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Displayed below are some selected recent viaLibri matches for books published in 1892

        The Origin of Metallic Currency and Weight Standards

      Cambridge at the University Press, England 1892 - 417 pages. Index. Appendices. Footnotes. List of sixty black and white illustrations. A rare surviving copy of this important reference, made all the more engaging by today's environment of competing fiat currency devaluations. "Hitherto Numismatists when stydying the Origines of Coinage had confined themselves to the materials presented to them in the earliest money of Lydia, Greece and Italy, and on the other hand the Metrologists had almost completely limited their range of observation to the systems of Babylon, Egypt, Greece and Rome. As the Comparative Method has yielded such excellent results in the study of other human institutions, I have endeavoured by its aid to get some new principles which may throw some fresh light on the first beginnings of monetary and weight systems." - from Preface. Attractive gilt decoration upon green front board. Legible gilt lettering upon backstrip. Average external soiling and wear. Several chips from and lengthy openings along backstrip which has become brittle with age. Narrow opening along most of front hinge. Back hinge open. Bookplate inconspicuously removed inside front board. Unmarked. A tender but worthy copy. [Attributes: First Edition; Hard Cover]

      [Bookseller: RareNonFiction, IOBA]
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        LETTERS AND NOTES ON THE MANNERS, CUSTOMS, AND CONDITION OF THE NORTH AMERICAN INDIANS. Written During Eight Years' Travel Amongst the Wildest Tribes of Indians in North America, 1832-39

      London by the Author 1841 [1892] - First of the 1892 issue, reprinted from the original 1841 sheets. Provenance: early ownership of Railroad magnet Robert H. Sayre, of Pennsylvania. With 400 illustrations carefully engraved from the author’s original sketches, with 3 maps (one folding). Large 8vo, publisher's original bright red cloth, lettered in gilt and black and highly decorated with gilt and black pictorial vignettes on upper covers and spine panels. viii, 264; 266 pp. A handsome and attractive set, very bright with just minor wear or evidence of age to the head and tail-bands, inner hinges strengthened, some initial leaves re-inserted, evidence of old labels at the rear pastedowns, very light, unobtrusive stamps at the edges, some separation at the joining of the paste-downs and free-flies as is rather typical, internally quite fresh and clean, . FIRST OF THE 1892 EDITION, PRINTED IN LONDON FROM THE ORIGINAL 1841 SHEETS. "Catlin visited forty-eight tribes in the Mississippi and Missouri valleys and on the eastern slope of the Rocky Mountains during his eight years' travel. His object was to paint portraits of men and women in every tribe, together with views of villages, games, etc. The two volumes are a series of fifty-eight letters written while the author was among the Indians. They form an unusually entertaining narrative of travels in an almost unknown region, and at the same time are of great value in their descriptions of Indian life" (Larned 616). The American editions included far fewer illustrations than this London edition. The etchings are extremely well executed and ar faithful representations of the scenes Catlin witnessed. [Attributes: Hard Cover]

      [Bookseller: Buddenbrooks, Inc. ABAA]
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        The Book of Choice Ferns for the Garden, Conservatory, and Stove: Describing and Giving Explicit Cultural Directions. [3 Volume Set]

      L. Upcott Gill 1892 - Hardbacks, no dust-wrappers. 3 volume set. Vol. I, from Introduction to Athyrium, folding frontis, vii, 666pp. Vol. II, from Blechnum to Nothochlaena, colour frontis, viii, 621pp. Vol. III, from Ochropteris to Woodwardia, colour frontis, vi, 457pp. 67 black and white or tinted plates (some folding), 21 chromolithograph plates. original blind and giltstamped cloth. gilt titles to spines and front boards, all edges gilt. Corners scuffed. Slight fraying to head and tail of spines. Inner hinges split, with rear inner hinge split to vol 3. Previous owner's name to half-titles. Slight foxing to first and last few pages of each volume, with occasional foxing to contents. [Attributes: First Edition; Hard Cover]

      [Bookseller: Besleys Books ABA ILAB]
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        "A small collection, as below"

      English Lake District. 1892-1926. "Grasmere village, and its dialect is native to the Lake District, home to Romantic Poets, including Wordsworth and Coleridge, and a number of their descendants, several of whom were poets themselves. William Wordsworth lived in Grasmere for many years, and is buried there. In his poem ?"Farewell?", he calls the village ?"eminently fair?" and the ?"loveliest spot that man hath ever found.?" The dialect spoken in Grasmere, which was in the historic county of Westmorland, though it is currently regarded as part of Cumbria, has been exemplified and preserved in what came to be called the Grasmere village dramas or the Grasmere dialect plays, which were produced and performed in the village for decades, starting in the 1890s. The undisputed founder of the series of Grasmere dialect dramas was Charlotte Maria Fletcher (1854-1926), a great granddaughter of Wordsworth?'s great friend Eliza Fletcher. An early and evocative commentator on the Grasmere drama was Hardwicke Drummond Rawnsley (1851- 1920), the indefatigable writer and conservationist, who was one of the founders of the National Trust, and chaplain to King George V. Long a resident and champion of the Lake Country, Rawnsley wrote: ?"at the Grasmere play one can sit for a couple of hours and hear in its unashamed quaintness and racy humour the real folk-speech of the people.?" He claimed the instigators of the dramatic movement in Grasmere insisted the plays always ?"be in the home dialect?". He singled out ?"Miss Charlotte Fletcher?" as the ?"prime mover in this dramatic revival?" (Rawnsley, Months at the Lakes, 1906, p. 11). 1) [Fletcher, Charlotte Maria.] The Dalesmen, or Lebberthwaite's Farm. A Melodrama in Four Acts. Written for the Grasmere Temperence Society, Ambleside: ""Herald"" Printing Works, Xmas, 1892. 8vo, pp. 21; original drab wrappers, stitching loosening. The extremely rare first play in the series of Grasmere dialect dramas. No copy in COPAC or OCLC. Eight pages of our copy have manuscript annotations or revisions, some extensively altering or expanding the dialogue. On the cover is the ownership inscription of Dorothy Kirkby, dated 1893. The online catalogue of the British Library attributes one of Charlotte Fletcher?'s later plays, The Testing o?' John Trueman, to a pair of co-authors: Charlotte Maria Fletcher and Dorothy Kirkby. Almost certainlt this is the same Kirkby. The fact that Kirkby would collaborate with Fletcher after the time of The Dalesmen makes this a particularly interesting copy, and one wonders if the manuscript markings here are perhaps Kirkby?'s or even Fletcher?'s. 2) Fletcher, Charlotte Maria. Hester?'s Troth and How She Kept It: A Village Drama by Charlotte M. Fletcher. With Song by H. D. Rawnsley [cover title], 8vo, pp. 53; original printed wrappers, n.p., n.d. [Ambleside?, 1903]. No copy is listed under the title Hester?'s Troth in COPAC or OCLC. There is, however, something catalogued as Hester?'s Tooth and How She Kept it [1903] in COPAC, which finds only a single copy, at Oxford. This copy of this play has brief, neat MS annotations on 36 pages, most being stage directions. 3) [program for:] Hester?'s Troth: A Village Drama by Charlotte M. Fletcher on Tuesday, Wednesday, and Thursday, January 19th, 20th, and 21st, 1904, in the Grasmere Hall. 8vo, unpaged bifolium; printed on pink paper. This program, for the January 1904 performances of Hester?'s Troth, is likely unrecorded No copy in COPAC or OCLC. The program includes text which is not in the book of the play itself: for instance, there is ?"A Prologue?" in verse by ?"H. D. R.?" - undoubtedly Hardwicke Drummond Rawnsley (1851-1920), well-known as a contributor to and supporter of early Grasmere drama. For more on Rawnsley, see Oxford DNB and Wikipedia. For his own account of Grasmere dramas, see his essay ?"The Grasmere Dialect Play?" in his memoir, Months at the Lakes (1906), pp. 7-17. Somewhat later, in 1918, Rawnsley would marry Eleanor Foster Simpson (1873- 1959), one of the chief writers of Grasmere dialect plays after Fletcher stopped writing them herself. Simpson was a family friend of Beatrix Potter, who lived nearby, and who wrote on these figures and Grasmere culture in her published Letters (1989), edited by Judy Taylor. 4)Fletcher, Charlotte Maria. ?"A Daughter of the Dales?": A Drama of Westmorland Village Life by C. M. Fletcher -- 1901 (Adapted by E. F. Simpson) [cover title]. Grasmere, 1909. 8vo, pp. 48; original printed wrappers. COPAC locates only the British Library and Oxford copies. COPAC finds only one copy of another edition, also at Oxford, with a slightly different title, A Daughter o?' the Dales, and is dated conjecturally to ?"[1900]?". OCLC adds UNC-Chapel Hill. 5) [program for:] ?"A Daughter of the Dales?": A Village Drama in Four Acts on Monday, Jan. 11th, and Tuesday, Jan. 12th, at 8 p.m., and on Thursday, Jan. 14th, and Saturday, Jan. 16th, at 3 p.m., 1909, in the Grasmere Hall. 8vo, bifolium, text on 3 pages. This program, for the January 1909 run of A Daughter of the Dales is rare. The British Library has the only holding. The program gives the names of twenty-six actors and singers who took part in the play -- this information not being present in the book of the play itself. The verso of the second leaf has three brief MS annotations, commenting on the quality of the performances of the actors. 6) Fletcher, Charlotte Maria. Echoes of Easedale by C. M. Fletcher. Ambleside: printed by George Middleton, The St. Oswald Press, 1926. 12mo, pp. [4] obituiary notice of Fletcher, 66; original cloth-backed printed boards. This is Fletcher?'s collected verse, published posthumously. COPAC finds copies only at the British Library and Oxford. OCLC finds no copies in the United States, adding only the University of Victoria, Canada. An informative four-page notice gives Fletcher?'s life, highlighting her role as the founder of the Grasmere dramas: ?"Miss Fletcher was the originator of the Grasmere dialect plays, which have since become such an important feature of the winter life of the village. In 1893, unable to find a suitable play, she wrote, rehearsed, and produced The Dalesman within three weeks. Three other plays, A Daughter of the Dales, The Testing of John Trueman, and Hester?'s Troth, were written by her. [...] During the last few months she collected and revised her poems for publication.?" Numerous poems in Echoes of Easedale touch on Grasmere life and on people involved with the plays, such as Canon Rawnsley. Easedale was the cottage in Grasmere in which Fletcher lived in her later years. This copy also has a newspaper article, ?"Miss Fletcher, A Memory?" by ?"E. Chadwick?", loosely laid in. It too touches on the Grasmere dramas."

