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Displayed below are some selected recent viaLibri matches for books published in 1888

        Karikari

      Paris: Librairie L. Conquet 5 rue Drout 5 1888 Paris: Librairie L. Conquet 5, rue Drout, 5, 1888. Ediion not mise dans le Commerce. Exemplaire offert a Monsieur Morin par L. Conquet. 8vo. Aquarelles d'aprËs Henriot. 55 pp. Bound in full contemporary green morocco, t.e.g. by Tout, with original pictorial hand- colored wrappers bound in, with date of 1887. Fine. Carteret . With original pen and watercolor drawing in three vignettes on half-title by Henry Tomm (signed lower right)

      [Bookseller: James Cummins Bookseller ]
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        Harper's Young People (33 single issues, 1886 and 1888)

      Harper & Brothers Publishers New York: Harper & Brothers, Publishers. (1886; 1888). First. Periodical Magazine. Stitched wrappers. 2 consecutive issues from November, 1886 and a near-consecutive run of 31 issues from February-October, 1888. All but four in the original outer turquoise printed wrappers with the subscriber's small name and address label on the front wrap. Includes an 1887 index printed on one uncut octavo sheet. Scattered soiling and chipping to the edges of the wraps, some are split along the spine folds, a few issues lack the rear wrap, else good or better. A nice collection of Harper's weekly children's magazine, celebrated for publishing the work of America's best illustrators and writers of young adult fiction. Included in this set are the first printed appearances of: "The Three Fortunes" and "The Princess on the Glass Hill," written and illustrated by Howard Pyle, "Five Shares in the Fresh-Air Fund" by James Otis, Rosina Emmet Sherwood's illustrations of "Von Nipkin's Defeat" by Boudinot Colt, and W.A. Rogers illustrations (including the front cover) of "Buster Bill" by May Cooper. The set also includes many other illustrations by Rogers, one front cover illustration by Frederick Stuart Church: "Mr. Bear Had Hearkened Too Long to Evil Counsel," and serialized stories by Kirk Munroe, William O. Stoddard, and others. A scarce set in the original wrappers. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Recherches sur l'absorption de la lumiere. Thèses presentees a la faculté des sciences de Paris pour obtenir le grade de docteur ès sciences physiques.Paris: Gauthier-Villars, 1888. First edition.

      Presentation copy of his doctoral thesis on the absorption of light in crystals, inscribed by Becquerel to his demonstrator Peignot. Norman 156 [Norman copy with anonymous inscription].<br/><br/> "On March 15, 1888 he submitted his thesis 'Recherches sur l'absorption de la lumière' (Research on the absorption of light). Antoine Henri had been interested in the absorption of light by crystals since 1886 and showed the importance of crystal symmetry in the absorption spectra of polarized light. He noticed that tetravalent uranium compounds were not phosphorescent, whereas uranyl salts exhibited a bright luminescence under the same conditions of excitation. Interestingly enough this was the second experiment performed by a Becquerel on uranium. Like his father, Antoine Henri was fascinated by the phenomenon of phosphorescence, and at the time nobody suspected the secret hidden in the mysterious element. This strange coincidence might be regarded as a premonitory sign of destiny or as the first step towards a major discovery." (Adloff: 100 Years after the Discovery of Radiochemistry, p.5).. Large 4to (265 x 210 mm), contemporary dark green half morocco over marlbled boards with gilt spine lettering, hinges with light wear, title page with large inscription in Becquerel's hand, pp [1] 2-111 [5] and 4 photogravure plates, drawn by Becquerel and prepared by Dujardin. Rare

      [Bookseller: Sophia Rare Books]
 3.   Check availability:     Antikvariat     Link/Print  


        Sur l'Eau. Dessins de Riou.

      Paris: C. Marpon et E. Flammarion [1888]. First edition with illustr. by Guillaume Frères. 246 pp. Uncut copy bound with orig. wrappers and top edge gilt in beautiful halfleather of smooth darkblue morocco. Binding signed Kauffmann - F. K? Very clean copy

      [Bookseller: Peter Grosell's Antikvariat]
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        [1 of 50, Signed by De Vinne, Signed by Author, with ALS] Quinquaginta; A Birthday Book of Verses

      Privately Printed De Vinne Press New York: Privately Printed (De Vinne Press), 1888. First edition. Original parchment backed, gray paper covered boards with gilt ruling and leaf design, lettering in dark gray on cover, spine with large gilt lettering. Number 4 of only 50 Copies Printed, signed by De Vinne (publisher) on limitation page. Presentation Copy from author: "To Anna C. Bird/ from her friend,/ W. R. Huntington/ Sept 20/ 1888" WIth lengthy autograph letter from the author Anna Bird, the presentee, a cheery three page letter dated Sept. 20, 1888 (attached to rear endsheet). William Reed Huntington was a prominent 19th Century clergyman and well-respected poet whose work appeared in Stedman's American Anthology. A bright copy with few faults, the fragile parchment backing with almost no wear except for very slight wear to top and bottom of spine. The gilt lettering on spine is still quite bright.Most scarce and a significant example of De Vinne's craft. nb "quinqaginta" means "fifty.

