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Displayed below are some selected recent viaLibri matches for books published in 1903

        Village Press] PRINTING: AN ESSAY . FROM "ARTS & CRAFTS ESSAYS BY MEMBERS OF THE ARTS AND CRAFTS EXHIBITION SOCIETY

      Frederick W. Goudy and Will H. Ransom at the Village Press 1903 - [6], 16, [6]. Bound as issued in paper over boards and titled in red on the upper cover. Printed in black with red title in the Village type with ornamental 11-line opening initial. This copy has the press's first printer's mark below the colophon apparently omitted in a portion of this edition. The first book issued by Frederick and Bertha Goudy's Village Press and the first in its proprietary Village type. Ransom remarks that this choice "was both a gesture of acknowledgment to those two pioneers and a sort of credo, an indirect statement of the aims and ideals upon which the press was founded." Goudy was among the most important and prolific American type designers. The volumes issued from the Village Press show he was a capable book designer with a nod to William Morris (as almost all American private presses made in the first decade of the century) but with a somewhat more modern sensibility in type design. Light rubbing to the binding, particularly the spine; a bit of offsetting at the inner margin of the front pastedown; this first issue from the press is quite uncommon. Ransom 1, Cary 1. [Attributes: First Edition; Hard Cover]

      [Bookseller: Michael Pyron, Bookseller]
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        LE FIALE -EDICION ORIGINAL, FIRENSE, 1903. CUBIERTAS ORIGINALES CON UN SELLO MONTADO DE "POESIA" ORGANO DEL FUTURISMO-.

      FLORENCIA. FRANCESCO LUMACHI. 1903. 1ª EDICION. RUSTICA. ENCUADERNACION ORIGINAL. SALVO PERDIDA DE FRAGMENTO EN PLANO ANTERIOR, MAGNIFICO EJEMPLAR. 223 Págs. EN 4º. (REF.CAD). (ITALIA, POESIA) - FLORENCIA. FRANCESCO LUMACHI. 1903. 1ª EDICION. RUSTICA. ENCUADERNACION ORIGINAL. SALVO PERDIDA DE FRAGMENTO EN PLANO ANTERIOR, MAGNIFICO EJEMPLAR. 223 Págs. EN 4º. (REF.CAD). (ITALIA, POESIA) 0.0 0.0 [Attributes: First Edition; Soft Cover]

      [Bookseller: Librería balsemana]
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        THE DYNASTS (All 3 Volumes in Original Dust Jackets, EARLIEST ISSUE with integral 1903 Title Page in Volume One)

      Macmillan 1903 - Hardy, Thomas. THE DYNASTS: A Drama of the Napoleonic Wars, In Three Parts, Nineteen Acts, & One Hundred and Thirty Scenes. London: Macmillan, 1903-1906-1908. Three volumes. First Edition in publisher's original green cloth. First issue of Volume One (1903 title page integral, only 103 copies at most printed, expert repair to front inner hinge), first British issue of Volume Two (title page a cancel as found in all British first editions; some 1905 titles were found among the American issue), First Issue of Volume Three. Very Good copies (a little worn at the edges) in Very Good examples of ALL THREE ORIGINAL DUST JACKETS (some light restoration to corners and spines). Very rare in the original dust jackets and as nice a set of the first issue as we've seen. Hardy's interest in The Napoleonic Wars was most famously expressed in his 1880 novel THE TRUMPET MAJOR but also found expression in his poetry and here in his Magnum Opus, THE DYNASTS, which took him several decades of hard work to bring to fruition. THE DYNASTS is little read today but contains the best and most complete insight into of Hardy's world-view (as hinted at in the last line of TESS OF THE D'URBERVILLES when he invokes The President Of The Immortals as having finished his sport with Tess). Bookplate of distinguished previous owner on front paste-down all three volumes. Purdy pp. 119-135. [Attributes: First Edition; Hard Cover]

      [Bookseller: Lakin & Marley Rare Books ABAA]
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        Bacon [The Essays of Bacon]

      London: Arthur L. Humphreys, 1903. 8vo. Contemporary Arts and Craft binding of full tan morocco, covers tooled in gilt with wide floral border surrounding central panel of dots grouped in threes, spine with raised bands and six compartments, lettered in one, the rest gilt with floral tools, a.e.g., signed in gilt on rear turn-in "19 E.W. 04." Light wear to spine ends and corners. An Arts and Craft binding by one E.W., who is perhaps the American Ellen Woolrich. She exhibited her bindings in the 1903 Arts & Craft Exhibition Society show (cf. Tidcombe, Women Bookbinders, p. 173).

      [Bookseller: James Cummins Bookseller]
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        Autograph letter signed in full to Hans Volkmann

      . 2 pp. of a bifolium. Octavo. Dresden, February 3, 1903. In black ink on stationery with watermark "Extra Superfine." In German (with translation). Draeseke thanks the musicologist Hans Volkmann belatedly for sending him a copy of his new book on the composer Robert Volkmann (1815-1883): "... I learned of your address [only] yesterday through my old friend, Geheimer Hofrat Stern. Perhaps it will be of interest to you that, while living in Lausanne, I have energetically championed [Robert Volkmann's Piano] trio in B-flat minor... [I wish] your book, devoted to the memory of such an excellent musician, the widest possible dissemination..." Slightly creased at upper edge.. "Early in his career Draeseke was among the most original of the composers associated with the New German school of Wagner and Liszt, but by the time of this essay [Die Konfusion in der Musik, 1906] he had become more conservative in style. He developed a distinct approach to harmony, and an idiosyncratic handling of voice leading..." Alan H. Krueck in Grove online Robert Volkmann's Piano Trio in B-flat minor, op. 5 (1850), mentioned in the letter "was championed by Liszt, to whom it was dedicated, and admired by Bülow and Wagner." Thomas M. Brawley in Grove online Hans Volkmann's monograph on his great uncle Robert is considered to be one of his most significant works. Adolf Stern (1835-1907) was a poet and literary historian.

      [Bookseller: J & J Lubrano Music Antiquarians LLC]
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        Meisterwerke der deutschen Glasmalerei 100 Tafeln

      Baumgärtner's Buchhandlung Leipzig, 1903,. 116 S., 100 Tafeln in Lichtdruck nebst einem Begleitwort von Franz Sales Meyer, Professor an der Großherzogl. Kunstgewerbeschule Karlsruhe, herausgegeben vom Badischen Kunstgewerbe-Verein aus Anlaß der im Jahre 1901 stattgefundenen Glasmalereiausstellung zu Karlsruhe, 32 x 42 cm, Mappe staubig, Tafeln in Ordnung (1 Tafel mit einem kleinen Klebestreifen an der Rückseite).

