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Displayed below are some selected recent viaLibri matches for books published in 1920

        GERMAN EROTIC PROPAGANDA MEDAL

      N.p. 1920 - 1 vols. 2-1/4 inches diameter. Goetz was the most celebrated propaganda medallist of early 20th century Germany. The obverse shows a nude female captive, her arms tied behind her to a giant phallus surmounted by a French soldier's helmet, under the words "Die Schwarze Schande", a broken harp beside her, and an all-seeing eye looking down. The reverse displays a grotesque caricature of a negroid French soldier, in helmet, next to the words "Liberté egalité fraternité", and the date 1920; above are the words "Die Wacht Am Rhein!!", possibly a scurrilous reference to French colonial troops serving in World War I. Fine condition, mounted in a double glazed circular gilt plaster and red plush frame

      [Bookseller: James Cummins Bookseller, ABAA]
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        Back View of Kneeling Woman (from Douze Aquarelles)

      Genève & Paris, Editions Georg., 1920.. Lithograph after original watercolour on wove. Image size: 22 x 31 cm. Paper size 28 x 37 cm. Fine condition. This print was issued as part of the Douze Aquarelles portfolio, published three years after Rodin's death. With the Editions Georg blind stamp to lower right.

      [Bookseller: Peter Harrington]
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        DUTCH DOLLS AND A "GOLLIWOGG"

      NO publication information 1920 - Upton, Bertha. DUTCH DOLLS AND A "GOLLIWOGG". No publication information, circa 1920. 8vo - 6-5/8" x 9-5/16". Full color pictorial paper wrappers in wonderful condition. [12]pp. The book is a softcover abridged premium version of a hardcover book first published in 1895 as "The Adventures of Two Dutch Dolls". This later circa 1920's printing has an expanded title featuring a "Golliwogg". The 1895 book introduced the "Golliwogg" character and it became popular almost overnight, quickly surpassing the Dutch Dolls. The book contains six pages of text and five pages of full color drawings, after Florence K. Upton, of the title characters. The text pages have additional black and white drawings within text, after Upton. The back cover states "Compliments of the Season; To all the little folks who's papas and mammas buy their Hosiery, Underwear, Shoes, Rubbers, etc. at E. L. Field & Co.'s Store, Northfield, Vermont." The book is clean both inside and out. The condition of the booklet is FINE. Extremely rare Golliwogg item. [Attributes: Soft Cover]

      [Bookseller: Wallace & Clark, Booksellers]
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        Phädrus Augusti Libertus. Aesopische Fabeln. Acht mit Bleistift signierte Original-Holzschnitte von Erich Glas.

      [Berlin], [Amsler & Ruthardt], [1920], - Mappe mit dem gedruckten Verzeichnis der acht lose beiliegenden Grafiken. 27,5 x 21,5 cm (Mappe), Grafiken je ca. 16,5 x 15,5 cm. [Anmerkung: Das endgültige Werk erschien in 50 nummerierten Exemplaren mit insgesamt 8 Holzschnitten von Glas in einer Halbpergamentmappe.] - Hier alle acht signierten Holzschnitte auf hauchdünnem Japanpapier (fünf mit kleineren Eckknicken), der Original-Umschlag fleckig, oben links stärker lichtrandig, mit Titelaufdruck auf dem Vorderdeckel und mit den einzelnen Titelbeschreibungen. Auf der Umschlaginnenseite vom Künstler eigenhändig als "Probedrucke" bezeichnet und nochmals zusätzlich signiert. Die gedruckte Zeile "Initial. Die hochmütige Dohle mit den Pfauenfedern" wurde hier durchgestrichen. - Folgende Holzschnitte sind in der Mappe mit den Texten versehen: I. Wie der Löwe mit Gewalt den Genossen seiner Jagd den versprochenen Anteil vorenthält. II. Wie der König eines Landes einen Schuster, der quacksalbernd leichtgläubige Leute narrte, durch Furcht zur Wahrheit zwingt. III. Wie ein Frosch des Glaubens ist, wenn er sich aufbläht, könne er die mächtige Größe eines Ochsen wohl erreichen und so zerplatzt. IV. Wie der Weih sich zum Könige der Tauben wählen läßt, nur um sie zu greifen. V. Wie ein Maultier, das leicht und stolz an einer Geldkassette trug, bei einem Ueberfall verwundet wird, kein Mensch sich aber um den schwerbeladenen Esel kümmert. VI. Wie die Schlange in der scharfe Feile beißt und den Kürzeren zieht. VII. Wie die Drohnen faul sich weigern, Honig zu tragen und fortgestochen werden. VIII. Wie ein Panther die Hirten schont, die Gutes ihm einst taten, die anderen aber niederschlägt. [Attributes: Hard Cover]

      [Bookseller: Stader Kunst-Buch-Kabinett]
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        Plan elektrifikacii RSFSR Doklad 8 my Sezdy Sovetov Gosudarstvennoj Komissii po Elektrifikacii Rossii Plan for the Electrification of the RSFSR Report to the 8th Congress of Soviets State Commission for the Electrification of Russia

      First Edition. Nine sections issued together. 4to (255 x 175 mm). 230; 71 [3]; 118; 66; 45 [1]; 26; 49 [1]; 24; 37 [1], pp., with three letterpress graphs/tables, but lacking all of the maps. With the original upper wrapper bound in. Pink stain to original wrapper, extending to title-page and opening pages of first section, third section uncut, extensive browning due to poor paper quality, foxing throughout to varying degrees, a few minor tears to edges. Modern quarter red morocco over cloth covered boards, spine lettered and ruled in gilt.  Moscow, State Scientific and Technical Publishing House.