      [Bookseller: Nudelman Rare Books ]
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        BRILLIANTS. A Setting of Humorous Poetry in Brilliant Types.

      xv, [1 blank], 96pp. Original full decorative leather gilt. 58 x 41 mm. All edges gilt. Miniature bookplate of M. A. Elton. Presentation inscription on front endpaper to M. A. Elton from A. Lang [Andrew Lang the fairy and folk tale authority who compiled the famous series of coloured fairy books]. Front inner hinge cracked, else a very good copy of this the rare first edition of this famous miniature. See Bondy, page 98, who mentions only the second edition of 1895; also Bromer and Edison page 46 who likewise only mention the second edition; Speilmann 117 who also only cites the edition; Welsh 2304 for the first edition. The first edition would appear to be very rare, no copy appearing at auction in 32 years, however, there are four records of the later 1895 printing.

      [Bookseller: David Miles]
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        UBER STRAHLEN ELEKTRISCHER KRAFT

      1888. Paperback. HERTZ, H[einrich]. UBER STRAHLEN ELEKTRISCHER KRAFT. (Berlin: Gedruckt in der Reichsdruckerei, 1888.) Offprint from Sitzungsberichte der Koniglich Preussischen Akademie der Wissenschaften zu Berlin, 1888, No. 50, pp. 1297 - 1307. The text of a lecture on electric waves delivered 13 December 1888, it relates qualitative experiments undertaken by Hertz, at the Karlsruhe Polytechnic, on the analogy between electric and light waves. Passing electric waves through huge prisms of hard pitch, he showed that they refract exactly as light waves do. He polarized electric waves by directing them through a grating of parallel wires, and he diffracted them by interrupting them with a screen with a hole in it. He reflected them from the walls of the room, obtaining interference between the original and the reflected waves. He focused them with huge concave mirrors, casting electric shadows with conducting obstacles. This is the first print appearance, preceding its appearance in Annalen der Physik (36, p. 769) because, at this point in his career, Hertz was sending his papers to Hermann von Helmholtz to communicate to the Berlin Academy for quick publication before sending them to Annalen der Physik. It was later collected with Hertz's other experimental and theoretical works on electricity in Untersuchungen uber die Ausbreitung der elektrischen Kraft (Leipzig, 1892), which expanded and clarified the electromagnetic theory of light that had been put forth by the British Physicist James Maxwell in 1884. Hertz's experiments with electromagnetic waves led to the development of the wireless telegraph and the radio. (D.S.B.) 11 pp. Octavo, orange paper wrappers, with title information printed to front. Ink ownership stamp of physicist and noted socialist Leo Arons ("Dr. LEO ARONS | Strassburg i. E."), whose scientific work was primarily focused on the empirical research of electrical phenomena that governed Maxwell's theory. Pamphlet is creased vertically. Covers are nicked along edges and show general light dust-soiling. Front cover is detached and has a couple of light pencil markings. Hertz offprints are rare.

      [Bookseller: Boston Book Company ]
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        Artistic Japan: Illustrations and Essays.

      London: Sampson Low, Marston, Searle & Rivington, Ltd. 1888-91.. 6 vols., in five [all published], folio, extensively illustrated throughout, mostly coloured, some folding (one loose and torn, another torn along the fold), orig. pictorial wrappers bound in, orig. parchment boards, soiled, a couple of small tears to hinges but overall and very good set of a scarce periodical.A total of 36 monthly issues which appeared between May 1881 and May 1891. French and German editions were published simultaneously under the titles "Le Japon artistique" and "Japanischer formenschatz".

      [Bookseller: Forest Books]
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        The Letters of Virginia Woolf. Edited by Nigel Nicolson.

      PHOTOGRAPHS SENT ON REQUEST. Six volumes complete, all first editions, comprising: Volume 1: The Flight of the Mind (1888 1912), xxi, 531pp. Volume 2: The Question of Things Happening (1912 1922), xxvi, 627pp. Volume 3: A Change of Perspective (1923 1928), xxii, 600pp. Volume 4: A Reflection of the Other Person (1929 1931), xxi, 442pp. Volume 5: The Sickle Side of the Moon (1932 1935), xviii, 476pp. Volume 6: Leave the Letters Till We're Dead (1936 1941), xvii, 556pp. All volumes large octavo and very good clean copies in original cloth with pictorial dust-wrappers designed by Angelica Garnett, (Virginia Woolf's niece, Vanessa Bell's daughter). Each volume with an introduction by Nigel Nicolson and fully indexed. With two signed letters from the editor loosely inserted. London, The Hogarth Press, 1975 1980.This set is a keystone of any Virginia Woolf collection. The two original signed letters with this copy from the editor Nigel Nicolson (who was Vita Sackville-West's son) includes one to the scholar McLaurin in which he enquires about the date of a Virginia Woolf letter that is quoted by McLaurin in his Critical Heritage volume on Woolf - McLaurin's corrected draft is also present. The second Nicolson letter acknowledges McLaurin's reply and accepts his suggestions for further research.

