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Displayed below are some selected recent viaLibri matches for books published in 1922

        DAVID THE DREAMER

      1922. 1. (FREUD,TOM [SEIDMANN])illus. DAVID THE DREAMER by Ralph Bergengren. Boston: Atlantic Monthly Press (1922). Oblong 4to (10 3/4 x 8 1/2"), green gilt cloth, pictorial paste-on, 67p., Fine condition in the rare dust wrapper (dw chipped and mended on verso). The story is an unusual fantasy about a young boy and his dream adventures, magnificently illustrated by Freud with stylized color plates that are aesthetically pleasing and artistically Art Deco in style. Tom (born Martha Gertrude) was a German children's book illustrator who was one of the pioneers of the avant garde art movement "neue sachlichkeit" in post WWI Germany that coincided with the Bauhaus school design. Her innovations in children's books were felt the world over. This book marks her first American appearance. This is a scarce American edition, rare in the dust wrapper.

      [Bookseller: Aleph-Bet Books, Inc.]
 1.   Check availability:     Biblio     Link/Print  


        OGNI SVJATOGO DOMINIKA (THE FIRES OF ST. DOMINIC)

      BERLIN: SLOVO PUBLISHING HOUSE. VERY GOOD IN PRINTED WRAPS. PUB 1922. FIRST EDITION. PAPERBACK. THIS RUSSIAN LANGUAGE PUBLICATION IS IN CYRILIC ALEX SHANE'S "THE LIFE AND WORKS OF EVGENIJ ZAMJATIN" PG 234 #15 . LIGHT BROWN WRAPS WITH DARK BROWN TITLES AND DESIGN. BOOK HAS WORN CORNERS AND 1/4" LOSS AT THE TOP OF THE SPINE, AND SOME TIDE MARKS TO THE BOTTOM FORE-EDGE CORNER AREA OF THE EARLY PART OF THE TEXT, AND TEXT BROWNED BUT STILL QUITE FLEXIBLE. A VERY NICE COPY OF ZAMJATIN'S RARE FIRST PLAY IN RUSSIAN. .

      [Bookseller: JOHN LUTSCHAK BOOKS]
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        Le Jardin de Berenice

      Pous les Cent Bibliophiles Paris: Pous les Cent Bibliophiles, 1922. Limited Edition. Paperback. Very Good. Original pictorial wraps printed in color and gilt embossed to cover and spine, edges uncut, in glassine dust jacket. Illustrated with 41 color drypoint etchings all by Malo Renault; decorative margins. Number 125 from a limited edition of 130 copies. Attractive, sound copy, if only slightest browning and wear at edges.

      [Bookseller: Sanctuary Books ]
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        [Reliures en plein maroquin] Un jardin sur l'Oronte

      Paris: Plon-Nourrit & Cie, 1922. relié. 12,5x19,5cm. Edition originale, un des 50 ex numérotés sur Chine, tirage de tête. Reliure en plein maroquin caramel, dos à cinq nerfs sertis de filets dorés orné de sextuples caissons dorés que sépare en deux compartiments un listel mosaïqué de maroquin rouge, roulettes dorées sur les coiffes, date en queue, nonuples encadrements de filets dorés sur les plats également agrémentés d'un listel mosaïqué de maroquin rouge, gardes de maroquin rouge, contreplats de soie moirée caramel, gardes suivantes de papier à la cuve, filet doré sur les coupes, couvertures et dos conservés, toutes tranches dorées ; chemise à rabats en demi maroquin caramel à bandes, dos à cinq nerfs, date en queue, intérieur de daim caramel ; étui bordé de maroquin caramel, intérieur de feutre vert d'eau, élégant ensemble signé de Semet & Plumelle. Superbe exemplaire remarquablement établi en reliure doublée de Semet & Plumelle. - Plon-Nourrit & Cie, Paris _1922, 12,5x19,5cm, relié sous chemise et étui. - Reliures en plein maroquin relié sous chemise et étui

      [Bookseller: Librairie Le Feu Follet]
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        Le Jardin de Berenice

      Paris: Pous les Cent Bibliophiles, 1922. Limited Edition. Paperback. Very Good. Original pictorial wraps printed in color and gilt embossed to cover and spine, edges uncut, in glassine dust jacket. Illustrated with 41 color drypoint etchings all by Malo Renault; decorative margins. Number 125 from a limited edition of 130 copies. Attractive, sound copy, if only slightest browning and wear at edges.