      [Bookseller: Maggs Bros. Ltd.]
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        RUBENS

      IM INSEL, LEIPZIG 1920 - TEDESCO Volume in mezza legatura. Dorso in tela con titoli in oro e coperta in cartone. Lieve usura agli angoli ed alle bordature. Internamente dorso parzialmente staccato dal libro. Pagine leggermente ingiallite, buona stampa dei caratteri, facile leggibilità dei testi. Inserimento a fine libro, di tavole numerate da 1 a 95, fuori testo, in diversa carta, liscia, in bianco e nero. La libreria offre per un periodo limitato uno sconto del 20% su tutti i suoi libri. Il prezzo originale dell'articolo era 999,99 euro.

      [Bookseller: Biblioteca di Babele]
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        Corinth, Lovis. - "Beweinung Christi (Pieta)".

      - Radierung / Kaltnadel, in Schwarz, auf hellgelbem Kupferdruckbütten, 1920. Von Lovis Corinth. 25,7 x 32,0 cm (Darstellung) / 26,4 x 32,8 cm (Platte) / 32 x 40,5 cm (Blatt). Müller 472. Rechts unten in Bleistift signiert: "Lovis Corinth". Links nummeriert: "Nr. 12". - Gratiger kontrastreicher Abzug von der frischen Platte! - Unbeschnittenes Exemplar. Papier in den Ecken oberflächlich leicht berieben. Guter bis sehr guter Erhaltungszustand. Lovis Corinth (1858 Tapiau/ Ostpreußen - 1925 Zandvoort/ Niederlande). Deutscher Maler und Grafiker. Wegbereiter der Moderne mit expressionistischen Tendenzen. Zählt mit Max Liebermann, Lesser Ury und Max Slevogt zu den wichtigsten Vertretern des deutschen Impressionismus. 1876 Akademiestudium als Schüler des Genremalers Otto Günther in Königsberg. 1880-83 Studium an der Münchner Akademie. 1884 Malunterricht in Antwerpen und Eintritt in die Académie Julian in Paris. 1888 Umzug nach Berlin. 1891 Umzug nach München. 1892 Eintritt in die Münchner Secession. 1893 Gründung der "Freien Vereinigung". Geht 1897 nach Zurückweisung der "Salomé" nach Berlin, wo er 1901 eine Malschule gründet und der Berliner Secession beitritt. Freundschaft mit Max Liebermann. 1918 Professorentitel. Seine Werke beschäftigen sich mit existenziellen Fragen des Menschen wie Liebe und Tod, Gewalt und Leidenschaft. Sprache: Deutsch [Attributes: Signed Copy]

      [Bookseller: GALERIE HIMMEL]
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        Antique Drawing-WOMAN-CAFE-GLASS-WINE-COAT RACK-Drivier-ca. 1920

      - Antique drawing, untitled. A woman seated at a small table in a cafe with a glass of wine. A coat rack in the background. Colour crayon drawing on wove paper. Description: Source unknown, to be determined.Artists and Engravers: Made by 'Leon-Ernest Drivier'. Leon-Ernest Drivier (1878-1951) was a French sculptor and illustrator. He worked from 1907 in the studio of Auguste Rodin, and was a friend of Bourdelle. Condition: Very good, given age. Small spots of paper erosion in the image. No margins. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Storage location: A300-03 The overall size is ca. 9.6 x 14 inch. The image size is ca. 9.6 x 14 inch. The overall size is ca. 24.5 x 35.5 cm. The image size is ca. 24.5 x 35.5 cm.

      [Bookseller: ThePrintsCollector]
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        La Légende du Roi Arthur et des Chevaliers de la Table Ronde. D'après les textes anciens. Illustrations de A. Rackham.

      Paris l'édition d'art H. Piazza. 1920 - 4°. 2 Bl., 112 S., 1 Bl. Mit 16 farbigen montierten Abbildungen auf Tafeln, 6 ganzseitigen s/w. Illustrationen und einigen Vignetten und Initialen. Schlichter privater grauer Leinwandband mit goldgeprägtem Rückenschild auf grünem Hintergrund. Der illustrierte Originalbroschurumschlag mit eingebunden. Eines von 1500 numerierten Exemplaren auf Japan. - Schönes fleckenloses Exemplar in einem, leider sehr schlichten Einband.

      [Bookseller: Daniel Thierstein]
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        THÜRINGEN und ANHALT., Reliefpanorama mit den Städten als Vogelschauansichten.

      Aquarell mit Deckfarben über Bleistift, sign. "Atelier J. Ruep", um 1920, 55 x 45 cm. Schönes Panorama mit dem Thüringer Wald im Vordergrund und dem Blick bis Leipzig, Halle und Magdeburg. Die Städte und Sehenswürdigkeiten sind als kleine Vogelschauansichten hervorgehoben. Mit Einzeichnung der Verkehrswege. - Auf Leinwand aufgezogen, sehr farbfrisch. Aquarell/Zeichnung, Thüringen, Panoramen

      [Bookseller: Buch- und Kunstantiquariat]
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        Das Kinder-ABC. Bilder und Verse.

      Frankfurt am Main, Heller, o.J. (um 1920). - 23 nn. Bll. Einband berieben, bestoßen, angeschmutzt und fleckig. Buch etwas durchgebogen. Schnitt fleckig. Innen durchgehend etwas fleckig (hinterer Spiegel stärker). Im KVK nicht nachweisbar. Sprache: Deutsch Gewicht in Gramm: 1100 24 x 24 cm, ill. Halbleinen ohne Schutzumschlag [Attributes: Hard Cover]

      [Bookseller: Göppinger Antiquariat]
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        Relativity;: The special and general theory,

      H. Holt and Company - Binding is slightly bowed. Few stray spots at edges. Text is clean, bright and unmarked. Previous owner stamp on front free endpaper and inner back cover. Small smudge at foot at Title page. Gilt lettering a bit faded at spine. Boards have some faint discoloration, else a handsome copy of this increasingly scarce item. [1920] First American Edition. 168pp. xiv. [Attributes: First Edition; Hard Cover]

      [Bookseller: ThriftBooks - Second City]
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        A la recherche du temps perdu, tomes III et IV: Le côté de guermantes I, Le côté de guermantes II

      Editions de la Nouvelle Revue Française, 1920. Book. Very Good. Half-Leather. 12mo - over 6¾" - 7¾" tall. 2 volumes In-12, reliure demi cuir noire, lettrage doré, Très Bon Etat, édition originale, exemplaires no. 767/800 sur papier vélin pur fil Lafuma réservés aux amis de l'édition originale, tome 1: 17 août 1920, tome 2: 30 avril 1921.

