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Displayed below are some selected recent viaLibri matches for books published in 1910

        Howards End.

      London: Edward Arnold,, 1910. Octavo. Original dark red vertically-ribbed cloth, spine and front board lettered in gilt, bottom edge untrimmed. Spine rolled and bumped with a short nick to foot, extremities bumped and rubbed, mild foxing front and back, short closed tear at head of pp. 195/6 affecting running head only, remains a very good copy. First edition, first impression, first issue. Maurice Baring's copy, with his ownership inscription to the front free endpaper, and his engraved bookplate to the front pastedown. One of 2,500 copies printed; the second issue can be distinguished by the insertion of an extra eight pages of advertisements. Baring (1874-1945) was Forster's contemporary at Cambridge, and though known to the Apostles and later, the Bloomsbury Group, his lifelong anti-intellectualism, recalled by Anthony Powell in his biography of Baring, and his conversion to Catholicism in 1909, meant that he was always closer to the circle of G. K. Chesterton and Hillaire Belloc. In his writings he nevertheless shared Forster's capacity for social satire, and his novels are considered to be "minor masterpieces in character study and social depiction" (ODNB).

      [Bookseller: Peter Harrington]
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        Die Aufzeichnungen des Malte Laurids Brigge. 2 Bde.

      Lpz Insel 1910 - Kl.8°. 191; 186 S. Original-Pappband mit rotem Rückenschild. Sarkowski 1332. Ritzer E 2. W. G. II 1246, 27. Erstausgabe. - Ecken etwas angestoßen. Braun im Papier, wenige Blätter fleckig. Gewicht (Gramm): 450 [Attributes: First Edition]

      [Bookseller: Müller & Gräff e.K.]
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        Trans-Himalaja: scoperte ed avventure nel Tibet.

      Treves, Milano. 1910 - I volumi contengono illustrazioni e carte in b / n e a colori. Volume Primo (secondo migliaio / pp. XII+516 / con 403 incisioni da fotografie e da acquarelli e disegni dell’autore e con 10 carte, di cui una a colori, ripiegata in terza di copertina): Prefazione; Sven Hedin (Stoccolma, settembre 1909) - Simla - Partenza da Srinagar - In marcia verso Leh - Ultimi preparativi - Partenza per il Tibet - Sul limitare dell’altipiano del Tibet - Sulla cresta del Caracorum - Verso il "Lake Lighten" - L’uragano sul lago - O morir in bocca ai lupi, o far naufragio - Gravi perdite - In terre sconosciute - Giorni di disgrazie - Ammalati di febbre nel pase degli yaki selvatici - I primi uomini - Le nostre avventure sulla via del Bogtsang - tsangpo - Natale nel deserto - Dieci giorni sul ghiaccio del Ngangtze - tso - Respinti - Avanti per la terra proibita! - Nel Trans - Himalaja - Verso la riva del Brahamaputra - La discesa del Tsangpo in battello. L’entrata in Scigatzer - La festa di capo d’anno - Il Tasci - lama - Le tombe dei sommi sacerdoti - Divertimenti popolari nel Tibet - Monaci e pellegrini - Corse per Tasci - lunpo - La via dei morti - La nostra vita a Scigatze - Guazzabuglio politico - Tarting - gumpa e Tasci - ghembe - Il Raga - tsangpo e il My - ciu - Verso Linga - gumpa - Munaci murati; Volume secondo (pp. (6)+480 / con 397 incisioni in nero, due panorami, otto tavole a colori, e dieci carte, di cui una a colori, ripiegata in terza di copertina): Attraverso il Ciang - la Pod - la - Il Targo - gangri e lo Sciuru - tso - Verso lo sbocco del Ciaktak - tsangpo nel Brahamaputra - Morte di Mohamed Isa - Sulla via proibita per Tradum - breve visita nel Nepal - Alla ricerca della sorgente del Brahamaputra - La sorgente del fiume sacro. Una separazione - Una notte sul Manasarovar - Nuova traversata del lago - traversata burrascosa sul Lago sacro - Sul tetto del convento di Gossul - Gli ultimi giorni presso lo Tso - mavang - Avventure sul Langak - tso - La sorgente del Satlesh - Un pellegrinaggio intorno al Kang - rinpoce - "Om mani padme hum" - La scoperta della sorgente dell’Indo - Risoluzione per un secondo viaggioo - Un capitolo nuovo - Sulle alture del Dapsang - Sul tetto del mondo - Quaranta gradi sotto zero - Morire di freddo o di fame? - Travestito attraverso la Terra proibita - Una tempesta di trenta giorni - Il nostro fato e quello della Puppi bruna nelo Nagrong - Attraverso i monti del Bongba - Tsongpun Tasci - Il Buptsang - tsangpo, il più gran fiume del Tibet centrale - Nel paradiso dei malandrini - Scoperto! - Sua Eccellenza il Governatore di Saka - Kamba Tsenam "padre di tutti i briganti" - Settima traversata del Trans - Himalaja. - Al lago celeste dei monti del Trono - Un nuovo viaggio a traverso la "macchia bianca" - Ultimi giorni nel paese sconosciuto - Il Trans - Himalaja - Simla. Formato: 2 v. (XII, 510 p., [60] c. di tav., [2] c. geogr. ripieg; 474 p., [53] c. di tav., [2] c. di tav. ripieg., [1] c. geogr. ripieg.), 25 cm, bross. originale. Buono, ordinari segni d’uso e del tempo, fioriture alla brossura e il dorso del primo volume manca per piccola parte, allentato.

      [Bookseller: Studio Bibliografico Adige]
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        Daphnis et Chloé - SIGNED AND INSCRIBED BY MONTEUX

      Paris: Durand & Cie, 1910. First. Used; Like New/Used; Like New. Piano score to Ravel's ballet in three scenes, signed and inscribed opposite the title page by Pierre Monteux, who conducted the work's premiere in 1912. He has boldly signed and inscribed to his sister-in-law Hilda Davis, wife of bandleader Meyer Davis: "As the creator of this score, whose name has been omited [sic] -- I do not know why!! I am going to dedicate that copy to my dear sister (in law) Hilda Emery Davis, with my love." Indeed, although the names of the original dancers (including Nijinksy as Daphnis), choreographer (Michel Fokine) and scenery designer (Léon Bakst) are all listed on the title page, Monteux's name does not appear. A lovely inscription showing Monteux's characteristic good humor and charm! From the estate of Monteux's daughter, Nancie Monteux Barendse.  <br>Upright folio. 10 x 13 inches (25 x 32.5 cm). 114 pp. [PN] D&F 7748. Softcover with light brown textured paper slipcovers printed in red and black, in an elegant box bound in blue cloth. Some light wear to the edges of the box and slipcovers, but the score itself in fine condition. Orenstein, Ravel: Man and Musician, p. 177. <br style="">Ravel began work on the score in 1909 after a commission from Sergei Diaghilev. It was premiered at the Théâtre du Châtelet in Paris by his Ballets Russes on 8 June 1912. At almost an hour long, Daphnis et Chloé is Ravel's longest work. In spite of the ballet's duration, four discernible leitmotifs give musical unity to the score. The music, some of the composer's most passionate, is widely regarded as some of Ravel's best, with extraordinarily lush harmonies typical of the impressionist movement in music. Even during the composer's lifetime, contemporary commentators described this ballet as his masterpiece for orchestra, with Stravinsky hailing it as "one of the most beautiful products in all of French music." Monteux recorded the work later on with the London Symphony in 1959.

      [Bookseller: Schubertiade Music & Arts]
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        Peter Pan in Kensington Gardens

      Hodder & Stoughton, 1910 The first Octavo and early Arthur Rackham illustrated edition of this classic children&#39;s book, fine in a near fine dust jacket. 24 color plates. Rare in the dust jacket and in this condition. Housed in a custom-made collector&#39;s slipcase.. Illustrated Edition. Hardcover. Fine/Near Fine.