      [Bookseller: Versandhandel für Sammler]
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        Sanctuary

      Macmillan & Co, 1903. Hardcover. Good/No Dustjacket. 1903. 210 pages. No dust jacket. Red cloth with gilt lettering. Reading copy only. Clean pages. Moderate foxing and tanning to endpapers and page edges. Previous owner's inscription on front paste down, but partly worn off. Front endpaper missing. Pages 209, 210, & following pages, are detached. Many internal hinge cracks. Front hinge cracked. Small black ink stain to fore-edge. Moderate wear and bumping to spine, edges and corners. Spine mildly sunned. Cup marks to front board.

      [Bookseller: The World of Rare Books]
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        Eisenbahnsignal-Bauanstalt Max Jüdel & Co, Akt.Ges. Braunschweig ( begründet im Jahr 1871 ): Einzel-Konstruktionen der Weichen- und Signal-Stellerei. Ausgabe 1903.

      Braunschweig 1903 - ( Zum eigenen Gebrauch überreicht an Königl. Bahnmeisterei.,Itzehoe ) Mit 1 Lichtdrucktafel der Eisenbahnsignal-Bauanstalt Max Jüdel, 3 n.n. Blättern ( Vorwort und Inhaltsverzeichnis ) sowie zusammen 113 Tafeln auf denen dargestellt sind: " Signalstellblöcke, Kurbelwerke, Stellwerke, Gestängeleitungen, Drahtzug-Ablenkungen und -führungen, Drahtzugspannwerke, Weichen-Spitzenverschlüsse und -antriebe, Weichen-Verriegelungen, Weichensignale, Kontrollschlösser, Entgleisungsweiche und Gleissperre, Sperr- und Fühlschienen, Schienenkontakte, Armsignale, Scheiben- und Kastensignale, Signalständer und Signalbrücken, Schranken. " Oln, Kleinfolio ( 34 x 24 cm ). Aus dem Vorwort: " In dem vorliegenden Tafelwerk bieten wir eine Zusammenstellung unserer wichtigsten Konstruktionen auf dem Gebiet der Weichen- und Signalstellerei." Einband leicht fleckig, Ecken und Kanten gering berieben, Rücken beschädigt ( 1 kleines Loch ). Bindung leicht beschädigt, Buchblock gelockert. Vorsätze etwas fleckig. Vorn inliegend ein Widmungsblatt, das im Vorwort angekündigte Erläuterungsheft zu den Tafeln ist hier nicht beiliegend. ( Gewicht 1700 Gramm ) - sehr selten - ( Pic erhältlich / webimage available ) [Attributes: Hard Cover]

      [Bookseller: Antiquariat Friederichsen]
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        Typhoon And Other Stories.

      London, William Heinemann, 1903 - London, William Heinemann, 1903, first edition. Limited to 1,500 copies with the publisher's windmill on the title page and without the words "Reserved for Colonies" on the verso of the title page, it followed the American edition of 1902, but it adds three other stories, Amy Foster, Falk, and To-Morrow, Conrad's final revisions were not included in the American edition, but they are included here, these additional stories appear for the first time, the book was not intended for distribution to the United States, original charcoal slate cloth with title, author, publisher, and life preserver illustration in gilt, includes 32 pages of ads at the end which appears in some copies, but not all, Cagle's binding A with only the top edge trimmed and with 110 mm between "Conrad" and "Heinemann" on the spine, Cagle A8b(1), Smith 9, Keating 42. Very good. [Attributes: First Edition; Hard Cover]

      [Bookseller: James M. Dourgarian, Bookman ABAA]
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        L'immunité dans les maladies infectieuses [title in Russian]

      St. Petersburg, 1903. First edition in Russian. Text in Russian, translated from the original French. 1 vols. 8vo. Original wrapper spine and rear cover present, front wrapper perished. Inscribed Classic of Immunology First Russian edition of a classic of immunology, for which the author won a Nobel Prize in 1908, sharing it with Paul Ehrlich. This copy is inscribed (in Russian): "To Joseph Mankovich Krauzman in fond remembrance from Elia M. Paris 1903."According to the DSB, Metchnikoff, while in Paris in 1900, "began to write a large and comprehensive book, L'immunité dans les maladies infectieuses (1901). This book was a magnificent review of the entire field of both comparative and human immunology. The work was also, of course, a defense of the theory of phagocytosis, which the humoral theory of immunity seriously challenged. The work of the German bacteriologists, especially Emil Behring, Paul Ehrlich, and Robert Koch, which led to discovery of many new bacteria, toxins, and antitoxins, strengthened the beliefs of those who held to a noncellular theory of immunity ... In 1908 Metchnikoff and Ehrlich shared the Nobel Prize for their researches illuminating the understanding of immunity ... "

      [Bookseller: James Cummins Bookseller ]
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        Wilhelm von Humboldts Gesammelte Schriften, 15 Bände in 18 Büchern, Vollständig.