      [Bookseller: Rulon-Miller Books]
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        VIAJES, BITACORA DE BARCELONA, CADIZ CON DESCRIPCIONES, SALVADOR REQUENA 1892, RARO

      1892 - Barcelona. 1892. 105p. 32X22. 50p. Tela y relieves. Compañia Trasatlantica. Original bitacora del viaje desde Cadiz a Barcelona mediante el Buque de Vapor "Ciudad de Santander", contiene todas las descripciones y experiencias acaecidas en el viaje por Salvador Requena. A parte la obra contiene un dibujo original del viaje dibujado por uno de sus tripulantes. Extremadamente raro ejemplar. Único. Ref 7.1 Biblioteca VJ. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Libreria Anticuaria Marc & Antiques]
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        Samuel Smith pens a complete fair copy of his epic poem "America," featuring all four original stanzas

      n.p., October 31, 1892. 5.5" x 8". "Autograph Manuscript Signed, ""S. F. Smith,"" 2 pages (facing sheets of lined paper), 5.5"" x 8"", [n.p.], October 31, 1892, being a complete fair copy of his epic poem, ""America,"" best known today by the poem's opening line: ""My country, 'tis of thee."" Mounting remnants on verso, clean and straight tear along left blank margin mostly repaired on verso, extremely light toning, else very good condition. A fine example of Smith's poetry which reads in full: ""America My country, 'tis of thee,Sweet land of liberty,Of thee I sing;Land where my fathers died,Land of the pilgrims' pride,From ev'ry mountainsideLet freedom ring! My native country, thee,Land of the noble free,Thy name I love;I love thy rocks and rills,Thy woods and templed hills;My heart with rapture thrills,Like that above. Let music swell the breeze,And ring from all the treesSweet freedom's song;Let mortal tongues awake;Let all that breathe partake;Let rocks their silence break,The sound prolong. Our fathers' God to Thee,Author of liberty,To Thee we sing.Long may our land be bright,With freedom's holy light,Protect us by Thy might,Great God our King. S. F. Smith Written in 1832 Oct 31m, 1892"""

      [Bookseller: University Archives]
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        A NATURAL HISTORY OF THE NESTS AND EGGS OF BRITISH BIRDS (Complete in 3 volumes)

      London: John C. Nimmo, 1892. Third Edition, newly revised, corrected and enlarged with 248 fine litographic plates finished by hand, half-titles and title pages to each volume. Original publisher's dark green-blue cloth with gilt lettering and gilt decoration to the spine, gilt vignette of a birds nest to the centre of the front boards, blind-stamped decoration. Bindings very good, a little general wear only, slight rubbing to extremities, a few corners a little worn, gilt bright. Original green end papers to all volumes. Contents clean and tight, no inscriptions, spotting to page edges, volume 3 a few roughly cut top edges, a reverse of endpapers, plates very clean and bright, no foxing to plates or text. A handsome set in the publisher's original bright livery. We also have the fourth edition listed on our website. . Third Edition. Hardcover. Very Good/No Dust Jacket. 4to (18 x 28cm).

      [Bookseller: Loe Books]
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        Navigation. Glasgow Harbour and Docks

      8 platinum prints, 15.5 x 12.0 ins, mounted on original card 25 x 19 ins with printed titles on card, some foxing on images no.5 and 6, preserved in the original portfolio case with ties, rebacked in goatskin, internally lined with archival paper, upper cover lettered gilt Glasgow Harbour and Docks.View of Glasgow Bridge, from South Side. June 1892 An impressive scene of bustling activity ?"heavily loaded horse drawn wagons and carts crossing the bridge, people and a horse drawn omnibus with advertising hoarding Van Houten?s Cocoa on the side with passengers seated on the upper deck. On the Clyde a small open steam driven cargo boat is moored. and another steam vessel is passing under the bridge. In the background the buildings of the city of Glasgow with advertising hoardings clearly visible ?" Paisley?s Store, Paisley?s Clothiers, Wilsons Colosseum, Blind & Sunshade Manufacturers, Nestlé?s Milk.Also known as the Jamaica Street Bridge, built by Thomas Telford in 1836, it was demolished and rebuilt in 1899. [Annan 10164]North-West corner of South Pier. Prince?s Dock, in course of construction, September 1894. Showing arrangement of concrete cylinders and chock piles there, and building on top of cylinders of South Wall of centre basin. In the background five steam cranes and a steam locomotive. [Annan 1039] View of Queen?s Dock, looking East from West Wall. May,1896 Showing in foreground stern of moored steamboat Eliza, Dublin, a steam boat in the river, and in the background many moored steam and masted ships.Queen?s Dock at Stobcross on the north bank offered nearly two miles of quayside from its opening in 1880. The dock was home to the Clan Line for ships bound for South Africa, City Line whose vessels visited the ports along the coast of India and Donaldson Line which specialised in trade with North America. Looking East from entrance to Graving Docks, showing entrance to Prince?s Dock. May, 1896 View of many masted ships in the background behind warehouses, two ships and a small rowing boat in the expanse of the waterway.Three Graving dry docks were built for the Clyde Navigation Trust between 1869 and 1898, the first dock opening in 1875, the second larger dock in 1886 and the third and largest in 1898. They were extensively used for winter overhauls and refits of Clyde steamers.Looking East from Govan Passenger Wharf. May, 1896 View of Glasgow Harbour with a Clutha river steam ferry in the middle of the river loaded with many passengers on the open deck. In the background many masted ships docked at the quayside.Looking West from East End to Steamboat Wharf. June, 1896 View of two Clutha river steam ferries [ferries going up and down the river Clyde, rather than across, were known as ?Cluthas? and first introduced in 1864 when six were introduced. By 1899 there were twelve plying between Victoria Bridge and Whiteinch Ferry covering three miles and the charge was one penny. By 1903 the Cluthas had ceased with the introduction of electric trams] with many passengers on deck in the foreground, an unidentified paddle steamer moored up at the quay with people boarding and in the background masted ships. On the quayside a bustling scene of wagons, carts, people and children. In the background the hoarding ?Columba and Iona?.The steam ferries are the Daniel Adamson which is leaving while the paddle steamer S.S..Iona [built 1863 by J & Thomson, of Govan] is still positioning herself ready to reverse into her berth. More details are visible of the quayside where there are bales of hay stacked up and an area reserved for boarding the famed MacBrayne?s steamers, Columba and Iona.Known as the Broomielaw. the Scottish civil engineer, Thomas Telford who redesigned the Broomielaw quays to handle the busy steamboat traffic as thousands of immigrants came over from Ireland in the mid 19th Century to work in the new industries generated by the Industrial Revolution.No.3 Graving Dock, looking outwards from head. April, 1898. Prince?s Dock, looking East from West End. May, 1898.View of Prince?s Dock looking towards Pacific Quay with numerous masted ships tied up in the background. In the foreground is the massive 1894 steam crane of 130 tons, erected on the West Quay to assist with the fitting of engines and boilers.Prince?s Dock: A large tidal dock, with three basins, lined with two-storey transit sheds. Originally Cessnock Dock, the dock was completed in 1897 when it was renamed Prince's Dock in honour of the Duke of York, The formal opening was performed by the Duchess of York on 10 September 1895. Prince's Dock contained 35 acres of water space, and its bustling quays were generously equipped with two-storey warehouses, cranes, coal hoists and a maze of railway sidings. It cost the Clyde Navigation Trust nearly £1,000,000 to build and equip, excluding the cost of over £280,000 incurred in purchasing the parcels of land which made up the site of nearly 100 acres. With another two miles of wharfes, became home to Anchor Line and Allen Line Ships [Annan 14339]Historic archive of photographs in the maritime history of Glasgow ?" the development of the Clyde Navigation, Harbour and Docks recorded in eight original platinum prints by the famous Glasgow photographers Annan & Sons between 1892 and 1898 and preserved in their original portfolio case.Glasgow was the second city of the Empire and by the end of the 19th century had become a major Atlantic seaport and the Clyde shipyards were building the most sophisticated and technologically innovative iron and steel ships in the world.The photographer was John Annan [1862-1947], elder son of Thomas Annan. On Thomas?s death in 1887, John and his brother J.Craig Annan divided the responsibilities; J.Craig Annan specialised in portrait photography and John took over the architectural photography.Not located in any Collection [no.2 in National Gallery of Scotland; no.7 in Glasgow City Archives; no.8 in the Mitchell Library].See: Nick Robbins, Scotland and the Sea: The Scottish Dimension in Maritime History. 2014

