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Displayed below are some selected recent viaLibri matches for books published in 1895

        Italia

      Napoli 1895 - 64 albumen photographs measuring 10 x 8 in and smaller, most captioned on the plate. 4to. This Frankfurt born photographer studied business before opening a studio in Switzerland and later moved to Naples in 1856. He was active for over thirty years during which time he established himself as one of Europe's most import and prolific photographers. Active in every stage of production as well as every popular format, he formed a partnership with the Rome-based Edmund Behles and they exhibited extensively (and successfully) in London (1862), Paris (1867), Vienna (1873) and Nuremberg (1885). Sommers also served briefly as official photographer to the Italian king Victor Emmanuel II.Sommer photographed nearly every aspect of Italian life from museums at the Vatican and Naples, to the ruins at Pompeii, and the streets of Rome, Naples, and Sicily. Indeed, his masterpiece is the album Dintorni di Napoli which documents everyday life in Naples. This is an excellent example of Sommers work, a handsomely presented album including landscapes, architecture and artefacts. Bound in full gilt stamped contemporary vellum, with gilt stamped "Italia" and image of the she-wolf suckling Romulus and Remus on upper cover, and S.P.Q.R. in gilt on lower cover gilt spine, hinges starting, edges red. In original red plain cloth dustjacket, some edge wear and dampstaining, minor stain from dj at bottom of spine 64 albumen photographs measuring 10 x 8 in and smaller, most captioned on the plate. 4to [Attributes: Hard Cover]

      [Bookseller: James Cummins Bookseller, ABAA]
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        Monografia illustrata degli Uccelli di Rapina in Italia. Milano. Ulrico Hoepli Editore-Librajo della Real Casa 1895.

      1895. In 4°, bella leg. coeva in mz. marocchino testa di moro ad ampi angoli, piatti in tela, pp.(10)-215-(1); 4 belle tavv. in sincromia, da acquarelli. dell'Autore raffigurano rapaci diurni e 45 fotoincisioni nel testo. Splendido esemplare di opera rarissima. Arrigoni degli Oddi, p. XLIX: Ceresoli, p.345 ("Edizione originale ed unica di questa magnifica monografia sugli uccelli di rapina, divenuta ora rara assai"). Casey Wood, p.453. BrM(NH), 1258. Nissen IVB, 599. Ripley/Scribner, p.186. Strong II, p.582.  Zimmer I, p.418. Una delle opere più rare e difficili da trovare di ornitologia italiana della seconda meta del sec.XIX. L'opera venne pubblicata contemporaneamente dalla casa editrice Hoepli e dalla rivista Memorie della Società Italiana di Scienze Naturali del Museo Civico di Storia Naturale di Milano (Tomo V). La trattazione segue un rigoroso ordine sistematico e l'Autore tratta sia i Rapaci diurni che notturni.

      [Bookseller: Studio Bibliografico Naturalia]
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        L'Île à hélice

      Hetzel, 1895. - Hetzel, Paris s.d. [1895], 18x28cm, cartonnage de l'éditeur. - Ornata con 80 illustrazioni Benett, tra cui 12 incisioni chromotypography e una mappa di colori e due editore noir.Cartonnage "ritratto bloccati" Hetzel in pieno calicò rosso firmato primo piatto policromo A. Lenègre firmato Souze che rappresentano vari modi Edition locomozione (serbatoio, locomotive, navi), un ritratto dell'autore in tonalità seppia incollate nel centro, vari strumenti di navigazione accentati con oro in primo piano, secondo il tipo di appartamento "e" come indicato da Jauzac indietro decorato con numerose illustrazioni a colori e oro, pagine guardia sfondi blu, tutte le fette dorées.Dos irradiati uniformemente con un piccolo strappo nella parte posteriore, i primi colori piatti un po 'sbiaditi, alcune piccole macchie sul secondo corso tappi e angoli frottés.Quelques leggermente piccola foxing sui primi e gli ultimi fogli, come spesso. - [FRENCH VERSION FOLLOWS] Edition ornée de 80 illustrations de Benett, dont 12 gravures en chromotypographie et d'une carte en couleurs et deux en noir. Cartonnage éditeur Hetzel "au portrait collé" en pleine percaline rouge signé A. Lenègre, premier plat polychrome signé Souze représentant divers moyens de locomotion (ballon, locomotive, bateaux), un portrait de l'auteur dans les tons sépias contrecollé au centre, divers instruments de navigation rehaussés à l'or au premier plan, second plat de type "e" comme indiqué par Jauzac, dos orné de plusieurs illustrations en couleur et à l'or, pages de garde bleues d'origines, toutes tranches dorées. Dos uniformément insolé présentant un petit accroc en queue, couleurs du premier plat un peu passées, quelques petites taches sur le second plat, coiffes et coins très légèrement frottés. Quelques infimes rousseurs sur les premiers et derniers feuillets, comme souvent.

      [Bookseller: Librairie Le Feu Follet]
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        Confessions

      Publication, 1895. - Publication , Paris 1895, 11,5x18,5cm, relié. - First Edition. Associazione a bradel metà tela abete, schiena liscia con un motivo floreale oro, gilt doppia coda filetto, carta marmorizzata piatto. Firmato autografo dell'autore Rene Andreau. Libro Illustrato con un ritratto dell'autore, come un frontespizio da Louis Anquetin. - [FRENCH VERSION FOLLOWS] Edition originale. Reliure à la bradel en demi toile sapin, dos lisse orné d'un motif floral doré, double filet doré en queue, plats de papier marbré. Envoi autographe signé de Paul Verlaine à René Andreau. Ouvrage illustré d'un portrait de l'auteur en frontispice par Louis Anquetin.

      [Bookseller: Librairie Le Feu Follet]
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        L'Île à hélice

      Hetzel, 1895. - Hetzel, Paris s.d. [1895], 18x28cm, cartonnage de l'éditeur. - Ornata con 80 illustrazioni Benett, tra cui 12 incisioni chromotypography e una mappa di colori e due editore noir.Cartonnage "ritratto bloccati" Hetzel in pieno calicò rosso firmato primo piatto policromo A. Lenègre firmato Souze che rappresentano vari modi Edition locomozione (serbatoio, locomotive, navi), un ritratto dell'autore in tonalità seppia incollate nel centro, vari strumenti di navigazione accentati con oro in primo piano, secondo il tipo di appartamento "e" come indicato da Jauzac indietro decorato con numerose illustrazioni a colori e oro, pagine guardia sfondi blu, tutte le fette dorées.Dos irradiati uniformemente con un piccolo strappo nella parte posteriore, i primi colori piatti un po 'sbiaditi, alcune piccole macchie sul secondo corso tappi e angoli frottés.Quelques leggermente piccola foxing sui primi e gli ultimi fogli, come spesso. - [FRENCH VERSION FOLLOWS] Edition ornée de 80 illustrations de Benett, dont 12 gravures en chromotypographie et d'une carte en couleurs et deux en noir. Cartonnage éditeur Hetzel "au portrait collé" en pleine percaline rouge signé A. Lenègre, premier plat polychrome signé Souze représentant divers moyens de locomotion (ballon, locomotive, bateaux), un portrait de l'auteur dans les tons sépias contrecollé au centre, divers instruments de navigation rehaussés à l'or au premier plan, second plat de type "e" comme indiqué par Jauzac, dos orné de plusieurs illustrations en couleur et à l'or, pages de garde bleues d'origines, toutes tranches dorées. Coiffes et coins très légèrement frottés. Quelques infimes rousseurs sur les premiers et derniers feuillets, comme souvent.