      [Bookseller: Sanctuary Books]
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        Edgar Dega i ego iskusstvo. (Edgar Degas and his Art)

      Moscow: Grzhebina. Very Good. 1922. First Edition. Paperback. Back strip tearing, edges chipped, covers somewhat thumbed and age-darkened, fep thumbed. Complete and generally good. ; Degas and his Art by prominent Russian and Soviet art critic. Rare edition with cover design by Aleksandr Ekster: major painter, theatre designer and graphic artist of Russian Cubist, Suprematist and Constructivist styles. John Milner p.136-138. Hellyer 520. Tipped -in b/w reproductions of Degas' art throughout. RUSSIAN AVANT GARDE original edition: Collection of c.200 items in stock. Photos of all books available on request. See our RUSSIAN AVANT GARDE catalogue. ; 4to ; 89 pages .

      [Bookseller: Marijana Dworski Books]
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        THE WORKS Of CHARLES DICKENS

      Boston & New York: Houghton Mifflin, 1922. Hardcover. Some rubbing and minor flaking of leather to the spine edges of a few volumes; all hinges are secure and covers tight. There is no chipping to the spines of any volumes. Near Fine set with a handsome shelf appearance. Fourteen (of fifteen, lacking THE PICKWICK PAPERS) volumes bound in 3/4 red morocco leather with gilt rules and beautifully gilt-decorated spines with three raised bands, top edges gilt. Illustrated with several full-page plates per volume. Contains DAVID COPPERFIELD, MARTIN CHUZZLEWIT, BLEAK HOUSE, THE OLD CURIOSITY SHOP, HARD TIMES, BARNABY RUDGE, MYSTERY OF EDWIN DROOD, DOMBEY AND SON, OUR MUTUAL FRIEND, A CHILD's HISTORY OF ENGLAND, GREAT EXPECTATIONS, THE UNCOMMERCIAL TRAVELLER, OLIVER TWIST, PICTURES FROM ITALY, AMERICAN NOTES, NICHOLAS NICKLEBY, CHRISTMAS BOOKS, TALES AND SKETECHES, LITTLE DORRIT, A TALE OF TWO CITIES, SKETCHES BY BOZ, MASTER HUMPHREY'S CLOCK, A HOLIDAY ROMANCE, and PLAYS, POEMS & MISCELLANIES. The spines are not numbered so there is no way of knowing this is not a complete set unless you look specifically for the missing title.

      [Bookseller: Charles Agvent]
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        Les Chansons de Bilitis

      Paris: Pierre Corrand, 1922. Quarto. (xxiv), (178), (viii)pp. From an edition of 133 copies, this is one of 125 printed on paper. With forty-two illustrations by Barbier, engraved on wood and colored by Schmied. Signed by Barbier, and with Schmied's chop mark. Originally published in 1894, these prose-poems, which Loüys claimed to be the work of a neo-Sapphic ancient poet, were composed by Loüys himself. Work on this edition began in 1914 but was halted because of the death of the publisher, Corrand, then by the outbreak of World War I. The book was completed in 1922 by Corrand's widow. Barbier began his career as an illustrator in 1911; this book is considered his best early work. Indeed, with the exquisite pochoir coloring by Schmied, including several that have been heightened with metallic colors, this book is a visual feast and certainly ranks as an Art Deco high-spot. Loose, as issued, in publisher's printed wrappers. Apart from a light spot to upper cover, this is a remarkably fine copy of a book that has only appeared once at auction in the last twenty years.

      [Bookseller: Bromer Booksellers]
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        LETTER FROM NEILL TO REILLY & LEE WITH RESPONSE

      1922. NEILL,JOHN R. LETTER FROM NEILL TO REILLY & LEE WITH RESPONSE. This is a wonderful handwritten letter to Mr. Reilly of Reilly and Lee with Reilly's response typed on the side. Neill's letter is dated Jan. 12, 1922 and reads: "Dear F.K. Reilly - Am sending today the last lot of drawings, completing the illustrations for Kabumpo in Oz. Incidentally I would like to tell you how much I enjoyed reading the mss. and making the pictures. After illustrating about seventeen Oz books I think it worthwhile to let you know this with my congratulations on having secured an author of such superior qualifications to continue the work of supplying the Oz books. Every feature of the child appeal is handled with the greatest skill. The whimsical humor the interest and the zip of the book makes me think it one of the very best Oz books so far. Sincerely Jno R. Neill." Reilly writes a typed response dated March 4th 1922: " Dear John, Packages of drawings for Children's Poems received O.K. They are satisfactory although I think they are uneven in merit; some are much better than others. Send in your bill and we we'll take care of you. With best regards, Very cordially, F.K. Reilly."

