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Displayed below are some selected recent viaLibri matches for books published in 1920

        Zwei Paare beim Sonnenbad.

      - Gelatineradierung, um 1920, auf cremefarbenem Velin, signiert. 25,3:31,9 cm. Nr. 22 von 50 Exx. Vollrandiges Exemplar. Nach einem Studium an der Düsseldorfer Kunstakademie ging Großmann 1905-1914 nach Paris, wo er Schüler von L. Simon (1861-1945) war und freundschaftliche Kontakte zu L. Feininger (1881-1955) und H. Matisse (1869-1954) unterhielt. Anschließend verbrachte er einige Jahre in Berlin; zahlreiche Reisen erneut nach Paris, nach Schweden, in die Schweiz und nach Italien schlossen sich an. Nach seiner Rückkehr nach Berlin lehrte er an der Kunstakademie, wurde jedoch 1934 aus politischen Gründen entlassen. Großmann gilt neben Emil Orlik (1870-1932) als der bedeutendste deutsche Graphiker der 20er Jahre.

      [Bookseller: Galerie Joseph Fach GmbH]
 1.   Check availability:     AbeBooks     Link/Print  


        One Man's Initiation -1917

      London : G. Allen & Unwin, 1920. First edition, 2nd state. Fine cloth copy in a very good, slightly edge-nicked and dust-dulled dust wrapper, now mylar-sleeved. Remains particularly and surprisingly well-preserved; tight, bright, clean and sharp-cornered. Author's 1st book. 2nd state with 'flat' on p. 35. Referenced by; Hanna 1027. Physical description; 128 p. ; 19 cm. Subject; World War, (1914-1918) - Fiction.

      [Bookseller: MW Books Ltd.]
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        Autograph Manuscript Signed ("Donn Byrne") of his second novel, THE FOOLISH MATRONS

      Published New York: Harper's, 1920. Written in brown ink on rectos of approximately 495 leaves, with occasional autograph corrections, emendations, deletions. 1 vols. Mostly 11 x 8-1/2 inches, with 20 leaves from Book One on smaller sheets. In a custom red cloth chemise and folding box with leather cover and spine label. With a copy of the first edition of the novel in very good, scarce, unclipped dust jacket with slight wear. Written in brown ink on rectos of approximately 495 leaves, with occasional autograph corrections, emendations, deletions. 1 vols. Mostly 11 x 8-1/2 inches, with 20 leaves from Book One on smaller sheets. Donn Byrne Manuscript. Second novel by the Irish-American Byrne, who died tragically in 1928. Byrne, although born in Brooklyn of Irish parents, grew up in Ireland and identified himself strongly with his mother country, even though he eventually settled in New York where he finally made his fame and fortune. A major manuscript from an important figure in the American literary renaissance. The Foolish Matrons was published by Harpers in September, 1920, and a film based on the novel appeared the following year, directed by Marcel Tourneur. BAL 2289

      [Bookseller: James Cummins Bookseller]
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        BRANNENBURG und Umgebung. Reliefpanorama von Brannenburg und Umgebung, die Städte als Vogelschauansichten.

      - Aquarell mit Deckfarben über Bleistift, sign. "J. Ruep Mchn.", um 1920, 33 x 90 cm. Das Panorama zeigt die Bergwelt zwischen Sachrang und Leizachtal: Zahmer- und Wilder Kaiser, Petersberg, Sudelfeld, Wendelstein, Breitenstein und Rotwand, in der Ferne Hohe Tauern und Zillertaler Alpen. Fein dargestellt ist das Inntal mit Ansichten von Brannenburg, Degerndorf, Flintsbach, Nußdorf, Reisach, Nieder- und Oberaudorf, Kiefersfelden und Kufstein. - Auf Leinwand aufgezogen, minimal berieben, rechts oben kleine Fleckchen, insgesamt von frischer Gesamterhaltung. [Attributes: Hard Cover]

      [Bookseller: Peter Bierl Buch- & Kunstantiquariat]
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        Widmungsexemplar] Gurrelieder. Führer von Alban Berg (Kleine Ausgabe)

      Leipzig-Wien : Universal-Edition A.G., [1920] - 45 S. + dreiseitiger Verlagzsanzeige. Frontisp. Portr. OU gering fleckig. Namenszug auf Umschlag. Das Frontispiz Porträt mit einer dreiseitige eigenhändige Widmung von Schöenberg, mit Datum ("17/ III 1921") und Unterschrift. "Man soll das Werk nicht vor der Aufführung loben - oder doch?". Dazu: Programmanzeige der Gurrelieder in Amsterdam (19. und 20, März 1921) unter Leitung des Komponisten (Programm zweifach gefaltet).

      [Bookseller: Paul van Kuik Antiquarian Music]
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        La Bio-Kinétique sous le Ier Empire".

