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Displayed below are some selected recent viaLibri matches for books published in 1893

        La paix du ménage EDITION ORIGINALE Grand papier

      Paris: Paul Ollendorff, 1893. Fine. Paul Ollendorff, Paris 1893, 13,5x20cm, relié. - Original, one of 100 numbered copies on Holland paper edition only leading copies after 5 China and Japan 10. Bound in half morocco pistachio, insolated back with five nerves, when golden tail, flat marbled, endpapers and contreplats paper bowl, cover and spine preserved, contemporary binding unsigned but attributed to Lancelin. Copy all pleasantly margins established. Provenance: from the library of Paul Ollendorff. --- Please note that the translation in english is done automatically, we apologize if the formulas are inaccurate. Contact us for any information! - [FRENCH VERSION FOLLOWS] Edition originale, un des 100 exemplaires numérotés sur Hollande, seuls grands papiers après 5 Chine et 10 Japon. Reliure en demi maroquin pistache, dos insolé à cinq nerfs, date dorée en queue, plats de papier marbré, gardes et contreplats de papier à la cuve, couvertures et dos conservés, reliure de l'époque non signée mais attribuable à Lancelin. Exemplaire à toutes marges agréablement établi. Provenance : bibliothèque de Paul Ollendorff.

      [Bookseller: Librairie Le Feu Follet]
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        Topsys & Turvys

      New York: The Century Co.. Very Good in Good+ dust jacket. 1893. First Edition. Hardcover. Glossy paper-covered boards with titles and decoration on upper board and spine, in publisher's printed paper dust-wrapper; ff. [5], 31 (printed rectos only), illustrated throughout with full-page chromolithographs. Board edges rubbed, spine quite worn, mull showing along much of its length, but binding remarkably sound, and internally fresh, bright, and unmarked; jacket in several pieces (held in place by mylar wrapper), lacking portions of the spine and with chunks out of the front panel and chips at the flap joints; P. S. Newell's fascinating and colorful "upside down" and "downside up" stories with colored illustrations throughout. "These little maids have been to town to purchase postage stamps, And now are much alarmed to note their actions watched by tramps" - from the cover illustration .

      [Bookseller: Books Tell You Why]
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        THOUGHTS Of IDLE HOURS. Volume 1, 1862 - 1890. Volume 2, 1889 - 1893

      (v. p.) 1893 - 350; 310 [283 with mss text] pp. Volume 1 with 262 poems; Volume 2 with 62 poems/works. Mss glosses throughout. Tipped-in note & newspaper clipping following p. 229 in v. 1. Laid-in are 2 newspaper clippings, 2 envelopes, one mss poem, one mss receipt & a "R. L. Hale, Carpenter and Jobber" business card. Drawings of Columbus Statue + 2 other figures, v. 2. p. 215, which illustrates the 7 page poem, "On Seeing The Statue of Columbus. "The Three Farraguts", 3 drawings p. 219, v. 2, illustrates the poem, "On See the Farragut Statue." 8-1/4" x 6-3/4" Hale the author of the famous California Gold Rush journal, "Log of a Forty-Niner", published in 1923 from a manuscript given to his daughter. Here, in these two commonplace volumes of poetry, Hale treats a number of different subjects & themes, from the Civil War, to labor unrest. In volume 1, he begins Feb. 11, 1862, with "Our Country's Call", concluding, 349 pages later, with "One by One", a lament on the passing of hopes & dreams. Volume 2 begins with a 20 page piece entitled "An Appeal", dated 1889, and concludes with "The Sturdy Old Judge", which Hale notes refers to Judge Andrews of Danvers, Mass "one of our old friends". A unique compilation wherein Hale reflects, via the medium of poetry, on divers aspects of live as experienced in the latter half of the 19th C. Bindings well worn, with Vol 1 lacking top 2" of spine leather. Some gatherings sprung. Vol 2 with color printed ticket "Fred W. Barry / Manufacturer of Account Books / Boston" to front paste-down. Vol 2 with boards held by cords. A Good set only. Half-leather bindings, with marbled paper boards [Attributes: Soft Cover]

      [Bookseller: Tavistock Books, ABAA]
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        GRAND LIVRE DES PATISSIERS ET DES CONFISEURS Ouvrage en deux parties, renfermant 138 planches gravées.

      Paris, Dentu, 1893. In-4 p. (mm. 300x226), 2 voll., mz. tela coeva, filetti e tit. oro su due tasselli al dorso, pp. XXIV,338,(9 di Indice); 701 (numeraz. continua); molto ben illustrato da 138 pregevoli tavole inc. su acciaio f.t., con complessive 665 figure, tutte dettagliatamente descritte. Come specifica l?'A. nella Prefazione ?"je traite ici deux branches: les entremets sucrés (chauds et froids - grosses pièces de patisserie sur socle et sur tambour) et les pièces ornamentales (modèles de grands gradins et grands socles - grandes pièces-montées de patisserie - gateaux de mariage - petites pièces montées - petites pièces de patisserie, de confiseurs - accessoires et ornements de la patisserie?". Il volume è introdotto da ?"détrempes et appareils de patisserie?". Questo importante libro appartiene alla serie delle celebri opere culinarie del francese Dubois (1818-1901), allievo di Louis Haas della casa Rothschild, cuoco del conte Uruski, capo delle cucine del Kaiser Guglielmo I. Cfr. Vicaire, p. 291 che cita la prima ediz. del 1883 (sempre con 138 tavv.) - Bitting, p. 131. Con fiorit. intercalate nel t. ma complessivamente buon esemplare su carta distinta.

