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Displayed below are some selected recent viaLibri matches for books published in 1896

        Turm von Babel].

      Ölbild auf Karton. 29 x 36, 5 cm. (Blattgr.). Rücks. m. Nachlaß-Stempel. Erwin Stolz (Gießhübl 1896 - 1987 Wien).

      [Bookseller: Antiquariat Burgverlag]
 1.   Check availability:     booklooker.de     Link/Print  


        Icones Orchidearum Austro-Africanarum Extra-Tropicarum ; Figures, with Descriptions, of Extra-Tropical South African Orchids - 3 Volumes

      William Wesley & Son, London, 1896-01-01. First Edition. Hardcover. Very Good. 3 volumes. *Important Note: Lacking volume I, part I.* Contains: Vol. 1 part III, Vol. II, Vol. III. Limited edition of 250 copies. Profusion of lithographic color plates. 26 cm. Bound in publisher's cloth. Hardcover. Good binding and cover. Clean, unmarked pages. Mendelssohn I p. 149; SABIB 1 p. 237; Hosken p. 21. <br> Bolus began to take a special interest in Orchidaceae after his first trip to Kew. His first publications on Orchidaceae appeared in 1882 when besides his 'Notes on some Cape orchids' he published 'A list of published species of Cape orchideae' prepared largely during a visit to Kew in 1881. He published The orchids of the Cape Peninsula in 1888 many of the 102 species which he described being illustrated with partly-coloured plates which he prepared himself. This work was followed in 1893 by the first volume of his Icones orchidearum Austro-Africanarum extra-tropicarum. Although he worked on two volumes the second did not appear until just after his death in 1911. A third volume was edited and completed by Miss H. M. L. Kensit with nine extra plates painted by his son Frank Bolus (1870-1945) and published in London in 1913." ÃÆ'¢â‚¬â€œ DSAB I p. 90."<br> Other Titles: Icones orchidearum austro-africanarum extra tropicarumFigures, with descriptions, of extra-tropical South African orchidsOrchids of South Africa. London : W. Wesley, 1896-1913.

      [Bookseller: SequiturBooks]
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        Aquarellierte Bleistiftzeichnung des Elternhauses des Künstlers mit von ihm handgeschriebenen Sinnspruch. Signiert und mit Weihnachten 1886 datiert.

      Bildmaß der Darstellung ca. 28 x 34 cm ( Höhe x Breite ), Blattmaß ca. 31 x 38 cm, alter unter Passepartout und Glas gerahmt ( Rahmenmaß 42 x 50 cm ). Das Blatt links unten signiert sowie untenstehend mit *Weihnachten 1896 * vom Künstler datiert. Das schöne Blatt zeigt das Elternhaus der Künstlers vor dem die beiden Kinder ( Albert und seine Schwester ) die nach Hause kommenden Eltern begrüßen. Untenstehend mit von A. Wirth geschriebenem mit Rosen und Putto sowie Veilchen geschmückten Sinnspruch *So lieblich wie dereinst, noch stehst du heute so wie ich dich im Herzen trage. Vaterhaus! Du Ort der schönen Zeit, der sorgenlosen Jugend goldenen Tage. * Weiter unten rechts *Zur Erinnerung an deinen Freund Albert Wirth *. Das Blatt gebräunt, gering fleckig, das Passepartout etwas fleckig, der Rahmen gering bestoßen. ( Literatur: u.a. Thieme-Becker, Band XXXVI, Seite 101 ) ( Weitere Bilder auf Anfrage further pics at request )

      [Bookseller: Antiquariat Friederichsen]
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        German Social Democracy Six Lectures. With an Appendix on Social Democracy and the Woman Question in Germany

      London: Longmans, Green, and Co, 1896. First edition, first issue, in maroon cloth. Book measures 7 1/2 x 5 1/4 inches. Collation, xiv,204pp, 32pp catalogue, half title present. Bound in original publishers maroon cloth, with gilt lettering on spine, blind stamp lettering on top board. Cloth very lightly rubbed, very minor abrasion wear, slight lean and fading on spine. A very nice clean binding. Internally, light browning to endpapers, occasional very minor spotting. Pages in very good clean condition. A very nice copy. . First Edition. Publishers Cloth. Very Good Plus. 8vo.

      [Bookseller: George Jeffery Books]
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        Affiche Chéret Grands Magasins du Louvre Etrennes 1897

      Imprimerie Chaix (Ateliers Chéret) 1896 - Paris, Imprimerie Chaix (Ateliers Chéret), 1896 - Toilée, 88 cm x 125 cm &#150; Affiche de Jules Chéret pour les Grands Magasins du Louvre &#150; Quelques légers manques à restaurer sinon bon état [Attributes: First Edition]

      [Bookseller: Librairie Sedon]
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        Das Buch der Erfindungen. Gewerbe und Industrien. Gesamtdarstellung aller Gebiete der gewerblichen und industriellen Arbeit sowie von Weltverkehr und Weltwirtschaft. Neunte, durchaus neugestaltete Auflage

      Leipzig: Verlag Otto Spamer 1896-1901 OHLDr. mit farb. goldgepr. Rückenschild, LDr.-Ecken, gemusterte Deckelbezüge, dreiseitig marmorierter Schnitt, VIII+742; XII+792; VII+639; VIII+758; VIII+605; VIII+725; VIII+656; VIII+733; XI+764; VII+632 Seiten, 18 x 25,5 cm, Bindung von Max Herzig, Band 2 von Otto Spamer, von au=en etwas berieben, innen bei der Bindung manchmal leicht stockig, insgesamt guter Zustand. Alle Bände mit eigenem Register, aus dem Inhalt: Bd. 1: Entwickelungsgang und Bildungsmittel der Menschheit. Entwickelung der Baukunst. Faulwasser: Technik des Bauwesens. Ortsanlagen. Gemeinnützige bauliche Einrichtungen der modernen Städte. Beleuchtung, Heizung, Ventilation. Mit 854 Textabbildungen sowie 13 Chromotafeln und Beilagen; Bd. 2: Die Kräfte der Natur und ihre Benutzung - Physikalische Technologie. Die Mechanik oder die Lehre von der Bewegung der Körper. Die physikalischen Erscheinungn und Kräfte, ihre Erkenntnis und Verwertung im praktischen Leben. Die Kraftmaschinen. Mit 986 Textabbildungen sowie 3 Beilagen; Bd. 3: Die Elektrizität, ihre Erzeugung und ihre Anwendung in Industrie und Gewerbe. Mit 824 Textabbildungen sowie 11 Beilagen; Bd. 4: Landwirtschaft und landwirtschaftliche Gewerbe und Industrien. Mit vielen Fachbeiträgen. Mit 629 Textabbildungen sowie 9 Beilagen; Bd. 5: Bergbau und Hüttenwesen. Mit vielen Fachbeiträgen. Mit 608 Textabbildungen sowie 12 Beilagen; Bd. 6: Die Verarbeitung der Metalle. Mit vielen Fachbeiträgen. Mit 1617 Textabbildungen sowie 6 Beilagen; Bd. 7: Die Industrien der Steine und Erden. Chemische Industrie. Mit vielen Fachbeiträgen. Mit 601 Textabbildungen sowie 3 Beilagen; Bd. 8: Verarbeitung der Faserstoffe: Holz-, Papier- und Textilindustrie. Mit vielen Fachbeiträgen. Mit 687 Textabbildungen sowie 5 Beilagen; Bd. 9: Der Weltverkehr und seine Mittel. Erster Teil. Mit vielen Fachbeiträgen. Mit 764 Textabbildungen sowie 14 Beilagen; Bd. 10: Weltverkehr und seine Mittel. 285 Textabbildungen, 3 Beilagen.Technik, Handwerk, Industrie