      - Aquarelle signée en haut à droite, Légende sous le dessin, (1920), 19.5 x 23.3 cm. Projet d'illustration pour la Bio-Kinétique. Un régiment de grenadiers à pied, sous le Ier Empire, acclame Napoléon, apparaissant devant le soleil (tel Apollon guidant les chevaux du soleil), au matin d'ièna et au soir d'Austerlitz. Certains lèvent leurs hauts bonnets à poils, d'autres leurs fusils ou leur sabres. La légende spirituelle est ainsi titrée : X. La Bio-Kinétique sous le Ier Empire. Le Tondu provoque l'enthousiasme Bio-Kinétique de la Garde. Au matin d'Ièna et au soir d'Austerlitz. André DIGNIMONT (1891-1965) fut étroitement mêlé aux cercles littéraires de son époque et particulièrement à ce que l'on appelle le "milieu" désignant ainsi celui des mauvais garçons, auquel appartenait Carco. Dignimont fut Chevalier de la légion d'honneur et Sociétaire du Salon d'automne, il participa au Saon de l'Araignée (Bénézit, III, 584). Oeuvre originale

      [Bookseller: Librairie Chretien]
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        MY DAYS WITH THE FAIRIES

      Hodder and Stoughton, 1920, Hardcover, Book Condition: very good Plus, Dust Jacket Condition: Good, Limited, Illustrated By: Edmund Dulac. Size: 8vo - over 7¾" - 9¾" tall, Copyright date not stated but circa 1920. Large Illustrated edition Mrs Rodolph Stawell. With many beatiful illustrations by Edmund Dulac. Decorative Red cloth over boards with gold, blue green and pink colrs on the front and the spine. Shelf wear to the edges and to the head and toe of the spine are moderate. With some light browning and foxing to the interior pages. Dust Jacket, decorative with soiling to the front, back and the spine. Dust jacket in a clear cover. Text and illustration are bright and clean, text is secure, A solid collectible book, Collectible

      [Bookseller: mclin haven books]
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        Félicia, ou mes fredaines

      New edition, illustrated with 8 figures Borel, 2 free.Binders half red shagreen circa 1920. Smooth spine with gilt title and volume number. Double net on the boards. rubbed flat. The guard is plsu old paper, circa 1860. Pretty series, not cropped. Chez les marchands de nouveauté A Paris 1795 In-18 (11x16,3cm) 120pp. et 130pp. et 145pp. et 132pp. 4 tomes en 4 volumes reliés

      [Bookseller: Librairie Le Feu Follet]
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        The Green Eyes of Bast

      New York: Robert M. McBride & Co, 1920. First US Edition. Hardcover. 311pp. Original bright green cloth stamped in darker green on the front panel and the spine panel. A bright, fine copy in very good dustjacket with a few small chips and light wear to the edges. Cover art by Russell Crofoot. In Bleiler, 1978, p. 169. In Hubin, 1994, p. 695.; Octavo.

      [Bookseller: Parigi Books, ABAA/ILAB]
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        The Australian Victories in France in 1918

      London: Hutchinson & Co.,, 1920. Second edition. Octavo. Original dark blue cloth, gilt lettered spine. Portrait frontispiece, 30 plates from photographs, 9 coloured folding maps. From the library of Admiral of the Fleet John Rushworth Jellicoe, first Earl Jellicoe (1859-1935), commander of the Grand Fleet at Jutland (31 May - 1 June 1916). A very good copy. Presentation copy of the second edition, the same year as the first, inscribed by the author "To the Viscount Jellicoe, from the Author, John Monash Lieut-General, Dec. 1924" on the front free endpaper. A remarkable association copy, linking two of the leading commanders of the Great War: Sir John Monash (1865-1931) and Viscount Jellicoe (1859-1935). Monash was appointed by Haig to lead the 1st Anzac Corps in 1918; his skilful handling of his troops and inspired tactical thinking contributed greatly to the Allied breakthrough in the final year of the war. Liddell Hart described him as having "probably... the greatest capacity for command in modern war among all who held command [in the BEF]". Jellicoe, of course, presided over the strategic British victory at Jutland in May-June 1916.

      [Bookseller: Peter Harrington]
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        The Golden Bough. The Magic Art and the Evolution of Kings. Taboo and the Perils of the Soul. The Dying God. Adonis, Attis, Osiris, Studies in the History of Oriental Religion. Spirits of the Corn and of the Wild. The Scapegoat. Balder the Beautiful. Bibliography and General Index

      London: Macmillan and Co., Limited, 1920-30. Later impressions of the third edition, "revised and enlarged". Eight parts in twelve volumes. 8vo. Publisher's green cloth, gilt lettered to the spine and with gilt decoration to the boards, dust jacket to one volume only - volume II of "Balder the Beautiful". The upper board of "The Dying God" slightly mottled, small circular stain to two pages in the first volume, a very good set. First published in 1890 in two volumes and expanded to a third volume in 1900. The hugely extended third edition was first issued between 1906 and 1915.