      [Bookseller: Libreria Malavasi sas]
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        A Question of Memory. a Play in Four Acts produced at the Independent Theatre London on Friday October the 27th 1893 by Michael Field Author of 'Stephaia a Trialogue'

      London: Elkin Mathews and John Lane at the sign of the Bodley Head, 1893. Hardcover. Very Good. Hardcover. One of 120 copies.Uncommon first published edition. This book comprises the sheets of the private issue with four preliminary leaves added, containing half-title, limitation notice, Mathews and Lane title-page, preface, errata list, and a note explaining that "The play stands simply as it was roughly printed for our own and the actors' use. " At the back is a single leaf of advertisements for Michael Field titles followed by a Bodley Head catalogue dated 1893. The play was not reprinted in its original form and was heavily revised before printed in 1918. This is also a notable association copy, with the bookplate of Richard Le Gallienne. Not only was Le Gallienne well acquainted with the authors, but he was also the publisher's reader for the Bodley Head when the book was published. Bound in original green cloth with red title and author to spine and front cover. Offsetting to free front and rear endpapers. Pages unopened. Very good condition. 48 pages plus 16 page publisher's catalog. DRA/081015.

      [Bookseller: The Kelmscott Bookshop]
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        COSMOPOLIS, ROMAN, PAUL BOURGET, DUEZ JEANNIOT ET MYRBACH 1893

      Alphonse Lemerre, Éditeur. 1893 - Paris. 1893. Piel, relieves, dorados, nervios. 22X15. IV+475p. Ilustrada con bellos dibujos de acuarelas. Muy buen ejemplar. Ref 20 Biblioteca GT [Attributes: Hard Cover]

      [Bookseller: Libreria Anticuaria Marc & Antiques]
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        Théâtre des ombres parisiennes. Programme.

      Léon Vanier 1893 - Paris, aux éditions Léon Vanier, 1893. In-12, (1 f. blanc), 17 pp., (2 ff. dernier blanc), couverture illustrée. Plaquette cousue. Programme du spectacle d’ombres chinoises du Théâtre des ombres parisiennes qui fut notamment présenté à l’Exposition universelle de Chicago de 1893. Il comprend 6 textes courts d’Henry Somm (L’Éléphant - La Potiche - Cœur inflammable), de Michel Utrillo (La Conquête de la lune) et de Steinlen (Le Virtuose - Une page d’amour). La brochure est illustrée d’une composition en couleur sur la couverture et le second plat, et de figures en noir dans le texte d’Henry Somm. On trouve également en tête la reproduction des deux statues décoratives pour le Théâtre des Ombres parisiennes par Frédéric Homdedeu. Exemplaire sur papier Japon enrichi d’une AQUARELLE ORIGINALE D’HENRY SOMM, signée, au recto du premier feuillet blanc, ce qui rend cet EXEMPLAIRE UNIQUE . [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Arnaud Mary]
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        On English Lagoons: Being An Account of Two Amateur Wherryman on the Norfolk and Suffolk Rivers and Broads

      London: Nutt, 1893. First edition.. Hardback. 8vo. (8.25 x 6 inches), pp.viii, (ii), 298, 2 (adverts). 18 small b/w photo illusts, half-tones. Publisher's pictorial cloth binding, gilt to spine, spine lean. Decorated endpapers, paper a little split to front and rear inner hinges, not affecting integrity of the binding. Sellotape marks to free endpapers (one mark to each fep). Half-title present. A few marks. O/w contents clean and bright. Binding firm. A Very Good copy indeed. Rare. We reduce the default shipping charge for lighter books or use it for a tracked service if books are expensive or uncommon. We pack books securely in boxes, or corrugated card or cardboard, and protect corners with bubble-wrap.

      [Bookseller: John Taylor Books P.B.F.A.]
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        "Aus vielen Wunden blutest Du, oh Volk" ORIGINAL-Aquatintaradierung

      (c.1893/97).. 34x13 (Motiv), 44x31 (Blattgröße) Querformat. SCHÖNES KONTRASTREICHES frühes Blatt [Klipstein 29 IV a], mit minimalem Eckabriss rechts oben und links unten (sh. Abbildung)

      [Bookseller: Antiquariat Im Baldreit]
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        JAPANESE COSTUMES BEFORE THE RESTORATION Photographed by K Ogawa, under direction of Ko-yu-kai

      Tokyo:: K. Ogawa,, 1893. First Edition. Very Good+. A Very Good+ First Edition First Printing in original printed wrappers, Replaced ribbon tie. Top 1" corner of front cover replaced. Mild soil covers. Complete with all 17 full page plates printed recto only, as issued. Plates in beautiful condition with English text below each plate. Folio.

      [Bookseller: By The Book, LC ABAA-ILAB]
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        The Life of Cardinal Wolsey

      Hammersmith,: printed by William Morris at the Kelmscott Press., 1893.. One of 250 copies printed on Batchelor handmade paper (6 copies were printed on vellum). Woodcut borders and initials by William Morris. Printed in Golden type. 8vo., original limp vellum with silk ties, spine lettered in gilt. Cavendish was an usher in Wolsey's household between 1526 and 1530 and he wrote this book around 1557. It wasn't printed until a century later but many manuscript copies of it had been handed around so it was well-known. The first printed copy appeared in 1641 taken from one imperfect ms. Morris's aim was to put a more perfect text in print, taken from the author's autograph mansucript in the British Library and edited by F.S. Ellis. It makes fascinating reading with detailed insights into Wolsey's character and lowly beginnings. An extremely good, fresh copy. Booklabel of Clarence B. Hanson, Jr. on the front pastedown.