      [Bookseller: Antikvariát Valentinská]
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        THE POEMS OF SIR JOHN SUCKLING.

      - Pp. [ii]+cxviii(last colophon, verso blank), elaborate 'honeysuckle' decorative border to first text page, numerous decorative initials; qr. light blue/grey paper with printed paper title label on spine, buff papered boards patterned with a rose and leaf design in green, both papers a trifle soiled; uncut; free endpapers offset; Hacon & Ricketts [Vale Press], London, 1896. Watry B3. *Printed at the Ballantyne Press. Edited by John Gay, with woodcut border and initials by Charles Ricketts. 'A frequent visitor to the Vale since the late 1880s, John Gray was a librarian at the foreign office and had gained a reputation as something of a dandy . [who] became identified as the original of Oscar Wilde's fictional creation Dorian Gray' [Watry, p. 120]. The Cavalier poet Sir John Suckling (1609-1642) is credited with having invented the card game cribbage. Suckling was a gentleman of the privy chamber to Charles I, and a friend of the poets Thomas Carew, Richard Lovelace and Sir William Davenant. [Attributes: Hard Cover]

      [Bookseller: Kay Craddock - Antiquarian Bookseller]
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        LA COUTELLERIE DEPUIS L'ORIGINE JUSQU'A NOS JOURS. LA FABRICATION ANCIENNE & MODERNE.

      Imprimerie H. Riviere, Chatellerault, France 1896 - Complete in six volumes. Rebound in modern gray cloth with minor shelfwear. Original blue printed wrappers bound-in. 2008 pages of text in total. Illustrated with 334 plates including 2 in color. The wrappers are moderately soiled, with minor soiling, creasing and a few small chips. The text is lightly and evenly browned. Published between 1896-1904. The texts are clean and unmarked. First editions. Size: Quarto (4to) [Attributes: First Edition; Hard Cover]

      [Bookseller: Kurt Gippert Bookseller ABAA]
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        The Works.

      Hammersmith Kelmscott Press 1896 - Folio, edition limited to 425 copies, edited by F.S. Ellis, and W.W. Skeat, printed in red and black, 87 wood-engraved illustrations designed by Edward Burne-Jones, woodcut borders, frames, ornaments and initials throughout, near contemporary blue morocco by Sangorski & Sutcliffe, spine in seven compartments gilt lettered in second, gilt edges, slipcase, an excellent example. The most splendid book produced by the Kelmscott Press, and one of the finest illustrated books ever produced. William Morris, the 19th-century designer, social reformer and writer, founded the Kelmscott Press towards the end of his life. He wanted to revive the skills of hand printing, which mechanisation had destroyed, and restore the quality achieved by the pioneers of printing in the 15th century. The magnificent Works of Geoffrey Chaucer, published in 1896, is the triumph of the press. Its 87 illustrations are by Edward Burne-Jones, the celebrated Victorian painter, who was a life-long friend of Morris. The Kelmscott Chaucer set a new benchmark for book design at the end of the 19th century. It was also the last great project of Morris' life, bringing together two of his passions. First, his love of medieval literature, which inspired the subjects and style of much of his own writing; Second, his socialist philosophy, which looked back to a time before mechanization and division of labour had destroyed, as he saw it, the personal fulfillment and social function of meaningful work. The book was exceptional in its ambitious number of illustrations and rich decorative borders. "If we live to finish it," Burne-Jones wrote, "it will be like a pocket cathedral &#150; so full of design and I think Morris the greatest master of ornament in the world." Morris and Burne-Jones worked on the book for four years. Early in 1892, two trial pages were set in one of Morris' types, called 'Troy'. The results were not satisfactory, the problem being the type size. A smaller version of the same design was cut, and christened 'Chaucer'. Morris had intended to begin designs for the decorative borders immediately, but illness prevented him from starting until a year later. Meanwhile, Edward Burne-Jones spent every Sunday on the book's 87 illustrations, working long hours in fear that Morris might die before the project was finished. His pencil drawings were painted over in Chinese white and Indian ink by R. Catterson-Smith, whose interpretive role is often overlooked. The black and white designs were then transferred to wooden blocks and engraved by William Harcourt Hooper. On seeing the first copy, Burne-Jones wrote: "When Morris and I were little chaps at Oxford, if such a book had come out then we should have just gone off our heads, but we have made at the end of our days the very thing we would have made then if we could." (British Library Online Gallery). [Attributes: Hard Cover]

      [Bookseller: Shapero Rare Books]
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        THE X RAY OR PHOTOGRAPHY OF THE INVISIBLE AND ITS VALUE IN SURGERY

      American Technical Book Co., New York, NY 1896 - 196pp+ List of Radiographs + 32p b/w radiographs. Name of a previous owner in pencil on the ffep, otherwise an excellent copy of the rare first edition. Size: 12mo - over 6¾ - 7¾" tall [Attributes: First Edition; Hard Cover]

      [Bookseller: OLD AUTHORS BOOKSHOP]
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        Rivista industriale e commerciale di Genova e provincia