      [Bookseller: Bow Windows Bookshop]
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        WATER BABIES

      - (ATTWELL,MABEL LUCIE)illus. WATER BABIES by Charles Kingsley. London, Paris: Raphael Tuck & NY: David Mckay, no date, circa 1920. 4to (7 1/2 x 9 7/8"), blue cloth, light cover soil, VG+. 1st U.S. edition. Illustrated by Attwell with 12 beautiful color plates plus many charming line illustrations throughout the text. [Attributes: First Edition; Hard Cover]

      [Bookseller: Aleph-Bet Books, Inc. - ABAA]
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        Petite idole

      first edition on the current paper.Binding to bradel half morocco sand corners, smooth back with small scratches, golden tail date marbled paper plates, guards and contreplats of handmade paper, wrappers and back preserved and bound in, contemporary binding signed by Alfred Farez.Precious autograph signed and dated Sarah Bernhardt: "At Sacha Guitry I love tenderly ..."illustrated cover of a drawing Maggy Monier. Editions Nilsson Paris 1920 12x19cm relié

      [Bookseller: Librairie Le Feu Follet]
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        [Photo Album]: Snapshots of African Natives with an Emphasis on Bare-breasted Women

      Oblong octavo. String-tied stiff green boards with embossed "Photographs" on front board with blank black pages. The first half of the album has 52 mounted snapshot photographs. All are black and white and are approximately 3.5" x 2.5". Uncaptioned and undated, perhaps circa 1920. All but one of the images seem to be unique snapshots; one image may be commercial. Slight wear, near fine. The photos display scarification, chin and lip piercing. We can not confidently identify the tribe or tribes represented, but some of the images of body modification seem to conform closely to some of the decorative elements of the Karo tribe of Southern Ethiopia. The photographer/compiler, presumably a tourist, seemed most intent on preserving images of bare-breasted native women. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        MÄDCHENKOPF - Holzschnitt, gerahmt - Aus GENIUS - Zeitschrift für werdende und alte Kunst 1/1920.

      München, Wolff, 1920, Holzschnitt v. E. Heckel (1883 - 1971), 1913, Bildgröße 25,9 x 17 cm, hinten typ. bezeichnet: \"Erich Heckel/Mädchenkopf. Original-Holzschnitt\". Dube 264, Papier min. gebräunt, Rahmen 53 x 73 cm, tadellos erhalten.Versand D: 7,50 EUR Grafik, Originale, Kunst

      [Bookseller: Versandantiquariat Matthias Heimberger]
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        Genius. Zeitschrift fuer werdende Alte Kunst Erstes Buch 1920.

      München.: Kurt Wolff., 1920. First edition. Paperback. Very Good. Folio. original card covers, uncut. Contains original lithograph by Georg Ehrlich "Tröstung";and original woodcuts by Erich Häckel " Mädchenkopf" and Frans Masareel "Buisnessman". Covers a little rubbed and stained, the marginal staining running into the end-papers.

      [Bookseller: Roe and Moore]
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        The Calling of the Sea -by William Hope Hodgson ( Poems / Poetry )( W. / Wm. )(in dustjacket)

      London, England: London, UK: Selwyn and Blount, NO DATE ( 1920 ), 1st edition, First Printing, 1920. -----------hardcover, about 5 x 7.5 inches, a Near Fine copy, some browning and offset to the endpapers, ink name and 1921 date on front blank endpaper, in a very attractive, and VERY RARE original dustjacket, the dustjacket was produced slightly taller than the book by about .25 of an inch resulting in some shallow chipping along the upper edge of the jacket, a bit of age toning to the spine of the jacket, paper spine label on the book is bright and fresh, overall a superior example of truly rare book in an even rarer desutjacket, published posthumously by Hodgson's widow, b&w portrait frontispiece of WHH, 48 pages, this contains: Introduction by A ST Hohn Aldcock; poems are: The Calling of the Sea; Lost; The Place of Storms; The Pirates; Thou Living Sea; Song of the Ship; Storm; Rest; The Morning Lands; Down the Long Coasts; The Sobbing of the Freshwater; The Ship; Grey Seas are Dreaming of My Death; Beyond the Dawning; The Song of the Great Bull Whale; Eight Bells, any image directly beside this listing is the actual book and not a generic photo. First Edition. Hard Cover. Near Fine/Good. Illus. by Text Cover.

      [Bookseller: Leonard Shoup ]
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        The Ghost Pirates -by William Hope Hodgson

      London, England: London, UK: Holden and Hardingham, 1920, 1st Cheap edition, First Printing, 1920. -----------hardcover, about 5 x 7.5 inches, a solid Good to Very Good copy, rubbing to boards, edge wear, front hinge is loose but still attached quite solidly, some browning to the paper, ---in a very attractive Very Good dustjacket, light wear and a bit of very shallow chipping, super William Otway McCannell cover art, all of the early WHH books are scarce, any image directly beside this listing is the actual book and not a generic photo. First Edition. Hard Cover. Good/Very Good. Illus. by William Otway McCannell Cover Art .

      [Bookseller: Leonard Shoup ]
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        The Luck of the Strong -by William Hope Hodgson ( A Langley Searles' Former Copy -signed by him )(The Pirates; Captain Gunbolt Charity and the Painted Lady; Capt. Jat, Island of the Ud / Adventure of the Headland; DCO Cargunka; Stone Ship, etc)

      London, England: London, UK: Holden and Hardingham, NO DATE - 1920, 1st Cheap edition, First Printing, 1920. -----------hardcover, about 5 x 7.5 inches, a Good copy only, rubbing to boards, edge wear, front hinge is loose but still attached quite solidly, some browning to the paper, sunning to the spine, tear along spine to external paper but not internal hinge ---in a very attractive Very Good dustjacket, light wear and a bit of very shallow chipping, super William Otway McCannell cover art, all of the early WHH books are scarce, ---this copy was owned by A Langley Searles who has signed and dated ( 1944 ) the verso of the front cover, Searles was heavily involved in SF fandom and was the driving force behind the Fanzine Fantasy Commentator, the copyright page states 1912, 1914, but those dates are referencing to copyright for individual stories in this volume, whilst this edition is undated it is in the same format and style as others from this time period which were issued in 1920 / 1921, ---this contains: Poem The Pirates; Poem, The Ship; stories = Captain Gunbolt Charity and the Painted Lady; Captain Jat, The Island of the Ud; Capt. Jat, The Adventure of the Headland; The Getting Even of 'Parson' Guyles; DCO Cargunka, The Adv. with the Claim Jumpers; We Too and Billy Dunkan; The Stone Ship, any image directly beside this listing is the actual book and not a generic photo. Signed (by Owner). First Edition. Hard Cover. Good/Very Good. Illus. by William Otway McCannell Cover Art .