      [Bookseller: Aleph-Bet Books, Inc. ]
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        Indians hunting the Bison [Tab. 31]

      [Leipzig: Schmidt and Guenther, 1922]. Hand-coloured aquatint engraving by Ch. Vogel after Bodmer. Small tears to upper and lower margin. 15 5/8 x 21 inches. 19 x 24 5/8 inches. From the scarce Leipzig edition printed from the original copper-plates. Limited in number, the prints from the Leipzig edition are more scarce than, and compare favorably to, the first edition. (David C. Hunt, "Karl Bodmer and the American Frontier," Imprint/Spring 85, p.18) An archetypal scene from the American Northern Plains. Bodmer had taken an active part in a Buffalo hunt which took place on 11 October 1833 near Fort Union, as the travelers made their way back down the Missouri from Fort McKenzie to Fort Clarke where they were to overwinter. In the present image four Indians on horseback, armed only with bows and arrows, ride furiously in amongst the scattering herd of buffalo, the foremost figure has just brought down a large animal to his left, but has turned and already notched another arrow to his bow which he sights at another animal in front and to the right. A composite view, the animals are probably sketched from individuals Bodmer recorded during the October hunt. Karl Bodmer's images show great versatility and technical virtuosity and give us a uniquely accomplished and detailed picture of a previously little understood (and soon to vanish) way of life. Swiss-born Bodmer was engaged by Prince Maximilian zu Wied-Neuwied (1782-1867) specifically to provide a record of his travels in North America, principally among the Plains Indians. In the company of David Dreidoppel (Prince Maximilian's servant and hunting companion), their travels in North America were to last from 1832 to 1834. Well-armed with information and advice, the party finally left St.Louis, on the most important stage of their travels, aboard the steamer Yellow Stone on April 10 1833. They proceeded up the treacherous Missouri River along the line of forts established by the American Fur Company. At Bellevue they encountered their first Indians, then went on to make contact with the Sioux tribe, learning of and recording their little known ceremonial dances and powerful pride and dignity. Transferring from the Yellow Stone to another steamer, the Assiniboin, they continued to Fort Clark, visiting there the Mandan, Mintari and Crow tribes, then the Assiniboins at Fort Union, the main base of the American Fur Company. On a necessarily much smaller vessel they journeyed through the extraordinary geological scenery of that section of the Missouri to Fort Mackenzie in Montana, establishing a cautious friendship with the fearsome Blackfeet. From this, the westernmost point reached, it was considered too dangerous to continue and the return journey downstream began. The winter brought its own difficulties and discomforts, but Bodmer was still able to execute numerous studies of villages, dances and especially the people, who were often both intrigued and delighted by his work. The portraits are particularly notable for their capturing of individual personalities, as well as forming a primary account of what were to become virtually lost cultures. David C. Hunt, "Karl Bodmer and the American Frontier," Imprint/Spring 1985, p.18. Cf.Graff 4648; cf. Howes M443a; cf. Pilling 2521; cf. Sabin 47014; cf. Wagner-Camp 76:1.

      [Bookseller: Donald Heald Rare Books ]
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        The Autobiography of Joseph Jefferson [SOLD WITH] My Years on Stage -- Two Volumes, Both Inscribed by the Authors to Otis Skinner

      The Century Co. / E. P. Dutton & Co. New York: The Century Co. / E. P. Dutton & Co., 1897 and 1922. Hardcover. Very Good+. Two volumes sold together, wonderful association copies for 19th century New York theater. AUTOBIOGRAPHY OF JOSEPH JEFFERSON, published by Century in 1897; full calf; 4to; rebacked, with original gilt-lettered backstrip. Inscribed by Jefferson to Otis Skinner, and with the bookplate of Cornelia Otis Skinner on front paste-down. A bit scuffed along the edges; prelims and terminals lightly dust-soiled; VG+, an excellent copy. MY YEARS ON THE STAGE, published by Dutton in 1922; half gilt-ruled red morroco and marbled paper, gilt-stamped lettering on spine, original gilt-lettered cloth backstrip bound in at rear; 4to; enriched with the addition of plates, invitations, Autograph Letters Signed, a telegram, and more. Inscribed by Drew to Otis Skinner, and with Otis Skinner's bookplate on front paste-down. Scuffed along joints; chip at head of spine; crack in gutter after half-title-p., though binding is otherwise nice and tight. Both volumes warmly inscribed by the stars of New York theater to fellow actor and friend Otis Skinner. Skinner was associated with Jefferson's troupe from 1895, where he perfected his famous Shakespearean roles as well as his signature role as Hajj the beggar in the Broadway's Kismet which he performed for over 20 years and starred in its 1920 and 1930 film versions. This volume, Skinner's own enriched copy of the work of his close friend, actor and stage manager, Drew, includes a Western Union Telegram by Drew to Skinner, thanking him for his kind review of this book, Chicago, 7 November 1922. Among 4 Autograph Letters Signed by Drew is an amusing one to Otis's wife Maud Skinner, thanking her for a letter and mentioning Otis: ". . . thank him for me and say, à propos of the `dead hand of Ethelberta' of happy memory, that after being in the sea for 15 minutes - even on the hottest day - all circulation stops in my fingers & they become waxen - so that I am known as `Francis Frozen-fin, the gelid wonder.'" 4 pages, folded 8vo, inlaid to size. On Kyalami, East Hampton stationery 9 August, 1923, and a few others to Otis in the 1920s mentioning various productions they were involved with. Also included are caricatures of John Drew, the commemorative dinner program celebrating Drew's 50th year on the stage, photographic plates from productions, and the memorial service program and letters to Skinner concerning Drew's death. The service took place on November 13, 1927 at The Church of the Transfiguration, known as "the actor's church" on 29th Street in New York City. A touching memorial compiled by Skinner, celebrating his friend and the golden age of American Stage Acting.