      [Bookseller: Bookbid Rare Books ]
 5.   Check availability:     ABAA     Link/Print  


        The Rhinegold & The Valkyrie

      William Heinemann, 1910, Hardcovers, Book Condition: Very Good, Dust Jacket Condition: No Jacket, 1st Trade Edition, Illustrated By: Arthur Rackham. Size: 7¾" - 9¾" Tall, Copyright date is 1910, Translated by Margaret Armour. Brown cloth over boards with gold gilted front and spine. Illustrated with 34 tipped-in color plates by Arthur Rackham; printed tissue guards. Original gilt-stamped & lettered pictorial brown buckram. First Rackham Trade Edition. Spine sunned, light wear; light foxing to the interior and the page edges; very good. NO DUST JACKET. Text and illustrations are bright and clean, binding is secure, a solid collectible book, Collectible 1st Trade Edition

      [Bookseller: mclin haven books]
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        'African Game Trails"

      Charles Scribner's Sons, 1910, Hardcover, Book Condition: Very Good, Dust Jacket Condition: no dust Jacket, 1st Edition, Illustrated By: Kermit Roosevelt. Size: 7¾" - 9¾" Tall, Roosevelt, Theodore 'African Game Trails'. Charles Scribner's Sons, New York, 1910 1st Edition tan end papers and 583, clear, minimally toned pages (gilt edged at the top) extensively illustrated with black & white photos and drawings in a three-quarter binding with brown leather on the corners and spine which has three raised bands with gilt borders and titles in the panels. The boards are covered in red/brown cloth. Weight 4 pounds 6.75"x9.75"x2" thick, Aoutobiography & Biography 1st Edition

      [Bookseller: mclin haven books]
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        The Ring of the Niblung: a Trilogy with a Prelude.

      London: William Heinemann,, 1910-11. The Rhinegold and the Valkyrie; Siegfried and the Twilight of the Gods. Translated into English by Margaret Armour. 2 volumes, quarto. Bound by Bayntun (Riviere) in near-contemporary brown morocco, titles to spines gilt, decoration to covers gilt, all edges and turn-ins gilt, marbled endpapers. With 64 tipped-in colour plates and 23 line drawings. Spines faded; an excellent, fresh set, attractively bound. Signed limited edition. Numbers 915 and 837 of 1,150 numbered copies signed by Rackham.

      [Bookseller: Peter Harrington]
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        RHINEGOLD AND THE VALKYRIE together with SIEGFRIED AND THE TWILIGHT OF THE GODS. The Ring of Niblung: A Trilogy with a Prelude.

      London: William Heinemann 1910 and 1911. First edition with these illustrations (first impression of Siegfried, second impression of Rhinegold). First edition with these illustrations (first impression of Siegfried, second impression of Rhinegold). Two Volumes. Original brown cloth with gilt titles and illustration to the upper board and spine, in dustwrapper. Brown top-stain. A beautiful near fine set, the bindings exceptionally clean and bright, the contents without inscriptions or stamps. All 64 tissue guarded colour plates and 23 black and white illustrations (between the two volumes) are present as called for and in fine condition. Both volumes are complete with the near fine original dustwrapper which is only lightly rubbed and nicked at the extremities. An exceptional set, scarce in this original condition. Further details and images for any of the items listed are available on request. Lucius Books welcomes direct contact with our customers.

      [Bookseller: Lucius Books]
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        Handgemaltes Quartettspiel. Unseren Freunden Emil u. Emma Lang gewidmet. 25 x 4 aquarellierte Federzeichnungen auf Spielkarten.

      1910 - 1910. 8,3x7,8x12 cm. 100 Spielkarten in handbemalter Pergamentbox mit Titel und Widmung auf dem Deckel, auf der Unterseite signiert und datiert. Ganz in der Tradition der Wiener Werkstätten gehaltenes Quartettspiel von feinster graphischer Raffinesse, mit Witz und Ironie gezeichnet und meisterhaft aquarelliert. Ein kleines Meisterwerk des schweizerischen Jugendstils, das den Vergleich nicht zu scheuen braucht. Die 25 Themen sind: Blumengebinde, Jahreszeiten, Damenrockmuster, Spiele, Hofpersonal, Gesangsformationen, Die Künste, Blaues Porzellan, Skurrile Herren, Rock-Lätschen, Frauenrollen, Göttinnen, Wehwehchen, Blumen, Kinder, Berner Mädchen, Häuser, Schuhe, Hauspersonal, Männertypen, Himmelskörper, Alte Kulturvölker, Blumenknaben, Spielzeug, Initialen der beschenkten Familie Lang. - Emil Lang war der Besitzer der Berner Buchhandlung und des Verlags A. Francke. - Der weitgehend unbekannte und vergessene Schweizer Illustrator und Grafiker Florentin Garraux (1859-1950) wuchs in Solothurn auf und führte von 1889 bis 1927 in Moutier ein Epicerie-Mercerie-Geschäft. Daneben zeichnete er Postkarten und Gebrauchsgrafik, die zum Teil auch gedruckt wurden. Der grösste Teil seines Werkes besteht aber aus Originalarbeiten, die er auch aus Werbegründen seinem Kunden- und Freundeskreis schenkte. Einzig 1909 und 1915 zeigten das Kunstmuseum Bern und das Kunsthaus Zürich einige seiner Arbeiten. Die letzten Jahrzehnte lebte er in Bern und Langenthal. Seine Arbeiten veränderten sich vom französischen Jugendstil zum Stil der Wiener Werkstätten, später zum Art-Déco-Stil. Viele seiner Motive stammen aus der Mode. Garraux beherrschte die ornamentale Wiedergabe von Kleidern auf kleinstem Raum. Absicht der Bilder war natürlich auch, seine Kundschaft zum Kauf exklusiver Mode zu animieren. - Nur wenige Erwähnungen im Brun, Schweizer Künstlerlexikon Bd. IV S. 138, Bénézit und Thieme Becker. Bd. 13, S. 215. Sprache: N in handbemalter Pergamentbox mit Titel und Widmung auf dem Deckel, auf der Unterseite signiert und datiert.

      [Bookseller: Daniel Thierstein]
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        OUR BOY SCOUTS UP TO DATE

      - SCOUTING. OUR BOY SCOUTS UP TO DATE. London: Misch & Co., no date, circa 1910 based upon the scout's uniforms. There are 2 articulated color pictorial card figures of 2 boy scouts housed in a pictorial folding box. There are 2 interior flaps one of which has a large color picture of a scout and the other has a poem titled "The Up To Date Scouts". The box has some soil, mends and has flaps neatly strengthened else in VG condition. The dolls are in near fine condition. Each is 12" tall and hinged so that the head, arms, legs and torso can move independently. They are dressed but the set also comes with an additional hat, vest, belt and bugle for each. The British Scouts were founded in 1907 and the American's in 1910. The British scouts were more militaristic than their American counterparts, being more like soldiers in training, "ready to drill, march, track or manoeuvre." This is a rare set.

      [Bookseller: Aleph-Bet Books, Inc. - ABAA]
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        Das schöne Mädchen von Pao.

      Berlin, Georg Müller, 1909-1910. - 5 (1 w.) Bl., 210 S., 3 (1 w.) Bl. Mit 6 Tafeln nach Bayros. Blauer Original-Maroquinband mit aufwendiger Goldprägung auf dem Rücken und den Deckeln. Eins von 600 nummerierten Exemplaren. Einbandentwurf von paul Renner. - "Bekanntes Meisterstück des Buchdruckes und der Buchbinderkunst" (Stern-Szana 246). - Exlibris. - Fliegende Vorsätze etwas braunfleckig, sonst sehr schönes nahezu fleckenfreies Exemplar. [Attributes: Hard Cover]

      [Bookseller: Antiquariat Manfred Nosbuesch Berlin]
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        Ã–sterreichische Exlibris-Gesellschaft. Jahrbuch. [Ab 1925:] Österreichisches Jahrbuch für Exlibris und Gebrauchsgraphik.