      [Bookseller: Leonard Shoup ]
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        Homme en habit XVIIIe.

      1920 - Encre de Chine sur calque, signée en bas à droite, s.d. (1920), 32 x 13 cm, contrecollé sur papier métallisé doré. BRUNELLESCHI représente un jeune homme en pied, vêtu d'un log manteau, chaussé de bottes noires à revers et coiffé d'un chapeau à large houppe. Sa chemise à jabot et sa perruque bouclée courte complète l'allure du gentilhomme libertin, posant l'épée au côté. Oeuvre originale

      [Bookseller: Librairie Chretien]
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        Gesammelte Werke - Musarionausgabe, 23 Bände (so komplett), im Auftrag seiner Elisabeth Schwester Nietzsche-Förster, hrsg. von Richard Oehler, Max Oehler und Friedrich Chr. Würzbach,

      München, Musarion Verlag, 1920-1929, Monumentalausgabe, numeriertes Exemplar (hier die 554 von insgs. 1.600 Ex.), gr.8°, ca. 8000 S. mit 4 s/w-Porträt auf Tafelseiten sowie 7 Handschrift-Faksimiles, Text: Antiqua, inklusive Namens- und Sachwortregister, alle Bände mit Kopfgoldschnitt, original Halbleder-Einbände mit je zwei Lederrückenschilder und goldener Rückenbeschriftung sowie schlichter Rückenverzierung (Einbandentwurf Ottmar Starke), der Band 9 mit kleiner Schabstelle am Rücken, sonst erstaunlich schöne, saubere Exemplare ohne nennenswerte Mängel (L) Wegen des hohen Gewichts Versand ins nicht EU-Ausland nur nach Absprache.Versand D: 5,00 EUR 19. Jahrhundert Jahrhunderts; Bibliophiles Bibliophile bibliophil Bibliophilie ; Gesamtausgabe Gesamtausgaben Gesamtwerk Werkausgaben Werkausgabe Werke; Nihilismus Nihilist; Philosophie philosophisch Philosoph philosophieren Philosophen; Philosophiegeschichte

      [Bookseller: Antiquariat Orban & Streu GbR]
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        LES IMATGES DE LA VERGE I DELS SANTS A CATALUNYA. 3 VOLS. Monografies i notes històriques, tradicions i llegendes, goigs i estampes, folklore, recull poètic.

      Montaner i Simon, Barcelona 1920 - Vol. I: 309pp. Vol. II: 311pp. Vol. III: 297pp. Il·lustrat amb gravats, dibuixos i fotografies. Paper de fil. Edició numerada de 500 exemplars, exemplar Nº 472. [Attributes: Hard Cover]

      [Bookseller: LLIBRERIA KEPOS-CANUDA]
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        Der neue Excentric Club. Spannende Sport-Erzählungen. Heft 1-200 in 10 Bänden.

      Dresden: Mignon o.J. ( 1920 ff) - Erste Auflagen . Die ersten 200 Nummern ( von insgesamt 534 ) der bekannten Serie um die Hauptfigur Percy Stuart. Erweiterte Neuausgabe der ab 1913 im gleichen Verlag erschienenen Serie Percy Stuart vom Excentric Club. Gebunden in zehn zeitgenössischen Halbleinenbänden mit jeweils 20 Heften , Heftrückseiten entfernt. Die Einbände mit leichten Alters- und Gebrauchsspuren, Gelenke teilweise restauriert, guter Gesamtzustand. Selten. Sprache: Deutsch Gewicht in Gramm: 4000 8°. Je Heft 32 S. ( ab Heft 137 : 24 S.) Farb. illustr. Orig.-Broschuren. Marmorierte Halbleinenbände der Z. mit reicher Rückenvergoldung, Rückentitel und Bandzählungsnummer. [Attributes: Hard Cover]

      [Bookseller: Kunsthandlung Primavera Birgit Stamm]
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        Story of Doctor Dolittle, The

      

      [Bookseller: David Brass Rare Books, Inc.]
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        Les champs magnétiques.

      Au Sans Pareil, Paris 1920 - Paris, Au Sans Pareil 1920. 19,5x14 cm. 120 p. Broché. Bolliger 3, 84 - Edition originale. - Un des 150 exemplairs numérotés sur vergé d'Arches (après 5 expl. sur chine et 25 expl. sur Hollande). Seuls ces 180 exemplaires sont accompagné des deux portraits de Picabia. Considéré comme le premier texte littéraire du surréalisme. - Exemplaire en tres bon état, sans rousseurs et avec dos conservé et frais. Sprache: Französisch [Attributes: First Edition; Soft Cover]

      [Bookseller: Daniel Thierstein]
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        Main Street

      Harcourt, Brace and Howe, 1920 A very good first edition, first issue (no battered type on pages 54 and 387), signed by Lewis on the front free endpaper, in an early, supplied dust jacket. Housed in a custom-made collector's slipcase.. Signed by Author(s). 1st Edition. Hardcover. Very Good/Very Good.

