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Displayed below are some selected recent viaLibri matches for books published in 1896

        MOPSY Her Tangles and Triumphs

      Lothrop Publishing Company, Boston 1896 - Very Good in boards. Worn edges on front, back and spine. Light soiling with bumped corners. ; 8vo 8" - 9" tall [Attributes: First Edition; Hard Cover]

      [Bookseller: Rare Book Cellar]
 1.   Check availability:     AbeBooks     Link/Print  


        Spiritual Poems, Chiefly Done out of Several Languages.

      Sold by Hacon & Ricketts, London., 1896. First edition. Octavo. pp cxiii. Frontispiece woodcut and border design to first page by Charles Ricketts. Grey boards with title labels. Eleven original poems by Gray as well as the twenty-nine translations.Free endpapers tanned. Spine a bit darkened. Very good indeed. Scarce.

      [Bookseller: Peter Ellis bookseller]
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        The Cotton States and International Exposition and South, Illustrated

      Atlanta: The Illustrator Company (Successor to Southern States Publishing Co, 1896. First Edition. Leather bound. Good. Folio. (approx. 14" x 11") 504 pages. Illustrated. Dark brown "roan" leather binding with gilt decorated title on the front board. All edges gilt. Leather on the spine is chipped at the head and base. Edge wear to corners. Scratches and light rubs to leather on boards and spine. Front hinge tender but holding. Several institutional holdings for this publication but scarce in the trade. The Atlanta Cotton States Exposition was held from September 18th, 1895 to December 31, 1895 on the grounds of current Piedmont Park. It was a huge event attended by hundreds of thousands of visitors.

      [Bookseller: Americana Books ABAA]
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        OZMAR THE MYSTIC: A NOVEL ..

      London: Bliss Sands & Co., 1896.. Octavo, pp. [1-13] 14-378 [379-384: ads], twelve inserted plates with illustrations by W. T. Smith, title page printed in orange and black, original pictorial dark blue cloth, spine and front panels stamped in gold, t.e.g., other edges untrimmed. First edition. 1896 Christmas gift inscription by the author to Emily Kilham on the front free endpaper. Occult mystery novel featuring Oriental adept who possesses, and uses, supernatural powers. Locke, A Spectrum of Fantasy, p. 29. Bleiler (1978), p. 18. Reginald 07591. Hubin (1994), p. 422. Cloth rubbed at edges, some staining and spotting to cloth, light scattered foxing to text block, a very good copy. (#150952)

      [Bookseller: L. W. Currey, Inc.]
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        Portrait Photograph Signed ("With Warm regards W McKinley")

      Canton, OH: Courtney, 1896. With "Courtney / McKinley Block / Canton" imprint in lower mount. Cabinet card featuring oval portraits of President McKinley, Mrs. McKinley and their Canton, Ohio home, signed in the lower margin. 6 1/2 x 4 1/4 inches. Old mount marks to verso, fine. With "Courtney / McKinley Block / Canton" imprint in lower mount. Cabinet card featuring oval portraits of President McKinley, Mrs. McKinley and their Canton, Ohio home, signed in the lower margin. 6 1/2 x 4 1/4 inches. A signed souvenir cabinet card of then Presidential-candidate McKinley, his wife, Ida Saxon McKinley, and their Canton, Ohio home, taken in the lead-up to the 1896 presidential election.

      [Bookseller: James Cummins Bookseller]
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        Typed letter signed, "W McKinley", with handwritten post-script, to Wm. H. Clark, West Somerville Mass., concerning Clark's Civil War service

      Canton Ohio, 1896. One page. 1 vols. 8vo. The letter, mounted on a backing sheet, shows old folds and frayed edges, not affecting text--the sort of wear it might have received by being carried in one's pocket, and frequently displayed. One page. 1 vols. 8vo. McKinley Writes of His Civil War Service. The letter reads: "My dear Sir: Your kind letter of the 5th inst. is very much appreciated by me. I have examined your discharge paper and have no doubt at all that the signature is mine. Yes, I recollect Major Lewis. He was indeed a noble man. I return to you your discharge paper, thinking you may value it. Yours very truly, W. McKinley". Beneath this, McKinley has penned: "I was A.A.A.G. [Acting Assistant Adjutant General?] on Genl Crooks staff [word unclear] Dept West Va on Feb 10 1865, and I undoubtedly issued the order". McKinley, having served two successful terms as Governor of Ohio, was at the time preparing to attend the Republican Party Convention, which opened at St. Louis a scant week later, on June 16. Thanks to the effective pre-convention efforts of Mark Hanna, McKinley was elected the GOP nominee on the first ballot, and defeated Bryan for the Presidency that November. A brief but intriguing look at one facet of McKinley's war service.

      [Bookseller: James Cummins Bookseller]
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        Ports Chioggia, Malamocco and Lido and the Channels Leading to Venice

      London, 1896. unbound. very good. Sea chart. Uncolored engraving. Image measures 38.75" x 25.5" Shows the northeast coastal region of Italy, with Chioggia and Venice in beautiful detail. Includes soundings in fathoms and lighthouses are denoted with red and yellow hand coloring. Based on Italian surveys from 1886. Minor chipping along bottom edge.

      [Bookseller: Argosy Book Store]
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        20 MINIATURE POSTERS. Representing the title designs of the "Keynotes Series."