      Wien, Österreichische Exlibris-Gesellschaft 1910-1951. 15 Bde. Bd. 8.: 1910, Bd. 10.: 1912, Bd. 13.: 1915, Bd. 15.: 1917, Bd. 17.: 1919, [Bd. 21]: 1924/25, 1927/28, 1929, Bd. 25.: 1930, Bd. 31.: 1936, Bd. 34.: 1939, Bd. 35.: 1940, Bd. 36.: 1945-1946, Bd. 37.: 1947/48, Bd. 38.: 1949-1951. 4°. ca. 1000 S. Mit zahlr. Abb., tlw. gest. Taf., einige wenige mont. Taf. fehlen. OKart. Es fehlen 8 Abb. u. 1 Bl. (davon im: 8. Jahrbuch: 2 Abb., 10 JB: 1 Abb. 15. JB: 5 Abb. u. 1 Bl.) Beiliegend: 1: Verzeichnis der Besitzer von Exlibris und Kleingraphiken in den Jahresveröffentlichungen der Österreichischen Exlibris-Gesellschaft von 1902 bis 1951. Wien, Österreichische Exlibris-Gesellschaft [1952]. 4°. 23 (1) S. OBrosch. 2: Verzeichnis der Autoren und Künstler in den Jahresveröffentlichungen der Österreichischen Exlibris-Gesellschaft von 1902-1951. Beilage zum Österreichischen Jahrbuch für Exlibris und Gebrauchsgraphik. Bd. 39, Wien, Österreichische Exlibris-Gesellschaft [1952]. 4°. 19 S. 3: Verzeichnis der Autoren und Künstler und der Besitzer von Exlibris und Kleingraphiken in den Jahresveröffentlichungen der Österreichischen Exlibris-Gesellschaft von 1952 bis 1976. Band 39 bis Band 50. Beilage zum Österreichischen Jahrbuch für Exlibris und Gebrauchsgraphik. Band 51. Wien, Österreichische Exlibris-Gesellschaft [1977]. 4°. 29 S., 1 Bl. 4: BRAUNGART, Richard (Einf.). Hans Wildermann Ex Libris. Regensburg, Bosse 1922. gr.-8°. 109 S. Mit 56 Abb. OLn. 5: BRAUNGART, Richard. Deutsche Ex Libris und andere Kleingraphik der Gegenwart. Mchn., Hugo Schmidt 1922. 8°. 104 (1) S. Mit zahlr. Abb., HLdr. d. Zt. 6: COSSMANN, Alfred. Ein Wiener Künstlerleben. Wien, Österreichische Staatsdruckerei 1945. 4°. 140 S., 2 Bll. u. 64 Taf. mit 182 Abb. OLn. 7: REISINGER, Josef. Hubert Woyty-Wimmer. Betrachtungen zu seinen neuen Werken. [In: Österreichisches Jahrbuch für Exlibris und Gebrauchsgraphik / Österreichische Exlibris-Gesellschaft. - Wien, 37 Bd.,1947-1948]. 4°. S. 10-17. Mit zahlr. tlw. mont. Abb. OBrosch. 8: SCHMIDT, Rudolf. Rudolf Köhl zu seinem 60 Geburtstag. [In: Österreichisches Jahrbuch für Exlibris und Gebrauchsgraphik / Österreichische Exlibris-Gesellschaft. - Wien, 1956]. 4°. 5 Bll. Mit Abb. im Text u. auf Taf. OBrosch. ). 9: SCHWENCKE, Johan. Het Exlibris in Oostenrijk. Een Studie voor Vrienden van Boek en Prent. 4°. 40 S. Mit 76 Abb. Orig.-Fadenbindung. 10: BRAUNGART, Richard. Alfred Coßmanns neuere Exlibris. 4°. S.7-18. Mit 1 Taf. u. 9 Abb. auf mont Taf. (2 mont.Taf. fehlen).

      [Bookseller: Antiquariat Burgverlag]
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        Österreichische Exlibris-Gesellschaft. Jahrbuch. [Ab 1925:] Österreichisches Jahrbuch für Exlibris und Gebrauchsgraphik.

      Wien, Österreichische Exlibris-Gesellschaft 1910-1951 - 15 Bde. Bd. 8.: 1910, Bd. 10.: 1912, Bd. 13.: 1915, Bd. 15.: 1917, Bd. 17.: 1919, [Bd. 21]: 1924/25, 1927/28, 1929, Bd. 25.: 1930, Bd. 31.: 1936, Bd. 34.: 1939, Bd. 35.: 1940, Bd. 36.: 1945-1946, Bd. 37.: 1947/48, Bd. 38.: 1949-1951. 4°. ca. 1000 S. Mit zahlr. Abb., tlw. gest. Taf., einige wenige mont. Taf. fehlen. OKart. Es fehlen 8 Abb. u. 1 Bl. (davon im: 8. Jahrbuch: 2 Abb., 10 JB: 1 Abb. 15. JB: 5 Abb. u. 1 Bl.) Beiliegend: 1: Verzeichnis der Besitzer von Exlibris und Kleingraphiken in den Jahresveröffentlichungen der Österreichischen Exlibris-Gesellschaft von 1902 bis 1951. Wien, Österreichische Exlibris-Gesellschaft [1952]. 4°. 23 (1) S. OBrosch. 2: Verzeichnis der Autoren und Künstler in den Jahresveröffentlichungen der Österreichischen Exlibris-Gesellschaft von 1902-1951. Beilage zum Österreichischen Jahrbuch für Exlibris und Gebrauchsgraphik. Bd. 39, Wien, Österreichische Exlibris-Gesellschaft [1952]. 4°. 19 S. 3: Verzeichnis der Autoren und Künstler und der Besitzer von Exlibris und Kleingraphiken in den Jahresveröffentlichungen der Österreichischen Exlibris-Gesellschaft von 1952 bis 1976. Band 39 bis Band 50. Beilage zum Österreichischen Jahrbuch für Exlibris und Gebrauchsgraphik. Band 51. Wien, Österreichische Exlibris-Gesellschaft [1977]. 4°. 29 S., 1 Bl. 4: BRAUNGART, Richard (Einf.). Hans Wildermann Ex Libris. Regensburg, Bosse 1922. gr.-8°. 109 S. Mit 56 Abb. OLn. 5: BRAUNGART, Richard. Deutsche Ex Libris und andere Kleingraphik der Gegenwart. Mchn., Hugo Schmidt 1922. 8°. 104 (1) S. Mit zahlr. Abb., HLdr. d. Zt. 6: COSSMANN, Alfred. Ein Wiener Künstlerleben. Wien, Österreichische Staatsdruckerei 1945. 4°. 140 S., 2 Bll. u. 64 Taf. mit 182 Abb. OLn. 7: REISINGER, Josef. Hubert Woyty-Wimmer. Betrachtungen zu seinen neuen Werken. [In: Österreichisches Jahrbuch für Exlibris und Gebrauchsgraphik / Österreichische Exlibris-Gesellschaft. - Wien, 37 Bd.,1947-1948]. 4°. S. 10-17. Mit zahlr. tlw. mont. Abb. OBrosch. 8: SCHMIDT, Rudolf. Rudolf Köhl zu seinem 60 Geburtstag. [In: Österreichisches Jahrbuch für Exlibris und Gebrauchsgraphik / Österreichische Exlibris-Gesellschaft. - Wien, 1956]. 4°. 5 Bll. Mit Abb. im Text u. auf Taf. OBrosch. ). 9: SCHWENCKE, Johan. Het Exlibris in Oostenrijk. Een Studie voor Vrienden van Boek en Prent. 4°. 40 S. Mit 76 Abb. Orig.-Fadenbindung. 10: BRAUNGART, Richard. Alfred Coßmanns neuere Exlibris. 4°. S.7-18. Mit 1 Taf. u. 9 Abb. auf mont Taf. (2 mont.Taf. fehlen). Gewicht in Gramm: 5000 [Attributes: Soft Cover]

      [Bookseller: Antiquariat Burgverlag]
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        Kilmeny of the Orchard

