Internally Very Good. Overall Good Condition. (MUSIC-6-24) xx [Attributes: Hard Cover]

      [Bookseller: Dan Wyman Books, LLC]
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        Siddhartha

      S. Fischer Verlag, 1922. German Language. First printing hardcover (Erste bis sechste Auflage). The book is near good with shelfwear, a slight bowing of the boards, damage to the spine (the bottom 2" is missing), tape marks to the spine, a gift note inside and some underlining in pencil to the pages. There is no dust jacket. . First Printing. Hard Cover. Fair.

      [Bookseller: MyFirstEditions]
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        Printer's advertisement for Ulysses

      , 1922. 1922. (BEACH, Sylvia) JOYCE, James. Printer's advertisement for Ulysses. Paris: Shakespeare and Company, circa 1931. Single printed sheet, measuring 5-1/2 by 5 inches. $13,500.Original Shakespeare and Company printer's advertisement for the works of James Joyce, annotated at length on the verso by Sylvia Beach listing the publication and availability of the first three parts of Finnegans Wake while still under the working title Works in Progress.After working seven years on Ulysses, Joyce, desperate to find a publisher, turned to Sylvia Beach of Shakespeare and Company in Paris. ""Within a month of the publication, the first printing of Ulysses was practically sold out, and within a year Joyce had become a well-known literary figure"" (de Grazia, 27). From that point forward, Beach represented Joyce and his work in nearly every capacity, "" facing down outraged critics, legal rulings and printers who refused to take on Joyce's work"" (British Library). This printer's advertisement reflects Beach's lifelong commitment to promoting Joyce's work, including through the writing of Finnegans Wake, seen here when it was still Work in Progress. The lengthy notations cover the verso and are entirely in Beach's hand: ""1st fragment of 'Work in Progress' published in New York by Crosby Gage 1928 Anna Livia Plurabelle (from part I) 650 copies all signed. 2nd fragment Tales Told of Shem & Shaun (from part II) The Black Sun Press, Paris 1929. 3rd fragment Babou & Kahane, Paris 1930 Haveth Childers Everywhere from part III. Parts I and III and a small section of part II of Work in Progress appeared in the review Transition Nos 1-8 and III to 15."" Interestingly, Finnegans Wake led to the undoing of Beach and her bookshop. Shakespeare and Company ""closed in December 1941, when a Nazi officer threatened to confiscate the stock of the bookshop if Sylvia did not sell him her only copy of the novel"" (Fitch, 393). Beach had endured a downturn in business, hiding her stock from the Nazis, the deaths of her husband and James Joyce. Ultimately, she could not endure the perversion of Joyce's legacy. This printer's advertisement represents the twilight years of Joyce's brilliant career, before he succumbed to illness and disability, when the possibilities of Finnegans Wake, still unfinished, seemed limitless and Sylvia Beach had no reason to believe her reign as the most powerful literary figure in Paris would ever end. Small repricing overlay reading ""Frs. 12"" on recto. Printed telephone number on recto crossed out with new number neatly stamped below. Two annotations in an unknown hand: [below Ulysses] ""in paper covers cloth binding"" and [below Pomes Penyeach] ""(out of print).""About-fine condition.

      [Bookseller: Bauman Rare Books ]
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        The Waste Land

      Boni and Liveright, 1922 The first edition, one of 1,000 numbered copies, this is number 950. First edition, with no "a" in mountain on page 41, line 339. Stiff boards. Very good condition. Housed in a custom-made collector's slipcase.

      [Bookseller: Bookbid Rare Books]
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        The Pageant of Peking Comprising Sixty-Six VanDyck Photogravures of Peking and Environs from Photographs by Donald Mennie With an Introduction by Putnam Weale, Descriptive Notes by S. Couling

      Shanghai: A.S. Watson & Co. Very Good. 1922. Hardcover. Silk-covered boards with losses to silk. Front board with gilt titling. Foxing to preliminaries; plates clean and bright. ; Folio 13" - 23" tall .

      [Bookseller: William Chrisant & Sons' Old Florida Boo]
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        The Velveteen Rabbit (Illustrated By William Nicholson)

      The First UK Printing published by Heinemann in 1922. The BOOK is in Very Good condition. Original hardcover binding with paper covered boards. The fragile spine has been professionally repaired and rebacked - However, part of the original titling remains. Scraping and exposure of the paperboard to the bottom corners, with lesser exposure to the top corners or boards. Light soiling, scuffing and wear to the boards. A 2cm closed tear to the lower edge of the front end-paper. Previous owner's penned details to the verso of the front end paper. Light spotting and occasional smudges to the pages throughout being a little heavier to the prelims. Illustrated by William Nicholson with colour pictorial endpapers plus 7 richly coloured full page lithographs (several are double-page spreads). The illustrations are clean. No dustjacket. A fragile production and this copy is better preserved than most. This classic children's title chronicles the story of a stuffed rabbit and his desire to become real, through the love of his owner.

