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Displayed below are some selected recent viaLibri matches for books published in 1885

        Ueber ein die Flächen Kleinsten Flächeninhalts betreffendes Problem der Variationsrechnung. Festschrift zum jubelgeburtstage des Herrn Karl Weierstrass.

      Helsingfors: Finnischen Literatur-Gesellschaft, 1885. A fine copy of his path-breaking memoir in which he first derived the Cauchy-Schwarz inequality - "one of the most widely used and most important inequalities in all of mathematics." (J.Michael Steele). "In his most important work, a Festschrift for Weierstrass' seventieth birthday, Schwarz set himself the task of completely answering the question of whether a given minimal surface really yields a minimal area. Aside from the achievement itself, which contains the first complete treatment of the second variation in a multiple integral, this work introduced methods that immediately became extremely fruitful. For example, a function was constructed through successive approximations that Picard was able to employ in obtaining his existence proof for differential equations. Furthermore, Schwarz demonstrated the existence of a certain number, which could be viewed as the (least) eigenvalue for the eigenvalue problem of a certain differential equation (these concepts did not exist then). This was done through a method that Schwarz's student Erhard Schmidt later applied to the proof of the existence of an eigenvalue of an integral equation--a procedure that is one of the most important tools of modern analysis. In this connection Schwarz also employed the inequality for integrals that is today known as 'Schwarz's inequality'." (DSB XII:246).J. Michael Steele, The Cauchy-Schwarz Master Class: An Introduction to the Art of Mathematical Inequalities, p.1. Large 4to: 285 x 225 mm. Original printed wrappers, small piece of the upper right corner of the front and rear wrapper missing, faint rubber stamp and a small closed tear to the bottom of front, otherwise fine and clean. In all a fine copy.

      [Bookseller: SOPHIA RARE BOOKS]
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        Poets of America

      , 1885. 1885. First Edition . STEDMAN, Edmund Clarence. Poets of America. Cambridge: Printed at the Riverside Press, 1885. Two volumes extended to six. Octavo, early 20th-century full crushed maroon morocco gilt, raised bands, watered silk endpapers, top edges gilt. $19,000.First edition, number 84 of 150 large paper copies, extra-illustrated with many engraved portraits and an extraordinary collection of autograph material from 54 different authors bound in. Very handsomely bound in full morocco-gilt by the Monastery Hill Bindery.This extra-illustrated set, assembled by a Mr. Blauvelt of Paterson, New Jersey, contains an extraordinary collection of autograph material that includes almost all of the major American writers of the latter part of the 19th century, including Walt Whitman, Henry Wadsworth Longfellow, Oliver Wendell Holmes, Sarah Orne Jewett, William Cullen Bryant, George Washington Cable, Edward Everett, Horace Greeley, Julian Hawthorne, William Dean Howells, James Russell Lowell, S. Weir Mitchell, John Greenleaf Whittier, N. P. Willis, and the French writer Alexandre Dumas. Includes original signatures, letters, manuscript drafts, postcards, and notes. Stedman was one of the premiere literary critics and anthology editors of Victorian America; ""he brought an unusually thorough and conscientious scholarship to the task of editing, and through his numerous anthologies, as well as through his own writings, he exercised a great influence on the American culture of the period"" (DAB). Comes with two quarto copies of an index to and transcription of all of the autograph material, one copy bound in cloth, the other bound in full morocco similar to the rest of the set. A beautiful and extraordinary extra-illustrated set in fine condition, handsomely bound.

      [Bookseller: Bauman Rare Books ]
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        Autograph postcard signed

      1885. Signed. WHITMAN, Walt. Autograph postcard signed. Camden, August 24, 1886. Autograph postcard, measuring 3 by 5 inches. $7800.Original Walt Whitman autograph postcard signed, thanking the editor of The Critic for payment on his submission of ""A Thought on Shakspeare.""The postcard, written entirely in Whitman's hand, is addressed to ""Joseph B. Gilder, Critic office, 20 Astor Place, New York City"" and reads: ""328 Mickle Street, Camden, New Jersey. Aug 24. Thanks for the $10, which came last Sunday as pay for the ""Thought""-Thanks for the slips & for the copies of the paper-came this morning. Walt Whitman."" Joseph Gilder was the editor of The Critic, which published Whitman's ""A Thought on Shakspeare"" in its August 14, 1886 issue. Postcard engraved with vignette illustration reading ""United States Post Card"" and one-cent stamp. Postal stamps dated ""8-24-86.""About-fine condition, boldly written and signed.

      [Bookseller: Bauman Rare Books]
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        Leçons sur la transfusion directe du sang.

      Paris, Asselin et Houzeau, 1885. ____ Première édition. Ce travail est "le développement de leçons que M. Charcot a autorisé M. le. Dr Roussel à faire dans l'amphithéâtre de la Salpêtrière." Joseph Roussel a inventé une méthode de transfusion sanguine de bras à bras. Son système a été par la suite en usage dans l'armée française. Envoi autographe sur le faux-titre : "à Mr. le Dr. de Santi, l'un des premiers promoteurs de la transfusion, hommages reconnaissants de l'auteur. Dr. J. Roussel". Bel exemplaire, tel que paru. ***** First edition. Illustrated by 68 engravings in-text. These lectures were autorised by Charcot at the Salpetrière's hospital. Joseph Roussel invented a method of direct arm to arm transfusion. Roussel's apparatus was subsequently officially adopted for use by the French Army. Provenance : Inscribed on half-title and stamp of Roussel on the title. Fine copy, as issued. In-8. Collation : (4), 86, 8, (1) pp. Broché, couverture imprimée.

      [Bookseller: Hugues de Latude]
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        Songs of Innocence

      1885. BLAKE, William. Songs of Innocence. Edmonton: William Muir, 1885. Quarto, original printed pale blue paper wrappers and white paper spine, with hand lettering on the front wrapper, uncut. Housed in custom cloth chemise and slipcase. $12,000.Limited edition of this beautiful and faithful reproduction in the original size and color of Blake's famous illuminated book, one of only 50 copies—this copy numbered ""O"" and one of only five reserved for review. With an autograph letter signed by the editor William Muir describing his labor of love in producing this facsimile, and with his inscription ""To the Academy with compliments of the Editor"" on the colophon. From the collection of novelist Hugh Walpole.Blake's great talents extended beyond poetry. He engraved, hand-printed and hand-colored a very small number of copies, which were remarkable for their great beauty; this facsimile is based on one of those copies, and one which he gave to his very close friend and fellow artist, John Flaxman. The excellent 450-word signed letter penned by editor William Muir describes his labor of love: ""I want to publish all his books and his best plates… I began copying Blake's originals because of my own liking for them and the thing grew gradually… The first copy of the S. of Innocence took 6 months… I do not advertise—you can quite see that the enterprise can't afford it."" The Flaxman copy on which this edition is based is now at the Pierpont Morgan Library; it was part of publisher John Pearson's library at his death in 1884. Though Pearson's name is still listed as the publisher on the colophon and dated 1884, it was in that year that Bernard Quaritch took over publishing this and other Blake facsimiles on behalf of Muir. Bentley, Blake Books, 249A. Keynes 217a. With ""Brackenburn"" bookplate of English novelist Hugh Walpole on verso of front wrapper. From renowned mid-20th-century New York rare bookseller Philip C. Duschnes, with his label on chemise and typewritten description laid in.Faint ink marks to colophon; all tissue guards present, plates clean, lovely and fine. Light wear and minor splits beginning at spine. Still a fine presentation copy of this lovely and painstakingly produced facsimile in the original wrappers, with excellent provenance.

      [Bookseller: Bauman Rare Books]
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        A Child's Garden of Verses.

      London: Longmans, Green, and Co.,, 1885. Octavo. Original blue cloth, bevelled boards, titles to spine gilt, publisher's device to front cover gilt, top edge gilt, others untrimmed. With a custom green half morocco slipcase. Spine gently rolled, light rubbing to extremities, offsetting to endpapers; an excellent copy. First edition, first impression. One of 1,000 copies published. Tipped in to front free endpaper is a cancelled cheque from Robert Louis Stevenson, paying his close friend and solicitor Charles Baxter the sum of 50 pounds sterling, dated in Edinburgh 14 May 1887. Stevenson and Baxter had studied together in Edinburgh from 1871, Stevenson was best man at Baxter's first wedding, and Baxter was executor of Stevenson's estate upon his death in 1894. Additionally with the bookplates of Henry A. Hoffman and John William Roy Crawford, the latter of whose library, which included a number of Stevenson's works, was sold at the Anderson Galleries on 27 February 1919, and was reported in the New York Tribune the next day to have made a total of $24,637.