      [Bookseller: Hamish Riley-Smith Rare Books]
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        La vie artistique, deuxième série

      Edition printed on rod. Signed autograph of the author Henry Fevre (sic). Our copy is full of its original drypoint by Auguste Rodin frontispiece. About Auguste Rodin, Rembrandt, Gustave Doré, Jules Cheret, symbolism, 1892 show ... A few bites on the back and evenly insolated boards, a small tear in the back head. Dentu Paris 1893 11x17cm broché

      [Bookseller: Librairie Le Feu Follet]
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        Rheintöchter.

      . Tachographie, 1892, auf festem hellbraunem Papier, mit Tinte signiert. 39,1:46,1 cm. Provenienz: Sammlung Heinrich Stiebel, Frankfurt am Main, Lugt 1367; Sammlung H.A. Wolf, Bensheim, nicht bei Lugt. Literatur: Beringer, Griffelkunst 10. Handdruck des Künstlers, von größter Seltenheit! Im Rand etwas stockfleckig, verso Reste alter Verklebung an den Rändern.. Thoma begann nach Lehren als Lithograph und Anstreicher in Basel sowie als Uhrenschildmaler in Furtwangen, die er nicht beendete, autodidaktische Mal- und Zeichenstudien. 1859 studierte er an der Karlsruher Kunstakademie bei Ludwig Des Coudres (1820-1878) und Johann Wilhelm Schirmer (1807-1863). 1868 reiste er nach Aufenthalten in Basel und Düsseldorf mit Otto Scholderer (1834-1902) nach Paris. 1870-1877 lebte er in München, wo er mit dem Leibl-Kreis verkehrte. Sein erster Aufenthalt in Italien war 1874, ein zweiter 1880. 1876 zog er nach Frankfurt am Main. Nach sehr zögerlich einsetzendem Erfolg - seinen ersten größeren Auftrag hatte er 1882, 1890 seine erste erfolgreiche Sonderausstellung in München - führte seine steigende Bekanntheit 1898 zur Professur an der Karlsruher Kunstakademie und 1899 zum Direktorat der dortigen Kunsthalle.

      [Bookseller: Galerie Joseph Fach GmbH]
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        Five Books of the Lives, Heroic Deeds and Sayings of Gargantua and his son Pantagruel

      London: Lawrence and Bullen,, 1892. Translated into English by Sir Thomas Urquhart of Cromarty and Peter Antony Motteux. With an Introduction by Anatole de Montaiglon. 2 volumes, quarto (278 × 182 mm). Mid- 20th century red half morocco by Bayntun, gilt panelled spines, red cloth sides, top edges gilt, marbled endpapers. Portrait frontispiece of Rabelais,14 monochrome plates after Louis Chalon; titles printed in red and black, numerous decorative head and tail-pieces. Limited edition of 1,000 numbered copies. A handsomely bound set of this attractive edition of Rabelais's great work, with excellent presswork by the Chiswick Press, and extra-illustrated with many colour plates after Jules Garnier.

      [Bookseller: Peter Harrington]
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        The Adventures of Sherlock Holmes

      New York; Harper 1892, 1892. FIRST AMERICAN EDITION, First issue (with 'if had' for 'if he had' on page 65 line 4). Illustrated, octavo, pp.307 + 4 (ads). Publisher's light blue cloth blocked in gilt and black. Neat bookplate to pastedown, slight toning to spine panel, frayed at ends. A very good to near fine copy, housed in a rather unusual scarlet coloured protective wooden box with leatherette chemise.

      [Bookseller: Adrian Harrington Rare Books]
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        The Works Oliver Wendell Holmes. Including 'The Breakfast Table' series

      Boston: Houghton, Mifflin and Co., 1892., 1892. Limited Edition to 750 sets of which this is No364. With a fine Manuscript Letter from the author and Signed by him, tipped in to front of volume one of the Life and Letters. Complete in 15 volumes, 8vo, being 13 vols of the Works and 2 vols of Life and Letters (22 x 74cm). Contemporary by the Riverside Press in full dark green morocco with gilt titles and extra gilt to spines; decorative gilt panelling to boards; lovely gilt dentelle with green silk end papers; top edges gilt, others untrimmed. Illustrated with steel portraits and photogravures, and with hand-coloured frontispieces. Gilt a little rubbed to spines faded to an even reddish brown. A superb and very decorative set. BAL [9314]

      [Bookseller: Adrian Harrington Rare Books]
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        Persia and the Persian Question

      Longmans Green & Co., London 1892 - Two Volumes in original black cloth with gilt titles on spines and gilt device on front panels. All plates and maps present including linen map loosely inserted in the rear of volume one. Ex libris stamps on title and copyright pages o/w clean. Spines expertly repaired top to bottom. Endpapers replaced. Very good set of important and hard to find book. Size: Octavo [Attributes: First Edition; Hard Cover]

      [Bookseller: Contact Editions, ABAC, ILAB]
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        The Adventures of Sherlock Holmes

      UK: Newnes, 1892. 1st Edition 1st Printing. Hardcover. Very Good. The Adventures of Sherlock Holmes by Arthur Conan Doyle First Edition First Impression Newnes 1892. Neat gift inscription (1892) to half title page, bright gilt edges. Strengthening to front and back hinges (see image). No repairs or restoration to boards, light fraying to head of spine. A VG copy.

      [Bookseller: Brought to Book Ltd]
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        The Rat's Plaint, Little, Archibald (Chirimen-bon) 1892 Japanese Crepe Paper Book

      T. Hasegawa, Tokyo; Sampson, Low, Marston & Co. Ltd. London 1892 - The Rat's Plaint, Little, Archibald (translator) chirimen-bon (crepe-paper book); Rare First Edition; T. Hasegawa, Tokyo; Sampson, Low, Marston & Co. Ltd. London 1892; Japanese Crepe Paper Book; cover semi-detached; name written neatly to top edge of title page; small portion of cover page with open tear; nice bright colors throughout; hand colored woodblocks, Japanese style binding; a lovely book; very scarce [Attributes: Soft Cover]

      [Bookseller: Azio Media - Used Books & Records]
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        El Ingenioso Hidalgo Don Quijote de la Mancha .