      [Bookseller: Ashtonrarebooks]
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        Fregate ""La Serieuse""

      , 1922. 1922. VIGNY, Alfred de. La Frégate

      [Bookseller: Bauman Rare Books ]
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        Nach Damaskus. Achtzehn Steinzeichnungen. [Signierte Vorzugsausgabe].

      München, Georg Müller 1922 - Groß-4°. 36,5 cm. 7 Seiten (Text), 19 Blatt. Original-Ganzpergamentmappe mit goldgeprägtem Rücken- und Deckeltitel. Erste Ausgabe. WG 9. Horodisch 226. Nummer IV von L Exemplaren der Vorzugsausgabe in Ganzpergamentmappe. 19 Original-Lithografien (inklusive Titelblatt), jedes Blatt von Alfred Kubin signiert. Lithografien hergestellt in der Lithografischen Anstalt Dr. C. Wolf & Sohn, München im Sommer 1921, Druck auf echtem Pan-Bütten mit dem "Pan"-Wasserzeichen. Exlibris auf Innendeckel. Einband wenig fleckig, Innendeckel wenig stockfleckig. Gutes bis sehr gutes Exemplar, innen tadellos. [Attributes: First Edition; Signed Copy]

      [Bookseller: Antiquariat Lenzen GbR]
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        Montmartre

      1922. First Edition . LASARD, Lou-Lou Albert. Montmartre. [Potsdam]: Kiepenheuer, circa 1925. Large oblong folio (24 by 19 inches), 12 lithographs, matted and loose as issued in publisher's half cloth portfolio with lithographed boards. $12,500.Rare first edition of this lovely portfolio of large original lithographs of Montmartre society in the 1920s, each one matted and signed in pencil by the artist, Lou-Lou Albert Lasard.Lou-Lou Albert Lasard was an integral member of the circle of artists known as ""Der Blaue Reiter,"" founded in Berlin by a number of Russian emigrants, including Wassily Kandinsky, Alexej von Jawlensky, Marianne von Werefkin, and native German artists, such as Franz Marc, August Macke and Gabriele Münter. From 1914-16 she was linked romantically with Rainer Maria Rilke. In 1928, she returned to Paris and was part of the Montparnasse art society, where she befriended Henri Matisse, Alberto Giacometti, and Robert Delaunay. Lasard's love for Paris and the world of variety shows is highlighted in the 12 lithographs of this exquisite portfolio. In 1925 Lasard was featured in an acclaimed exhibition in the Berlin branch of the noted Galerie Alfred Flechtheim, and the prints in this portfolio were issued in a very limited number to accompany that exhibit. In May, 1940, she and her daughter were interned by the Nazis at the Gurs concentration camp in southwestern France, but were later released. Some wear to flaps of original portfolio. Lithographs clean and fine, with bold signatures. A lovely copy in extremely good condition, rare and most desirable complete.

      [Bookseller: Bauman Rare Books]
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        Saukie and Fox Indians

      1922. BODMER, Karl. Saukie and Fox Indians. [Leipzig: Schmidt & Guenther, 1922]. Mixed engraving methods printed on mounted India tissue, plate impression measures 13-1/2 by 10-1/2 inches; window matted, entire piece measures 23 by 20 inches. $1500.Vivid Leipzig restrike of “Vignette X” from Karl Bodmer’s magnificent picture atlas produced for Maximilian Wied-Neuwied’s Travels in the Interior of North America (1839-43).Maximilian’s monumental work was originally published in German (1839-41); a French translation followed in 1840-43 and an English translation in 1843. A picture-atlas of eighty-one aquatint plates (48 folios and 33 “vignettes”) after paintings by Karl Bodmer was issued in Paris, and accompanied all three of these editions. The images provide an authentic glimpse into 19th-century America by one of the most eminent European artists. Unlike some other painters of the American West, Bodmer tried not to romanticize his subjects, but show them as they really were. “Bodmer’s watercolors are perhaps the most accurate works of art ever made of American Indians during the nineteenth century. His attention in detail to beadwork, personal symbols, clothing, accoutrements, and facial expression make these portraits precious documents of a lost world” (Robert Moore). This superb hand-colored group portrait of Saki and Fox leaders was apparently sketched by Bodmer on March 27, 1833 in St. Louis, where the Indians had come to negotiate the release of Black Hawk, a Saki chief, who had been captured the previous summer following a series of skirmishes with the U.S. Army. Maximilian described them as “stout, well formed men, many of them tall, broad shouldered, muscular and brawny. The features of the men are expressive, and strongly marked: the cheek bones prominent, the lower jaw broad and angular, and the dark brown eyes animated and fiery.” The engraving is vignette number X, restruck on India paper from the original copperplate enhanced by Johann Hürlimann and issued as the “Leipzig edition” of 1922, with the requisite three separate imprint statements and captions in German, French and English. The original plate had been engraved by Charles Vogel. Limited in number, the prints from the Leipzig edition are “more scarce than, and compare favorably to, the first edition” (David C. Hunt). Ruud, 263. See Howes M443a. Wagner-Camp 76. Streeter III:1809. Vividly hand-colored, light foxing to margins (not affecting image). A bright and handsome copy of the scarce Leipzig republication.