      B. Behr's Verlag, Berlin 1903/ 1920. Halbleder/ Hartkarton Sehr Ordentlich. VOLLSTÄNDIGE ORIGINALAUSGABE. Gemusterte Hartkarton-Einbände , Lederecken, goldgeprägte Lederrücken mit Titelei/ Scheinbünde, alle solide und ordentlich, klare lateinische Schrift. ERSTER BAND (Erste Abteilung, Werke I) 1903, hrsg.von Albert Leitzmann .Werke 1785-1795. 438 Seiten. ZWEITER BAND (Erste Abteilung, Werke II ) 1904, hrsg.von Albert Leitzmann. Werke 1796-1799, 407 Seiten. DRITTER BAND (Erste Abteilung, Werke III) 1904, hrsg.von Albert Leitzmann. Werke 1799-1818,378 Seiten. VIERTER BAND: (Erste Abteilung, Werke IV) 1905, hrsg.von Albert Leitzmann. Werke 1820-1822, 441 Seiten. FÜNFTER BAND (Erste Abteilung, Werke V) 1906, hrsg.von Albert Leitzmann. Werke 1823-1826, 481 Seiten. SECHSTER BAND/ VI.1: (Erste Abteilung, Werke VI, Erste Hälfte) 1907, hrsg.von Albert Leitzmann. Werke 1827-1835, 334 Seiten. SECHSTER BAND/ VI.2 (Erste Abteilung, Werke VI, Zweite Hälfte) 1907, hrsg.von Albert Leitzmann. Werke 1827-1835, paginiert von Seite 338 bis 613. Kleine Läsur am Kapital. SIEBTER BAND/ VII.1: (Erste Abteilung, Werke VII, Erste Hälfte): Einleitung zu Kawiwerk. 1907, hrsg.von Albert Leitzmann, 351 Seiten. SIEBTER BAND/ VII.2: (Erste Abteilung, Werke VII, Zweite Hälfte) : Paralipomena.1908, hrsg.von Albert Leitzmann, paginiert von Seite 356 bis 678, inkl .Namenregister. Rücken mit leichten Abriebspuren. ACHTER BAND ((Erste Abteilung, Werke VIII): Übersetzungen. 1909, hrsg.von Albert Leitzmann, 272 Seiten. Rücken mit leichten Abriebspuren. NEUNTER BAND ((Erste Abteilung, Werke IX) Gedichte. 1912, hrsg.von Albert Leitzmann, 457 Seiten, Rücken mit leichten Abriebspuren. ZEHNTER BAND ( Zweite Abteilung . Politische Denkschriften I) 1903 . Erster Band 1802-1810, hrsg.von Bruno Gebhardt, VI, 302 Seiten. ELFTER BAND ( Zweite Abteilung . Politische Denkschriften II) 1903 .Zweiter Band 1810-1813, hrsg.von Bruno Gebhardt, 331 Seiten. ZWÖLFTER BAND/ XII.1 ( Zweite Abteilung . Politische Denkschriften III. 1.Hälfte) 1904. Dritter Band 1815-1834. 1.Hälfte hrsg.von Bruno Gebhardt, 306 Seiten. ZWÖLFTER BAND/ XII.2 ( Zweite Abteilung . Politische Denkschriften III. 2.Hälfte) 1904. Dritter Band 1815-1834, 2.Hälfte hrsg.von Bruno Gebhardt, paginiert von Seite 307 bis 606. DREIZEHNTER BAND ( Erste Abteilung, Werke XIII). 1920. Nachträge hrsg.von Albert Leitzmann ,Mitwirkung von S.Kähler und E.Spranger. 319 Seiten. Leicht unterschiedliche Rückenbindung, jedoch hübsch und solide. Goldgeprägte Adelswappen auf Frontdeckel. VIERZEHNTER BAND (Dritte Abteilung: Tagebücher I.) 1916, erster Band 1788-1798 hrsg.von Albert Leitzmann, 644 Seiten. FÜNFZEHNTER BAND: (Dritte Abteilung: Tagebücher II.) 1918, zweiter Band 1799-1835, hrsg.von Albert Leitzmann, 585 Seiten inkl.Namenregister. Zugefügt: Grosser Zeitungsartikel aus 1935, zu W.v.Humboldt. +++ Eine vollständige Ausgabe in durchaus gutem Zustand. +++ 16 x 24,5 Cm, 19 kg. VERSAND IN 2 PAKETEN.

      [Bookseller: Antiquariat Clement]
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        The Last of the Great Scouts: The Life Story of Col William F Cody 'Buffalo Bill'

      London: The Partington Advertising Company 1903. Presentation copy signed by the author 'Buffalo Bill' Cody, with an original photo and an extra signature tipped in. xiv, 296 pp. Publisher's red boards with decorative device and lettering to front cover and spine. Boards marked and spine worn and chipped along joints and at head & foot. Generally edgeworn. Fore-edge spotted. Long tear to ffep at hinge. Frontis portrait and 10 additional illustrations. Early bookplate to front pastedown. Signed on the half title: 'With the compliments of the subject W. F. Cody "Buffalo Bill," To the Lady Mayoress 1903.' With an original photo of Buffalo Bill tipped into the verso of the first blank and below also tipped in an extra signature and inscription torn from a card end. Buffalo Bill's Wild West toured throughout Great Britain during the 1902-03 European tour. A Good copy of a unique presentation copy with signature and photo. . Good. Hardback. New Edition. 1903. 8vo..

      [Bookseller: Fosters' Bookshop]
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        Ansicht von Notre-Dame de Paris mit Seine.

      - Aquarell, Feder und Pinsel in Schwarz, auf chamoisfarbenem Velin, links unten signiert und datiert „D. Matzel-Joh. 25.". Ca. 28,6:20,9 cm. Knickfalte Ecke rechts oben geglättet. Die früh verstorbene Malerin und Graphikerin Dorothea Maetzel-Johannsen erlitt durch eine Gelenkrheumatismus-Erkrankung als Kind ein Herzleiden. 1903-1907 bildete sie sich an der Gewerbeschule Hamburg mit dem Abschluß als Zeichenlehrerin aus. Anschließend war sie an der Städtischen Mädchenschule in Schleswig tätig. 1910 heiratete sie den Architekten, Maler und Graphiker E. Maetzel (1877-1955). In den folgenden Jahren hielt sie sich wiederholt in Berlin auf. Dort 1918 kurze Ausbildung bei L. Corinth (1858-1924) und Umzug nach Hamburg, wo sie sich gemeinsam mit ihrem Mann an der Gründung der Hamburgischen Sezession beteiligte. 1923 erhielt sie durch Gustav Pauli, dem Direktor der Hamburger Kunsthalle, den Auftrag, vier große Wandbilder für den Vorraum zum großen Vortragssaal der Kunsthalle zu gestalten. 1925 fast halbjährige Reise nach Paris und Chartres sowie 1929 nach Kassel, wo sie sich durch die Behandlung bei einem Arzt eine Besserung ihres Herzleidens versprach, und September 1929 Visby auf Gotland. Jedoch verstarb sie nur wenige Monate später im Alter von erst 44 Jahren an Herzschwäche. Ihre Hauptthemen waren Landschaften, Akte, figürliche Darstellungen und Stilleben. Stilistisch war sie dem Expressionismus verpflichtet, darüber hinaus hatten P. Cézanne (1839-1906), die Fauvisten und Kubisten, auch O. Redon (1840-1916) Vorbildcharakter.

      [Bookseller: Galerie Joseph Fach GmbH]
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        The Zoological Gardens of Europe: Their history and chief Features

      F. E. Robinson & Co., 1903. Hardcover. Good. Hardcover. Sound & good copy, light to moderate rubbing/edgewear to boards, mild bumping at corners. Some fading due to the age.