      [Bookseller: Bidonlivre]
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        [Archive]: Sketchbook and Bookplates

      Newton Centre, Massachusetts, 1920. Very Good. Sketchbook album and three engraved bookplates. Small quarto. Measuring 8" x 10". Quarter cloth and marbled paper over boards, paper label on the front cover with the artist's name in manuscript: "Hazel Curtiss, Newton Centre, Mass." Some moderate wear (fraying) to the joints and board edges, very good. Accompanied by three printed bookplates (two designed by Curtiss), mounted and housed in a wood and glass frame (about 12" x 7"). Hazel Curtiss's working sketchbook album containing about 100 ink and pencil drawings: consisting of several original illustrations (of boy scouts and children), hand-sketched book art designs, vignettes, ornaments, etc., including allegorical figures, emblems, letter-forms and typographic devices, and illustrated title pages and bookplate designs; with related manuscript notes in text and laid-in. Most drawings are on thick artist's tissue paper (including several on paper): over 50 are mounted onto 35 leaves in the album (rectos and versos); and about 50 are laid-in. A comprehensive and accomplished collection, embracing a variety of classical and oriental grammars of ornament, human anatomy and costume; with many contemporary book illustrations and designs inspired by Walter Crane and Joseph Pennell, and costume designs inspired by Talbot Hughes.

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Old Jerusalem. The Holy Land. 1910-1921. The Photogravures of Narinsky.

      Jerusalem:: Jamal Brothers, 1920-21., 1920. 4to. loose as issued in modern clamshell box, leather label to front and spine of box. A set of 110 postcard photogravures of holy sites, personalities, Jews, Bedouins, historical ruins and cityscapes. Each image is mounted to a larger sheet and enclosed in a clamshell box. Fine. SPECTACULAR ORIGINAL PHOTOGRAPHS OF JERUSALEM. "Born in the Ukraine in 1885, Shlomo Narinsky studied art in Moscow, Paris and Berlin before moving to Palestine where he set up a studio. In 1916, Shlomo and his wife were exiled to Egypt by the Turkish rulers. They returned to the Land of Israel after the British captured the territory in 1918. Narinsky opened a studio in Paris, but Shlomo was arrested when the Nazis captured France. He was later exchanged for a German spy caught in Palestine after the intercession of David Ben-Gurion and Yitzchak Ben-Zvi. They returned to Israel, eventually moving to Haifa where Shlomo taught as a photography teacher. He died in 1960, relatively unknown." - [Web-source]. See: George Gilbert, The illustrated worldwide who's who of Jews in photography, (1996), p. 156; Silver-Brody, Vivienne, Documentors of the Dream: Pioneer Jewish Photographers in the Land of Israel, 1890-1933, Jewish Publication Society, (1998), p.133+

      [Bookseller: Jeff Weber Rare Books]
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        Album of twelve fine watercolours of feathers painted on silk.

      [c.1920]. Small album (c.190 × 190 mm), stiff card wrappers covered in white silk with woven semiabstract design, corded edging to the wraps, initials "F.R." embroidered to the front panel which is decorated with a bow, ties frayed. 12 pieces of cream silk 160 × 160 mm, including fringed edges, each with a meticulously painted group of two or three brightly coloured feathers, and each protected a fold of bark-textured crepe paper. The album slightly soiled, a few very faint spots of discolouration to the silks, one leaf with a split now supported with Japanese tissue, the image unaffected, but overall extremely well preserved. A superb collection of brilliantly rendered, almost photo-realist paintings of feathers; exquisitely finely coloured, and subtly highlighted and shaded, the sheen of the silk supporting the illusion, suggesting the natural translucence and lustre of the subject. Perhaps originally a wedding gift (the pattern of the cloth does suggest stylised bells and roses), it is still surprising that this exquisite collection has remained together.

      [Bookseller: Peter Harrington]
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        RUSSIAN REVOLUTION POSTER: [A BOOK IS NOTHING BUT A MAN SPEAKING IN PUBLIC].

      Peterburg [Saint Petersburg]: Gospudarstvennoe Izdatel'stvo - A. F. Marks . 1920 - Lithograph on tan paper (Very Good, blank corners pasted over with similar paper) 64,5 x 47,5 cm (25.4 x 18.7 inches). A rare poster promoting printed propaganda and literacy during the October Revolution, was made by a Russian artist Ivan Simakov. This powerful poster, made during the October revolution in Petrograd (Saint Petersburg), in 1920, advertises the power of the printed word. A large book is presented as an equal to a man, speaking to a large crowd of workers. The poster was a part of a large Bolshevik propaganda campaign to enlarge literacy among the working class in the first years of the Russian Revolution, when only 31,9% of population was literate. The campaign, with a goal of spreading more written propaganda in the next years, started in 1919. Ivan Simakov was a Russian artist, active as a propaganda poster designer during the October revolution. His most famous work is a large political poster titled On the 7th Anniversary of October Victory. Long Live the Unshakeable Iron Union of the Working Class and Peasantry! Adolf Marks Publishing House - The publishing house, which issued this poster, was founded by Adolf Marks (Marx, 1838-1904), born in Stettin (today Szczecin in Poland) as a son of a tower clock maker. He received his education at Hinstorff publishing house in Wismar and in 1859 he moved to Saint-Petersburg on the invitation of the firm Bietepage & Kalugin, to deal with German books. Later he was working as a tutor and German and French correspondent for the Great Russian Railway Company. A decade after his arrival to Russia, Marks founded his own publishing firm in 1869, and a year later he started publishing Niva, the first illustrated weekly magazine and the most popular weekly magazine in pre-Revolutionary Russia. Marks's company also published books on art history, large, illustrated editions of classic prose works, and maps. References: Rudolf Schmidt: Deutsche Buchhändler. Deutsche Buchdrucker. Band 4. Berlin/Eberswalde 1907, S. 658-659.