      [Bookseller: Librairie Le Feu Follet]
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        The Expeditions of Zebulon Montgomery Pike, to Headwaters of the Mississippi River, through Louisiana Territory, and in New Spain, During the Years 1805 - 6 - 7

      Francis P. Harper, 1895. Three volumes (one volume is the index) Quarto Illustrated, complete with the six folding maps slipped into pocket in rear of Vol III original green cloth, lettered in gilt Cloth a little spotted with a few old mildew stains, some preliminary and terminal leaves a little foxed One of 1,150 copies ["The best edition," Howes P373]

      [Bookseller: Randall House Rare Books & Fine Arts]
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        La mêlée sociale

      Charpentier, 1895. - Charpentier, Paris 1895, 12x18,5cm, relié. - Edizione originale sulla carta corrente. Il legame con la carta bradel floreale pieno, morbido di nuovo, elegante pastiche vincolante firmato P. Goy & C. Vilaine. autografo firmato di Georges Clemenceau Emile Deshayes. Copia piacevolmente stabilito. - [FRENCH VERSION FOLLOWS] Edition originale sur papier courant. Reliure à la bradel en plein papier à motifs floraux, dos lisse, élégante reliure pastiche signée de P. Goy & C. Vilaine. Envoi autographe signé de Georges Clémenceau à Emile Deshayes. Exemplaire agréablement établi.

      [Bookseller: Librairie Le Feu Follet]
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        Gil Blas. Illustré Hebdomadaire. 5e année. No. 1. 6. Janvier 1895 - No. 52. 29. Décembre 1895. & E. Kolb. La Caricature Journal Hebdomadaire. 16me année No. 784. 5. Janvier 1895 - No. 835. 28. Décembre 1895. 2 Werke in 1 Band.

      Paris 1895 - . Folio. 52 Nummern (Gil Blas) und 416 S. (La Caricature). Mit zahlr. farbigen Lithographien von Steinlen und anderen. HLn.d.Zt. mit goldgep. Rückentitel. Wenige Seiten mit Einrisssen, meist im Rand. Papier der Gil Blas Nummern etwas gebräunt. Gutes Exemplar. [Attributes: Hard Cover]

      [Bookseller: Antiquariat Fatzer ILAB]
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        [Crane, Stephen Rarity] The Black Riders

      Boston: Copeland and Day, 1895. First edition. Original beige paper coverd boards with famous orchid design on both covers, lettering on cover and spine in black, stamped on front pastedown "Dudley and Hodge," as issued. Landmark in 1890's printing, "The Black Riders" was Crane's first book of poetry and second book overall. A superb copy, fine.

      [Bookseller: Nudelman Rare Books]
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        Le Mémorial historique et géographique de la patisserie contenant 2200 recettes de pâtisserie, glaces et liqueurs. Orné de gravures dans le texte. Avec anecdotes et biographies des grands Auteurs de la gastronomie, un portrait du marquis de Cussy, un d'Antoine Carême, un de Grimod de la Reynière, celui de Jules Gouffé et une lettre autographe d'Antonin Carême 1832

      Chez l'Auteur, 1895. In - 8° (225x139mm), pp. XI, XXXII, 605, legatura contemporanea al volume in m. pelle rossa con titolo e fregi in oro su dorso a nervi. Piatti e sguardie marmorizzate. Numerose silografie intercalate n.t. e 4 ritratti silografici f.t. (del marchese de Cussy, di Antonin Carême, di de Grimod de la Reynière, di Jules Gouffé). Fra le pp. 504 - 505, tre pagine di facsimile di una lettera autografa del 1832 del gastronomo Antonin Carême. Firma in facsimile dell'autore al verso dell'occhietto. Al foglio del titolo l'indicazione dell'indirizzo parigino del Lacam è corretta con un'annotazione manoscritta del tempo da rue de Paris, Vincennes in 43 rue Montorgueil. Al margine inferiore del frontespizio, etichetta editoriale con annuncio di un "vient de paraitre" gastronomico. Ottimo esemplare con il solo difetto di aloni marginali a svariate pagine. Terza edizione e terzo migliaio di classica opera di pasticceria, uno dei lavori fondamentali in tale materia, che godette di grande fortuna tra la fine del XIX secolo e gli inizi del XX. La trattazione contiene oltre 2200 ricette, oltre ad aneddoti e biografie dei grandi gastronomi e pasticceri dell'epoca, e riguarda i dolci, i gelati, gli "entremets", gli sciroppi, le gelatine, le conserve di frutta, le puree, le marmellate, i timballi, etc. Il Lacam (1836 - 1902), nativo di Saint - Amand - de - Belvès, fu pasticcere del principe di Monaco Carlo III, membro dell'Académie de cuisine e tra le più importanti autorità in materia del suo tempo, insignito del diploma d'onore nel 1891, '92, '93, '94. Fu autore di apprezzatissime opere come il "Patissier - Glacier" e "Le mémorial des glaces" e fu creatore di numerosi dolci. Cfr. Oberlé, 243. Manca al Vicaire, "Bibliographie gastronomique". Cfr. Bitting, pp. 267 - 68 (cita solo il "Mémorial des Glaces"). Francese

      [Bookseller: Libreria Antiquaria Galleria Gilibert]
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        L'île à hélice

      Hetzel, 1895. - Hetzel, Paris 1895, Grd. in-8 (18x28cm), 423pp., relié. - Edizione illustrato con 80 disegni di Bennett e 12 a piena pagina a colori. Catalogo D 1895 che attesta alla prima edizione. Editor Cartonnage ha detto che "il ritratto bloccato." Lenègre firmato sulla piastra di ancoraggio. Lenègre e Co. coda posteriore. bella piastra superiore, un piccolo graffio nel ritratto. Una piccola macchia bianca sul bordo inferiore. Monete malapena strofinato. Torna al pozzo contrassegnato ori, ma è crollata tappi. Si noti che la miniatura per il faro non è più il cielo blu, ma blu notte. Secondo corso bene, ma una macchia scura. Carta straordinariamente fresco, completamente privo di foxing, molto significativo. Molto bella copia, nonostante difetti minori. romanzo di fantascienza in cui un'isola che contiene un'intera città, è alimentato da eliche. I protagonisti sono un quartetto di musicisti, consentendo Verne di trasmettere il suo amore per la musica. diverse osservazioni acerbo su Wagner che dice.   - [FRENCH VERSION FOLLOWS] Edition originale illustrée de 80 dessins par Benett et 12 hors-texte en couleurs. Catalogue D pour 1895 attestant de la première édition. Cartonnage d'éditeur dit "Au portrait collé". Plaque signée Lenègre sur l'ancre. Lenègre et cie en queue du dos. très belle plaque supérieure, un petit grattement dans le portrait. Une petite trace blanchâtre en bordure basse. Coins à peine frottés. Dos aux ors bien marqués, mais coiffes affaissées. On remarquera que la vignette au phare n'est plus bleu ciel mais bleu nuit. Second plat bien, mais une tache sombre.  Papier remarquablement frais, totalement exempt de rousseurs, très appréciable. Très bel exemplaire, malgré de minimes défauts. Roman de science fiction dans lequel une île contenant toute une ville, est propulsée par des hélices. Les protagonistes sont un quatuor de musiciens, permettant à Verne de transmettre son amour de la musique. On y lit plusieurs remarques acerbes sur wagner.  

