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Displayed below are some selected recent viaLibri matches for books published in 1910

        Bank and office building for the City National Bank, Mason City, Iowa, 1909. Pl. IL.

      Berlin: Ernst Wasmuth. 1910 - Original lithograph on tissue paper. 15.94 x 25.25" (40.5 x64 cm). Artist's embossed stamp lower left. Archival mat and backing.Provenance: The Prairie Avenue Bookshop, Chicago. The Bookshop recently closed and WittenbornArt Books has taken over the distribution of the Wasmuth plates. Many of these were acquired from Wright's apprentices and bear the marginal water stains from the famous fire of 1914, which destroyed the architect's home and studio and most of the edition. Text and title in German/Deutsch. Finely toned with chips and tears around edges, and water stains in the margins, significant along right edge; else good. Dover (XLIXa); Storrer (1993) 155 & 156 - City National Bank & Park Inn Hotel; Hitchcock (1942) pl. 170-171; Florence Sketchbook, 1910 XVI; 16-1/2 [Attributes: Hard Cover]

      [Bookseller: Wittenborn Art Books]
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        TRANS-HIMALAYA: Discoveries and Adventures in Tibet.

      A SUPERB PRIMARY RESOURCE AND EARLY EXPLORATION OF TIBET New York 1910, - Macmillan. Red pictorial cloth, two vol. set,436+441p., 17 color, 360 b.w. photos & illus., 7 maps,3 foldout maps, index, good copy, top gilt, spine head & tail andcorners bit rubbed, contents clean. Q U I T E S C A R C E Color scans available for this book on request. Description content 2014Copyright Rare Oriental Books Co.

      [Bookseller: RARE ORIENTAL BOOK CO., ABAA, ILAB]
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        Perspective and ground plan of a city dwelling for Isadore Heller, Woodlawn Avenue, 1897. Pl. IV.

      Berlin: Ernst Wasmuth. 1910 - Original lithograph on 4-ply, wove, tan paper. 15.94 x 25.25" (40.5 x64 cm). Artist's embossed stamp lower left. Archival mat and backing.Provenance: The Prairie Avenue Bookshop, Chicago. The Bookshop recently closed and WittenbornArt Books has taken over the distribution of the Wasmuth plates. Many of these were acquired from Wright's apprentices and bear the marginal water stains from the famous fire of 1914, which destroyed the architect's home and studio and most of the edition. Text and title in German/Deutsch. Finely toned and exhibits marginal staining, small tears & creasing along top of image (l. print). Else very good. Chicago, IL .Dover (IV); Storrer (1993) 038; Hitchcock (1942) pl. 43-44 [Attributes: Hard Cover]

      [Bookseller: Wittenborn Art Books]
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        Ergebnisse einer Zoologischen Forschungsreise in den Südöstlichen Molukken (Aru- und Kei-Inseln) im Auftrag der Senckenbergischen Naturforschenden Gesellschaft. Reisebericht.

      Frankfurt/Main, im Selbstverlag, 1910. - 4to. XI+208 pp. + 2 col. lithogr. maps (incl. 1 double-page) & 10 photogr. plts.; 60 photogr.ills. in text. Softcover. Or.wrp. VG. (Oversized wrp. sl. frayed; unopened copy). Abhandlungen der Senckenbergischen Naturforschenden Gesellschaft, 33. Band, Heft 1 & 2. - Also published as: Forschungsreise in den Südöstlichen Molukken (Aru- und Kei-Inseln) im Auftrage der Senckenbergischen Naturforschenden Gesellschaft. [Attributes: Soft Cover]

      [Bookseller: Charbo's Antiquariaat]
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        Signed Photo Postcard of Hedin.