      [Bookseller: The Book Women]
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        The Call of the Wild

      MacMillan Company 1903 - MacMillan Company, New York 1903.First Edition / First Printing. Stated Published July 1903, no additional printings. Top edge gold gilt. Illustrated cloth boards. Illustrated with all plates present. Rare Book. Book Condition: Very Good, shelf wear, rubbing, light spots. Endpaper hinged, age toning, note in pen at the endpaper. [Attributes: First Edition; Hard Cover]

      [Bookseller: 1st Editions and Antiquarian Books]
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        Moderne Farbige Reclame Schriften [und] Arangements: Unter Besonderer Berucksichtigung D. Farbenstimmung Entworfen & Theils in Der Praxis Ausgefuhrt Im Atelier Fur Decorationsmalerei

      Karl W. Schilling, Heilborn 1903 - Undated [1903]. In German. Exceptional collection of full color Art Nouveau advertising plus examples of Art Nouveau alphabets and embellishments. Fifty-five plates in a printed light brown hardcover portfolio (13.5" tall) with black cloth spine, plus a full color advertising leaflet for this book and four page publisher's advertisement leaflet. The first 30 plates are full color advertising designs; the remaining 25 are alphabets or words in decorative Art Nouveau borders and other embellishments, printed in dark green, dark blue or dark red. All plates are printed on one side only. The covers have some edgewear and light fraying to the spine ends, plates are very clean with only a few affected by some very light foxing, plate 18 has closed tear to upper margin, printed area not affected. [Attributes: First Edition; Hard Cover]

      [Bookseller: Resource Books, LLC]
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        Autograph letter signed "E. Granados" to the French music publisher Bellon

      1-1/4 pp. Octavo. Dated Barcelona, November 30, 1903. In black ink. On stationery with "Academia Granados" printed at head. In French (with translation). Granados grants Bellon the exclusive rights to his works in France. In a postscript he also mentions "Pablo" – almost certainly the noted cellist Pablo Casals (1876-1973). "I have spoken with my editors and they agreed to cede to you the exclusive rights of my works for all of France. I very much wish to see Paris again, and I will do so with the greatest pleasure on that occasion. One day or another I will travel there for nothing more than my own pleasure, and I assure you I will bear that expense without regret... You told me that Pablo would return the 25th – In a letter Pablo tells me that he will be there the 7th. I will certainly tell you of his return..." Slightly worn; creased at folds. . Catalan pianist and composer Enrique Granados "appeared frequently in recitals, concerto performances and chamber music alongside such prominent figures as Thibaud, Saint-Saëns and Casals, a personal friend, for whom he composed several pieces. He became well known for his impromptu improvisations... GranadosÂ’s musical language is rooted in mainstream European traditions, frequently blended with elements derived from traditional Spanish (and less often Catalan) folk music... [His] foremost strength was undoubtedly his melodic gift, which can be best appreciated in his songs and piano works... Granados made a significant contribution to the development of a national Spanish school and, though he is often considered more conservative than Albéniz or Falla, the degree to which native elements inform his music should not be underestimated... " Mark Larrad in Grove online Jean-Bénédikt Bellon (1867-1914) was adtive as a music publisher from ca. 1902-07. Letters of Granados are rare; this is a rather significant example.

      [Bookseller: J & J Lubrano Music Antiquarians LLC]
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        M. Gor'kii. Rasskazy "Mal'va" T. III-II [Cyrillic Micrographic script portrait of Maxim Gorky]

      NP, Kiev 1903 - Folio. Size approx. 28 x 20 inches (50 x 70 cm). Rare micrographic portrait of Maxim Gorky composed from the letters of his short story Malva. The portrait was engraved by S. B. Khazin based on a photograph of the famous Russian author taken in Nizhny Novgorod by the Russian photographer Maxim Petrovich Dmitriev and printed by S. V. Kul'zhenko. Portrait passed by the censor in Kiev, 23 February 1903. The technique of portraiture using words and letters appears in Russia in 1900 with Khazin's portrait of Count Leo Tolstoy which used 4700 characters to form the work. His second portrait in this style was the present work, that of Gorky, which used the approximately 82,000 characters of the story to form the hair, clothing, and chair on which Gorky is sitting. Though Malva was first published in 1897, Khazin used the latest edition which appeared in 1903 as the second piece in the third volume of Gorky's story, as identified in the title. Little is known of Khazin except that he was mostly likely born near the town of Yarysheva Mogilev-Podolsk in the Ukraine, and that he had his portraits printed in Kiev. His technique consisted of using a well-known photograph, leaving the face untouched but washing away everything else except for an outline of the original. He then drew the portrait using the handwritten text, with the individual letters usually less than a millimeter in height, all of which needed to be engraved in mirror image so that it could be read once the print was struck. Not found in OCLC or any major European libraries. There is a copy at Centraljnaya Gorodskaya Biblioteka im. A.M. Gorjkogo, Krasnoyarsk, Russia. Sporadic and minor closed tears along edges (not affecting portrait). Moderate age-toning along edges (not affecting image). Print in overall very good condition. [Attributes: First Edition; Hard Cover]

      [Bookseller: ERIC CHAIM KLINE, BOOKSELLER (ABAA ILAB)]
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        Autograph letter signed "E. Granados" to the French music publisher Bellon

      . 1-1/4 pp. Octavo. Dated Barcelona, November 30, 1903. In black ink. On stationery with "Academia Granados" printed at head. In French (with translation). Granados grants Bellon the exclusive rights to his works in France. In a postscript he also mentions "Pablo" - almost certainly the noted cellist Pablo Casals (1876-1973). "I have spoken with my editors and they agreed to cede to you the exclusive rights of my works for all of France. I very much wish to see Paris again, and I will do so with the greatest pleasure on that occasion. One day or another I will travel there for nothing more than my own pleasure, and I assure you I will bear that expense without regret... You told me that Pablo would return the 25th - In a letter Pablo tells me that he will be there the 7th. I will certainly tell you of his return..." Slightly worn; creased at folds.. Catalan pianist and composer Enrique Granados "appeared frequently in recitals, concerto performances and chamber music alongside such prominent figures as Thibaud, Saint-Saens and Casals, a personal friend, for whom he composed several pieces. He became well known for his impromptu improvisations... Granados's musical language is rooted in mainstream European traditions, frequently blended with elements derived from traditional Spanish (and less often Catalan) folk music... [His] foremost strength was undoubtedly his melodic gift, which can be best appreciated in his songs and piano works... Granados made a significant contribution to the development of a national Spanish school and, though he is often considered more conservative than Albeniz or Falla, the degree to which native elements inform his music should not be underestimated... " Mark Larrad in Grove online Jean-Benedikt Bellon (1867-1914) was adtive as a music publisher from ca. 1902-07. Letters of Granados are rare; this is a rather significant example.