      [Bookseller: Antiquariat Dasa Pahor]
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        Im Kaffeehaus, Tischrunde

      1920 - Kohle auf Papier. 50 x 66 cm. Rechts unten signiert: „Rudolf Schlichter“. Links unten datiert: „20“. Verso: Figurenstudie mit dem (gebleichten) Nachlassstempel. Dort bezeichnet: „E20“ [Attributes: Signed Copy]

      [Bookseller: Kunkel Fine Art]
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        Ritter Gluck. (Eine Erinnerung aus dem Jahre 1809).

      Bremer Presse für Mareés Gesellschaft R. Piper, Tölz und München . 1920 - 4° (26,5 x 17,7 cm). Original- Halbpergamentband mit vier durchgezogenen Bünden. Kopfgoldschnitt. Goldgeprägter Rückentitel, marmorierte Bezugspapiere. 39 (1) Seiten, 1 Bll. Büttenpapier. Mit 18 Original-Holzschnitten nach Zeichnungen von R. Grossmann. Sauberes, schönes und richtig gut erhaltenes Exemplar. Nr. 29 von 135 Exemplaren, gedruckt auf Zanders-Bütten (Gesamtauflage 200 Exemplare). 22. Druck der Mareés Gesellschaft. FLUR od. Vitri [Attributes: First Edition; Hard Cover]

      [Bookseller: Antiquariat und Buchhandlung Carl Wegner]
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        Autogramm mit Ansicht des Hauses von Wells ca. 1920 - Autor von die Zeitmaschine,Weltliteratur

      H.G.Wells - Foto Karte ca. 1920 Herbert George,Wells engl. Schriftsteller ( 1866 - 1946 ) Original Hand signiert ca. 11 x 8,5 cm. Karte mit Abb.des Hauses wo Wells lebte,sehr guter Zustand. Bekannt wurde H.G.Wells u.a. durch die Science- Fiction Romane " Die Zeitmaschine " und " Krieg der Welten. Rares Autogramm Der Versand erfogt als Einschreiben für 4,00 in Europa - Übersee 8,00 versichert Wer es als versichertes Paket möchte bitte um Info ! Privatverkauf keine Rücknahme.Garantie auf Originalität

      [Bookseller: Mundgeruch]
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        The Jazz Of Patriotism (An Anti-War Play)

      Long Beach: Geo. W. Moyle Pub. Co., 1920. 1st Edition 1st Printing. Hardcover. Very Good/No Jacket. Vi, 119 Pp. Orange Cloth, Stamped In Black. No Date Of Publication Indicated But Author's Preface Dated December 1920. Anti-War Drama With Excellent Short Introduction By Southern California's (Ok, My)O Favorite Upper Class Secular Humanist. Light Wear And Dust To Covers, Lettering Undamaged, Hinges Tight. Odd Diagonal Marks On Free Endpapers In Blue Pencil, "Tpp" Bracketed By Backwards Letters Sigma, With Tiny Circle Enclosing An N Placed Between Bottom Of Letters T And The First P On Both Pages.

      [Bookseller: Arroyo Seco Books]
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        OFFERTA! DEDALO. RASSEGNA D'ARTE. 12 annate, Ugo Ojetti, 1920

      -

      [Bookseller: Messinissa libri]
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        RUR. Rossum's Universal Robots: kolektivní drama o vstupní komedii a trech aktech [a collective play in three acts and a prologue]

      Aventinum, Prague 1920 - Octavo (22 × 14.8 cm). Original pictorial wrappers by Josef apek; 96, [3] pp. Very light wear and sun-tanning to wrappers; an unusually well-preserved copy. The rare first edition of Capek's most famous work, a groundbreaking science fiction play in which the word 'robot' was used for the first time. With the striking woodcut cover design by the author's brother and close collaborator, Josef Capek, as well as his publisher's mark and vignette to the title page. It was Josef, in fact, whom Karel credited with coining the term, based on Czech robota, meaning 'hard labor' or 'slavery.' "Capek's invention of the contemporary idea of the robot was a direct response to the radical cultural and economic transformations produced by increasing industrialisation. Rather than the spectacle of mechanical life made by man, as seen on the eighteenth-century stage, R.U.R. reflected the glowing fears that man himself had become machine" (Elizabeth Stephens, "We Have Always Been Robots," in robots and art, p. 34). A great success locally, the play was translated and performed throughout the world almost immediately. One of 2000 copies printed. Decidedly scarce in such excellent condition. [Attributes: First Edition; Soft Cover]

      [Bookseller: Penka Rare Books, ILAB]
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        Der kleine Herr Friedemann.

      - München, Phantasus-Verlag 1920. 58 S. m. 15 Original-Holzschnitten von Otto Nückel. Original-Halbpergamentband und Überzugspapier nach einem Holzschnitt von Nückel. 25,1 x 18,1 cm. Eins von 150 num. (gesamt 220) und von Thomas Mann und Otto Nückel sign. Exemplaren. Sehr gutes Exemplar. [Attributes: First Edition; Signed Copy]

      [Bookseller: Antiquariat Stefan Küpper]
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        L'ANTICA POESIA SEPOLCRALE LATINA STUDIO CRITICO

      ROMA: TIPOGRAFIA PONTIFICIA NELL'ISTITUTO PIO IX, 1920. RILEGATO. BUONO. 16 23. USATO

      [Bookseller: Controcorrente Group srl BibliotecadiBab]
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        THE SPHINX

      London/NewYork: John Lane, 1920. First limited edition (1 of 1,000); illustrated and decorated by Alastair. Thin folio in beige hardcovers with heavy gold gilt; VG; covers moderately soiled; strong binding; previous owner's penciled inscription on ffep; printed on parchment paper with deckle edges; eight drawings in color and 35 monochrome; scarce; press stones were destroyed during the German invasion of Belgium; shelved in Case 0; IR consignment. Dupont.