      1896 - Boston: Roberts Brothers, n.d.[1896]. [Twenty posters, each 7-3/4" x 5-5/8", plus a slightly larger title panel (probably the front panel of what was originally an envelope).] Beginning with "George Egerton's" 1893 novel KEYNOTES, for which the series would be named, John Lane of London published, over the course of five years, a series of 33 first editions of fiction; the Keynotes books came to epitomize the 1890s, not only for their content, but also for the design of the volumes -- elegant in format, each volume a different color stamped in another complementary color. And to top off the series' appeal, Lane (with fellow-publisher Elkin Mathews at the outset) engaged THE illustrator of the 'Nineties, Aubrey Beardsley, to provide each volume's front cover / title page design. (One of them is his notorious artistic impression of female reproductive organs.) As it happened, Beardsley provided only 21 of the designs for the (earlier) volumes in the series; Patten Wilson was then engaged to design the remaining twelve. (Beardsley would live only until 1898, when he would die of tuberculosis at age 25.) Perhaps fearing a slackening of public appeal with Beardsley's imminent departure from the series, in 1896 John Lane issued a "Prospectus" of the Keynotes Series -- a small booklet containing all 21 of Beardsley's designs, together with press notices of each book. This Prospectus is today very scarce.~The authorized American publisher for these books was Roberts Brothers, of Boston -- who published each book in a slightly smaller format (in one or more of three colors only), but with the same Beardsley title page design (and front cover design) as appeared in the London edition. This Roberts Brothers collection of "20 Miniature Posters" was issued for the same puirpose, and at about the same time, as John Lane's Keynotes Series Prospectus -- possibly even a bit earlier, since there is one less design. The stamping on each poster is in one color, except for two which also have the book's title in red; the colors range from blue-grey to green to brown to pale greenish-yellow to orange.~The posters are in fine condition, with scarcely any wear or soil; the four stamped in pale greenish-yellow do not stand out like the others, but that is due to the unusual color chosen. The additional "title panel" of this assemblage is worn at its edges (though not affecting print); this wear, and the slightly larger size compared to the posters, cause us to believe that this is the front panel of an envelope that once enclosed the posters. Extremely uncommon -- especially as a complete set. See Stetz & Lasner 57 and Plate 11 (Lane's Prospectus). [Attributes: First Edition]

      [Bookseller: Sumner & Stillman [ABAA]]
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        A Set of Six Bust Portraits of Beauties - Jidai Kagami (Mirror of the Ages).

      -1898 1896 - A Set of Six oban tate-e woodblock prints of okubi-e (bust portraits) of beauties, titled Jidai kagami (Mirror of the Ages), documenting the fashions of former times (from the Keicho to the Meiji era) in chronological order, each sheet with a beautiful woman in sumptuous costume depicted at the lower section and a rectangular panel at the top which makes a reference to the era, some sheets with lacquer and embossed details, published by Matsuki Heikichi, variously dated Meiji 29, 30 and 31 (1896-8), all signed Yoshu Chikanobu. Each sheet approx. 36cm x 23.7cm (14 1/8in x 9 3/8in). Framed and glazed: 40 by 29cm. Toyohara Chikanobu (1838–1912), better known to his contemporaries as Yoshu Chikanobu, was one of the most successful woodblock print artists of Japan's Meiji period. He lived at a time when Japan saw the reinstatement of the emperor as ruler and underwent rapid westernization. He worked both with traditional subjects, such as actors, courtesans, scenes of famous sites, beautiful women, and with topical subjects, such as the Satsuma Rebellion (1877) and the Sino-Japanese War (1894-1895). Chikanobu used the flat planes and decorative patterning of the ukiyo-e tradition to striking effect, adding brilliant colors, especially reds, purples, and blues to his compositions. More precisely, Ukiyo-e, or ukiyo-ye (in Japanese: "pictures of the floating world"), is a genre of woodblock prints and paintings that flourished in Japan from the 17th through 19th centuries. It was aimed at the prosperous merchant class in the urbanizing Edo period (1603–1867). Amongst the popular themes were depictions of beautiful women, as is the case here with these okubi-e prints (i.e. bust portraits); kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; flora and fauna; and erotica. One of Chikanobu's best series, A Mirror of the Ages shows women by fashion and hair style throughout history. Despite a sense of longing for the past, these prints are unmistakably modern and of their time. Each print depicts a beauty from a certain period in the lower part and customs at that time, in grisaille, in the upper part - a way to tell viewers about the latest fashion and historical backgroud at that time. The quality of printing is outstanding, especially in Chikanobu's use of white for the rendering of the powdered faces. Indeed, Chikanobu was known as a master of bijinga (images of beautiful women), and for illustrating changes in women's fashion, including both traditional and Western clothing. For example, in the Mirror of Ages, the hair styles of the Tenmei era (1781-1789) are distinguished from those of the Keio era (1865-1867). To create a woodblock print, artists like Chikanobu first designed the image on paper and then transferred it to a thin, partly transparent paper. Following the lines on the paper, now pasted to a wooden block usually of cherry wood, the carver used to chisel and cut to create the original in negative—with the lines and areas to be coloured raised in relief. Ink was then applied to the surface of the woodblock. Rubbing a round pad over the back of a piece of paper laid over the top of the inked board eventually made the print. Chikanobu was able to produce such bright and colourful prints because in 1765, new technology had made it possible to produce single-sheet prints in a whole range of colours. Polychrome prints were made using a separate carved block for each color, which could number up to twenty. To print with precision using numerous blocks on a single paper sheet, a system of placing two cuts on the edge of each block to serve as alignment guides was employed. Paper made from the inner bark of mulberry trees was favored, as it was strong enough to withstand numerous rubbings on the various woodblocks and sufficiently absorbent to take up the ink and pigments. Reproductions, sometimes numbering in the thousands, could be made until the carvings on the woodblocks became w [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Shapero Rare Books]
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        Der Judenstaat. Versuch einer modernen Lösung der Judenfrage.