      [Bookseller: Peter Harrington]
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        Life and Works of Charlotte Bronte and Her Sisters

      London: Smith, Elder, & Co., 1885. First edition thus. three-quarter red morocco over red marbled boards, spine with extra gilt and raised bands, red and green morocco gilt lettered spine labels, all edges marbled, marbeld endpapers. Some rubbing and scuffing to edges and tips, bookplate on front pastdowns, else fine. Octavo. Seven volumes, complete Illustrated in each volume by E. M. Wimperis, a friend of the Brontes The volumes are: Jane Eyre; Shirley; Villette; The Professor : with Poems; Wuthering Heights; Wildfell Hall and Life of Charlotte Bronte by Mrs. Gaskell. Charlotte Bronte (1816-1855)  and her sisters Emily Bronte (1818-1848) and Anne Bronte (1820-1849) have charmed, inspired, and even shocked readers from the Victorian age to the present.  Raised in Haworth, Yorkshire, the three sisters produced such classics as Jane Eyre, Wuthering Heights, and The Tenant of Wildfell Hall.  Influenced by British Romantic poets like Wordsworth, Scott, and Byron, the Brontes produced a cast of unforgettable characters such as the devoted governess, Jane Eyre, and the lovers, Heathcliff, Cathy, and Hareton.  The Bronte Family website explores the lives, literature, and art of these important Victorian women writers. The Brontës are the world's most famous literary family and Haworth Parsonage, now the Brontë Parsonage Museum, was their home from 1820 to 1861.  Charlotte, Emily and Anne Brontë were the authors of some of the best-loved books in the English language. Charlotte's novel 'Jane Eyre' (1847), Emily's 'Wuthering Heights' (1847), and Anne's 'The Tenant of Wildfell Hall' (1848) were written in this house over a hundred and fifty years ago, yet their power still moves readers today. To find two writers of genius in one family would be rare, but to find several writers in one household is unique in the history of literature. Charlotte and Emily are ranked among the world's greatest novelists; Anne is a powerful underrated author, and both their father, the Revd. Patrick Brontë, and brother Branwell also saw their own works in print. The Brontës, published under the pseudonyms of Currer, Ellis and Acton Bell, were acknowledged at the time for their directness and powerful emotional energy, qualities which were sometimes interpreted by the critics as 'coarse' and 'brutal'. - Bronte Society.

      [Bookseller: Randall House Rare Books]
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        [ILLUSTRATED MANUSCRIPT NOVEL OF THE COMMON SOLDIER'S EXPERIENCE IN THE CIVIL WAR]

      Nashville, 1885. [128]pp., written in ink on rectos only. In a highly legible hand. Small quarto. Original three-quarter black roan and cloth. Spine perished, corners and edges heavily worn. Large engraved, authorial bookplate on front pastedown. Some light soiling and wear to text, particularly initial leaves. First few gatherings loose. Still, very good. Fictional manuscript narrative detailing the history of Silas Clack, a common Federal soldier in the Civil War, written and illustrated by Phillip M. Radford of the 5th Tennessee Cavalry, Co. A, and 1st Alabama Vidette Cavalry, Co. F. A native of Tennessee, Phillip M. Radford went against the allegiance of his home state and enlisted in the Union Army at Nashville on Aug. 19, 1862. He mustered in as a private of the 5th Tennessee Cavalry, Co. A, commanded by Col. W.B. Stokes. He was promoted to sergeant major, then took command of the 1st Alabama Vidette Cavalry, Co. F, as a first lieutenant. He narrowly escaped capture from Morgan's Raiders on a recruiting mission in Tennessee. Radford wrote about his experience, and the Nashville DAILY UNION published it on May 17, 1862. He was honorably discharged due to wounds on June 16, 1864. Instead of leaving the army, he became a clerk until the war's end. After the war, he became commander of GAR Post No. 1 Department of Tennessee and Georgia. Inspired by his war experience, Radford took his pen to paper again, this time, writing a fictional account of a soldier named Silas Clack. In the preface of the manuscript, he has written: "The experience of Si Clack recorded in this book is the story of thousands who were privates in the Federal Army. Since the war ended numerous histories of prominent men have been written. Desperate and bloody battles have been recorded and spread broadcast for the information of the world. The history of the common soldier has yet to be written. So then was the task set to whip a determined enemy and they did it. This story was given in several lectures to the Grand Army Post as camp fire stories. They were thought to be too good to throw aside and hence preserved in book form." The protagonist, Clack, enlisted in the army based on patriotism. He served for three years in an unidentified company. Before his departure, his family tearfully gave him gifts they thought he would need at the front - his mother knitted him a few pairs of socks, his sisters gave him soap and a family photo album, and his father had the shoemaker make him the best pair of boots. During his service, Clack took a prisoner and saw action at the Battle of Stone's River. In between the anecdotes, Radford drew over seventy illustrations, both comical and mundane, that were familiar to every soldier. His numerous illustrations delineate both camp life and soldiering. Near the conclusion of the story, he begins with a poignant explanation of what soldiering is and why men enlisted. He wrote: "On the whole perhaps boys like adventure and excitement, fine dress, the pride of fame, all of which are sentimental motives that makes them like going into 'the Guards' better than into the counting house. They fancy that there is a severe sense of duty missed with these peacocky motives. There is true duty done in raising harvests and houses than in burning them. There is more in winning money by your own work than in taxing other peoples work for money wherewith to slay men. And if you are a sentimental fellow you chose to brave death in a red coat than a black one. "But after a while you find that you have put yourself into the hands of your country as a weapon. You have vowed to strike when you are bid and to stay the scabbard when they bid you. But remember all this is a state of slavery. There are different kinds of slaves and different masters. Some are bought with money and others with praise. It matters not what the purchase of money is. The sign of slavery is to have a price and be bought for it...some slaves are set to digging others to forced marches some dig furrows others graves. Some press the juice of vines and some the blood of men." He ends with a powerful illustration of two men who spend their money on curtains or steel traps. The man who buys the steel traps sets them on either side of the wall with a good friend because he could not possibly keep on friendly terms without them. It is a creative illustration of the Union and Confederacy after the war. Radford encourages veterans on either side of the wall not to set traps for each other and not to prepare for war in a time of peace. A most unusual manuscript, both as a fictional narative of war experiences and for the wonderful humorous illustrations.

      [Bookseller: William Reese Company - Americana]
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        ACTUAL EXPERIENCES IN SOUTHEASTERN AND CENTRAL DAKOTA. A FEW TESTIMONIES OF THE RESULTS OBTAINED FROM FARMING IN THIS WONDERFUL REGION

      Chas. N. Trivess, Printer, [1885]., Chicago - First edition. 7 5/8" x 5 1/8" original stapled, printed wrappers, 16 pp., map of the Chicago & North-Western Railway system on the back cover. Primarily a series of signed testimonials solicited by the Railway to describe

      [Bookseller: BUCKINGHAM BOOKS, ABAA, ILAB, IOBA]
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        Two Delightful Drawings done as a boy in Coloured Crayon, one Signed, (Sir Muirhead, 1876-1953, Water-colour Painter & Etcher)

      1885 - the first, inscribed below 'WITH LOVE FR[O]M Muirhead Bone' reads 'MY HOTEL' over the door, two storeys with bay windows and an attic storey, with a roof of round-bottomed tiles, he has altered two of the attic windows to gables to try to match the other dormer windows, in the background are forests and mountains, (7¼" x 9¼"), the second shows a garden front of a castle with 'KING' over the entrance between two round towers, someone is raising a royal standard, two soldiers in busbies guard the entrance while a man, presumably the king, walks towards the viewer with his dog, (4¾" x 7"), each in a window of a card mount 15¼" x 13", no place, no date, circa small closed tear in foot of first drawing without loss In both drawings the line is assured, the buildings solid, and the colouring pleasingly balanced, though the perspective is a little out.

      [Bookseller: Sophie Dupre ABA ILAB PADA]
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        Excellent vintage unsigned group photo (Thomas Alva, 1847-1931, American Inventor of the Phonograph), Alexander Graham BELL (1847-1922, Scots-born American Inventor of the Telephone) & Sir Joseph Wilson SWAN (1828-1914, English Physicist, invented an electric lamp which anticipated Edison's and later produced the incandescent lamp)

      1885 - showing the three scientists in a group standing and seated at a table with a telephone (?) on it, annotated on the verso with the names and place, 6½" x 5" in mount 10" x 8", Mento Laboraties, no date, c. This photo shows Edison and his helpers after a 72 hour marathon to develop the Perfected Phonograph. While the photo references Bell and Swann, neither are in the photo. The items on the table are a Gannett battery used to power the phonograph and the things that look like tubes are wax cylinder records. The images includes Colonel Gouraud (edison's sales agent in the UK) - he is the one holding the hat, John Ott - standing to the right of Edison, W.K.L. Dickson (standing all the way to the left), Charles Batchelor (his business partner) - standing next to Dickson.