      Genova,Stab.Tip.A.E.Bacigalupi(E.Trevisani editore) 1896 - In-4°.232 pp. e numerosissime tavole fotografiche fuori testo.Legatura in tela percallina con titoli in oro al dorso e al piatto anteriore. Preziosa documentazione dell'attività cantieristica,industriale e commerciale genovese al tramonto del secolo XIX.Ogni attività industriale e commerciale viene presentata con ampia dissertazione e documentazione fotografica delle sedi e dei prodotti.Buon esemplare di un documento a stampa assai raro e utile a riscrivere la storia dell'industrializzazione italiana. [Attributes: Hard Cover]

      [Bookseller: La carta bianca studio bibliografico]
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        Daily Resolves (Gem Series)

      Ernest Nister and E.P. Dutton & Co. 1896 - First edition. Pictorial boards backed in white cloth. Very Good+ with 1912 gift inscription on front flyleaf. light foxing to endpapers, a hint of soiling and light wear to covers. A nice copy. The famous African-American educator, author, speaker, and leader's rare first book, a small collection of inspirational quotes with multicolor illuminated-manuscript-style illustrations, printed in Bavaria, Germany. [Attributes: First Edition; Hard Cover]

      [Bookseller: Burnside Rare Books]
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        MOUNTAINEERING AND EXPLORATION IN THE JAPANESE ALPS.

      - London 1896, Murray. Original green cloth, rebacked using the original back strip, 346p., 35 b.w. photos, illustration 2 foldout maps, index, 16 x 24 cm.,mostly uncut, a few pages mended, else solid, clean copy with new end papers. RARE This is perhaps the most famous and important single work on Japan's mountains. It is also an early guide to Japan & her byways. * The author covered his ascent of Karuisawa & famous volcanos in the region, including Japan's Matterhorn, Komagatake and the magnificient panoramas of Saddle Peak, Umbrella Peak, Akaiishi San, mountain railway Zenkoji, Harinoki Pass, Ryu- zanjita hot springs, Toyama's wild ravines and primitive bridges. Continuing up Nakasendoh, the Alps from end to end, earthquakes, Naoetsu landslip and the lovable: "English as she is Japped." * With a final chapter on Korean Exorcism. * CONDITION: This book was bound in very thin blue pictorial cloth, so it has a tendency to show spine head/tail and corner wear, and is easily faded. Most copies are in this normal antiquarian state. If you require a more detailed description or scans of the actual copy you are interested in please do not hesitate to inquire. * A unique insight to travel throughout Japan, food, lodging, pilgrims, unusual customs and a host of fascinating other keen insights and commentaries. Wonderfully written, a lucid and enjoyable resource! * This is the First and only Edition. Always R A R E !

      [Bookseller: RARE ORIENTAL BOOK CO., ABAA, ILAB]
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        Les Almanachs Français Bibliographie - Iconographie Des Almanachs, Années, Annuaire [1896 #14 Of 30]

      Alisie, Paris 1896 - 6 color and b/w. ; ". .calendriers, chansonniers, étrennes, états, heures, listes, livres d'adresses, tableaux, tablettes et autres publications annuelles éditées à Paris 1600-1895. " [The French almanacs. Bibliography-iconography of almanacs, years, yearbooks, calendars, chansonniers, presents, registers, hours, lists, address books, tables, tablets and other annual publications published in Paris (1600-1895). ] Color frontis, 3/4 dk green leather . Colophon followed by cancel stub bearing a printed spine strip with a price of CHINE 100F. With spine faded to dk brown over marbled boards. Matching marbled end papers. Provenance- Henri Bonasse; David R Godine; miniature bookplates. 7.5" x 10.5", 6 pounds. Top edge gilt, other edges uncut. Bound in original beige stiff wraps. 5 color plates. Limited edition of 30 CHINE paper. There were 1200 copies in all with 30 on CHINE and 20 on Japon paper, the balance being on Velin. [Attributes: First Edition; Soft Cover]

      [Bookseller: poor man's books (mrbooks)]
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        Bracebridge Hall or the Humourists, 2 Vols. Heyliger Edition

      G. P. Putnam & Sons, 1896. Leather Bound. Good. Heyliger Edition. Number 4 of only 100 copies. 1896. Publisher's faun calf, decorated in gilt, gilt labels, Plates. Beautifully illustrated! Pictorial margin embellishments. Both books in good condition with some scratches and scrapes to leather covers and spine. Interior pages in very good condition with bright and clean pages, no marks or writings, bindings sound. More images upon request.

      [Bookseller: Prestonshire Books]
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        Der Wiener Congress. Culturgeschichte, die Bildenden Künste und das Kunstgewerbe, Theater - Musik in der Zeit von 1800 bis 1825.

      Folio. VIII, 307(1) S. Mit 47 tls. farb. Tafeln (in untersch. Drucktechniken: Heliogravure, Radierung) und zahlr. Textabb. Dekorativer, roter OLnbd. m. reicher Deckel- u. Rückenvergoldung (von F.W. Papke nach der Original-Enveloppe der Wr. Congress-Acte) sowie gemust. Schnitt u. Vorsätzen. Einbd. etw. berieben u. staubfl., Unterkante des Vorderdeckels abgewetzt, ersten Bll. leicht abgegriffen, Tit. m. überklebt. Stemp., ansonsten tadellos. Slg. Mayer 611 Dahlmann/W. 12929. Nr. 226 von 500 numerierten Exemplaren (Gesamtaufl. 550). Prachtvoll ausgestattetes Werk von großem kulturgeschichtlichem Wert. Das vorliegende, dem Kaiser Franz Joseph I. gewidmete Werk wurde angeregt durch die Wr. Congress-Ausstellung (1896) um "der Kunst und Kultur jener bedeutsamen, für uns Österreicher besonders denkwürdigen Zeit ein künstlerisches und literarisches Denkmal zu setzen" (aus dem Vorw.). U.a. mit Kapiteln über Goldschmiedekunst, Möbel, Glas, Costüme, geistige Strömungen etc. Unter der Redaktion von Eduard Gustav Adolf Emerich Leisching (1858-1938), dem österreichischen Kunsthistoriker und Direktor des Museums für angewandte Kunst in Wien, dessen Aufbau einen bedeutenden Teil seines Lebenswerkes bildete. - Mit Beiträgen von Bruno Bucher, Joseph Folnesics, Eugen Guglia, Ludwig Hevesi, Carl v. Lützow, Hans Macht, Carl Masner, Alois Riegl, Franz Ritter, Wilhelm Frhr. v. Weckbecker u. Hugo Wittmann.