      [Bookseller: SOPHIE SCHNEIDEMAN RARE BOOKS]
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        Maud, A Monodrama

      Hammersmith,: printed by William Morris at the Kelmscott Press., 1893.. MORRIS PRINTS TO ORDER. One of 500 copies printed on Batchelor handmade paper (5 copies were printed on vellum). Decorative woodcut title page, woodcut borders and initials by William Morris. Printed in red and black in Golden type. 8vo., original limp vellum with silk ties, spine lettered in gilt, in a later slipcase. Maud was a great money-spinner for Morris as it was specially commissioned by Macmillan & Co. who bought all 500 copies. A tragic dramatic poem. The narrator being the unnamed lover of Maud. He kills her brother in a duel and has to flee to France where he later learns that his love, Maud, has died, probably of a broken heart. The distressed poet loses his sanity and imagines he is dead. In the last part, his sanity is restored and he leaves to fight in the Crimean War. Some rubbing and dryness to the top left hand side of the lower cover and spine slightly darkened, a little offset on front free endpaper, otherwise very fresh internally and overall a good copy. Booklabel of Clarence B. Hanson, Jr. on the front pastedown.

      [Bookseller: SOPHIE SCHNEIDEMAN RARE BOOKS]
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        The Rhythm of Life and Other Essays

      London: Elkin Mathews and John Lane, 1893. Hardcover. Very Good. Hardcover. First Edition. Number 7 of 50 large paper copies, signed and numbered by the author. Author's presentation copy "To Henry from his affectionate sister the author 1893." The recipient was Henry Thompson, Meynell's half-brother - her father's son from his first marriage. Alice Meynell (1847 - 1922) was a popular English writer, poet, editor, critic, and suffragette. She is best remembered today for her poetry, although she thought her essays were superior. Critics differed, and her poetry was widely praised, often as "exquisite." This book was part of an 1989-90 exhibit at Georgetown University "England in the 1890s: Literary Publishing at the Bodley Head." Bound in the original brown cloth with gilt title and author to spine and front cover. Slightly chipped and worn but still nice. Some browning to page edges and light brown marks to title page and free endpaper. Very good condition. LIT/081315.

      [Bookseller: The Kelmscott Bookshop]
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        Bordeaux und seine Weine nach ihren Lagen und Klassen geordnet von Edouard Feret. Erste deutsche Ausgabe nach der gleichzeitigen, sechsten französischen Ausgabe übertragen von Paul Wendt. Mit gegen 400 Ansichten hervorragender Weinschlösser, gezeichnet von Eug. Vergez.

      Friedr. Nagel (Paul Niekammer) / Feret et Fils, Stettin und Bordeaux, 1893 - Stettin und Bordeaux, Friedr. Nagel (Paul Niekammer) / Feret et Fils 1893. 19 x 13 cm. XVIII, 856 S., 10, [1] S. Anzeigen. Mit 11 gefalteten, farbigen Karten und ca. 400 Text-Holzstichen. Illustriertes Original-Ganzleinen mit reicher Goldprägung. Einband etwas berieben und bestossen. Rücken an Kopf und Schwanz mit kl. Einrissen. Etwas stockfleckig. Fromm II, 5425. Vgl. Bitting 93 u. Vicaire 186 (frz. Ausg.). Erste und einzige deutsche Ausgabe. Gesuchtes, unentbehrliches Handbuch; mit Karten und Abbildungen aller bedeutenden Schlösser; Angaben über Besitzer, Grösse und Mengen, Weinqualität, usw. Hier vorliegend eine unbeschriebene Einbandvariante mit goldgeprägtem Zusatz "Barkhausen & Co. Bordeaux" in der rechten unteren Ecke des Vorderdeckels. Der Familienbetrieb wurde 1869 gegründet und besteht in vierter Generation. Einband etwas berieben und bestossen. Rücken an Kopf und Schwanz mit kl. Einrissen. Etwas stockfleckig. Illustriertes Original-Ganzleinen mit reicher Goldprägung.

      [Bookseller: Antiquariat Peter Fritzen]
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        Le parapluie de l'escouade EDITION ORIGINALE ENVOI AUTOGRAPHE

      Paris: Paul Ollendorff, 1893. Fine. Paul Ollendorff, Paris 1893, 12x19cm, relié. - Edition for which there is no mention of leading copies. Binding to bradel half percaline khaki, smooth back with a gold floral pattern, golden double thread tail piece as red shagreen that has small scratches marginal boards marbled paper, lower corner blunt, binding time. Rare and valuable autograph dedication signed by the author and his publisher Paul Ollendorff: "... the only editor worthy of the name, a tribute to an author who is not in a vase." Provenance: from the library of Paul Ollendorff. --- Please note that the translation in english is done automatically, we apologize if the formulas are inaccurate. Contact us for any information! - [FRENCH VERSION FOLLOWS] Edition originale pour laquelle il n'est pas fait mention de grands papiers. Reliure à la bradel en demi percaline kaki, dos lisse orné d'un motif floral doré, double filet doré en queue, pièce de titre de chagrin rouge qui comporte de petites éraflures marginales, plats de papier marbré, un coin inférieur émoussé, reliure de l'époque. Rare et précieux envoi autographe signé de Alphonse Allais à son éditeur Paul Ollendorff : "... le seul éditeur vraiment digne de ce nom, hommage d'un auteur qui n'est pas non plus dans une potiche". Provenance : bibliothèque de Paul Ollendorff.