      [Bookseller: Sophie Dupre ABA ILAB PADA]
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        Oeuvres : Ma vie - Premières poésies - Poésies philosophiques

      1885. Alphonse Lemerre, Paris 1885, 9,5x16,5cm, relié. - Alphonse Lemerre, Paris 1885, 9,5x16,5cm, relié. - Prima edizione, una delle 100 copie numerate in forte pergamena, con 3 singoli pergamena pareggio e 150 in Olanda. Binding metà Marocco blu con angoli, torna con cinque nervi, piatti di carta marmorizzata, guardie e contreplats di carta fatta a mano, la testa dorata, elegante contemporaneo vincolante firmato Levasseur. Libro illustrato un frontespizio inciso. Timbro bibliofilo stampati a titolo di ex libris. Bella copia. [FRENCH VERSION FOLLOWS] Edition originale, un des 20 exemplaires numérotés sur Chine et paraphés par Alphonse Lemerre, seuls grands papiers avec 20 Hollande. Reliure en demi maroquin bleu marine à coins, dos à cinq nerfs, date dorée en queue, plats de papier marbré, gardes et contreplats de papier à la cuve, tête dorée, élégante reliure de l'époque signée de Pagnant. Notre exemplaire est enrichi d'une lettre autographe datée et signée de quatre pages de Louise Ackermann à propos de projets éditoriaux regardant et regroupant quelques unes de ses oeuvres qu'elles considèrent comme difficilement conciliables. Bel exemplaire parfaitement établi.  

      [Bookseller: Librairie Le Feu Follet]
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        Cuisine au Chocolat: utile, dulci

      Neuchatel: Typographie Attinger, 1885. Parallelogram-shaped duodecimo, 159 pages. Printed throughout in red and black. First edition. A tiny gem of a promotional chocolate manual and cookbook, from one of the greatest of 19th century Swiss chocolate firms, Suchard (founded 1824), with offices in Paris and London. Large scale chocolate manufactory started with Jules Pares in 1815, and was followed by Suchard, along with the Van Houten, Cadbury, Lindt, and Tobler, all within a fifteen year period. When Suchard opened his chocolate mill in 1826, he was able to produce 30 kg of chocolate in one day, with just a single employee. Much of his operation was powered by water. This little work includes a section of general instructions for working with chocolate, as well as collections of recipes for puddings, flans & cremes, patisserie, and more. In tan, color-decorated cloth, with images of the pleasures of chocolate consumption on the front and rear panels. Small ink date to free front endpaper; some very light soiling to cloth, otherwise fine. Unrecorded. [OCLC locates no copies; Grivetti & Shapiro, Chocolate: History Culture & Heritage, pages 578, 613 (on the history of Suchard)].

      [Bookseller: Rabelais - Fine Books on Food & Drink]
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        Zum Zeitvertreib für brave Knaben & Mädchen.

      S.D.(1885), Braun & Schneider - Cartonnage éditeur petit in-folio ( 330 X 240 mm ) illustré en couleurs sur le 1er plat.Edition originale et premier tirage des 8 planches à transformations en couleurs. 2 planches présentent des manques sur le système de glissage. Bel "enfantina" d'une insigne rareté. enfantina cartonnage edition-originale [Attributes: First Edition; Hard Cover]

      [Bookseller: Tiré à Part]
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        CONGO AND THE FOUNDING OF ITS FREE STATE: A Story of Work and Exploration

      New York Harper and Brothers 1885 - 2 volumes. First edition, probably printed in England for Harpers at the same time as the Sampson, Low issue. Pagination is identical and the setting appears to be as well. Profusely illustrated with over one hundred full-page plates and in-text drawings, multi-folding maps, as well as with very large maps folded into the binding pockets at the rear of the books. 8vo, publisher’s original light green cloth, lavishly decorated with all-over pictorial designs in gilt, red, black, green and other colours on the spines and upper covers. xxvii, 528; x, 483. Index, 12 ads. About as fine a copy as one could hope to see. An unusually nice set of this scarce book. Very tight and clean copies, probably unused and as pristine, corners, covers, tips, all in excellent condition. Very rare thus. THE SCARCE FIRST EDITION OF STANLEY’S IMPORTANT AND POPULAR WORK ON THE FOUNDING OF THE CONGO FREE STATE. This two-volume work of exploration, history, and socio-political-economy is the result of Stanley's expedition up the Congo River in1879-84 and his attempts to re-open the interior for King Leopold of Belgium. From this journey came the establishment of the Congo State, the first free commericial state in Equatorial Africa. Henry Stanley was one of the most popular figures of the 19th Century. Adventurer, explorer and rescuer-- the public could not get enough of this romantic figure. In true Victorian style, this volume highlights his greatest achievements, his rescues of LIvingstone and Emin Pasha and his aid in establishing the Congo Free State. Sets of this important work in original cloth have become exceeding difficult to obtain. First editions are now especially elusive. [Attributes: First Edition; Hard Cover]

      [Bookseller: Buddenbrooks, Inc. ABAA]
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        The Congo and the founding of its free state: a story of work and exploration.

      London Sampson Low 1885 - First edition. 2 volumes, 8vo., xxvii, 528; x, 483pp., 2 large maps in pockets at end of volumes, 3 further folding maps, 44 full-page engraved plates, including frontispieces, numerous text illustrations throughout, contemporary half calf gilt, marbled boards, red and green labels, light wear, an excellent set. The foundation of the Congo Free State. In 1879 Stanley went to the Congo after a meeting with King Leopold to explore the possibilities of development of the region. He secured for the Belgian Association Internationale the whole south bank of the River Congo and the north and west shores as well beyond the confluence with the Mobangi. He set up trading posts, etc. and established treaties with the local rulers and went on steadily with his political and pioneering work along the thousand miles of the navigable Congo from Stanley Pool to Stanley Falls, laying the foundations of that vast administrative system, extending from the Atlantic to the great lakes, and from the Sudan to Barotseland, which became the Congo State. Because he taught his men how to wield a sledgehammer effectively, Stanley received the title of Bula Matari, "breaker of rocks," from the Vivi chiefs. [Attributes: First Edition; Hard Cover]

      [Bookseller: Shapero Rare Books]
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        Adventures of Huckleberry Finn (Tom Sawyer's Comrade)

      New York: Charles L. Webster and Company,, 1885. With one hundred and seventy-four illustrations. Square octavo. Original green pictorial cloth blocked in black and gilt, titles to spine and front cover in gold and black. Housed in a custom green quarter morocco and cloth pull-off box. Photogravure frontispiece of Karl Gerhardt's portrait bust of Clemens, 173 text illustrations after E. W. Kemble. Small label pasted to front free endpaper. A little wear to spine ends and tips, front hinge cracked but holding. An excellent copy. First American edition, first printing. The traditional issue points on this book have recently been persuasively reassessed. The first printing of 30,000 copies was done using electrotype plates, produced simultaneously on different presses, hence minor variations within the first printing due to damaged plates. Only three substantive changes were introduced after the first printing: at p. 13 the erroneous page reference "88" was changed to "87"; at p. 57, 11 lines from the bottom the misprint "with the was" was corrected to "with the saw"; and at p. 9 the misprint "Decided" was corrected to "Decides" (this last change overlooked by Johnson, Blanck et al.). These are the only points to distinguish between the first two printings, and our copy has all three in first state. At some stage it was realised that the Uncle Silas illustration on p. 283 had been mischievously tampered with. In this copy, the illustration is in second state. The frontispiece is in the first state with the table cloth visible and unsigned on the finished edge of the bust, but this was separately printed and inserted in copies at random, and so has no bearing on priority. Copies were issued in leather bindings (sheep or three-quarters morocco), in blue cloth for those who wanted it uniform with Tom Sawyer and, as here, in green cloth. There is no priority between them: all were first available to the public on the same day in February 1885. Laid in is a copy of the suppressed "priapic" plate, from an edition of 100 copies produced by Merle Johnson from the original leaf in the collection of Willard S. Morse.

      [Bookseller: Peter Harrington]
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        Catalogue of Paintings Forming the Private Collection of P. A. B. Widener. Asbourne – Near Philadelphia. Part I: Modern Paintings; Part II: Early English and Ancient Paintings.

      Paris: Manzi, Joyant & Company, 1885-1900. First edition. Quarto, original leather, gilt titles and tooling to the spine and front panels, all edges gilt. Inscribed by the author in volume one, "Mr. George J. Gould with compliments of P.A.B. Widener." The recipient was George Jay Gould, who was a financier and the son of Jay Gould. He was a railroad executive, leading both the Denver and Rio Grande Western Railroad and the Western Pacific Railroad. A nice association. In very good condition. Peter Arrell Browne Widener was an American art collector, businessman, and head of the Widener family of Philadelphia, Pennsylvania.

      [Bookseller: Raptis Rare Books]
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        A Child's Garden of Verses.

      London: Longmans, Green, and Co., 1885 - Octavo. Original blue cloth, bevelled boards, titles to spine gilt, publisher's device to front cover gilt, top edge gilt, others untrimmed. With a custom green half morocco slipcase. Spine gently rolled, light rubbing to extremities, offsetting to endpapers; an excellent copy. First edition, first impression. One of 1,000 copies published. Tipped in to front free endpaper is a cancelled cheque from Robert Louis Stevenson, paying his close friend and solicitor Charles Baxter the sum of 50 pounds sterling, dated in Edinburgh 14 May 1887. Stevenson and Baxter had studied together in Edinburgh from 1871, Stevenson was best man at Baxter's first wedding, and Baxter was executor of Stevenson's estate upon his death in 1894. Additionally with the bookplates of Henry A. Hoffman and John William Roy Crawford, the latter of whose library, which included a number of Stevenson's works, was sold at the Anderson Galleries on 27 February 1919, and was reported in the New York Tribune the next day to have made a total of $24,637. [Attributes: First Edition; Signed Copy]

      [Bookseller: Peter Harrington. ABA member]
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        Der Rhein von Mannheim bis Cöln. Gezeichnet und in Stahl gestochen.