      L.C. Page & Company, Boston - 1910, 1st Impression, 1st edition. () Very good in good to very good dust jacket. 256 +4 page and 2pp catalogue at rear. Octavo. Illustrated dust jacket over publisher's tan cloth boards with titles in gilt to spine and front board, with illustrated portrait. Light shelfwear and rubbing to corners and head and tail of spine. A few small marks to front board. Light lean to spine. Untrimmed fore-edge, lower edge slightly foxed. Illustrated dust jacket with all four corners clipped. Several chips to edges of jacket with some loss to head and tail of spine, lower edge of front panel and fold of front panel flap. Small sticker removed from spine with some loss of paper. A few old tape repairs to verso of jacket, not affecting or visible on recto. Book seller's stamp to front paste down, publisher's promotional postcard laid in at front. Gift inscription dated in the year of publication on ffep. Illustrated frontis; 3 colour plates. A lovely copy; plates bright and clean. True first edition, exceptionally scarce in a mostly complete jacket. Despite a few chips to the extremities, the jacket presents beautifully with an unfaded colour portrait on the front panel . Includes a mailed publisher's promotional postcard with portrait illustration reproduced. As with Anne of Avonlea, Montgomery was displeased with Gibb's rendering of her heroine. This copy with issue point at page 239 as noted in Lechowick, wherein Kilmeny's first words "Eric, Eric, look behind you- look behind you!" have been omitted by the publisher. Also with the e corrected title of the first chapter. Rare in dust wrapper and in this condition. One of two variant colours of cloth, the other being grey blue. Lechowick p37. Russell 185. See Editions and Impressions. [Attributes: First Edition; Hard Cover]

      [Bookseller: Aquila Books(Cameron Treleaven) ABAC]
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        The Rhinegold & the Valkyrie

      UK: Heinemann. London, Heinemann, n.d. [c1910]. Limited edition, being one of 1150 copies. Good copy. Lacking ties, vellum rubbed and chipped to the corners. Folds a little pulled. Spine tips bumped and spine toned. Prelims foxed and some toning. n.d. [c1910] . Good. Hardback. Limited Edition. 1910.

      [Bookseller: Hyraxia]
 16.   Check availability:     Biblio     Link/Print  


        Gran Panorama Argentino Del 1º Centenario 1910.

      - ALBUM "GRAN PANORAMA ARGENTINO" DEL 1ºCENTENARIO. 33.5X48. 356 páginas. Incluye fotografias e ilustraciones color de personajes célebres e históricos de nuestros país. APAISADO. TELA EDITORIAL VERDE DECORADA. [Attributes: Hard Cover]

      [Bookseller: Libros Del Mundo - Ricardo R. Preti.]
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        Mich. Birk Tuttlingen. Katalog No. 4. [Einbandtitel].

      Tuttlingen, Selbstverlag, ohne Jahr (ca. 1910). - Ca. 29,3 x 23,5 cm. 1 Blatt, 16 Blätter mit farbigen lithographischen Reklameetiketten (teils gefaltete Doppelblätter), 2 Blätter, 290 Doppelseiten, mit zahlreichen Abbildungen, XXXI (Register) Umfangreicher viersprachiger Katalog (Deutsch, Englisch, Spanisch und Französisch) der noch heute existierenden Firma Mich. G. Birk in Tuttlingen mit umfangreichem Angebot an Verpackungsmaterial und Reklamegegenständen, Apotheken- und Laboratoriums-Einrichtungen, Gummiwaren und Verbandsstoffe, medizinisch-technischer Artikel, Chirurgische Instrumente etc. Mit einer Auswahl an Präservativen auf den Doppelseiten 164 und 165. Enthält auch zahlreiche, aufwendig in Chromolithographie gedruckte Tüten, Schachteln und Dosenetiketten. Einband gering fleckig, die montierten goldgedruckten Etiketten teils etwas oxydiert. Schönes Exemplar. Brauner, illustrierter Original-Leinenband mit Kopffarbschnitt.

      [Bookseller: Antiquariat Rainer Schlicht]
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        Dresden. - Gesamtansicht. - Walter Zeising. - "Blick auf Dresden vom Waldschlösschen aus".

      - Zeichnung / Federzeichnung, in schwarzer Tusche, auf Transparentpapier, um 1910. Von Walter Zeising. 29,0 x 18,9 cm (Darstellung / Einfassungslinie) / 31,5 x 21,0 cm (Blatt). Links unten in schwarzer Feder monogrammiert. Darunter in Bleistift signiert und genau betitelt. - Sehr guter Zustand. Walter Zeising (1876 Leipzig ? 1933 Dresden). Eigentlich Walter Ernst Zeising. Deutscher Zeichner und Radierkünstler. Sohn des Holzstechers Franz Emil Zeising. 1892-97 Schüler der Leipziger Kunstgewerbeschule. Studium an der Münchner Akademie bei Gabriel von Hackl und an der Dresdner Kunstakademie bei Carl Bantzer und Gotthard Kuehl. 1906?10 Gewinn des großen Reisestipendiums der Akademie Dresden. Vierjähriger Aufenthalt in Frankreich (Paris, Bretagne). Seit 1910 in Dresden ansässig. 1921 Berufung zum Ausstellungsgrafiker der Leipziger Messe. Begann mit Lithografie, versuchte sich in Holzschnitt und Kupferstich. Zeising widmete sich dann aber vor allem der Radierung, die er zu einer gewissen Höhe führte. Beeinflußt von Eugène Béjot und Gustave Leheutre pflegte er einen feinen duftig-impressionistischen Radierstil. So entstanden geschätzte Stadtansichten aus Dresden, Hamburg, Leipzig und Paris. [Attributes: Signed Copy]

      [Bookseller: GALERIE HIMMEL]
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        Bau-Gesuch der Firma J. Sigle und Comp. (Salamander) in Kornwestheim zur Vergrößerung des Lagergebäudes.

      Kornwestheim. 1910 Quart. Mit zahlr. gefalt. (meist zweifarb.) Orig.-Architekturzeichnungen. HLn. mont. illustr. Deckelschild (Jugendstil) u. mit Prägung \"P. J. Manz, Architekt\". teils mit handschriftlichen Einträgen und Korrekturen, Papier etwas gebräunt, gutes Exemplar - dabei: Renz, Kerstin: Industriearchitektur im frühen 20. Jahrhundert. Das Büro von Philipp Jakob Manz. München: DVA, 2005. 191 Seiten. Broschur (neuwertig) Versand D: 4,80 EUR

      [Bookseller: Antiquariat am St. Vith]
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        OBRAS COMPLETAS.