      [Bookseller: Bauman Rare Books]
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        On a Chinese Screen

      

      [Bookseller: Maggs Bros. Ltd.]
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        Beautiful and Damned

      1922. First Edition . FITZGERALD, F. Scott. The Beautiful and Damned. New York: Charles Scribner's Sons, 1922. Octavo, original green cloth, original dust jacket. Housed in a custom half morocco clamshell box. $18,500.First edition, first issue, of Fitzgerald's scarce second novel in first-issue dust jacket, housed in a custom half-morocco clamshell box.""The Beautiful and Damned brought Fitzgerald accolades from those whose opinions he valued. Mencken congratulated him for staking out new ground… Fitzgerald was aiming high; he only wanted to be the best novelist of his generation"" (Turnbull, 130-31). Fitzgerald wrote to Zelda in 1930, ""I wish The Beautiful and Damned had been a maturely written book because it was all true. We ruined ourselves… I have never honestly thought that we ruined each other"" (Bruccoli, 180). First issue, with ""Published March, 1922"" on copyright page; first-issue dust jacket with letters on upper cover in white, outlined in black. Bruccoli A8.1.a. Book fine; minor expert restoration to extremely good dust jacket.

      [Bookseller: Bauman Rare Books]
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        Printer's advertisement for Ulysses

      1922. (BEACH, Sylvia) JOYCE, James. Printer's advertisement for Ulysses. Paris: Shakespeare and Company, circa 1931. Single printed sheet, measuring 5-1/2 by 5 inches. $13,500.Original Shakespeare and Company printer's advertisement for the works of James Joyce, annotated at length on the verso by Sylvia Beach listing the publication and availability of the first three parts of Finnegans Wake while still under the working title Works in Progress.After working seven years on Ulysses, Joyce, desperate to find a publisher, turned to Sylvia Beach of Shakespeare and Company in Paris. ""Within a month of the publication, the first printing of Ulysses was practically sold out, and within a year Joyce had become a well-known literary figure"" (de Grazia, 27). From that point forward, Beach represented Joyce and his work in nearly every capacity, "" facing down outraged critics, legal rulings and printers who refused to take on Joyce's work"" (British Library). This printer's advertisement reflects Beach's lifelong commitment to promoting Joyce's work, including through the writing of Finnegans Wake, seen here when it was still Work in Progress. The lengthy notations cover the verso and are entirely in Beach's hand: ""1st fragment of 'Work in Progress' published in New York by Crosby Gage 1928 Anna Livia Plurabelle (from part I) 650 copies all signed. 2nd fragment Tales Told of Shem & Shaun (from part II) The Black Sun Press, Paris 1929. 3rd fragment Babou & Kahane, Paris 1930 Haveth Childers Everywhere from part III. Parts I and III and a small section of part II of Work in Progress appeared in the review Transition Nos 1-8 and III to 15."" Interestingly, Finnegans Wake led to the undoing of Beach and her bookshop. Shakespeare and Company ""closed in December 1941, when a Nazi officer threatened to confiscate the stock of the bookshop if Sylvia did not sell him her only copy of the novel"" (Fitch, 393). Beach had endured a downturn in business, hiding her stock from the Nazis, the deaths of her husband and James Joyce. Ultimately, she could not endure the perversion of Joyce's legacy. This printer's advertisement represents the twilight years of Joyce's brilliant career, before he succumbed to illness and disability, when the possibilities of Finnegans Wake, still unfinished, seemed limitless and Sylvia Beach had no reason to believe her reign as the most powerful literary figure in Paris would ever end. Small repricing overlay reading ""Frs. 12"" on recto. Printed telephone number on recto crossed out with new number neatly stamped below. Two annotations in an unknown hand: [below Ulysses] ""in paper covers cloth binding"" and [below Pomes Penyeach] ""(out of print).""About-fine condition.