      [Bookseller: Sanctuary Books ]
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        THE WORST JOURNEY IN THE WORLD, ANTARCTIC 1910 - 1913.

      London: Constable, 1922.. 1st Edition, 2 volumes; Vol I, lxiv, 1-300, [4] appendix, 30 plate leaves, (including frontipiece and 2 folding panoramas), 4 maps (3 folding); Vol II, viii, 301-585, 28 plates leaves (including coloured frontipiece, 8 folding panoramas), 1 folding map. Original blue cloth with gilt titles variation - A71.A1 Rosove (71.A2). The best written and most enduring account of exploits in the Antarctic. - Taurus. A classic - it has been called "The best polar book ever written." At the age of 24, 'Cherry' was one of the youngest members of Scott's Terra Nova Expedition (1910-1913). This was Scott's second and last expedition to Antarctica. Cherry was initially rejected, but made a second application along with a promise of £1,000 towards the cost of the expedition. Rejected a second time, he made the donation regardless. Struck by this gesture, and at the same time persuaded by Dr Edward 'Bill' Watson, Scott agreed to take Cherry as assistant biologist. He is acclaimed for his historical account of this expedition... It was perhaps the only real stroke of luck in Scott's ill fated [Terra Nova] expedition that Cherry-Garrard, the one survivor of the winter journey, happened to be able to describe it so effectively that the reader forgets how comfortable he is in his arm-chair, and remembers the tale with a shiver as if he had been through it himself. - George Bernard Shaw." Cherry-Garrard was warmly commended by Scott for his efficiency and unselfishness as a sledger and tent-mate. In the comparative comfort of life at base, he edited the South Polar Times. Wilson chose Bowers and Cherry-Garrard -- 'the pick of the sledging element' (Scott) -- as his companions for a Winter Journey in 1911 to the rookery of the Emperor Penguin at Cape Crozier, an exploit which is still without parallel in the annals of polar exploration. On their return 5 weeks later, Scott described their journey as 'the hardest that has ever been made' -- a phrase which later suggested to Cherry-Garrard the title of his narrative. The book is widely regarded as the most readable of all the Antarctic literature - it has been suggested that the manuscript was heavily edited by George Bernard Shaw, who was a close family friend of the Cherry-Garrards. Possibly Ex library,evidence of removal of bookplates and red ink stain on rear eps, both volumes, but no other library markings. All 10 panoramas, prints as called for. Age toning, some foxing; mainly to page edges, spines sunned. Shelfware, corners bumped, fraying, softening to spines both volumes, cracked hinge Volume I, folding plate I panorama completely torn but complete and repaired with archive tape, contents clean. Overall in Good condition.

      [Bookseller: Polar Books]
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        Weather Prediction by Numerical Process.

