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Displayed below are some selected recent viaLibri matches for books published in 1911

        Circuit Europeen / 1r Beaumont 2e Garros sur monoplan Bleriot, Moteur Gnome Magneto Bosch, Helice Normale

      Paris: Mabileau & Co, 1911. Hand-coloured pochoir print. Very good condition apart from some overall light toning. Several skilfully reapired tears at edges. The picture is touting Beaumont as the winner of the 1911 Circuit of Europe Air Race. André Beaumont was a pseudonym used by Jean Conneau. Conneau collected $ 32,000 for his victory.The Gamy-Montaut prints document various historical events in the early history of motorized transportation, including Power Boat Racing, Motorcycle and Motor Car Racing, Motor Car Touring, Zeppelins and Airplanes.Having observed the rapidly growing interest in cars and racing during the early years of motor cars, Ernest Montaut produced his first motoring prints in the mid-1890s, and by 1897, his drawings were pictorial records of the many races in France. Montaut's work was extremely well received in the Paris of his day and was shown in the fashionable shops of the Rue de l'Opera and Rue de la Paix, as well as in the better galleries.Marguerite Montaut, Ernest's wife, joined him in his work producing not only racing prints but also developing a fine series of aviation prints commemorating such events as the first flights on the early European mail routes. While Marguerite Montaut's works were occasionally signed "M. Montaut", she also used the name "Gamy", an anagram for Magy.The Gamy-Montaut prints were all produced by the pochoir process in which the outlines for each image were drawn onto lithographic stones and printed. Using these uncoloured prints as a template, elaborate stencils were cut for each colour. Water-colour was then brushed onto the image through the stencil. The colouring process was quite complex, with each print taking several days to produce. It was also quite labour intensive, and the studio of Gamy-Montaut therefore employed a group of trained artists, including Nevil and Campion, to assist in the colouring.

      [Bookseller: Donald Heald Rare Books ]
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        Frederick Hill Meserve private printing of "The Photographs of Abraham Lincoln"

      n.p., n.d.. 9.25" x 11". "Privately printed book of Meserve's work, ""The Photographs of Abraham Lincoln"", published in New York, 1911, by Frederick Hill Meserve. Printed on deckle-edge stationary stock, #21 of a limited edition print of 102 subscribers copies printed. Oversized book of 9.25"" x 11"" with 111 total pages, bound in stunning marbled paper boards with gilt titles to the spine. The book is housed in a custom clam shell tray case in brown tweed cloth with a black quarter cloth spine. Neatly secures with a ribbon.An incredibly fresh example of this scarce limited edition, with bright crisp pages which do not appear to have been read. All tissue guards present and bright without stains or foxing. The boards are in beautiful condition with slight wear along the spine with a bit of rubbing and trivial paper loss along the spine tips. The tray case is in near fine condition with no rubbing but very slight to spine and a paper shear to the inner lining of the tray case. The stunning book includes a facsimile letter from Mr. Robert T. Lincoln concerning the portrait of his father (used in the frontispiece), and a voluminous number of tipped-in silver print photographs struck from the original negatives in the Meserve Collection. The photographs are arranged by topic and are individually numbered as follows: The Photographs of Abraham Lincoln (100), Lincoln at Gettysburg (3), Mrs. Lincoln and the Sons (4), Photographs of the Vice-Presidents, the Speakers, Members of the Cabinet and others (12), and The Interment of Lincoln (1).Original photographs of Lincoln are very scarce with all but 2 or 3 made only in the last 8 years of his life. Very few of the original negative still exist with numerous destroyed in the Chicago and Boston fires. A fantastic collection of photographs that span the whole of Lincoln's career.About the Meserve-Kunhardt Foundation:The Meserve-Kunhardt Foundation is a New York State 501 (c) (3) corporation dedicated to the preservation of photography and the use of it to inform, educate and inspire. The Foundation's holdings include: the Meserve-Kunhardt Collection, the Dorothy Kunhardt Collection, the Gordon Parks Collection, and the Ed Clark Collection. The Foundation preserves and disseminates its holdings through exhibitions, publications, and multi-media educational programs to illustrate the power of visual learning. The Foundation has been run by the Meserve family who has collected and preserved the material for five generations.Recently, the Beinecke Rare Book & Manuscript Library at Yale University acquired many photographic pieces from the Meserve-Kunhardt Foundation in a purchase one of the largest private collections of 19th century American photography devoted primarily to Lincoln and the Civil War, which very well have represented the bulk of the collection as found within this book. "

      [Bookseller: University Archives]
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        Romance, op. 4 - Autograph Musical Quotation

      - A scarce AMQS from the important violinist and influential pedagogue, teacher of Elman, Heifetz, Milstein, Zimbalist, Parlow, Schumsky and many others. Auer has penned the first three measures of his Romance in F major for violin and piano (op. 4), which was recorded a few years later by the young Heifetz in 1911. Signed and inscribed to the British violinist and composer "Miss Eva Spalding" (1882 - 1969), and dated London, July 8, 1908. On a small calendar leaf dated May 29. Top edge folded under; tape remnant at the left edge and on the verso, otherwise in very good condition. 5 x 2.5 inches (12.9 x 6.1 cm).Together with a reproduction of a portrait photograph signed and inscribed to Carl Flesch and dated 1911. Thumbtack hole and light wear; overall fine. 4.75 x 7 inches (12.4 x 17.6 cm).Leopold Auer spent nearly fifty years in St. Petersburg and exerted a decisive influence on the Russian violin school, following Vieuxtemps and Wieniawski as solo violin at the Imperial Ballet. Arensky, Glazunov, Taneyev and Tchaikovsky wrote their most important violin compositions for him. As for Tschaikovsky's violin concerto, Auer refused the dedication, declaring it technically awkward and too long! After a few revisions to the violin part, he eventually played this monumental violin work in 1893, shortly before the composer's death. 