      - PRIMERA EDICIÓN de la Obras Completas. Edición ilustrada con grabados. Folio. 27,5x18,5. Disponemos de nueve volúmenes encuadernados de forma homogénea en media piel de época por el anterior poseedor y ordenados (1-9) (aunque sabemos que la edición original ha sido en 14 volúmenes con encuadernación editorial en tela estampada). Ignoramos los títulos que componían estos 14 volúmenes y el orden en que iban colocados. Sáenz de Jubera hermanos. Madrid , s/f (c. 1910-14). A continuación ofrecemos la relación del contenido de todo lo disponible en el conjunto: Vol. 1: LOS HIJOS DEL CAPITÁN GRANT (Parte 1ª: en la América del Sur, Parte 2ª: en la Australia, Parte 3ª: en el Pacífico &#150; VEINTEMIL LEGUAS DE VIAJE SUBMARINO - LA ISLA MISTERIOSA (Parte 1ª: Los náufragos del aire, Parte 2ª: El Abandonado, Parte 3ª: El secreto de la isla).Vol. 2: AVENTURAS DEL CAPITAN HATTERAS (Parte 1ª: Los ingleses en el Polo Norte, Parte 2ª: El desierto de hielo) &#150; VIAJE AL CENTRO DE LA TIERRA &#150; DE LA TIERRA A LA LUNA &#150; UN DESCUBRIMIENTO PRODIGIOSO &#150; UNA CIUDAD FLOTANTE &#150; DE GLASGOW A CHARLESTON &#150; AVENTURAS DE TRES RUSOS Y TRES INGLESES &#150; UN CAPRICHO DEL DOCTOR OX.en la Australia.Vol. 3: LOS AMOTINADOS DE LA BOUNTY &#150; UN DRAMA EN MÉJICO &#150; LAS INDIAS NEGRAS &#150; MAESE ZACARÍAS. UN DRAMA EN LOS AIRES &#150; MARTÍN PAZ &#150; CLOVIS DARDENTOR &#150; DIEZ HORAS DE CAZA. De Rotterdam a Copenhague &#150; ANTE LA BANDERA &#150; EL PUEBLO AÉREO &#150; LAS TRIBULACIONES DE UN CHINO EN CHINA.Vol. 4: DUEÑO DEL MUNDO &#150; ROBUR EL CONQUISTADOR (1ª y 2ª parte) - LOS HERMANOS KIP &#150; EL RAYO VERDE.Vol. 5: LA CAZA DEL METEORO (1ª y 2ª parte) &#150; EL PILOTO DEL DANUBIO (1ª y 2ª parte) &#150; LAS HISTORIAS DE JUAN MARÍA CABIDOULIN &#150; EL SECRETO DE WILHELM STORITZ &#150; MARAVILLOSAS AVENTURAS DE ANTIFER.Vol. 6: AVENTURAS DE UN NIÑO IRLANDÉS (1º, 2º y 3º cuadernos) &#150; CLAUDIO BOMBARNAC. Notas de un corresponsal. (Cuadernos 1º y 2º) &#150; EL FARO DEL FIN DEL MUNDO (1ª y 2ª parte).Vol. 7: ESCUELA DE ROBINSONES (1ª y 2ª parte) &#150; LOS PIRATAS DEL HÁFILAX (1ª, 2ª y 3ª parte) &#150; LOS NÁUFRAGOS DEL JONATHAN (1ª y 2ª parte).Vol. 8: LA INVASIÓN DEL MAR (1ª y 2ª parte) &#150; EL CAMINO DE FRANCIA, seguido de GIL BRALTAR (1ª y 2ª parte) &#150; EL TESTAMENTO DE UN EXCÉNTRICO (1ª, 2ª y 3ª parte).Vol. 9: CUENTOS Y NOVELAS. Agrupa los siguientes títulos: LA FAMILIA RATÓN, EL SEÑOR RE SOSTENIDO Y LA SEÑORITA MI BEMOL, EL DESTINO DE JUAN MORENAS, EL HUMBUG, EN EL SIGLO XXIX, EL ETERNO ADÁN &#150; HÉCTOR SERVADAC. Aventuras y viajes por el mundo solar (1ª y 2ª parte) &#150; EMOCIONANTES AVENTURAS DE LA MISIÓN BARSAC (1º, 2º, 3º y 4º cuaderno). LIBROS ANTIGUOS [Attributes: First Edition; Hard Cover]

      [Bookseller: Librería Anticuaria Galgo]
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        The North Pole

      Frederick A. Stokes Company, 1910 A near fine copy in a very good dust jacket. First Edition. 1910 stated on the title page. September, 1910 printed on the copyright page. Original midnight cloth covered boards with a decorative front cover and bold gilt lettering. Slight edge wear on the bottom board edges. Minimal soiling on bottom page ends. Gilt-lined page header. Gift inscription on the front free endpaper. Unclipped and intact dust jacket has hand edges and hinges reinforced with binder's tape. Moderate chipping at the corners, A larger ship at the top spine end, a piece missing from the top of the back panel. Comes housed in a custom slipcase.. 1st Edition. Hardcover. Near Fine/Very Good.

      [Bookseller: Bookbid Rare Books]
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        The Sleeping Beauty and Other Fairy Tales

      London: Hodder & Stoughton,, [1910]. From the Old French. Quarto. Original brown morocco, titles to spine and decorative panelling to spine and boards gilt, top edge gilt, others untrimmed. 30 colour plates by Dulac tipped in on card printed with captions and decorative borders, all with tissue guards. Browning to endpapers, spine just a touch faded, an excellent copy. Signed limited edition, number 806 of 1,000 copies signed by Dulac. One of the artist's triumphs in illustrated books.

      [Bookseller: Peter Harrington]
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        Das Nordlicht.

       Mchn.,/Lpz. G. Müller 1910. Florentiner Ausgabe. Bde. 1. u. 2. (v. 3). 1. Erster Theil: Das Mittelmeer. 2. Pan / Orphisches Intermezzo. kl.-4°. 4 Bll., 429; 4 Bll., 151 S. OKart. In gutem Zustand. In Kassette. EA.W.-G.² 1; Raabe 45.2; Zehnjahreskat. G. Müller S. 79 - Erstausgabe des Erstlingswerkes. Mit je einem kurzen eh. Gedicht des Verfassers a. d. Vortit. jeden Bandes, datiert 1928. - Die ab 1910 erschienen ersten Werke Theodor Däublers (1876 in Triest - 1934) wurden von den Dichtern des gerade aufkommenden Expressionismus begeistert aufgenommen. \"Das Nordlicht\", ein wortmächtiges Versepos, an dem Däubler bereits seit 1898 gearbeitet hatte wurde 1916 von dem jungen Philosophen Carl Schmitt in einer Monographie enthusiastisch besprochen. Kasimir Edschmid schrieb 1920 über Däubler: \"Er ist einer der von innen Leuchtenden, selbst das Dunkle und Wirre hat den einfachen Reiz\". Versand D: 4,00 EUR Literatur, Widmungsexemplare, Lyrik

      [Bookseller: Antiquariat Burgverlag]
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        Milton's Comus Being the Bridgewater Manuscript With Notes and a Short Family Memoir

      London: J. M. Dent & Sons Limited, 1910. First edition. full brown crusted morocco, elaborately decorated and tooled in browns, black, blind and gilt, spine with raised bands and extra gilt, top edges gilt, inner gilt dentelles, silk moiree endpapers, by Riviere. Spine a trifle faded to lighter brown, else fine. Bookplate. Quarto. Illustrated with eight photogravures and three facsimile manuscript pages This edition is from the Bridgewater manuscript, written on the occasion of one of the political appointments of the Earl of Bridgewater. The masque was first acted by the earl's children. In addition notes and a memoir by a member of the Bridgewater family, Lady Alix.

      [Bookseller: Randall House Rare Books]
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        THREE LITTLE KITTENS and ( CAT STRUWWELPETER or FIDGETY PHIL ).

      London, Raphael Tuck & Sons Ltd., No. 970, circa 1910.FIRST EDITION circa 1910, 6 panel panorama of thick board pages hinged with red cloth, colour printed both sides, a separate story on each side, both illustrated by Wain, brief caption below each picture, all dressed kittens, page size 235 x 180 mm, 9¼ x 7 inches. LACKING COVER BOARD PAGE WITH TITLES (i.e. 5 of 6 panels only). The images for Three Little Kittens were re - used in a painting book issued about the same time by Tuck with the No. 4063. The story on the reverse is a cats version of 5 Struwwelpeter stories: Fidgety Philip on the floor under the table cloth; the three kittens inked by Agrippa cat for mocking the Blackamoor; John who never looked where he was going and almost drowned in a stream; a version of the Huntsman where a hare with a rifle shoots at 2 cats; finally, a kitten disobeys his mother and sucks his thumb but with no nasty consequences. A Louis Wain cat version of Struwwelpeter was published by Tuck circa 1905 entitled Fidgety Phil and Other Tales, in the Little Pets series, with 16 pages including covers and with verses by Norman Gale. Hinges slightly worn with some small splits, a few very minor marks to some pages and some hinges, small closed tear to surface paper at edge of 1 image (we have found our mittens), neatly repaired with no loss, barely visible. A good defective copy of a rare book (lacking 1 board page). Neither the Three Little Kitten Painting Book nor our Panorama, nor Fidgety Phil are listed in the bibliography in the reissue of the Dale book on Wain. The painting book is not uncommon but we could not find a record of our panorama. Fidgety Phil is listed in Baumgartner Volume 1, page 24, No.29 and 1 copy is recorded in Liverpool University Library and 1 in Toronto Public Library but not in the Osborne catalogue. MORE IMAGES ATTACHED TO THIS LISTING, ALL ZOOMABLE. FURTHER IMAGES ON REQUEST. POSTAGE AT COST.

      [Bookseller: Roger Middleton P.B.F.A.]
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        Aeroplane Race.