      - Stahlstich von acht Platten v. Friedrich Herchenhein b. D. Kapp, Mainz, um 1885, 249 x 29,5 cm Reliefdarstellung mit fünfundvierzig Randbildern und Beschreibung; auf dem Titel " Die Loreley " von Heinrich Heine in deutsch, englisch und französisch; drei Titelvignetten; sehr guter Zustand, Einband wasserrandig und leicht bestoßen; mit lose beiliegendem Textheft " Anhang zum neuen Rhein - Panorama von Mainz bis Köln ". Sattler, S. 39, B ** Photos auf Wunsch im JPG-Format erhältlich.**

      [Bookseller: Kunsthandlung Goyert]
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        Les exilés.

      1885. Alphonse Lemerre, Paris 1885, 9,5x16,5cm, relié. - Alphonse Lemerre, Paris 1885, 9,5x16,5cm, relié. - Nuova edizione. Legatura mezza tristezza angoli bordeaux, torna con quattro nervi set con ornati d'oro d'oro matrimoniali riquadri tratteggiati decorati con piatti floreali dorati marmorizzato, risguardi e contreplats di carta fatta a mano, copertine conservate, testa dorata. Prezioso autografo firmato dall'autore al suo intimo amico Edmond de Goncourt. Libro illustrato con un frontespizio ritratto dell'autore. [FRENCH VERSION FOLLOWS] Nouvelle édition. Reliure en demi chagrin bordeaux à coins, dos à quatre nerfs sertis de pointillés dorés orné de doubles caissons dorés agrémentés de motifs floraux dorés, plats de papier marbré, gardes et contreplats de papier à la cuve, couvertures conservées, tête dorée. Précieux envoi autographe signé de Théodore de Banville à son proche ami Edmond de Goncourt. Ouvrage illustré d'un portrait de l'auteur en frontispice.

      [Bookseller: Librairie Le Feu Follet]
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        Selected Works of Thomas Carlyle

      89 - London - Chapman and Hall and Swan Sonnenschein. 1885 - This is a mixed set of Thomas Carlyle's Works. Eighteen volumes in fifteen books. Uniformly bound in a full calf binding by Dray of Cambridge. Comprising of allseventeen volumes of the'Ashburton Edition' of Carlyle's worksby Chapman and Hall (bound acrossfourteen books):Volume I: The French Revolution, A History. The Bastille, The constitution, The Guillotine. (1885) With a frontispiece. Bound with volume II. Volume II: The French Revolution A History. The Guillotine Books I-VII(1885) Boundwithvolume I. Volume III: The French Revolution, Past and Present (Continued) and Sartor Resartus Lectures on Heroes, Hero Worship (1885) Volume IV: The Life of Friedrich Schiller and The Life of John Stirling. Bound together with VolumeV: Latter-Day Pamphlets, Norway andThe Portraits of John Knox (1885) Frontispiece toSchiller and Stirlingandfive plates throughout. Volume VI-VII(a): Oliver Cromwell's Letters and Speeches In Three Volumes. Bound here as two books. (1885)Frontispiece and four plates tovI, FrontispiecetovII. Volume VII(b)-VIII: Oliver Cromwell's Letters and Speeches In Three Volumes. Book two of these three volumes containing half of vol II and vol III. (1885-6) Frontispiece to vol III and one plate. Volume IX: History of Friedrich II of Prussia Called Frederick the Great In Six Volumes. Volume I. (1886) Frontispiece and five plates. Volume X: History of Friedrich II of Prussia Called Frederick the Great In Six Volumes. Volume II. (1886)Frontispiece and three plates. Volume XI: History of Friedrich II of Prussia Called Frederick the Great In Six Volumes. Volume III. (1886)Frontispiece and six plates, one vignette. Volume XII: History of Friedrich II of Prussia Called Frederick the Great In Six Volumes. Volume IV. (1886) Frontispiece, three plates and eight maps, some folding. Volume XIII:History of Friedrich II of Prussia Called Frederick the Great In Six Volumes. Volume V. (1886)Frontispiece, two plates and twelve maps, some folding, some woodcuts. Volume XIV: History of Friedrich II of Prussia Called Frederick the Great In Six Volumes. VolumeVI (1886) Frontispiece, two plates and three maps. Volume XV: Critical and Miscellaneous Essays In Three Volumes. Volume I (1887). Volume XVI: Critical and Miscellaneous Essays in Three Volumes. Volume II(1887)Volume XVII: Critical and Miscellaneous Essays in Three Volumes. Volume III(1888)Scarce to have a complete set of this edition. This set alsocontains a separate publication, Early Letters of Jane Welsh Carlyle together with a few of Later Years and Some of Thomas Carlyle, Edited by David G Ritchie. This is the first edition and only printing of this text which has eight illustrations. Thomas Carlyle was considered to be one of the most important social commentators of his time. He presented many lectures with certain acclaim. His historical work The French Revolution was the inspiration for Dickens' A Tale of Two Cities. This collection also includes his famed philosophical novel Sartor Resartus. Condition: In uniform full calf bindings with gilt stamped detailing to spines. Externally, rubbed, particularly to the spines and extremities. Heavier rubbing to the head and tail of spines and to the joints. Front hinge to volume VI (Cromwell) is slightly strained but firm. Front hinge to Volume VII(b)-VIII (Cromwell) is slightly strainedbut firm rear hinge is tender with the joint starting but firm. Front hinge to volume XII is slightly strained but firm. Rear joint to volume XIIis cracked from the head to halfway down the spine, resulting in the backstrip lifting. Rear hinge to this volume is weak and held by one cord only, might detach in postage. Front hinge to volume XI is slightly strained but firm. Front hinge to volume IV(Schiller) is tender with cords showing. Bookmark ribbon present to book I. Rear hinge to volume XV has failed with the rear board almost detached from the lifted backstrip. Rear joint to this volume is weak, particularly at the top. The board to this volume is v [Attributes: First Edition; Hard Cover]

      [Bookseller: Rooke Books PBFA]
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        Autograph Musical Quotation Signed and Dated, (Robert, 1815-1892, German Song Composer)

      1885 - the first four bars of an 'Allegro' on two staves in 4/4 time, a simple, lyrical G major tune and accompaniment laid out for piano, 1 side 6½" x 11" music paper, Halle, 30th October small closed tear in blank bottom margin without loss Franz brought out his first book of songs in 1843, and Schumann hailed them as 'in the new, noble style'. They brought him success and musical posts in his native city, but a nervous malady, including deafness, had already begun to set in. By 1868 he became too ill to work, and Liszt, Joachim and others raised money to provide for his needs. He was a great lover of Bach and Handel, (like him, a native of Halle), editing their great choral works, and successfully searching for and finding unknown Bach manuscripts, which in one instance were being used to protect new trees.

      [Bookseller: Sophie Dupre ABA ILAB PADA]
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        Adventures of Huckleberry Finn (Tom Sawyer's Comrade). With one hundred and seventy-four illustrations.

      New York: Charles L. Webster and Company, 1885 - Square octavo. Original green pictorial cloth blocked in black and gilt, titles to spine and front cover in gold and black. Housed in a custom green quarter morocco and cloth pull-off box. Small label pasted to front free endpaper. A little wear to spine ends and tips, front hinge cracked but holding. An excellent copy. Photogravure frontispiece of Karl Gerhardt's portrait bust of Clemens, 173 text illustrations after E. W. Kemble. First American edition, first printing. The traditional issue points on this book have recently been persuasively reassessed. The first printing of 30,000 copies was done using electrotype plates, produced simultaneously on different presses, hence minor variations within the first printing due to damaged plates. Only three substantive changes were introduced after the first printing: at p. 13 the erroneous page reference "88" was changed to "87"; at p. 57, 11 lines from the bottom the misprint "with the was" was corrected to "with the saw"; and at p. 9 the misprint "Decided" was corrected to "Decides" (this last change overlooked by Johnson, Blanck et al.). These are the only points to distinguish between the first two printings, and our copy has all three in first state. At some stage it was realised that the Uncle Silas illustration on p. 283 had been mischievously tampered with. In this copy, the illustration is in second state. The frontispiece is in the first state with the table cloth visible and unsigned on the finished edge of the bust, but this was separately printed and inserted in copies at random, and so has no bearing on priority. Copies were issued in leather bindings (sheep or three-quarters morocco), in blue cloth for those who wanted it uniform with Tom Sawyer and, as here, in green cloth. There is no priority between them: all were first available to the public on the same day in February 1885. Laid in is a copy of the suppressed "priapic" plate, from an edition of 100 copies produced by Merle Johnson from the original leaf in the collection of Willard S. Morse. BAL 3415; Grolier, 100 American, 87; Johnson, pp. 43-50; Kevin MacDonnell, "Huck Finn among the Issue-Mongers," Firsts; The Book Collector's Magazine, Volume 8, Number 9 (September 1998), pp. 28-35. [Attributes: First Edition]