      [Bookseller: Librairie Le Feu Follet]
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        FIGARO ILLUSTRE ANNEE ENTIERE 1895

      1895. FIGARO ILLUSTRE. 1895. In-Folio.Carré. Broché. Bon état. Coins frottés. Dos satisfaisant. Intérieur acceptable. Année entière avec environ 28 pages par mois. Nombreuses illustrations, photos en couleurs, en noir et blanc ou bicolores dans le texte et hors texte. Texte sur plusieurs colonnes. 1ères de couvertures illustrées en couleurs. Janvier : Au Soudan par Paul Bonnetain. Mil huit cent quatre-vingt-quatorze. Bandits corses. Février: Le chant à l'opéra. Les classes de danse à l'opéra. Les rouages à l'opéra. Mars: Ne suivez pas les femmes. La fille de l'Empereur et le pêcheur. La villa Médicis.Frifri et Froufrou. Le laurier de Mellite. Avril: Un mariage inoui! L'ouverture des Etats-Généraux de 1789. Hugo Galant. ZEMERIKMOSCM. Mai: Femmes et Fleurs. Un paradis terrestre. La toilette de la Parisienne. Oeuvres féminines. La fourrure. Juin: Les yeux fermés. J.-J. ROUSSEAU et ses correspondantes. La source Willy. Zulietta. Juillet: Irène. Le bon jockey. Le diable. La céramique Française. Fin mai, je paierai à Mademoiselle... Août : Souvenirs de l'Ecole de Mars. Mélancolie. MURAT les début d'un roi. Femmes nomades. Général malgré lui. Septembre: En pénitence. La belle et le bête. Pas de quatre. La place de la Concorde. La céramique Française. Octobre: La chasse à courre. L'équipage. Retraite manquée. La chasse à Courre en Grande-Bretagne et en Irlande. Les chasses de Henri IV. Novembre: Un drame d'amour. Chanson en l'honneur du Vin. Les vendanges à Saint-Emilion. Les prisonniers de guerre. L'institut de France, à propos de son centenaire. Décembre: numéro de Noel : Au phare des Sanguinaires. Partitions: Nuits d'été. Noel en mer. La fée surprise. Azrael. Lancée! L'abat-jour. La céramique moderne.

      [Bookseller: Le-Livre.Com]
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        Red Badge of Courage, The

      1895. first edition. He felt that in this crisis his laws of life were useless.Whatever he had learned of himself was here of no avail"First Edition, First Printing ofStephen Crane's Masterpiece 'The Red Badge of Courage'CRANE, Stephen. The Red Badge of Courage. An Episode of the American Civil War. New York: D. Appleton and Company, 1895.First edition, first printing, page 225 having "lated" in perfect type on last line, with p. [235] advertising three works by Gilbert Parker, and the last page of advertisements (p. [238]) ending with The Land of the Sun, by Christian Reid. Printed on laid paper with horizontal wire marks. Small octavo (7 3/16 x 4 7/8 inches; 183 x 123 mm.). [iv], 233, [1, blank], [4, ads] pp. Title-page printed in red and black.Publisher's pale yellow buckram over boards, front cover and spine stamped in red, black and gilt, tan coated end-papers, laid paper flyleaves, top edge stained yellow. Mild darkening, and very light rubbing to cloth at extremities. With the small leather bookplate of noted collector of Americana, John Stuart Groves, and its feint offset on front end-papers. Front free end-paper with a short tear on top margin and two very small chips on fore-edge. A near fine copy, chemised in a quarter crimson morocco slipcase, spine lettered in gilt."There has been much creasing of brows over this key book in any Crane collection, and for the most part deduction and discussion have focussed on the word congratulated on page 225. According to Merle Johnson, three states exist, indicated as follows: in the first, the half-word lated, in the last line of page 225, is perfect; in the second, the type at this point is mutilated; in the third, the type has been patched and the final letter d is out of perpendicular? Finally, it may be noted that the word bank on page 4, line 11, should be bunk. This mis-print persists in all Appleton editions until 1900." (Williams & Starrett, pp. 19/20).The Red Badge of Courage is a 1895 war novel by American author Stephen Crane. It is considered one of the most influential works in American literature. The novel, in which a young recruit in the American Civil War is faced by the cruelty of war, has made Crane an international success. Although he was born after the war and had not at the time experienced battle firsthand, the novel is considered an example of Realism.Stephen Crane (1871-1900) was an American poet, novelist, and short story writer. Crane began writing at the age of four and had published several articles by the age of 16. Having little interest in university studies, he left college in 1891 to work as a reporter and writer. Prolific throughout his short life, he wrote notable works in the Realist tradition as well as early examples of American Naturalism and Impressionism. He is recognized by modern critics as one of the most innovative writers of his generation. Crane's first novel was the 1893 Bowery tale Maggie: A Girl of the Streets, generally considered by critics to be the first work of American literary Naturalism. He won international acclaim in 1895 for his Civil War novel The Red Badge of Courage, which he wrote without having any battle experience.Williams and Starrett 3; BAL 4071; Grolier, 100 American, 98.

      [Bookseller: David Brass Rare Books, Inc.]
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        THE SONNETS. With decorations by Ernest G. Treglown, engraved on wood by Charles Carr

      G Napier & Co, Birmingham, and Tylston & Edwards and Marsden, London. Printed at the press of the Birmingham Guild of Handicraft. 1895. Printed by the Birmingham Guild of Handicraft on Hand Made paper. Large 8vo. (8.8 x 6.3 inches). ii,154pp, i (Colophon). Decorative wood-cut Initial letters and borders on the text pages. Fine early leather Arts and Crafts style leather binding of full dark blue morocco. Spine with five raised bands, the compartments ruled, lettered and decorated in gilt. Single blind border with a single ruled gilt border on both board edges. Elaborate gilt and blind decorative centre panel to the boards, portrait oblong to the front, octagonal to the rear. Top edge gilt, others untrimmed. Hand marbled endpapers. Turn-ins with double gilt ruled borders and floral corner pieces. A couple of small areas of damage to the leather on the inner boards and some minor fading to the spine otherwise this is a very good copy of this lovely Arts and Crafts style edition, beautifully printed on fine quality hand made paper and in a decorative leather binding.

      [Bookseller: Paul Foster Books]
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        When Hearts are Trumps by Tom Hall.