      [Bookseller: Antiquariat Löcker]
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        Map of the City of Tokyo. Tokyo, Nihondo, Meiji 29

      1896 - First Edition. Folding map in colour, 72x51cm, original boards [Attributes: First Edition]

      [Bookseller: Far Eastern Booksellers / Kyokuto Shoten]
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        II ? ?????????? ????????? 14 ??? 1896 ?. [Announcement of the Coronation of Nicholas II and Alexandra Feodorovna on 14 May 1896].

      A.A. Levenson Moscow 1896 - Broadside (40 x 28 cm). Chromolithograph after Petrov-Ropet, printed in gold and various colours; soiled, corners slightly creased, three small marginal holes from pins. Highly decorative announcement of the coronation of the last Russian tsar Nicholas II and his spouse held at the Cathedral of the Assumption in Moscow. Ivan Ivanovich Ropet (Petrov), 1845-1908 was a leading exponent of the Neo-Russian style, derived from seventh century Russian architecture and folk art. He designed the bath-house and museum at Abramtsevo.

      [Bookseller: Shapero Rare Books]
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        Report on the Work of the Horn Scientific Expedition to Central Australia. [Volume 1: Introduction, Narrative, Summary of Results, Supplement to Zoological Report, Map. Volume 2: Zoology. Volume 3: Geology and Botany. Volume 4: Anthropology]

      London, Dulau, 1896. Quarto, four volumes, [ii], xviii, 220 pages with illustrations and a map plus 11 pages of plates and a large folding map (650 x 615 mm); [ii], iv, 432 pages with illustrations plus 28 pages of plates (1 folding, 11 in colour) and a corrigenda slip at page 1; [vi], 204 pages with illustrations plus 9 pages of plates (2 folding); and [vi], 200 pages with illustrations plus 20 pages of plates (6 folding, 4 of them in colour). Original dark blue cloth lightly marked and rubbed, with a few corners a little bumped; endpapers and first and last pages in each volume offset; small neat ownership signature on each front flyleaf; an excellent set throughout, uncut and partially unopened. The purpose of this scientific expedition, sponsored by mining magnate and philanthropist William Austin Horn, and with Charles Winnecke as commander and surveyor, was to examine the MacDonnell Ranges on the not unreasonable premise that 'when the rest of the Continent was submerged the elevated portions of the McDonnell [sic] Range existed as an island, and that consequently older forms of life might be found in the more inaccessible parts'. This in fact proved not to be the case, but the expedition (of some fourteen weeks and 2000 camel miles undertaken between May and August 1894) was an outstanding success. 'It was not the intention ... to explore a new region ... But in the pursuit of natural history the expedition split into independent groups and explored undiscovered areas, thus filling in more of the blank spaces in this vast region' (Feeken, Feeken and Spate). 'These volumes constitute one of the most substantial contributions in nineteenth-century Australian exploration [but perhaps more importantly, the expedition is] a landmark in anthropological history because it resulted in [Baldwin] Spencer meeting Frank Gillen' (Mulvaney).

      [Bookseller: Michael Treloar Antiquarian Booksellers]
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        FoC: [Griechenbeisl, Wien], s.a. [1950er-Jahre]. Aquarell und Buntstift auf Papier. Unten in der Mitte mit schwarzer Tinte gewidmet „Für Leopold Hauer !" sowie unten rechts mit Stempel monogrammiert „FoC". 35,5 x 25,5 cm.

      FoC: [Griechenbeisl, Wien], s.a. [1950er-Jahre]. Aquarell und Buntstift auf Papier. Unten in der Mitte mit schwarzer Tinte gewidmet „Für Leopold Hauer !" sowie unten rechts mit Stempel monogrammiert „FoC". 35,5 x 25,5 cm. Rückseitig befindet sich rechts oben eine aufgeklebte Visitenkarte mit dem Aufdruck „With Best Wishes / from / The Prime Minister of Sri Lanka" und dem handschriftlichen Zusatz „for the Prime Minister / Bruno Kreisky". Farbenprächtiges Aquarellgemälde des Eingangsportals und der Hausfassade eines der ältesten und berühmtesten Gasthäuser Wiens, dem »Griechenbeisl«, mit Blick auf die Griechengasse. Das Blatt ist dem ehemaligen Inhaber der Gaststätte und späteren Künstler Leopold Hauer (1896-1984) gewidmet, und wurde, dem Monogramm nach zu schließen, womöglich von seiner Tochter, Christa Hauer-Fruhmann (1925-2013), gemalt. Bemerkenswert ist der spätere rückseitige Schenkungsvermerk an Kreisky, wahrscheinlich von Sirimavo Bandaranaike, von 1970 bis 1977 Kanzlerin von Sri Lanka und damit erstes, frei gewähltes weibliches Regierungsoberhaupt der Welt. Das Blatt ist etwas aufgewellt, hinten mit einigen Klebespuren eines entfernten Passepartouts, das Aquarell sauber und frisch.

      [Bookseller: Domenico Jacono - VdAÖ / ILAB]
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        Report on the Work of the Horn Scientific Expedition to Central Australia. [Volume 1: Introduction, Narrative, Summary of Results, Supplement to Zoological Report, Map. Volume 2: Zoology. Volume 3: Geology and Botany. Volume 4: Anthropology]