      Leipzig and Wien M. Breitenstein 1896 - First edition. First issue indicated by pointing to the left flower closing vignette on p.86. Octavo, 86 pp., one leaf cut in bottom right corner with no damage to text; pencil inscriptions and pen notations on two leaves; small marginal tears; recent calf, a very good copy. Text in German. The true first edition of Herzl's seminal work. Der Judenstaat is considered to be the founding manifesto of political Zionism. In 1896, Der Judenstaat, Versuch einer Modernen Lösung der Judenfrage (The Jewish State, Proposal of a modern solution for the Jewish question) was published in Vienna by then 35-yearsold Theodor Herzl, a Hungarian journalist of Jewish descent. The previous year, Herzl had witnessed the Dreyfus affair in Paris and had been appalled at the outbreak of anti-Semitism that it had generated in the "birthplace of human rights". He came to the conclusion that the creation of an independent Jewish state during the 20th century would be the best way for Jews to escape European anti-Semitism. The title of the work originally read "Proposal of a modern solution for the Jewish question: Address to the Rothschilds", as Herzl planned to deliver it as a speech to the Rothschild family, but Baron Edmond de Rothschild rejected Herzl's plan, feeling that it threatened Jews in the diaspora; he also thought it would put his own settlements at risk. Herzl worked on his pamphlet from summer 1895 to winter 1896, but received little support from the publishers. Siegfried Cronbach (Berlin), publisher of a Jewish weekly, rejected the publication, objecting to its content, as did Duncker and Humblot (Leipzig), which had recently published Herzl's Palais Bourbon but insisted that they never produced anything on 'this question' (relating to the Jewish question). On 17 January 1896 the London Jewish Chronicle carried a synopsis of the pamphlet: 'A Solution of the Jewish Question' by Dr. Theodor Herzl. This led to a meeting with a fairly obscure publisher, Breitenstein. Herzl noted that he was enthusiastic about certain passages, and a definitive title, Der Judenstaat, was decided upon then and there. The precise terms of their co-operation are not known but later accounts show that Herzl received no royalties and that income from sales barely covered the publisher's costs. By February the proofs were ready but Herzl was clearly disappointed that only 3,000 copies were planned to be printed - Breitenstein did not expect a commercial success. On February 15th, 1896 a slim volume written by Herzl appeared in the shop window of M. Breitenstein's Verlags-Buchhandlung in Vienna, titled: Der Judenstaat. Versuch einer Modernen Lösung der Judenfrage. Der Judenstaat is Herzl's only work on which he used his academic title. Obviously, he wished to appear as a sober man of affairs, not a utopian. Reactions to Der Judenstaat were not long in corning. The well-to-do Jewish middle class of Vienna was aghast, as Hermann Bahr told Herzl at the time and Stefan Zweig recalled in his memoirs. The Neue Freie Presse kept silent, the liberal press rejected the scheme. Encouragement came from Zionist groups in Berlin and Sofia, and the Russian Hovevei Zion cautiously took note. Unreserved acclaim came from the Zionists on the margins of Viennese Jewish society. Their support catapulted Herzl to the leadership of the Zionist movement. This was the most significant, immediate result of the publication of Der Judenstaat. [Attributes: First Edition]

      [Bookseller: Shapero Rare Books]
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        Bouvard and Pécuchet.

      H.S. Nichols, London., 1896. First U.K. edition. Translated by D.F. Hannigan. Royal octavo. pp xvi, 458. Nine plates after S. Gòrski.One of a very small number of copies (no limitation is provided but similar productions by Nichols and his partner Leonard Smithers ran to only 10 copies) printed in purple on japan vellum and in larger format than the trade edition. Special binding of green silk with elaborate pictorial gilt, top edge gilt. All nine plates are printed in three states - green, black, blue. Spine a bit dull and scuffed at tail. Very good, internally fine.

      [Bookseller: Peter Ellis bookseller]
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        The Wessex Novels. 18 Volumes Complete.

      Osgood, McIlvaine & Co., 1896/1897/ Macmillan 1913 (all 1st.ed's in this publication, with 3 true "firsts"). FIRST UNIFORM & COMPLETE EDITION.. 18 vols; Hardback, 8 x 5.5 inches. Dark green bold-ribbed cloth, the front blocked in gold with TH monogram. Each vol. contains an etched frontispiece by H. Macbeth-Raeburn, a scene from the novel drawn on the spot, and a map, drawn by Hardy himself. ("Tess" has 2 etched ills.). In very good conditions. Some rubbing and marks to cloth, corners bumped and rubbed, some rubbing and minor nicks to ends of spines. Spines darkened, some minor fading to boards. “Changed Man” cloth split at rear spine edge and faded on front. Endpapers darkened with some mild foxing, bookplates to front “Leslie Seaton.” Some slight tanning/darkening to pages else inside pages all very clean and tight throughout. --- This is an important edition. The text of every novel was thoroughly and carefully revised, etc. In addition Hardy prepared a special preface for each volume. "The Well-Beloved" (Osgood...1897) and "A Changed Man"(Macmillan 1913) were published in matching format to the other 16 vols.and count as Vols. XVII and XVIII of the Wessex Novels.

      [Bookseller: The Antique Map & Bookshop]
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        Fun original Platinum Age inked comic self-portrait signed "F.M. Howarth"

      n.p., c. 1896. 4.5" X 3.75". "Original ink self-portrait signed ""F.M. Howarth"", on a 4.5"" X 3.75"" card, no date but circa 1896, together with another card signed ""Yours in fun, F.M. Howarth."" Howarth played an important role in comic strip history. In 1903, William Randolph Hearst hired Howarth to work for his Sunday supplement and it was there that Howarth created the ""Lulu and Leander"" comic, which quickly became a standby in Hearst's American-Journal-Examiner comic sections."

      [Bookseller: University Archives]
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        Les Plaisirs et les Jours. Illustrations de Madeleine Lemaire. Préface d'Anatole France et Quatre Pièces pour Piano de Reynaldo Hahn

      Paris; Calmann Lévy, 1896. first edition, on plain paper, not numbered, x,273pp, illustrations by Madeleine Lemaire, top edges gilt, - hardback, 4to, owner's bookplate on endpaper, front inner hinge slightly cracked, red half-leather binding, gilt-ruled, gilt titles, 5 raised bands, corners and spine edge rubbed, Good condition [Attributes: Hard Cover]

      [Bookseller: BRIMSTONES]
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        Thus Spake Zarathustra

      New York: The Macmillan Company, 1896. First Edition. Hardcover. Good. First American edition. Publisher's green cloth with spine stamped in gilt. Good. Cloth stained, with a heavy stain to the top of the front cover, smaller spots to the spine and light soiling to rear; spine slightly faded. Previous owner inkless emboss and remnant of news clipping to front free end paper. The author's magnum opus.