      Paul Heckscher, Stockholm 1910 - Stockholm: Paul Heckscher, ca. 1910. Ca. 13,5x8,5 cm (5 x 3 ½ in). Postcard in very good condition. "Between 1894 and 1908, in three daring expeditions through the mountains and deserts of Central Asia, he mapped and researched parts of Chinese Turkestan (officially Xinjiang) and Tibet which had been unexplored until then. Upon his return to Stockholm in 1909 he was received as triumphantly as Adolf Erik Nordenskiöld. In 1902, he became the last Swede (to date) to be raised to the untitled nobility and was considered one of Sweden's most important personalities. As a member of two scientific academies, he had a voice in the selection of Nobel Prize winners for both science and literature. Hedin never married and had no children, rendering his family line now extinct. Hedin's expedition notes laid the foundations for a precise mapping of Central Asia. He was one of the first European scientific explorers to employ indigenous scientists and research assistants on his expeditions. Although primarily an explorer, he was also the first to unearth the ruins of ancient Buddhist cities in Chinese Central Asia. However, as his main interest in archaeology was finding ancient cities, he had little interest in gathering data thorough scientific excavations. Of small stature, with a bookish, bespectacled appearance, Hedin nevertheless proved himself a determined explorer, surviving several close brushes with death from hostile forces and the elements over his long career. His scientific documentation and popular travelogues, illustrated with his own photographs, watercolor paintings and drawings, his adventure stories for young readers and his lecture tours abroad made him world famous" (Wikipedia).

      [Bookseller: The Wayfarer's Bookshop, ABAC/ILAB/PBFA]
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        House for Mr. W. H. Winslow in River Forest, Illinois. Entrance Detail, 1894. Pl. I.

      Berlin: Ernst Wasmuth. 1910 - Original lithograph on tissue paper. 15.94 x 25.25" (40.5 x64 cm). Artist's embossed stamp upper left. Archival mat and backing.Provenance: The Prairie Avenue Bookshop, Chicago. The Bookshop recently closed and WittenbornArt Books has taken over the distribution of the Wasmuth plates. Many of these were acquired from Wright's apprentices and bear the marginal water stains from the famous fire of 1914, which destroyed the architect's home and studio and most of the edition. Text and title in German/Deutsch. Finely toned with edge chipping and tears. Somewhat brittle. Very good. River Forest, IL.Dover (Ib); Storrer (1993) 024; Hitchcock (1942) pl. 25-28; Brooks (1966) p. 202 [Attributes: Hard Cover]

      [Bookseller: Wittenborn Art Books]
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        Ergebnisse einer Zoologischen Forschungsreise in den Südöstlichen Molukken (Aru- und Kei-Inseln) im Auftrag der Senckenbergischen Naturforschenden Gesellschaft. Reisebericht.

      Frankfurt a. M. 1910 - 4to. Original printed (oversized) wrappers. With 2 coloured maps (1 double-page), 10 photographic plates and 60 illustrations. XIII, 208 pp. *Abhandlungen der Senckenbergischen Naturforschenden Gesellschaft. - Expedition by Hugo Merton and Jean Roux to the Kai and Aru Islands, the Moluccas, January 1907 - June 1908. Ample information is given on the natural history, the ethnography, geography and geology of these islands. - Fine, pages unopenend. [Attributes: Soft Cover]

      [Bookseller: Antiquariaat Fenix]
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      W. & R. Chambers, London & Edinburgh 1910 - (Parker, N.) illustrator. THE HOLE AND CORNER BOOK with verses by B. Parker. London & Edinburgh: W. & R. Chambers, circa 1910. First edition. Oblong 8vo - 12-3/4" x 9-3/16". Color pictorial boards with just a hint of wear to the board corners as well as the head and tail of the spine for what is a truely superior copy of the book. Pictorial dust wrapper in lovely condition. Illustrated endpapers. [52]pp. Internally, this book is filled with baby animals and is in fine condition. Each chapter features a different group of baby animals and includes a page of verse with brown line drawings within text along with a wonderful, full page chromolithograph of the group. The condition of the book is NEAR FINE and the condition of the dust wrapper is VERY GOOD +. Rare in the dust wrapper. [Attributes: First Edition; Hard Cover]

      [Bookseller: Wallace & Clark, Booksellers]
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        Klaus Rabenbein. Erzählungen und Märchen für die Jugend von Paul Frieben. Illustriert von Bruno Zwiener und E.H. Münch

      Sonnen-Verlag Karl Krömer, Königshütte - gebraucht befriedigend; eine farbige Illustration vorne auf dem Buchdeckel (intakt) REst im Buch selbst einfarbig schwarz; erschienen ca. um 1910 herum; Einbandecken und Buchrücken stark berieben; Papier vom Einband an der Buchrückenkante komplett durchgerieben; Buchrücken teil halbseitig gerissen und gelößt; Teile des Buchrücktextes und das Papier dazu fehlen; Einbandecken stark berieben; Schnitt und Seiten stark gebräunt; ersten und letzten Seiten altersfleckig; Buchblock sitzt noch fest im Gelenk; ohne Namenseintrag oder Widmung; für Sammler und Bibliotheken wegen des Zustands bedingt geeignet jedoch wegen der Seltenheit absolut geignet. [Attributes: Hard Cover]