      1895 1895 - American poster 'When Hearts af Trumps.' To announce Tom Hall's volume of verse. 'The Artist's composition suggest love.' Chicago 1890. Published in "Les Maitres de l'Affiche", 1897. Plate no. 52. Indrammet på syrefrit karton i lys eg med anti-reflektivt glas med en UV beskyttelse på 70 %. * Les Maîtres de l'Affiche (The Masters of the Poster) refers to 256 colour lithographic plates used to create a very significant art publication during the Belle Époque in Paris, France. The collection, reproduced from the original works of ninety-seven artists in a smaller format, was put together by Jules Chéret, the father of poster art.By the 1890's the streets of French cities were enlivened by large, colourful posters. The poster had not only caught the fancy of the public, but its best examples were already being regarded as true works of art (specifically, as fine prints) to be exhibited, reviewed in journals, collected and reproduced in a more manageable form. In the last five years of the 19th century, Imprimerie Chaix was to play a great part in codifying, hallowing and perpetuating the ebullient spirit of the Belle Epoque. The renowned set of 256 prints were created by Imprimerie Chaix, forever to be known as a set as Les Maîtres de l'Affiche. Each print was rendered as a separate sheet measuring 11 x 15 inches. [27.9 x 38.1 cm]. The set was compiled in a unique way: Every month for 60 months - from December 1895 through November 1900 - subscribers received a wrapper containing four consecutively numbered prints. On 16 occasions (each of the five Decembers, each of the Junes, and the March and September of the final three years) the monthly wrapper also contained a bonus plate, not a poster reproduction but a specially created lithograph. The compilation of this set of original prints makes up the complete suite known as Les Maîtres de l'Affiche. [Attributes: Soft Cover]

      [Bookseller: Peter Grosell, Antiquarian Bookseller]
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        5Ces Le Journal publie Le Coupable. Roman inédit de Francois Coppéé.

      1895 1895 - Poster for Francois Coppéé's novel "Le Coupable", published in the newspaper "Le Journal". Paris: Verneau 1896. Published in "Les Maitres de l'Affiche", 1898. Plate no. 134. * Les Maîtres de l'Affiche (The Masters of the Poster) refers to 256 colour lithographic plates used to create a very significant art publication during the Belle Époque in Paris, France. The collection, reproduced from the original works of ninety-seven artists in a smaller format, was put together by Jules Chéret, the father of poster art.By the 1890's the streets of French cities were enlivened by large, colourful posters. The poster had not only caught the fancy of the public, but its best examples were already being regarded as true works of art (specifically, as fine prints) to be exhibited, reviewed in journals, collected and reproduced in a more manageable form. In the last five years of the 19th century, Imprimerie Chaix was to play a great part in codifying, hallowing and perpetuating the ebullient spirit of the Belle Epoque. The renowned set of 256 prints were created by Imprimerie Chaix, forever to be known as a set as Les Maîtres de l'Affiche. Each print was rendered as a separate sheet measuring 11 x 15 inches. [27.9 x 38.1 cm]. The set was compiled in a unique way: Every month for 60 months - from December 1895 through November 1900 - subscribers received a wrapper containing four consecutively numbered prints. On 16 occasions (each of the five Decembers, each of the Junes, and the March and September of the final three years) the monthly wrapper also contained a bonus plate, not a poster reproduction but a specially created lithograph. The compilation of this set of original prints makes up the complete suite known as Les Maîtres de l'Affiche. [Attributes: Soft Cover]

      [Bookseller: Peter Grosell, Antiquarian Bookseller]
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        Jeanne d'Arc. Paris, Plon - Nourrit, s.d. (1895)

      Plon - Nourrit, 1895. in - 8 oblungo, pp. 47 illustrate a colori, leg. in cart. edit. figurato a colori, tagli rossi. Al frontespizio bella tavola a colori, le pagine sono tavole illustrate a colori a piena pagine con un piccolo riquadro per il testo. Edizione originale del capolavoro di Boutet de Monvel, tra i maestri dei libri illustrati per l'infanzia, l'opera fu così commentata dalla critica d'arte Selma G. Lane: ''Boutet de Monvel's full - page illustrations have a nobility and grandeur akin to the great church frescoes of the Renaissance. Their pleasingly flat rendering combined with a sophisticated use of design elements..owe a debt to the Japanese prints so popular in the artist's day.'' Buon esemplare.

      [Bookseller: Libreria Antiquaria Pregliasco]
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        Bibliographie lyonnaise. Recherches sur les imprimeurs, libraires, relieurs et fondeurs de lettres de Lyon au XVIe siècle. Par le président Baudrier. Publiées et continuées par J. Baudrier.

      Lyon, Librairie ancienne d'Auguste Brun. 12 volumes - vol.9 contains index to vols. 1-9 and vol. 12 is edited by H. de Terrebasse. Small library stamps on preliminaries but very little library evidence on a clean attractive 12 vol. set with red leather spines and corners - the leather has wear at some edges and the occ. minor tear to the top surface of the leather(all very minor) Covers are very sound with normal wear - vol. 12 is sun faded on one side and has more wear around cover edges. Very minor occ. foxing. French text. Clean 12 volume hardback set. FOR INTERNATIONAL POSTAGE PLEASE ASK FOR A QUOTE (Bibliographie lyonnaise. Recherches sur les imprimeurs, libraires, relieurs et fondeurs de lettres de Lyon au XVIe siècle. Par le président Baudrier. Publiées et continuées par J. Baudrier - this is the edition pub. between 1895-1921 - see image from Winghale Books) . Good. Hardcover. 1895.

      [Bookseller: Winghale Books]
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        L'EMIPRE LIBERAL ETUDES RECITS SOUVENIRS - EN 17 TOMES .

      1895. GARNIER FRERES. 1895 - 1915. In - 12.Carr. Broch. Etat d'usage. Couv. lgrement passe. Coiffe en tte abme. Intrieur acceptable. 501 + 36 + 554 + 36 + 639 + 616 + 642 + 647 + 36 + 644 + 36 + 676 + 36 + 632 + 36 + 652 + 36 + 631 + 642 + 670 + 36 + 640 + 36 + 613 + 609 + 616 pages - coiffe en tte abme sur le tome 2,5 - coiffe en pied abme sur le tome 3 - dos abm sur le tome 5 - coiffes en tte et pied abmes sur le tome 6 - 1er plat dsolidaris + dos abm sur le tome 7 - 2me plat dsolidaris sur le tome 8 - 1er plat dsolidaris + dchirure sur le tome 9 - tome 11,13 dsolidaris dos manquant - coiffe en pied abme sur le tome 12 - 2 cartes dpliantes en noir et blanc la fin du tome 16 - coiffe en pied abme sur le tome 17 - coins frotts - annotations ou tampons sur le 1er plat de chaque tomes - tiquette colle sur le 1er contre plat sur quelques tomes. Tome 1 : du principe des nationalits - Tome 2 : Louis napolon et le coup d'tat - Tome 3 : napolon III - Tome 4 : Napolon III et cavour - Tome 5 : l'inauguration de l'empire libal le roi guillaume - Tome 6 : La pologne les lections de 1863 la loi des coalitions - Tome 7 : le dmembrement du danemark le syllabus la mort de morny l'entrevue de biarrutz - Tome 8 : l'anne fatale sadowa 1866 - Tome 9 : le dsarroi le luxembourg le 19 janvier queretaro - Tome 10 : l'agonie de l'empire autoritaire mentana la loi militaire loi sur la presse et les runions publiques - Tome 11 : la veille des armes - Tome 12 : le ministre du 2 janvier formation du ministre l'affaire victor noir suite du complot hohenzollern - Tome 13 : le guet apens hohenzollern le concile oecumnique le plbiscite - Tome 14 : la guerre - Tome 15 : tions nous prts ? prparation mobilisation sarrebruck alliances - Tome 16 : le suicide premier acte woerth forbachi renversement du ministre - Tome 17 : La fin.