      [Bookseller: Burnside Rare Books]
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        "On a New Kind of Rays"; In: Nature, A Weekly Illustrated Journal of Science. Volume LIII, November 1895 to April 1896. Translated by Arthur Stanton

      London: Macmillan, 1896. First edition in English. A fine copy/From the Collection of Allan B. Kirsner, M.D. Tall 8vo. Röntgen's article is on pages 274-276, illustrated with two photographs. Entire volume: 624 pp. Original decorated cloth, the front cover with gilt- and black-blocked title vignette, repeated on the spine. The first announcement in English of Röntgen's ground-breaking discovery of X-Rays in 1895. Though earlier experimenters had been nearing the discovery, it was not found until the unassuming Würtzburg professor Wilhem Röntgen experimented with William Crookes' version of the "Geisslertube," a form of vacuum tube sealed at the ends with platinum terminals to permit the passage of an electric current through the tube. "Hertz and Lenard had published on the penetrating powers of cathode rays (electrons) and Röntgen thought that there were unsolved problems worth investigation... As a preliminary to viewing the cathode rays on a fluorescent screen, Röntgen completely covered his discharge tube with a black card, and then chanced to notice that such a screen lying on a bench some distance away was glowing brightly. Although others had operated Crookes tubes in laboratories for over thirty years, it was Röntgen who found that X rays are emitted by the part of the glass wall of the tube that is opposite the cathode and that receives the beam of cathode rays. He spent six weeks in absolute concentration, repeating and extending his observations on the properties of the new rays. He found that they travel in straight lines, cannot be refracted or reflected, are not deviated by a magnet, and can travel about two meters in air. He soon discovered the penetrating properties of the rays... The apparent magical nature of the new rays was something of a shock even to Röntgen... On 22 December he brought his wife into the laboratory and made an X-ray photograph of her hand. It was no doubt the possibility of seeing living skeletons, thus pandering to man's morbid curiosity, that contributed to the peculiarly rapid worldwide dissemination of the discovery" (DSB). Translations of Rontgen's paper soon started to appear, beginning with an English translation in Nature on 23 January. By 20 February Nature was commenting that "so numerous are the communications being made to scientific societies that it is difficult to keep pace with them, and the limits of our space would be exceeded if we attempted to describe the whole of the contributions to the subject, even at this early stage" (Bakker, p. 319). News was quick to spread, and was soon to be interpreted, studied, and reviewed. On pp. 276-77 is A. A. C. Swinton's "Professor Röntgen's Discovery," illustrated with an x-ray and reviewing recent newspaper reports of Röntgen's discovery. On pp. 377-380 is "The Röntgen Rays," a further review. See for the first edition in German (offprint issue): Dibner, Heralds of Science 162; Garrison-Morton-Norman 2683; Norman 1841-1842. See for the first periodical issue: Grolier/Horblit 90; Grolier Medicine 83A-B; Printing and the Mind of Man 380.

      [Bookseller: Riverrun Books & Manuscripts]
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        Geologic Atlas of the United States. Yellowstone National Park, Folio Wyoming ... Folio 30. Library Edition [cover title].

      Washington D. C., Engraved and printed by the U.S. Geological Survey, 1896. Large folio (55.5 x 47 cm); original printed wrappers with cloth back-strip; pp. [6], explanatory text inside wrappers, 3 plates with photographic views of Yellowstone Park, 7 colour-printed maps (geological and topographic), a few text illustrations; wrappers a little spotted, internally very good; provenance: Royal Institution, stamp on front cover. This ambitious publication came out between 1894 and 1945 in 227 issues, called Folios.

      [Bookseller: Henry Sotheran Ltd.]
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        3 small pen and ink self-portraits, one on the back of a youthful photograph portrait of the artist and a self portrait sketch/calling card; and a large cartoon drawing of McKinley campaign in Indiana

      Minneaopilis: Minneapolis Times, 1896. Pena nd ink on and board. 3 vols. Variouys sizes. Fine. Pena nd ink on and board. 3 vols. Variouys sizes.

      [Bookseller: James Cummins Bookseller ]
 18.   Check availability:     ABAA     Link/Print  


        The Floating Island or The Pearl of the Pacific.

      Sampson, Low, Marston and Company, London., 1896. First U.K. edition and first edition in English. No translator given. Octavo. pp viii, 382. Seventy-nine illustrations. All edges gilt. Green pictorial buckram blocked in gilt, black, blue and white, bevelled edges.Short tear to fore-edge of front free endpaper. Front hinge cracking. Spine and edges rubbed. Good.

      [Bookseller: Peter Ellis bookseller]
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        Débauché (deuxième planche). Cover for: Catalogue d'Affiches artistiques françaises étrangères. Estampes

      Paris: [Imprimerie Henon for] A. Arnould, June 1896. 8vo (380 x 275 mm). 32 black-and-white plates. Pictorial wrappers with Toulouse-Lautrec's lithograph [second state, with letters], folded as issued; glassine; morocco-backed chemise, slipcase. Minor splits to the spine, otherwise in very good condition. Provenance: purchased from Valette, 1977. Toulouse-Lautrec's provocative lithograph shows an anonymous French prostitute with Maxime Dethomas, the artist's close friend and fellow artist. Débauché (deuxieme planche) is a crayon, brush, and spatter lithograph printed in three colors from three stones. Despite this reduced palette, the print is filled with impact, most notably in the juxtaposition of the countenances of the two subjects. Arnould's sale catalogue promotes a collection of posters, and illustrates examples by Toulouse-Lautrec, Steinlen, Beardsley, Mucha, and other artists. Peter Wick, Toulouse-Lautrec Book Covers and Brochures, no. 10. W. 167; D. 178; AD. 187. From the Collection of Arthur & Charlotte Vershbow.

      [Bookseller: Riverrun Books & Manuscripts]
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        Badauderies parisiennes. Les Rassemblements physiologiques de la Rue. Observées et notées par Paul ADAM, Alfred ATHYS, Victor BARRUCAND, Tristan BERNARD, Léon BLUM, Romain COOLUS, Félix FENEON, Gustave KAHN, Ernest LA JEUNESSE, Lucien MUHLFELD, Thadée NATANSON, Edmond PILON, Jules RENARD, Pierre VEBER et Eugène VEEK. Prologue par Octave UZANNE. Gravures Hors Texte de Félix VALOTTON. Vignettes dans le texte par François COURBOIN