      [Bookseller: Second Hand Dealer]
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        Ambergris A Selection From the Poems of Aleister Crowley

      Elkin Mathews, London 1910 - Hardcover. xiii + 98pp (+ 2pp. adverts). Original composite boards with titling in gilt. Fore- & bottom-edges untrimmed. Gilt title etc. to spine and cover. Frontis Portrait. Contains a selection of Crowley's early published poetry, made by himself and a group of friends. Writing in the Preface, Crowley declared that "In response to a widely-spread lack of interest in my writings, I have consented to publish a small and unrepresentative selection from the same. . This volume . is therefore now submitted to the British Public with the fullest confidence that it will be received with exactly the same amount of acclamation as that to which I have become accustomed." Crowley was correct, and the book was widely ignored in literary circles. Spine quite heavily rubbed and missing an eighth of an inch sliver from the tail and with a few short, closed tears, corner's bruised and rubbed, some discoloration to boards, edges dusty, light browning to endpapers. Still a tight, clean near-VG copy of a book which is often encountered in much worse shape. (no dustjacket, none issued) [Attributes: First Edition; Hard Cover]

      [Bookseller: Weiser Antiquarian Books, Inc.]
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        The Golden Legend

      Hodder and Stoughton, London 1910 - viii, 153pp, [1]. Original full vellum, title in gilt to spine and upper cover, upper cover with gilt castle design, t.e.g., original ties. Gilt to spine rubbed, bright to upper cover, covers very lightly soiled. Very light foxing to fore-edge of text block, text and plates bright and clean, two plates creased to corners. Complete with twenty-five tissue guarded tipped in plates. Limited edition of 250 copies, this being copy 67, signed by the illustrator Sidney Meteyard [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Temple Rare Books]
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        Ballades, Rondeaux & Chansons

      R. Kieffer, 1910. 1 volume, 4to., illustrated by Georges Bruyer, limited to 180 numbered copies this being copy #77, front wrapper printed on vellum, rear blank vellum wrapper bound in. Bound in full vellum, title gilt to spine, yap edges, top edge gilt, others rough gilt, light tan silk moire doublures and endpapers, gilt dentelles, dentelles inlaid with a band of brown morocco, with a fitted vellum chemise all housed in a brown morocco edged open-ended slipcase, by G. G. Levitzky.

      [Bookseller: D&D Galleries - ABAA]
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      Cambridge U.P. 1910 - 3/4 leather over maroon boards. Top edges gilt. Gilt spine titles. 29 volumes/16 titles. Included are three additional volumes comprising the supplemental 13th ed. All volumes have very mild shelfwear to boards, some volumes show light rubbing to corners and edges. Bindings are sound on all volumes and inner pages are clean and free of markings. 3 volumes of 13th ed published, 1926. [Attributes: Hard Cover]

      [Bookseller: Books on the Boulevard]
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        The Encyclopaedia Britannica. A Dictionary of Arts, Sciences, Literature, & General Information. Eleventh [-Twelfth] Edition.

      London: The Encyclopaedia Britannica Company, Ltd., [1910-22]. - The eleventh edition is generally regarded the best scholarly edition. Sixteen double volumes, quarto, encompassing the twenty-eight volumes of the 11th edition, the index volume and three additional volumes to make the twelfth edition. Half brown morocco over burgundy cloth boards, gilt spines, top edge gilt. A little light wear to binding extremities, but a fine, clean copy of this very desirable edition. [Attributes: Hard Cover]

      [Bookseller: Michael R. Thompson Books, A.B.A.A.]
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        Green Willow and Other Japanese Fairy Tales