      [Bookseller: Schubertiade Music]
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        Flore complète illustrée en couleurs de France, Suisse et Belgique (Comprenant la plupart des plantes d'Europe) (12 Tomes avec les tables et 721 planches couleurs - Complet)

      Librairie Générale de l'Enseignement, E. Orlhac, Delachaux et Niestlé, Office de Publicité, 1911. 13 vol. in-4 reliure pleine toile verte, avec les 721 planches couleurs reliées au fur et à mesure, Librairie Générale de l'Enseignement, E. Orlhac, Paris, Delachaux et Niestlé, Neuchatel, Office de Publicité, Bruxelles, s.d. [circa 1911-1934 ], avec les 721 planches en couleurs reliées au fur et à mesure. Complet. Bel exemplaire de cet incontournable ouvrage de référence, en parfait état, bien complet des tables et relié de manière très pratique en 13 volumes faciles à manipuler et très solides. Français

      [Bookseller: Librairie Du Cardinal]
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        Six Town Chronicles of England

      Oxford Clarendon Press 1911 - 1911. 208 pages. No dust jacket. Navy cloth with gilt lettering. Noticeable tanning mainly to the endpapers. Previous owner's name & stamp on front endpaper. Distinct finger smudges to some page edges, with small brown stains (approx. 1cm) on occasion. Pages are rough cut. Pages have a distinct odour. Mild wear to spine, board edges and corners. Visible tanning to spine and board edges, with soiling & white dotted marks all over boards. [Attributes: Hard Cover]

      [Bookseller: World of Rare Books]
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        MÜNCHEN. - Rundturm. "Der Rundturm an der Frauenstraße". Auf dem heutigen Viktualienmarkt am Nordende der Frauenstraße, im Hintergrund Sankt Peter.

      - Kolorierter Lichtdruck nach dem Aquarell von Carl August Lebschée bei O. Aufleger, München, 1911, 28 x 44 cm. Lentner schreibt 1911 unter der Nr. 1183: "Die Reproduktionen sind in solch meisterhafter Weise zur Ausführung gelangt, dass die Blätter von den Originalen kaum zu unterscheiden sind. Sowohl in architektonischer als in dekorativer Hinsicht von ausgezeichneter Wirkung und als Wandschmuck ersten Ranges vorzüglich zum Einrahmen geeignet". - In nur 100 Exemplaren erschienen.

      [Bookseller: Peter Bierl Buch- & Kunstantiquariat]
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        MÜNCHEN. - Ruffiniturm. "Der Ruffiniturm". Abschluss des Rindermarktes und der Sendlinger Gasse nahe dem Ruffinihaus; benannt nach dem Münchner Patriziergeschlecht Ruffini. Er wurde 1808 abgetragen.

      - Kolorierter Lichtdruck nach dem Aquarell von Carl August Lebschée bei O. Aufleger, München, 1911, 44,5 x 29 cm. Lentner schreibt 1911 unter der Nr. 1183: "Die Reproduktionen sind in solch meisterhafter Weise zur Ausführung gelangt, dass die Blätter von den Originalen kaum zu unterscheiden sind. Sowohl in architektonischer als in dekorativer Hinsicht von ausgezeichneter Wirkung und als Wandschmuck ersten Ranges vorzüglich zum Einrahmen geeignet". - In nur 100 Exemplaren erschienen.

      [Bookseller: Peter Bierl Buch- & Kunstantiquariat]
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        Langley Memoir On Mechanical Flight - Part I. 1887 to 1896 By Samuel Pierpont Langly - Edited By Charles M. Manly - Part II 1897 To 1893 - By Charles M. Manly - Assistant in Charge Of Experiments

      The Smitsonian Institution - City Of Washington 1911 - Smithsonian Contributions To Knowledge Volume 27 Number 3. 10" x 13"; 320 pp. with 101 photo reproduction or real photo plates. Green cloth cover with gilt title and Smithsonian seal on front cover and gilt title and torch of knowledge on spine. A few small spots on front cover which seem moveable and a streak of similar substance near the top of the spine. Binding straight, square and secure with hinges supple and contents firm. Bottom front cover stubbed and re-flattened. Interior bright, clean and unmarked.***** Though the balloonists and the German glider pilots are chronologically among the first pioneers of flight, the Langley experiments give him a secure place at the head of the American list in the drive to let man propel himself into flight. The Wright bothers went aloft first but Langley's achievements in modelling stand first in the systematic approach to flight.***** This book is heavy and will require extra shipping charge. NOT EX-LIBRARY [Attributes: First Edition; Hard Cover]

      [Bookseller: H&H Book Sales]
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        Pikovaya dama (The Queen of Spades).

      P. Golike and A. Vilborg, St Petersburg. 1911 - First edition thus. Introduction by N. Lerner. Text in Russian. Quarto. pp xxi, 68. 15 mounted colour plates (three of them rather cleverly in the format of playing cards), 13 hand-coloured textual illustrations, by Alexandre Benois. Full elaborate gilt paper boards. Top edge gilt. Patterned endpapers. Benois is perhaps better known as a designer for the Ballets Russes when it was under the directorship of Sergei Diaghilev. In 1921 he designed the sets and costumes for the Petrograd State Theatre production of Tchaikovsky's opera of the same title Covers just a little bruised at lower edge and a little rubbed at corners. Inner front hinge cracked. Very good indeed in remains of plain vellum wrapper. [Attributes: First Edition; Hard Cover]

      [Bookseller: Peter Ellis, Bookseller, ABA, ILAB]
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        2 eigenh. Briefe mit U. 2 eh. Postkarten mit U. Wien und Stockerau, 1911 bis 1913.

      1911. Zusammen 7 SS.l auf 5 Bll. Die Karten mit eh. Adresse. An den k. k. Offizial L. Pohlner im Bahnamt Nußdorf, meist über Einladungen und Besuche: "Da ich bei meiner Abreise Auftrag gegeben hatte mir Bücher [...] nicht nachzuschicken, wurde mir das Ihre nicht übermittelt. Erst neulich erfuhr ich durch meine Leute, daß Sie ein solches bei mir abgegeben hatten (mir war nur die Visitkarte zugekommen) und da gab ich Auftrag das[s] es mir geschickt werde. - Gestern nun erhielt ich's und habe schon 100 S. gelesen und freue mich auf die Fortsetzung. Vortrefflich! - Diese ganze historische Methode ist ausgezeichet, denn gewöhlnlich [!] trachten unsere Gegner uns mit der Historie zu erschlagen [...]" (a. d. Br. v. 2. VIII. 1911).