      1892. . 1892 - Imprenta particular de C. Gorchs. Barcelona. . 6 Vol. . 385 pp.+grab; 397 pp.+grab; 415 pp.+grab;440 pp+grab;439 pp.+grab; 420 pp.+grab. Cuarto. Pergamino de época. Literatura Hispánica (Cervantina), Siglo XIX . Bello ejemplar del Quijote con texto impreso en letra bastarda española, del que sólo se conservan tres ejemplares en el Catálogo de Patrimonio Nacional. Profusamente ilustrado, se reproducen las estampas de las ediciones de 1780 y de 1819, con grabados de autores como Antonio Carnicero, Joseph del Castillo y Gregorio Ferro entre otros. Encuadernado en pergamino de época con dorados y tejuelo. .

      [Bookseller: Librería Anticuaria Astarloa]
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        Eight mixed media (ink, water colour, gouache) illustrations by Edy Legrand

      matted, overall size 10 x 8 inches. Slight “mat burn” approximately 1/4+ inch from image areas, three with very small break in the paper from the back, almost invisible, one with small tears in margin not affecting image, onne mat with damage upper right (not affecting image) else fine. Image areas approximately 6 x 4-1/2 inches. Some images are signed in ink Edy-Legrand was born in Bourdeaux in 1892, and is known for his large figure and lansdscape paintings, also for his well known posters of French steam boats and magazine illustrations. He is largely responsible for the renaissance of illustration art [in France] and was also a great book illustrator. He illustrated many of the books published by the Limited Editions Club, e.g. Hamlet, Beauty and the Beast, Don Quixote, A Woman’s Life, Travels in Arabia Deserta and The Three Musketeers amongst many. Legrand died in 1970 after a long and illustrious career. The eight original illustrations, in ink and watercolour, depict: A weary looking man carrying a heavy burden walking along a river with a bottle in one hand and gesticulating with the other. A nude reclining on a chaise longue framed by heavy drapes, with a portrait bust, fan and gloves on a table in the foreground. A Roman or Greek harbour scene with tall sailing ships at anchor and people on the keys. A close up portrait of two women, old and gnarled with headscarves and bonnets. A view out of a window onto a river crossed by a bridge, in the foreground a table with writing implements, books, chapeau and walking stick. A couple standing in on a balcony looking out over the city, framed by heavy drapes, dressed in rococo costumes, a candle in a candlestick and an open book on a table in the foreground. Two nudes, one reclining the other sitting up scratching her head, amongst plump cushions and swirling drapes. A corpse of a man hanging from a gallows with two crows on the crossbeam, three snarling dogs at his feet, and a ship sailing off in the moonlight .

      [Bookseller: Randall House Rare Books]
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        [MASSIVE ARCHIVE OF OVER 1550 ORIGINAL PHOTOGRAPHS RELATING TO CONSTRUCTION PROJECTS, MAINLY IN LITCHFIELD COUNTY, CONNECTICUT, 1892 - 1951]

      [Mainly Waterbury, Ct. 1892-1951].. Approximately 1550 sepia-toned or black-and-white photographs, most between 2 x 4 inches and 4 x 6 inches, a handful slightly smaller, some slightly larger, a handful of panoramas, and with about ten examples 8 x 10 inches. One cloth photograph album, two paperbound photo albums, numerous loose album pages, and the remainder of approximately 950 photographs loose. Some slightly faded, minor edge wear, a handful unevenly trimmed, almost all of the loose photos previously mounted, with adhesive and paper remnants on verso. A handsome and engaging assemblage. An amazing collection of vernacular photography, most detailing public works projects in Connecticut from the late 1920s through the 1940s. The earliest of the photos are housed in the cloth photo album, and date from 1892- 94, showing the construction of the Washington Avenue bridge and sewer system in Waterbury, Ct. and the construction of the Bethany Dam. In fact, the lion's share of the photos in the present archive come from Waterbury, Bethany, or other townships in Litchfield and New Haven counties. The majority of the images in the album focus on the Bethany Dam project, with additional shots of houses and other buildings presumably near the site, perhaps structures now lost in the wake of the dam's construction. Other photos show construction of a pipeline and a small pedestrian bridge. The next important series of photos, several hundred of them in fact, focus on the construction of the Shepaug Dam, which the city of Waterbury completed in 1933 to divert water from the Shepaug River to Waterbury city reservoirs. Over a third of the total number of photographs in the archive concern either the Shepaug or Bantam rivers, most with manuscript captions on the verso. Most of these photos show the construction of the dam, the Shepaug River Bridge, or the Bantam River or Morris, Ct. syphon tunnels. These photos date from about 1919 to the mid- 1930s, concentrated mostly around the late '20s and early '30s, when most of the construction was accomplished. There are also numerous photos of the power station and other related buildings around the construction site. The majority of the remainder of the archive shows road, bridge, and waterway construction from all around the Waterbury area, including a great many photos showing downtown Waterbury, and with numerous images of the construction or paving of roads like Watertown Avenue, Alder Street, Baldwin Street, or Lovers Lane near the Mad River Bridge, as well as the Shepaug River Bridge, the Bank Street Bridge, Turkey Hill Bridge, Sheffield Street Bridge, and the Silver Street Bridge over the Mad River. There is a striking juxtaposition of two photos in one of the paperbound albums, showing the South Main Street Bridge as it was in 1929 and as it was renewed in 1940, both shots taken from practically the same vantage point. The snapshots highlight the difference in bridge construction styles, the older showing the traditional trestle system common in the 19th century and then the sleeker, modern box girder style. There are a couple dozen images marking the period between the two bridges, showing the dismantling of the old and the rising of the new. The other paperbound album spotlights Chase Park, the Chase Parkway, and a bridge built over Sled Haul Brook. The images date from 1927-38, and reveal a landscape transformed from a rural park area to a modern parkway, complete with a brand new bridge. This series of about 100 photographs is particularly interesting for its depiction of the march of progress through a particularly scenic rural Connecticut area. Another series of over seventy photographs shows the construction of a pipeline along Great Brook in Waterbury from 1919-35. The photographs follow Great Brook at the Naugatuck River from South Main Street, along Elm Street, Meadow Street, and Brook Street to North Main Street. This selection of photographs, more than any other in the archive, shows people at work on the project, building the pipe and paving the foundation of the waterway. It appears that the project was intended to change the flow of water near Waterbury, perhaps to supply water to a different part of the city, relieve flooding in the area, or divert the water to a reservoir. This archive is an important treasure trove for the urban planner or developer, or anyone studying water use, engineering, architecture, or public works projects, specifically dam, bridge, and road construction. Some groups of photographs are like time-lapse photography; one can almost watch the Shepaug River Bridge get built from the foundation to finished product through a couple hundred photographs. The photos reveal the massive nature of this and other public works projects, especially interesting since most of the work here was begun and completed in the darkest years of the Great Depression. Joseph W. Dellapenna, "Waterbury's 'Water War'" on Rhode Island Water Resources Board website.