      London: Macmillan and Co., 1910. - Edition de Luxe Limited to Five Hundred Copies[GOBLE, Warwick (Illustrator). JAMES, Grace. Green Willow and Other Japanese Fairy Tales. London: Macmillan & Co., 1910. Edition de Luxe, limited to 500 copies. Quarto (11 1/4 x 8 3/4 inches; 286 x 222 mm.). xii, 280[-281], [1 blank] pp. Forty color plates tipped-in onto heavy brown stock, with captioned tissue guards. Original vellum over boards, front cover lettered and pictorially stamped in gilt, spine lettered in gilt. Original yellow sik ties. Top edge gilt, others uncut. Lower edge of spine very lightly creased but still an exceptionally fine copy. Housed in a blue cloth slip-case.Warwick Goble "was best known for his watercolour illustrations for gift books such as Green Willow, and Other Japanese Fairy Tales" (Peppin & Micklethwait)."Mr Goble's forty delicately-coloured illustrations are surprisingly successful in reproducing the native atmosphere of the tales, and altogether the volume is one of the most charming and unusual of the season's offerings" (The Dial, Vol. 49, 1910)Warwick Goble (1862-1943) was trained at the City of London School and the Westminster School of Art. He initially worked for a printer specializing in chromolithography and contributed to the Pall Mall Gazette and the Westminster Gazette. In the 1890s, he contributed half-tone illustrations to monthly magazines such as Strand Magazine, Pearson's Magazine, and The Boy's Own Paper. In 1893, he was exhibiting at the Royal Academy. In 1896, he began illustrating books. In 1898, he was the first to illustrate H. G. Wells's The War of the Worlds, having illustrated it for Pearson's Magazine in 1897. In 1909, he became resident gift book illustrator for MacMillan and produced illustrations for The Water Babies, Green Willow, and Other Japanese Fairy Tales, The Complete Poetical Works of Geoffrey Chaucer, Stories from the Pentamerone, Folk Tales of Bengal, The Fairy Book, and The Book of Fairy Poetry. [Attributes: First Edition]

      [Bookseller: David Brass Rare Books, Inc.]
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        Exposition Henri-Matisse du Lundi 14 au Mardi 22 Février 1910.

      Bernheim-Jeune & Cie., Paris. 1910 - Five b/w plates, 91 item catalogue. Covers unevenly darkened. [Attributes: First Edition; Soft Cover]

      [Bookseller: Roe and Moore]
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        MAX JACOB. Double Signed Litho.

      1910, Montrouge [Paris] 1910 - Picasso. Max Jacob. MAX JACOB. Double Signed Litho. Montrouge [Paris] (Seine). 1910. 14" 7/8 X 10" 3/4 on plain paper stock printed in black. Number 17 of only 30 copies. A rare early illustration of Picasso's close friend, Max Jacob, done in celebration of Jacob's conversion to Christianity. Jacob, who had Jewish origins, claimed to have had a vision of Christ in 1909, causing his conversion. The illustration of Jacob [the first of Picasso's drawings of Max Jacob] seated comfortably in a fine armchair, dressed in his three piece suit, his dome appropriately receptive. The printed text: [Top] A mon ami Max Jacob / Picasso .10 / 22 R. Victor Hugo / Montrouge (Seine) - [Middle] L'archange foudroyé n'eut que le temps / de desserrer sa cravate . On aurait sit qu'il / priait encore./ C. Max Jacob. Signed in pencil with his new Christian name: "C. Max Jacob" & by "Picasso" at the bottom. A very good or better example of this rare piece - Max Jacob is regarded as an important link between the symbolists & the surrealists, as can be seen in his prose poems Le cornet à dés (The Dice Box, 1917. Throughout the year of 1901, Picasso traveled to Barcelona & Paris for art exhibitions. During an exhibition in Paris, Picasso met Max Jacob. Max Jacob was a poet, painter, & art critic with connections in the Parisian cultural scene. The two artists developed a friendship after Jacob left an admiring note for Picasso at the art gallery displaying Picasso's work (Richardson Vol. I, 203). Jacob introduced Picasso to the French language and to French theatre; Jacob was also an actor. Jacob took Picasso to see operas which possibly included I Pagliacci & La Bohème (Richardson Vol. I, 338). "At night there were frequent visits to the cabarets of Montmartre such as the Chat Noir, and, when tickets could be found, to the Moulin Rouge" (Penrose Picasso 76). Picasso & his friends also enjoyed the artistic atmosphere of Le Lapin Agile. Artists & writers would congregate at the small café to listen to recitals, exchange ideas & celebrate special occasions such as the opening of an exhibition (Penrose Picasso 117). The walls of the café were lined with work by artists that were used as payment for debts. Theatrical entertainment was a prominent part of Picasso's social life in Paris. By 1904, Picasso had established a foothold in Paris and would remain in the cultural center of Europe for the rest of his life. Picasso & Max Jacob cultivated their talents in a dwelling known as the Bateau Lavoir. According to Penrose, this place was ". . . composed it seemed of nothing but lofts & cellars, all in such a sad state of repair. . . " (Picasso 96). Artists of all endeavors were attracted to this bohemian style of living. Picasso's neighbors included painters, sculptors, writers & actors (Penrose Picasso 102). One of Picasso's most influential friends entered his life in 1905: Guillaume Apollinaire. "From the first encounter, Pablo Picasso and Guillaume Apollinaire established a creative dialogue that fostered and inspired some of their finest art & poetry". Apollinaire was a poet & playwright, identified as a Surrealist, who kept close connections with literary & artistic figures in Paris including Max Jacob & André Salmon. He was a great source for Picasso to meet writers & theatre artists. Many of Picasso's friends encouraged him to frequent the theatre with artists & poets from Paris (Picasso Penrose 177). Even though Picasso was not in Paris, he managed to find groups of artistic individuals to stay abreast of cultural gossip & happenings. Picasso's connections with writers led him to create several illustrations for books of poetry for friends. For example, during summer 1910 in Cadaques, Catalonia, painting with Derain, Picasso was commissioned to illustrate a poetic novel written by Max Jacob titled Saint Matorel issued by Daniel-Henry Kahnweiler in 1911. (Penrose Picasso 179). This was only the first of five collections of poetry by Max Jacob that contain [Attributes: First Edition; Signed Copy]