      [Bookseller: Antiquariat Inlibris]
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        ABC BOOK FOR GOOD BOYS & GIRLS

      LEWIN, F.G. ABC. (WOODCUT) AN ABC BOOK FOR GOOD BOYS & GIRLS written and illustrated by F.G. Lewin. Bristol & London: Savory & Stock, no date [1911]. 4to, (9 x 11 1/2"), cloth backed pictorial boards, cloth ties, corners slightly worn else near Fine. Printed on hand-made paper on one side of the page only, each page has hand-lettered text above which is a large scale WOODCUT, the whole book done in chapbook style. Really wonderful and different. (Peppin p.183).

      [Bookseller: Aleph-Bet Books, Inc.]
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        John Wisden's Cricketers' Almanack for 1911 - 1911 Original Hardback Wisden. Very Good+ Condition.

      1911. Hi, Here we have a rare 1911 Original Hardback Wisden, in Very Good Condition. The 16th Wisden Hardback. The lettering (gilt) is bright and strong to both the front and spine. The boards are excellent, very clean and crisp, odd tiny bobble if being picky. Inside the hinges are very good, very tightly bound. Amazingly clean inside including the yellow pastedowns and photoplate. Minimal foxing. A lovely book. Very Rare in this condition, Other 1911s available in more average condition, just ask. No restoration.

      [Bookseller: Wisdenshop.com]
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        THE CELESTIAL OMNIBUS and other Stories.

      London: Sidgwick & Jackson, Ltd. 1911 - E. M. Forster. THE CELESTIAL OMNIBUS and other Stories. London: Sidgwick & Jackson, Ltd., 1911. This is a fine copy of Forster's fifth book, and first collection of stories. Contains: "The Story of a Panic," "The Other Side of the Hedge," "The Celestial Omnibus," "Other Kingdom," "The Curate's Friend," and "The Road from Colonus." This is a fine copy in light brown cloth with nice bright gilt lettering and design on the front panel and somewhat less so on the spine. In front and back there are pale grey end-papers designed by Roger Fry. 164 pages followed by 4 pages of publisher's advertisements. There were only 1,000 copies printed of this first issue, incidently, which is fewer than for any of his first four books. Forster's bibliographer, B. J. Kirkpatrick does not mention the presence of a dust jacket for this first issue, although he does for each of the previous four books. We have never seen this title offered for sale with a dust jacket (but neither have we seen any of the earlier books offered with a dust jacket even though Kirkpatrick describes a dust jacket for each of them.) As this is the first of Forster's book printed by Sidgwick & Jackson, we will therefore risk stating that there was no jacket. There is an ownership monogram in ink on the verso of the front blank, dated 4th July 1911, that we interpret as WSE, although we have not been able to identify it. This is an early ownership signature since the book was published on 11th May. There are no other markings in the text. [Kirkpatrick A5] [Attributes: First Edition; Hard Cover]

      [Bookseller: Cultured Oyster Books]
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        Quaderni d´Anatomia, della Royal Library di Windsor. Pubblicati da Ove C.L. Vangensten, A. Fonahn, H. Hopstock. Con traduzione inglese e tedesca. I - VI. (Komplett).

      Jacob Dybwad, Comunicazioni dello Istituto anatomico dell`Universitá di Christiania Christiania 1911 - 16. Folio Totalt faksimiler av 118 blad (recto/verso) i lystrykk, samt transskripsjon og oversettelser til hver faksimile. Orig. imiterte pergamentbd. med vareomsl. i kassett. Noen av kassettene litt slitte, ellers et meget fint sett. Nr. 175 av et totalt opplag på 248 nummererte eksemplarer.

      [Bookseller: Ruuds Antikvariat]
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        The street of to-day.

      London, J.M. Dent; New York,$bDu 1911 - Green covers with gilt lettering to the spine. The gilt has faded. Some rubbing to the spine edges. A good binding and clear text. Some foxing to the closed page edges. Acceptable: a readable copy. All pages and the cover are intact (dust cover may be missing). Pages can include considerable notes--in pen or highlighter--but notes cannot obscure the text. Most items will be dispatched the same or the next working day. [Attributes: Hard Cover]

      [Bookseller: Revival Books Ltd]
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        ENCYCLOPAEDIA BRITANNICA: A DICTIONARY OF ARTS, SCIENCES, LITERATURE AND GENERAL INFORMATION (ELEVENTH EDITION, 28 VOLUMES PLUS INDEX VOLUME); DELUXE EDITION, LIMP LEATHER COVERS

