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Displayed below are some selected recent viaLibri matches for books published in 1884

        Autograph letter signed ("Ant. Dvořák") to music publisher Mr. [Alfred] Littleton regarding conducting his 6th Symphony in Worcester, etc.

      2-1/2 pp. of a bifolium. Octavo. Wysocka, February 18, 1884. Mentioning three of his important works, including the Hymnus, which "made his name as a Czech composer in 1873," the Symphony No. 6 in D major, and the Stabat Mater; Birmingham; and a proposed trip to London in September. Dvořák says that he is happy to conduct his symphony in Worcester but would like to discuss compensation with the committee. "Conducting three works like Stabat, Hymnus, and the symphony is very hard work indeed... consequently I may request a larger honorarium from the committee. In my last letter of May 28, I shared more details with you on the subject of Birmingham. What do you think? I hope to bring the entire work with me to London in September." Dvorak proceeds to ask if he can send the photographs for Bennett and Hüffer directly to his address. Creased at folds. Dvořák's correspondent, Alfred Littleton (1845-1914), was co-owner of the important London publishing house Novello, Ewer & Company from 1886-1914. He played a very important role in Dvorak's musical activities in England, acting as his informal representative. The Symphony No. 6 in D major was composed from August 27-October 15, 1880, first published in Berlin in 1882, and first performed in Prague on March 25, 1881, dedicated to Hans Richter. The symphony was first published as Symphony No. 1. (Op. 60, once listed as op. 58: Burghauser 112, Šourek 78). His Stabat mater, composed from February 19, 1876-November 13, 1877, was first published in Berlin in 1881, and first performed in Prague on December 23, 1880. (Op. 58, once listed as op. 28: Burghauser 71, Šourek 38). The Hymnus: Dědicové bilé hory [Hymn: The Heirs of the White Mountain], composed from ?May-June 3, 1872 and first published (3rd version) in London in 1885, was first performed in Prague on March 9, 1873. "Large-scale choral works were of importance at various times in Dvořák's career. He made his name as a Czech composer in 1873 with the first performance of a work for chorus and orchestra, Hymn: The Heirs of the White Mountain." (Op. 30: Burghauser 27, Šourek 15). "With Smetana, Fibich and Janácek [Dvořák] is regarded as one of the great nationalist Czech composers of the 19th century. Long neglected and dismissed by the German-speaking musical world as a naive Czech musician, he is now considered by both Czech and international musicologists Smetana's true heir. He earned worldwide admiration and prestige for 19th-century Czech music with his symphonies, chamber music, oratorios, songs and, to a lesser extent, his operas." "Early in August 1883 Dvořák was invited to London by the Philharmonic Society to conduct orchestral performances of his works in the coming season. A few months later, at the beginning of November 1883, the London music publishing firm of Novello asked him to conduct a performance of his Stabat mater during his visit and to compose a work for soloists, chorus and orchestra for the 1885 Birmingham Festival and conduct it himself. Dvořák was already known in London from performances of such works as the Slavonic Dances (conducted in 1879 and 1880 by Manns), the Slavonic Rhapsodies (conducted in 1880 and 1881 by Manns, Richter and Hallé), the String Sextet (given by Joachim in 1880) and the Sixth Symphony (conducted by Manns in 1882), and they had received favourable reviews. However, the performance of the Stabat mater under Barnby on 10 March 1883, received enthusiastically by both the audience and the critics, was probably the main reason for the Philharmonic Society's invitation." "On 5 March 1884 Dvořák travelled to England for the first time and on 13 March conducted the Stabat mater in the Albert Hall. A week later he conducted his overture Husitská, the Sixth Symphony and the Slavonic Rhapsody no.2 in St James's Hall, and on 22 March, at the Crystal Palace, he conducted the Scherzo capriccioso and the Nocturne in B (b47). The musical world of London regarded his visit as an 'event of "red letter" significance', and fêted him as the 'musical hero of the hour'. The Philharmonic Society made him an honorary member. He promised it a new symphony, and he was expected to write choral works for both the forthcoming Birmingham Festival and the Leeds Festival of 1886." "Dvořák's great success in England led to eight more visits. In November 1884 he travelled to London and to Worcester (where he gave a performance of the Stabat mater); in April 1885 he visited London for the première of the Seventh Symphony; in August 1885 he gave concerts in London and in Birmingham, where he conducted the British première of the cantata Svatební košile ('The Spectre's Bride')." Klaus Döge in Grove Music Online.