      [Bookseller: Librairie Le Feu Follet]
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        Silverpoints

      Elkin Matthews and John Lane, London 1893 - First edition, one of 250 numbered copies, this copy out-of-series. A nice copy of the quintessential slim volume of '90s verse with a small band of fading to cloth at upper edge of lower board and slightly rubbed at extremities. [Attributes: First Edition; Hard Cover]

      [Bookseller: Peter Grogan]
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        The Mummy. Chapters on Egyptian Funereal Archaeology

      Cambridge: Cambridge University Press, 1893., 1893. Inscribed First Edition. Octavo, pp.xvi, 404. Bound in the publisher's red cloth, with gilt stamp of Mestha (otherwise known as Imseti) to front board, double-ruled blind panneling to boards, gilt titles and publisher's imprint to spine; deckled edges, newspaper insert pasted in to front flyleaf, bookplate to front pastedown. With eighty-eight illustrations, in a variety of styles (including photogravure), several of them fold-out, and a list of heiroglyphics. Binding is rubbed; worn and frayed at spine ends, bumped at corners, sunning to spine, and with tidemark to bottom left sixth of upper board, some small tears to proud deckle edges. Internally clean, with author's ink inscription to "Rev Henry Blunt, from the writer" in 1893 to first blank, tidemark to front lower right hand of front paste down, corresponding to tidemark on upper board, short ink notation to rear pastedown concerning Amen Ra in the same hand that labels and dates the review of The Mummy pasted in to the front fly, from the Pall Mall Gazette. Pictorial bookplate, "From the Middle East and Egyptological Library" of Robert William Morrell, MBE (co-founder of the Thomas Paine Society). Budge was one of the most significant early British Egyptologists, who wrote a number of standard works on the history of Egypt and Assyria at the turn of the twentieth century, though these have since been superseded by the work of modern Egyptologists, whose research with the assistance of modern technologies and with the advent of further discoveries in Egypt, have rendered a number of his conclusions unsupportable. The Mummy is a work of admirable scholarship, synthesising scholarship in German, French, and English, to giver perspective on the religious rites and means of preservation used in the process of mummification. The figure on the front board, Mestha or Imseti, was one of the four sons of Horus, venerated as a funerary god, and who appears as a human head on the lid of the canopic jar used to store the liver.

      [Bookseller: Adrian Harrington Rare Books]
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        Princeton vs. Harvard. Tuesday May 30, 1893. Holmes Field Cambridge

      [Cambridge, 1893. [4] pp. on coated card stock. 1 vols. 8vo (17.7 x 15.4 cm.). Photographic self wrappers, split, creased and dampstained. [4] pp. on coated card stock. 1 vols. 8vo (17.7 x 15.4 cm.). Scoreboxes partially filled, with 4 cute pencil drawings around edges of Princeton box scores and a small "H" pennant spliced through Harvard score box Harvard won, 9-8.

      [Bookseller: James Cummins Bookseller]
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        La société nouvelle Tome I de la neuvième année EDITION ORIGINALE

      Paris|-Bruxelles: La société nouvelle, 1893. Fine. La société nouvelle, Paris -Bruxelles 1893, 16,5x25cm, broché. - First Edition. Amazing and rare international journal of sociology, arts, sciences and humanities at the crossroads of symbolist and anarchist currents. Many contributions, including those of George Eekhoud, Emile Verhaeren, Gustave Kahn, Reclus, Frederic Borde (Karl Marx), Kropotkin, Maeterlinck, several Nikitin article on Prostitution in Russia, Tolstoy and the Russian military ... --- Please note that the translation in english is done automatically, we apologize if the formulas are inaccurate. Contact us for any information! - [FRENCH VERSION FOLLOWS] Edition originale. Etonnante et rare revue internationale de sociologie, arts, sciences et lettres à la croisée des courants symbolistes et anarchistes. Nombreuses contributions, dont celles de Georges Eekhoud, Emile Verhaeren, Gustave Kahn, Elisée Reclus, Frédéric Borde (sur Karl Marx), Kropotkine, Maeterlinck, plusieurs article de Nikitine sur la Prostitution en Russie, Léon Tolstoï ou la Russie militaire...

      [Bookseller: Librairie Le Feu Follet]
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        French Poets and Novelists

      1893. Signed. JAMES, Henry.French Poets and Novelists.London: Macmillan, 1893.Second English edition, Globe printing, of this early collection of 12 essays on French literature by James, an exceptional copy inscribed by him with phrasing from his Theory of Fiction, ?"For these or those who have been initiated into art by production [flourish] the subject is as much a part of their work as their hunger is a part of their dinner. Henry James [flourish] May 18th, 1904.?"?"Henry James is the most voluminous, and probably the best, American critic of French literature?" (Fay, French Review, 24:4,325). James was only a baby when he ?"made his first contact with France in 1844… He was in Europe again from 1855 to 1858, much of the time in Paris, and again in 1859-60. After a ten-year interval in America,?" James continued, throughout his life, to frequently visit France and especially Paris. ?"The fruit of these visits was a lifelong interest in French literature, an interest which left its mark on his own work.?" This volume?'s 12 essays, which appeared in American periodicals such as The Galaxy and The North American Review from 1873-77, includes those on Baudelaire, Sand, Flaubert, de Musset, two on Balzac, and an essay on French theatre. These were collected and first ?"published in book form in 1878 as French Poets and Novelists?" (Pacey, American Literature 13:3, 240). ?"James possessed a point of view tailor-made for the vocation of literary criticism.?" He once memorably described the critic?'s life as ?"heroic, for it is immensely vicarious. He has to understand for others?" (New York Times).Supino 5.4.0. See Supino 5.1.0; Phillips, 10-11; BAL 10534.Text fresh and clean, faint foxing mainly to endpapers, light edge-wear, faint rubbing to cloth. A handsome near-fine signed copy with a memorable inscription.