      New York: Published by the Encyclopaedia Britannica Company, and printed at the University Press in Cambridge, England, 1911. Eleventh Edition. HARDCOVER. Very Good Minus. CONDITION: Volumes show minor edge-and corner- wear. Pages are of fine, thin India paper, and as is typical when diving to the authoritative set of tomes in order to prove a point, we see a crease or wrinkle to one or more of the first few pages. Some front free endapers foxed, stained and/or wrinkled. While there is some rubbing and or fading to some of the spines, overall the leather is in remarkably good shape. Index Volume is red cloth. CONDITION: Volumes show minor edge-and corner- wear. Pages are of fine, thin India paper, and as is typical when diving to the authoritative set of tomes in order to prove a point, we see a crease or wrinkle to one or more of the first few pages. Some front free endapers foxed, stained and/or wrinkled. While there is some rubbing and or fading to some of the spines, overall the leather is in remarkably good shape. The Eleventh Edition of the Encyclopaedia Britannica represented "in an entirely new and original form a fresh survey of the whole field of human thought and achievement, written by some 1500 eminent specialists drawn from nearly every country of the civilized world, incorporating the results of research and the progress of events up to the middle of 1910." Essentially this work must be thought of as something akin to the Google of today -- massively comprehensive collaboration of the cream of science, art, literature and general information as could be gathered and synthesized century past but that of a century past, with none of the conjecture, hot air, specious claims, conflation of fact with myth, selective target marketing, etc. These volumes represent the first year the entire encyclopedia was issued as a whole ("so as to give an organic unity to the whole work.") and the last year, before the set began, some say, to be gradually "dumbed-down", reduced to its latter-century status as a lower common-denominator, an agglomeration of commonly useful information, widely acknowledged by serious researchers to have de-volved to a shadow of its former self in terms of comprehensiveness, depth, excellence of and commitment to the highest-quality scholarship, source and material. From 1911 onward we see the steady decline of this once-magnificent work of universal reference to the status of obligatory gift for our 12-year olds, that they may bail themselves out of actual thinking. This situation was not so much the result of conscious publisher decision (although there were indeed cost-cutting measures on the table), as it was the availability of world-class scholars. "Later editions reflect the tendency to court public favor by accepting the claims and beliefs of various religious sects. This edition did not consult with religious groups in preparing its articles. The arrangement of articles tended to make the Eleventh Edition a practical reference work for layman rather than an erudite work largely for scholars and educators. The index was a 'model of well-ordered compactness,' and was designed primarily to aid the general reader. It is perhaps the most useful of all books of reference, and represents the combination of learning, research, co-operation and organization in a higher degree than any other of the monumental works of literature and science." After the editors issued the Twelfth Edition (which differed from the Eleventh Edition by the addition of two volumes and an index) they wrote: "neither the minds nor the wills that are required for such an undertaking are any longer obtainable in any corresponding degree, nor probably can they be again for years to come... A shifting of interest has taken place among writers of the academic type, so that there is a disinclination to make the exertion needed for entering anew into their old subjects -- a necessary condition for just that stimulating, vital presentation of old issues in the light of all the accumulated knowledge about them, which was so valuable a feature of the Eleventh Edition. This edition is classically beautiful, -- large (9" x 11 3/4") of full (limp) leather covers, in a color which could most safely be called black, but some of whose volumes still range to the richest dark green. In the center of each page, is the embossed seal of the University at Cambridge, England, comprised of a cross in the center and a lion in each corner. A triple-ruled bright gilt design borders the fronts of each volume of the encyclopaedia proper, with lettering across the top that identifies the book as "Encyclopaedia Britannica Eleventh Edition" and across the bottom, the volume number and the beginning and ending three-alphabetic letters which define the range of that particular volume. This design repeats on the back boards as well. All top edges are gilt, as is the lettering on the spines. The endpapers are a pattern consisting of the seals of each of the colleges which comprise the University at Cambridge, and their year of founding. The final volume, XXIX, is hardcover, cloth-covered -- i.e., NOT leather like the other 28 volumes, fully-tabbed, with recent reinforcement by a professional book conservator) Scarce set. Additional carriage may be solicited. Gorgeous.

      [Bookseller: Aardvark Books / Ezra The Bookfinder, AB]
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        Sammlung der Drucksachen des Preussischen Hauses der Abgeordneten. 21 Legislaturperiode, IV. Session 1911, Bd. I - V cpl..

      Enthält die Drucksachen des Jahres 1911 in diesen fünf Bänden cpl.. Mit den Drucksachen Nr. 1 - 800 = Seiten 1 - 4344. Im ersten Band mit einem Verzeichnis der Mitglieder des Hauses der Abgeordneten. Mit zahlreichen Tabellen sowie einigen farbigen Karten. ( Drucksache Nr. 7: Bericht über die Ergebnisse des Betriebes der vereinigten preussischen und hessischen Staatseisenbahnen im Rechnungsjahr 1909 mit einem großen, ausfaltbaren Lageplan des Bahnhofs Mülheim am Rhein - Drucksache Nr. 348: Mit einer Übersichtskarte betreffend die Vereinigung der Landgemeinde Vohwinkel ( Kreis Mettmann ) mit der Stadtgemeinde Elberfeld ) Goldgeprägte Ohln, 4. Einbände leicht berieben, innen Exlibris, Bibliotheksvermerke. Wohlerhaltene, dekorative Reihe. ( Pic erhältlich / webimage available )

      [Bookseller: Antiquariat Friederichsen]
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        Thus Spoke Zarathustra: A Book For All and None

      Macmillan, NY, 1911. Limited edition. Hardcover. Fine. "Thus Spoke Zarathustra' is a masterpiece of literature as well as philosophy. It was Nietzsche's own favorite and has proved to be his most popular. In this book he addresses the problem of how to live a fulfilling life in a world without meaning, in the aftermath of 'the death of God.' His solution lies in the idea of eternal recurrence, which he calls 'the highest formula of affirmation that can ever be attained." [Pub, Info] The book introduction informs about how Zarathustra came into being. The contents include Zarathustra's discourses; divided into four parts each having about twenty short chapters. Handsome copy. Good cover, bright spine. This book is #383 of 2000. LIMITED EDITION.

      [Bookseller: civilizingbooks]
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        TANNHAUSER

      POGANY. (POGANY,WILLY)illus. TANNHAUSER by Robert Wagner. London: Harrap, (1911). 4to (8 x 11 1/4"), publisher's full grey sculptured calf, top edge gilt, very Fine in publisher's fleece lined pictorial box. 1st edition LIMITED TO ONLY 525 NUMBERED COPIES FOR ENGLAND AND AMERICA SIGNED BY POGANY (this is #7). A beautiful book printed on heavy grey paper, this is illustrated by Pogany with 16 tipped-in color plates, full page black and whites, orange text illustrations plus beautiful color pictorial endpapers. Calligraphic text with decorative initials are also by Pogany. The binding has a lovely art nouveau cover design. A sumptuous production, rarely found in such beautiful condition with the box.

      [Bookseller: Aleph-Bet Books, Inc.]
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        Should We Stop Teaching Art

      124pp + [2] publisher's adverts (works by Ashbee). 8vo in paper boards with cloth spine and corners. Loose bookseller's insert (Batsford). Slight foxing to feps and leaf edges; small discolouration to top right corner of front board, else vg. indeed. A bright first edition of Ashbee's groundbreaking essay. From the library of James Morton. Key text on art eduction in which Ashbee advocated much stronger links be forged between art and industry.

      [Bookseller: Janette Ray]
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        Rosario De Sonetos Liricos

      Imprenta Espanola / Fernando Fe / Victoriano Suarez, Madrid 1911 - 291 Pp + 1 Pp Advertisement For The Author's Works. Original Beige Wrappers Printed In Black, Priced 3 Pesetas On Spine. Inscribed By Unamuno To The Cervantes Scholar Rudolph (Rodolfo) Schevill And Dated In Salamanca Vi/11 [June 1911, The Year Of Publication]. Covers With Slight Browning, More Browning To Spine, Water-Staining At Upper Right Corner Edges Of Rear Cover To 1/4" Deep But No Traces Elsewhere On Covers Or Pages. Contents Fine, Pages Unopened [Still Attached At Top]. A Book Of Poetry, Noted By Some As Containing The Finest Sonnets In The Spanish Language. [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Arroyo Seco Books, Pasadena, Member IOBA]
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        Lysistraté. Gravures originales de François Kupka. Traduit du Grec par Lucien Dhuys.