      [Bookseller: J & J LUBRANO MUSIC ANTIQUARIANS]
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        Autograph letter signed ("Ant. Dvo?ák") to music publisher Mr. [Alfred] Littleton regarding conducting his 6th Symphony in Worcester, etc.

      - 2-1/2 pp. of a bifolium. Octavo. Wysocka, February 18, 1884.Mentioning three of his important works, including the Hymnus, which "made his name as a Czech composer in 1873," the Symphony No. 6 in D major, and the Stabat Mater; Birmingham; and a proposed trip to London in September. Dvo?ák says that he is happy to conduct his symphony in Worcester but would like to discuss compensation with the committee. "Conducting three works like Stabat, Hymnus, and the symphony is very hard work indeed. consequently I may request a larger honorarium from the committee. In my last letter of May 28, I shared more details with you on the subject of Birmingham. What do you think? I hope to bring the entire work with me to London in September." Dvorak proceeds to ask if he can send the photographs for Bennett and Hüffer directly to his address. Creased at folds. Dvo?ák's correspondent, Alfred Littleton (1845-1914), was co-owner of the important London publishing house Novello, Ewer & Company from 1886-1914. He played a very important role in Dvorak's musical activities in England, acting as his informal representative.The Symphony No. 6 in D major was composed from August 27-October 15, 1880, first published in Berlin in 1882, and first performed in Prague on March 25, 1881, dedicated to Hans Richter. The symphony was first published as Symphony No. 1. (Op. 60, once listed as op. 58: Burghauser 112, ?ourek 78). His Stabat mater, composed from February 19, 1876-November 13, 1877, was first published in Berlin in 1881, and first performed in Prague on December 23, 1880. (Op. 58, once listed as op. 28: Burghauser 71, ?ourek 38).The Hymnus: D?dicové bilé hory [Hymn: The Heirs of the White Mountain], composed from ?May-June 3, 1872 and first published (3rd version) in London in 1885, was first performed in Prague on March 9, 1873. "Large-scale choral works were of importance at various times in Dvo?ák's career. He made his name as a Czech composer in 1873 with the first performance of a work for chorus and orchestra, Hymn: The Heirs of the White Mountain." (Op. 30: Burghauser 27, ?ourek 15)."With Smetana, Fibich and Janácek [Dvo?ák] is regarded as one of the great nationalist Czech composers of the 19th century. Long neglected and dismissed by the German-speaking musical world as a naive Czech musician, he is now considered by both Czech and international musicologists Smetana's true heir. He earned worldwide admiration and prestige for 19th-century Czech music with his symphonies, chamber music, oratorios, songs and, to a lesser extent, his operas." "Early in August 1883 Dvo?ák was invited to London by the Philharmonic Society to conduct orchestral performances of his works in the coming season. A few months later, at the beginning of November 1883, the London music publishing firm of Novello asked him to conduct a performance of his Stabat mater during his visit and to compose a work for soloists, chorus and orchestra for the 1885 Birmingham Festival and conduct it himself. Dvo?ák was already known in London from performances of such works as the Slavonic Dances (conducted in 1879 and 1880 by Manns), the Slavonic Rhapsodies (conducted in 1880 and 1881 by Manns, Richter and Hallé), the String Sextet (given by Joachim in 1880) and the Sixth Symphony (conducted by Manns in 1882), and they had received favourable reviews. However, the performance of the Stabat mater under Barnby on 10 March 1883, received enthusiastically by both the audience and the critics, was probably the main reason for the Philharmonic Society's invitation."On 5 March 1884 Dvo?ák travelled to England for the first time and on 13 March conducted the Stabat mater in the Albert Hall. A week later he conducted his overture Husitská, the Sixth Symphony and the Slavonic Rhapsody no.2 in St James's Hall, and on 22 March, at the Crystal Palace, he conducted the Scherzo capriccioso and the Nocturne in B (b47). The musical world of London regarded his visit as an 'event of "red letter" si

      [Bookseller: J & J LUBRANO MUSIC ANTIQUARIANS LLC]
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        Le RAINCY en 1884 et 1885.