      [Bookseller: William Reese Company - Americana]
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        Collection of Ten Photographs from Mooney’s Pioneering Investigations of the Ghost Dance and Other Native American Circle Dances

      1892 - This extremely rare and important collection documents the famous Ghost Dance and related circle dances soon after the Wounded Knee Massacre. These dramatic photographs, taken by the celebrated James Mooney, show these dances as they were taking place. Viewing the Ghost Dance among the Lakota as a threat, the U.S. Army had killed Sitting Bull while arresting him and soon thereafter killed Spotted Elk and perhaps 150 of his followers at Wounded Knee. Thus these Ghost Dance photographs represent original documentary evidence of a major phenomenon in the history of the American West. These photographs were taken by James Mooney (1861-1921), an anthropologist with the Bureau of American Ethnology. He left Washington in late 1890 to investigate the potentially incendiary Ghost Dance movement. In the winter of 1891 Mooney lived among the Cheyenne, Arapaho, Comanche, Wichita, and other Native Americans in Native American territory as they performed the Ghost Dance ritual, hoping to usher in the American Indian millennium. Mooney reported, “I am so far in with the medicine men, that they have invited me to take part in the dance, although they order any white man away from the grounds” (Moses, The Indian Man: A Biography of James Mooney). Late in 1891, Mooney visited the Native Americans at Pine Ridge, South Dakota, near the site of the Wounded Knee massacre. Finding the Sioux understandably reluctant to discuss the religion, Mooney then crossed the Rockies to locate and interview the founder of the movement, Wovoka in Nevada. During this meeting, the first time that a white man had interviewed Wovoka about his movement, the mystic consented to be photographed. “James Mooney was called ‘The Indian Man’ not because he dressed like one, nor because he thought American Indian societies were superior to his own, but rather from his knowledge, unsurpassed for its breadth and depth, of a few Indian societies. His works are used constantly today in both history and anthropology. They have achieved a timelessness ” (Moses). One of the few whites to witness and take part in the Ghost Dance, Mooney became the greatest scholar of the ritual and the events which cascaded from this cultural collision. Mooney’s Ghost Dance photographs are of the very greatest rarity in the market. We cannot trace any other examples appearing for sale. Ten albumen photographs (4 x 6 in. and 4 ¼ x 7 ½ in.) on original mounts, some with gold bevel. Most faded, light wear and soiling. Most of the photographs bear on the mount recto a pencil caption number likely in Mooney’s hand. Extremely rare.

      [Bookseller: 19th Century Rare Book & Photograph Shop]
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        THE HAKONE DISTRICT. With Descriptive Text by James Murdoch.

      A SUPERB EARLY LOOK AT JAPAN'S GREATEST SIGHTS & OF MT. FUJI[Tokyo n.d.ca 1892, - Ogawa]. Stiff decorated wrs., very good,tall folio 30 x 40.5 cm., 29 fine collotype photos: 17 largefull page 22 x 28 cm., & 12 smaller 4 to a page 11 x 14 cm.,with English text by J.Murdoch, color map, silk thread ties. Color scans available for this book on request. Description content 2015Copyright Rare Oriental Books Co.

      [Bookseller: RARE ORIENTAL BOOK CO., ABAA, ILAB]
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        Foxe's Book of Martyrs, abridged from Milner's Edition

      George Routledge and Sons, 1892, Hardcover, Book Condition: Very Good, Dust Jacket Condition: No Jacketoriginal brown boards with gold gilt are shelf rubbed and lightly marked. the spine ends are knocked. the book has no inscriptions, but it is foxed, mainly on the preliminary and last pages. the binding is excellent. Quantity Available: 1. Inventory No: 24bd.

      [Bookseller: Chapter 1 Books]
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        The Works Oliver Wendell Holmes. Including 'The Breakfast Table' series

      Boston: Houghton, Mifflin and Co., 1892., 1892. Artists' Edition, Limited to 750 copies of which this No 521. Together with a fine MANUSCRIPT LETTER from the author, tipped in to front of volume one. 15 volumes bound in 30 volumes by the Riverside Press in red half morocco with raised bands, gilt titles to spines, gilt borders to marbled boards, marbled eps. Top edge gilt, others untrimmed. Illustrated with steel portraits and photogravures, and with coloured frontispieces. A superb set containing 4 volumes on the Life and Letters of the Author. BAL [9314]

      [Bookseller: Adrian Harrington Rare Books]
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        Uncle Tom's Cabin or Life Among the Lowly. Large Paper Anniversary Edition Number 88 of but 250 copies

      Cambridge: Riverside Press. Fine. 1892. Hardcover. Full brown cloth with black morocco labels in what appears to be a nineteenth century replacement for the publisher's fugitive ooze calf. Silk moire end papers, TEG. Unaccountably uncommon. Not in BAL. Two volumes.; 8vo .

      [Bookseller: Virginia Book Shop, Inc., ABAA, ILAB, FA]
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        The Sign of Four [A Sherlock Holmes Story]

      London, George Newnes Limited 1892, 1892. SECOND EDITION. Publisher's burgundy cloth with fine polychrome illustrations to upper and spine, titled in gilt, floral patterned endleaves. Some light general wear, text block a little shaken, cryptic bookplate to pastedown and neat bookseller ticket. Shows well. The second printing of the second Sherlock Holmes novel, now reasonably difficult to uncover... Yellow fog is swirling through the streets of London and Sherlock Holmes himself is sitting in a cocaine-induced haze until the arrival of a distressed and beautiful young lady forces the great detective into action... The second of four full-length Sherlock Holmes novels, originally appearing in Lippincott's Monthly Magazine (Feb.1890). Doyle was reputedly commissioned to write the story following a dinner with the editor at London's Langham Hotel. The function was also attended by Oscar Wilde, who would contribute his only novel 'The Picture of Dorian Gray' to the July 1890 issue. Doyle later discussed this 'golden evening' in his autobiography 'Memories and Adventures' (1924). Green & Gibson; A Bibliography of A.Conan Doyle. De Waal; The World Bibliography of Sherlock Holmes & Dr. Watson. See also Haining; The Classic Era of Crime Fiction (2002), Cooper & Pike; Detective Fiction (1994), DeWaal; The International Sherlock Holmes (1980), Steinbrunner & Penzler; Ency.of Mystery & Detection (1976). Eric Quayle; The Collectors Book of Detective Fiction (1972). Howard Haycraft; Murder for Pleasure (1972), Graham Greene & Dorothy Glover; Victorian Detective Fiction (1966), Elley Queen; Queen's Quorum (1951).

      [Bookseller: Adrian Harrington Rare Books]
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        ORIGINAL HOLOGRAPH MANUSCRIPT of 'Mrs Curgenven of Curgenven'. The original, largely fair copy, manuscript on 430 leaves, written on rectos only.

      [1892?] There are a number of corrections, mainly paste-overs, with revisions, deletions and additions. The longer amendments are written on fold-out slips. The manuscript has been marked-up throughout by the printer. The first section is stapled at the left-hand corner; the rest are loose leaves, contained in a purpose-made morocco-backed box, together with an ALS from Baring-Gould to Mrs Dolman, from Lew Trenchard, June 1 1895. The first edition of this novel was published by Methuen in 3 vols, 1893. Sabine Baring-Gould, 1834-1924, novelist, hymn-writer and popular historian. His family were Devon landowners and, in 1872, he inherited his father's estate at Lew-Trenchard, returning there is 1881 as the 'parson-cum-squire'. He produced nearly 160 books, about a quarter of which are novels. This is set in Devon.

      [Bookseller: Jarndyce Rare Books]
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        The Adventures of Sherlock Holmes

      London: George Newnes. 1892., 1892. FIRST EDITION, earliest issue. Detective fiction; short stories. Quarto, pp.317. Bound in the publisher's pale blue pictorial cloth, all edges gilt, floral-patterned endpapers. No inscriptions, very little spotting, some acceptable wear and rubbing, text block shaken in the case with gauze-cloth joints showing to inside gutters, bookplate of Simonds to pastedown. A reasonably bright copy of the first collection of Holmes mysteries; features the misprint 'Violent Hunter' for 'Violet Hunter' p.317 line 23, plus the earliest Street sign on the cover, whose name is omitted; later impressions bear the 'Southampton Street' wording. DeWaal. Green and Gibson [A10a], [A14a]. BMC No.271, 'The Great Illustrators'. Graham Greene and Dorothy Glover; Victorian Detective Fiction [128], [129], (1966). See also Cooper & Pike [p115-119], Eric Quayle; Detective Fiction, Hardwicke; Complete Guide to Sherlock Holmes (1986), Keating; Sherlock Holmes and his World (1979).

      [Bookseller: Adrian Harrington Rare Books]
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        The Fruit Grower's Guide

      London: H. Virtue and Company,, [c. 1892]. With Illustrations by Miss May Rivers and Numerous Illustrative Diagrams by Worthington G. Smith and George Shayler. 3 volumes, quarto. Original green cloth, gilt lettered spines, front covers blocked with a trailing vine and pomegranate tree design, all edges gilt, pale green floral-patterned endpapers. Letterpress titles printed in red and black, chromolithograph titles, 43 chromolithographic plates, numerous wood-engraved illustrations in the text. Spines a little rolled, scattered foxing. A particularly nice set of this stunning chromolithograph work on fruit growing. John Wright (1836-1916) was editor of the Journal of Horticulture and author of a number of works, including the splendidly named Mushrooms for the Million (1883) and Profitable Fruit-growing for Cottagers (1889). The superb plates illustrate apples, pears, peaches, plums, gooseberries, strawberries, figs, cherries, apricots, and more.