      Cambridge, The University Press, 1922. 4to. Uncut in the original full blue cloth binding with gilt lettering and gilt Cambridge-weapon to spine. A bit of fading to spine and wear to capitals. library-stamp to half-title and to title-page (Reichsamt für Wetterdienst), as well as a few very discete handwritten library-numerals. 3 pages with smaller marginal rust-staining from a previous paper-clip, far from affecting text. A very nice, clean, and tight copy. XII, 236 pp. + errata-slip inserted between title-page and preface. With illustraions (maps) + numerous tables in the text.. The rare first edition of this landmark work of weather forecasting, being the work in which the possibility of numerical weather prediction is proposed for the first time, Richardson's main work with which he pioneered modern mathematical techniques of weather forecasting and presented the basis for all later weather prediction. The famous American mathematician, physicist, and meteorologist Lewis Fry Richardson (1881-1953) is not only a formal pioneer of modern mathematical weather forecasting, he actually used the techniques obtained in this process to the study of wars and how they emerge, and he devoted much of his life to trying to prevent them. He also did pioneering work on fractals and is remembered by the "modified Richardson iteration", which refers to his method for solving a system of linear equations. Richardson's strong interest in meteorology led him to propose a scheme for weather forecasting by solution of differential equations, which is the method still used today. This method he presented in his seminal work "Weather Prediction by Numerical Process". Of course, in 1922, when his book appeared, computers that would be able to complete the vast number of calculations required for producing forecasts did not exist, and many of his results are incorrect. It is however, his method that founds the basis for actual modern weather prediction, from the first practical use of numerical weather prediction in 1955 (made possible by the development of programmable electronic computers) till today. "Lewis Fry Richardson (1881-1953, English), in his publication "Weather Prediction by Numerical Process", details the equations, physical processes, and computational methods required to predict weather numerically. His results in a test six-hour forecast for a portion of Europe are highly unrealistic (including a pressure change of 140 millibars) and the calculations required for solving the equations are so impractical with current computing capabilities that he estimates 64,000 as the number of human calculators needed to keep pace with the weather itself. Nonetheless, the basic scheme of his pioneering effort is soundly based and contributes to developments later in the century after computer advances make numerical weather forecasting feasible." (Parkinson, Breakthroughs, p. 494)."Retaining the nonlinear nature of the governing equations and incorporating the best representation of physical effects have been the underlying principles for numerical weather prediction... Despite the great demands on computation, L.N. Richardson attempted a realistic numerical weather forecast (published in 1922) using solely his own calculations. He envisioned a large team of calculators, with messengers conveying intermediate results between members of the computational crew. His attempt failed miserably (for reasons that were inherently avoidable but not understood until the 1930s)..." (Good II:521)."...The alternative possibility - that of finding approximate solutions of the hydrodynamical equation by purely numerical methods - was evidently explored first by Lewis Fry Richardson (1881-1953) in the closing months of World War II, in connection with the prediction problem... Richardson carried out a single test calculation by hand between stints of driving an ambulance to the front. His results, reported in his book "Weather Prediction by Numerical Process" (1922) were disappointing... What was clearly needed were computing machines that operated ten thousand times faster than human computers." (Good I:111). See:Parkinson, Breakthroughs. A Chronology of Great Achievements in Science and Mathematics 1200-1930. Massachusetts, 1985.Gregory A. Good, Sciences of the Earth. An Encyclopedia of Events, People, and Phenomena, N.Y. & London, 1998

      [Bookseller: Lynge & Søn A/S]
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        Raseya

      C. Efron Berlin: C. Efron, 1922. Hardcover. Orig. pictorial cloth. Fine in slightly nicked dust wrapper in cardboard slipcase titled on spine./No Dust Jacket. Unpaginated, approx. 160 pages. 26 x 20.5 cm. Forty-seven plates, four in color. Originally published St. Petersburg, 1918 in a limited edition of 750 copies. This copy in one of two postwar issues, and presumably one of a few issued for sale in England or North America, as it is stamped in English, "Printed in Austria" on front endpaper (contradicting perhaps intentionally, the attribution on the title page identifying the printer (in Cyrillic) as Muller of Postdam). An important album of of sketches and paintings depicting Russian peasant life on the eve of the October Revolution. Grigoriev along with Leon Bakst, Serge Diaghilev, Ivan Bilibin and others was a late member of the "Mir iskusstva" artists [World of Art] movement founded in St. Petersburg in 1899 around the art journal that shared its name. This group adopting graphical techniques from Art Nouveau, Cubism and Futurism would prove extremely influential for the generation of revolutionary artists to follow. Editions of this work are uncommon; indisputably scarce in such an excellent state of preservation. Text in Russian

      [Bookseller: Royoung bookseller, Inc. ]
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        Der Raum. Ein Beitrag zur Wissenschaftslehre.