      [Bookseller: Le-Livre.Com]
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        Sir Quixote of the Moors: Being Some Account of an Episode in the Life of the Sieur De Rohaine

      T. Fisher Unwin, London 1895 - Red cloth with colourful flower decs to spine and front. Spine very lightly sunned and bumped, some very light rubbing and marks to rear board and also a slight crease to the cloth which looks like it was perhaps a fault in the cloth at the time of binding. Front board clean and bright. Endpapers browned and some of the pages have been roughly cut, very occasional small smudge mark to page edge, otherwise contents are clean and tight. Overall a very tidy copy of this first edition. Size: 12mo [Attributes: First Edition; Hard Cover]

      [Bookseller: Bookcase]
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        Autograph letter signed.

      Paris, 21. X. 1895. - 8vo. 1 page. To a friend [J. de Saint-Mesmin, journalist from L’Étoile française]: Je vous autorise volontiers à reproduire mon roman La Conquête de Plassans, dans L’Étoile française, du moment que vous avez un traité avec la Société des Gens de Lettres [ ]"

      [Bookseller: Kotte Autographs GmbH]
 21.   Check availability:     ZVAB     Link/Print  


        A Sporting Pilgrimage: Riding to the Hounds, Gold, Rowing, Football, Club and University Athletics. Studies in English Sport, Past and Present

      Harper and Brothers, 1895. Tall 8vo Red cloth blocked in gilt and black on the upper board and spine, in the publisher's printed paper dust - wrapper; pp. xii, 397, illustrated throughout with plates and in text. The book is bright and sharp, with light foxing to the text block edges, offsetting from the jacket to the endpapers, else fine; jacket has chipping to the spine ends and corners and along the top edge of the rear panel, one chip at the bottom of the rear panel, but still quite presentable.

      [Bookseller: Books Tell You Why]
 22.   Check availability:     maremagnum.com     Link/Print  


        Maison de santé de Chateau Picon. Asile public d'aliénées de Bordeaux

      [ - 20 photographies Bordeaux, Alphonse Terperau, [circa 1895], , 20 photographies contrecollées sur feuillets forts, l’ensemble monté sur onglets, demi-percaline noire à coins, titre doré sur le plat supérieur, 20 photographies originales contrecollées sur carton : la première représente une gravure montrant une vue d'ensemble du château en 1889, puis 19 photographies nous laissent découvrir les façades, jardins et intérieurs (toujours vides) qui composent l'asile et la maison de santé (parc, jardin d'hiver, promenoir, salon, réfectoire, chambre, cuisine, salle réservée aux enfants arriérées, chapelle, pavillon hors-classe, etc.). «En 1885, après avoir perdu un procès contre la ville de Bordeaux, l'asile des aliénées doit quitter son emplacement du cours Saint-Jean. On achète dans le quartier Saint-Augustin, le domaine de Château-Picon. Le bâtiment est construit suivant le modèle des principaux asiles français et étrangers. Il comporte deux parties bien distinctes : l'asile des indigentes et le pensionnat [.]. En 1895 est créé un quartier pour les jeunes idiotes perfectives» (Nérin, Hôpitaux et hospices de Bordeaux à la Belle époque, 1994). Très rare document photographique d'époque sur un asile français à la fin du xixe siècle dont les clichés furent réalisés par Alphonse Terpereau, ingénieux et prodigue photographe spécialisé dans la photographie documentaire et industrielle de sa région. Bel exemplaire. [Attributes: Hard Cover]

      [Bookseller: Librairie Alain Brieux]
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        La photographie des couleurs par impressions pigmentaires superposées: procédé détaillé d'impression au charbon en plusieurs couleurs superposées pour photographes amateurs et professionnels

      Charles Mendel 1895 - In-8° broché, couvertures imprimées originales, 30 [2] pages. Petits manques de papier au extrèmités du dos, bord de la couverture légèrement brunie de façon rectiligne sur un cm de largeur sinon bel exemplaire rarissime [Attributes: First Edition; Soft Cover]

      [Bookseller: PRISCA]
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        Busy Street-scene

      ca. 1895. Original photograph, albumen print, 18,8 x 23,7 cm, on mount. KEYWORDS:india/bombay/photo

      [Bookseller: Krul Antiquarian Books]
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        Jama Masid

      ca. 1895. Original photograph, albumen print, 21,1 x 26,6 cm, on mount. KEYWORDS:india/dehli/photo

      [Bookseller: Krul Antiquarian Books]
 26.   Check availability:     Biblio     Link/Print  


        Busy Street-scene.

      - ca. 1895. Original photograph, albumen print, 18,8 x 23,7 cm, on mount. KEYWORDS:india/bombay/photo

      [Bookseller: Krul Antiquarian Books]
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        Jama Masid.

      - ca. 1895. Original photograph, albumen print, 21,1 x 26,6 cm, on mount. KEYWORDS:india/dehli/photo

      [Bookseller: Krul Antiquarian Books]
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        La petite classe

      first edition. Binding to bradel half gray calico, flat spine decorated with a golden floral pattern, date and dual gold tail thread, as part of blue shagreen, marbled paper boards, contemporary binding. Signed autograph Jean Lorrain Madame Alphonse Daudet. printed stamp of Madame Daudet library head of a guard. Paul Ollendorf Paris 1895 11,5x19,5cm relié

      [Bookseller: Librairie Le Feu Follet]
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        Combat du Chevalier d'Eon