      London, Dulau, 1896. Quarto, four volumes, [ii], xviii, 220 pages with illustrations and a map plus 11 pages of plates and a large folding map (650 x 615 mm); [ii], iv, 432 pages with illustrations plus 28 pages of plates (1 folding, 11 in colour) and a corrigenda slip at page 1; [vi], 204 pages with illustrations plus 9 pages of plates (2 folding); and [vi], 200 pages with illustrations plus 20 pages of plates (6 folding, 4 of them in colour). Original cloth, all edges uncut; cloth slightly rubbed, bumped and flecked; small cancelled library stamp and a six-digit reference number in ink on each title page (but see below); some foxing (confined mainly to the endpapers and adjacent leaves); trifling chips to some uncut edges, and the very occasional fingermark to the odd page; overall an excellent set throughout. The set was withdrawn from the Public Library of New South Wales; the cancelled stamps are signed by Ida Emily Leeson (1885-1964), the second Mitchell Librarian (from 1932 until [officially] 1946). A pencilled note in each volume indicates the set entered the library on 16 March 1909. It subsequently entered the collection of Professor Andrew Arthur Abbie (1905-1976), anatomist and anthropologist, whose bookplate is on each front pastedown, with the date 'c.1938' written below it. Professor Abbie's annotations in pencil are to be found on nine pages of the fourth volume ('Anthropology'); the most significant of these are the 60 words written in the margins of several pages discussing diseases (pages 127-129). Interesting though this provenance is, let us not forget the books! The purpose of this scientific expedition, sponsored by mining magnate and philanthropist William Austin Horn, and with Charles Winnecke as commander and surveyor, was to examine the MacDonnell Ranges on the not unreasonable premise that 'when the rest of the Continent was submerged the elevated portions of the McDonnell [sic] Range existed as an island, and that consequently older forms of life might be found in the more inaccessible parts'. This in fact proved not to be the case, but the expedition (of some fourteen weeks and 2000 camel miles undertaken between May and August 1894) was an outstanding success. 'It was not the intention ... to explore a new region ... But in the pursuit of natural history the expedition split into independent groups and explored undiscovered areas, thus filling in more of the blank spaces in this vast region' (Feeken, Feeken and Spate: The Discovery and Exploration of Australia, [1991]). 'These volumes constitute one of the most substantial contributions in nineteenth-century Australian exploration [but perhaps more importantly, the expedition is] a landmark in anthropological history because it resulted in [Baldwin] Spencer meeting Frank Gillen' (Mulvaney).

      [Bookseller: Michael Treloar Antiquarian Booksellers]
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        Favourite Flowers of Garden and Greenhouse (4 Volumes)

      London Frederick Warne /7 1896 - Hardback 1st Edition, tall 8vo, Volume 1, viii prelims, 163pp text with colour frontis and 78 colour plates all tissue guarded, Volume 2, x prelims, 158pp text with.colour frontis and 77 colour plates all tissue guarded, Volume 3, x prelims, 170pp text with colour frontis and 77 colour plates all tissue guarded, Volume 4, x prelims, 163pp text with colour frontis and 77 colour plates all tissue guarded, 27pp index. The cultural directions edited by William Watson and illustrations selected by D. Bois. Very good plus hald bound in green calf with mottled green boards, raised spine bands with gilt ruling and floral motifs and gilt titles, top edge gilt , marbled end papers, silk page markers, some fore-edge spotting, armorial book plate of bibliophile R. E. Skyring Thomas on front paste down. No B/W, weight 5.5kgs. [Attributes: First Edition; Hard Cover]

      [Bookseller: Pauline Harries Books]
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        NEUE GLÜHLICHTER. Jge.1896-1910. 8 Bände.

      Wien, Vlg. d. Ersten Wiener Volksbuchhdlg. - Dietzel-Hügel 1191. Unter diesem Titel als Nachfolge bzw. Vorläuferzeitschrift der "Glühlichter" zwischen 1896 u. 1910 erschienen. Das illustrierte sozialdemokratische Satireblatt richtete seine Polemiken vor allem gegen Lueger und die Christlichsozialen, aber auch gegen Adel u. Klerus. - So komplett höchst selten. gr.-4°, mit zahlr., tls. farb. Abb., HLn. d. Zt., berieben, Kanten berieben, Ecken leicht bestoß., Buchblock des 1. Bandes lose, sonst insges. guter Zustand.

      [Bookseller: Antiquariat Löcker]
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        Jude the Obscure

      Osgood, McIlvaine and Co, London 1896 - A handsome copy of the 1896 1st edition, 1st state. Bound (and signed) in a contemporary-to-the-period 3/4 dark morocco by the Morrell Bindery of London. Raised bands, gilt-ruled compartments and bright gilt-lettering, all edges gilt. Clean and VG+, with very light foxing to the preliminaries. 12mo, 516 pgs. plus map at rear. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: APPLEDORE BOOKS, ABAA]
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        Thus Spake Zarathustra

      The Macmillan Company 1896 - First American edition. Publisher's green cloth with spine stamped in gilt. Good. Cloth stained, with a heavy stain to the top of the front cover, smaller spots to the spine and light soiling to rear; spine slightly faded. Previous owner inkless emboss and remnant of news clipping to front free end paper. The author's magnum opus. [Attributes: First Edition; Hard Cover]

      [Bookseller: Burnside Rare Books]
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        William Morris's Poetical Works. 10 volume set

      Longman's Green & Co, London 1896 - 3789pp. Bound by Bickers & Son, Leicester Sqr. Set comprises: The Earthly Paradise Volumes I-IV; The Life and Death of Jason; The Defence of Guenevere, and other Poems; The Story of Sigurd the Volsung, and the Fall of the Niblungs; Poems by the Way and Love is Enough or the Freeing of Pharamond. A Morality; The Odyssey of Homer and The Aenids of Virgil. G +: in Good condition plus with marbled eps. Some fading to backstrips with some small patches of rubbing to raided bands. Several volumes lightly bumped. Some foxing to prelims. Teg Later half Morocco gilt with marbled boards [Attributes: Hard Cover]

      [Bookseller: Barter Books Ltd]
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        Jude the Obscure

      London: Osgood, McIlvaine and Co, 1896. 1st. Three-Quarter Leather. Collectible; Very Good. A handsome copy of the 1896 1st edition, 1st state. Bound (and signed) in a contemporary-to-the-period 3/4 dark morocco by the Morrell Bindery of London. Raised bands, gilt-ruled compartments and bright gilt-lettering, all edges gilt. Clean and VG+, with very light foxing to the preliminaries. 12mo, 516 pgs. plus map at rear.

      [Bookseller: Appledore Books, ABAA ]
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        1896 ?. [In the Memory of the Coronation of their Imperial Majesties in Moscow in 1896].