      [Bookseller: Second Story Books]
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        Hanselima. Illustriert von Erna Haas.

      Bern und Biel, Verlag von Ernst Kuhn (Vevey, Graphische Kunstanstalt Säuberlin & Pfeiffer A.-G.), o.J. (um 1920), - kl. in-8vo, Vortitel + Titelblatt + 43 Blatt mit farbigen Illustrationen, zusätlich 1 Buchzeichen ?Hanselima? mit Bild & Text in Mundart, Original-gepresster Kartoneinband mit Farbillustration, Rücken oben mit Abriss, Original Umschlag ausgeschnitten beigelegt (Vorne und Hinten) Erste Ausgabe. Selten. Der Hanselima hat 3 Auflagen erlebt, die fast alle kaputtgelesen wurden. Es ist ja bekannt, dass ein Buch in Kinderhand nicht lange lebt! Die Erstausgabe ist selten und wurde durch die ?Graphische Kunstanstalt Säuberlin & Pfeiffer A.-G, Vevey? gedruckt. Laut handschriflichen Aufzeichnungen von Erna Haas mit dem Titel ?Was ich vo mim Hanselima dänke?, verfasste sie dieses Büchlein für ihren kleinen Bruder. Die Sprüchli stammen ursprünglich von ihrer Grossmutter aus Zug, die ihr diese früher in ihrer ?Muetersprach? (Mundart) vorgesagt hat. Diese hat sie dann (um 1920) ?zeichnet und gmoled? (also keine ?Linolschnitte? - wie im Lexikon SBI, oder ?Originalholzschnitte? wie bei Thierstein Antiquariat beschrieben). Neben diesem einzigen Büchlein hat Erna Haas Möbel und Türen gemalt (Bauernmalerei) und vor allem hat sie sich der Glasmalerei hingegeben. Ihre Werke wurden im Geschäft ?Clef du Pays? in Fribourg von einheimischen und auswärtigen Touristen aus Japan, Amerika und sogar von Besuchern aus Ländern hinter dem eisernen Vorhang gekauft. Die Referenzen stammen von ihrem Sohn, Herrn Edouard Wassmer (geb. 1927), zur Zeit Nachbar unseres Geschäfts in Freiburg (CH). (Herr Ed. Wassmer ist 2013 gestorben).Please notify before visiting to see a book. Prices are excl. VAT/TVA (only Switzerland) & postage. Lexikon Schweizer Bilderbuch-Illustratoren 32 (mit Anmerkung: biographische Daten nicht bekannt); Martin Kaiser: Swiss Picture Books (1998) S. 25; Nicht bei Weilenmann. [Attributes: First Edition; Hard Cover]

      [Bookseller: Harteveld Rare Books Ltd.]
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        Die moderne Graphik. Eine Darstellung für deren Freunde und Sammler.

      Leipzig, E. A. Seemann, 1920. . Eines von 200 Exemplaren der VORZUGSAUSGABE, mit 4 Original-Radierungen: Edouard Manet: Seifenblasen, Max Klinger: Kauernde, Max Slevogt: Löwe und Tiger und William Strang: Landschaft. Die Radierungen wurden auf unterschiedlichen Papieren abgezogen (Bütten, Japan, Karton). Über Kunst und Künstler in Deutschland, Österreich, der Schweiz, Großbritannien, den Niederlanden, Amerika, den nordischen Ländern u. Frankreich 1880-1910. Mit Anhang über graphische Techniken sowie Register. - Einband m. wenigen kl.. Bereibungen, Rücken u. VDeckel tls. lichtspurig. Gutes, sauberes Exemplar

      [Bookseller: Antiquariat Reinhold Pabel]
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        Hanselima. Illustriert von Erna Haas.

      Bern und Biel, Verlag von Ernst Kuhn (Vevey, Graphische Kunstanstalt Säuberlin & Pfeiffer A.-G.), o.J. (um 1920), - kl. in-8vo, Vortitel + Titelblatt + 43 Blatt mit farbigen Illustrationen, 1 Blatt mit Riss restauriert, auf Vortitel und Titelblatt Stempel ?Swiss benevolent society of New York? Ex-Libris auf Buchdeckelinnenseite ?Property of Bibliotheca Helvetica Inc. Swiss Library New York?, innenseite hinten kleiner Papiertasche für ?Bibliothekszettel?, Original-gepresster Kartoneinband mit Farbillustration (Rücken unten etwas restauriert), insges. schönes Exemplar. Erste Ausgabe. Selten. Der Hanselima hat 3 Auflagen erlebt, die fast alle kaputtgelesen wurden. Es ist ja bekannt, dass ein Buch in Kinderhand nicht lange lebt! Die Erstausgabe ist selten und wurde durch die ?Graphische Kunstanstalt Säuberlin & Pfeiffer A.-G, Vevey? gedruckt. Laut handschriflichen Aufzeichnungen von Erna Haas mit dem Titel ?Was ich vo mim Hanselima dänke?, verfasste sie dieses Büchlein für ihren kleinen Bruder. Die Sprüchli stammen ursprünglich von ihrer Grossmutter aus Zug, die ihr diese früher in ihrer ?Muetersprach? (Mundart) vorgesagt hat. Diese hat sie dann (um 1920) ?zeichnet und gmoled? (also keine ?Linolschnitte? - wie im Lexikon SBI, oder ?Originalholzschnitte? wie bei Thierstein Antiquariat beschrieben). Neben diesem einzigen Büchlein hat Erna Haas Möbel und Türen gemalt (Bauernmalerei) und vor allem hat sie sich der Glasmalerei hingegeben. Ihre Werke wurden im Geschäft ?Clef du Pays? in Fribourg von einheimischen und auswärtigen Touristen aus Japan, Amerika und sogar von Besuchern aus Ländern hinter dem eisernen Vorhang gekauft. Die Referenzen stammen von ihrem Sohn, Herrn Edouard Wassmer (geb. 1927), war zur Zeit Nachbar unseres Geschäfts (2014 gestorben). Please notify before visiting to see a book. Prices are excl. VAT/TVA (only Switzerland) & postage. [Attributes: First Edition; Soft Cover]