      Encre sur papier, 1895. Encre sur papier Fin XIXème, 27 x 21 cm. Encre sur papier Fin XIXème, 27 x 21 cm. - Original ink drawing. Signature stamp of the artist's signature in the lower right of the work and signature monogram stamp of the artist angle; signature stamp on the back of the workshop. Mention handwritten on the back, in pencil, title, and date: 1895 Very nice condition.. Provenance: the artist's studio, referenced to catalog Atelier Louis Anquetin (Thierry de Maigret, 28/11/08). Louis Anquetin, Étrépagny born in 1861 and died in Paris in 1932, is an important French painter. He began his career with avant - garde artists such as Vincent van Gogh and Henri de Toulouse - Lautrec. With Émile Bernard, he is the inventor of Cloisonnisme. From 1884 to 1893, Louis Anquetin continues to explore new opportunities introduced by the release of Impressionism in French painting. From 1893, after a long confrontation with the "old masters", he adopts a bias pictorial that will line the general art movement, and take away from his friends. Dazzled by the baroque art and its creative force, so he thinks his childhood friends were involved in a pathway leading to the death of painting. He believes in a "perfect painting" which is embodied in the re - remember the lessons of Michelangelo and Rubens among others. His work becomes more conventional, he advocated a return to business by offering to reflect on the a priori conditions of any possible form of art in accordance with the rules of perspective and anatomy, as practiced by the masters the sixteenth and seventeenth century. Leaving only a few works that can be described as monumental, Anquetin turns prolific with its many studies and sketches, who considered that the design was "a very powerful means of expression" compulsory foundation of all arts plastics. Working voluntarily countdown of his time, Louis Anquetin made possible the existence of an original modern figuration. By his obstinacy and his passion for painting, he has indeed prevented is completely closed the way to the great Western tradition. You can admire his works in many prestigious museums such as the Musée d'Orsay or the Louvre in Paris, San Francisco and Detroit, the Hermitage Museum in St. Petersburg, the National Gallery and the Tate London, ... etc. - - - Please note that the translation in english is done automatically, we apologize if the formulas are inaccurate. Contact us for any information! - [FRENCH VERSION FOLLOWS] Dessin original à l'encre. Signature du cachet de la signature de l'artiste dans l'angle inférieur droit de l'œuvre et signature du tampon du monogramme de l'artiste ; signature du cachet de l'atelier au verso. Mention manuscrite au dos, au crayon à papier, du titre, et de la date : 1895. Très bel état de conservation. Provenance : atelier de l'artiste, référencée au catalogue Atelier Louis Anquetin (Thierry de Maigret, 28/11/08). Louis Anquetin, né à Étrépagny en 1861 et mort à Paris en 1932, est un important peintre français.Il commence sa carrière aux côtés de peintres d'avant - garde tels que Vincent Van Gogh ou Henri de Toulouse - Lautrec. Avec Émile Bernard, il est l'inventeur du Cloisonnisme. De 1884 à 1893, Louis Anquetin ne cesse d'explorer les possibilités nouvelles offertes par la libération introduite par l'Impressionnisme dans la peinture française. A partir de 1893, à la suite d'une longue confrontation avec les « maîtres d'autrefois », il adopte un parti - pris pictural qui le mettra en marge du mouvement général de l'art, et l'éloignera de ses amis. Ébloui par l'art baroque et sa vigueur créatrice, il pense alors que ses amis de jeunesse se sont engagées dans une voie qui mènera à la mort de la peinture. Il croit en une « peinture parfaite » qui s'incarne dans le re - souvenir des leçons de Michel - Ange et de Rubens notamment. Son travail devient donc plus classique, il prône le retour au métier, en proposant de réfléchir sur les conditions a priori de toute forme d'art possible dans le respect des règles de la perspective et de l'anatomie, telles que pratiquées par les maîtres du XVIème et XVIIème siècle.Ne laissant que quelques œuvres que l'on peut qualifier de monumentales, Anquetin s'avère prolifique par ses nombreuses études et esquisses, lui qui considérait que le dessin était « un moyen d'expression tout puissant », le fondement obligatoire de tous les arts plastiques.En travaillant volontairement à rebours de son époque, Louis Anquetin a rendu possible l'existence d'une figuration moderne originale. Par son obstination et sa passion de la peinture, il a en effet évité que ne soit totalement obturé le chemin de la grande tradition occidentale. On peut admirer ses œuvres dans de nombreux et prestigieux musées comme le Musée d'Orsay ou Le Louvre à Paris, à San Francisco ou à Detroit, au Musée de l'Hermitage de Saint - Petersbourg, à la National Gallery et à la Tate de Londres, etc... une feuille

      [Bookseller: Librairie Le Feu Follet]
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        1895 Wisden Almanack Rebound Like Hardbacks , Special.

      This is a very special 1895 Wisden Almanack, rebound by Wisden Almanack in the middle of the 20th Century to mimic an 1896 hardback, a quirky Wisden Almanack that will appeal to some. The similarities to a hardback are that the paste downs are yellow (with a Liverpool cricket club stamp) , the gilt on the covers and spine are identical to that of an 1896. It is slightly smaller by 1/8th inch , smoky top to page block and severe foxing around photo plate, the uniqueness is what will appeal. Hard to price up but Gorringes sold a similar copy (spine less like an 1896) for £750+20% and selling for less than we purchased it for.

      [Bookseller: Wisdenshop.com]
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        Lot de 40 cartes d'Etat - Major "à remettre aux Officiers Supérieurs et aux Capitaines". 35 cartes au 80.000e et 5 cartes au 200.000e. [ Détail des cartes : 35 cartes au 80.000e : carte n°2 : Dunkerque ; 4 : Saint Omer ; 5 : Lille ; 7 : Arras ; 8 : Douai ; 9 : Maubeuge ; 12 : Amiens ; 13 : Cambrai ; 14 : Rocroi ; 15 : Givet ; 21 : Montdidier ; 22 : Laon ; 23 : Rethel ; 24 : Mézières ; 25 : Longwy ; 26 : Sierck ; 32 : Beauvais ; 33 : Soissons ; 34 : Reims ; 35 : Verdun ; 36 : Metz ; 37 : Sarreguemines ; 49 : Meaux ; 50 : Châlons ; 51 : Bar - le - Duc ; 52 : Commercy ; 53 : Sarrebourg ; 69 : Nancy ; 70 : Lunéville ; 84 : Mirecourt ; 85 : Epinal ; 86 : Colmar ; 100 : Lure ; 101 : Mulhouse ; 115 : Ferrette ; Détail des 3 cartes au 200.000e : 2 : Dunkerque ; 2bis : Anvers ; 5 Maubeuge Bruxelles ; 10 : Mézières ; 11 : Longwy, l'ensemble avec le tableau d'assemblage ]

      Dépôt de la Guerre, 1895. 40 cartes format divers (moyen ; 60 x 85 cm), modèles en général 1895 révisés (1898 ou postérieures, cartes 25 et 26 révisés 1912, idem pour celle au 200.000e de Longwy et Mézières), Dépôt de la Guerre : Contient : 35 cartes au 80.000e et 5 cartes au 200.000e. [ Détail des cartes : 35 cartes au 80.000e : carte n°2 : Dunkerque ; 4 : Saint Omer ; 5 : Lille ; 7 : Arras ; 8 : Douai ; 9 : Maubeuge ; 12 : Amiens ; 13 : Cambrai ; 14 : Rocroi ; 15 : Givet ; 21 : Montdidier ; 22 : Laon ; 23 : Rethel ; 24 : Mézières ; 25 : Longwy ; 26 : Sierck ; 32 : Beauvais ; 33 : Soissons ; 34 : Reims ; 35 : Verdun ; 36 : Metz ; 37 : Sarreguemines ; 49 : Meaux ; 50 : Châlons ; 51 : Bar - le - Duc ; 52 : Commercy ; 53 : Sarrebourg ; 69 : Nancy ; 70 : Lunéville ; 84 : Mirecourt ; 85 : Epinal ; 86 : Colmar ; 100 : Lure ; 101 : Mulhouse ; 115 : Ferrette ; Détail des 3 cartes au 200.000e : 2 : Dunkerque ; 2bis : Anvers ; 5 Maubeuge Bruxelles ; 10 : Mézières ; 11 : Longwy, l'ensemble avec le tableau d'assemblage ] Rare ensemble bien complet du lot de cartes "à remettre aux Officiers supérieurs et aux Capitaines" pour la zone Nord et Est, couvrant toute la frontière française de Dunkerque à Ferrette, sur une profondeur variable allant jusqu'à 200 km. D'après le tableau d'assemblage, le lot est bien complet des 35 cartes au 80.000e et des 5 cartes au 200.000e. Bon ensemble. Français