      Imprimé pour les Bibliophiles Indépendants. Chez Henri FLOURY, Libraire de la Société, Paris 1896 - 229 pages. Petit in-4. Broché. Edition originale. Illustrée par Félix VALOTTON : 33 gravures sur bois, monogrammées FV dans la composition, dont 30 hors-texte, les 3 gravures dans le texte se découvrent dans le prologue par O. Uzanne. Vignettes par François COURBOIN (1865-1926). Tiré « au nombre exact » de 200 exemplaires pour les souscripteurs, plus 20 exemplaires pour les collaborateurs littéraires et artistiques de l'ouvrage. Notre exemplaire est justifié à la presse N° 161. Achevé d'imprimer pour les Bibliophiles Indépendants sur les Presses de Crété à Corbeil le 14 avril 1896 par les soins de Octave UZANNE, homme de lettre et éditeur français (1851-1931). En fin d'ouvrage se trouve une illustration à déplier, sorte de frontispice. Couverture rigide, reliure demi-cuir, fond rouge et partie marbrée (sur les 2 plats), dos à 5 nerfs, dorure (lettrage : titre « Les Rassemblements physiologiques de la Rue » et lieu date de l'édition) sur le dos. Etat : très bon, état d'ancienneté. Couverture : bon, coin supérieur du 1er plat légèrement frotté (environ 2 mm), discrètes ombres de salissures, spécialement sur le dos, petites traces sur le cuir, ici ou là. Lettrage en dorure frais. 24.2 x 18.6 x 3.5 cm 950g. [Attributes: First Edition; Hard Cover]

      [Bookseller: ABC - Eric Girod]
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        THE SPHINX-LIKE HEAD: A TALE OF MYSTERY ..

      London: Published for the Author by A. Brown & Sons, Limited, n.d. [1896].. Octavo, pp. [1-8] [1] 2-298 [299-300: blank] [note: last leaf is a blank], inserted frontispiece (tinted facsimile of a document), six illustrations in the text, original blue-green silk-like cloth, front and spine panels stamped in gold. First edition. "Lost race adventure novel set on an unknown island and concerning two subdivisions of the same race in conflict; the villains inhabit an underground City of Destruction." - Locke, A Spectrum of Fantasy, p. 208. Not in Bleiler (1948; 1978) or Reginald (1979; 1992). Not in Teitler (2013). Cloth lightly rubbed at spine ends, corner tips and along bottom edges, spine panel just a bit age-darkened, a tight, internally clean, very good copy. An uncommon book. (#149677)

      [Bookseller: L. W. Currey, Inc. ]
 22.   Check availability:     ABAA     Link/Print  


        The Works of Edgar Allan Poe

      George Routledge, London., 1896. Re-issue of the Fordham edition first published in 1884. With an Introduction and a Memoir by Richard Henry Stoddard. Octavo. Six volumes. Frontispieces, and other plates, facsimiles. Original blue cloth, gilt decorated spines. Pages unopened.Covers just a little marked and scuffed in places. A very good set indeed.

      [Bookseller: Peter Ellis bookseller]
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        The Island of Doctor Moreau.

      London, William Heinemann, 1896 (1st.ed.) - Hardback, approx 7.5 x 5 inches. In light brown cloth with black and red lettering to spine and front and black and red design to front. Embossed ?Boots Library? stamp logo to front. ?WH? monogram to rear. In very good condition. Cover is darkened and a little worn; Corners bumped and edges rubbed, small nicks to corners. Hinges cracked, endpapers slightly darkened. Some darkenign to front tissue guard. Else inside pages all very clean and tight throughout. Very Scarce. 219pp. with an illustrated b&w frontispiece.

      [Bookseller: PROCTOR / THE ANTIQUE MAP & BOOKSHOP]
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        The Complete Works of Robert Burns

      The Complete Works of Robert Burns (1896, Full Leather) 12 Volumes - Rare AntiqueThe Gebbie Publishing Co. Limited, Philadelphia, 1896."Fifty copies only of this Carnegie Edition have been printed for sale, each of which will be numbered." This is copy number 36 of 50, with each volume noted and stamped with Gebbie's seal. The total set features 12 books, but there are 6 volumes with 2 parts per volume.This truly is a beautiful bookset! Full brown leather, fine binding with 5 raised bands on the spine. Gilt tooling and finish on the front and rear covers, the spine, edges, textblock, and inner pastedown edges. Red satin endpapers have small wrinkles or waves. In addition to the red satin pastedowns and endpapers, each volume comes with a red ribbon marker and a few of them are frayed at the ends. There are some scratches and small dark marks on the covers as well as the first few and last pages. There is some scuffing on the corner edges and spine head and tails. The textblock features a heavy deckled, feathered finish to the foreedge and bottom. The spine head and tails are intact, but Volume III, Part II has a chip and Volume VI, Part I has a 1/4-inch chunk chipping off the top. The binding is tight and firm but the covers are slightly bowed, possibly due to the leather. There are great illustrations throughout that accompany the poems "illustrated with 60 etchings and woodcuts, maps, and facsimiles."Overall, this set is in Very Good+ condition and is one beautiful and rare set - don't wait, add it to your book collection! Please see the photos on this item or feel free to send us any questions you might have. We've included photos but if you need more, please contact us. Please note: this item will require additional postage, ship insured, and require a signature upon delivery. Thank you for your interest in this item!

      [Bookseller: Bronze Anthology LLC]
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        Oorkondenboek van Groningen en Drente. 2 dln. Groningen 1896-1899. Geb., geïll., 440+524 p.. Ingenaaid exemplaar.

      Bewerkt door P.J. Blok, J.A. Feith, S. Gratama, J. Reitsma en C.P.L. Rutgers.

      [Bookseller: Antiquariaat A.G. VAN DER STEUR]
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        Distillers and Bottlers of American, French, German, Swedish, Bohemian, and other foreign Liquors. Cordials, Cremes, Extracts, etc. Established 1874.

      

      [Bookseller: Henry Sotheran Ltd.]
 27.   Check availability:     Direct From Seller     Link/Print  


        Prent op de promotie van Jhr. Mr. C.H.J. van Haeften, litho in groen gedrukt, door Theo van Hoytema 1896.

      "Promotieprent Leiden rechtsgeleerdheid 6-7-1896 ; 1 blad plano, in een omlijsting met vogels en dierfiguren, 68 x 44 cm".Op het blad de woorden Utile Dulce, een zittende man in oud-Hollands costuum(Van Haeften?) die van een Napoleon-achtige figuur een glas krijgt aangereikt. Voorts acht ronde of ovale voorstellingen en 31 handtekeningen. De handtekeningen van de promovendus, de paramimfen C. Beelaerts van Blokland en J. Patijn en van De Wetstein Pfister, Groustra, Beelaerts van Blokland, Piper, Luyt, v.Oosterzee, de Witt Hamer, Verloren van Themaat, Everwijn, Lycklama, Obreen, Stoop, Jorissen, Creutz, v.Lennep, v.d.Sande Bakhuyzen, Schorer(2x), Havelaar, Blusse van Oud Alblas, v.d.Wijck, v.Hoboken, Willink Ketjen, e.a. De afbeeldingen betreffen o.a. Ahasverus, de Merapi, India Orientalis, vertrek naar Engeland en brandstichting in Kurhaus om Oranje te wreken. Cornelis Hendrik Johan van Haeften, uit Soerabaja,promoveerde op 6 juli l896 op stellingen. Vgl. J.W.Niemeijer, De grafiek van Theo van Hoytema (1977), nr 67. Van Hoytema tekende ook de menukaart voor het promotiediner (nr 68) en een exlibris voor Van Haeften(nr 45).