      Auteur 1884-85, Le Raincy - 2 vol. in-8 oblong de 27 ff.n.ch. (titre gravé, table et 25 planches) et 32 ff.n.ch. (titre, table et 30 planches), pleine percaline éditeur de l'époque, dos lisse avec titre doré, encadrement de filets et fers à froid avec titre sur les plats. Edition originale. Albums contenant respectivement un titre gravé et 25 planches et 30 planches gravées à l'eau-forte, représentant les rues et paysages de la ville. "en faisant cette petite collection de vues du Raincy, je me suis proposé de fixer en de simples croquis, l'état actuel des principales voies de cette localité, destinée à devenir importante dans l'avenir ." Envoi autographe signé de l'auteur sur les deux volumes, adressé à des parents proches (nièce et neveu). Bel exemplaire. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Dimitri KRONIS]
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        [Collection of Thirteen Carte-de-Visite from Hong Kong Studios].

      (Circa1867- 1884). This collection of thirteen albumen portraits of European men and women and one of a child ("Maggie Watson Bain/age 6 months/March 1884") together with an image showing a group of four adult Chinese people together with a child seated around a table playing cards were published by ten Hong Kong photographic studios, of which eight are named and one anonymous, in the latter part of the 19th century. The CDV of the Chinese card players does not show a studio name however "Playing cards/Hong Kong/26th May '67" is written in ink on the reverse. The studios represented in this collection are Afong (5); Hing Cheong (1); See Tay (2); H.R. Howell(2); W.P. Floyd (1): Kai-Sack (1); Hongkong Photographic Rooms (1); Hong Cheong Shing (1). A number of the cards have been annotated on the reverse with dates and occasionally with the name of the person whose portrait the photograph shows. Three photographs are considerably faded, a few others show some but less significant fading, some scuffing on two and some occasional spotting. Cards measure 6.3 x 10.5cm. From the collection of Hong Kong historian, author and collector Arthur Hacker. .

      [Bookseller: Asia Bookroom]
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        Michel Strogoff. De Moscou à Irkoutsk, suivi de un drame au Mexique

      - Hetzel, Paris 1884, in-8 (18x27,5cm), (6p.) 368pp., relié. - Edition illustrato con disegni di J. Férat, incisa da Barbant. Cartone dice "Golden Globe" tipo 4, firmato Engel. Torna al faro. Secondo tipo Engel piatta "i". guardie blu, tutti i bordi dorato. Primo piatto policromo decorato con strumenti di navigazione d'oro e fogliame verde. Copiare i costi, quasi totalmente priva di foxing. - [FRENCH VERSION FOLLOWS] Edition illustrée de dessins de J. Férat, gravés par Barbant.  Cartonnage dit "au globe doré" du type 4, signé Engel. Dos au phare. Second plat de type Engel "i". Gardes bleues, toutes tranches dorées. Premier plat polychrome orné d'instruments de navigation dorés et de feuillages verts. Quelques très infimes manques de dorure sur le premier plat. Cartonnage très habilement restauré. Ex-dono au stylo sur la page de faux-titre. Exemplaire frais, presque tout à fait exempt de rousseurs.

      [Bookseller: Librairie Feu Follet]
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        LA RUSSIE ET LES RUSSES. Kiew et Moscou. Impressions de voyage. Ouvrage illustré de plus de 240 gravures dont 67 dessins de F. de Haenen et 115 de Pranischnikoff.