      Paris, A. Blaizot 1911 - . Gr.4°. XIV, (2) S., 114 S., (2) S. Mit 20 farbigen Radierungen, 13 Vignetten in Holzschnitt und ein Extra-Suite auf 42 Blättern mit den Radierungen in verschiedenen Zuständen. Goldschnitt. Bordeaux rotes Maroquin (4 nerfs) mit goldgepr. Rückentitel, Rückenvergoldung, goldenen Deckelfileten, Kanten- und Innenkantenvergoldung. Vorsatzblätter in Seide und Marmorpapier. Einband signiert: CH. SEPTIER. Couverture conservée. In Halbmaroquin-Chemise in Schuber mit Lederkanten. Nr. 65 von 100 (total 261) Exemplaren sur Japon impérial, der Ausgabe in französischer Sprache, contenant trois états des gravures, dont und suite de l?eau-forte pure, une suite en couleur avec remarques et l?état avec lettre. Sehr schönes Exemplar in tadellosem Zustand. Trés bel exemplaire en parfait état. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Antiquariat Fatzer ILAB]
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        THE TALE OF TIMMY TIPTOES

      1911. London: Frederick Warne and Co., 1911. Original dark green paper boards with arched pictorial onlay. First Edition of these adventures of Timmy Tiptoes (and his wife Goody), grey squirrels trying to get nuts collected and stored up for the oncoming winter. Timmy is wrongly accused of stealing other squirrels' nuts and is thrown through a tree-hole into his and Goody's nut storehouse -- where he gets sidetracked and eats so many of the nuts that he becomes too fat to get out. The presence of chipmunks and a bear in this tale have led to speculation that the author had American children in mind when she wrote and illustrated this book.~Customers could buy TIMMY TIPTOES in either light brown or dark green paper boards, priced at 1/-, or in decorated cloth, at 1/6. This copy is in dark green boards, and is near-fine (scarcely any external wear, minor cracking at one end of the front endpaper -- which bears an "Xmas /11" inscription). This is remarkable condition for fragile paper-covered boards intended for children's use. Linder pp 208-209 and p. 429; Quinby 20.

      [Bookseller: Sumner & Stillman]
 23.   Check availability:     Biblio     Link/Print  


        Slevogt, Max. - "Selbstbildnis zeichnend, in ganzer Figur".

      - Radierung / Kaltnadel, mit Plattenton, auf Büttenpapier, 1911. Von Max Slevogt. Auflage Exemplar Nr. 3/15. 10,0 x 6,3 cm (Darstellung) / 17,5 x 11,5 cm (Blatt). Sievers-Waldmann 424 I (von II). Außerhalb der Platte rechts unten in Bleistift signiert. Verso in Bleistift mit Sammleranmerkungen, Datum und Exemplarnummer versehen. - Seltenes Blatt. - Papier leicht gegilbt. Sonst sehr guter Zustand. Max Slevogt (1868 Landshut - Leinsweiler-Neukastel). Deutscher Maler, Grafiker, Illustrator und Bühnenbildner. Bedeutender Landschaftsmaler des Impressionismus. 1884-89 Besuch der Akademie in München bei Wilhelm von Diez, Gabriel von Hackl, Karl Raupp und Johann Caspar Herterich. 1889 Besuch der Académie Julian in Paris. 1890 Studienreise mit dem Malerfreund Robert Breyer (1866?1941) nach Italien. Danach als freier Künstler in München. Zählt Wilhelm Leibl und Arnold Böcklin zu seinen Vorbildern. 1896 entstehen Karikaturen für die Münchner Zeitschriften Simplicissimus und Jugend. Feierte große Erfolge auf den Sezessions-Austellungen in München und Berlin sowie 1900 auf der Pariser Weltausstellung. 1924 entstehen die Bühnenbilder für die Aufführung von Mozarts Don Giovanni in der Dresdner Staatsoper. 1927 die Fresken im Bremer Ratskeller. 1928 folgt eine große Ausstellung zu seinem 60. Geburtstag in der Preußischen Akademie der Künste in Berlin. 1931/32 entsteht das Wandbild Golgatha in der Friedenskirche in Ludwigshafen am Rhein. [Attributes: Signed Copy]

      [Bookseller: GALERIE HIMMEL]
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        My First Summer in the Sierra.

      Boston: Houghton Mifflin Company, 1911. First edition. Octavo, original green cloth, stamped in gilt, top edge gilt. Illustrated with gravure plates from photographs by Herbert W. Gleason, printed tissue guards; illustrated in the text from sketches made by Muir. In fine condition. A very nice example. At age 72, John Muir began to compile his notes for this book, of which Kimes states, "With the skillful editing of his mature years, he retains the refreshing spontaneity and enthusiasm of his youthful experiences and observations, interspersed as they are with his lyrical and oft-times mystical reflections. Thus, this book, published near the apex of his career, reaps the competence of age while capturing the essence of youth, and becomes, we believe, his finest book" Kimes 299; BAL 14765. "Muir's book continues to inspire... it stands among the enduring classics of environmental literature" (Gregory McNamee).

      [Bookseller: Raptis Rare Books]
 25.   Check availability:     Biblio     Link/Print  


        Bodensee - Toggenburg - Zürichsee. Denkschrift über die Eisenbahnverbindung Romanshorn - St. Gallen - Wattwil - Uznach.