      Berlin, Reuther & Reichard, 1922. 8vo. Uncut in the original grey printed wrappers w. very neat professional repairs to inner hinges and to capitals. Printing on spine nearly fully intact. A very faint waterstaining to upper corner throughout, otherwise a very good, nice and clean copy of a publication, which in itself is quite fragile. 87 pp.. First edition of Carnap's first publication, his doctoral dissertation. Printed in Kant-Studien, Ergänzungshefte, Nr. 56. Issued by H. Vaihinger, M. Frischeisen-Kähler and A Liebert. Rudolf Carnap (born 1891 in Ronsdorf, Germany, died 1970 in Santa Monica, California) was an immensely influential analytic philosopher, who has contributed decisively to the fields of logic, epistemology, semantics, philosophy of science, and philosophy of language. He was one of the leading figures of the Vienna Circle, and a prominent logical positivist. He studied philosophy, physics and mathematics at the universities of Berlin and Freiburg, and worked at the universities of Jena, Vienna and Prague until 1935, when he, due to the war, emigrated to the U.S., where he became an American citizen in 1941. In America he became professor of the University of Chicago. In Jena he was appointed Professor of Mathematics, though his main interest at that time was in physics. By 1913 he planned to write his dissertation on thermionic emission, but this was interrupted by World War I, where he served at the front until 1917. Afterwards he studied the theory of relativity under Einstein in Berlin, and he developed the theory for a new dissertation, namely on an axiomatic system for the physical theory of space and time. He thus ended up writing the important dissertation under the direction of Bouch on the theory of space (Raum) from a philosophical point of view. The dissertation was submitted in 1921, and, due to the clear influence from Kantian philosophy, it was published the following year in this supplement to the "Kant-Studien". After the publication of his first work, Carnap's involvement with the Vienna Circle began to develop. He met Reichenbach in 1923 and was introduced to Moritz Schlick in Vienna, where he then moved to become assistant professor at the university. He soon became one of the leading members of the Vienna Circle, and in 1929 he, Neurath, and Hahn wrote the manifest of the Circle.As the title indicates, "Der Raum" deals with the philosophy of space. Partly influenced by Husserl, under whom he studied at Freiburg, Carnap poses the question whether our knowledge of space is analytic, synthetic a priori or empirical. His answer is that it depends on what is meant by "space", and thus differentiates between three kinds of theories of space: Formal (which is analytic [a priori]), intuitive (which is synthetic a priori), and physical (which is empirical [or synthetic aposteriori]). He compares this division of space with that of geometry into: projective, metric and topological. This, of course, anticipates much of his later philosophy, and some of his theories developed in this paper became the official position of logical empiricism on the philosophy of space. In this work he also develops a formal system for space-time topology, which became quite influential

      [Bookseller: Lynge & Søn A/S]
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        The meaning of relativity. Four lectures delivered at Princeton University, May 1921. Translated by Edwin Plimpton Adams.

      London, Methuen & Co, 1922. 119 + 8 p. Publisher´s cloth, partly uncut. Soiled and slightly worn, front cover with minor inkstain, spine slightly faded. Somewhat loose in binding. With booksellers etiquette "Kelly & Walsh, Raffles Place, Singapore" on inside of front cover.. First English edition

      [Bookseller: Antikvariat Röda Rummet AB]
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        On the Quantum Theory of Line-Spectra.Copenhagen: Bianco Lunos, 1918. First editions, author's presentation offprints, inscribed..

      Rare inscribed presentation-offprint issues with 'Separate Copy' printed on the front wrappers. The third part, published in 1922, lacks here for obvious reasons [see below]. It was in this fundamental paper that Bohr first gave a clear formulation of, and fully utilized, his 'correspondence principle'. Besides his derivation of the Balmer formula (1913), this is by many considered to be Bohr's greatest contribution to physics. Bohr's correspondence principle (or postulate) states in general that although classical physics is incomplete there must be a fundamental analogy between quantum theory and classical physics. Actually Bohr at first referred to the postulate as the 'principle of analogy'. It was Bohr's underlying idea that the new quantum theory must satisfy in the limiting cases, e.g., when frequencies <i>v</i> tend to zero or quantum numbers <i>n&rarr;&infin;</i>, that it's predictions approximate those of classical physics. When studying different quantum theoretic problems one can thus utilize already established facts from what classical physics predicts in that particular situation, and then work backwards to arrive at new quantum theoretic rules for the system. In this major paper Bohr penetrated far into the quantum theory of line-spectra of the Hydrogen atom, and other elements, by using his principle and the classical theory of electrodynamics. Bohr's method was the principle guide to the progress of quantum theory during the early twenties, until it was finally built into the foundation of quantum mechanics. <br/><br/> Provenance: Part 1 inscribed in Bohr's hand: "Hernn Professor Dr. E. Gehrke / Hochachtungsvoll / vom / Verfasser", Part 2 with faint rubberstamp "Fra Forfatteren", both parts inscribed (probably by Gehrke) "Bohr 1918". Ernst Gehrcke (1878-1960) spent most of his scientific career on the relation between electricity and gasses, this basic research being important for the later development of gas-filled light bulbs and tubes. He is most well known for criticism of the general theory of relativity as outlined by Einstein in 1916. Most discussion thereon can be found in German newspapers after a conference on August 24, 1920, featuring lectures against this theory. This was the first and only event of the <i>Arbeitsgemeinschaft deutscher Naturforscher zur Erhaltung reiner Wissenschaft</i>. Philipp Lenard [Nobel-prize 1905 for his work on cathode rays] lended credibility to the Society. Gehrcke was the major speaker. Later Anti-Semitism and anti-theoretical physics (especially with respect to the theory of relativity and quantum mechanics) were core elements of the <i>Deutsche Physik</i> movement to which Gehrcke contributed <i>Die massensuggestion der relativitätstheorie</i> (1924). Lenard proposed Gehrcke for the Nobel Prize in Physics in 1921, which ultimately was awarded to Einstein in the same year. In this perspective it can be understood, that Bohr did not send Gehrcke an offprint of the 3rd part in 1922, thus resulting in the set presently offered.. Two parts. 4to: (270 x 215 mm). 118 pp. Offprints from: 'Mémoires de l'Académie Royale des Sciences et des Lettres de Danemark'. Original printed wrappers, light wear and chipping, spine strip of second part worn and front wrapper nearly split. In all a fine and unretsored set