      [Bookseller: Peter Harrington]
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        The Adventures and The Memoirs of Sherlock Holmes. With illustrations by Sidney Paget

      London, George Newnes Ltd, 1892 and 1894., 1892. FIRST EDITIONS, FIRST ISSUE 'Adventures' as called for. Quartos. 2 Volumes, (I) half-title, title, pp. 317, (II) frontispiece, half -title, title, pp. 279. Bound in publisher's decorative cloth, both with moderate general wear and soiling, contents shaken, some dulling to gilt, first volume neatly recased, neat bookplate. Some occasional spotting. A very good set. The classic Holmes collection. 'Adventures' features the misprint 'Violent Hunter' for 'Violet Hunter' p. 317 line 23 plus the Street sign on cover is blank. The text error continues through three further printings, but the second and later impressions are corrected to show the 'Southampton Street' sign on upper cover. Bibliographer notes first impressions bearing the titled Street sign cover are 'made up' copies. DeWaal. Green and Gibson [A10a], [A14a]. BMC No.271, 'The Great Illustrators'. Graham Greene and Dorothy Glover; Victorian Detective Fiction [128],[129], (1966).

      [Bookseller: Adrian Harrington Rare Books]
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        An Object of Pity, or, The Man Haggard: A Romance by Many Competent Hands [Together With] Objects of Pity, or, Self and Company by A Gentleman of Quality

      Amsterdam: Privately Printed. Fine in Fine dust jacket. 1892. Card Covers. 2 volumes, original red card covers with french-fold parchment dust-wrappers printed in gilt, a.e.g., both in separate folding red-cloth chemises, the whole enclosed in a matching morocco-backed slipcase with titles in gilt in six compartments on the spine; pp. 77; 55. With additionally a laid-in typed booklet (5 pp.) entitled 'Key to "An Object of Pity,"' and a single folded typed page delineating the "cast" of authors. The first volume has the Robert Louis Stevenson bookplate affixed to the verso of the cover, signed by his step-daughter Isobel Osbourne Strong and with several handwritten notations by his step-son and frequent collaborator, Lloyd Osbourne. Both volumes about fine, with minor rubbing/soiling to the parchment covers; the chemises have faint rubbing at the covers, and one satin ribbon pull is torn, else fine; the slipcase also has a touch of rubbing at the upper and lower edges, but in all, fine, bright, pleasing; In August 1892 Robert Louis Stevenson was residing in Samoa with his wife and step-children, along with his cousin Graham Balfour (who later became his biographer). In conjunction with visitors from home, the household entertained itself by producing a "joint-stock" novel in which all contributors were to imitate the style of Ouida (Maria Louisa Ramee). They chose as "hero" Mr. Bazett Michael Haggard, the British Land Commissioner, their neighbor and friend. When the book was completed AN OBJECT OF PITY, OR, THE MAN HAGGARD was read aloud to Mr. Haggard, who retaliated to the good-natured pillorying he had received at his friends' hands with OBJECTS OF PITY, OR, SELF AND COMPANY. Privately printed by the Countess of Jersey (one of the participants in the shenanigans) at Sydney, with the false imprint as Amsterdam. Writing in 1902, Edmund Gosse called AN OBJECT OF PITY "the most unattainable of R. L. S.'s productions;" it is speculated that only 35 copies were printed. This copy from the Stevenson family's own library (after his death Isobel Strong sold the family library at auction placed these bookplates in volumes to "assist" their value), and is signed by her and additionally has several notations in the hand of Lloyd Osbourne: On the contents page he identifies who each writer actually is, and he has made notations in several subsequent page margins. Prideaux/Contributions 11; Colbeck 102; Beinecke 853 .

      [Bookseller: Books Tell You Why]
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        SEVEN YEARS IN THE SOUDAN. Being a record of Explorations, Adventures, and Campaigns against the Arab Slave Hunters. By Romolo Gessi Pasha. Collected and Edited by his son Felix Gessi. Illustrated.

      xxiv, 467 pages. Illustrated throughout; folding coloured map at end. Original red cloth, gilt. Octavo. First edition. Prize inscription on endpaper; else a very good copy.

      [Bookseller: David Miles]
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        Uma or The Beach of Falesa [Rare True First American Appearance] [Island Nights' Entertainments]

      1892, First American editionA Very Good set of six issues of the Illustrated News of the World containing the complete true first American edition of "Uma or The Beach of Falesa" by Robert Louis Stevenson, one of three tales later published together with The Bottle Imp, and The Isle of Voices in "Island Nights' Entertainments" (1893). "The Beach of Falesa" first appeared in print in six successive weekly issues of The Illustrated London News from July 2 through August 6, 1892 and appeared in these six successive weekly issues of The Illustrated World News, printed from the Original Blocks of the Illustrated London News from July 16 through August 20, 1892. Each issue in this set is in Very Good condition with all but one of the issues retaining its original green overwrap and one of which has come partially loose but which continues to hold and wherein there is a slight mispagination but in which all leaves are present. Notably, when the story was issued in book form the reference to Uma was dropped from the title and the tale was titled merely "The Beach of Falesa". Stevenson wrote the tale, along with others, after he relocated to Samoa for his health. The story is told by John Wiltshire, a British trader who has come to the fictional South Seas Island of Falesá where he is persuaded by a rival trader named Case to marry a local woman, Uma, in a ceremony which the islanders considered binding but which the Europeans did not. Soon after their "marriage", Wiltshire soon discovers that Uma has a taboo upon her and that the natives therefore will not do business with him, but instead trade with Case. An important story, Stevenson saw it as marking his departure from romanticism to realism (a departure criticized by many), writing to his friend Sidney Colvin, the English curator and literary and art critic as follows: "It is the first realistic South Seas story; I mean with real South Sea character and details of life. Everybody else that has tried, that I have seen, got carried away by the romance, and ended in a kind of sugar candy sham epic, and the whole effect was lost - there was not etching, no human grin, consequently no conviction. Now I have got the smell and look of the thing a good deal. You will know more about the South Seas after you have read my little tale than if you had read a library." The tale addressed British Colonialism and in it Stevenson sought to subvert the idea that British Colonialism in the South Seas was only beneficial to the native populations. Due to its candid treatment of the relationship between white traders and the natives, the Publisher bowdlerized the text. Copies of both the London World News and the Illustrated World News are, in our experience, exceedingly scarce and most copies likely were discarded after reading or have been otherwise been lost to time. We doubt that many examples of this true first printing of the tale, whether English or American and whether partial or complete, have survived. A RARE COMPLETE COPY OF THE FIRST AMERICAN EDITION OF THIS NOTABLE ROBERT LOUIS STEVENSON TALE.

      [Bookseller: Allington Antiquarian Books, LLC]
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        The Sign of Four [A Sherlock Holmes Story]

      London, George Newnes Limited 1892, 1892. SECOND EDITION. Octavo, pp.283. Elegantly hand-bound in full burgundy oasis morocco leather, spine gilt-lettered in six compartments with raised bands, marbled endpapers, publisher's original pictorial cloth bound in at rear. Internally clean. Contemporary ink ownership else a fine copy in an attractive recent leather binding. Yellow fog is swirling through the streets of London and Sherlock Holmes himself is sitting in a cocaine-induced haze until the arrival of a distressed and beautiful young lady forces the great detective into action... The second of four full-length Sherlock Holmes novels, originally appearing in Lippincott's Monthly Magazine (Feb.1890). Doyle was reputedly commissioned to write the story following a dinner with the editor at London's Langham Hotel. The function was also attended by Oscar Wilde, who would contribute his only novel 'The Picture of Dorian Gray' to the July 1890 issue. Doyle later discussed this 'golden evening' in his autobiography 'Memories and Adventures' (1924). Green & Gibson; A Bibliography of A.Conan Doyle. De Waal; The World Bibliography of Sherlock Holmes & Dr. Watson. See also Haining; The Classic Era of Crime Fiction (2002), Cooper & Pike; Detective Fiction (1994), DeWaal; The International Sherlock Holmes (1980), Steinbrunner & Penzler; Ency.of Mystery & Detection (1976). Eric Quayle; The Collectors Book of Detective Fiction (1972). Howard Haycraft; Murder for Pleasure (1972), Graham Greene & Dorothy Glover; Victorian Detective Fiction (1966), Elley Queen; Queen's Quorum (1951).