      Skt. Peterburg German Goppe 1896 - Folio (41.3 x 30.7 cm), two parts in one volume. Lithographed title, half-title, letterpress title, 100 pp.; [2], 210, iv pp., with 1 double page plate and multiple illustrations in text, many full page. Publisher's calf spine over creme cloth boards decorated red, black, gilt and silver, all edges gilt, upper and lower covers of dust jacket preserved. Fresh example in original binding of this luxurious edition celebrating the coronation of Nicholas II of Russia. The first part comprises an overview of all the coronations that took place in Russia during almost 300 years reign of the Romanov dynasty. The second part is dedicated exclusively to the description of the coronation of the last Russian tsar Nicholas II and his spouse Maria Fedorovna, following in detail preparations for the occasion, the ceremony itself and later festivities. The text is richly illustrated with scenes of the coronation, images of the Imperial regalia, and reproductions of menus and programmes for the festivities. A beautiful work produced by one of the best publishers of illustrated books in Russia; rare in original binding. [Attributes: Hard Cover]

      [Bookseller: Shapero Rare Books]
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        Portrait Photograph Signed ("With Warm regards W McKinley")

      Courtney, Canton, OH 1896 - With "Courtney / McKinley Block / Canton" imprint in lower mount. Cabinet card featuring oval portraits of President McKinley, Mrs. McKinley and their Canton, Ohio home, signed in the lower margin. 6 1/2 x 4 1/4 inches. A signed souvenir cabinet card of then Presidential-candidate McKinley, his wife, Ida Saxon McKinley, and their Canton, Ohio home, taken in the lead-up to the 1896 presidential election. Cabinet card featuring oval portraits of President McKinley, Mrs. McKinley and their Canton, Ohio home, signed in the lower margin. 6 1/2 x 4 1/4 inches With "Courtney / McKinley Block / Canton" imprint in lower mount. [Attributes: Signed Copy]

      [Bookseller: James Cummins Bookseller, ABAA]
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        3 small pen and ink self-portraits, one on the back of a youthful photograph portrait of the artist and a self portrait sketch/calling card; and a large cartoon drawing of McKinley campaign in Indiana

      Minneapolis Times, Minneaopilis 1896 - Pena nd ink on and board. 3 vols. Variouys sizes. Pena nd ink on and board. 3 vols. Variouys sizes

      [Bookseller: James Cummins Bookseller, ABAA]
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        The Savoy. An Illustrated Quarterly.

      London: Leonard Smithers, January &#150; December, 1896 - 8 volumes, quarto. Vols. 1 and 2 in the original pink decorated boards, vols. 3&#150;8 in blue-green illustrated wrappers as issued. Advertisements to the rear of all vols. and to front of vol. 1. Housed in 2 custom blue cloth folding solander boxes. Booksellers ticket to rear pastedowns of all except vols. 3 and 4. Some small chips to spine ends, occasional light foxing; a very good set. Illustrated throughout by Beardsley and numerous others. The complete run of Beardsley and Symons's Savoy periodical, with the Beardsley illustrated Christmas card laid-into vol. 1. Leonard Smithers created The Savoy as an alternative to The Yellow Book, and enlisted Aubrey Beardsley as art director. Beardsley, fresh from being dropped by The Yellow Book for his connections with Oscar Wilde, set to work eagerly. The periodical ran for eight issues between January and December 1896, Beardsley's "Annus Mirabilis" (R. A. Walker), during which short time Beardsley produced some of his finest illustrations, his style having reached maturity since his dismissal from The Yellow Book. The Savoy published some of the great writers and artists of the day including literary works by: Max Beerbohm, Joseph Conrad, Ford Maddox Hueffer, Selwyn Image, George Bernard Shaw, and W. B. Yeats; and artistic content by: William Blake (the July, August & September issues half-dedicated to a showcase of Blake's Dante watercolours), Dante Gabriel Rossetti, W. Rothenstein, Walter Sickert, and J. McNeill Whistler. The content of the final, December, issue is contributed entirely by Beardsley and Symons and includes a translation of Mallarmé's Herodiade, and a memoir of a trip to the Isle of Aran, preceding J. M. Synge's famous trip by two years. A three volume bound collection of the eight journals was issued by the publishers at the end of the run. Scarce found complete and as issued. [Attributes: First Edition]

      [Bookseller: Peter Harrington. ABA member]
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        MOPSY Her Tangles and Triumphs

      Lothrop Publishing Company, Boston 1896 - Very Good in boards. Worn edges on front, back and spine. Light soiling with bumped corners. ; 8vo 8" - 9" tall [Attributes: First Edition; Hard Cover]

      [Bookseller: Rare Book Cellar]
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        Spiritual Poems, Chiefly Done out of Several Languages.

      Sold by Hacon & Ricketts, London., 1896. First edition. Octavo. pp cxiii. Frontispiece woodcut and border design to first page by Charles Ricketts. Grey boards with title labels. Eleven original poems by Gray as well as the twenty-nine translations.Free endpapers tanned. Spine a bit darkened. Very good indeed. Scarce.

      [Bookseller: Peter Ellis bookseller]
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        The Cotton States and International Exposition and South, Illustrated

      Atlanta: The Illustrator Company (Successor to Southern States Publishing Co, 1896. First Edition. Leather bound. Good. Folio. (approx. 14" x 11") 504 pages. Illustrated. Dark brown "roan" leather binding with gilt decorated title on the front board. All edges gilt. Leather on the spine is chipped at the head and base. Edge wear to corners. Scratches and light rubs to leather on boards and spine. Front hinge tender but holding. Several institutional holdings for this publication but scarce in the trade. The Atlanta Cotton States Exposition was held from September 18th, 1895 to December 31, 1895 on the grounds of current Piedmont Park. It was a huge event attended by hundreds of thousands of visitors.

      [Bookseller: Americana Books ABAA]
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        OZMAR THE MYSTIC: A NOVEL ..

      London: Bliss Sands &amp; Co., 1896.. Octavo, pp. [1-13] 14-378 [379-384: ads], twelve inserted plates with illustrations by W. T. Smith, title page printed in orange and black, original pictorial dark blue cloth, spine and front panels stamped in gold, t.e.g., other edges untrimmed. First edition. 1896 Christmas gift inscription by the author to Emily Kilham on the front free endpaper. Occult mystery novel featuring Oriental adept who possesses, and uses, supernatural powers. Locke, A Spectrum of Fantasy, p. 29. Bleiler (1978), p. 18. Reginald 07591. Hubin (1994), p. 422. Cloth rubbed at edges, some staining and spotting to cloth, light scattered foxing to text block, a very good copy. (#150952)

      [Bookseller: L. W. Currey, Inc.]
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        Portrait Photograph Signed ("With Warm regards W McKinley")

      Canton, OH: Courtney, 1896. With "Courtney / McKinley Block / Canton" imprint in lower mount. Cabinet card featuring oval portraits of President McKinley, Mrs. McKinley and their Canton, Ohio home, signed in the lower margin. 6 1/2 x 4 1/4 inches. Old mount marks to verso, fine. With "Courtney / McKinley Block / Canton" imprint in lower mount. Cabinet card featuring oval portraits of President McKinley, Mrs. McKinley and their Canton, Ohio home, signed in the lower margin. 6 1/2 x 4 1/4 inches. A signed souvenir cabinet card of then Presidential-candidate McKinley, his wife, Ida Saxon McKinley, and their Canton, Ohio home, taken in the lead-up to the 1896 presidential election.