      [Bookseller: Sophia Rare Books]
 17.   Check availability:     Antikvariat     Link/Print  


        Jewish Industrial Establishments in Poland. Zydowskie Przedsiebiorstwa Przemyslowe W Polsce (Volume III)

      Warszawa 1922poor 4to. clxv, 151, 169, clxxxiv,pp. Three-quarter faux leather over paper-covered boards. Front and rear board and backstrip detached but present. Hebrew lettering in gold on spine. In the early 1920s, the American Jewish Joint Distribution Committe financed an economic survey of the Jewish population in Poland to assist in better funding of the collapsing Jewish economy, as well as refuting claims that Polish Jews were profiting from World War I. The results were published in eight volumes in 1922-23. Each volume contains general tables and separate explanatory texts in English, Polish and Yiddish. With large color fold-out plate containing diagrams of "Active Workshops and Hired Workmen in Byalistok-Cityand District at Time of Investigation 1921." "Surveyed in 1921. Compiled under the Supervision of Eliezer Heller. Volume III, Bialystok City and District. Wedlug Ankiety Z 1921 Roku. Opracowane Pod Kierownictwem Eliezera Hellera. Tom Trzeci, Bialystok Miasto I Wojewodztwo." Backstrip almost separated from front board. Heavy chipping to rear board with parts missing. Front free endpaper torn and chippedwith top right corner missing. Top and bottom corner of leaves bumped throughout. Age toning to outer edges of interior pages. Binding in poor, majority of interior leaves in good condition. As is. Volume III only of eight volumes.

      [Bookseller: Eric Chaim Kline - Bookseller ]
 18.   Check availability:     ABAA     Link/Print  


        The Pageant of Peking. Comprising Sixty-Six Vandyck photogravures of Peking and environs from photographs by... with an Introduction by Putnam Weale.

      Shanghai: A.S. Watson & Co., 1922.. Third edition, folio, (viii), 40, (2) pp. 66 photogravures tipped in, some light foxing to margins and the text leaves, small closed tear to the final text leaf, but not affecting the text. Original blue silk covers, gilt title and Chinese characters to upper cover, spine and edges slightly faded, a little wear to the lower edges.

      [Bookseller: Bow Windows Bookshop, ABA, ILAB]
 19.   Check availability:     UKBookworld     Link/Print  


        Der Goldschmiede Merkzeichen 1-4.

      Weinheim/Bergstrasse, Julius Beltz, no date. Facsimile of third edition 1922-28. Four volumes, XXXV + 338; XI + 405; XII + 429; XVII +821 p. Photo-illustrated in b/w. Publisher´s blue cloth with dust jackets

      [Bookseller: Antikvariat Röda Rummet AB]
 20.   Check availability:     Antikvariat     Link/Print  


        Hogarth's "Arabia"

      London: printed for the author at the Chiswick Press April 1922 [London: printed for the author at the Chiswick Press, April 1922]. First separate edition, 25 copies signed by the author, this copy numbered "Fourteen". 8vo. 9, [1, limitation], [2, blank]. Blue printed wrappers, stitched. Fine. In cloth folding case. Fine . Doughty's private edition of his review of D.G. Hogarth's "Arabia", reprinted from The Observer 19 March 1922. A fine essay whose cadences reveal the true subject to be Doughty and his own view of the land and its people. Hogarth wrote the first biographical study of his friend, whom he did not long survive. It was published posthumously in 1928. Rare

      [Bookseller: James Cummins Bookseller ]
 21.   Check availability:     ABAA     Link/Print  


        Der Tod des Löwen. Mit Radierungen von Hugo Steiner-Prag.

      4°, Illustr. Titel, 173 S. 2 Bll. mit 10 ganzseitigen Orig.-Radierungen von Steiner-Prag, OHLdr. m. Kopfgoldschnitt und lederintarsierter Vorderdeckelvignette. Erste Ausgabe.- Eines von 95 numerierten Exemplaren der Ausgabe C, im Impressum vom Künstler signiert (Gesamtauflage 400 Exemplare).- Großzügiger Druck auf Bütten.- Einige Seiten nicht aufgeschnitten, Rücken etwas aufgehellt, schwacher Lichtrand auf dem Deckel.