      [Bookseller: Bauman Rare Books]
 19.   Check availability:     Biblio     Link/Print  


        Remembrance of Things Past

      1922. First Edition . PROUST, Marcel. Remembrance of Things Past. London: Chatto & Windus / Knopf, 1922-31. Eleven volumes. Original blue cloth, uncut and mostly unopened; original dust jacket (Volume II of Within a Budding Grove). $9200.First edition in English of Proust's masterpiece. Issued over a number of years by two different publishers, complete sets are quite rare.In a February 1908 letter Proust mentioned wanting to ""start a rather long work."" Fourteen years and some two million words later, in February of 1922, he wrote, ""A la recherche du temps perdu is scarcely beginning."" Proust died nine months later, still in the midst of revisions and additions. Of his magnum opus he said, ""I have tried to put all my philosophy into it, to make all my `music' resonate."" Cocteau described the work as ""a giant miniature, full of mirages."" In a contemporary review Maurice Rostand said Proust ""comes to us speaking the language he alone speaks and which he has created himself to express his soul… and this masterpiece, at once so lucid and so mysterious, in which he has found the means to express what seems inexpressible, say what seems unsayable — it is a soul under guise of a book"" (Hayman, 274, 489, 387). This set consists of all first editions in English save for Cities of the Plain, first translated in 1927, here represented by the 1929 limited edition (this copy number 767 of 2230 copies); the 1927 edition of Cities of the Plain was published in New York and is not uniform with the English editions, making this combination much preferred. The final volume, Time Regained, the only volume translated by Stephen Hudson, is number 8 of a limited first edition of 1300. Without the very scarce dust jackets for 10 of the 11 volumes. The Romance Literatures III:515. Connolly 23. Contemporary owner signature.Interiors fine, with a bit of scattered foxing in first volume of Swann's Way and The Captive only. Publisher's cloth fine and beautiful; toning and wear to spine of rare dust jacket for Volume II of Within A Budding Grove. A rare set in exceptional condition.

      [Bookseller: Bauman Rare Books]
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        Fregate ""La Serieuse""

      1922. VIGNY, Alfred de. La Frégate “La Sérieuse,” ou la Plainte du Capitaine. Poème. Paris: René Kieffer (Ducros, Lefèvre et Colas), (1922). Tall octavo, publisher’s deluxe full green morocco gilt, embossed cover illustration, marbled endpapers, top edge gilt, uncut. $1500.Fine limited edition, number 18 of only 550 copies (one of only 50 on Japanese paper), of this melancholy poem on the fate of the French frigate “La Sérieuse,” which was dismasted and sunk by Nelson’s British fleet in the “Battle of the Nile,” with 14 illustrations (four full-page) by Pierre Falké, colored en pochoir. This copy includes a second suite of sepia illustrations bound at the rear.In January 1798 the French gathered an army and substantial fleet in the Mediterranean port of Toulon. It was apparent to the British that Napoleon planned to invade somewhere on the coast of the Mediterranean, but it was not clear where. “By Nelson’s assessment, which proved correct, Napoleon intended to take Malta and then invade the Turkish Khediveate of Egypt, providing support to Tipoo Sultan in his fight with the British in India and restoring French influence in that sub-continent. The government in London and the East India Company panicked at the prospect… Nelson’s fleet set sail for Egypt… to find Alexandria filled with French transport vessels, when the signal was flown ‘Enemy in sight.’ The search for the French Fleet was over; Nelson’s ships cleared for action” (. In the ensuing “Battle of the Nile,” engaged in Aboukir Bay, Napoleon’s Fleet was completely overwhelmed. Of its 13 ships of the line and four frigates, one ship had sunk (“La Sérieuse”), two ships were burned and nine ships captured. It was arguably one of the most decisive battles in the history of naval warfare. Illustrated by maritime specialist Pierre Falké, this poem by de Vigny memorializes that resounding loss. Bookplate. Gift inscription in pencil. Kieffer’s bookseller ticket.A fine copy, with the spine slightly toned.

      [Bookseller: Bauman Rare Books]
 21.   Check availability:     Biblio     Link/Print  


        Fine Portrait Photograph by Vandyck signed by both (Countess of Harewood, 1897-1965, Princess Royal, Daughter of George V), & (Sir) Henry Lascelles, 6th Earl of HAREWOOD (1882-1947, her husband)

      1922 - and dated by the Princess, showing the couple full length in their wedding clothes, he is wearing guards uniform and she is in her beautiful wedding gown with the train arranged in front of her, 6" x 4" in photographer's mount 9" x 6

      [Bookseller: Sophie Dupre ABA ILAB PADA]
 22.   Check availability:     AbeBooks     Link/Print  


        [Wien - Oper - K

       1922. Orig.-Farbradierung, auf Seide gedruckt, v. K

      [Bookseller: Antiquariat Burgverlag]
 23.   Check availability:     buchfreund.de     Link/Print  


        Stavrogin's Confession and The Plan of The Life of a Great Sinner.