      [Bookseller: Antiquariaat A.G. VAN DER STEUR]
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        Sunshine and storm in Rhodesia : being a narrative of events in Matebeland both before and during the recent native insurrection ... by Frederick Courtenay Selous ... With map and numerous illustrations

      London : Rowland Ward & Co., Limited, 1896, Hardcover, First Edition. Near fine copy in the original title-blocked pictorial cloth and zebra end papers with original folding. Added title with page engraving with a tissue guard. Slightest suggestion only of dust-dulling to the spine bands and panel edges. Remains particularly well-preserved overall; tight, bright, clean and strong. Provenance; from the library of John Trotter, Esq. with his bookplate bearing the inscription 'Festina Lente' with original publisher's bookmark loosely inserted. Physical description; xvii, 290 p., [11] leaves of plates (incl. map), [10]p. : ill.., map (folded). Notes; With an index and five final advertisement leaves. Subjects; Zimbabwe - Description and travel. Zimbabwe - History - Ndebele Revolt, 1896. 290 pages. Inventory No: 240350.

      [Bookseller: MW Books Ltd.]
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        A Handbook of Bandy, or Hockey on the Ice

      Horace Cox, London 1896 - First edition. Gray cloth boards ruled in black and titled in gilt. 57,(3),(4 ads)pp. Frontispiece photograph, line drawings and diagrams throughout. Moderate soiling, else a very pleasing, near fine copy. While other books on winter sports discuss hockey and bandy, this is the very first book solely devoted to hockey. Inscribed on the front pastedown: "R.H. White from C.G. Tebbutt. Jan 1896." The sports ice hockey and bandy (which usually has larger teams, and rules that in some ways emulate soccer) were mostly synonymous at the time, although the game we are familiar with today evolved away from bandy to follow the Canadian rules. The Tebbutt family, Arnold, Neville, and Charles Goodman, all contributed to this book, although Arnold is given pride of place as author on the title-page. Of the three, C.G., who inscribed this copy, was probably the most influential: he introduced hockey into Sweden in 1894, and also organized the first international Bandy match, in 1891 between English and Dutch teams. A rare book, neither OCLC nor RLIN records a copy, and we have never seen another. [Attributes: First Edition]

      [Bookseller: Between the Covers-Rare Books, Inc. ABAA]
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        Syria from the saddle.

      Silver, Burdett and Company,, New York, Boston, Chicago, 1896 - EA. New York, Boston, Chicago, Silver, Burdett and Company, 1896 8°., 318 S. mit (fotogr.) Illustrationen i. Text u.a. Tafln. Titelportrait unter Transparent-Schutzblatt. Ill. O-Leinen (Goldprägung), Kopfgoldschnitt, Vorder- und Stehlkante unbeschnitten. Sehr gutes Exemplar. Sprache: de Ill. O-Leinen (Goldprägung), Kopfgoldschnitt, Vorder- und Stehlkante unbeschnitten. Sehr gutes Exemplar. [Attributes: Hard Cover]

      [Bookseller: Signum Antiquariat]
 31.   Check availability:     ZVAB     Link/Print  


        COMICAL CUSTOMERS

      Ernest Nister 1896 - First edition. Original cloth backed glazed pictorial boards. A good copy, with some wear to the corners and spine a sizeable chip torn from the corner of the front end paper. Internally fresh and clean. Tipped in chromolithograph frontispiece and numerous black and white illustrations throughout by various artists including Beatrix Potter, Louis Wain, and W. Foster. The most significant contribution is nine line drawings by Beatrix Potter (signed HBP) to accompany a verse entitled "A frog he would a fishing go". There is also a full page black and white image after a pen and gouache drawing by Potter, to accompany "The Story of Violante and the Silver Sixpence". These illustrations, which had their genesis in a picture letter to Eric Moore of September 1893, were offered (and after some horse trading, sold) to Nister in 1894. Potter had hoped Nister would publish them as the contents of a small booklet, but Robert Mack of Nister had replied that, "people do not want frogs now. The only way we could use it would be as a double page in our 'Annual'.". The illustrations duly appeared occupying three pages accompanying the verse "A Frog he would a fishing go", by another author. In due course Potter bought back the copyright (and blocks) for the illustrations and developed them to be published in 1906 as The Tale of Jeremy Fisher. The separate full page image depicts two young kittens looking in a shop window being watched by the shop keeper, knitting in the doorway, over which is the sign, "Squintina Tabby / Licensed to sell / Tea". The image carries the caption "What shall we Buy?". Leslie Linder's The History of the Writings of Beatrix Potter shows a rough sketch of the old tabby (facing p.179), noting that it was "for a picture sold to Ernest Nister". An original version of this image was sold as part of the property of Bertram Potter at Sotheby's July 2008. Comical Customers is now extremely scarce. Cotson (Potter) 562; [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Jonkers Rare Books]
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        Leaves from a Diary in Lower Bengal. By C. S. (Retired). With maps and illustations from sketches by the author, including etchings by Robert Farren.

      London: Macmillan and Co., Ltd., 1896 - Tall octavo. Original red and brown cloth, titles to spine and front cover gilt, decorative gilt rule to covers, dark blue coated endpapers, top edge gilt, others untrimmed. A little marked overall, rubbing to extremities, spine sometime expertly repaired, occasional light foxing; a very good copy. Frontispiece, 43 plates and 2 maps, 1 of which is folding. First edition of this agreeable account of life in the Indian civil service in Chittagong and Calcutta from 1862 to 1870. "Clay's life emerges as slight on work and heavy with the hunt as he lurches about pig-sticking and shooting tigers, bears, and natives with an indifferent skill" (Riddick); he was invalided back to England after being badlymauled by tiger. Uncommon, with no copies traced at auction. Halkett vol. 2 p. 251; Matthews, British Autobiographies, p. 41; Riddick 305. [Attributes: First Edition]

      [Bookseller: Peter Harrington. ABA member]
 33.   Check availability:     ZVAB     Link/Print  


        The Island of Doctor Moreau.