      [Bookseller: Antiquariat Eckert & Kaun GbR]
 22.   Check availability:     antiquariat.de     Link/Print  


        San Gimigiano. Öl auf Leinwand.

      77 x 92 cm, Tadell Vom Künstler unten rechts signier, dat. und betitelt. Glinz, Theo (1890 Lenzburg- 1962 Horn), Maler, Zeichner und Grafiker. Blumenbilder und Landschaften. Holzschnitt, Radierung, Lithografie und Wandbild und Jugendbuchillustrationen. Schöne farbenprächtige Ansicht dieser berühmten Stadt in der Toskana.

      [Bookseller: Antiquariat Peter Petrej]
 23.   Check availability:     antiquariat.de     Link/Print  


        THE MEMOIRS

      The Casanova Society London: The Casanova Society, 1922. ONE OF 1,000 COPIES. 254 x 203 mm (10 x 8").12 volumes bound in six. Translated by Arthur Machen. Attractive later burgundy half morocco over red linen boards by Bayntun (stamp-signed on front flyleaf in each volume), raised bands flanked by gilt rules, spine panels with gilt chandelier-like centerpiece, each spine with two olive brown morocco labels, top edges gilt. With 12 frontispieces of various kinds (a bust of Casanova, a large fold-out map of Venice, a fold-out facsimile of two documents in Casanova's hand, an engraving showing a Casanova escape, two portraits of Casanova, a title page of a minor work by Casanova, a portrait of Manon Baletti, engravings of a London cityscape and of Vaux Hall, Casanova's death record, and his grave).Corners a bit worn, joints of the early volumes a little rubbed (two joints with minor cracks), one volume with small loss of leather at bottom of spine, but still quite an attractive set, the bindings entirely sound and without any serious wear, and the wide-margined text in virtually unused condition. Based on the rare unabridged London edition of 1894, this is an attractively bound copy of a limited edition of what Franco Fido (in the "Cambridge History of Italian Literature") calls "one of the most entertaining and exciting tales of the century." Fido says that sometime during the last eight years of his life, the Italian-born Casanova (1725-98) "composed his 'Histoire de ma Vie,' above all in order to relive in writing the vivid sensations and intense pleasures of his vagabond, libertine life and thus compensate for his gloomy and solitary existence as librarian in a remote castle in Bohemia." Written in fluent French, the account describes with unabashed frankness Casanova's rogueries and amours across an 18th century Europe that comes alive as the narrative backdrop. A writer of romantic and macabre tales, our translator Arthur Machen (1863-1947) provides a preface here in which he calls Casanova not only a "woman hunter," but also an "occult swindler" who victimizes senators, noble ladies, and Dutch financiers with a phony cabala. Also in this special edition are two additional chapters discovered by Arthur Symons, an index, and a map indicating the hero's itineraries. Our quarto-size volumes are distinguished by an extremely pleasing italic typeface and are handsomely printed in general.

      [Bookseller: Phillip J. Pirages Fine Books and Mediev]
 24.   Check availability:     ABAA     Link/Print  


        Histoire des peintre Impressionistes.

      Pissarro, Claude Monet, Sisley, Renoir, Berthe Morisot, Cézanne, Guillaumin. 3. édition. Paris: H. Floury 1922. 4to. (4)+194+(2) p. + 32 plates and 1 original woodcut "La femme aux poules" by Lucien Pissarro and 3 original engravings by Renoir "Baigneuse", Berthe Morisot "Jeune fille au chat", and Guillaumin "en hollande". Uncut copy with original straw-paper wrap.. Very fresh and attractive copy

      [Bookseller: Peter Grosell's Antikvariat]
 25.   Check availability:     Antikvariat     Link/Print  


        Ulysses.

      Shakespeare and Company 12, Rue de l`Odéon, 12 Paris 1922. Printed for Sylvia Beach by Maurice Darantiere at Dijon, France. 8:o. First edition. No 695 of 750 numbered copies on handmade paper. (10, first 2 blank),732,(4, 3 blank) pages. Contemporary brown full morocco, spine with five raised bands, title and year gilt. Top edge gilt, else uncut. Inner dentelles. Boards with double lines in blind. Edges of boards gilt. Front wrapper bound at end. Light wear to upper outer joints. Light scratch lower board. Lower part of boards slightly affected by water, last few leaves also very slightly touched at lower margin, hardly visible. (J. Forbes, Binder). 24,5 x 19,5 cm.. The first edition was printed in 1.000 copies: 100 copies (signed) on Dutch handmade paper numbered from 1 to 100; 150 copies on vergé d`Arches numbered from 101-250; 750 copies on handmade paper numbered from 251-1000

      [Bookseller: Antiquaria]
 26.   Check availability:     Antikvariat     Link/Print  

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