      [Bookseller: Peter Harrington. ABA member]
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        Fine unsigned Group Photograph, by Georg Hansen of Copenhagen, (1818-1906, King of Denmark) and his wife LOUISE (1817-1898) with their children FREDERIK VIII (1843-1912, King of Denmark), ALEXANDRA (1844-1925, Princess of Wales, Queen of Edward VII), MARIA FEODOROVNA (1847-1928, Empress), GEORGE I of Greece, (1845-1913, assassinated), and VALDEMAR (1858-1939, Admiral), spouses including EDWARD (VII, 1841-1910, Prince of Wales), ALEXANDER III (1845-1894, Tsar), and Princess MARIE (of Orléans, 1865-1909), with many grandchildren, including Princess MAUD (1869-1938, Queen of Haakon VII), and NICHOLAS (II, 1868-1918, Tsar, assassinated after the revolution)]

      1885 - showing the King and Queen with the annual summer gathering of their royal relations, 25 in all, including Crown Prince Frederik (VIII), with Crown Princess Louise and their daughters Princesses Louise, Thyra and Ingeborg; the king's sons King George I of Greece with King George's son Prince George, and Prince Valdemar, with his future wife Princess Marie of Orléans, her parents Robert Duke of Chartres and Duchess Françoise, and her younger brother Prince Henri; the king's daughters Princess Alexandra of Wales, with the Prince of Wales (Edward VII), with their three daughters, Princesses Louise, Victoria and Maud, and Empress Maria Feodorovna, with Alexander III and their children Grand Dukes Nicholas (II), Georgi, Michael, and Grand Duchess Xenia, the two elder boys in sailors' caps lettered in Russian 'Tsarevna' (the Imperial Yacht used on this visit), all full length and full or nearly full face, standing or seated on the steps of the west front of Frederiksborg Palace giving onto the private Marble Garden, 7½" x 9½" on large 'cabinet' mount 8½" x 10", [Frederiksborg], no date but 14th - 22nd September some faint browning in white portions of image During this holiday, on 14th September, Princess Marie and Prince Valdemar became engaged. They were married in France on 20th and 22nd October. Princess Marie embraced Prince Valdemar's life in the Navy, and had an anchor tattooed on her arm. Her brother Prince Henri became a well known explorer, discovering the source of the Irrawaddy. At this time Prince George of Greece, seen here in uniform, was living under the care of his uncle Prince Valdemar while in the Danish Navy. Back Row: Robert Duke of Chartres (1840-1910, grandson of Louis Philippe I), King Christian IX, Prince Valdemar; Prince George of Greece (1869-1957), Alexander III, King George I of Greece, Prince of Wales, Crown Prince Frederik, Princess Louise (UK, 1867-1931, Duchess of Fife), Princess Victoria (UK, 1868-1935), Princess Maud, Prince Henri of Orléans (1867-1901). Middle Row: Françoise, Duchess of Chartres (1845-1925); her daughter Princess Marie of Orléans, Queen Louise of Denmark, Princess of Wales, Empress Maria Feodorovna, Crown Princess Louise (1851-1926); Grand Duke Nicholas II Front Row: Grand Duke Georgi (1871-1899), Princesses Louise (1875-1906), Thyra (1880-1945) and Ingeborg (1878-1958) of Denmark, Grand Duke Michael (1878-1918), Grand Duchess Xenia (1875-1960). The photograph can be dated from the presence in Denmark of the Prince of Wales. We are very grateful to Inger Marie Kromann Hansen of the Royal Danish Library for help with this note.

      [Bookseller: Sophie Dupre ABA ILAB PADA]
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        Life and Works of Charlotte Bronte and Her Sisters

      Smith, Elder, & Co, 1885. Seven volumes, complete Octavo Illustrated in each volume by E. M. Wimperis, a friend of the Brontes three-quarter red morocco over red marbled boards, spine with extra gilt and raised bands, red and green morocco gilt lettered spine labels, all edges marbled, marbeld endpapers The volumes are: Jane Eyre; Shirley; Villette; The Professor : with Poems; Wuthering Heights; Wildfell Hall and Life of Charlotte Bronte by Mrs. Gaskell. Charlotte Bronte (1816-1855)  and her sisters Emily Bronte (1818-1848) and Anne Bronte (1820-1849) have charmed, inspired, and even shocked readers from the Victorian age to the present.  Raised in Haworth, Yorkshire, the three sisters produced such classics as Jane Eyre, Wuthering Heights, and The Tenant of Wildfell Hall.  Influenced by British Romantic poets like Wordsworth, Scott, and Byron, the Brontes produced a cast of unforgettable characters such as the devoted governess, Jane Eyre, and the lovers, Heathcliff, Cathy, and Hareton.  The Bronte Family website explores the lives, literature, and art of these important Victorian women writers. The Brontës are the world's most famous literary family and Haworth Parsonage, now the Brontë Parsonage Museum, was their home from 1820 to 1861.  Charlotte, Emily and Anne Brontë were the authors of some of the best-loved books in the English language. Charlotte's novel 'Jane Eyre' (1847), Emily's 'Wuthering Heights' (1847), and Anne's 'The Tenant of Wildfell Hall' (1848) were written in this house over a hundred and fifty years ago, yet their power still moves readers today. To find two writers of genius in one family would be rare, but to find several writers in one household is unique in the history of literature. Charlotte and Emily are ranked among the world's greatest novelists; Anne is a powerful underrated author, and both their father, the Revd. Patrick Brontë, and brother Branwell also saw their own works in print. The Brontës, published under the pseudonyms of Currer, Ellis and Acton Bell, were acknowledged at the time for their directness and powerful emotional energy, qualities which were sometimes interpreted by the critics as 'coarse' and 'brutal'. - Bronte Society Some rubbing and scuffing to edges and tips, bookplate on front pastdowns, else fine

      [Bookseller: Antiquarian open bookshop Randall House ]
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        Exceptional Cabinet photo by Lewis Michelsen, Eneret, signed "Alix" and "Minny" (Russian Empress, 1847-1928, wife of Tsar Alexander III, mother of Nicholas II) and her sister ALEXANDRA (of Denmark, 1844-1925, Queen of Edward VII)

      1885 - showing the sisters full length, standing together arm in arm in a garden, 6½" x 4¼" , no place, dated, probably by Alix, From a Royal Collection.

      [Bookseller: Sophie Dupre ABA ILAB PADA]
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        Exceptional unsigned Imperial Cabinet photo by Hansen, (1845-1894, Emperor of Russia from 1881), his wife MARIE FEODOROVNA, (Princess Marie Dagmar (1847-1928), sister of Queen Alexandra of Britain) & their children NICHOLAS II (1868-1918), GEORGE (1871-1899, Grand Duke, died of Tuberculosis), MICHAEL (1878-1918, Grand Duke), XENIA (1875-1960, Grand Duchess), CHRISTIAN X (1818-1906, King of Denmark) and his wife LOUISE (1817-1898) with their children FREDERIK VIII (1843-1912, King of Denmark), ALEXANDRA (1844-1925, Princess of Wales, Queen of Edward VII), GEORGE I of Greece, (1845-1913, assassinated), and VALDEMAR (1858-1939, Admiral), spouses including EDWARD (VII, 1841-1910, Prince of Wales), and Princess MARIE (of Orléans, 1865-1909), wit

      1885 - showing the King and Queen with the annual summer gathering of their royal relations, 25 in all, including Crown Prince Frederik (VIII), with Crown Princess Louise and their daughters Princesses Louise, Thyra and Ingeborg; the king's sons King George I of Greece with King George's son Prince George, and Prince Valdemar, with his future wife Princess Marie of Orléans, her parents Robert Duke of Chartres and Duchess Françoise, and her younger brother Prince Henri; the king's daughters Princess Alexandra of Wales, with the Prince of Wales (Edward VII), with their three daughters, Princesses Louise, Victoria and Maud, and Empress Maria Feodorovna, with Alexander III and their children Grand Dukes Nicholas (II), Georgi, Mikhail, and Grand Duchess Xenia, the two elder boys in sailors' caps lettered in Russian 'Tsarevna' (the Imperial Yacht used on this visit), all full length and full or nearly full face, standing or seated on the steps of the west front of Frederiksborg Palace giving onto the private Marble Garden, 7½" x 9½" on large 'cabinet' mount 8½" x 10", [Frederiksborg], no date but 14th - 22nd September some faint browning in white portions of image During this holiday, on 14th September, Princess Marie and Prince Valdemar became engaged. They were married in France on 20th and 22nd October. Princess Marie embraced Prince Valdemar's life in the Navy, and had an anchor tattooed on her arm. Her brother Prince Henri became a well known explorer, discovering the source of the Irrawaddy. At this time Prince George of Greece, seen here in uniform, was living under the care of his uncle Prince Valdemar while in the Danish Navy. Back Row: Robert Duke of Chartres (1840-1910, grandson of Louis Philippe I); King Christian IX; Prince Valdemar; Prince George of Greece (1869-1957); Alexander III; King George I of Greece; Prince of Wales; Crown Prince Frederik; Princess Louise (UK, 1867-1931, Duchess of Fife); Princess Victoria (UK, 1868-1935); Princess Maud; Prince Henri of Orléans (1867-1901). Middle Row: Françoise, Duchess of Chartres (1845-1925); her daughter Princess Marie of Orléans; Queen Louise of Denmark; Princess of Wales; Empress Maria Feodorovna; Crown Princess Louise (1851-1926); Grand Duke Nicholas (II); Front Row: Grand Duke Georgi (1871-1899); Princesses Louise (1875-1906), Thyra (1880-1945) and Ingeborg (1878-1958) of Denmark; Grand Duke Mikhail (1878-1918; Grand Duchess Xenia (1875-1960). The photograph can be dated from the presence in Denmark of the Prince of Wales. We are very grateful to Inger Marie Kromann Hansen of the Royal Danish Library for help with this note.