      [Bookseller: Bookbid Rare Books]
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        La montée aux enfers. Poésies

      Paris: Le Livre du Bibliophile, 1920. Ed. numérotée. Demi-cuir à coins. Très bon. Édouard Chimot. Petit in-4. 166 pages. 1919-1920. Dos mosaïqué, tranche supérieure dorée, couvertures conservées. Sous étui. Exemplaire no. 218/500/590. Complet des 12 eaux-fortes sous serpentes légendées. (Monod, 7630). Bel exemplaire.

      [Bookseller: Librairie Bonheur d'occasion]
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        Gesammelte Werke. Musarionausgabe. [Hrsg. von R. u. M. Oehler u. F. C. Würzbach]. 23 Bde.

      München Musarion -29 1920 - Gr.8°. Mit 4 Porträt-Tafn. u. 7 Handschriften-Faksimiles. Original-Halblederband mit Kopfgschn. Vgl. GV II/94, 494. Ziegenfuß II/216. Kosch XI/319. Ex. 951/1400 (gesamt 1600). - Rückenvergoldung stellenweise leicht oxidiert. Wenige Bände an den Kanten berieben, bei 4 Bänden kleine Abriebe an den Überzugpapieren dilettantisch retuschiert. Insgesamt wohlerhaltenes Exemplar. Gewicht (Gramm): 32200

      [Bookseller: Müller & Gräff e.K.]
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        Moschee, Kaaba im Hof der Moschee und der hl. Brunnen.

      - Farbholzschnitt, um 1920, 45 x 62,5 Zeigt eine Ansicht der Moschee mit der Kaaba und dem hl. Brunnen im saudiarabischen Wallfahrtsort Mekka. - Dekorative Ansicht in arabischer Schrift bezeichnet. Shows the main mosque with the Kaaba. - The coloured woodcut in Arabic characters.

      [Bookseller: Antiquariat Norbert Haas]
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        L'acollade - Yegor.

      1920 - Aquarelle et encre de Chine, s.d. (1920), sur carton, 48 x 35.5 cm, titrée sous le dessin. Maurice de BECQUE (1878-1938), a surtout travaillé pour les éditions Georges Crès et Simon Kra. Aminalier reconnu, il illustre dans cette veine L'Appel de la forêt (London), Le Livre de la jungle (Kipling), Le Roman de Renart et de nombreux contes. Ses pochoirs sompteux ont été enluminés par le grand Saudé (Osterwalder, II, 90). Pendant la première guerre mondiale, Maurice de BECQUE fut interné en Allemagne dans un camp de représailles spécial pour soldats russes. Seul au milieu de 12.000 paysans ukrainiens il en profita pour apprendre leur dialecte et recueillir des histoires fabuleuses, qui forment le fond de son répertoire littéraire et graphique. En 1922, il publie un ouvrage recueillant ces légendes (Paris, Editions de l'Abeille d'Or, in-8, broché, couverture orange rempliée, 78 pp.). Le dessin représente deux seigneurs, vêtus à la russe, se donnant l'acollade dans un paysage de campagne féérique. Pliures et petites déchirures marginales. Livres

      [Bookseller: Librairie Chretien]
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        Die Wandlungen Gottes. Folge von 7 sign. Orig.-Holzschnitten.

      Pan-Presse -21. -, Berlin 1920 - Handgeb. OPgt. mit schwarzgepr. RTitel. 36,5 : 47,5 cm. - XIX. Werk der Pan-Presse. - 1 von 110 num. Exemplaren der Vorzugsausgabe B. - Breitrandige Abzüge auf chamoisfarb. Japan-Vélin, Papierformat ca. 33 : 44,5 cm, Bildformat ca. 25,5 : 36 cm, jeweils montiert und mit Titelblatt und typogr. Druckvermerk. Der Pergamenteinband stammt von H. Söchting, Berlin. - "Barlachs Bemühen, sich in der Holzschnitt-Folge Die Wandlungen Gottes zentrale Vorstellungsinhalte seines metaphysisch orientierten Weltverständnisses bildlich zu vergegenwärtigen und bewußt zu machen, läßt sich als Versuch des Künstlers deuten, angesichts der Erfahrung des als würdelos empfundenen Lebensendes seiner Mutter seine 'oft belobte und erhoffte Pomadigkeit', d.h. seine seelische Ausgeglichenheit und Gelassenheit zurückzugewinnen." (E. Caspers) - Tlw. schwach stockfl., die Signaturen z. Tl. etwas blaß.Feilchenfeldt/Brandis 8.0.B. - Schult 164-166, 168-171. - Caspers 3.19. - Rifkind Coll. 98. - Reed 233. 1 of 110 numb. copies of the de-luxe edition B. - Broad-margined impressions on creme Japon with 7 signed orig. woodcuts. Hand-bound orig. vellum with black-embossed lettering on spine. - Slightly foxed in places, signatures partly faded. 1700 g. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Ketterer Kunst Hamburg GmbH]
 31.   Check availability:     ZVAB     Link/Print  


        One Man's Initiation -1917

      London : G. Allen & Unwin, 1920, Hardcover, First edition, 2nd state. Fine cloth copy in a very good, slightly edge-nicked and dust-dulled dust wrapper, now mylar-sleeved. Remains particularly and surprisingly well-preserved; tight, bright, clean and sharp-cornered. Author's 1st book. 2nd state with 'flat' on p. 35. Referenced by; Hanna 1027. Physical description; 128 p. ; 19 cm. Subject; World War, (1914-1918) - Fiction. 128 pages. Inventory No: 227977.