      [Bookseller: Librairie Du Cardinal]
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        Poésies complètes

      Léon Vanier, 1895. - Léon Vanier, Paris 1895, 11,5x18,5cm, relié. - Collettiva Edition nella parte originale della carta corrente. Bound in mezzo marocchino rosso, liscio di nuovo con un motivo floreale oro, dorato data coda dorata netta sui piatti di carta marmorizzata piatti, guardie e contreplats di carta fatta a mano, coperte conservati, testa dorata, vincolante tempo firmato Bonleu. In questa edizione, edizione originale è apparso in cinque poesie di Illuminations "Fata", "Guerra", "Ingegneria", "Gioventù I" e "Balance". Libro illustrato frontespizio di due disegni dal rappresentante Arthur Rimbaud Verlaine. Importante prefazione originale di Paul Verlaine. esemplare piacevoli immersi in un affascinante firmato vincolante del tempo. - [FRENCH VERSION FOLLOWS] Edition collective en grande partie originale, 10 poèmes paraissent pour la première fois : Les Étrennes des orphelins, Patience, Jeune ménage, Mémoire, Est - elle almée, Fairy, Guerre, Génie, Jeunesse, Solde - les 5 derniers "rattachés" aux Illuminations.  Importante préface originale de Paul Verlaine. Reliure en demi maroquin rouge, dos lisse orné d'un motif floral doré, date dorée en queue, filet doré sur les plats de plats de papier marbré, gardes et contreplats de papier à la cuve, couvertures conservées, tête dorée, reliure de l'époque signée de Bonleu. Ouvrage illustré en frontispice de deux dessins d'après Verlaine représentant Arthur Rimbaud. Très joli exemplaire parfaitement établi en reliure signée de l'époque.

      [Bookseller: Librairie Le Feu Follet]
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        The Big Bow Mystery

      Rand, McNally and Co Chicago (1895) - First American Edition. Small octavo, original red cloth, gilt lettering. Zangwill's only mystery novel, a locked room murder tale and basis for three commercial films. Scarce Haycraft Queen Cornerstones. Not uncommon in the taller reprint edition by the same publisher. This is the truly rare first printing. Very Good despite some signs of library use, 19th Century library bookplate at front pastedown, blindstamp at title page, pocket at rear pastedown. [Attributes: Hard Cover]

      [Bookseller: Babylon Revisited Rare Books]
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        Sammlung von Abbildungen türkischer, arabischer, persischer, centralasiatischer und indischer Metallobjecte.

      Vienna, Verlag des k. k. österreichischen Handels-Museums, 1895. - 50 plates with 5 ff. of letterpress text. In original half cloth portfolio. Folio (340 x 465 mm). A fine collection of Arabic, Persian, and Ottoman as well as Indian and Asian decorated metal objects, including bowls, basins, water pitchers, and tea pots. Several separate plates show details of the elaborate ornamentation. - Some foxing; slight defects to portfolio flaps. Removed from the Vienna University of International Trade with their cancelled stamps on the portfolio. OCLC 3124615. [Attributes: Hard Cover]

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
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        The Stolen Bacillus.

      London: Mathuen & Co.,, 1895. Octavo. Original blue cloth, title and decorations to spine and front cover gilt. Spine rolled, extremities rubbed and a little worn, light foxing to endleaves. An excellent copy. First edition, first impression. With a note inscribed by the author to journalist Frazier Hunt tipped-in to the front pastedown: "I shall look for you also. H.G.W." From the library of English actor Frank Wyndham Goldie (1897-1957), with his bookplate to the front free endpaper.

      [Bookseller: Peter Harrington]
 36.   Check availability:     Biblio     Link/Print  


        The Red Republic [promotional poster]

      [New York:: G. P. Putnam's,, 1895?]. Fine. 15-3/4 x 12 inches.

      [Bookseller: Jeffrey H. Marks Rare Books]
 37.   Check availability:     Biblio     Link/Print  


        History of the Second Queen's Now The Royal West Surrey Regiment Six Volume Set Vol. I 1681 to 1684, Vol II 1684 to 1714, Vol III 1715-1799, Vol IV 1800-1837, Vol V 1837-1905, Vol VI Officers' Services 1661-1904

      Richard Bentley 1895 - 322pp, index, very nice set - look superb and are presented in original blue cloth covered boards with gilt badges and titles, books are tigtly bound, pages are clean and bright and uncut, cloth is also bright with a little rubbing of the cloth to the spine of vol VI. Only the most minor of marks and rubbing to all 6 volumes. Volume I signed and inscribed by author [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Anchor Books]
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        Autograph musical quotation signed ("N R-Korsakov") and inscribed.

      No place, 11. VIII. 1895. - 1 page, oblong 8vo, framed and glazed with a portrait of the composer (overall size: c.430:325 mm). Fine autograph musical quotation of the "Polacca" from act 3 of the opera "Christmas Eve", comprising the opening four bars notated in piano score in dark brown ink on four staves, inscribed ("Allegro non troppo alla polacca . Polski from 'The Night before Christmas'") to the young composer and critic Evgeny Ottovich Gunst. - Rimsky-Korsakov's "Christmas Eve" was premiered at the Mariinsky Theatre in St Petersburg on 10 November 1895. The plot centres on Vakula the Smith, who can only marry his beloved Oksana, she says, if he brings her the slippers of the tsaritsa (ie Catherine the Great). In Tableau 7 (Act 3), Vakula arrives at Catherine's court and finds a group of cossacks singing her praises in this "Polacca". Rimsky included this movement in his Orchestral Suite derived from the opera, as number 3. The eighteen-year-old dedicatee, Evgeny Gunst (1877-1950), later wrote a book about Rimsky-Korsakov and Wagner; his own musical legacy as a composer was only discovered in 2009. - Some browning, probably from the mount.