      St. Gallen (Zollikofer & Cie.) 1911 - 2 Bll.,118 S. mit 51 Textfiguren, 4 Fototafeln außerhalb der Zählung; 30 teilweise gefaltete Blätter mit Konstruktionszeichnungen. 34,5 x 22 cm, Orig.-Halbleder mit RVerg. (Einband etw. bestoßen, Titel mit alten Stempeln; insgesamt sauber) * Zur 44. Generalversammlung des Schweizerischen Ingenieur- und Architektenvereins in St. Gallen vom 26. bis 28. August 1911. - Einzige Ausgabe. - Umfassende Dokumentation vom Bau der Bahnlinie von Romanshorn nach Uznach, die 1910 in Betrieb genommen wurde. Mit Fotos von den Bauarbeiten, der Aufnahmegebäude / Stationsgebäude mit Grundrissen, einer gefalteten Karte mit dem Bahnverlauf, Abbildungen der Lokomotiven und Personenwagen mit Auf- u. Grundrissen, Fahrplan, Profile, Schnitte, Viadukte, Tunnel, Stationen [Attributes: Hard Cover]

      [Bookseller: Antiquariat Angela Sülzen]
 26.   Check availability:     ZVAB     Link/Print  


        Hauseingang mit Menschen. Aquarell.

      - Bildgrösse: 27x20 cm. Unten rechts signiert u. Datiert. Unleserlich bezeichnet. Glasrahmen: 46x35 cm. Gunter Böhmer, Graphiker und Maler, geb. in Dresden 1911, gest. in Montagnola 1986 wo er seit 1933 in der Nachbarschaft von Hermann Hesse lebte. Schüler von Emil Orlik und Hans Meid. Gewandter Zeichner und Illustrator. Lit: Schweizer Künstlerlexikon. [Attributes: Signed Copy]

      [Bookseller: Biblion Antiquariat]
 27.   Check availability:     ZVAB     Link/Print  


        THREE YEARS IN THE CONFEDERATE HORSE ARTILLERY.

      Neale Publishing 1911 - 88. Neese, George Michael THREE YEARS IN THE CONFEDERATE HORSE ARTILLERY. New York and Washington, 1911. Neale Publishing Co. 362 pages. Krick #347. “One of the better pen-pictures of Confederate soldier life.” – Nevins. First edition, interior clean and tight, two tip-ins to the front of the title page, one to the back, new endpapers, this was the copy Morningside used to reprint this title, outer edge of front board stained; per usual. [Attributes: First Edition; Hard Cover]

      [Bookseller: Broadfoot Publishing Company]
 28.   Check availability:     AbeBooks     Link/Print  


        Der Zauberer von Rom. Roman in neun Büchern. 9 in 5 Bdn.

      Zus. über 3500 S. Etwas spätere Hlnbde mit je 2 goldgeprägten Rückenschildern (leicht berieben, Vorsätze erneuert, durchgehend etwas, stellenweise auch stärker u. stark braunfleckig, 1 Lage am Falz stabilisiert). Erste Ausgabe des nach den "Rittern vom Geiste" zweiten, "ebenso gewaltigen und poetisch noch höher stehenden" (Houben) "Romans des Nebeneinanders". Karl Gutzkow schildert in dieser "grandiosen Dichtung" (Houben) "die religiösen Zustände im (katholischen) Westen und Süden Deutschlands und in Österreich in ihrem innigen Zusammenhang mit Rom ... und (versucht) die schwierige Frage des deutschen Ultramontanismus poetisch zu lösen" (Houben). Die katholische Idee und ihre Organisation, ihre Stärke und ihre Schwächen, ihre inneren Spannungen und äußeren Machtansprüche werden von Gutzkow vor dem Hintergrund des "Kulturkampfes" zwischen Preußen und der katholischen Kirche im Rheinland, des Konkordats von Staat und "Ultramontanismus" in Österreich sowie der Auseinandersetzungen der Einigungsbewegung in Italien mit dem Kirchenstaat und dem ultramontanen Papsttum eines Pius IX behandelt. Vergangenheit und Gegenwart und die zahlreichen Schauplätze sind in dem Monumentalroman zu einem komplizierten "Nebeneinander" verschlungen, in dessen Zentrum der Mönch Bonaventura, der zum Reformator der katholischen Kirche aufsteigt, und eine Frau, die nicht zufällig nach Schlegels Emanzipationsroman Lucinde heißt und sich vom Zimmermädchen zur Gräfin in Rom emanzipiert. Zu bewundern ist die strikte Objektivität Gutzkows, mit der er, der Protestant, "frei von einseitig protestantischem Gesichtspunkt" (Houben) die katholische Kirche durchleuchtet, "die ultramontane Fata morgana in allen ihren Farbenschattierungen" (Houben) schildert und die Zeitprobleme in zahlreichen Diskusssionen der verschiedenen Parteien abhandelt. Der "Zauberer von Rom" ist nach dem Urteil Arno Schmidts die unvergleichlich beste Schilderung der katholischen Welt.- Goed. Fortführung 3/925,98 Wilpert/Gühring 62 Borst 2690 Bibliothek Arno Schmidt 200.9 Houben I,309 (der Roman wurde in Österreich verboten!) Houben, Vorwort zur 9. Auflage, Leipzig, Brockhaus, 1911.

      [Bookseller: Antiquariat Gabriele Klara Einzelunterne]
 29.   Check availability:     booklooker.de     Link/Print  


        L'aviation militaire

      - Berger-Levrault, Paris &Nancy 1911, 14x22cm, relié. - Terza edizione nella parte originale perché rivisitato. Legatura in ... autografo Rare firmato da Clement Ader a Petit Lieutenant. - [FRENCH VERSION FOLLOWS] Troisième édition en partie originale car revue et corrigée. Reliure en demi maroquin bleu marine, dos à cinq nerfs, date en queue, plats de couvertures légèrement piqués et dos insolé conservés, tête dorée, reliure signée de Goy & Vilaine. Rare envoi autographe signé de Clément Ader au lieutenant Petit. Rare et agréable exemplaire élégamment établi.  

      [Bookseller: Librairie Le Feu Follet]
 30.   Check availability:     maremagnum.com     Link/Print  


        Thus Spake Zarathustra: A Book For All and None

      Macmillan, NY 1911 - "Thus Spoke Zarathustra' is a masterpiece of literature as well as philosophy. It was Nietzsche's own favorite and has proved to be his most popular. In this book he addresses the problem of how to live a fulfilling life in a world without meaning, in the aftermath of 'the death of God.' His solution lies in the idea of eternal recurrence, which he calls 'the highest formula of affirmation that can ever be attained." [Pub, Info] The book introduction informs about how Zarathustra came into being. The contents include Zarathustra's discourses; divided into four parts each having about twenty short chapters. Handsome copy. Good cover, bright spine. This book is #383 of 2000. LIMITED EDITION. [Attributes: Hard Cover]

      [Bookseller: civilizingbooks]
 31.   Check availability:     AbeBooks     Link/Print  


        MÜNCHEN. - Angertor., "Das Angertor von außen". Es schloss den Unteranger ab. Der Hauptturm wurde 1804 abgetragen, die beiden Flankentürme 1869 und 1871.