      [Bookseller: Harteveld Rare Books Ltd.]
 29.   Check availability:     ZVAB     Link/Print  


        KIDDIE-KAR BOOK

      - (STILWELL (WEBER),SARAH)illus. KIDDIE-KAR BOOK by Richard Welsh. Philadelphia: Lippincott (1920). Oblong 4to (11 1/2 x 9 1/2"), cloth backed boards, pictorial paste-on, Fine in dust wrapper (dw slightly frayed). 1st and probably only edition of this charming picture book composed of a series of nine poems meant to be read out loud to children. Each page of verse has a lovely detailed pictorial border by Stilwell and there are 9 fine color plates plus pictorial endpapers and other smaller line illustrations - all featuring small children and most with the theme of the child's kiddie-kar rider as well. A rare children's book by this Brandywine artist, especially in the dust wrapper. [Attributes: Hard Cover]

      [Bookseller: Aleph-Bet Books, Inc. - ABAA]
 30.   Check availability:     AbeBooks     Link/Print  


        Tommy's Nurse'

      Circa s 1920 - Water-colour life-study on paper of a young nurse in uniform, estate VB stamp, label for the Bloomsbury Workshop to verso, 7 1/2 x 6 1/4 inches (18.5 x 16cm). One of 33 illustrations Bell made for her late mother's unpublished collection of children's stories, titled Emlycaunt. Bell's, mother, Julia Stephen (1846-1895) was a philanthropist and a Pre-Raphaelite model, the second wife of the biographer Leslie Stephen and mother of six children including Vanessa Bell and Virginia Woolf. Vanessa Bell (1879-1961), widely acclaimed as a central figure of the Bloomsbury Group, she was a modernist painter and pivotal player in 20th century British Art. The eldest of four children and sister to renowned writer Virginia Woolf, Bell was encouraged from a young age to pursue her individual talents. In 1901 she began studying at the Royal Academy Schools, under the tutelage of John Singer Sargent, amongst others.

      [Bookseller: Shapero Rare Books]
 31.   Check availability:     ZVAB     Link/Print  


        KILDINE. Histoire d'une méchante petite princesse. Préface de Robert de Flers.

      1920 - Tours Mame et Fils sans date vers 1920. In folio 2 feuillets non chiffrés V-XII 1-95pp. Demi maroquin acajou à coins signés, dos à 4 nerfs rehaussés d'un filet doré, entrenerfs élégamment ornés d'une couronne dorée sur un semis d'étoiles, pièce de titre ocre, pièce grenat en queue avec le nom de l'illustrateur, tête dorée, non rogné, plats de la belle couverture illustrée en couleurs conservés, reliure de l'éditeur. Abondamment et très joliment illustré par Job en noir et en couleurs. Rare. Bel exemplaire frais, bien complet du texte et des illustrations, dans son élégante reliure de l'éditeur en très bon état. Rare édition de ce joli conte, très bien mis en valeur par les beaux dessins de Job. [Attributes: Hard Cover]

      [Bookseller: Nouvene Sylvie]
 32.   Check availability:     AbeBooks     Link/Print  


        Sleeping Beauty.

      London: William Heinemann, 1920. Signed limited deluxe edition. Quarto, original half vellum over cream boards, pictorial endpapers, top edge gilt. One of 625 numbered copies signed by the illustrator Arthur Rackham. Printed on English hand-made paper with an additional color plate. Illustrations: 25 full page silhouettes, comprising 9 in color (frontispiece and 4 double plates)--and 16 in black (including 4 double illustrations); one mounted colored plate; silhouette head-and tail-pieces and other silhouettes throughout the text, in black. In very good condition. "Rackham's fanciful imagination gave his illustrations instant recognition, and his dedication to illustration kept him in the public eye for 30 years" (Hodnett, 233). Like his Cinderella (1919), The Sleeping Beauty relied "almost wholly for [its] effect on silhouette... Rackham [was] a master of the medium, being able to evoke character and humor by profile and gesture alone, and allowing the two-dimensional effect of his pen work to lead the reader through the book and keep the story going" (Hamilton, 118).

      [Bookseller: Raptis Rare Books]
 33.   Check availability:     Biblio     Link/Print  


        IRISH FAIRY TALES

      London Macmillan 1920 - LIMITED FIRST EDITION, one of 520 numbered copies SIGNED by illustrator Arthur Rackham. With 16 very fine colour plates and 21 black and white illustrations within the text by Arthur Rackham. Large 4to, in the publisher's original deluxe limited edition binding of vellum backed parchment covered boards, lettered and pictorially decorated in gilt on both upper cover and spine, t.e.g. Now housed in a fine custom clamshell box of maroon cloth over boards with a morocco label gilt lettered. x, 318 pp. A very fine copy, unusually bright and fresh, the binding clean, the covers and spine much brighter and more clean than is the usual. The textblock in fine order, the plates fresh and very well preserved. An excellent copy. THE SCARCE FIRST EDITION, IN THE SIGNED LIMITED FORMAT AND IN A WONDERFUL STATE OF PRESERVATION. Rackham’s friend James Stephens wrote his collection of Irish Stories drawing from a rich oral tradition and also from the original Gaelic texts. He succeeded in presenting the old tales in a poetic and accessible form for the general modern reader. The collection is an excellent introduction to traditional Irish Fairy Stories and includes: The Story of Tuan Mac Cairill, The Boyhood of Fionn, The Carl of the Drab Coat, Mongan’s Frenzy, and many more. Rackham brought forth another collection of dazzling and imaginative illustrations. The Dublin Independent wrote a warm review of Rackham’s Irish Fairy Tales: "We read English tales with appreciation because pictures have familiarized us with English imagery. A Fenian tale lacks imagery because we have no art to give it colour and shape to what are presently only names. Some of Mr. Rackham’s pictures are pure poems - they set you dreaming." [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Buddenbrooks, Inc. ABAA]
 34.   Check availability:     AbeBooks     Link/Print  