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
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        Bibliographica: Papers on Books, Their History and Art

      London: Kegan Paul, Trench, Trübner and Company, Limited, 1895?1897. Leather_bound. Fine. Three volumes complete, in new three-quarter leather binding. Black cloth over boards with green goat spine and corners, black leather spine labels with gilt spine titles and gilt spine and cover accents, five raised spine bands, top edges gilt, 21 by 29.8 cm, viii 511 (1), viii 502 (1) plus tipped-in errata sheet, viii 511 pp. plus tipped-in errata sheet, 65 plates total. Bindings are fine; contents near fine with only the faintest signs of use. Originally issued in twelve parts, these volumes collect the entire series of this beautiful book arts journal that featured some of history?s greatest printed objects, written by top bookmen of the day. Contents include ?A Copy of Celus from the Library of Grolier? by W.Y. Fletcher, ?Christina of Sweden and her Books? by Charles I. Elton, ?Raoul Lefévre and ?Le Recueil des Histories de Troye?? by H. Oskar Sommer, ?Names and Notes in Books? by Andrew Lang, ?The Accipies Woodcut? by R. Procter, ?La Bibliophilie Moderne? by Octave Uzanne, ?Thoinan?s ?Les Relieurs Fran?ais?? by S.T. Prideaux, ?The Stationers at the Sign of the Trinity? by E. Gordon Duff, ?The Book of Hours of Geoffroy Tory? by Alfred W. Pollard, ?English Illuminated Manuscripts? by Sir E. Maunde Thompson, ?Samuel Pepys? by H.B. Wheatley, ?Henry Fielding? by Austin Dobson, ?The Chronology of the Early Aldines? by R.C. Christie, ?Early Representations of the Printing Press? by Falconer Madan, ?Woodcuts as Bindings? by Paul Kristeller, ?Florimond Badier? by W.Y. Fletcher, ?Paraguayan and Argentinean Bibliography? by R. Garnett, ?A Forgotten Book-Illustrator? by Laurence Housman, ?La Guirlande de Julie? by J.W. Bradley, ?The Mainz Psalter of 1457? by R. Martineau, ?Early Dedications to Englishmen by Foreign Authors and Editors? by W.D. Macray, ?Books with Woodcuts Printed at Pavia? by Paul Kristeller, ?English Book-Sales 1676-1680? by Alfred W. Pollard, ?The Bibliotheca Meadiana? by Austin Dobs, ?The Initial Blocks of Some Italian Printers? by A.J. Butler, ?The Sforza Book of Hours? by Sir J.C. Robinson, ?On the Artistic Qualities of the Woodcut Books of Ulm and Augsburg in the Fifteenth Century? by William Morris, ?An Elizabethan Bookseller? by Sidney Lee, ?Two References to the English Book-Trade, circa 1525,? ?English Provincial Presses? by W.H. Allnutt, ?The Illustrated Books of Sebastian Brandt? by Gilbert R. Redgrave, ?The Long Shop in the Poultry? by Henry R. Plomer, ?Florentine Book-Illustrations of the 15th and Early 16th Centuries? by Paul Kristeller, English Book-Sales 1861-86? by Alfred W. Pollard, ?Little Gidding Bindings? by Cyril Davenport, ?Robinson Crusoe and its Illustrators? by George Somes Layard, ?Notices of Printers and Printing in the State Papers? by Henry R. Plomer, ?Venetian Ducali? by John W. Bradley, ?The Grotesque and the Humourous in Illuminations of the Middle Ages? by Sir E. Maunde Thompson, ?Notes on the Latin Bible 0f 42 Lines, 1455? by Russell Martineau, ?The Transference of Woodcuts in the 15th and 16th Centuries? by Alfred W. Pollard, ?Some Notes on American Book-Clubs? by Ernest Dressel North, ?The Decoration of Book-Edges? by Cyril Davenport, ?Puckle?s ?Club?? by Austin Dobson, ?The Book-Plates of J. Skinner of Bath? by W.J. Hardy, ?John Rastell and his Contemporaries? by Robert K. Douglas, ?The Bibliographical Society? by Falconer Madan, ?Japanese Illustrated Books? by R.K. Douglas, ?The Early Italian Book-Trade? by R. Garnett, ?Là Gravure sur bois à Lyon au XVe Siècle? by N. Rondot, ??Once a Week:? A Great Art Magazine? by J. Pennell, ?The Strawberry Hill Press? by H.B. Wheatley, ?Notes on Early Music Printing? by W.B. Squire, ?Woodcut Designs for Illumination in Venetian Books 1469-73? by A.W. Pollard, ?The Bindings of Samuel Mearne and his School? by C. Davenport, ?References to Books in the Reports of the Historical Mss. Commissioners? by H.R. Plomer, ?The Early English Writing-Masters? by E.F. Strange, ?Contemporary Printed Lists of Books Produced in England? by E. Arber, ?On Two Plates in Sotheby?s ?Principia Typographica?? by R. Proctor, ?Little Books? by C. and M. Elton, ?The Books of the Carthusians? by G.C. Williamson, ?Some Pictorial and Heraldic Initials? by A.W. Pollard, ?Calligraphy in the Middle Ages? by Sir E.M. Thompson, ?Notes on the Thomason Collection of Civil War Tracts? by F. Madan, ?English Armorial Book-Stamps and their Owners? by W.Y. Fletcher, ?Private Printing in France During the 15th Century? by A Claudin, ?Roger Payne and his Indebtedness to Mearne? by C. Davenport, ?Richard Tottel? by H.R. Plomer, ?On a Manuscript of the ?Biblia Pauperum?? by Sir E.M. Thompson, ?Little Jacobite Tracts? by Andrew Lang, ?The Isham Books? by R.E. Graves, and ?The Illustrations in French Books of Hours 1486-1500? by A.W. Pollard. In a new binding, this is a stunning set befitting its contents. **Due to the size and weight of this set, additional postage will be required if shipping outside of the United States. (os)

      [Bookseller: Bay Leaf Used & Rare Books, ABAA]
 40.   Check availability:     Biblio     Link/Print  


        Marsh Leaves with Sixteen Photo-Etchings from Plates Taken By the Author

      London: David Nutt, 1895. Hardback in original decorated cloth. vi, [2], 165pp. 28.5 cm x 19.5 cm. Complete with 16 photogravure plates as called for. Internally very good. Boards a little stained and rubbed. Some typical discolouration to end-papers but importantly the plates and text are clean and free of all but the occasional marginal spot. This was Emerson's final photographic work and is generally considered to contain the finest examples of his naturalistic style.. First Edition. Hard Cover. Good +.

      [Bookseller: Besleys Books]
 41.   Check availability:     Biblio     Link/Print  


        The Gold Fish of Gran Chimu

      LAMSON, WOLFFE & CO, BOSTON & NEW YORK 1895 - Signed by Author. Gold gilt lettering on spine, b&w illustrations, good binding, clean body and unmarked text. Light shelf wear, faded cover and spine, and rubbed edges. Otherwise, excellent condition!! DATE PUBLISHED: 1895 EDITION: 126 [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Princeton Antiques Bookshop]
 42.   Check availability:     AbeBooks     Link/Print  


        LA ROQUE - AYNIER ( DIOCÈSE DE MONTPELLIER ) MONOGRAPHIE PAROISSIALE

      Albi . Imprimerie-Reliure des Apprentis-Orphelins 1895 - Un volume petit in8 , reliure demi-toile , 68 pages, 3 pages non chiffrées, 1 gravure. [Attributes: Hard Cover]

      [Bookseller: Librairie CLERC]
 43.   Check availability:     AbeBooks     Link/Print  

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