      1884 - Paris, Plon, Nourrit et Cie, 1884. Grand in-8 (212 X 284 mm) demi-chagrin vert lierre, plats bisautés toile chagrinée vert tendre, grande plaque polychrome sur le premier plat dans un encadrement doré, armes de la Russie dorées au centre du second plat, dos quatre nerfs plats, caissons dorés ornés, auteur et titre doré, tranches dorées (A. lenègre relieur) ; (1) f. blanc, frontispice, (2) ff. de faux-titre et titre, 423 pages, 7 planches hors-texte sur vélin teinté, (1) f. blanc. Rousseurs éparses, plus marquées aux deux feuillets blancs et aux derniers feuillets de texte (pp. 415 à la fin). ÉDITION ORIGINALE. Elle contient HUIT GRAVURES hors-texte (dont le frontispice) tirées sur papier teinté et de très nombreuses gravures sur bois dans le texte. (Vicaire, VII, 848). BEL EXEMPLAIRE conservé dans son magnifique cartonnage éditeur polychrome. NICE COPY. PICTURES AND MORE DETAILS ON REQUEST. [Attributes: First Edition; Hard Cover]

      [Bookseller: LIBRAIRIE ERIC CASTERAN]
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        THE WORKS OF EDGAR ALLAN POE.Six Volumes. With an introduction & memoir by Richard Henry Stoddard.

      Kegan Paul.Trench, London,1884. - Each Volume with an etched frontispiece with a tissue guard.Volume One contains a facsimile letter.Bound in half red calf with red cloth sides.A Very attractive set. [Attributes: Hard Cover]

      [Bookseller: A&F.McIlreavy.Buderim Rare Books]
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        RUBÁIYÁT OF OMAR KHAYYÁM

      Boston: [Printed by the Riverside Press for] Houghton Mifflin and Company, 1884. First Trade Edition. This impressive feat of illustration and book design made the reputation of American artist Elihu Vedder, who is responsible not just for the Art Nouveau-style artwork, but also for the handwritten text, the binding design, and the endpapers. According to the Smithsonian, which owns the original designs, "from the moment of its publication, Elihu Vedder's 'Rubáiyát of Omar Khayyám' achieved unparalleled success. . . . Critics rushed to acclaim it as a masterwork of American art, and Vedder (1836-1923) as the master American artist. Vedder's 'Rubáiyát' set the standard for the artist-designed book in America and England." The text is an uncertain but beautiful amalgam of the Medieval and the 19th century. Although we know that Omar Khayyám was an 11th century astrologer and mathematician, we are less certain about his poetic accomplishments, and very unsure if the text here was his work. What we do know is that the poetry is early, that it may have been Omar's, that it was translated into English in 1859 by Edward FitzGerald (1809-83), and that this lush and evocative translation has become a widely acclaimed work whose popularity has endured to the present day. Vedder's edition rearranges FitzGerald's translation into three sections around the themes of joy, death, and rebirth, and he populates it with Blakeian images. Trained in the Academic style of painting, Vedder had seen an exhibition of Blake's work on a visit to London in 1876, and ANB notes that his work "subsequently displayed a more idealized human form." Blake's influence is apparent here, particularly in what Vedder called the "cosmic swirl" motif, representing the "gradual concentration of elements that combine to form life; the sudden pause through the reverse of the movement which marks the instant of life; and then the gradual, ever-widening dispersion again of those elements into space." Only this first edition of this work was issued in this folio format; later printings appeared in octavo with inevitable loss of grandeur. The massive size and weight of this volume often results in damage to the joints and hinges; copies as solid and tight as the present one are hard to find.. 405 x 325 mm. (16 x 12 3/4"). [57], [vii] leaves, mounted on tabs. First Trade Edition. Publisher's illustrated brown cloth and patterned endpapers designed by Vedder, top edge gilt. With ornamental title page and 56 photo-lithograph plates of Art Nouveau illustrations by Vedder. Front flyleaf with owner's (illegible) signature dated 1926. A touch of soiling to edges of binding, rear board lightly chafed, a little rubbing to corners and spine ends, isolated marginal smudges or marks, but all of these imperfections very minor and otherwise A FINE COPY, clean, fresh, and bright internally, in a very well-preserved binding. This impressive feat of illustration and book design made the reputation of American artist Elihu Vedder, who is responsible not just for the Art Nouveau-style artwork, but also for the handwritten text, the binding design, and the endpapers. According to the Smithsonian, which owns the original designs, "from the moment of its publication, Elihu Vedder's 'Rubáiyát of Omar Khayyám' achieved unparalleled success. . . . Critics rushed to acclaim it as a masterwork of American art, and Vedder (1836-1923) as the master American artist. Vedder's 'Rubáiyát' set the standard for the artist-designed book in America and England." The text is an uncertain but beautiful amalgam of the Medieval and the 19th century. Although we know that Omar Khayyám was an 11th century astrologer and mathematician, we are less certain about his poetic accomplishments, and very unsure if the text here was his work. What we do know is that the poetry is early, that it may have been Omar's, that it was translated into English in 1859 by Edward FitzGerald (1809-83), and that this lush and evocative translation has become a widely acclaimed work whose popularity has endured to the present day. Vedder's edition rearranges FitzGerald's translation into three sections around the themes of joy, death, and rebirth, and he populates it with Blakeian images. Trained in the Academic style of painting, Vedder had seen an exhibition of Blake's work on a visit to London in 1876, and ANB notes that his work "subsequently displayed a more idealized human form." Blake's influence is apparent here, particularly in what Vedder called the "cosmic swirl" motif, representing the "gradual concentration of elements that combine to form life; the sudden pause through the reverse of the movement which marks the instant of life; and then the gradual, ever-widening dispersion again of those elements into space." Only this first edition of this work was issued in this folio format; later printings appeared in octavo with inevitable loss of grandeur. The massive size and weight of this volume often results in damage to the joints and hinges; copies as solid and tight as the present one are hard to find.