      Richmond: Leonard & Virginia Woolf at the Hogarth Press,, 1922. With Introductory and Explanatory Notes. Translated by S. S. Koteliansky and Virginia Woolf. Octavo. Original blue cloth-backed blue and white patterned sides, printed paper labels to spine and front cover, top edge trimmed, others untrimmed. Light browning spine and onto sides, slight wear to edges and tips, small marginal mark to pp. 168-169, an excellent copy. First English language edition, first impression. According to printers R. & R. Clark's records, there were 750 copies produced in the first binding and 300 in the second. "Mrs Woolf did not know Russian. We taught ourselves a little Russian in order to be able to understand Koteliansky's problems in translating. The procedure was that Koteliansky translated the Russian book into very bad English in double-spaced lines, that Mrs Woolf went through the text with him, sentence by sentence, and then put the translation into good English" (Leonard Woolf). Portions of Stavrogin's Confession were published in the first issue of T. S. Eliot's Criterion, alongside Eliot's "Waste Land", in October 1922.

      [Bookseller: Peter Harrington]
 24.   Check availability:     Biblio     Link/Print  


        Westwego. Poème. 1917-1922. Paris. Éditions de la Librairie Six 1922. 23,7 x 16,5 cm. 30 ungezählte Seiten. Originalbroschur.

      Éditions de la Librairie Six, 1922. Originalausgabe. Dada global 216 - Dada Centre Pompidou 1303 mit Abbildungen auf Seite 749 und 907. In einer Auflage von 300 (gesamt 318) Exemplaren auf Maschinenbütten gedruckt. Enthält sowohl am Anfang als auch am Schluß des Buches jeweils eine Seite mit dem Abdruck der linken Handfläche des Autors in der Originalgröße. Wichtige literarische Publikation aus dem Umfeld der Pariser Dadagruppe mit interessanter typoraphischer Gestaltung.

      [Bookseller: Antiquariat Günter Linke]
 25.   Check availability:     Direct From Seller     Link/Print  


        Memorandum for the International Cooperative Delegation - pour la Délégation Internationale Cooperative.

      Moscow: All-Russian Central Union of Consumers' Societies "Centrosyous" = Union Centrale des Coopératives de toute la Russie "Centrosoyouse", 1922. [5] Bll., 97 S., mit 18 Fotografien. Original-Leinwand mit goldgeprägtem Titel, 4°. Exemplar für Comrade Huber, Name auf Seite [1], wo für den Eintrag der Text vorgesehen ist:: "Russian Socialistic Federative Soviet Republic. Workers of the world, unite! Comrade ... From the All-Russian Central Union of Consumers' Societies "Centrosyous". The Presidium. = La République Socialiste Fédérative des Soviets de Russie. Prolétaires de tous les pays, unissez vous! Au Camarade .... De la part de l'Union Centrale des Coopératives de toute la Russie "Centrosoyouse". Le Présidium. Einband etwas berieben, Goldprägung teilweise abgerieben.

      [Bookseller: ABC Antiquariat Marco Pinkus Zurich]
 26.   Check availability:     Direct From Seller     Link/Print  


        Sefer Habdikha Vehakhidud [= The book of jokes and wit]

      Omonuth [Omanut], Frankfurt am Main, Germany 1922 - This is the first edition which was published as a single volume. Printed on high quality paper. [Attributes: First Edition; Hard Cover]

      [Bookseller: Meir Turner]
 27.   Check availability:     AbeBooks     Link/Print  


        The Beautiful and Damned

      NY: Charles Scribners Sons, 1922, 1922. FIRST EDITION FIRST ISSUE SIGNED. 1 vol., signed by Fitzgerald on the front blank endleaf, "Sincerely F. Scott Fitzgerald". Bound in the publisher's original gilt and blind stamped green cloth, gilt lettering to spine slightly dull, head and foot of spine rubbed with some very minor loss, back corners slightly rubbed, inner and outer hinges fine, textblock square, completely unsophisticated, a better copy then it may sound.

      [Bookseller: D&D Galleries - ABAA]
 28.   Check availability:     Biblio     Link/Print  


        Fine Signed, Inscribed and Dated Portrait Photograph, (H

      1922 - by G. Buffon of Turin, showing her three quarter length in profile, arms folded, strongly lit from the left, wearing a light travel dress, tie and wide brimmed tropical hat, with a thoughtful but contented look, inscribed by her in French, "To Mr. J. Chaytor", Charles John Chaytor, of the Nigerian Civil Service, "in memory of our travels in Nigeria . Gaya 12th March - Kano 5th April 1922", (both in northern Nigeria), no place, circa a little silvered, touching the right hand side of the image, but the main strongly lit portion is unaffected H

      [Bookseller: Sophie Dupre ABA ILAB PADA]
 29.   Check availability:     AbeBooks     Link/Print  


        Mele

      

      [Bookseller: Maggs Bros. Ltd.]
 30.   Check availability:     Direct From Seller     Link/Print  


        Die Versuchung des Heiligen Antonius. Federlithographie auf Bütten.

      München 1922 - 50 x 35 cm, 33 x 27 cm, Min. stockfleckig, gutes Exemplar. Im Stein signiert, zusätzlich rechts unten handsigniert. Eins von 100 Exemplaren aus: "Alfred Kubin. Zeichnungen und Aquarelle". München, O. C. Recht, 1922. (Gesamtauflage: 400 Ex.). - Raabe 174. 1200 gr. Schlagworte: Grafik - nach 1945 [Attributes: Signed Copy]

      [Bookseller: antiquariat peter petrej]
 31.   Check availability:     AbeBooks     Link/Print  


        A Wonder Book.