      [Bookseller: Bauman Rare Books]
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        L'Aimé. Roman.

      G. Charpentier et E. Fasquelle,, Paris, 1893 - Cm. 19,2, pp. (2) 382 + 10 di catalogo editoriale. Legatura di poco posteriore in mezzo marocchino verde cupo e angoli con titolo in oro al dorso. Taglio di testa dorato, sguardie marmorizzate. Ottima conservazione, in barbe e con testimoni. Esemplare con la peculiarità di presentare 6 acquerelli originali dipinti a piena pagina o intercalati n.t. da noti artisti francesi del tempo: uno di Apoux (a piena pagina) al recto della giustificazione di tiratura, uno di Bligny alla p. 98, uno di Lebègue alla p. 120, uno di Bligny alla p. 240, uno di Apoux alla p. 302, uno di Lebègue alla p. 332. Ex-libris. Edizione originale (esemplare n° 39 della tiratura di testa di sole 50 copie numerate su "papier de Hollande"). [Attributes: First Edition; Hard Cover]

      [Bookseller: Studio Bibliografico Benacense]
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        Le Capital. Extraits faits par M. Paul Lafargue

      Paris: Guillaumiin & Cie., , 1893. Small octavo (144 x 90 mm). Original light brown ribbed cloth, spine and front cover lettered in black. Frontispiece portrait of Marx. Lower corner of front cover bumped. Paper stock lightly browned throughout as usual, portrait lightly foxed; a very good copy. First edition of this selection from Marx's Capital, published in the series Petite bibliothèque économique française et étrangère, the product of a surprising collaboration. Lafargue, a founder of the French socialist party and later Marx's son-in-law, of all the French Marxist writers closest to German orthodoxy, made the selection of the extracts. Pareto, whose economic and sociological views by no means coincided with those of Marx, provided the lengthy introduction.

      [Bookseller: Peter Harrington]
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        THE MUSIC AND MUSICAL INSTRUMENTS OF JAPAN.

      London 1893, - Batsfrord. Red cloth spine over boards, 3/4leather, 230p. 16 b.w. photos, 35 other illustrations, manyof instruments, index, top gilt, old spine laid down, topgilt, very clean, solid, 22 x 29 cm. FIRST & ONLY EDITION Color scans available for this book on request. Description content 2015Copyright Rare Oriental Books Co.

      [Bookseller: RARE ORIENTAL BOOK CO., ABAA, ILAB]
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        I Manoscritti di Leonardo Da Vinci. Codice sul Volo degli Uccelli e Vaeie Altre Materie. Pubblicato da Teodoro Sabachnikoff

      Paris: Edoardo Rouveyre, 1893. 1893. A VERY GOOD copy of this early (and now scarce) published appearance of da Vinci's Codex "On the flight of birds." Vellum hardcover. Artfully bound into the book is a carefully reproduced facsimile of the Codex, containing first and last pages (these appear on the inside of the front and rear "copertina" or cover, plus thirteen of the eighteen folios, recto and verso. (Missing are Folios 1, 2, 10, 17 & 18 which evidently came to light as this edition was being published. Folio 18 appears later in the book. ) The facsimile is printed on vellum and measures ~21 x 15cm (8-3/8 x 6"). The volume includes a Preface, 45-page Introduction (in French), and the Notes, in the Italian as well as the French translation. Within this section drawings or figures are clearly referenced and printed on tipped-in plates facing text. An Appendix contains a full treatment of Folio 18 (recto and verso), with mounted facsimiles of the two pages along with notes and plates of the figures. The book completes with a 2-page alphabetical index. This is a clean copy - the only marking a lovely custom bookplate of the journalist and critic, Ugo Ojetti. Front endpapers are foxed and toned. Pages are near fine, the first leaves moderately foxed but otherwise foxing is very scant and pages are fresh. Vellum hardcover is titled in gilt on maroon leather spine label. Vellum is a bit darkened, but overall very good, no splits of chips. Binding is firm, hinges and book block intact and straight. 9-3/4 x14". 156 text pages, 2-page Index plus the facsimile. Additional images available on request.. First Edition Thus. Hard Cover. Very Good/Not Issued.

      [Bookseller: Knickerbocker Books]
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        LE COLORISTE ENLUMINEUR, 50 REVISTAS 1893, 1897, DESCLEE DE BROUWER

      DESCLEE DE BROUWER - Paris. Ed. Desclee De Brouwer. 1893-1897. 33X25. Total de 50 revistas de esta gran obra desde 1893 hasta 1897. Profusamente ilustrada a colora y b/n. Ref 100 Biblioteca A. [Attributes: First Edition; Hard Cover]

      [Bookseller: Libreria Anticuaria Marc & Antiques]
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        GRAND LIVRE DES PATISSIERS ET DES CONFISEURS. Ouvrage en deux parties, renfermant 138 planches gravées.