      Chad Valley, ca 1910, Harborne, United Kingdom: - An early board game featuring an aeronautical and geographical contest, with a wide variety of thrilling disasters for players to contend with en route. One of the notable Chad Valley Games. Chad Valley is an English toy maker which began as a printing and bookbinding business established by Anthony Bunn Johnson in Birmingham in the early 19th century. Players begin a 100 point course in London, and fly over Glasgow and Dublin across the Atlantic to Montreal. From Canada to Japan and then Australia, marking Brisbane, Melbourne, Adelaide, Perth and Onslow and New Zealand. The return route to Windsor Castle leads from South Africa to Cairo, Rome, Paris, Berlin and Dover. The planes illustrated are of the Wright and Bleriot type, and one resembles a Rumpler Taube, a pre World War I monoplane. There is a color illustration of a major site in each city, with London's illustration showing the Thames with important buildings beyond. The obstacles encountered by players include: "broken rudder, back to 70" at Berlin, and "falls into the Liffey, go back to 3" at Dublin. With a two fold chromolithographic playing board, with 3 painted metal markers in the form of planes (two damaged). There are no counters, di or metal shaker with this game. 54 x 26 cm. Board in very good condition, the box base somewhat flattened, the edges to the top mostly separated but present, image a bit dusty but good+.

      [Bookseller: Antipodean Books, Maps & Prints, ABAA]
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        Ampélographie. Traiteé général de Vitculture.

      1901 - 1910, Paris - 7 Bände. Paris 1901 - 1910 Mehr als 3100 Seiten mit 570 (davon 500 farbigen) ganzseitigen Lithographien und 820 Illustrationen im Text. Ungebundenes, neuwertiges, nicht aufgeschnittenes Exemplar mit den Originalumschlägen. Umfassendes Werk über alle Weinberge und Traubensorten. Darin sind auch die kleinsten regionalen Sorten beinhaltet. Der erste Band befasst sich mit generellem, den Sorten, amerikanischen Weinbergen und der Biologie. Publikation unter der Beteiligung von namhaften Önologen. Die Bände 2 bis 5 beinhalten die berühmtesten und wichtigsten Rebsorten der Welt. Band 7 ist der Registerband. Ungebundenes, neuwertiges, nicht aufgeschnittenes Exemplar mit den Originalumschlägen.

      [Bookseller: EOS Buchantiquariat Benz AG]
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        Die wunderbare Schlittenfahrt. Zeichnungen von Signe Aspelin. Verse von Lucy Malden.

      o. O., -, o. J. [um 1910?]. Quer-4°. o. Pag. [11 Bll.] OHlwd. Bibliographisch nicht nachweisbares Kinderbuch. - Fachmännisch restauriert, mit Bleistift-Graffitti bespieltes Expl., berieben, fleckig, fingerfleckig, fl. rückw. V. fehlt, Gbrsp. - Signe Aspelin, (1881 - 1961), war eine schwedische Textildesignerin und Kinderbuchillustratorin. Bekannt sind auch ihre zahlreichen Postkarten, die größtenteils Axel Eliassons veröffentlichte. Versand D: 7,00 EUR Kinderbuch

      [Bookseller: Antiquariat Weinek]
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        Heinrich Kley: Frau Potiphar (Originalzeichnung)

      1910 - Feder in Tusche über Aquarell auf Papier. 42,5 x 35,5 cm. Links unten signiert. Rechts unten betitelt. Biografie: Heinrich Kley (1863 Karlsruhe - 1945 München). Nach Beendigung des Studiums an der Karlsruher Kunstschule 1885 ist Heinrich Kley darum bemüht, sich im Kunstleben seiner badischen Heimatstadt zu etablieren. Zwar erhält er immer wieder Aufträge von ortsansässigen Privatpersonen, Behörden sowie Unternehmen, engagiert sich in der lokalen Künstlerschaft und nimmt an Ausstellungen teil, doch bleiben größere Erfolge letztlich aus. Diese stellen sich erst nach 1900 ein, als das Unternehmen Krupp in Essen auf Kleys Fähigkeiten als Schilderer topographischer Sujets aufmerksam wird. Durch die Verbindung von zeichnerischer Präzision und koloristischem Feingefühl gelingt es ihm, die spezifischen atmosphärischen Stimmungen in der Welt der Gußstahlfabriken, Hüttenwerke und Schiffswerften einzufangen. Seine um impressionistische Elemente bereicherte realistische Kunstauffassung überzeugt bald auch andere große Unternehmen, so dass Kley innerhalb weniger Jahre den Ruf eines erstrangigen und vielbeschäftigten Industriemalers genießt. Der breiten Öffentlichkeit wird Kley durch die Mitarbeit an den Zeitschriften Simplicissimus und Jugend bekannt, die ihn 1909 zum Umzug nach München bewegen. Bis zum Ersten Weltkrieg veröffentlichen sie hunderte seiner humoristischen, satirischen und grotesken Federzeichnungen. Themen der Gesellschaftspolitik, des technischen Fortschritts sowie des Verhältnisses zwischen Mann und Frau erfasst er mit phantasiereichen Bildideen, psychologischem Einfühlungsvermögen und unverwechselbarer Virtuosität. Mit gleicher Könnerschaft charakterisiert er menschliche Verhaltensweisen durch Mensch-Tier-Vergleiche pointiert und unterhaltsam. Obwohl es nach dem Ersten Weltkrieg ruhig um den von Schicksalsschlägen getroffenen Künstler wird, erfahren seine Federzeichnungen eine erstaunliche Rezeption in den USA. In den späten 1930er Jahren wird Walt Disney auf sie aufmerksam und nutzt sie fortan als wichtige Inspirationsquelle für seine Zeichentrickfilme. So lebt Kleys Kunst in den Figuren von &#132;Dumbo&#147;, &#132;Fantasia&#147; und &#132;Dschungelbuch&#147; weiter und begeistert weltweit ein Millionenpublikum. [Attributes: Signed Copy]

      [Bookseller: Kunkel Fine Art]
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        [Photo Album]: British in India 1910-1912

      India. 1910-1912. A group of 45 black and white silver gelatin photographs measuring between 2.5" x 3.5" to 3.5" x 5.5," some captioned on the verso. Roughly half the images are tipped on black album pages and with the rest in mylar photo pockets, and all bradbound to a stiff cardboard sheet. The photos are near fine with some edgewear.A photo album of British expatriates in India between the years 1910 and 1912. The album begins with a group of men hunting with views of their camp and the men with the skins of tigers and lions. The men are seen in candids with Indians and posing in tents with their dogs and at an outdoor table set up for a meal. The album continues with photos of a trip to the Afghan border in a horse-drawn carriage and a wealthy woman being transported in a chair. A small photograph shows the Royal Pavilion during the Delhi Durbar, when King George V was crowned King-Emperor of India. There are images of city markets with pedicabs and rickshaws as well as snake charmers and Bazaars with fruit sellers, a dentist, and barber. Another photo shows military units competing in a "tug of war" and sack race.An interesting collection of British expatriates in India complete with hunting and travel throughout the country. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Album Antiguo de Excursion Los Andes Parque Nacional La Campana

      1910 - Album en gran formato 1910 aprox. alto 50 cm x ancho 31 cm 77 fotos

      [Bookseller: Libros del Ayer]
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        Schäffer & Budenberg - ARMATUREN.

      Magdeburg-Buckau, o.J. (um 1910), Gr.-8°, OLw., Deckel- u. Rückenprägungen; äußerl. leicht unfrisch, Vorsätze etwas fingerfleckig; Textbereich sauber, Bindung fest und intakt; Inhalt komplett, dreiseitig marmorierter Schnitt. ca. 800 S., Selten erhaltener Katalog mit ausführlichen Angaben zu den einzelnen Baumustern mit Abbildungen und Übersichten zu den Varianten. Versand D: 5,00 EUR Maschinenbau Armatur

      [Bookseller: Antiquariat partes antiquares]
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        Cendrillon]. Les Mandores. Autograph musical manuscript excerpt of a ballet divertissement from act 2 of the the composer's opera Cendrillon. Piano reduction. With an autograph note signed in Massenet's hand on a separate leaf: "Quelques mesures manuscriptes du 2e acte de "Cendrillon" (1898) Paris 3 Nov. 1910."