      Kolorierter Lichtdruck nach dem Aquarell von Carl August Lebschée bei O. Aufleger, München, 1911, 23 x 44,5 cm. Lentner schreibt 1911 unter der Nr. 1183: "Die Reproduktionen sind in solch meisterhafter Weise zur Ausführung gelangt, dass die Blätter von den Originalen kaum zu unterscheiden sind. Sowohl in architektonischer als in dekorativer Hinsicht von ausgezeichneter Wirkung und als Wandschmuck ersten Ranges vorzüglich zum Einrahmen geeignet". - In nur 100 Exemplaren erschienen. BAYERN, Oberbayern

      [Bookseller: Buch- und Kunstantiquariat]
 32.   Check availability:     booklooker.de     Link/Print  


        MUNDIAL MAGAZINE

      Paris 1911-1914, París, Francia - Autor: París 1911- 1914 Entre 96 y 112 (4047 + 260 págs.) 25.3 x 18.2 cm. Castellano Los 40 números de la revista, en rustica y en buen estado. Según la Dra. Ana Mª Hernández de López, en su libro El Mundial Magaine de Rubén Darío, la colección completa de esta publicación mo existe en alguna Universidad de Europa y de América. El peso por número es de aproximadamente 300 grs. por número. Francia - Hispanoamérica - España - Modernismo - Revista - IMPOSIBLE LOS 40 NÚMEROS 0 gramos [Attributes: First Edition]

      [Bookseller: FACTORIA EDICIONES S de RL de CV]
 33.   Check availability:     IberLibro     Link/Print  


        LETTRES DE VINCENT VAN GOGH A EMILE BERNARD

      Description du livre: Paris, 1911, in-4°, 26,5 x 20 cm, 132 pp TRES BELLE RELIURE EN MAROQUIN ROUGE TRAVAIL DE QUALITE NON SIGNE COUVERTURE D'ORIGINE CONSERVEE PIECE DE TITRE ET AUTEUR SUR LE DOS EN MAROQUIN MARRON TRES BEL OBJET PLUSIEURS TRAITS DE SOULIGNAGE CERTAINEMENT PAR L'ANCIEN PROPRIETAIRE THEODORE JEAN DELAYE , PEINTRE ET MILITAIRE , BIEN CONNU AU MAROC

      [Bookseller: Antiquités Duvert Martial]
 34.   Check availability:     Livre-rare-book     Link/Print  


        Samalio Pardulus

      Otto Julius Bierbaum: Samalio Pardulus (1911) 44pp., Erstausgabe, bordeauxfarbiger Orig. Ledereinband, Linien-Vergoldung auf Vorder- Deckel, Rückenvergoldung und Kopfgoldschnitt kl.4to., No. 7 von 100 Exemplaren der Vorzugsausgabe (GA 600), Einband nach Entwurf von Paul Renner. Verlegt bei Georg Müller in München und Leipzig. Mit 20 Lichtdrucktafeln von Alfred Kubin.Schöne marmorierte Vorsätze. Sehr schönes, nahezu neuwertiges Exemplar dieser unheimlich-phantastischen Novelle (siehe Bloch 417)

      [Bookseller: tigerle]
 35.   Check availability:     booklooker.de     Link/Print  


        Grenville Kleiser's Personal Lessons in Public Speaking and the Development of Self-Confidence, Mental Power and Personality - Fourth Lesson How to Gather Material for a Speech

      Funk & Wagnalls Company. PAPERBACK. B00BXT8ZM2 1911. Ships next day. Book is in very good shape, no tears, scribbles, highlighting or underlining, has a price in pencil on the front, a little general wear, from a smoke-free environment. Items are typically shipped in a plastic bag, in a cardboard cradle, in a manila envelope. Most of my customers rave about my packaging. All US items are shipped with delivery confirmation, if you require this, please let me know. . Very Good.

      [Bookseller: Tulsabookfinder]
 36.   Check availability:     Biblio     Link/Print  


        Les garnisons d'alsace au 19e siècle. Ouvrage illustré de 100 planches en couleurs.

      - Straßbourg, Imprimerie Alsacienne G. Fischbach, 1911, Folio, 100 Tafeln mit farbigen, montierten Uniform-Darstellungen elsässischer Garnisonen, dunkelroter Original-Halbleinwandeinband mit marmorierten Deckeln (Tafel 14 neu auf unbezeichnete Tafel montiert, Tafel 22 mit seitlich Ausriß im Trägerpapier, Tafel 85 seitlich rückseitig hinterlegt) *Prächtiges Uniformenwerk in insgesamt schöner Erhaltung. [Attributes: Hard Cover]

      [Bookseller: Antiquariat Martin Barbian & Grund GbR]
 37.   Check availability:     AbeBooks     Link/Print  


        MÜNCHEN. - Ruffiniturm., "Der Ruffiniturm". Abschluss des Rindermarktes und der Sendlinger Gasse nahe dem Ruffinihaus benannt nach dem Münchner Patriziergeschlecht Ruffini. Er wurde 1808 abgetragen.

      Kolorierter Lichtdruck nach dem Aquarell von Carl August Lebschée bei O. Aufleger, München, 1911, 44,5 x 29 cm. Lentner schreibt 1911 unter der Nr. 1183: "Die Reproduktionen sind in solch meisterhafter Weise zur Ausführung gelangt, dass die Blätter von den Originalen kaum zu unterscheiden sind. Sowohl in architektonischer als in dekorativer Hinsicht von ausgezeichneter Wirkung und als Wandschmuck ersten Ranges vorzüglich zum Einrahmen geeignet". - In nur 100 Exemplaren erschienen. BAYERN, Oberbayern

      [Bookseller: Buch- und Kunstantiquariat]
 38.   Check availability:     booklooker.de     Link/Print  


        TALE OF TIMMY TIPTOES

      - POTTER,BEATRIX. THE TALE OF TIMMY TIPTOES. London & NY: Warne 1911. 12mo, brown boards, pictorial paste-on, light normal wear with occasional finger smudge, VG+. 1st ed. Quinby #20. [Attributes: First Edition; Hard Cover]

      [Bookseller: Aleph-Bet Books, Inc. - ABAA]
 39.   Check availability:     AbeBooks     Link/Print  


        Archiv fur die Geschichte des Sozialismus und der Arbeiterbewegung. Bände 1-15. - Erstausgabe

      15 Bände, erschienen zwischen 1911 und 1930 In sehr gutem Zustand: offensichtlich kaum benutzt/gelesen lediglich kleine Flecken auf einzelnen Bänden Zusammen ca. 7500 S. Einfache braune Halbleineneinbande.