        Drop-title] Playwrights and Amateurs

      (np 1920 - First edition, First printing (with "asking": on the first line only, one of 100. (28 x 15.5 cm). 1 vols. Laurence A157 First edition, First printing (with "asking": on the first line only, one of 100. [Attributes: First Edition]

      [Bookseller: James Cummins Bookseller, ABAA]
 35.   Check availability:     AbeBooks     Link/Print  


        One Man's Initiation

      London: Allen & Unwin, 1920. First edition, first issue with type broken on page 35, line 32. Some offsetting to the second blank, some fading to the book spine, still about Fine in like dust jacket with light rubbing at the spine ends. A very nice copy of the author's first book, preceding the American edition, documenting his impressions of the First World War. Housed in a custom slipcase. about Fine in about Fine dust jacket. about Fine in about Fine dust jacket.

      [Bookseller: Whitmore Rare Books]
 36.   Check availability:     Direct From Seller     Link/Print  


        AUTOGRAPH LETTER SIGNED FROM VICTOR CAMPBELL TO FELLOW EXPEDITION MEMBER SILAS WRIGHT.

      - TERRA NOVA EXPEDITION. January 28, 1920. Autographed note from Victor Campbell to "Silas" Wright, responding to a question about the time kept by the Northern Party in comparison with the Main Party, even though they had been in different time zones. Lieutenant Victor Campbell was First Officer on Scott's Terra Nova Expedition. After arriving in Antarctica his role was to lead an Eastern party of six men to explore and carry out scientific work in King Edward VII Land, to the east of The Barrier (known today as the Ross Ice Shelf). On the 26th of January 1911, Campbell's party left on the Terra Nova. After failing to find a suitable landing site on the King Edward VII Land shore, Campbell decided to sail to Victoria Land. On its return westward, Terra Nova encountered Amundsen's expedition camped in the Bay of Whales, an inlet in the Barrier. After returning to Cape Evans and informing Scott of Amundsen's location, Campbell's party was renamed the Northern Party and set off again, sailing northwards and landing at Robertson's Bay, near Cape Adare. They built a hut and wintered at Cape Adare but due to the sea ice conditions were unable to fulfill much of their intended explorations scheduled for the summer of 1912. In January of 1912, Terra Nova returned from New Zealand, and transferred the party of Campbell, Raymond Priestley, G.M. Levick, G.P. Abbott, H. Dickason, and F.V. Browning to Evans Cove, 400 km south of Cape Adare and 320 km northwest of Cape Evans. However, they only had sledging provisions for six weeks with the intention of completing the geological work in a couple of weeks. After the work was done they were left with rations for about four weeks. It was not anticipated the ship would have trouble picking them up as arranged in February, but the Terra Nova could not reach them due to heavy pack ice. Unable to connect with their ship, the Northern Party was forced to winter in Antarctica yet again. They built an ice cave on Inexpressible Island where they spent the winter in miserable conditions, supplementing their rations by killing scarce seal and penguins. On the 30th of September 1912, they set off for Cape Evans, finally arriving on the 7th November after crossing more than 320km of sea ice. After learning of the death of Scott and the entire Polar Party, as the senior remaining Naval officer, Campbell assumed command of the Terra Nova Expedition for its final weeks.

      [Bookseller: Bjarne Tokerud Bookseller ABAC & PBFA]
 37.   Check availability:     IberLibro     Link/Print  


        PANORAMIC VIEW SHANGHAI, CHINA. [Three-Color Postcards Attached in a Single Pano

      - [Shanghai n. d. ca. 1920's, Sincere Co.]. A three-postcard color panoramic view of Shanghai, in full color, minor loss to folds, 42 x 18.6 cm., manufacturd by Cardinell Vincent Co., San Francisco, verso unused made to fold up. OBSCURE ! *** *** *** . . . AN EARLY COLOR THREE-POST CARD PANORAMA OF SHANGHAI . . . RARE ORIGINAL VIEW . * This is a very unusual item. It consists of three color postcards joined at the edges in two places, that is to say a single oblong item, folding twice to make it an ordinary postcard size, easy for mailing. . * THE PANORAMIC VIEW: This shows the Huang Poo river from Pudong island looking over the river to the Bund. A lovely early view of the foreign buildings. . * The verso states: "Pub by Sincere Co, shanghai. Ltd Shanghai, China; Manuf. by Cardinell. Vincent Co., san Francisco, US.A." Along with the usual things post cards say and nothing else. The front states on the lower left of the first card: "PANORAMA VIEW SHANGHAI, CHINA." . * RARITY: This item is complete as issue, in three joined parts, which then fold down to a single post card size. . This is a very rare item when found un-separated from each other, in the original published condition. One occasionally may find one or two of these separated, but to find it complete in all its glory is difficult ! Found in such nice condition is even more unusual ! . * CONDITION: This is in excellent condition, there is minor loss of some color and image on the folds on the front, There is a feint bend on the first post card to the left, but not major. otherwise no issues. *

      [Bookseller: RARE ORIENTAL BOOK CO., ABAA, ILAB]
 38.   Check availability:     AbeBooks     Link/Print  


        Acquafortisti Italiani.