      [Bookseller: Adrian Harrington Rare Books]
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        The Coming Race... With; Pausanius The Spartan, and The Haunted and The Haunters. Rienzi, What Will He Do With It [under the pseudonym Pisistratus Caxton]

      London; Routledge and Sons. 1892, 1892. Author's Copyright Edition. Large 8vo. Bound in contemporary half burgundy morocco over maroon boards. Light sunning and edgewear to extremities, some rubbing. Bright, strong and sharp. very good indeed. All edges marbled. Internally clean, the occasional bit of light toning. A handsome bound collection of Lyttonian lunacy, including The Coming Race (the book that gave you "Bovril") from the pen of the man who actually began a novel "It was a dark and stormy night."

      [Bookseller: Adrian Harrington Rare Books]
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        The Principles and Practice of Medicine

      D. APPLETON AND COMPANY, NEW YORK 1892 - hinge cracked, pages yellowing, protective mylar jacket, "ex libris" bookplate on inside of front cover, penciling on front end paper, cover scuffed, gilt on spine, charts and graphs in text, first edition second issue, slight wrinkle to spine, unmarked text DATE PUBLISHED: 1892 EDITION: FIRST ED 1079 [Attributes: First Edition; Hard Cover]

      [Bookseller: Princeton Antiques Bookshop]
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        Aquarell einer lichten Waldlandschaft, unter Glas gerahmt.

      - Bildmaße: 29 x 40 cm / Gesamtmaße: 46 x 56 cm. Unten rechts mit " Lohse, 56 " signiert und datiert ( Kurt Lohse: 1892 in Hohenstein/Sachsen geboren - gestorben 1958 in Hamburg. Studium an der Kunstgewerbeschule und dann an der Akademie in Dresden. Befreundet mit Otto Dix. Autor philosophischer Essays. Reisen nach Frankreich und Italien.Seit 1926 in Hamburg tätig ). Verso mit altem Klebezettel mit biographischen Angaben. Von insgesamt guter Erhaltung. ( Gewicht 2000 Gramm ) ( Pic erhältlich / webimage available ) [Attributes: Signed Copy]

      [Bookseller: Antiquariat Friederichsen]
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        Moltkes Militärische Werke - Sämtliche 17 Bände. I.Abteilung: Militärische Korrespondenz, Bände 1 bis 4 (compl.); II.Abteilung: Die Thätigkeit als Chef des Generalstabes der Armee in Frieden, Bände 1 bis 5 (compl.); III.Abteilung: Kriegsgeschichtliche Arbeiten, 4 Bände (compl.); IV.Abteilung: Kriegslehren, 4 Bände (compl.)

      Mittler, Berlin 1892 - Seltenst: Sämtliche 17 Bände in derselben, prächtig gestaltetenen Erstausgabe. Erschienen 1892-1912. 4° (25x17cm), braun/rote Orig.-Halblederbände m. goldgeprägtem Rücken und silbern geprägtem Reichsadler auf Vorderdeckel und entsprechendem Motto Moltkes auf Rückdeckel ("suum cuique"), gemusterter Rundum-Farbschnitt. Insgesamt in (dem Alter entsprechend) sehr gutem Zustand. Keinerlei Besitz- oder andere Vermerke (außer wenn unten anders vermerkt), Papier immer hell, fleckenlos. ++++++ I. ABTEILUNG Militärische Korrespondenz: Bd.1: 244 S. u. gr. Faltkarte; Bd.2: 383 S. + 6 Faltkarten (eine davon im Großformat); Bd.3: 788 S. u. gr. Faltkarte; Bd.4: 224 S. u. gr. Faltkarte. Zusätzliche Faltskizzen im Text. ++ D. Rücken v.Bd. 4 längs gewellt u. an Kapitalen bestoßen. ++++ II. ABTEILUNG: Die Thätigkeit als Chef des Generalstabes der Armee in Frieden, Bd. 1: "Taktische Aufgaben" (Prüfungsaufgaben mit Lösungen) 173 S. u. 27 gr. Faltpläne u. 1 Blatt Skizzen, der schmale Textbd. befindet sich hier in der Kartenkladde - Kordel fehlt; ++ Bd. 2: "Taktisch-strategische Aufsätze 1857-1871" ++ Bd. 3: Kartenteil hierzu, Karten vollzählig, nur von den zwei Anlagen fehlt die erste "Nr. 1-8" [Namenslisten der Armeekorps] , die zweite Anlg. "9-16" ist vorhanden;; ++ Band 4 (="3.Theil") "Generalstabsreisen 1858 - 1869", 404 S.; ++ Band 5: Karten hierzu, 22 gr. Faltkarten - vollständig.++++ III.ABTEILUNG: Kriegsgeschichtliche Arbeiten, Bd. 1: "Gesch. des Krieges gg. Dänemark 1848/49" 437 S. u. 7 Karten (1 Übersichtskarte im Großformat 84x68cm), vollständig. ++ Bd. 2: "Krit. Aufsätze zu den Feldzügen 1809, 1859, 1864, 1866 und 1870/71" 216 S. u. 19 Karten; ++ Bd. 3: "Der italienische Feldzug 1859" 285 S. m. Faltbeilagen; ++ Bd. 4: Karten hierzu: 2 Karten, 5 gr. Skizzen, u. 20 Handzeichnungen von Moltke --- Bindungskordel fehlt. Rücken v. Bd. 3 u. 4 beschabt, Bd 2-4 mit Bes.stempel auf Titels., sonst keine Besitz- oder andere Vermerke, Bd. 3 mit Bleichfleck auf Hintedeckel. ++++ IV.ABTEILUNG: Kriegslehren, Bd. 1: "Die operativen Vorbereitungen zur Schlacht" 328 S. u. 5 Karten, vollständig. ++ Bd. 2: "Die taktischen Vorbereitungen zur Schlacht" 179 S. u. 31 Karten; ++ Bd. 3: "Die Schlacht" 500 S. ; ++ Bd. 4: dicker Kartenband hierzu mit 51 meist großformatigen Karten. ++ Rücken v. Bd. 4 etwas fleckig, Bd 2 u. 3 mit 15 mm langem (flachem) Wurmfraß auf Ebd.-deckel u. kl. Bes.stempel a. Titels., sonst keine Besitz- oder andere Vermerke, +++ Aus Nichtraucherhaushalt. +++ Weitere Fotos gern von: mDOTfruthAThotmailDOTde. [Attributes: Hard Cover]

      [Bookseller: Magister Michalis]
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        The new magazine devoted to the study of the English language and literature. [Nihon eigaku shinshi]

      Tokyo: Tokyo Eigaku Shinshi Hakkoujo. 1892-1897. "Collection of 39 issues of an English study magazine, 8vo, pp. 50 on average; set incomplete, issues present are as follows: 12, 15, 16, 19, 22, 24-30, 37-43, 51-55, 58, 60, 66 , 67, 71-73, 75, 96-99, 101, 121, 109; sections excised from some issues, the occassional annotation present, issue 109 with lower cover nearly gone. A good set overall.The premire English study magazine of its time, each issue consists of Japanese and Chinese material in translation, serialized aids to classic English literature (Rasselas, A Christmas Carol) and English readers, lectures and exercises on grammatical points, puzzles, humorous and topical conversations, English idioms, the appropriate addresses to various ranks of nobility, physiognomy, and so on. Text is in a mixture of English and Japanese.No copies listed outside of Japan."