      - Folio (350 x 270 mm). Modern maroon morocco with marbled boards. 4 pp., notated in ink on 20-stave music paper with blindstamp of H. Lard-Esnault Ed. Bellamy sr, Paris on one side of the leaf only.A fair copy of a piano reduction of "Les Mandores" in A major, 3/4 time. Tempo: "Assez Modéré (sans lenteur)"; metronome mark: "120 = [quarter note]." Autograph note to upper left corner of p. 1: "3 ème entrée." Several erasures. Cautionary key and time signature for continuation after final double bar (D minor, 12/8 time).System breaks and pagination marked up in pencil in an unknown hand, both matching pp. 172-75 of the first edition of the piano-vocal score published in Paris by Heugel in 1899. The markup, as well as the cautionary key and time signatures at the end, allow for the conclusion that the present copy is part of the engraver's copy of the opera.All leaves guarded and with early horizontal crease; slightly browned; small stain to final blank page. In very good condition overall. "Les Mandores" is part of an extended ballet divertissement in the second act of Massenet's opera Cendrillon. It is not included in Massenet's original manuscript piano-vocal score, dated 1895 (Bibliothèque nationale de France, département Bibliothèque-musée de l'opéra, RES-563); there, the "2-ème entrée" of the divertissement ("Le Fiancés") is immediately followed by "Le Rigodon du Roy," counted as "3-ème entrée." In the first edition "Les Mandores" appears as the "3-ème entrée" (pp. 172-75) and another new movement, "La Florentine," as the "4-ème entrée" (pp. 176-79); the "Rigodon du Roy" is renumbered as the "5-ème entrée" (starting at p. 180 ).The autograph manuscript at the Bibliothèque nationale is also notated on one side of the leaf only, is on the same paper as the present manuscript, and carries engraver's marks in the same hand. System breaks and page breaks match those of the first edition; pagination, however, does not. It appears that Heugel prepared, or at least planned, an earlier edition based solely on the manuscript in the Bibliothèque nationale, but as the premiere was delayed by several years, the publisher apparently put the project on hold. In the interim, Massenet added the new entrée (and made other changes as well), necessitating changes to the pagination of the printed score. [Attributes: First Edition; Hard Cover]

      [Bookseller: J & J LUBRANO MUSIC ANTIQUARIANS LLC]
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        The Pawn

      Charles H Harmer, Cedar Rapids, IA 1910 - 2 volumes. 96 pages with diagrams; 40 pages with diagrams. Quarto (11" x 7 3/4") issued in wrappers. (Betts: 7-58) First and only publication. The Pawn was published by Charles H Harmer, fortnightly in four page issues. The publication was dedicated primarily to local chess news throughout the United States, focusing on local clubs, matches and events. The problem editor was L P Lawson and Lee Edwards assisted in annotating games. Condition: Volume one lacks numbers 2, 3 and 16. Volume two lacks number number 9, other than that complete. Some pages separated at folds, volume one number one heavily chipped at edges, all issues age toned else a good set of a vary scare publication. [Attributes: First Edition; Soft Cover]

      [Bookseller: The Book Collector, Inc. ABAA,IOBA,TxBA]
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        AFFICHE DE CYCLES : THE BEESTON HUMBER

      - Date : 1910 Dimensions : 100x140cm Imp : Affiches Humber, Paris Condition : entoilée A Affiche originale entoilée en très bon état.

      [Bookseller: Philippe Beguin Affiches et livres ancie]
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        Droschkenordnung für den Ortspolizeibezirk Berlin vom 16. Februar 1905 in fer Fassung vom 24. November 1900 bezw. 2. August 1910, Mit dem Amtlichen Wegemesser-Plan von Gross-Berlin und eimen Verzeichnia der Strassen.

      96 pp. text outlining the rules of the road for carriages in Berlin at the beginning of the 20th century, including some instructions for automobiles, index for text, fascinating fold-out map of Berlin, measuring 37 1/2" x 34 1/4", clearly listing the city's districts and street names at the time of publication, each street has colored segments representing a length of 160 meters, including an index of the street names. Some tears along a few of the map's folds, age darkening in folds. Small 8vo. 1/2 cloth and boards, covers and spine slightly rubbed. Berlin (Geographisches Institut und Landkarten-Verlag) 1910.

      [Bookseller: F.A. Bernett Books]
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        Rewards and Fairies.

      London: Macmillan and Co., 1910., 1910. FIRST EDITION. Octavo, pp.xii; 338; [10], advertisements. With illustrations by Frank Craig. Bound in publisher's red cloth, lettered in gilt to spine, with gilt 'elephant' motif to upper. Top edge gilt. In original printed dustwrapper. Internally clean, with some spotting to page edges. Cloth is exceptionally clean, but for small area of sunning (beneath a chip on the jacket), and a simple reading crease to spine. Fragile wrapper shows some wear; with chips and tears in the obvious places, spine panel age-toned. A remarkable survival- no copies in wrapper are noted as sold at auction. Short Stories and verse; includes 'The Marklake Witches', 'Simple Simon' and 'If', which was voted Britain's favourite poem. A classic collection and one of the major Kipling titles, ranking alongside The Jungle Book, Kim, Puck and Stalky. UK copies in jacket are rare. Bleiler; Checklist of Fantastic Literature [344]

      [Bookseller: Adrian Harrington Rare Books]
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        Sensitive Plant, The

      1910. Percy Byshhe Shelley's The Sensitive PlantHandsomely Bound by Riviére & Son[RIVIÉRE & SON, binders]. SHELLEY, Percy Bysshe. The Sensitive Plant? London: Robt. Rivière & Son, 1910. Square sixteenmo (5 1/16 x 3 15/16 inches; 129 x 100 mm.). 46, [2, blank] pp. Title-page and initial letters printed in red and black. Handsomely bound ca. 1910 by Riviére & Son, stamp-signed in gilt on lower turn-in. Full dark blue crushed levant morocco, covers bordered in gilt surrounding an ornate floral design stamped in gilt, each with twelve inlaid red morocco flowers, spine with five raised bands decoratively tooled and lettered in gilt in compartments, gilt board edges and turn-ins, cream paper liners and end-leaves, top edge gilt. Neat ink inscription on front free end-paper and a small gold bookplate. A fine example.Percy Bysshe Shelley, (1792-1822). In The Sensitive Plant, Shelley has separated his poem into three separate parts and a conclusion. In the first part of the poem, Shelley portrays a wondrous, beautiful garden, full of life and luminosity. Shelley uses several realistic depictions of flowers and plants to provide the reader with a detailed insight into the garden. These stanzas are full of details which helps one picture the garden that Shelley so beautifully illustrates through his words. As part one continues, Shelley introduces a contradiction into the garden, The Sensitive Plant. Unlike the other flowers, this floweret is not vivid in color or shape, and lacks the beautiful odor flowers are characterized for. Percy Shelley goes on to say in The Sensitive Plant?"For the Sensitive Plant has no bright flower;Radiance and odour are not its dower;It loves, even like Love, its deep heart is full,It desires what it has not, the Beautiful!

      [Bookseller: David Brass Rare Books, Inc.]
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        The Tale of Mrs. Tittlemouse.

      London: Frederick Warne and Co.,, 1910. Sextodecimo. Original red moiré cloth, titles to spine and front board gilt, pictorial label to front board, pictorial endpapers. Housed in a brown quarter morocco solander box. Frontispiece and 26 colour illustrations by the author. A fine copy. First edition, deluxe issue. The first two impressions are indistinguishable.