      [Bookseller: J & J Lubrano Music Antiquarians LLC]
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        Andrew and Nathaniel Plimer: Miniature Painters--Their Lives and Their Works

      London: George Bell and Sons, 1903. A magnificent production: sumptuously and beautifully bound in a contemporary-to-the-period, full olive-green morocco by Morrell binders (signed on the front pastedown), a one-time subsidiary of legendary London booksellers, Henry Sotheran Ltd. (founded in 1761). Intricate gilt-lattice to panels and spine, 5 raised bands, gilt-tooled compartments. Clean and bright and very well-preserved, a solid, VG+ to Near Fine copy. Very light wear along the outer hinges, light sunning to the front panel and spine. A very small limitation: 1 of only 75 copies (#37) with the 30 tissue-guarded, handcolored plates. All miniatures in lovely, Fine condition. Internally immaculate as well, with bright white paper and no writing or markings of any kind. Thick, tall quarto, 163 pgs., top-edge gilt. Also including attractive gilt-decorated, leather-bordered pastedowns, which contain original, large tipped-in photographs. The young soldier in the photograph to the front pastedown is likely Anton Schutz, the former owner of this copy and the founder and publisher of New York Graphic Society, and the beautiful woman in the photograph to the rear pastedown is likely his young bride. . First Edition. Full-Leather. Collectible; Fine.

      [Bookseller: Appledore Books, ABAA]
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        The Genius of Turner, R. A

      London, Paris & New York: Offices of the 'Studio',, 1903. Quarto (285 x 205 mm). Contemporary fine binding in brown full morocco by Cedric Chivers of Bath with hand-painted vellum vignette to the front board, Art Nouveau decoration in gilt incorporating Tudor roses and hearts to front board and spine, bevelled boards ruled in gilt, turn-ins gilt with roses at corners, top edge gilt, marbled endpapers. Colour frontispiece and 15 other colour plates, 130 black and white illustrations, facsimile letter and portrait of the artist. Extremities a little worn, a few minor nicks and stains to boards, foxing to edges of free endpapers and sporadically to contents. A very good copy. First edition, first impression, of this special issue of The Studio Magazine, handsomely bound by Cedric Chivers.

      [Bookseller: Peter Harrington]
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        The Novels and Stories of Ivan Turgenieff with an Introductory Essay By Henry James

      Charles Scribner's Sons, New York 1903 - Complete in 16 volumes, half-bound in brown calf, with gilt lettering and decoration to spines, with frontispiece portraits. Size: 8vo [Attributes: Hard Cover]

      [Bookseller: Henry Pordes Books Ltd]
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        The Decameron

      A.H. Bullen, 1903, Hardcover, Book Condition: Very Good, Dust Jacket Condition: No Jacketfirst edition in this format. complete 2 volume set with all plates as called for . further there is a folder containing a further 8 plates. the folder is very worn and has been repaired. the plates are all in very good condition.the boards of the 2 volumes are lightly worn. there are no inscriptions in the books and the binding is excellent. some light foxing and age related marks. Quantity Available: 1. Inventory No: 77fg.

      [Bookseller: Chapter 1 Books]
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        The Institutes of Cape Law : being a compendium of the common law, decided cases, and statute law of the colony of the Cape of Good Hope. Book 1: the law of persons ; Book 2: the law of things.

      J.C. Juta, 1903, Hardcover, Book Condition: Very Good, Dust Jacket Condition: No Jacket, 1st Editionrare 2 volume set. original pressed boards with gold gilt on the spines. the boards are a little worn and marked. volume 1 bound in green cloth, volume 2 in red. the spine on volume 2 is faded to pink. both volumes have a previous owner's stamp mark. a few light pencil annotations which can be easily rubbed out but may be of interest. the binding is very good. Quantity Available: 1. Category: Law; Inventory No: 88fa.

      [Bookseller: Chapter 1 Books]
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        The Romance of Tristan and Iseult

      London: George Allen 1903. [5] 137, [4] pp., Illustrated with beautiful full colour plates by Robert Engels. Numbered edition of 300 copies (no.229). Lovely bottle green half morocco over green cloth boards by Riviere. AEG. Minor fading to leather, subtle fading to cloth. Wonderful itrem. . Near Fine. Half Morocco. Limited Edition. 1903. 4to..

      [Bookseller: Stephen Foster Books]
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        THE AMBASSADORS

      1903. A Novel. New York and London: Harper & Brothers, 1903. Original light blue boards, with fabric dust jacket. First American Edition of the novel in which a rich Massachusetts widow sends various "ambassadors" (an admirer, a daughter, etc.) to France to bring back her son from what she presumes is an undesirable liaison. This was considered by James himself to be "quite the best, 'all round,' of my productions." In preparing this edition, Harper made an error that became the accepted norm for this novel, undiscovered for almost half a century: chapters 28 and 29 were mistakenly reversed in order (into chronological sequence, wiping out James's intended flashback effect).~This volume is fine, without wear or soil; the fabric dust jacket is near-fine, essentially without wear but with a few small spots of soil. Supino 58.6.0; Edel & Laurence A58b; Modern Library 100 #27; a Connolly Modern Movement selection.

      [Bookseller: Sumner & Stillman]
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        THE SCOURGE OF THE GULPH [wrapper title]

      London: Elkin Mathews, [1903].. Small octavo. Stiff pale blue wrappers, with handcolored pictorial vignette. Illustrated by the author. Fine. First edition, ordinary issue, of "One of Jack B. Yeats's Plays for the Miniature Stage." This issue was published at one shilling; for five shillings, one could buy a copy colored throughout by Yeats. This copy has the laid in portrait of Robert Louis Stevenson by William Strang, which usually accompanied those copies issued together with JAMES FLAUNTY ...[1901] in a special envelope. COLBECK II:955.

      [Bookseller: William Reese Company - Literature ABAA-]
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        La montagne a travers les ages. Role joue par elle, facon dont elle a ete vue. En 2 volumes.