      [Bookseller: eserp]
 40.   Check availability:     booklooker.de     Link/Print  


        Gesamtausgabe. Im Auftrag der Karl Barth-Stiftung herausgegeben im TVZ von Hinrich Stoevesandt (bis 1998) und Hans-Anton Drewes (ab 1999). Band 1 - 28.

      8, Leinen mit original Schutzumschalg Es sind bis dato 47 Einzelbände + Supplement erschienen. Folgende Abteilungen liegen vor: Abteilung I: Predigten Abteilung II: Akademische Arbeiten Abteilung III: Vorträge und kleinere Arbeiten Abteilung IV: Gespräche Abteilung V: Briefe. Der erste Band liegt bereits in der erweiterten Ausgabe bei (Briefe 1911 bis 1966). Die erste Ausgbe (Briefe 1922-1966) liefern wir bei Bestelllung gratis mit (Geschenk). Alle Bände sind in gutem Zustand, die Schutzumschläge weisen teils Gebrauchspuren auf, ebenso der Buchschnitt, wenige Bleistiftanstreichungen, teils wirken die Bände noch ungelesen.

      [Bookseller: BuchKaffee Vividus oHG]
 41.   Check availability:     booklooker.de     Link/Print  


        Beethoven-Cyclus - INCLUDING PERFORMANCES BY CASALS & FLESCH

      Used; Like New/Used; Like New. Rare 1911 poster lithograph, heightened with gold, announcing a number of concerts. Measures 48.5 x 16 cms. Foxing down the margins, a few creases and small areas of chipping around the edges, mounted to rigid backing, overall a very good example of this scarce poster. <br>The conductor Henri Viotta had opened the Amsterdam Concertgebouw in 1888 and led the Residence Orchestra in the Hague from 1903.  In 1911, this orchestra played all the Beethoven symphonies in the present series, which also included performances by Pablo Casals, Carl Flesch, Conrad Ansorge and other notable singers and soloists.   "Willem Hutschenruyter, scion of  a family of musicians and administrator of the Concertgebouw, had joined the orchestra in The Hague after a row with Mengelberg.  He promoted a campaign for the construction of a Beethoven House, to a design by Berlage, in the dunes at Bloemendaal.  A concert hall was to be built there, where people could experience the consecration of art in a combination of Beethoven's music and the ambience of a temple of the arts."  (Williem Frijhoff, Marijke Spies, "Dutch Culture in a European Perspective: 1900, the age of bourgeois culture," p. 473)

      [Bookseller: Schubertiade Music & Arts]
 42.   Check availability:     Biblio     Link/Print  


        DIE ANFÄNGE DER MAJOLIKAKUNST IN TOSKANA.

      Berlin 1911. Magnifica ril. in tela, caratteri e motivi in nero, cm 44x35, pp 34 di t., 36 tavv con pregevoli ill. a colori applicate su elegante cartoncino marrone e numerosissime ill. in bruno. Deboli gore da umidità ed alone da polvere alle coperte, peraltro ottimo esemplare. Una delle opere più celebri e ricercate sulla maiolica.

      [Bookseller: Editoriale Umbra]
 43.   Check availability:     maremagnum.com     Link/Print  


        Die Anfänge der Majolikakunst in Toskana

      Julius Bard, Berlin 1911 - (17 1/4 x 13 1/4 inches). 37 mounted photographic plates (18 color), numerous tipped-in photographic illustrations. Publisher's cloth, blocked and lettered in black, slipcase (slipcase worn) One of 200 numbered copies: an important illustrated monograph on Italian majolica. [Attributes: Hard Cover]

      [Bookseller: Donald A. Heald Rare Books (ABAA)]
 44.   Check availability:     AbeBooks     Link/Print  


        Versi e disegni. Seconda edizione.Milano,Selga,

      1911 - Ex libris figurato alla prima carta bianca. Bellissimo esemplare a fogli chiusi di questo magnifico libro, considerato da molti il più bel figurato italiano del primo novecento. Come è noto questa seconda edizione, del tutto identica alla prima per l'apparato illustrativo, usci nello stesso anno. Il volume, considerato il primo libro d'artista figurato per l'infanzia, è in realtà anche qualcosa di diverso , che affonda le radici nella cultura del simbolismo, fino ad assumere i tratti di una danza macabra. Gambetti-Vezzosi p.788 In-8°grande;224 pp. Legatura in brossura editoriale figurata. [Attributes: Soft Cover]

      [Bookseller: La carta bianca studio bibliografico]
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        \"Der Rathausturm\". Gezeigt ist die Ostseite des heute rekonstruierten Turmes. Vor dem alten Rathaus das ehemalige Stadtschreiberhaus, links schließen sich an den Turm das Heiliggeist-Spital und die alte Fleischbank an.

       Kolorierter Lichtdruck nach dem Aquarell von Carl August Lebschée bei O. Aufleger, München, 1911, 44,5 x 29 cm. Lentner schreibt 1911 unter der Nr. 1183: \"Die Reproduktionen sind in solch meisterhafter Weise zur Ausführung gelangt, dass die Blätter von den Originalen kaum zu unterscheiden sind. Sowohl in architektonischer als in dekorativer Hinsicht von ausgezeichneter Wirkung und als Wandschmuck ersten Ranges vorzüglich zum Einrahmen geeignet\". - In nur 100 Exemplaren erschienen. Versand D: 6,00 EUR BAYERN, Oberbayern

      [Bookseller: Antiquariat Bierl]
 46.   Check availability:     buchfreund.de     Link/Print  

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