      Dentu 1893 In - 4 p. (mm. 300x226), 2 voll., mz. tela coeva, filetti e tit. oro su due tasselli al dorso, pp. XXIV,338,(9 di Indice); 701 (numeraz. continua); molto ben illustrato da 138 pregevoli tavole inc. su acciaio f.t., con complessive 665 figure, tutte dettagliatamente descritte. Come specifica l?A. nella Prefazione ?je traite ici deux branches: les entremets sucrés (chauds et froids - grosses pièces de patisserie sur socle et sur tambour) et les pièces ornamentales (modèles de grands gradins et grands socles - grandes pièces - montées de patisserie - gateaux de mariage - petites pièces montées - petites pièces de patisserie, de confiseurs - accessoires et ornements de la patisserie?. Il volume è introdotto da ?détrempes et appareils de patisserie?. Questo importante libro appartiene alla serie delle celebri opere culinarie del francese Dubois (1818 - 1901), allievo di Louis Haas della casa Rothschild, cuoco del conte Uruski, capo delle cucine del Kaiser Guglielmo I. Cfr. Vicaire, p. 291 che cita la prima ediz. del 1883 (sempre con 138 tavv.) - Bitting, p. 131. Con fiorit. intercalate nel t. ma complessivamente buon esemplare su carta distinta.

      [Bookseller: Libreria Antiquaria Malavasi]
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        VERLAINE, Paul. Odes en son honneur. Paris, Léon Vanier, 1893. E.O. Dédicacé.

      Leon Vanier - VERLAINE, Paul. Odes en son honneur. Paris, Léon Vanier, 1893. In-12 de (2) ff., 54 pp., (1) f. Couverture cartonnée, dos tissu bleu avec pièce de titre dorée. Couverture d'origine conservée. Intérieur très frais. Joint monté sur onglet, un billet autographe signé et daté (2 janvier 189(6), au 39 rue Descartes) de Verlaine. Ecriture du billet difficilement lisible mais signature bien présente. À peine l'écriture de Chansons pour Elle achevée , Verlaine commença Odes en son honneur .Édition originale. Verlaine s'attela à ce mince recueil à la fin de l'été 1891.Il le composa rapidement mais y revint fréquemment jusqu'à sa publication par le libraire Léon Vanier, le 6 mai 1893. Ces quelque six cents vers prolongent Chansons pour Elle. Paul Verlaine écrivit les Odes en son honneur , pour célébrer Philomène Boudin. Celle-ci, une prostituée qu'il avait rencontrée avant 1890, devint sa maîtresse, bientôt en concurrence avec Eugénie Krantz, ce qui n'alla pas sans orages. Délaissé par Eugénie durant son séjour à Broussais enjuillet 1893, il reçoit donc les visites assidues de Philomène, qu'il songea même à épouser cette année-là. Dans ce recueil, le poète exprime sesrêves de douceur conjugale dans des vers emplies de tendresse d'harmonie et de sérénité (bien loin de la passion tumultueuse avec Eugènie). [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: LIBRETIS]
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        Signed Photographic Portrait of Charles Dana Gibson

      New York: Pach Brothers, n.d.. First Edition. Photograph. Very Good. Inscribed in pencil by Gibson below the photograph on the mounting board, "To Gwendolyn Gwyer/Sincerely/C D Gibson" Gwendolyn Gwyer may have been a model for Charles Dana Gibson. Born in Brooklyn in April of 1893, Gwyer married Robert I. Walker on March 4, 1916, indicating that this photograph was inscribed to Ms. Gwyer prior to her marriage. A very unique Charles Dana Gibson inscribed item. A quite formal portrait of the famed American illustrator Charles Dana Gibson, best known for his so named "Gibson Girl" image that came to represent the ideal woman of the late 19th and early 20th century. The image of Gibson measures 9-3/4" x 7-1/4" the original mounting board measures 13-1/2" x 9-1/4"

      [Bookseller: Artisan Books & Bindery ABAA/ILAB]
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        Das Michelchen. Blatt 9 der 1893 erschienenen Mappe "Marburg a. d. Lahn und Umgebung". Dargestellt ist die gotische Friedhofskapelle St. Michael in Marburg.

      München, 1893. - 33,5 x 26 cm. Nummeriert und vom Künstler mit Bleistift signiert. Carl Graepler: Katalog der Radierungen und Exlibris von Otto Ubbelohde Nr. 8. [Attributes: Signed Copy]

      [Bookseller: Kunstantiquariat Piesk]
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        L'ennemi des lois EDITION ORIGINALE ENVOI AUTOGRAPHE

      Paris: Didier, 1893. Fine. Didier, Paris 1893, 11x18cm, relié sous chemise et étui. - first edition. Binding percaline half green, smooth back with a gold jewel, double net gilded tail, marbled paper boards, preserved covers, sprinkled edges, contemporary binding, shirt half morocco green, back with five nerves, mention Jules Renard copy tail, pouch lined with green morocco, modern set dressing Boichot Thomas signed the original binding. Precious autograph signed by the author Jules Renard. Our copy is enriched the famous bookplate Jules Renard designed and engraved by Henri de Toulouse-Lautrec. Some reading marks in red pencil in the margins of some leaves probably from the hand of Jules Renard, light foxing not serious. Copy from a superb pleasantly presented. - [FRENCH VERSION FOLLOWS] Edition originale. Reliure en demi percaline verte, dos lisse orné d'un fleuron doré, double filet doré en queue, plats de papier marbré, couvertures conservées, tranches mouchetées, reliure de l'époque, chemise en demi maroquin vert, dos à cinq nerfs, mention exemplaire Jules Renard en queue, étui bordé de maroquin vert, ensemble moderne signé Thomas Boichot habillant la reliure originelle. Précieux envoi autographe signé de l'auteur à Jules Renard. Notre exemplaire est enrichi du célèbre ex-libris de Jules Renard dessiné et gravé par Henri de Toulouse-Lautrec. Quelques repères de lecture au crayon de papier rouge en marges de certains feuillets probablement de la main de Jules Renard, légères rousseurs sans gravité. Exemplaire d'une superbe provenance très agréablement présenté.  