      Grenoble, H. Falque et F. Perri, Librairie Dauphinoise & Moutiers, Francois Ducloz, Librairie Savoyarde, 1903-1904,. in-4°, XV + 559 p. / 4 ff. + 494 p.+ 1 ff., richement illustre d'au total 657 illustrations d'apres les documents anciens et modernes, qqs-unes en couleurs, reliures en demi-cuir noir, dos a quatre nerfs orne or, tres bel exemplaire de ce classique.. Edition originale. Un des 2400 exemplaires num. N° 1261. Bel exemplaire. Riche documentation illustree sur la montagne presque exclusivement de l'Europe centralle: les Alpes. Avec des chapitres, bien entendu tous concernant la montagne: Volume 1) Des temps antiques a la fin du dix-huitieme siecle: L'antiquite. / Role et physionomie dans la societe feodale. / Traverseurs et ascensionnistes au Moyen Age. / La fiction au Moyen Age: legendes, superstitions, croyances. / Decouverte, celebree, portraituree a partir de la Renaissance. / La conquete au 16e siecle. / La reaction ouverte contre la montagne au 17e siecle. / Glorifiee entrant dans l'intellect de la societe au 18e siecle. / Devant l'art et les artistes du 18e siecle. / La conquete au 18e siecle par les excursionnistes et les savants.Volume 2) La montagne aujourd'hui: La pensee litteraire du 19e siecle. / L'estampe et l'imagerie du 19e siecle. / Nouvelles routes alpestres et excursionnistes au commencement du 19e siecle. / Le romantisme: Mont-Blanc et Pyrenees. / Le developpement de l'alpinisme. / L'alpinisme devenant une des caracteristiques de la societe moderne. / Mise en exploitation. / La caricature. / Au 20e siecle. / La publicite commerciale. / Militaire - son role dans l'histoire de l'humanite."Le plus beau livre jamais consacre a la montagne, le plus documente, le plus recherche de tous ceux qui s'interessent a l'histoire de l'alpinisme". Ce monumental ouvrage sur la montagne constitue une reference indispensable, remarquablement imprime par Ducloz a Moutiers. Tres recherche. (Perret).Please notify before visiting to see a book. Prices are excl. VAT/TVA (only Switzerland) & postage. Perret 2031.

      [Bookseller: Harteveld Rare Books Ltd.]
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        Das Deutsche Schutzgebiet Samoa; allgemeines Auskunfts- und Adressbuch, herausgegeben im Auftrage und mit Unterstützung des Kaiserlichen Gouvernements zu Apia.

      Apia Veralg von A. Luebke, 1903.. Original-Halbleinwand, 8°, 60 Seiten. Auf dem leeren Notizblatt zwischen Adress- und Anzeigenteil Anmerkungen von alter Hand in Bleistift, gutes, sauberes Exemplar..

      [Bookseller: Afrika- und Kolonialantiquariat Welwitsc]
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        [Works]. Author's Edition. Complete in 12 volumes

      London: Smith, Elder & Co. 1903. Signed limited edition. This is copy no. 272 of an edition limited to 1,000 copies signed by the author Arthur Conan Doyle. Complete in 12 volumes. Author's edition. This is the first issue with the 1903 Smith Elder title page. Bound in recent half brown morocco over brown cloth. Five raised bands to spines with maroon leather title labels and gilt decorations. Top edge gilt. Marbled endpapers. Signature leaf bound into first volume after first blank. Captioned tissue-guarded frontis and one additional illustration to each volume. A few light scratches to several boards. Very occasional light foxing. Signature leaf slightly browned but ink signature clear and dark. Titles include: The White Company; The Great Shadow and Uncle Bernac; Micah Clarke; A Study in Scarlet and The Sign of Four; Rodney Stone; Adventures of Sherlock Holmes; The Memoirs of Sherlock Holmes; A Duet, With an Occasional Chorus; The Exploits of Brigadier Gerard; Tragedy of the Korosko and the Green Flag; The Stark-Munro Letters and Round the Red Lamp and The Refugees. Green and Gibson A60. A Near Fine set. . Near Fine. Half Morocco. Signed Limited Edition. 1903. 8vo..

      [Bookseller: Stephen Foster Books]
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        Treatyse of Fysshynge with an Angle. From the Book of St. Albans ? With an Introductory Essay on the Contemplative Man's favorite recreation by William Loring Andrews

      New York: Scribners, 1903. Limited edition of 160 copies on hand-made paper. [xii], lxxxvi, [x] pp. Printed at the Gilliss Press from type cast specially for this book, patterned after the traditional old character first used by Wynkyn de Worde in his original 1496 edition. 1 vols. 8vo. Bound in limp vellum, gilt stamped, t.e.g. Ex Libris of Richard C. Hunt (Librarian of the Anglers' Club of New York).

      [Bookseller: James Cummins Bookseller ]
 31.   Check availability:     ABAA     Link/Print  


        L'immunité dans les maladies infectieuses [title in Russian]

      St. Petersburg, 1903. First edition in Russian. Text in Russian, translated from the original French. 1 vols. 8vo. Original wrapper spine and rear cover present, front wrapper perished. Inscribed Classic of Immunology First Russian edition of a classic of immunology, for which the author won a Nobel Prize in 1908, sharing it with Paul Ehrlich. This copy is inscribed (in Russian): "To Joseph Mankovich Krauzman in fond remembrance from Elia M. Paris 1903." According to the DSB, Metchnikoff, while in Paris in 1900, "began to write a large and comprehensive book, L'immunité dans les maladies infectieuses (1901). This book was a magnificent review of the entire field of both comparative and human immunology. The work was also, of course, a defense of the theory of phagocytosis, which the humoral theory of immunity seriously challenged. The work of the German bacteriologists, especially Emil Behring, Paul Ehrlich, and Robert Koch, which led to discovery of many new bacteria, toxins, and antitoxins, strengthened the beliefs of those who held to a noncellular theory of immunity ... In 1908 Metchnikoff and Ehrlich shared the Nobel Prize for their researches illuminating the understanding of immunity ... "

      [Bookseller: James Cummins Bookseller]
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        PLANCHES DE L'ARMORIAL GÉNÉRAL. Armoiries des Familles contenues dans l'Armorial Général (6 Volumes) [avec/with] Armorial Général de J. B. Rietstap. Supplément de V. H. Rolland (4 tomes)