      [Bookseller: Sophie Dupre ABA ILAB PADA]
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        Excellent unsigned cabinet photo (Christian Edward, Duke of Clarence, 1864-1892, Eldest Son of Edward VII) with his parents EDWARD VII (1841-1910, King of Great Britatin) and ALEXANDRA (1844-1925, his Queen) and his siblings GEORGE (1865-1936, King of Great Britain), Princess LOUISE (Alexandra Dagmar, 1867-1931, Princess Royal, Duchess of Fife, Daughter), Princess VICTORIA (1868-1935) and Princess MAUD (1869-1938, later Queen of Norway)]

      1885 - showing family standing together on steps outside, Eddie is standing in the foreground, his mother stands in a row with her daughters all in white dresses and George and Edward are further up the steps, 6½" x 4½", no place, no date, circa

      [Bookseller: Sophie Dupre ABA ILAB PADA]
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        Unsigned cabinet photo by W. Watson in Ballater (1819-1901, Queen of Great Britain) with her son ARTHUR (Duke of Connaught, 1850-1942, Governor General of Canada) and his wife LOUISE MARGARET (Alexandra Victoria, 1860-1917, Daughter of Prince Friedrich Karl of Prussia), with their children MARGARET (1882-1920, wife of Gustaf, Crown Prince of Sweden) and ARTHUR (1883-1938, ADC to four Kings) & PATRICIA (1886-1974) and Prince & Princess HENRY of BATTENBURG (Princess BEATRICE Mary Victoria Feodore, 1857-1944, Daughter & Companion of Queen Victoria) & her husband Prince HENRY Maurice, (1858-1896, Colonel)

      1885 - showing the Queen with her favourite son and daughter, with their spouses and Arthur's family, Beatrice is expecting her first child, Alexander, 6½" x 4¼", no place, no date, circa

      [Bookseller: Sophie Dupre ABA ILAB PADA]
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        Catalogue of Paintings Forming the Private Collection of P. A. B. Widener. Asbourne

      Paris: Manzi, Joyant & Company, 1885-1900. First edition. Quarto, original leather, gilt titles and tooling to the spine and front panels, all edges gilt. Inscribed by the author in volume one, "Mr. George J. Gould with compliments of P.A.B. Widener." The recipient was George Jay Gould, who was a financier and the son of Jay Gould. He was a railroad executive, leading both the Denver and Rio Grande Western Railroad and the Western Pacific Railroad. A nice association. In very good condition. Peter Arrell Browne Widener was an American art collector, businessman, and head of the Widener family of Philadelphia, Pennsylvania.

      [Bookseller: Raptis Rare Books ]
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        Notable South Australians; or, Colonists - Past and Present.

      Adelaide: Carey, Page & Co. 1885. Octavo, three original photograph portraits of Sir.W.C.F. Robinson, Capt. S.W.Sweet and George Loyau; lithograph portraits & frontispiece and woodcut illustrated advertisements at the end; purple cloth. Extra-illustrated with two photographic portraits, and inscribed by the author to the South Australian pastoralist John Howard Angas.Loyau was a journalist and author who arrived in Sydney in 1853, and spent several years in the inland as a jack-of-all-trades, before starting a long career in the newspapers around 1860. He moved to Adelaide in 1877, and his works are now regarded as good sources of local history.Known as a bit of a bibliographical curiosity, this is one of a handful of copies of this work with extra photographs, although none of these extra-illustrated copies seem to have the same suite of portraits. The edition was published with the photograph of the author Loyau, but the present copy also has photographs of Sir William Robinson, Governor of Western Australia, and of the naval officer and photographer Captain Samuel W. Sweet. The copy in the National Library described by Holden has three extra portraits (that of Robinson, but also two more of Whinham and Squarise). All of the photographs depict men whose biographies are included in the book, but it is still not exactly clear what Loyau had in mind when he was preparing these special presentation copies. Faded at the spine.

      [Bookseller: Hordern House]
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        Fores' Sporting Notes & Sketches. A Quarterly Magazine descriptive of British and Foreign Sport. Illustrated by Finch Mason and R.M. Alexander

      London: Messrs. Fores. -1912 1885 - 29 vols. 8vo. (23 x 15 cm). Uniformly bound in publisher's half red morocco over blue cloth covered boards, spines with raised bands, with gilt lettering to two compartments and gilt devices to remaining four: duck, horse's head, crossed whips with a fox's brush and riding hat and a horse shoe. With marbled endpapers, top edges gilt. 928 plates after Finch Mason, R.M. Alexander, Cuthbert Bradley and others (the majority tinted lithographs). Slight unevenness to colour of spines (as usual), light foxing to fore edges. A very handsome set. Original wrappers and publisher's advertisements at the back of each volume. Includes hunting, shooting, fishing etc. [Attributes: Soft Cover]

      [Bookseller: Robert Frew Ltd. ABA ILAB]
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        194 x Erläße, Depeschen, Verordnungen, Instruktionen von 1801-1885 Österreich: Linz, Wien, Salzburg. Aufrufe, Bekanntmachungen, Kundmachungen, vom Kriegsschauplatze, Currende, Circulare, Telegramme etc.

      Österreich 1801-, 1885 - 194 verschiedene original alte Drucke aus Österreich, überwiegend aus Linz und einige aus Wien u. Salzburg. Es sind sowohl einseitige Blätter darunter aber auch mehseitige Hefte. Das grösste Blatt hat die Maße von 63 x 44 cm und das kleinste (Heft) 18 x 12 cm. Die Drucke sind aus der Zeit von 1801-1885. Die meisten Blätter und Hefte sind in gutem Zustand, einige haben leichte Risse und sehr wenige haben kl. Fehlstellen. Auf den Bildern sind nicht alle Drucke zu sehen. Ich biete auch noch weitere alte Drucke aus Österrreich an. Sprache: Deutsch Gewicht in Gramm: 1300 [Attributes: Soft Cover]

      [Bookseller: adamsbuch Einzelunternehmen]
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        Amongst the Shans with upwards of fifty whole page illustrations and An Historical Sketch of the Shans by Holt S. Hallettan, Preceeded by an intoduction on The Cradle of the Shan Race by Terrien de Lacouperie

      Published by Field & Tuer; Simpkin, Marshall & Co; Hamilton, Adams & Co., London 1885 - , 55, 392, 4, 24 pages, 55 plates, tissue guarded frontispiece, coloured folding map , foxing on end papers, very little marking on pages,book condition very good , stippled green cloth with gilt titles Octavo, 23x16 cm Hardback ISBN: [Attributes: Hard Cover]

      [Bookseller: Keoghs Books]
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        Das Türkenvolk in seinen ethnologischen und ethnographischen Beziehungen geschildert.

      Leipzig, Brockhaus, 1885 - XII, 638 S., 1 Bl. (Anzeige). 2 Tafeln in Xylographie. Erste Ausgabe dieser auf Basis des Turanismus bzw. Panturismus stehenden wissenschaftlichen Beschreibung der Turkvölker, selten. - Behandelt werden die sibririschen Turkvölker (Darunter besonders die Jakuten), die mittelasiatischen Turkvölker (Uiguren, Kirgisen usw.), die "Wolga-Türken" (Tartaren, Tschuwaschen usw.), "Pontus-Türken" (besonders die Krim-Tartaren) und "West-Türken" (Azerbaidschaner und Osmanen). - "Arminus [Hermann] Vambery (1832 - 1913) was especially attracted by the literature and culture of Turkey, and in 1854 he was enabled, through the assistance of Baron Joseph Eötvös, to go to Constantinople. There he became a private tutor, and thus entered the household of usain Da`im Pasha, later becoming private secretary to Fuad Pasha. About this time he was elected a corresponding member of the Hungarian Academy of Sciences in recognition of his translations of Turkish historians. Returning to Budapest in 1861, he received a stipend of a thousand florins from the academy, and in the fall of the same year, disguised as a Sunnite dervish, and under the name of Rashid Effendi, he set out from Constantinople. His route lay from Trebizond to Teheran, via Erzerum, Tabriz, Zenjan, and Kazvin. He then went to Shiraz, through Ispahan, and in June, 1863, he reached Khiva, whence he went by way of Bokhara and Samarcand to Herat, returning through Meshed to Teheran and Trebizond. This was the first journey of its kind undertaken by a European; and since it was necessary to avoid suspicion, Vámbéry could not take even fragmentary notes, except by stealth. He returned to Europe in 1864, and received in the next year the appointment of professor of Oriental languages in the University of Budapest, retiring therefrom in 1905. Vámbéry became known also as a publicist, zealously defending the English policy in the East as against that of the Russians" (Jewish Encyclopedia). - Gebräunt. - *** Matthäus TRUPPE * Stubenberggasse 7 * A-8010 GRAZ *** - Sprache: Deutsch Gewicht in Gramm: 1000 Gr.-8°. Mod. HLdr. mit Rückentitel. [Attributes: First Edition; Hard Cover]

      [Bookseller: Matthaeus Truppe Antiquariat]
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        THE FABLES OF LA FONTAINE, Translated into English Verse by Walter Thornbury. With Three Hundred Illustrations by Gustave Dore, and One Hundred Etchings by Famous French Etchers. Two volume set.