      1920 - Bologna, 1920; 3 voll., br., pp. 34, 457 tavv. b/n num. f.t. L'opera è cosi' composta: Vol. I, pp. (22), con una racccolta di 125 tavv. di 30 artisti del Novecento (Baglioni, Bartolini, Boglione, Brugnoli, Carbonati, Casanova, Croatto, ecc.) Rriproduzione di 32 incisioni di 20 artisti dell'800 (Bianchi, Conconi, Fattori, Fontanesi, Piccinni, Rayper, Signorini, ecc,). Vol. II: pp. (6), con la riproduz. di 160 incisioni di 45 artisti (Bucci, Casanova, D'Achiardi, Disertori, Fagiuoli, Ferro, Fegarotti, Forghieri, Galetti, Giorgi, Gorni, Graziosi, Grondona, Guaccimanni, Lipinsky, Mainini, Maselli, Mentessi, ecc.). Vol. III: pp. (6), con la riproduz. di 172 incisioni di 52 artisti (Mauroner, Mazzoni-Zarini, Melis-Marini, Papalia, Passauro, Petrucci, Pietra, Roeder, Rossini, Ulvi Liegi, Vatteroni, Vitalini, Viviani, Lega, Soffici, ecc.). Quadro ampio e preciso della incisione italiana su rame e su zinco, a morsura e a bulino, con particolare riferimento ai moderni, senza dimenticare alcuni maestri dell'Ottocento. [Attributes: Soft Cover]

      [Bookseller: Libro Co. Italia Srl]
 39.   Check availability:     ZVAB     Link/Print  


        THE RIME OF THE ANCIENT MARINER In Seven Parts

      London: George G. Harrap, 1920. Deluxe edition. Stunning work of art. Quarto. 9 3/4 in (25 cm) tall; unpaginated. No date, circa 1920. Printed by H. & J. Pillans & Wilson, Edinburgh. Fine binding in olive green morocco with bright gold-stamped ornamentation, lettering and jewel-toned accents to front cover; bright gold-stamped illustrations and letters to spine. Hand sewn headbands. Top edge gilt; others untrimmed. As befitting Coleridge's dramatic epic poem, Willy Pogany has extensively gilt tooled the spine and front cover with pictures including a ship of color leather inlays and has fully decorated every page. To paraphrase Vadeboncoeur, "Willy Pogany's art nouveau masterpiece. The large format allowed Pogany to pull out all the stops. Each page is at least two colors, sometimes with a gilt plate and usually an intricate border added. Extra-elaborate initials started each page, with simply ornate capitals for the beginning of each line. An illuminated title page, 20 tipped-in color plates, the second color added to the black and white plates, the flowing calligraphic text, and the numerous pen & ink drawings throughout make this special." Tight binding. Square corners. Fine tipped-in plates. Heavy stock, cream pages largely clean and unmarred with no bookplate, writing, salient marks, or tears; no loose pages. Clear protective cover. Crown and top corners chafed, rear cover with minor scratch, pastedowns with outer edges glue-toned, blanks foxed, pages and edges with intermittent light foxing, opening pages with light crease. Well-preserved, finely bound, epic poem lavishly illustrated by Willy Pogany. Vadeboncoeur, bpib online. Rarebookhub online. Very good+. No Jacket as issued.

      [Bookseller: Excelsa Scripta Rare Books]
 40.   Check availability:     Direct From Seller     Link/Print  


        Von der Heimat geächtet. Im Auftrag der Deutschen Legion bearbeitet.

      1920 - 167 S. OBr. Mit 11 Skizzen und 1 Bild. Beiliegend kurzes Schriftstück von de Vries an von der Rey (?), wohl ehemaligen Angehörigen der Deutschen Legion; es geht um den Malteserorden in bläulicher statt schwarzer Emaille. Kartenlasche gerissen, Kartenskizzen aber vorhanden. [Attributes: Soft Cover]

      [Bookseller: Johann Nadelmann Antiquariat]
 41.   Check availability:     IberLibro     Link/Print  


        ROSA MYSTICA Original Painting

      Original Artwork [Unpublished]. c.1920. Gouache, watercolour, ink and collage on paper, laid down on board. Signed in full to the bottom right. Measuring 28.5 x 30 cms. The colours bright and unfaded. Signed and inscribed by the artist with the title to the reverse. A beautiful original painting from the Royal Danish Academy of Fine Arts Design School trained artist and heraldist Franz Šedivý Yun. His first exhibition was in 1919 and he worked as a theatre stage designer and restorer for various Copenhagen museums such as the National Museum, the Folklore Museum and Svanholm Castle. At the same time he cultivated his talent as a heraldist becoming a coat-of-arms painter for the Royal Order of Denmark between 1945 and 1967. Further details and images for any of the items listed are available on request. Lucius Books welcomes direct contact with our customers.

      [Bookseller: Lucius Books]
 42.   Check availability:     Biblio     Link/Print  


        Sleeping Beauty.

      London: William Heinemann, 1920. Signed limited deluxe edition. Quarto, original half vellum over cream boards, pictorial endpapers, top edge gilt. One of 625 numbered copies signed by the illustrator Arthur Rackham. Printed on English hand-made paper with an additional color plate. Illustrations: 25 full page silhouettes, comprising 9 in color (frontispiece and 4 double plates)--and 16 in black (including 4 double illustrations); one mounted colored plate; silhouette head-and tail-pieces and other silhouettes throughout the text, in black. In very good condition. "Rackham's fanciful imagination gave his illustrations instant recognition, and his dedication to illustration kept him in the public eye for 30 years" (Hodnett, 233). Like his Cinderella (1919), The Sleeping Beauty relied "almost wholly for [its] effect on silhouette... Rackham [was] a master of the medium, being able to evoke character and humor by profile and gesture alone, and allowing the two-dimensional effect of his pen work to lead the reader through the book and keep the story going" (Hamilton, 118).

      [Bookseller: Raptis Rare Books ]
 43.   Check availability:     ABAA     Link/Print  

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