      Paris.: Institut Héraldique Universel, 1903 [ENGLISH Description available upon request]. "PLANCHES DE L'ARMORIAL GÉNÉRAL". Tome I (A-B; publié en 1903): 7 planches (A à G), suivi de 366 planches. / Tome II (C-F): 376 planches. / Tome III (G-K, publié en 1909): 362 planches. / Tome IV (L-O, publié en 1912): 331 planches. / Tome V (P-S, publié en 1921): 377 planches / Tome VI (T-Z, publié en 1926): 217 planches. Complet des 2036 planches. Les tomes II à VI ont un faux-titre et une page de titre. Le tome I a seulement une page de titre qui est différente de celle des autres tomes. Certaines pages n'ont pas été coupées. Les tranches supérieures sont dorées. 31,5cm x 24cm. // "ARMORIAL GÉNÉRAL - SUPPLÉMENT DE V. H. ROLLAND". Editeur: Martinus Nijhoff, La Haye. / Tome I (A-G, publié en 1926); Tome II (H-Z, publié en 1926); Tome III (A-Z, publié en 1934); Tome IV (A-Z, publié en 1937). Comprend les faux-titre et les pages de titre. Les tranches supérieures sont dorées. 26cm x 18cm. // Les reliures sont très légèrement usées aux coins, autrement en très bonne condition. Les pages intérieures sont en très bonne condition, propres, sans inscription et solides. MAGNIFIQUE ENSEMBLE COMPLET. Photos disponibles sur demande. Veuillez nous contacter pour confirmer les frais de livraison. 38 kg.

      [Bookseller: Louis Caron]
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        Encyklopädie der Mikroskopischen Technik mit besonderer Berücksichtigung der Färbelehre. Band 1-2 cpl.

      Urban & Schwarzenberg, Berlin, Wien 1903 - ( Erste Ausgabe ) Band 1 - 2 mit VI, 1500 Seiten sowie zusammen 134 Abbildungen ( teils in Holzstich ) im Text. Jeweils in Bibliothekshalbleinen mit goldgeprägtem Rücken, Klein4°. >>Eines der umfangreichsten und bedeutendsten Werke zu allen Bereichen der Mikroskopischen Methodologie. Die lexikalisch angelegten Bände werden im am Ende des zweiten Bandes auch durch ein 'Alphabetisches Verzeichnis der zitierten Autoren' erschlossen. >> Einbände berieben, Ecken und Kanten bestoßen, Bibliotheksmarken auf den schmalen Einbandrücken. Innen Bibliotheksstempel udn -vermerke, wenige Seiten gering fleckig. Insgesamt von guter Erhaltung. - Die vorliegende Erste Ausgabe ist sehr selten - ( Gesamtgewicht 2900 Gramm ) ( Pic erhältlich / webimage available ) [Attributes: First Edition]

      [Bookseller: Antiquariat Friederichsen]
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        Optimism. An Essay

      New York: Crowell & Company, 1903. FIRST EDITION. IN EXCELLENT CONDITION, dust-jacket chipped by completely intact (offset onto pastedowns). 8vo; 76pp; half-tone portrait as frontis tipped in, titlepage in red and black with woodcut vignette, green cloth with title and author in gilt on front panel and spine, with elaborate red and gold cartouche, top edge gilt, printed by Daniel Berkeley Updike at The Merrymount Press with the customary elegance and care inherent in Updike's work. Original buff dust jacket printed in green, author, title and price of in green on spine. Front panel of jacket has decorative border surrounding a single rule, the title and author and a blurb about the book which does not appear in the text itself First Edition, dedicated by Helen Keller to her teacher Anne Sullivan Macy with whose help she graduated from Radcliffe in 1904. A fine copy with the scarce fragile dust-wrapper, which states: "This book marks Miss Keller's real entrance into the literary world. It is her first essay in original and independent authorship... it is an exposition of the author's creed of cheerfulness; a protest against the pessimism of Schopenauer and Omar Khayyam. The work exhibits a breadth of view and depth or reading which stamp it a valuable literary contribution, aside from the interest aroused by its authorship." The work was printed by Daniel Berkeley Updike at the Merrymount Press. * Blind and deaf from the age of two, Keller (1880-1968) learned to speak, read, and write with the help of Anne Sullivan. Keller graduated with honors from Radcliffe in 1904. As a junior at Radcliffe, she completed the first volume of her autobiography (The Story of My Life) and the present volume, an inspirational lesson in courage which still touches today's reader. By her own example of personal courage in overcoming incredible obstacles, Helen Keller has had a profound effect throughout the world. "Optimism" was one of her first attempts to inspire others. The dust-wrapper, which is rarely found, is chipped along extremities; offsetting to first and last blank leaves, otherwise an excellent copy, partially unopened. * REFERENCE: 100 MOST INFLUENTIAL WOMEN, pp. 65-68.

      [Bookseller: Michael Laird Rare Books LLC]
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        The Strenuous Life

      NY, The Century Co., 1903, early edition. Brown cloth with leather label, TEG, includes essays and addresses, with frontispiece photo portrait of Roosevelt, this copy Inscribed by Roosevelt ("Lyman L. Pierce Esq./with regards of/Theodore Roosevelt"), Pierce was considered the originator of the fund-raising campaign, he was widely regarded as one of the country's foremost philanthropic fund raisers, conducting the first ever capital campaign for the YMCA raising more than $60 million in the early 1900s, laid in loosely is one of Pierce's business cards as General Secretary of the Washington, D. C. YMCA. Minor wear, else about fine.

      [Bookseller: James M. Dourgarian, Bookman ]
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        Sur les radiations invisibles émises par les corps phosphorescents; Sur les radiations émises par phosphorescence.Paris: Gauthier-Villars, 1896.