      [Bookseller: MW Books Ltd.]
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        R F C H Q 1914 - 1918

      Published by G. Bell & Sons, London, First Edition 1920. 1920. First edition hard back binding in publisher's original blue cloth covers, black title and author lettering to the spine. 8vo. 7½'' x 5¼''. Contains 315 printed pages of text including the index, the erratum note is present and tipped-in on the dedication leaf. He is remembered in verse in Belloc's Cautionary Verses: 'Like many of the upper class, He liked the sound of broken glass, A line I stole with subtle daring, From Wing-Commander Maurice Baring'. Light foxing to the text block edges. Very Good condition book in Very Good condition dust wrapper with small chips across the spine ends and corner points, priced 8/-. Dust wrapper supplied in archive acetate film protection, it does not adhere to the book or to the dust wrapper. Member of the P.B.F.A.

      [Bookseller: Little Stour Books PBFA]
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        Friedrich Lissmann. Eine Sammlung seiner Werke. 6 Mappen mit jeweils 12 Bildern.

      Hamburg Hanseatischer Kunstverlag 1920 - 6 Seiten Text und 72 mont. Tafeln in sechs Orig . Karton - Mappen. Folio quer. - Abgesehen von einigen Stockflecken sehr schönes Exemplar dieser seltenen Folge. - Jeder der sechs Einbände mit einem Orig. Holzschnitt von Friedrich Lissmann. 2000 gr. [Attributes: Hard Cover]

      [Bookseller: Christel Morner Buch und Kunst]
 34.   Check availability:     ZVAB     Link/Print  


        Saarbrücken. Sehr große Panorama-Ansicht über die Saar und die alte Brücke mit vielen Spaziergängern, Reitern, Pferdefuhrwerk und Kutsche um 1840. Handkolorierter Reprint einer Lithographie von Theodore Müller um 1920

      ohne Orts- und Jahresangabe wohl Saarbrücken um 1920 - große rasterlose Reproduktion einer Lithographie von Theodore Müller auf schwerem Van Geldern-Bütten, von alter Hand sehr fein und geschmackvoll mit Aquarellfarben koloriert, bildliche Darstellung ca. 28,5 x 43 cm, Blattgröße ca. 44 x 60 cm, rückseitig im Rand alte Montagespuren, ansonsten sauber und bemerkenswert gut erhalten (war über mehrere Jahrzehnte hinweg unter Glas gerahmt und vor Licht geschützt) - die Vorlage entstand um 1840 und wurde von der Lithographischen Anstalt von Emil Simon in Straßburg vom Stein gedruckt - unser Blatt wurde vermutlich um 1920 als Reprint gedruckt und von Hand koloriert - auch als Reprint sehr selten und für uns anderenorts antiquarisch nicht nachweisbar - großer und/oder schwerer Artikel mit zusätzlichen Kosten für Versand und Versicherung - heavy and/or oversized item with additional costs for shipping and insurance - please ask us before you order this article 2100 gr.

      [Bookseller: historicArt Antiquariat & Kunsthandlung]
 35.   Check availability:     ZVAB     Link/Print  


        Pierrot et Colombine".

      1920 - Pochoir en couleur, signé dans la planche et numéroté, (1920), 34,7 x 44, 7 cm., encadré. Umberto BRUNELLESCHI (1879 Toscane-Italie, 1949 Paris) est un peintre, portraitiste, illustrateur, illustrateur de mode, publicitaire, affichiste, décorateur italien. Dans les années 1900 il collabora à des jouranux comme Le Rire, l'Assiette au Beurre ou encore Fémina, le Journal des Dames et des Modes, La Gazette du Bon Ton, La Vie Parisienne. auxquels il fournissait des illustrations raffinées. Il exposa au Salon des Indépendants et fut le directeur artistique de la Guirlande. Il créa des costumes pour les Folies Bergère, le Casino de Paris, le théâtre du Châtelet, des théâtres new-yorkais, italiens et allemands. Spécialisé dans l'illustration galante, empreinte de l'esprit du XVIIIè siècle, et dans les bouffoneries de la Commedia Dell'Arte, il développa une illustration décorative au plus haut degré du raffinement. C'est la cas pour ce pochoir qui reprend le traditionnel Pierrot et la belle Colombine qui lui échappe. Pierrot, l'oeil écarquillé, a enlevé son chapeau et se tient à genoux devant sa belle, vêtue d'une grande robe au profons décolté, qui jette sur lui un regard. Légère insolation. Oeuvre originale