      London Hodder & Stoughton 1922 - Limited edition, number 476 of 600 copies signed by Rackham, 4to. (29,5 x 24cm), 206pp., 24 full-page colour illustrations, 16 of which tipped-in, captioned tissue-guards, 20 black and white drawings, pictorial end-papers, publisher's cream cloth gilt, pictorial vignette to upper cover, top edge gilt, others untrimmed, a few marks, spine darkened with two small stains, otherwise good and internally fine. A collection of fairy tales comprising: The Gorgon's Head; The Golden Touch; The Paradise of Children; The Three Golden Apples; The Miraculous Pitcher and The Chimaera. Latimore & Haskell p.55 [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Shapero Rare Books]
 32.   Check availability:     ZVAB     Link/Print  


        The Beautiful and Damned

      New York: Charles Scribner's Sons,, 1922. Octavo. Original green cloth, titles to front board in blind and to spine gilt, fore edge untrimmed. Ownership inscription to front free endpaper. Very light rubbing to tips and spine ends; an excellent, bright, copy. First edition, first printing. This is Fitzgerald's second novel.

      [Bookseller: Peter Harrington]
 33.   Check availability:     Biblio     Link/Print  


        Original illustration art, being a stylized monogram "EOH"

      1922. Gouache on thick paper, 12 3/4 x 12 3/4 inches, signed "EMcKK" at lower right of monogram, with four color code bars painted at lower right of sheet. Very faint foxing, faint creasing in margins, matted. Gouache on thick paper, 12 3/4 x 12 3/4 inches, signed "EMcKK" at lower right of monogram, with four color code bars painted at lower right of sheet. A stylish "EOH" monogram by American-born artist Edward McKnight Kauffer (1890-1954). It is unknown for whom the monogram was designed, but a penciled note on the back dates its to 1922. Working in London in the first half of the 20th century, Kauffer established himself as one of the foremost poster artists and dust jacket illustrators of his generation.

      [Bookseller: James Cummins Bookseller]
 34.   Check availability:     Biblio     Link/Print  


        MAN IN THE MOON STORIES TOLD OVER THE RADIO-PHONE

      GRUELLE. (GRUELLE,JOHNNY)illus. MAN IN THE MOON STORIES TOLD OVER THE RADIO PHONE by Josephine Lawrence. NY: Cupples and Leon (1922) 4to (7 x 8 3/4"), blue cloth, pictorial paste-on, slight spine fading, near fine. 18 wonderful stories are illustrated by Gruelle with cover plate, marvelous double-page pictorial endpapers, 8 color plates plus black and whites in-text.

      [Bookseller: Aleph-Bet Books, Inc.]
 35.   Check availability:     Biblio     Link/Print  


        ,s Märli vom Hansli und vom Gretli.

      Zürich, Waldmann, [1922¨]. [1922] 1. Bl., 18 S., 1 Bl. Mit 8 ganzs. farb. Lithographien und 1 Schlussvignette von Verena Reinhart. Kl.-8°, farb. illustr. HLeinen. LSBI S. 61. - Erste Ausgabe. - Verena Reinhart-Hafter (1905-1973) malte als Siebzehnjährige zu einer eigenen Version des Märchens von Hänsel und Gretel Farbstiftbilder, in denen sie den Titelfiguren die Gestalt von Bären gab. Text schweizerdeutsch. - VDeckel an den Rändern etwas stockfleckig.

      [Bookseller: Antiquariat Galerie Joy]
 36.   Check availability:     maremagnum.com     Link/Print  


        The Bozeman Trail: Historical Accounts of the Blazing of the Overland Routes into the Northwest, and the Fights with Red Clouds Warriors (Two Volumes)

      Glendale, CA: Arthur H. Clark Co. 1922. First Edition. 346 & 306 pp. Maps (two folding), photo-illustrated plates. Introduction by General Charles King. Red cloth with gilt lettering; top edge gilt. A fine set; as new. "Recounts the federal government's attempt to open a road north from the Oregon Trail through the Powder River country, hunting grounds of the Sioux, in the late 1860's. Containing previously unpublished narratives, this work has served as a valuable reference tool for students of the Northern Plains." - Clark and Brunet 115. (Howes H382).