      [Bookseller: TBCL The Book Collector's Library]
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        The Studio. Volumes 1-48.

      London: The Studio. 1893-1910. - A complete run of the first 17 years, with 100 original graphic works. The preeminent art journal of the Arts and Crafts movement. All volumes with original graphics are present including the five lithographs by Whistler. The Studio commissioned original graphic works for inclusion in its periodical magazine (as opposed to the Special Numbers).The artists include Whistler (5 original lithographs), Pennell, Nicholson, Brangwyn, and Riviére, among others. 20.5 x 28.5 cm. Original cloth. Some front covers dampstained. A list of all the prints is available. [Attributes: Soft Cover]

      [Bookseller: Wittenborn Art Books]
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        Preis-Liste - C.G. Baldauf, Chemnitz Hartmannstraße, Löschmaschinen-, Pumpen- und Armaturen-Fabrik.

      Chemnitz. Druck: P. Oschatz, Chemnitz, 1910. - mit zahlreichen Textabbildungen (kleinformatig), 4°. 30,8 x 22,9 cm. 12 Seiten, Vorwort von C.G. Baldauf, In befriedigendem Zustand. die Einbanddecke etwas angestaubt, leicht gebräunt und stockig, mit Querfalte, der Buchblock in den Rändern teils mit Beschädigungen und durchgehender Querfalte, ansonsten sauber. aus einer Sammlung zur Geschichte der Feuerwehrtechnik des 19. Jahrhunderts, selten. mit Klammerheftung und Deckelbild mit Auszeichnungen und Medaillen, Broschur bzw. Taschenbuch, geheftet, [Attributes: Soft Cover]

      [Bookseller: Leipziger Antiquariat e.K.]
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        The Sleeping Beauty and other Fairy Tales from the Old French

      1910. first edition. The Publisher's Copy, No. IInscribed By DulacAnd With Two Original WatercolorsDULAC, Edmund. The Sleeping Beauty and other Fairy Tales from the Old French. New York and London: Hodder & Stoughton, [1910]. Edition de Luxe. Limited to 1,000 numbered copies, copy number one, the publisher's copy with two original watercolors on the half-title and inscribed by Dulac. Quarto (12 1/8 x 9 7/8 in; 310 x 250 mm). Thirty color plates mounted on captioned velin paper with elaborate borders, with title page and six head- tailpiece designs by Dulac. Publisher's full dark brown morocco leather stamped in gilt with differing cupid designs in the four corners of both the front and the back covers. Spine lettered in gilt and decorated with similar 'cupid designs' in the panels. Top edge gilt, others uncut. The top and bottom of the spine have been expertly repaired. Housed in an orange cloth slipcase.The pre-eminent copy, inscribed by the artist, "To J.E. Hodder-Williams / With the best of wishes / from / Edmund Dulac / 10." The two watercolors on the half-title are of Pierrot and Columbine."In November 1910, Hodder and Stoughton advertised Dulac's newest book, The Sleeping Beauty, as "the most beautiful book ever published at a popular price". (All 1,000 copies of the de luxe edition had been sold out a month earlier.)"Hughey, 23.