      [Bookseller: Librairie Le Feu Follet]
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        Eigenh. Widmung mit U.

      Wien, April 1893.. 1 S. Qu.-8vo.. "Der Götter Wege führen uns im Dunkeln. Preist keinen selig vor dem letzten Tag. (Sophokles)". - Die Beamtentochter debütierte 1869 am Grazer Stadttheater, lernte bei einem Gastspiel in Klagenfurt Josephine Gallmeyer kennen, mit deren Unterstützung sie nach Wien kam, und debütierte 1871 am Burgtheater. 1873-76 stand sie am Deutschen Landestheater in Prag auf der Bühne und spielte seit 1879 in Kassel, seit 1884 in Leipzig, wo sie als Heroine engagiert war. 1889 kehrte Lewinsky an das Wiener Burgtheater zurück. Seit 1909 war sie auch Lektorin für Vortragskunst an der Univ. Wien.

      [Bookseller: Antiquariat Inlibris, Gilhofer Nfg. GmbH]
 31.   Check availability:     ZVAB     Link/Print  


        Lady Windermere's Fan

      London: Elkin Mathews and John Lane,, 1893. A play about a good woman. Octavo. Original pink cloth, spine gilt-lettered, covers with stylised leaf devices in gilt, edges untrimmed. Housed in a custom green marbled box. Bookplate to front free endpaper. Spine browned, ends frayed, cloth somewhat soiled and tips a little worn, rear hinge cracked but holding, light occasional foxing to contents. A very good copy. First edition, first impression, one of 500 copies. Wilde's first light comedy, Lady Windermere's Fan was produced at the St. James's Theatre on 20 February 1892. With the original premiere program glued to the front pastedown. From the library of John B. Stetson, with a cheque dated 10 February 1892 and a laundry ticket laid-in as charming ephemera.

      [Bookseller: Peter Harrington]
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        Hero and Leander

      London: Ballantyne Press and Sold by Elkin Mathews, 1893. Original exquisite full vellum boards with famous gilt stamped design by Charles Ricketts on both covers and spine. 220 Copies. Side and bottom edges untrimmed. One of the three "Pre-Vale" books, Hero and Leander is one of the truly distinctive Nineties' book meshing illustration and binding. Superb full-page frontispiece and six half-page woodcut illustrations, woodcut initials and colophon device at end, by Ricketts and Shannon. Original prospectus predating the book laid-in, which calls for only four illustrations and 150 copies! Covers are clean and bright, rarely seen thus. Inside fine with very light brown-stippling always seen in this book (printed on acidic paper). House ind superb handmade marbled paper covered folding box with three components, cloth spine with cloth label, fine.

      [Bookseller: Nudelman Rare Books]
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        Life of Thomas Wolsey, Cardinal Archbishop of York

      London Sold by Reeves & Turner 1893 - One of 250 Copies [KELMSCOTT PRESS]. CAVENDISH, George. WOLSEY, Thomas, Cardinal. The Life of Thomas Wolsey, Cardinal Archbishop of York. London: Sold by Reeves & Turner [Hammersmith: 1893]. One of 250 paper copies of an edition of 256. Octavo (8 1/8 x 5 5/8 inches; 204 x 144 mm). [4], iv, 287, [1, blank] pp. With woodcut border to page 1 and numerous woodcut initials. Full limp vellum with green silk ties. Yapp edges. Spine lettered in gilt. Edges uncut. Previous owner Crosby Gaige bookplate on front pastedown. Vellum slightly warped and with a little discoloration. Overall a very good copy. Clark Library, Kelmscott and Doves, Peterson A14. Ransom, Private Presses, Sparling. Tomkinson, HBS 67433. $2,500 [Attributes: Hard Cover]

      [Bookseller: Heritage Book Shop, ABAA]
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        Poems

      London: Elkin Mathews and John Lane, 1893. First edition. Original gray-brown paper covered boards with famous triangular shaped group of circular dots in gilt on cover and also repeated in linear fashion on spine. Superb frontispiece and illustrated title page, cover design all by Laurence Housman. A fine copy of a book seldom found in nice condition.

      [Bookseller: Nudelman Rare Books]
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        Mademoiselle Fifi EDITION ORIGINALE Grand papier

      Paris: Paul Ollendorff, 1893. Fine. Paul Ollendorff, Paris 1893, 12,5x19cm, relié. - New edition in the partly original because review of the 50 numbered copies on Holland paper, the only leading copies with 5 Japan. Bound in half morocco hazel wedge back with five nerves set with golden friezes adorned with golden patterns typographical, gilt head and tail friezes, marble paper plates, guards and contreplats of handmade paper, wrappers preserved and bound in, gilt-head witnesses. Guards partially shaded. Nice copy with all margins nicely established. Provenance: from the library of Paul Ollendorff. --- Please note that the translation in english is done automatically, we apologize if the formulas are inaccurate. Contact us for any information! - [FRENCH VERSION FOLLOWS] Nouvelle édition en partie originale car revue, un des 50 exemplaires numérotés sur Hollande, seuls grands papiers avec 5 Japon. Reliure en demi maroquin noisette à coins, dos à cinq nerfs sertis de frises dorées orné de motifs typographiques dorés, frises dorées en tête et en queue, plats de papier marbré, gardes et contreplats de papier à la cuve, couvertures conservées, tête dorée sur témoins.Gardes partiellement ombrées. Bel exemplaire à toutes marges agréablement établi. Provenance : bibliothèque de Paul Ollendorff.