      London, William Heinemann, 1896 (1st.ed.). Hardback, approx 7.5 x 5 inches. In light brown cloth with black and red lettering to spine and front and black and red design to front. Embossed “Boots Library” stamp logo to front. ‘WH’ monogram to rear. In very good condition. Cover is darkened and a little worn; Corners bumped and edges rubbed, small nicks to corners. Hinges cracked, endpapers slightly darkened. Some darkenign to front tissue guard. Else inside pages all very clean and tight throughout. Very Scarce. 219pp. with an illustrated b&w frontispiece.

      [Bookseller: The Antique Map & Bookshop]
 34.   Check availability:     Biblio     Link/Print  


        In Sunny Australia. A Novel

      George Robertson & Company, Melbourne 1896 - Full dark blue morocco, extensively and attractively gilt-decorated on all surfaces, with gilt inner dentelles, all edges gilt; stamped in gilt at the foot of the front pastedown is 'Geo. Robertson's Binding'. The verso of the initial binder's blank is inscribed 'To The Hon G.H. Reid Esqre with kind regards. October 29th 1896'. Trove records the first newspaper reviews for this novel of station life in October 1896. We have not identified the handwriting, but it is highly likely this is a presentation inscription from the author herself to George Reid, at that time Premier of NSW, and later (August 1904 to July 1905), the fourth Prime Minister of Australia. Please use the 'Ask Bookseller a Question' link below to confirm availability and postage charges.

      [Bookseller: Michael Treloar Booksellers ANZAAB/ILAB]
 35.   Check availability:     AbeBooks     Link/Print  


        Holzschnitt von Felix Vallotton (1865-1925).

      [1896]. 1896 - 35,5 x 27 cm. Auf bläulichem Papier. Unter Passepartout (44,5 x 33,5) Die Arbeit des Schweizer Künstlers erschien 1896 in der Zeitschrift "Pan".

      [Bookseller: Musikantiquariat Marion Neugebauer]
 36.   Check availability:     IberLibro     Link/Print  


        Natuur- en wiskundige verhandeling over het aanleggen en versterken der dyken (...) uit het Latijn vertolkt (...) vermeerderd, door Jan Esdre. Leiden, Le Mair, 1778 [colophon: Van Hoogeveen, 1777].

      "Kartonnen omslag, 16+294 pag. Geillustreerd met 2 uitvouwbare gravures. Oude eigendomsmerken met pen: Van Maanen; J. Kloos 1896.".

      [Bookseller: Antiquariaat A.G. VAN DER STEUR]
 37.   Check availability:     NVvA     Link/Print  


        The Well at the World's End

      London: Longmans, Green & Co., 1896. First Edition. Hardcover. Very Good +. Longman's, Green and Co, 1896. Two volume set. [i-iv] v-vii [viii], 1-378 [379: printer's imprint] 380: blank]; & [i-iv] v-vi, [1-2] 3-279 pp [280: printer's imprint], double flyleaves at front and rear of each volume. First printing, first trade edition (printed in 1893 but delayed by the Kelmscott Press edition. Follows the Kelmscott Press limited first edition issued the same year. Printed on watermarked “B A S” hand-made paper at the Chiswick Press by Charles Whittingham & Co., London. Tall Octavos. 9" x 5¼" (23 x 14.5cm). Pages uncut. Bound in original quarter Holland-backed blue paper boards, with paper title-labels to white linen spines. Unlike other authors who wrote of foreign lands or of dream worlds, Morris was the first to describe completely invented or fantasy worlds. His work—and these volumes in particular—served as a source of inspiration for H.G. Wells and J.R.R. Tolkien, who each praised his work, as well as greatly informing the writings of C.S. Lewis. "One of the most complex and beautiful fantasy quests ever written." The set is in quite good condition, being clean and solid with little discoloration to the linen, intact labels with some minor chipping at edges, though the first three letters of MORRIS are missing on Vol. I. Clean boards showing minor edge wear and little wear to the tips, excepting the upper back corner of the back cover of volume II. No internal marks, spotting, or foxing whatsoever. Attractive bookplate of Georgie L. Brooks in both volumes. Very Good+. [Magill, Survey of Modern Fantasy Literature V, p. 2091, Colbeck 78]

      [Bookseller: MRM Books]
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        In and Beyond the Himalayas

      Edward Arnold, London 1896 - 330 pp, ill. Sport and travel in the abode of snow. Superior Asian sheep hunting title with much on ibex and markhor. Hunting for seven different species of Asian sheep will excellent descriptions of the hunting country. Recased in original gilt cloth with new endpapers, markhor stalking scene on front cover, engraved frontis of a markhor by Whymper. A really great reading Asian sheep hunting book. Corners lightly bumped, spine tips professionally strengthened. Gilt is bright. Text block is fine. [Attributes: Hard Cover]

      [Bookseller: Trophy Room Books]
 39.   Check availability:     AbeBooks     Link/Print  


        In Haunts of Wild Game. A Hunter-Naturalist`s Wanderings from Kahlamba to Libombo.

      Edinburgh u. London, William Blackwood and Sons 1896. - EA. "One of the classics of African sport, this book describes the author`s hunting experiences in Portuguese East Africa and the eastern Transvaal. He relates hunting in the rugged Kloof country after bushbuck, kudu, and leopard. In the Khalamba foothills, he bagged buffalo . He also hunted sable, giraffe, and wildebeest. Two long chapters on lion hunting are also featured. Complementing the text are excellent illustrations by Charles Whymper" (Czech, African, S. 89). Gr.-8°. XVI, 576 S. Mit Porträt-Front, 15 ganzseit. Abb. auf Taf., 24 Textillustrationen und einer gef., farb. Karte. OLeinenbd. m. braungedr. Deckelbild, schwarzgepr. Deckel- u. goldgepr. Rü.titel. Bindung geringf. gelockert, Einbd. u. Schnitt angestaubt, Ecken bestoßen, Unterkanten berieben, tls. stockfleckig u. eselsohrig, hint. Vorsatz m. Signaturen v. alter Hd.