      [Bookseller: David Brass Rare Books, Inc.]
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        Sunset, Darling Harbor

      Sydney: c, 1910. Original watercolour on artist's watercolour board, 240 mm. x 530 mm.; in excellent condition, signed 'J.H. Young', dated '24.4.10' on the verso, framed. A fine watercolour of Darling Harbour, by well-regarded turn-of-the-century Sydney artist John Henry Young. This atmospheric watercolour, imbued with the pink light of early evening, shows a most attractive view of the burgeoning metropolis of Sydney seen across the waters of Darling Harbour. The domes of the newly-completed Queen Victoria Building (finished in 1898), the Town Hall and the spire of St. Andrew's Cathedral are visible on the skyline, as are a number of smoke stacks, which give a clear sense of the industrialisation of inner Sydney at the time. Pyrmont Bridge is to the right of the scene with passengers traversing it in two horse-drawn omnibuses. The watercolour provides an interesting documentary record of shipping traffic in this busy part of the harbour around the turn of the century: a tall-masted sailing ship is moored upstream of the bridge, and two small steamers and a larger twin masted paddle-steamer are moored on the far side of the harbour, downstream of the bridge. In the foreground is a small commercial steam-powered craft, with a sailor standing at the stern. Two large timber pylons are seen at the centre of the picture. John Henry Young exhibited at the Art Society of New South Wales (of which he was a committee member) from 1895 to 1910, and is known to have been still active in 1935. He is best known for his watercolours of maritime subjects both in and around Sydney Harbour, however he also painted overseas including the Mediterranean, France and Egypt. This work is signed 'J.H. Young' in the lower left hand corner. What appears to be the date '24.4.10', and the number 4, are written in pencil on the back of the watercolour board. It is reasonable to assume that this was the date of the painting or exhibition, in which it was shown, along with the number in the catalogue. This work is from the collection of the artist's grandson, at Sherbourne, in the United Kingdom.

      [Bookseller: Hordern House Rare Books]
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        The White Peacock - First Issue with 1910

      Duffield & Company 1910 - New York: Duffield & Company, 1910. First Edition, First Printing, First Issue with 1910 on the verso of the title page, bound integrally. The first issue is exceedingly rare, thought only to exist in a handful of copies, and rarely seen offered for sale. This copy is in Very Good condition. Sporadic foxing to pages, more notably at prelims and terminals; foxing to side edge of page block. Clean text, lightly toned pages with a few reading creases. Previous owner personal library label to front paste down, with offsetting to the front free end paper. Corners slightly pushed in, corners and spine ends show light rubbing. Spine is slightly faded, with the lettering rubbed. Light rubbing to the stamping on the front board. Cloth shows light rubbing and faint mottling. A very lovely copy overall, extremely rare. [Attributes: First Edition; Hard Cover]

      [Bookseller: Burnside Rare Books]
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        Original large lithographic portrait of this renowned French pianist by Hector Dumas (1872-1965)

      . N.p., n.d. [?Paris, ca. 1910]. Signed and numbered by the artist in pencil at lower right "29/60." Printed on laid china paper with wide margins. 427 x 340 mm. With a remarque to lower left corner. Minor foxing to lower blank margin.. Limited to 60 copies.

      [Bookseller: J & J Lubrano Music Antiquarians LLC]
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        The North Pole. With an Introduction by Theodore Roosevelt.

      . 1st edit. London: Hodder and Stoughton 1910. Med 116 illustr. efter fotografier samt et foldet kort. XII + 326 s. Orig. komp. hellrd. med lette brugsspor. With 116 illustr. from photographs and 1 folding . Publisher's pictorial cloth with minor marks of use..

      [Bookseller: Peter Grosell, Antiquarian Bookseller]
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