      [Bookseller: Phillip J. Pirages Fine Books and Mediev]
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        LA MODA ILLUSTREE, MODA, AÑO 1884, PROFUSION DE GRABADOS

      FIRMIN DIDOT ET CIE 1884 - LA MODA ILLUSTREE, MODA, AÑO 1884, COMPLETO. FIRMIN DIDOT ET CIE. PROFUSION DE GRABADOS. GRAN FORMATO. REF C-1 BIBLIOTECA CFRR. [Attributes: First Edition; Hard Cover]

      [Bookseller: Libreria Anticuaria Marc & Antiques]
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        北京夢枕. [Peking Yume Makura]. [Peking Dream Pillow].

      Tokyo. Japanese Satirical Sino-French War Woodblock Print]*. 1884. Two colour woodblocks on oban tate-e sheets, diptych style, which together make a striking satirical comment on the Opium War. The sleeping giant of China in his fine Chinese silks lies smoking opium while being attacked by tiny French soldiers, the Western powers look on. Upper corners torn with loss causing loss of two Kanji in title. Matted. A striking and unusual image. Scarce. Yukichi Fukuzawa (福澤諭吉, 1835 - 1901), regarded as one of the founders of modern Japan, commissioned this work from Imaizumi Ippyō (1865 - 1904)in 1884 shortly after discovering his talent. Fukuzawa was an early Japanese civil rights activist and liberal ideologist whose ideas about the work of government and the structure of social institutions made a lasting impression on a rapidly changing Japan during the Meiji Era.In August 1884, at the time when the war broke out between Qing China and France over the control of northern Vietnam, China was increasingly being encroached upon by the Western powers. This image graphically demonstrates the thinking of Meiji-era Japanese intellectuals of the time who despised the "backwards" Orient, looking to Europe instead. Although China won the land battles the short Sino-French War (also known as Tonkin War) of 1884-85 ended in defeat for the Qing due to their poor use of their navy. The Sino-French War confirmed to many Chinese that the Qing Dynasty was weak and it was yet another step towards the rising nationalist movement which became increasingly evident over the next half century.In 1885, following the printing of this woodblock, Ippyō graduated from Keio University and went to study lithography and photography in San Francisco, where he later became a shareholder in a small trading company. (When referring to this item please quote stockid 159528).

      [Bookseller: Asia Bookroom]
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        The Novels of Henry Fielding The History of Tom Jones (Vol. I and Vol. II). The History of the Life of the Late Mr. Jonathan Wild the Great and a Journey from this World to the Next. The History of Amelia. The Adventures of Joseph Andrews.