      [Bookseller: James Cummins Bookseller]
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        Typed letter signed, "W McKinley", with handwritten post-script, to Wm. H. Clark, West Somerville Mass., concerning Clark's Civil War service

      Canton Ohio, 1896. One page. 1 vols. 8vo. The letter, mounted on a backing sheet, shows old folds and frayed edges, not affecting text--the sort of wear it might have received by being carried in one's pocket, and frequently displayed. One page. 1 vols. 8vo. McKinley Writes of His Civil War Service. The letter reads: "My dear Sir: Your kind letter of the 5th inst. is very much appreciated by me. I have examined your discharge paper and have no doubt at all that the signature is mine. Yes, I recollect Major Lewis. He was indeed a noble man. I return to you your discharge paper, thinking you may value it. Yours very truly, W. McKinley". Beneath this, McKinley has penned: "I was A.A.A.G. [Acting Assistant Adjutant General?] on Genl Crooks staff [word unclear] Dept West Va on Feb 10 1865, and I undoubtedly issued the order". McKinley, having served two successful terms as Governor of Ohio, was at the time preparing to attend the Republican Party Convention, which opened at St. Louis a scant week later, on June 16. Thanks to the effective pre-convention efforts of Mark Hanna, McKinley was elected the GOP nominee on the first ballot, and defeated Bryan for the Presidency that November. A brief but intriguing look at one facet of McKinley's war service.

      [Bookseller: James Cummins Bookseller]
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        Ports Chioggia, Malamocco and Lido and the Channels Leading to Venice

      London, 1896. unbound. very good. Sea chart. Uncolored engraving. Image measures 38.75" x 25.5" Shows the northeast coastal region of Italy, with Chioggia and Venice in beautiful detail. Includes soundings in fathoms and lighthouses are denoted with red and yellow hand coloring. Based on Italian surveys from 1886. Minor chipping along bottom edge.

      [Bookseller: Argosy Book Store]
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        20 MINIATURE POSTERS. Representing the title designs of the "Keynotes Series."

      1896 - Boston: Roberts Brothers, n.d.[1896]. [Twenty posters, each 7-3/4" x 5-5/8", plus a slightly larger title panel (probably the front panel of what was originally an envelope).] Beginning with "George Egerton's" 1893 novel KEYNOTES, for which the series would be named, John Lane of London published, over the course of five years, a series of 33 first editions of fiction; the Keynotes books came to epitomize the 1890s, not only for their content, but also for the design of the volumes -- elegant in format, each volume a different color stamped in another complementary color. And to top off the series' appeal, Lane (with fellow-publisher Elkin Mathews at the outset) engaged THE illustrator of the 'Nineties, Aubrey Beardsley, to provide each volume's front cover / title page design. (One of them is his notorious artistic impression of female reproductive organs.) As it happened, Beardsley provided only 21 of the designs for the (earlier) volumes in the series; Patten Wilson was then engaged to design the remaining twelve. (Beardsley would live only until 1898, when he would die of tuberculosis at age 25.) Perhaps fearing a slackening of public appeal with Beardsley's imminent departure from the series, in 1896 John Lane issued a "Prospectus" of the Keynotes Series -- a small booklet containing all 21 of Beardsley's designs, together with press notices of each book. This Prospectus is today very scarce.~The authorized American publisher for these books was Roberts Brothers, of Boston -- who published each book in a slightly smaller format (in one or more of three colors only), but with the same Beardsley title page design (and front cover design) as appeared in the London edition. This Roberts Brothers collection of "20 Miniature Posters" was issued for the same puirpose, and at about the same time, as John Lane's Keynotes Series Prospectus -- possibly even a bit earlier, since there is one less design. The stamping on each poster is in one color, except for two which also have the book's title in red; the colors range from blue-grey to green to brown to pale greenish-yellow to orange.~The posters are in fine condition, with scarcely any wear or soil; the four stamped in pale greenish-yellow do not stand out like the others, but that is due to the unusual color chosen. The additional "title panel" of this assemblage is worn at its edges (though not affecting print); this wear, and the slightly larger size compared to the posters, cause us to believe that this is the front panel of an envelope that once enclosed the posters. Extremely uncommon -- especially as a complete set. See Stetz & Lasner 57 and Plate 11 (Lane's Prospectus). [Attributes: First Edition]

      [Bookseller: Sumner & Stillman [ABAA]]
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        A Set of Six Bust Portraits of Beauties - Jidai Kagami (Mirror of the Ages).