      [Bookseller: Carpe Diem Fine Books]
 37.   Check availability:     Direct From Seller     Link/Print  


        Gedichte um Netra. V o r z u g s a u s g a b e. Nummer 1 von 25 Exemplaren. >Dieses Buch erschien im Verlag der Galerie von Garvens, Hannover; im Einvernehmen mit dem "Verlag Neuer Graphik" der Rikola Verlag A. G.; Es wurde von Julius Zimbel auf den Stein geschrieben und in der Sezessionsdruckerei von A. Berger in einer Auflage von 100 Exemplaren auf der Handpresse gedruckt. Dies ist Nummer [handschriftlich mit Tinte: 1],

      Wien, 1922 - 21,6 x 13,7 cm, 1 Blatt, 41, (3) Seiten, 8 Schmuckinitialen, drei ganzseitige Illustrationen von Zimbel, Original-Halbledereinband der Vorzusausgabe, Kleisterpapierbezug und illustrierte Vorsätze. Von Kindermann im Impressum handschriftlich signiert. Ecken und Kanten etwas berieben. Gutes Exemplar mit bester Provenienz. Exemplar Nummer 1 mit der handschriftlichen Signatur von Heinrich Stinnes auf dem leeren Zwischenblatt. Dieses Exemplar wurde vom 7.-9. April 1938 unter Los 1969 (= Konvolut 8 Titel) in der Auktion 57 II. Teil bei Reinhold Puppel in Berlin versteigert. - Umfassendste Literatur hierzu: Vester, Katrin, Herbert von Garvens-Garvensburg: Sammler und Galerist im Hannover der frühen Zwanziger Jahre. Wissenschaftliche Hausarbeit zur Erlangung des akademischen Grades eines Magister Artium der Universität Hamburg, Hamburg, 1989 (nur als Manuskript gedruckt); darin: Seite 26ff. Kapitel 1.3. Verlag der Galerie von Garvens, Zitat: "Seit Beginn des Bestehens der Galerie beabsichtigte Herbert von Garvens einen eigenen kleinen Verlag zu gründen. Die insgesamt sechs [sic!] Publikationen sind von exklusiver Ausstattung, Liebhaberstücke in kleiner Auflage. [.] Rudolf Kindermanns "Gedichte um Netra" sind "auf den Stein geschrieben", mit Original-Lithographien versehen, jedes der 100 Exemplare - 25 auf handgeschöpftem Büttenpapier mit Halbledereinband, 75 auf Dokumentenpapier mit Halbpergamenteinband - vom Dichter handschriftlich signiert. [.] - Siehe den Ausstellungskatalog "Die Zwanziger Jahre in Hannover", Kunstverein Hannover, 1962, darin im Ausstellungsverzeichnis ein Exemplar der Normalausgabe unter C35. - Kindermann war österreichischer Germanist und als Bezirksschulrat tätig, arbeitete auch als Redakteur der >Wiener Zeitung< (vgl. Kosch VIII, 1172). [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Stader Kunst-Buch-Kabinett]
 38.   Check availability:     ZVAB     Link/Print  


        Fine portrait photo signed by both and dated by the Prince, (Princess, 1878-1958, daughter of Frederick VIII of Denmark) and her husband Prince CARL of SWEDEN (1861-1951, 3rd son of Oscar II King of Sweden & Norway)

      1922 - showing him seated with her standing behind him, 9" x 6½", no place,

      [Bookseller: Sophie Dupre ABA ILAB PADA]
 39.   Check availability:     IberLibro     Link/Print  


        Stavrogin's Confession and The Plan of The Life of a Great Sinner. With Introductory and Explanatory Notes. Translated by S. S. Koteliansky and Virginia Woolf.

      Richmond: Leonard & Virginia Woolf at the Hogarth Press, 1922 - Octavo. Original blue cloth-backed blue and white patterned sides, printed paper labels to spine and front cover, top edge trimmed, others untrimmed. Light browning spine and onto sides, slight wear to edges and tips, small marginal mark to pp. 168-169, an excellent copy. First English language edition, first impression. According to printers R. & R. Clark's records, there were 750 copies produced in the first binding and 300 in the second. "Mrs Woolf did not know Russian. We taught ourselves a little Russian in order to be able to understand Koteliansky's problems in translating. The procedure was that Koteliansky translated the Russian book into very bad English in double-spaced lines, that Mrs Woolf went through the text with him, sentence by sentence, and then put the translation into good English" (Leonard Woolf). Portions of Stavrogin's Confession were published in the first issue of T. S. Eliot's Criterion, alongside Eliot's "Waste Land", in October 1922. Kirkpatrick B2a; Willis p. 99; Woolmer 20. [Attributes: First Edition]

      [Bookseller: Peter Harrington. ABA member]
 40.   Check availability:     ZVAB     Link/Print  


        Ebony and Crystal.

      Auburn, CA: Auburn Journal,, 1922. Octavo. Wire-stitched in original red cloth, front board lettered in gilt. Contemporary pencilled gift inscription to front pastedown. Front joint creased, very faint marking to upper outer corner of front board, title and limitation leaf browned. A very good copy. First edition, limited to 500 copies signed by the author on the limitation page, of which this is number 59. Ebony and Crystal was Smith's third book.