      [Bookseller: Librairie Le Feu Follet]
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        Autograph Letter Signed on a picture post card, unreadable post mark date, showing a photograph of Beacon Island Hotel on Plettenberg Bay, South Africa, ca 1954

      He writes, "I am sorry there is no one to sign this but me. Also hope your loyalty [illegible] to the Conf. Clerk to give Ina Claire a hand. I'm interested to learn what her Paris dresses were like. We're sea bathing but you have to avoid sharks." He signs with initials, "TSE." Ina Claire (1893-1985) was an American actress whose last stage appearance was as Lady Elizabeth Mulhammer in T. S. Eliot's play, "The Confidential Clerk" (1954.). She was known for her comedic performances. According to a story in "Life Magazine," Feb. 1, 1954, Eliot did not attend the opening night of his play because he was vacationing in South Africa as our letter supports.

      [Bookseller: Schulson Autographs]
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        LE COLORISTE ENLUMINEUR, 50 REVISTAS 1893, 1897, DESCLEE DE BROUWER

      DESCLEE DE BROUWER Paris. Ed. Desclee De Brouwer. 1893-1897. 33X25. Total de 50 revistas de esta gran obra desde 1893 hasta 1897. Profusamente ilustrada a colora y b/n. Ref 100 Biblioteca A.. 1ª Edición. Encuadernación de tapa dura. Excelente.

      [Bookseller: Libreria Anticuaria Marc & Antiques]
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        The Poetical Works of William Wordsworth, Alfred Lord Tennyson and Percry Bysshe Shelley

      11 - London, New York, Toronto and Melbourne- Macmillan and Co, Henry Frowde 1893 - Three volumes of poetry by three of the most celebrated British poets: William Wordsworth, Alfred Lord Tennyson and Percy Bysshe Shelley. ThePoetical Worksof Percy Bysshe Shelley is edited with an Introduction and notes by Edward Dowden. The Poems of William Wordsworth is edited with and Introduction and notes by Thomas Hutchinson. All three volumes have a portrait of the poet to the front of the volume. Wordsworth and Shelley were known as two of the 'Big Six' male Romantic poets of the mid/late-18th century, alongside William Blake, John Keats, Samuel Taylor Coleridge and Lord Byron. Wordsworth was Britain's Poet Laureate from 1843 until his death in 1850. Following Wordsworth's death in 1850, Tennyson was appointed the Poet Laureate and held the position until his own death in 1892. Condition: Uniformly bound in contemporary half calf leather bindings with gilt lettering to the spines with green cloth covered boards. Externally,slightlyrubbed. There is some loss to the leather. Internally, firmly bound. Pages are generally bright and clean with some scattered light foxing. Overall: GOOD. [Attributes: Hard Cover]

      [Bookseller: Rooke Books PBFA]
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        Le carnet du pêcheur

      1893. relié. DeCollection. Verviers, Ch. Vinche, 1893. In/12 percaline rouge à décor doré (mouche à saumon sur le plat et titre sur le dos), 397 fines illustrations in-texte, 314 p., 8 p. de catalogue. Manque la page de titre. Très rare 1 ère édition. Gaidy p. 83.

      [Bookseller: Librairie]
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        Les enfants du Capitaine Grant - Voyage autour du monde

      1893. cartonnage. Bon état. Edition Hetzel, s.d. (1893). In-4 (28 x 20 cm) percaline éditeur rouge à la banière bleue, titres dorés, doré trois tranches, 172 illustrations par Riou, 624 p., 4f. de catalogue Coiffes très légèrement amorties ; ouvrage très frais.

      [Bookseller: Librairie]
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        "A Step Aside" In Three Volumes

      London: Horace Cox, Windsor House, Bream's Buildings, E.C.. 1893. First. First edition. Three volumes. Publisher's half smooth red-brown cloth, sides morocco-grain, separated from spine and corners by double black rules on the front and back, lettered and ruled in gold on the spine; grey floral-patterned endpapers. A handsome set in fine condition. OCLC locates 9 copies. Wolff 2407. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Sapho EDITION ORIGINALE ENVOI AUTOGRAPHE

      Paris: Charpentier & Fasquelle, 1893. Fine. Charpentier & Fasquelle, Paris 1893, 15,5x23,5cm, relié. - First edition of the theatrical adaptation of the novel by Alphonse Daudet, there is no mention of leading copies. Binding half hazelnut shagreen, back with five nerves, date tail, plates, guards and contreplats paper bowl, cover and spine preserved, gilded head. Autograph signed by Alphonse Daudet in Stanny Oppenheim. Light bites at the beginning of volume, otherwise nice copy. --- Please note that the translation in english is done automatically, we apologize if the formulas are inaccurate. Contact us for any information! - [FRENCH VERSION FOLLOWS] Edition originale de l'adaptation théâtrale du roman d'Alphonse Daudet, il n'est pas fait mention de grands papiers. Reliure en demi chagrin noisette, dos à cinq nerfs, date en queue, plats, gardes et contreplats de papier à la cuve, couvertures et dos conservés, tête dorée. Envoi autographe signé de Alphonse Daudet à Stanny Oppenheim. Légères piqûres en début de volume, sinon agréable exemplaire.

      [Bookseller: Librairie Le Feu Follet]
 43.   Check availability:     Biblio     Link/Print  

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