      -1898 1896 - A Set of Six oban tate-e woodblock prints of okubi-e (bust portraits) of beauties, titled Jidai kagami (Mirror of the Ages), documenting the fashions of former times (from the Keicho to the Meiji era) in chronological order, each sheet with a beautiful woman in sumptuous costume depicted at the lower section and a rectangular panel at the top which makes a reference to the era, some sheets with lacquer and embossed details, published by Matsuki Heikichi, variously dated Meiji 29, 30 and 31 (1896-8), all signed Yoshu Chikanobu. Each sheet approx. 36cm x 23.7cm (14 1/8in x 9 3/8in). Framed and glazed: 40 by 29cm. Toyohara Chikanobu (1838&#150;1912), better known to his contemporaries as Yoshu Chikanobu, was one of the most successful woodblock print artists of Japan's Meiji period. He lived at a time when Japan saw the reinstatement of the emperor as ruler and underwent rapid westernization. He worked both with traditional subjects, such as actors, courtesans, scenes of famous sites, beautiful women, and with topical subjects, such as the Satsuma Rebellion (1877) and the Sino-Japanese War (1894-1895). Chikanobu used the flat planes and decorative patterning of the ukiyo-e tradition to striking effect, adding brilliant colors, especially reds, purples, and blues to his compositions. More precisely, Ukiyo-e, or ukiyo-ye (in Japanese: "pictures of the floating world"), is a genre of woodblock prints and paintings that flourished in Japan from the 17th through 19th centuries. It was aimed at the prosperous merchant class in the urbanizing Edo period (1603&#150;1867). Amongst the popular themes were depictions of beautiful women, as is the case here with these okubi-e prints (i.e. bust portraits); kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; flora and fauna; and erotica. One of Chikanobu's best series, A Mirror of the Ages shows women by fashion and hair style throughout history. Despite a sense of longing for the past, these prints are unmistakably modern and of their time. Each print depicts a beauty from a certain period in the lower part and customs at that time, in grisaille, in the upper part - a way to tell viewers about the latest fashion and historical backgroud at that time. The quality of printing is outstanding, especially in Chikanobu's use of white for the rendering of the powdered faces. Indeed, Chikanobu was known as a master of bijinga (images of beautiful women), and for illustrating changes in women's fashion, including both traditional and Western clothing. For example, in the Mirror of Ages, the hair styles of the Tenmei era (1781-1789) are distinguished from those of the Keio era (1865-1867). To create a woodblock print, artists like Chikanobu first designed the image on paper and then transferred it to a thin, partly transparent paper. Following the lines on the paper, now pasted to a wooden block usually of cherry wood, the carver used to chisel and cut to create the original in negative&#151;with the lines and areas to be coloured raised in relief. Ink was then applied to the surface of the woodblock. Rubbing a round pad over the back of a piece of paper laid over the top of the inked board eventually made the print. Chikanobu was able to produce such bright and colourful prints because in 1765, new technology had made it possible to produce single-sheet prints in a whole range of colours. Polychrome prints were made using a separate carved block for each color, which could number up to twenty. To print with precision using numerous blocks on a single paper sheet, a system of placing two cuts on the edge of each block to serve as alignment guides was employed. Paper made from the inner bark of mulberry trees was favored, as it was strong enough to withstand numerous rubbings on the various woodblocks and sufficiently absorbent to take up the ink and pigments. Reproductions, sometimes numbering in the thousands, could be made until the carvings on the woodblocks became w [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Shapero Rare Books]
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        Der Judenstaat. Versuch einer modernen Lösung der Judenfrage.

      Leipzig and Wien M. Breitenstein 1896 - First edition. First issue indicated by pointing to the left flower closing vignette on p.86. Octavo, 86 pp., one leaf cut in bottom right corner with no damage to text; pencil inscriptions and pen notations on two leaves; small marginal tears; recent calf, a very good copy. Text in German. The true first edition of Herzl's seminal work. Der Judenstaat is considered to be the founding manifesto of political Zionism. In 1896, Der Judenstaat, Versuch einer Modernen Lösung der Judenfrage (The Jewish State, Proposal of a modern solution for the Jewish question) was published in Vienna by then 35-yearsold Theodor Herzl, a Hungarian journalist of Jewish descent. The previous year, Herzl had witnessed the Dreyfus affair in Paris and had been appalled at the outbreak of anti-Semitism that it had generated in the "birthplace of human rights". He came to the conclusion that the creation of an independent Jewish state during the 20th century would be the best way for Jews to escape European anti-Semitism. The title of the work originally read "Proposal of a modern solution for the Jewish question: Address to the Rothschilds", as Herzl planned to deliver it as a speech to the Rothschild family, but Baron Edmond de Rothschild rejected Herzl's plan, feeling that it threatened Jews in the diaspora; he also thought it would put his own settlements at risk. Herzl worked on his pamphlet from summer 1895 to winter 1896, but received little support from the publishers. Siegfried Cronbach (Berlin), publisher of a Jewish weekly, rejected the publication, objecting to its content, as did Duncker and Humblot (Leipzig), which had recently published Herzl's Palais Bourbon but insisted that they never produced anything on 'this question' (relating to the Jewish question). On 17 January 1896 the London Jewish Chronicle carried a synopsis of the pamphlet: 'A Solution of the Jewish Question' by Dr. Theodor Herzl. This led to a meeting with a fairly obscure publisher, Breitenstein. Herzl noted that he was enthusiastic about certain passages, and a definitive title, Der Judenstaat, was decided upon then and there. The precise terms of their co-operation are not known but later accounts show that Herzl received no royalties and that income from sales barely covered the publisher's costs. By February the proofs were ready but Herzl was clearly disappointed that only 3,000 copies were planned to be printed - Breitenstein did not expect a commercial success. On February 15th, 1896 a slim volume written by Herzl appeared in the shop window of M. Breitenstein's Verlags-Buchhandlung in Vienna, titled: Der Judenstaat. Versuch einer Modernen Lösung der Judenfrage. Der Judenstaat is Herzl's only work on which he used his academic title. Obviously, he wished to appear as a sober man of affairs, not a utopian. Reactions to Der Judenstaat were not long in corning. The well-to-do Jewish middle class of Vienna was aghast, as Hermann Bahr told Herzl at the time and Stefan Zweig recalled in his memoirs. The Neue Freie Presse kept silent, the liberal press rejected the scheme. Encouragement came from Zionist groups in Berlin and Sofia, and the Russian Hovevei Zion cautiously took note. Unreserved acclaim came from the Zionists on the margins of Viennese Jewish society. Their support catapulted Herzl to the leadership of the Zionist movement. This was the most significant, immediate result of the publication of Der Judenstaat. [Attributes: First Edition]

      [Bookseller: Shapero Rare Books]
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        Estudios sobre la Flora de las Islas de Juan Fernandez

      Cervantes, Santiago de Chile 1896 - Folio (12 1/2 x 9 3/4"). xi, [1], 287, [3]pp (Text), 20 leaves (Plates and maps). Original half black morocco over marbled paper covered boards, with gold lettering and tooling to spine. Marbled endpapers.This first edition of Federico Johow's botanical history of the Juan Fernández islands located 415 miles (667 km) west off the coast of Chile, provides valuable information on the flora of the archipelago which consists of 441 vascular plants, of which 209 are native (125 of them endemic) and 232 are aliens. This work is complete with its 18 photogravure plates at rear, as well as its two maps.Binding rubbed along spine and edges. Text in Spanish. Binding in overall good-, interior in good+ to very good condition. [Attributes: First Edition; Hard Cover]

      [Bookseller: ERIC CHAIM KLINE, BOOKSELLER (ABAA ILAB)]
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