      [Bookseller: Rulon-Miller Books ]
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        The condition of the working-class in England in 1844

      With preface written in 1892. By Frederick Engels. Translated by Florence Kelley Wischnewetzky.Of the status in British labour history of Engels's ground-breaking 1845 Die Lage der arbeitenden Klasse in England nothing further may usefully be added by a bookseller. It is worth pointing out, however, that the 1892 Preface was genuinely a new essay, written specially for this English edition and not previously published. Engels was of course nearing the end of his life (d. 1895): in 1892 he was about 72 years old and his 15-page Preface is something of a review of progress, and lack of progress, in industrial conditions (pay, welfare, trades unionism, etc.) since 1845. The Preface, dated January 11th, "1892", notes that although there had been "actual progress" of socialism in England generally, it was the revival of the East End of London that was most notable. "That immense haunt of misery is no longer the stagnant pool it was six years ago. It has shaken off its torpid despair, has returned to life, and has become the home of what is called the "'New Unionism'; that is to say, of the organisation of the great mass of 'unskilled' workers. ...... And for all the faults committed in past, present, and future, the revival of the East End of London remains one of the greatest and most fruitful facts of this fin de siècle, and glad and proud I am to have lived to see it".8vo., xix + (1) + 298 + (2)pp., original publishers' red cloth with the title in black on upper cover and in gilt on spine, a few minor old stains on upper cover, in all other respects a very good copy indeed., 1892. First printing with the author's new Preface. Scarce. Stammhammer II, p.103 [Engels #6].. With preface written in 1892. By Frederick Engels. Translated by Florence Kelley Wischnewetzky. Of the status in British labour history of Engels's ground-breaking 1845 Die Lage der arbeitenden Klasse in England nothing further may usefully be added by a bookseller. It is worth pointing out, however, that the 1892 Preface was genuinely a new essay, written specially for this English edition and not previously published. Engels was of course nearing the end of his life (d. 1895): in 1892 he was about 72 years old and his 15-page Preface is something of a review of progress, and lack of progress, in industrial conditions (pay, welfare, trades unionism, etc.) since 1845. The Preface, dated January 11th, "1892", notes that although there had been "actual progress" of socialism in England generally, it was the revival of the East End of London that was most notable. "That immense haunt of misery is no longer the stagnant pool it was six years ago. It has shaken off its torpid despair, has returned to life, and has become the home of what is called the "'New Unionism'; that is to say, of the organisation of the great mass of 'unskilled' workers. ...... And for all the faults committed in past, present, and future, the revival of the East End of London remains one of the greatest and most fruitful facts of this fin de siècle, and glad and proud I am to have lived to see it". 8vo., xix + (1) + 298 + (2)pp., original publishers' red cloth with the title in black on upper cover and in gilt on spine, a few minor old stains on upper cover, in all other respects a very good copy indeed.

      [Bookseller: John Drury Rare Books]
 39.   Check availability:     Biblio     Link/Print  


        MISS MATILDA ARCHAMBEAU VAN DORA

      Boston: D. Lothrop Co., 1892. Book. Fair. Hardback. First Edition. 5 ½ x 8 ½. Title: MISS MATILDA ARCHAMBEAU VAN DORN 1892 very rare ILLUSTRATED Author: ELIZABETH CUMINGS Publisher/Copyright: D. Lothrop Co., Boston 1892 Edition: First Edition Binding: hardcover Condition:(all defects if any are formulated into pricing): The outside is in a heavy used condition, some of the writing on the front board has started to fade. There is a very small nick to the front side edge of the board that has nicked the frontispiece at the very side edge (very minor). There is writing from 1892 on the front endpaper. The number '15' is smally written in ink on the title page. Book is without other marks or writings, pages are clean, book is tight and sturdy. A fair copy. Size: 5 ½ x 8 ½ (approximately)Pages: 178 pages Binding/Cover: Hardback without dust jacket Shipping & Handling: Insurance extra. Will ship internationally to any location. Refunds: All items are 100% refundable up to 10 days after item received Background/Description: First Edition. D. Lothrop Co., Boston 1892. Fair(minus)/None dust jacket condition. Overall book has very heavy used look with some hand like soiling over the years from handling. THERE ARE NO OTHER COPIES OF THIS BOOK FOUND FOR SALE ON THE INTERNET!!!!! EXTREMELY RARE/SCARCE!!!! Really good price! InvCode: zL28.

      [Bookseller: FairView Books]
 40.   Check availability:     Biblio     Link/Print  


        Hohere Algebra. Manuscript transcription of Konigsberger's lectures.

      Heidelberg 1892 - Königsberger, Leo (1837-1921). Höhere Algebra. Akademische Vorträge . . . W: 1891 1892 S. Bound manuscript, written in a neat German hand. Title (in black letter) and 735 numbered pages. N.p. [Heidelberg], ca. 1892. 206 x 164 mm. Half morocco, mottled boards c. 1892, light wear, one corner bumped. A few pencil annotations in the margins. Ownership signature of "Heinrich H[illeg.], stud. math., Heidelberg" on the verso of the front free endpaper.A unique record of the academic work of Königsberger, one of the most famous mathematicians of his time. Königsberger spent most of his career at the University of Heidelberg, where he taught mathematics from 1869 to 1875 and again from 1884 until his retirement in 1914. He contributed to several fields of mathematics, most notably analysis and analytical mechanics. "Königsberger . . . was extremely skillful in treating material from the Riemannian point of view, as can be seen from his textbooks on elliptic functions (1874) and hyperelliptic integrals (1878). In addition he worked intensively on the theory of differential equations. This subject, which grew out of function theory, is associated especially with Lazarus Fuchs, with whom Königsberger was friendly during his youth. Königsberger was the first to treat not merely one differential equation, but an entire system of such equations in complex variables (DSB)."While at Heidelberg Königsberger became close friends with the chemist Robert Bunsen and physicists Hermann Helmholtz and Gustav Kirchhoff; these contacts provided him with the stimulation for his series of works on the differential equations of analytical mechanics. He also published some notable historic works, including an account of his teacher Weierstrass's first lecture on elliptic functions (1917) and a biography of Helmholtz (1902).The present manuscript is a transcription of Königsberger's lectures on higher algebra given at Heidelberg during the academic year 1891-92; it was most likely prepared by the mathematics student who inscribed his name in the volume. The lectures were not published, and we can find no record of any similar manuscript transcriptions in either OCLC or the Karlsruhe database. Dictionary of Scientific Biography. [Attributes: Hard Cover]

      [Bookseller: Jeremy Norman's historyofscience]
 41.   Check availability:     AbeBooks     Link/Print  


        Eight mixed media (ink, water colour, gouache) illustrations by Edy Legrand

      - Image areas approximately 6 x 4-1/2 inches. matted, overall size 10 x 8 inches. Some images are signed in ink. Edy-Legrand was born in Bourdeaux in 1892, and is known for his large figure and lansdscape paintings, also for his well known posters of French steam boats and magazine illustrations. He is largely responsible for the renaissance of illustration art [in France] and was also a great book illustrator. He illustrated many of the books published by the Limited Editions Club, e.g. Hamlet, Beauty and the Beast, Don Quixote, A Woman's Life, Travels in Arabia Deserta and The Three Musketeers amongst many. Legrand died in 1970 after a long and illustrious career.The eight original illustrations, in ink and watercolour, depict:A weary looking man carrying a heavy burden walking along a river with a bottle in one hand and gesticulating with the other.A nude reclining on a chaise longue framed by heavy drapes, with a portrait bust, fan and gloves on a table in the foreground.A Roman or Greek harbour scene with tall sailing ships at anchor and people on the keys.A close up portrait of two women, old and gnarled with headscarves and bonnets.A view out of a window onto a river crossed by a bridge, in the foreground a table with writing implements, books, chapeau and walking stick.A couple standing in on a balcony looking out over the city, framed by heavy drapes, dressed in rococo costumes, a candle in a candlestick and an open book on a table in the foreground.Two nudes, one reclining the other sitting up scratching her head, amongst plump cushions and swirling drapes.A corpse of a man hanging from a gallows with two crows on the crossbeam, three snarling dogs at his feet, and a ship sailing off in the moonlight. Slight "mat burn" approximately 1/4+ inch from image areas, three with very small break in the paper from the back, almost invisible, one with small tears in margin not affecting image, onne mat with damage upper right (not affecting image) else fine [Attributes: Signed Copy; Soft Cover]

      [Bookseller: Randall House Rare Books (ABAA)]
 42.   Check availability:     IberLibro     Link/Print  


        The American Claimant - 1st Edition

      New York: Charles L. Webster & Co.. Near Fine. 1892. First Edition; First Printing. Original Cloth. First Edition, BAL 3434, original unrestored olive-green cloth binding in very Nearly Fine condition, slight rubbing only to spine ends and tips, else Fine; The American Claimant is Twain's comedy of mistaken identities and multiple role switches, all revolving around the serious debate between the hereditary aristocracy of Europe and the democracy of America .

      [Bookseller: Books Tell You Why]
 43.   Check availability:     Biblio     Link/Print  

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