      [Bookseller: Antiquariat Löcker]
 40.   Check availability:     ZVAB     Link/Print  


        Histoire Generale des Arts Appliques a L'Industrie, du Ve a la Fin du XVIII Siecle

      Levy, Paris, 1896. First Edition. Hardcover (Half Leather). Very Good Condition/No Dust Jacket. MOLINIER, EMILE. Histoire Generale des Arts Appliques a L'Industrie, du Ve a la Fin du XVIII Siecle, 4 volumes, Paris: E. Levy et Cie, 1896-??. Folios, No. 392 of an edition of 750, green cloth boards three-quarter bound in black morocco with gilt lettering and floral decoration to spines, all edges gilt, gravure plates, illustrations in text, former copy of the American financier George J. Gould, with his bookplate on the front pastedowns. There was no Tome V but a Tome VI (Les tapisseries, by a different author) emerged in 1911. Tome I, Ivoires, pp. x, 245, 24 plates. Tome II, Les Meubles du Moyen Age & de la Renaissance, Les Sculptures Microscopiques -- Les Cires, pp. 244, 22 plates. Tome III, Le Mobilier au XVII et au XVIII Siecle, pp. xi, 273, 23 plates. Tome IV, L'Orfevrerie Religieuse et Civile, pp. 297, 21 plates. These books are very heavy, about 22 kilograms total. They measure 45x32 cm, will ship in 2 packages for safety. Condition of these books: Very good and sound, spots of discoloration to the covers, boards rubbed at edges, front joint of Tome IV is starting, likewise Tome III, which has a chip in the upper spine. Size: Large Folio (bigger than A3). 4-volume set (complete). Text is in French. Text body is clean, and free from previous owner annotation, underlining and highlighting. Binding is tight, covers and spine fully intact. All edges clean, neat and free of foxing. Quantity Available: 1. Shipped Weight: Over 3 kilos. Category: Art & Design; France; 19th century; French Language; Antiquarian & Rare. Pictures of this item not already displayed here available upon request. Inventory No: 53475. . This book is extra heavy, and may involve extra shipping charges to some countries.

      [Bookseller: Rarities etc.]
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        The Savoy - Nos. 1 - 8.

      Leonard Smithers, London., 1896. First edition. Quarto. Eight volumes in three: pp.170, iv (adverts); 206; 110; 100; 92; 100; 96; 101. Copiously illustrated. Original publisher's blue buckram with lavish gilt decorations by Aubrey Beardsley who also designed most of the covers for the separate issues. Original wrappers bound in. The Beardsley Christmas card which is often missing is tipped in opposite page 170 of the second issue in the first volume.The quintessential 1890s periodical with prose and poetry contributions by the editor, G. Bernard Shaw, Paul Verlaine (translated by Arthur Symons), Max Beerbohm, Ernest Dowson, Aubrey Beardsley, W.B. Yeats, Selwyn Image, John Gray, Frederick Wedmore, Edmund Gosse, Vincent O'Sullivan, Hubert Crackanthorpe, Stéphane Mallarmé (translated by George Moore), Edward Carpenter, Lionel Johnson, Ford Madox Hueffer, Joseph Conrad etc; illustrations, a good many by Aubrey Beardsley, with others by C.H. Shannon, J. McNeill Whistler, Max Beerbohm, W. Rothenstein, Joseph Pennell, William Blake, Phil May, etc. Cover edges a little rubbed and bumped. Inner front hinge of Vol. I cracked. Very good, bright and attractive set.

      [Bookseller: Peter Ellis bookseller]
 42.   Check availability:     Biblio     Link/Print  


        CATALOGUE DE LA BIBLIOTHÈQUE DE M. FERNANDO PALHA

      Imprensa Libanio da Silva, Lisboa 1896 - 4 vols de [4]-152 / [4]-301 /[4]-338 / [4]-191-[1] pp. Encadernados em 2 volumes em inteira de chagrin, Com ferros a ouro na lombada, pastas e seixas, mantendo todas as capas de brochura. Importante catálogo desta preciosa biblioteca que foi inteiramente adquirida pela Universidade de Harvard. Size: In-4º (280x215) [Attributes: First Edition; Hard Cover]

      [Bookseller: CIMELIO BOOKS]
 43.   Check availability:     AbeBooks     Link/Print  


        THROUGH JUNGLE AND DESERT, Travels in Eastern Africa

      London and New York Macmillan & Co., Ltd. 1896 - First edition, the London issue, printed and bound from the American sheets with title-page imprint reversed. A note in the books states that this copy was bought directly from the author's grandson. Profusely illustrated throughout based on photographs taken from the author, and with one (of two) of the large folding maps that are so frequently missing from the pocket at the end. So many copies have less than the two maps called for that one suspects they weren't always inserted in every book. Thick 8vo, publishers original navy cloth, with gilt vignette of a lion's head on the upper cover, gilt lettering to the spine, t.e.g. xiv, 535 pp. An unusually nice copy, the cloth in fine shape with almost no wear and only a light touch of mellowing to the spine panel, still very handsome, the hinges a bit shaken but strong and holding firmly, the text block quite bright and well preserved, solid and sturdy, unobtrusive evidence of old damp to the lower gutter, beginning in the final third of the book and reaching the text only in the final quarter, in all cases very mild. RARE FIRST EDITION OF A PRIMARY AFRICAN WORK. The work includes a good deal of material on travel and exploration in Africa and is also a very important work on "big game hunting in Eastern Africa. [The] author hunted exhaustively and saw many new species, one of which was named for him. He traveled with Lt. Von Höhnel and had the same guide as Sir Samuel Baker. [Much of his] hunting was between the Tana and Juba rivers. The work is considered one of the finest reading books on African hunting and travelling." - Ellen Enzler. From a long line of eminent New York families, the author was a soldier, explorer, and politician who later served as U.S. Representative from New York. He was a friend of Teddy Roosevelt, who he thanks in the preface. He spent three years in Africa and became a fellow of the American Geographical Society, the Royal Geographical Society and the Imperial and Royal Geographical Society of Austria. [Attributes: First Edition; Hard Cover]

      [Bookseller: Buddenbrooks, Inc. ABAA]
 44.   Check availability:     AbeBooks     Link/Print  

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