      [Bookseller: Jeffrey Stern Antiquarian Bookseller]
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        Australian Photo Album, with 47 Views of Victoria, New South Wales, Tasmania, ca 1880 to 1894

      Wonderful photograph album of Victoria, New South Wales, and Tasmania, with large photographs and manuscript titles. A total of 47 photos, with 33 of Victoria, 6 of New South Wales, 5 of Tasmania, 1 of New Zealand, and 2 others. Each photograph is lightly tipped on to the album paper, with blank verso. Most of the photographs are by an unknown photographer; there are also some signed by J.W. Beattie, Thomas Foster Chuck, Frank Arnold Coxhead, C. Rudd, and J.P., possibly John Paine. One of the most striking & largest photograph is of "Aboriginals of Lake Tyers". It is an outdoor view of a family group of aborigines, from children to grand parents, dressed in western clothing, with spear, boomerangs and lean-to behind them. Others include some rather poetic views of woodcutters at Black Spur & Fernshaw; a couple of gold mining at Bendigo including Garden Gully United Gold Mining Company, with houses in fore and background. There is a series of some very striking studies of Melbourne buildings including the Empire Building, Collins St. West; Prell's Building, corner of Queen St. and Flinders Lane; Austral Chambers, Queen St., with Austral Chambers sign and "Offices to Let", by Selby & Co., 97 Queen St.; Grand Hotel, Spring St., with carriages at the front; Federal Coffee Palace, Collins St., #102, showing electrical workers, 3 of whom have climbed electrical poles; "Tuck's Buildings" (or Luck's?), Elizabeth & Flinders St, with the caption "Rent of Shop L 22.10 per week"; Government Public Offices (Melbourne), #48, with a dirt road in the foreground; Melbourne Hospital with a train moving past in the foreground; Centennial Exhibition Procession, August 1st, 1888, with Victorian Confectioner's Society banner in front; St. Kilda Jetty, busy with people fishing; another showing neighboring jetty, Hegerty's Railway Baths for Gentlemen, and fishermen with the town behind them; The New Prince's Bridge, with scattered construction debris; The Melbourne Hotel, #10, with the #220 Carlton and Abbotsford tram in the foreground; Collins St. from Elizabeth St., looking east, #73, with a busy street scene and a George & George flag flying; Modern Permanent Building Society offices, with Kilpatrick & Co. Watchmakers & Jewelers, a police box, and Auchalps Sales Rooms; Bourke St., Melbourne, full length looking west with trams, a horse and cart, Mayger's Imperial Hotel at the right and Old Whitehart Hotel at the left; Town Hall, Melbourne, a view looking down, with 2 trams & Martin & Leasances Pharmacy sign visible; Elizabeth St., Melbourne, a great snap shot view of people, traffic, a wagon and cart, electric lights, and a large Cullis Hill & Co. sign; Elizabeth St., Melbourne, a snap shot view with street traffic, a tram, the Sunbeam Tea and Luncheon Rooms in the foreground, and Lincoln Stuart & Co. in the distance; Bourke St., Melbourne, a snap shot view toward E. A. Petherick Booksellers & Publishers, with trams and traffic. There are three views of ships - H. M. S. Calliope in Port Philip (Hobson's Bay), with 3 yachts, a tender and row boat; The Liverpool, largest sailing ship afloat; Steamship Cavo Romano New Orleans Feb 26th 94, docked with several crew sitting on barrels (with a tear). The NSW photographs are taken in and around Sydney, mostly signed "J.P.", possibly John Paine, 1834 - 1915, including Manly Cove; Harbour from Neutral Bay, with a building under construction in the foreground, and harbour and ships in the distance; Harbour from McMahon's Hill, with flags, ferries, row boats and sailing ships; Farm Cove, with ships and Government House in the distance; Coogee (?), with a hut in the foreground; trams in a turning circle, a beach and vacant land in the distance and an unidentified grand public building, with a horse and carriage visible. The Tasmanian photographs are unsigned. "Port Arthur, Tasmania" is a small panoramic view with the Penitentiary, ruins of Church and Model Prison, noted in the margins. Hobart from the lower slopes of Mt. Wellington, overlooking the harbour (River Derwent); a beautifully artistic photograph "Glimpse of Port Arthur, shewing side entrance to Peninsula & ruined church in distance" is framed by trees and bushes, the buildings visible in the distance. The photographs vary in size - the largest is 29 x 23 cm; the smallest 9.5 x 15 cm; most are approximately 20 x 15 cm. Most are bright and unfaded, while some have some fading. The album is bound in red cloth with title in blue, and gold gilt and black decoration at front cover. A little loose in binding, with the last few pages blank. Overall, a very interesting album in very good condition. Full details of each photo and size available on request.

      [Bookseller: Antipodean Books, Maps & Prints ]
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