      First edition, in original printed wrappers, of the discovery of radioactivity. The Nobel Prize in Physics 1903 was shared between Becquerel, "in recognition of the extraordinary services he has rendered by his discovery of spontaneous radioactivity," and Marie and Pierre Curie, "in recognition of the extraordinary services they have rendered by their joint researches on the radiation phenomena discovered by Professor Henri Becquerel." <br/><br/> "Becquerel was born in Paris and studied civil engineering at the École Polytechnique. Having obtained his diploma in 1877, he opted for a career as a scientist. He did research in optics, took his PhD in 1888, and was elected a member of the Academy of Sciences a year later. In 1892 Becquerel became professor at the Natural History Museum in Paris, like his father and grandfather before him (and later his son after him). In 1895 he was also appointed professor at the École Polytechnique. His speciality (as that of his father and grandfather) was the study of <i>?uorescence and phosphorescence</i>. These are properties of materials to emit light if properly stimulated, usually by irradiation with light of shorter wavelength than that of the emitted light... In the <i>Académie des Sciences</i> Röntgen's discovery [of X-rays] was discussed in January 1896. It was quite natural for Becquerel to wonder, as Poincaré had suggested, whether X-rays were produced by some kind of phosphorescence. <br/><br/> "Becquerel began investigations with materials which were phosphorescent if exposed to sunlight. Because of its scienti?c tradition the Museum possessed many samples of such material. This was a decisive advantage which he had over his competitors. His technique was clear and simple. He wrapped a photographic plate in thick black paper, protecting it from light, placed on it the phosphorescent substance, exposed the arrangement for some time to the direct sunlight, and ?nally developed the plate. Since X-rays were known to traverse the paper, the plate would be blackened if X-rays were produced. At ?rst the results were negative. But when he used a sample of potassium uranyl disulphate K<sub>2</sub>UO<sub>2</sub> (SO<sub>4</sub>)<sub>2</sub>2H<sub>2</sub>O, he observed an effect which he reported to the Academy on 24 February [in 'Sur les radiations émises par phosphorescence']. <br/><br/> "A week later, on 2 March 1896, Becquerel reported again to the Academy [in 'Sur les radiations invisibles émises par les corps phosphorescents']. <b>It is this report that contained the discovery which would make him famous</b> [our emphasis]. We ?rst quote from a paragraph dealing with repetitions of his previous experiment: <br/><br/> <i>A photographic plate, gelatine with silver bromide, was enclosed in an opaque frame in black cloth, closed on one side by a sheet of aluminium; if one exposed the frame in full sunshine, even for a whole day, the plate was not fogged; but, if one had ?xed on the aluminium sheet, on the outside, a lamella of uranium salt [...] and if one exposed it for several hours to the sun, one recognised, after one had developed the plate in the usual way, that the silhouette of the crystalline lamella appeared in black on the sensitive plate.</i><br/><br/> "The unexpected discovery is described two paragraphs further down [p. 502]: <br/><br/> <i>I shall insist in particular on the following fact which seems to me very important and outside the phenomena one could expect to observe: The same crystalline lamellas, placed with respect to photographic plates in the same way [...] but kept in the dark, produce again the same photographic prints. Here is how I have been led to make that observation: Of the previous experiments some had been prepared on Wednesday 26th and on Thursday 27th of February and, since on these days the sun had shown itself only intermittently, I had kept the experiments prepared and placed the frames back in the dark into a drawer, leaving the lamellas of uranium salt in place. Since the sun had also not shown itself the following days, I developed the plates, expecting to ?nd very feeble images. The silhouettes appeared, on the contrary, with great intensity.</i><br/><br/> "Becquerel then went on to describe how he repeated experiments in complete darkness with the same result. Thus besides X-rays (or Röntgen rays) there was yet another kind of new rays, which were emitted seemingly without cause by a certain phosphorescent substance although that substance had not been stimulated to phosphoresce. <br/><br/> "During the course of 1896 Becquerel continued to investigate these rays. Still in March he found that they discharge an electroscope, i.e., they give some electric conductivity to air [reported in 'Sur quelques propriétés nouvelles des radiations invisibles émises par divers corps phosphorescents,' pp. 559-564]. He also performed observations, which later turned out to be erroneous, namely, that the rays could be re?ected, refracted, and could possess polarization. These erroneous ?ndings seemed to attribute to Becquerel's rays most of the properties of ordinary light; they seemed to be better understood than Röntgen rays. It can be assumed that for this reason there was little interest in them for the next two years. In May 1896, Becquerel found out that all uranium compounds, phosphorescent or not, which he had studied, emitted rays. He concluded that pure metallic uranium should show the strongest radiation and con?rmed that hypothesis by experiment. Becquerel now called his rays uranic rays. At the end of 1896, he reported on the absorbing power of different materials with respect to his rays. Moreover, he stressed the fact that the source of energy, which makes uranium emit rays, was completely unknown. <br/><br/> "We can summarize the events of 1896 in Paris by stating that Becquerel discovered radioactivity. He found it to be a property of the element uranium. It could be detected photographically and electrically. An unknown source of energy had to exist to keep the radiation going" (Brandt, <i>The Harvest of a Century</i>, pp. 10-12). <br/><br/> There is some confusion in the literature as to which of Becquerel's six papers in Vol. 122 of <i>Comptes Rendus</i> represents the discovery of radioactivity. Garrison & Morton ascribe the discovery of radioactivity to 'Sur les radiations émises par phosphorescence,' in which Becquerel observes the effect of uranium sulphate on photographic paper but wrongly believes it to be due to phosphorescence caused by the effect of sunlight on the salt. PMM incorrectly states that the discovery was first reported in Becquerel's third paper 'Sur quelques propriétés nouvelles des radiations invisibles émises par divers corps phosphorescents,' which only describes the effect of the rays on an electroscope. As Brandt correctly states, and as is clearly established by the quotation above, it was in Becquerel's second paper in this volume, 'Sur les radiations invisibles émises par les corps phosphorescents,' that the discovery was made: the effect of the uranium salt on a photographic plate was observed even though the effect of sunlight on the salt had been excluded. <br/><br/> Garrison & Morton 2001. Dibner, <i>Heralds of Science</i> 163; PMM 393 (both referring to the 1903 book edition of Becquerel's radioactivity papers). Norman 158 (complete journal volume).. pp. 501-503 in Comptes Rendus Hebdomadaires des Séances de L'Académie des Sciences, Tome 122, No. 9, 3 March 1896. [With:] 'Sur les radiations émises par phosphorescence,' pp. 420-421 in ibid., No. 8, 24 February 1896. Paris: Gauthier-Villars, 1896. Original printed wrappers

      [Bookseller: Sophia Rare Books]
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        The Call of the Wild

      New York: The Macmillan Company, 1903. First edition ("July, 1903") on copyright page. Frontispiece and 8 color plates after illustrations by Philip R. Goodwin and Charles Livingston Bull. Decorated by Charles Edward Hooper. 231, [1], [2, ads] pp. 1 vols. 8vo. Original green pictorial cloth, t.e.g., others uncut. Light crease to top corner of first few leaves, else near fine.

      [Bookseller: James Cummins Bookseller]
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