      [Bookseller: Peter Harrington]
 41.   Check availability:     Biblio     Link/Print  


        Holzschnitte: 1833-1870.

      Mchn., Albert Langen, [1918-1922]. - Lithographien I-III: 1828-1872. Hrsg. von Eduard Fuchs. 4 Bände. Fol. 4 goldgepr. OHpergamentbde. (gering berieben, der erste Band gering gestaucht und lichtrandig). 217 SS., 1 Bl. mit 522 Abb. in Bd. I sowie 81 Textillustr. und 216 Orig.-Lithographien von Paul Mechel nach Honoré Daumier auf Velin in Band 2-4. Sprache: Deutsch, Erste Ausgabe. - Nr. 11, 66, 35 bzw. 76 von 100 Exemplaren der Vorzugsausgabe auf holländisch Bütten bzw. hochwertigem Papier. - Mit einer Bibliographie der wichtigsten Bücher und Zeitschriften, die Holzschnitte von Daumier enthalten. Die Lithographienbände aufgeteilt in 1828-1851, 1852-1860 und 1861-1872. Für die qualitätsvolle Wiedergabe der Lithographien Daumiers wurden diese exakt von Paul Mechel nachlithographiert und von den Steinen abgezogen. - Pätzke 43, 45 u. 47-48. - Ein Vorsatz gebräunt, sehr vereinzelt ein schwacher Fingerfleck, sonst tadellos erhalten. [Attributes: First Edition]

      [Bookseller: Antiquariat Frank Albrecht (VDA/ILAB)]
 42.   Check availability:     AbeBooks     Link/Print  


        Nach Damaskus

      Achtzehn Steinzeichnungen als lose Blätter. Mit einem Vorwort des Künstlers und dem illustr. Titelblatt - einmalige Auflage in 350 Exemplaren, davon 300 Abzüge (Nr. 1-300) in OHLPgmt.-Mappe m. Rückenvergoldung, handnumeriert (dies ist N 11), Folio. München, bei Georg Müller, 1922. Scan = Ausschnitt! - Das Papier ist echtes Pan-Bütten, mit dem für die Zeitschrift "Pan" entworfenen Wasserzeichen - Pergamentecken und Mappeninnenseite minimal unfrisch/stockfleckig, sonst sehr gut erhalten.

      [Bookseller: HESPERUS BUCHHANDLUNG & VERSANDANTIQUARI]
 43.   Check availability:     booklooker.de     Link/Print  


        Les trois impostures

      Le divan|& Emile-Paul frères, 1922. - Le divan & Emile-Paul frères, Paris 1922, 12x17,5cm, relié. - Prima edizione, una delle 40 copie numerate su pergamena, 20 Deluxe Edition dopo la Cina. Binding metà dolore maroquiné rosso con gli angoli, di nuovo con cinque nervi impostate con fili d'oro e decorate con le scatole dorate doppie decorate con oro punteggiato, piatti coda Golden Data carta marmorizzata, guardie e contreplats carta turchese, coperture conservati e schienali, testa dorata, contemporaneo di legame. Bella copia. - [FRENCH VERSION FOLLOWS] Edition originale, un des 40 exemplaires numérotés sur vélin, tirage de tête après 20 Chine.  Reliure en demi chagrin maroquiné rouge à coins, dos à cinq nerfs sertis de filets dorés et orné de doubles caissons dorés ornementés de pointillés dorés, date dorée en queue, plats de papier marbré, gardes et contreplats de papier turquoise, couvertures et dos conservés, tête dorée, reliure de l'époque. Agréable exemplaire.

      [Bookseller: Librairie Le Feu Follet]
 44.   Check availability:     maremagnum.com     Link/Print  


        Vereinigte Pinsel-Fabriken

      Vereinigte Pinsel-Fabriken, Nurnburg 1922 - Octavo publisher's printed stiff wrapper; 81 chromolithograph plates numbered 1-75 + 6 unnumbered plates. A nice copy. Beauty in unexpected places. For years we have been devotees of chromolithograph brush catalogues. The earliest chromolitho brush catalogues we've seen (mostly European and a few English) date from ca. 1900. For obvious reasons WWII drastically reduced publications of elaborate and expensively produced catalogues. Here the Vereinigte Pinsel-Fabriken offers a wide array of brushes for artists, decorators and trademen and women, as as well brushes for domestic use (i.e. shaving brushes). At the end of the catalogue are offered some palette knives, combs, and burnishing tools. The year 1922 was at the zenith of hyperinflation of the Weimar Republic, and thus it is not surprising that the present Vereinigte catalogue is not priced (!) -- the Vereinigte Pinsel-Fabriken still operates in Nurnberg under the umbrella of Leonhardy-VP (Vereinigte Pinselfabriken).

      [Bookseller: Michael Laird Rare Books LLC]
 45.   Check availability:     AbeBooks     Link/Print  

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