      London: Cassell & Company, Limited, 1885. Two volume set. Measures 12 and 3/16 inches in height. Vol. I: lxiv, 320 pages. Vol. II: [ii], [321]-757 pages. Bound in the original red pebbled cloth, which is moderately darkened on the spine, and slightly soiled on boards, and minimal shelfwear overall. Printed paper spine labels are somewhat rubbed and darkened, but intact; spine label states "EDITION DE LUXE." In addition to the 300 black & white Dore illustrations printed on regular paper, there are an additional 100 engraved plates finely printed on heavy paper. These were etched by the noted Jean-Baptiste Oudry [1686-1755] after masters of French engraving including Charles Nicolas Cochin. Etchings are remarkably clean and unblemished, protected by the original tissue overlays. Text is clean, with a very few instances of minor soiling. No date of publication listed; circa 1885. A very attractive example of this rarely offered publication. . First thus edition. Hardcover. Very good+ condition. Folio.

      [Bookseller: Kurt Gippert Bookseller (ABAA) ]
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        THROUGH THE LOOKING GLASS (In a Superb Kelliegram Binding)

      London: Macmillan, 1885. 'Lewis Carroll' [Charles L. Dodgson]. THROUGH THE LOOKING GLASS and What Alice Found There. With Fifty Illustrations by John Tenniel. Fifty-fifth Thousand. London: Macmillan and Co., 1885. Small quarto. [12], 224 pages. Frontispiece and other numerous illustrations by John Tenniel. Bound by Kelliegram c. 1900 in red pebbled morocco with colored leather inlay illustrations of Humpty-Dumpty on the upper board and the Walrus on the lower board, surrounded by gilt decorated borders, five raised spine bands with gilt stamped titles, rules, and chess piece devices in compartments, gilt lined board edges, gilt hearts and rules on turn-ins, watered silk endpapers, all edges gilt. Signed by Kelliegram on the back turn in. Original gilt red spine and covers bound at rear. Pages with few minor edge tears, smudges and minor thumb creases. VERY GOOD condition, indeed. Kelliegram bindings are among the most accomplished and sought after bindings of the late Victorian and Edwardian eras. Perfect gift book.. Full-Leather. Very Good. Illus. by John Tenniel.

      [Bookseller: Lakin & Marley Rare Books ]
 38.   Check availability:     Biblio     Link/Print  


        Erklärung der Regel des hl. Vaters Benedikt.

      Um 1885/1890. - 2 Bände. 4° (27.3 x 21.5 cm). 1 Bl., 191 SS. u. 161 unpag. Bll. Handschrift in deutscher Kurrent (regelmässiger Schriftzug von geübter Hand; Tinte, Spitzfeder) in Bleistift-Satzspiegel und -Linierung a. teilw. unterschiedlichem Papier (gestrichen; grösstenteils weiss, partiell chamois-getönt). HLdr.-Handeinbände d.Zt. (schwarz; unterschiedlich min. bestossen u. etwas berieben) mit vergold. Rückentitel u. Ln.-Deckelbezug (lamin., feine Galuchatstruktur). Seiten unterschiedlich etwas stockfleckig. Gesamthaft weitgehend sauberes, recht gutes Exemplar (Studienobjekt) / UNIKAT. Bd. 2 im Titel bez.: Fr. Athanas. - Einige Titel- u. Textstellen in Latein. - Mit grösster Wahrscheinlichkeit geschrieben von P. Athanas Staub (Stans NW 1864-1955) von Menzingen, Kt. Zug. Profess 1885, Priester 1891. Professor und Ehrendoktor (Dr. h.c.) der Theologie, 1925 Rektor des Kollegiums S. Anselm in Rom (Professbuch Einsiedeln Nr. 730). Da er sich noch Frater nennt, ist es denkbar, dass sich Athanas Staub, ev. auf Geheiss hin, in der Zeit zwischen Profess und Priesterweihe eingehend mit der Ordensregel befasste. Es ist nicht anzunehmen, dass diese Schrift für eine Veröffentlichung gedacht war, da die auch damals gängigen Zitierregeln kaum oder gar nicht beachtet wurden. Bibliographische Hinweise sind hingegen in Marginalien beigefügt. - Vorangestellt ist ein Kapitel: Kurze Anleitung zur Betrachtung und zu einem t[ä]gl[i]ch zu übenden Stundengebet (14 SS.), p. 15 ist der kalligraphisch gestaltete Titel zur eigentlichen Erklärung, die mit einem vier Abschnitte umfassenden Vorwort beginnt (Text pp. 17-65). Es folgt eine Zusammenstellung bibliographischer Hinweise auf relevante Autoren und deren Werke (pp. 66-70). Aufgeführt werden u.a. Benedict Haeften, Edmond Martènes, Augustin Calmet, Johannes Trithemius, Abt de Rancé, Peter Lechner, aber auch Paul Warnefried, Dunstan von Canterbury, Petrus Diaconus und Hugo Minardus. Über P. Karl Brandes sagt P. Athanas: ?hat nach alten Quellen, Haeften und Martène[s], besonders aber [.] von Joseph Mège, Paris 1687, seine Erklärung [.] verfasst. Sie zeichnet sich durch schöne Sprache und vortreffliche Reflexionen [.] aus.? (p. 61). - Die eigentliche Erklärung folgt den in zwölf Kapitel zusammengefassten Regelbestimmungen - von Coenobium und Seminarium bis Valetudinarium und Dormitorium - und umfasst ab p. 75 den ganzen restlichen Text, der mit einem ?Schlusscapitel? schliesst. - Wie weit es sich bei der Regelerklärung durch P. Athanas um eine eigenständige Leistung handelt, kann hier nicht verbindlich gewürdigt werden. Die einschlägige Literatur von der Antike bis in seine Zeit war ihm bekannt; man kann jedoch nicht sagen, dass er lediglich kompilierte. Eine vielleicht inspirierende Quelle könnte der Titel von P. Karl Brandes: Erklärung der Regel (etc., Einsiedeln 1857) gewesen sein. So beginnt in Bd. I das Vorwort mit einem etwas modifizierten, jedoch praktisch gleichlautenden Zitat aus dessen Erklärung (ohne jedoch als solches gekennzeichnet zu sein): ?Eine Gesetzgebung, die der Geist des Evangeliums durchweht, muß sich vor anderen dadurch auszeichnen, daß sie nicht blos befiehlt, sondern auch zu belehren und zu überzeugen trachtet.? (etc.; Brandes op. cit. p. 5). Unter Punkt 2 fährt P. Athanas fort: ?Wir wollen nun dieses herrliche Vorwort, durch welches wir [.] in das wundervoll geordnete Gebäude der hl. Regel selbst eingeführt werden, aufmerksam durchlesen und einläßlicher zu erklären suchen.? (p. 17). - Provenienz: Ausgeschiedenes Exemplar der Stiftsbibliothek Einsiedeln (o. Stempel). -- NETTOGEWICHT / Net weight / Poids 2.2 kg Sprache: de, la [Attributes: Soft Cover]

      [Bookseller: Franz Kühne Antiquariat und Kunsthandel]
 39.   Check availability:     ZVAB     Link/Print  


        INDEX LIBRORUM PROHIBITORUM [&] CENTURIA LIBRORUM ABSCONDITORUM [&] CATENA LIBRORUM TACENDORUM: Being Notes Bio- Biblio- Icono-graphical and Critical on Curious and Uncommon Books.

      London: Privately Printed, 1877-1885. Three volumes, quarto. pp: lxxvi, 542, (3), frontispiece and three plates + lx, 593, (2), frontispiece and 13 pages of plates and facsimiles + lvii, 593, frontispiece and three plates. All volumes with rubricated title-pages and occasional rubricated passages in the text. Bound in 1/4 red morocco and marble-patterned cloth, top edges gilt, others rough-trimmed. Some scattered foxing; spine head of Volume III slightly nibbled. 10.25" x 7.25" Limited to 250 copies. Based on Ashbee's own collection of erotic books, this set contains bibliographical data on hundreds of titles as well as his commentary and extracts from the original texts. Very Good.