      [Bookseller: Librairie Chretien]
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        Portrait du comte Étienne de Beaumont

      - , CIRCA 1920, , , , Un tirage gélatino-argentique noir & blanc [18,2 x 23,9 cm], monté sur un grand carton fort [31,2 x 48,2 cm] et deux petits cartons forts un noir et un blanc formant un encadrement, épreuve signée au crayon par l'artiste : Le baron Adolf de Meyer (1868-1946). Beau portrait du comte Étienne de Beaumont (1883-1956), figure phare des Années Folles parisiennes qui remit au goût du jour les bals costumés à Paris. Portrait, de profil, en costume de réception : une main est posée sur la hanche tenant un pardessus, l'autre main tenant un chapeau haut-de-forme et une paire de gants blancs. Le comte est photographié dans son intérieur, devant une cheminée surmontée d'un miroir, dans son salon de l'hôtel Masseran situé au 11 rue Masseran, dans le 7ème arrondissement de Paris, hôtel particulier qui fut sa résidence jusqu'à sa mort et un haut lieu de festivités mondaines. Rare cliché du comte en tenue d'apparat, épreuve en bon état. [Attributes: Hard Cover]

      [Bookseller: Librairie Alain Brieux]
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        View of Mount Fuji from Hakone

      Hiroaki Takahashi (1871-1945) View of Mount Fuji from Hakone Original woodblock print, Japan, 1920. 240 x 360mm. £1350

      [Bookseller: Henry Southern Ltd.]
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        An original watercolour painting of a deer and forest animals.

      An original finely detailed, and painstakingly executed, watercolour of a young deer surrounded by forest animals, painted on artist's board within a circular grey painted border and signed, characteristically, with the initials "EJD" and the date of 1920, presented within a cream acid-free mount with circular window; preserved in lovely condition with only a couple of tiny, and barely noticeable, fox marks to the background and another very small (7mm) watercolour splash to the foliage.. A beautiful, lovingly-worked, and harmonious painting demonstrating the exquisite skill of this watercolour artist.

      [Bookseller: Henry Southern Ltd.]
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        The Ila-Speaking Peoples of Northern Rhodesia. Two volumes, complete

      London: Macmillan, 1920. First edition.. Hardcover. Very good/very good. 8vo. (9 x 6 inches). 2 volumes. Vol. 1: xxvii , 423, 125 illustrations, fold-out map of N. Rhodesia; Vol. 2: xiv, 433, 61 illustrations. Publisher's green cloth gilt. Printed d/w, a little chipped to edges, now in protective sleeve. Owners' names in ink. O/w contents clean and bright. Binding firm and square. A Very Good set. Uncommon in dustwrappers. Heavy books, requiring large amounts of extra postage overseas. We reduce the default shipping charge for lighter books or use it for a tracked service if books are expensive or uncommon. We pack books securely in boxes, or corrugated card or cardboard, and protect corners with bubble-wrap.

      [Bookseller: John Taylor Books P.B.F.A.]
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        Le Morte Darthur

      London: Philip Lee Warner, 1920. Full leather. Two volumes. Thick quarto. Le Morte Darthur. The History of King Arthur and of his Noble Knights of the Round Table by Sir.Thomas Malory Knight. Published London Philip Lee Warner publisher to the Medici Society Limited 1920. This edition first printed in the Riccardi Press Books, extra crown quarto 1911. After reprinted in small crown quarto 1920. Splendid 24 full-page color plates, early edition illustrations by William Russell Flint. Bound handsomely by Bayntun-Riviere, in a Kelliegram style binding (stamp-signed to turn-ins) in full red - orange crushed morocco gilt inlaid leather illustrations of Sir. Launcelot Sword and the Lady Huntress, from Flint illustrations. framed by inlaid leather shields at each corner, gilt turn-ins, spine in gilt compartments between raised banding, gilt titles, all edges gilt, marbled endpaper. Fine.

      [Bookseller: Imperial Fine Books]
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        Schneewittchen und die sieben Zwerge. Erotische Fassung. Serbische Handschrift auf Papier.

      Serbien, um 1920. - 28 x 21 cm. 20 nn Bl. Mit 27 aquarellierten Bleistiftzeichnungen. Leinwandband der Zeit. Erotische Variante des Märchens mit gereimten Text und Zeichnungen eines geübten Illustrators. In dieser Fassung des Märchens vergnügen sich die sieben Zwerge auf sieben unterschiedliche Arten mit Schneewittchen. Als eine böse Hexe sie daran hindert und sie von einem jungen Prinzen abgelöst werden, können sie Ihre Enttäuschung nur schwer verbergen. - Einband etwas berieben und bestoßen. Innengelenk gebrochen, Bindung leicht gelockert, im Randbereich teilweise leicht fingerfleckig. Snow White and the Seven Dwarfs in a very naughty version. - Serbian manuscript on paper. With 27 water-colour drawings, vignettes and several coloured initials. Serbia, ca. 1920. Contemp. cloth (some rubbing). - Inner hinge burst, textblock a bit loose, occasional slight staining to margins.