      [Bookseller: Peter Harrington]
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        The American Woods, exhibited by actual specimens and with copious explanatory text

      by the author, Lowville, N.Y. 1910 - (9 x 6 inches). Illustrations. 387 samples of wood, each wafer-thin transverse, radial and tangential sections illustrating 129 species, window-mounted in 129 card mounts. (Occasional natural cracking and warping to a few samples). Text in original wrappers, samples in card mounts unbound as issued, each text volume and accompanying samples within original brown cloth cover in matching original cloth slipcase, with metal catch and bosses to covers. Each contained in a modern brown cloth box with morocco label. Mixed edition. A representative sample of a rare and remarkable work on the woods of America. Volumes I-IV cover all the trees of New York and adjacent states, vol.V is on the trees of Florida. A contemporary reviewer called it `one of the most marvelous and instructive books ever made ' (Art Education). This remarkable work was the lifetime achievement of Romeyn B. Hough, who devoted himself to the study of American trees, and who is best known for his Handbook of Trees of the Northern States and Canada , long a standard reference work in American dendrology. In this work, Hough sought to describe the woods found in America, with a detailed description in an accompanying pamphlet, and with thin cross-sections of actual woods mounted and labeled in accompanying stiff cardboard mounts. These provide a unique record of American wood types, arranged geographically. Generally each species is shown with wood cut on traverse section, radial section, and tangential section. The samples are so thin as to be easily translucent. The age of these specimens gives them tremendous importance from an ecological standpoint, as well as their great interest to students of American furniture and woodcrafts. The trees available to Hough at the time make such an endeavor impossible to contemplate today. Parts I-IV cover New York and adjacent states, part V covers Florida, parts VI-X describe the Pacific Slope, parts XI-XII cover the Atlantic states, and part XIII southern Florida. Part XIV contained a continuation of the work on the trees of Florida with text by Marjorie Hough, using specimens and notes prepared by her father before his death in 1924. Hough explained the unique nature of the work thus: it is `illustrated by actual specimens, and being in this way an exhibition of nature itself it possesses a peculiar and great interest never found in a press-printed book. The specimens are.about 2 x 5 in. in size, and sufficiently thin to admit of examination in transmitted light.Looked at in reflected light they appear as in the board or log. These specimens are mounted in durable frame-like Bristol-board pages, with black waterproofed surfaces.and each bears printed in gilt-bronze the technical name of the species and its English, German, French and Spanish names. The pages are separable.and are accompanied with a full text.giving information as to the uses and physical properties of the woods, and distributions, habits of growth, botanical characters, habitats, medicinal properties, etc,., of the trees. The woods used for the specimens are personally collected by the author? and are sectioned and prepared by a process of his own device'. Complete sets of this work are very rare. The volumes were priced at five dollars each, a high price reflecting the work involved in assembling them. Since subscribers came and went over the 25-year period of publication and many only bought the volume or volumes on the areas that interested them. The rarity of complete sets can be judged from the fact that Stafleu and Cowan record the work as being complete in 6 volumes. Cf. BM (NH) II,p.880 (pts.1-8 only); cf. Stafleu & Cowan TL2 II, p.341. Volume I-V only (of 14), octavo [Attributes: Soft Cover]

      [Bookseller: Donald A. Heald Rare Books (ABAA)]
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        Principia Mathematica.

      Cambridge: at the University Press,, 1910. Large octavo. Original dark blue cloth, spine lettered in gilt, cream endpapers, edges sprinkled red. Minor rubbing to extremities, a couple of tiny marks to front pastedown, internally fresh. A superb copy. First edition of one of the great rarities of modern science. In this work, Whitehead and Russell attempted to construct "the whole body of mathematical doctrine by logical deduction from the basis of a small number of primitive ideas and a small number of primitive principles of logical inference" (DSB, XII, p. 14). The belief that mathematics can be derived from logic is not only one of the principal philosophical theories of the foundation of mathematics, it has also provided some of the most important results in the formal analysis of mathematical concepts (cf. Frege, Peano). This belief found its fullest expression in Principia Mathematica. Sets of the first edition have become very rare today. Vol. I was printed in 750 copies and, due to the disappointing sales, the publishers reduced the printings of Vols. II and III to 500 copies each, so that only 500 complete sets in first edition are possible. From the library of Dolf Mootham (1933-2015), with his ownership inscription pencilled to the front free endpaper. Mootham was chief financial officer of merchant bank Hill Samuel in 1977, and became the finance director of Trustee Savings Bank in 1988.

      [Bookseller: Peter Harrington]
 42.   Check availability:     Biblio     Link/Print  


        A Collection of Rare Old Chinese Porcelains collected by Sir William Bennett, K.C.V.O., purchased and exhibited by Gorer May - June 1910

      Gorer, London 1910 - First edition. Octavo. Hardcover. Very good: minor wear and spotting. 39 Pages, 14 colour plates. 124 magnificent objects described in detail. Sir William Henry Bennett, KCVO (1852 - 1931), was an eminent surgeon, of 3 Hyde Park Place, London. He was elected Fellow of several learned societies (RCS England, Royal Society of Medicine, the Zoological and Horticultural Societies). He published on surgical subjects and his appointments included Examiner in Surgery at Cambridge University, Lecturer on Anatomy and Surgery at St George's Hospital, and Surgeon-in-Chief for St John's Ambulance Brigade. For his services to sick & wounded of Boer War, he was made a KCVO in 1901. He collected paintings, furniture, Chinese porcelain (from Duveen, 1905-1906) & bronzes. The major part of his Chinese collections was sold in 1906. Gorer is said to have been instrumental in taking the best of this collection to the U.S. where it formed the nucleus of some of the finest American collections. [Attributes: First Edition; Hard Cover]

      [Bookseller: Meijering Art Books]
 43.   Check availability:     ZVAB     Link/Print  


        Kollwitz, Käthe. - "Überfahren".

      - Radierung / Vernis mou, in Schwarzbraun, auf dickem gelblichem Velin, 1910. Von Käthe Kollwitz. 24,5 x 31,3 cm (Darstellung) / 25,2 x 32,1 cm (Platte) / 42 x 50 cm (Blatt). Klipstein 104 IV a (von d). Knesebeck 104 IV a (von e). Rechts unten in Bleistift signiert. - Die Ecken rechts oben und unten mit leichten unauffälligen Stauchungen. Sonst tadelloses Exemplar. Sehr gut erhalten. Käthe Kollwitz (1867 Königsberg / Kaliningrad - 1945 Moritzburg). Deutsche Grafikerin und Bildhauerin, eine der wichtigsten Künstlerinnen des 20. Jh. 1881-86 Unterricht in Königsberg bei dem Maler Gustav Naujok und dem Kupferstecher Rudolf Mauer, 1987 bei dem Maler Emil Neide. 1888-90 Studium an der Münchner Künstlerinnenschule bei Ludwig Herterich. 1891 Umzug nach Berlin, wo ihr 1898 der künstlerische Durchbruch gelingt. 1898-1903 Lehrauftrag an der Berliner Künstlerinnenschule für Radieren und Zeichnen. 1901-13 Mitglied der 'Berliner Secession'. 1907 Villa-Romana-Preis und Reise nach Florenz. 1913 wechselt sie zur 'Freien Secession'. 1913-23 Mitbegründerin und erste Vorsitzende des Frauenkunstverbandes. 1919 als erste Frau Mitglied der Preußischen Akademie der Künste; Ernennung zur Professorin. 1929 Orden 'Pour le Mérite' für Wissenschaften und Künste. 1933 von den Nationalsozialisten erzwungener Austritt aus der Preußischen Akademie der Künste. Ab 1935 inoffizielles Ausstellungsverbot. 1943 wird ihre Wohnung in Berlin bei einem Bombenangriff zerstört. 1944 zog sie auf Einladung von Prinz Ernst Heinrich von Sachsen nach Moritzburg, wo sie wenige Tage vor Kriegsende starb. [Attributes: Signed Copy]

      [Bookseller: GALERIE HIMMEL]
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        Album Verband eidg. Post, -Telegraphen- und Zoll-Angestellten Sektion Zürich. 14 Bl. mit 14 montierten s/w. Fotografien (21,3x31,5 cm).

      1910 - (Um 1910). 32,5x44 cm. Ln. mit goldepr. Deckeltitel und montiertem farb. Deckelbild. Mit gedruckten Namen der abgebildeten Personen im unteren Seitenrand. Ln. mit goldepr. Deckeltitel und montiertem farb. Deckelbild. [Attributes: Hard Cover]

      [Bookseller: Biblion Antiquariat]
 45.   Check availability:     ZVAB     Link/Print  

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