      [Bookseller: R & A Petrilla]
 40.   Check availability:     Direct From Seller     Link/Print  


        INDEX LIBRORUM PROHIBITORUM [&] CENTURIA LIBRORUM ABSCONDITORUM [&] CATENA LIBRORUM TACENDORUM: Being Notes Bio- Biblio- Icono-graphical and Critical on Curious and Uncommon Books

      London: Privately Printed, 1885. First Edition. Leather-backed cloth. Very Good. Three volumes, quarto. pp: lxxvi, 542, (3), frontispiece and three plates + lx, 593, (2), frontispiece and 13 pages of plates and facsimiles + lvii, 593, frontispiece and three plates. All volumes with rubricated title-pages and occasional rubricated passages in the text. Bound in 1/4 red morocco and marble-patterned cloth, top edges gilt, others rough-trimmed. Some scattered foxing; spine head of Volume III slightly nibbled. 10.25" x 7.25" Limited to 250 copies. Based on Ashbee's own collection of erotic books, this set contains bibliographical data on hundreds of titles as well as his commentary and extracts from the original texts.

      [Bookseller: R & A Petrilla, ABAA, IOBA]
 41.   Check availability:     IOBABooks     Link/Print  


        Das Kapital. Kritik der politischen Oekonomie.

      Hamburg: Otto Meissner,, 1885. Zweiter Band. Buch II: Der Cirkulationsprocess des Kapitals. Herausgeben von Friedrich Engels. Octavo (213 x 133 mm), pp. xxvii, [1], 526 + imprint leaf. Recent half green morocco and marbled boards, spine ruled and decorated gilt in compartments, direct lettered gilt, marbled endpapers. German school library stamp and shelf number on title page. Lower margin with small damp mark to final few leaves; a very good copy. First edition of the second volume of Das Kapital, edited from Marx's manuscripts by Friedrich Engels. "Marx himself modestly described Das Kapital as a continuation of his Zur Kritik de politischen Oekonomie, 1859. It was in fact the summation of his quarter of a century's economic studies, mostly in the Reading Room of the British Museum. The Athenaeum reviewer of the first English translation (1887) later wrote: 'Under the guise of a critical analysis of capital, Karl Marx's work is principally a polemic against capitalists and the capitalist mode of production, and it is this polemical tone which is its chief charm'. The historical-polemical passages, with their formidable documentation from British official sources, have remained memorable; and, as Marx (a chronic furunculosis victim) wrote to Engels while the volume was still in the press, 'I hope the bourgeoisie will remember my carbuncles all the rest of their lives' ?" (PMM). "The history of the twentieth century is Marx's legacy. Stalin, Mao, Che, Castro?the icons and monsters of the modern age have all presented themselves as his heirs. Whether he would recognise them as such is quite another matter ? Nevertheless, within one hundred years of his death half the world's population was ruled by governments that professed Marxism to be their guiding faith. His ideas have transformed the study of economics, history, geography, sociology and literature. Not since Jesus Christ has an obscure pauper inspired such global devotion?or been so calamitously misinterpreted." (Francis Wheen, in his introduction to Karl Marx, 1999).

      [Bookseller: Peter Harrington]
 42.   Check availability:     Biblio     Link/Print  


        THE FABLES OF LA FONTAINE, Translated into English Verse by Walter Thornbury. With Three Hundred Illustrations by Gustave Dore, and One Hundred Etchings by Famous French Etchers. Two volume set.

      London: Cassell & Company, Limited, 1885. Two volume set. Measures 12 and 3/16 inches in height. Vol. I: lxiv, 320 pages. Vol. II: [ii], [321]-757 pages. Bound in the original red pebbled cloth, which is moderately darkened on the spine, and slightly soiled on boards, and minimal shelfwear overall. Printed paper spine labels are somewhat rubbed and darkened, but intact; spine label states "EDITION DE LUXE." In addition to the 300 black & white Dore illustrations printed on regular paper, there are an additional 100 engraved plates finely printed on heavy paper. These were etched by the noted Jean-Baptiste Oudry [1686-1755] after masters of French engraving including Charles Nicolas Cochin. Etchings are remarkably clean and unblemished, protected by the original tissue overlays. Text is clean, with a very few instances of minor soiling. No date of publication listed; circa 1885. A very attractive example of this rarely offered publication. . First thus edition. Hardcover. Very good+ condition. Folio.

      [Bookseller: Kurt Gippert Bookseller (ABAA)]
 43.   Check availability:     Biblio     Link/Print  


        El libro del viticultor. Breve resumen de las prácticas más útiles para cultivar las viñas y fabricar buenos vinos. Producción y comercio vinícloa. Clasificación y sinonimia de las vides por

      Tipografía de Manuel G. Hernández, Madrid 1885 - 1 volumen(es)/volume(s) VII + 326 páginas

      [Bookseller: Libreria de Antano (ILAB & ABA Members)]
 44.   Check availability:     IberLibro     Link/Print  


        Modernités

      First edition, falsely stated the second. Contemporary Bradel binding in half spinach-green cloth by Paul Vié, spine with a gilt fleuron, double filet and date to foot, red morocco title label, covers preserved. Handsome, fine autograph inscription by Jean Lorrain to Alphonse Daudet: "...qui ne les lira pas au grand regret de l'auteur ces quelques mauvais vers à intentions modernes, hommage inutile et désespéré...[who, to the great regret of the author, will never read these few paltry lines in the modern vein, in hopeless and desperate homage...]."Daudet's ink library stamp to first free endpaper. A fine copy in a perfectly matched discreet binding by Paul Vié. % Giraud et Cie Paris 1885 12x19cm relié

      [Bookseller: Librairie Le Feu Follet]
 45.   Check availability:     Direct From Seller     Link/Print  


        Das Kapital. Kritik der politischen Oekonomie. Zweiter Band. Buch II: Der Cirkulationsprocess des Kapitals. Herausgeben von Friedrich Engels.

      Hamburg: Otto Meissner, 1885 - Octavo (213 x 133 mm), pp. xxvii, [1], 526 + imprint leaf. Recent half green morocco and marbled boards, spine ruled and decorated gilt in compartments, direct lettered gilt, marbled endpapers. Lower margin with small damp mark to final few leaves; a very good copy. German school library stamp and shelf number on title page. First edition of the second volume of Das Kapital, edited from Marx's manuscripts by Friedrich Engels. "Marx himself modestly described Das Kapital as a continuation of his Zur Kritik de politischen Oekonomie, 1859. It was in fact the summation of his quarter of a century's economic studies, mostly in the Reading Room of the British Museum. The Athenaeum reviewer of the first English translation (1887) later wrote: 'Under the guise of a critical analysis of capital, Karl Marx's work is principally a polemic against capitalists and the capitalist mode of production, and it is this polemical tone which is its chief charm'. The historical-polemical passages, with their formidable documentation from British official sources, have remained memorable; and, as Marx (a chronic furunculosis victim) wrote to Engels while the volume was still in the press, 'I hope the bourgeoisie will remember my carbuncles all the rest of their lives' " (PMM). "The history of the twentieth century is Marx's legacy. Stalin, Mao, Che, Castro—the icons and monsters of the modern age have all presented themselves as his heirs. Whether he would recognise them as such is quite another matter Nevertheless, within one hundred years of his death half the world's population was ruled by governments that professed Marxism to be their guiding faith. His ideas have transformed the study of economics, history, geography, sociology and literature. Not since Jesus Christ has an obscure pauper inspired such global devotion—or been so calamitously misinterpreted." (Francis Wheen, in his introduction to Karl Marx, 1999). Einaudi 3772; Mattioli 2284; Sraffa 3867. [Attributes: First Edition]

      [Bookseller: Peter Harrington. ABA member]
 46.   Check availability:     ZVAB     Link/Print  


        Viviane

      First edition.Handsome autograph inscription from Jean Lorrain to Sully Prudhomme.Ex libris pasted opposite half-title.Four small tears repaired and a tiny marginal lack to upper cover. Rare. E. Giraud & Cie Paris 1885 14,5x22,5cm broché

      [Bookseller: Librairie Le Feu Follet]
 47.   Check availability:     Direct From Seller     Link/Print  


        THE FABLES OF LA FONTAINE, Translated into English Verse by Walter Thornbury. With Three Hundred Illustrations by Gustave Dore, and One Hundred Etchings by Famous French Etchers. Two volume set.

      Cassell & Company, Limited, London 1885 - Two volume set. Measures 12 and 3/16 inches in height. Vol. I: lxiv, 320 pages. Vol. II: [ii], [321]-757 pages. Bound in the original red pebbled cloth, which is moderately darkened on the spine, and slightly soiled on boards, and minimal shelfwear overall. Printed paper spine labels are somewhat rubbed and darkened, but intact; spine label states "EDITION DE LUXE." In addition to the 300 black & white Dore illustrations printed on regular paper, there are an additional 100 engraved plates finely printed on heavy paper. These were etched by the noted Jean-Baptiste Oudry [1686-1755] after masters of French engraving including Charles Nicolas Cochin. Etchings are remarkably clean and unblemished, protected by the original tissue overlays. Text is clean, with a very few instances of minor soiling. No date of publication listed; circa 1885. A very attractive example of this rarely offered publication. Size: Folio [Attributes: First Edition; Hard Cover]

      [Bookseller: Kurt Gippert Bookseller ABAA]
 48.   Check availability:     AbeBooks     Link/Print  

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