      [Bookseller: Antiquariat Manfred Nosbuesch Berlin]
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        Manuscript Diary of Opera Singer and Voice Teacher, Queena Marion Tillotson, a.k.a "Queena Mario," dated 1949

      Soft cover. Good. 12mo, 167 manuscript pages, written in pencil in a legible hand, bound in contemporary blue suede leather binding, spine tips chipped, covers and corners rubbed and slightly scuffed, inside hinges open, otherwise in good, clean and legible condition. A noted soprano of the 1920's and 1930's, and later a respected voice teacher, Queena Marion Tillotson was born on August 21, 1896 at Akron, Ohio. She was raised in New Jersey and studied with Polish soprano Marcella Sembrich prior to bowing with the San Carlo Opera Company in 1918. In the early 1920s she sang with baritone Antonio Scotti's touring Antonio Scotti Opera Company before making her debut with the Metropolitan Opera on November 30, 1922. Over her 345 performances at the venerable house her roles included Nedda in Leoncavallo's "I Pagliacci", Gilda from Giuseppe Verdi's "Rigoletto", Mimi in Puccini's "La Boheme", Sophie in Richard Strauss "Der Rosenvavalier", Micaela in Georges Bizet's "Carmen", and others. Queena was Gretel in Engelbert Humperdinck's "Hansel and Gretel" for the 1931 first-ever Saturday Metropolitan radio broadcast; on the West Coast she first appeared at San Francisco in 1923 as Mimi and in 1930 was the Child for the American premiere of Maurice Ravel's "L'Enfant et les Sortileges". After singing her final Metropolitan performance on December 26, 1938, she was a professor at New York's Juilliard School and Philadelphia's Curtis Institute while also earning praise under her real name as the author of opera-themed murder mysteries and, as 'Florence Bryant', of a newspaper column. A portion of her recorded legacy remains available. She married Wilfred Pelletier (1896-1982), a well-known conductor in 1925. Her marriage ended in divorce in 1936. Pelletier then married Queena's student, Rose Bampton (1907-2007) in 1937. Tillotson died on 28 May 1951 at New York City and was buried at Woodlawn Cemetery at Brooklyn, New York. The diary entries relate the events of a European trip taken by Tillotson in the summer of 1949. The diary mentions a number of famous people she spent time with while in Europe, one being the actor Gene Lockhart, June Lockhart's father and a number of well-known opera singers, including Giacomo Lauri Volpi (1892-1979). The diary includes a tipped in letter (1 page) from Volpi, written to Queena. While not dated, it was written to her and sent to her hotel on June 18th, 1949. Giovanni Martinelli (1885-1969) is another friend who she spends time with while in Italy. Martinelli was a celebrated Italian operatic tenor and enjoyed a long career at the Metropolitan Opera, and Tito Ruffo. The larger portion of her trip is in Italy, but the diary begins in Marseille (France) on June 11th. She spends much of her time in Italy, touring various cities, in particular Rome, Florence, and Venice. She also visited Naples, Pompeii, the Amalfi Coast, Siena and other places. One of the more interesting entries is when she visits the Vatican and has an audience with the Pope, described in great detail. While in Europe she attends many operatic and theatre performances, usually dining and having drinks with the vocalists, whom she knows. She also mentions the after effects of WWII upon the cities and towns she visits. Her trip ends September 11th with one short paragraph about her travels home.

      [Bookseller: Michael Brown Rare Books, LLC]
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        Florilège des lyriques latins - Veterum latinorum poematum lyricorum florilegium.

      ESTAMPE MODERNE ET SPORTIVE, Paris 1920 - Choix, traduction, ornements et images par André Lambert, le tout gravé à l'eau forte par lui-même. Paris, L'estampe moderne, 1920, en feuilles, sous chemise et étui cartonnés, non paginé. Edition unique de 370 exemplaires. Un des 275 exemplaires sur papier vergé teinté à la forme des papeteries d'Arches, signés de l'artiste. Florilège des classiques Catulle, Tibulle, Properce, Ovide, Horace, Petrone, Gallien, Martial, Claudien, Amaltheus, Avitus, Ausone, Florus, Pentadius, Prospertyro, Sulpicius Lupercus, Sidoine Apollinaire, Boèce, Luxorius, et des auteurs "inconnus" ou "incertains". La page de gauche présente le poème latin, celle de droite la traduction. Les encadrements d'André LAMBERT, différents autour de chaque poème, reprennent des motifs antiquisants stylisés et enjolivés. L'ouvrage comprend un frontispice en couleurs, 10 hors- texte en couleurs, 42 vignettes de formes et de tailles différentes, 4 pages gravées au trait. Couverture originale de l'Estampe moderne avec reprise de la justification et des prix partiellement conservée. Bel exemplaire, chemise et étui restaurés, infimes piqures internes. Livres

      [Bookseller: Librairie Chretien]
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        DREAMLAND

      - NOVELTY. (DOLLS) DREAMLAND. NY: Atlantic Book & Art no date, circa 1920. Oblong folio (13 1/4 x 11"), cloth backed pictorial boards, Fine condition. Featuring 14 pages of large full color CIRCUS AND FAIR SCENES, each page has slots into which the reader can insert a variety of interchangeable paper doll pieces. There are 50 pieces of children, toys and vehicles present in the original pictorial envelope. Illustrated in typical 20's style by GERTA RIES and printed in Germany. A stunning book, very scarce. [Attributes: Hard Cover]

      [Bookseller: Aleph-Bet Books, Inc. - ABAA]
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