      London: George Routledge and Sons. 1884 - London: George Routledge and Sons, 1884. Five Volumes. Ten inches tall. History of Tom Jones Vol. I – xxx, 455pp. History of Tom Jones Vol. II – xxii, 442pp. Jonathan Wild – xii, 313pp. History of Amelia – viii, 535pp. Adventures of Joseph Andrews – Frontispiece, xvi, 333 pp. Fine half morocco leather with raised bands to the spines, gilt titles, and date to the base of the spine. Gilt coat of arms to each front board over marbled paper. Limited, numbered edition set of which 250 copies have been printed for sale in Europe, and 150 for sale in the United States of America. This set number 384. Condition Report Externally Spine – very good condition – lightly worn to the top and base. Joints – very good condition. Corners – very good condition – gently worn. Boards – very good condition – some marks, marbled edges chipped to some boards, and part of the leather missing to a quarter on Joseph Andrews. Page edges – good condition – top edge gilt, others hand cut, and some uncut pages. See above and photos. Internally Hinges – very good condition. Paste downs – very good condition – marbled. End papers – very good condition – marbled, reverse of endpapers and preliminary pages foxed, biro mark to the endpapers and half title of Amelia. Title – good condition – foxed and damp stained to the title page and frontispiece of Jonathan Andrews. Pages – good condition – some foxing. Binding – very good condition – solid. See photos Publisher: see above. Publication Date: 1884 Binding: Hardback [Attributes: Hard Cover]

      [Bookseller: Louis88Books]
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        Een lent van vaerzen.

      Utrecht, J.L. Beijers, 1884. Ingenaaid (omslagontwerp L.W.R. Wenckebach). 96 p. Debuut. 1e druk. Hoekje uit omslag, hapje uit Franse titel, maar mét de zo kwetsbare originele rug: slechts twee ontbrekende stukjes zijn aangezet. Langs de bovenrand van het binnenwerk enige vochtschade.l Het beste exemplaar dat wij de afgelopen jaren zijn tegengekomen. VV 104,1.

      [Bookseller: Antiquariaat Fokas Holthuis]
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        ATLAS DER ALPENFLORA. Hrsg. v. Deutschen u. Oesterreichischen Alpenverein. Nach der Natur gemalt v. Anton Hartinger. Text v. K. W. v. Dalla Torre.

      1 Textbd. u. 4 Atlas-Bde. 249 (3) S. Mit 1 Taf. 504 chromolithogr. Taf. u. 4 Titelbll. mit Inhaltsverz. OLn.-Kassetten. u. OLn.-Bd. mit floraler Gold-, Silber- u. Schwarzprägung. Tlw. in Lagen zerfallen. Angeb.: Ders.. Wörterbuch der Botanischen Fachausdrücke. Ergänzung zu dem vom Deutschen und Oesterr. Alpenverein hrsg. Atlas der Alpenflora. Salzburg 1884. 94 S. Mit 230 Texholzschn. Nissen BBI 799 - Vollständiges Expl. der gesuchten ersten Ausgabe. - 1 Textvol., 4 Atlas-vols. 249 (3) pp. with 504 , chromolithograph. plates, 4 titlepages,. Index. In 4 Orig.-cloth-cases. and 1 Orig.-cloth-binding. Floral silver stamping on boards, some plates loose. Complete copy of this rare first edition. - Bound with: "Wörterbuch der Botanischen Fachausdrücke. Ergänzung zu dem vom Deutschen und Oesterr. Alpenverein hrsg. Atlas der Alpenflora". 94 pp. with 230 woodcuts.

      [Bookseller: Antiquariat Burgverlag]
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        Mädchen im Bade.

      Folio. Mit 10 (davon 9 signierte) Lithographien von Otto Schoff. Orig.-Halbleinenmappe. Ausgabe B. Eins von 40 Exemplaren (Gesamtauflage 60 Expl.) in Rötel auf Bütten. - Die 9 signierten Lithographien in der Mappe, eine farb. Lithographie auf dem Mappendeckel. - Otto Schoff (1884-1938) war Schüler bei Emil Orlik. Ab 1935 bekam er von den Nazis ein Malverbot und seine Werke zählten ab da zur "entarteten Kunst". - Mappe etwas angestaubt. Mappenbezug (nicht die Lithographie) stellenweise etwas wellig. Die Lithographien sehr gut erhalten.

      [Bookseller: Altstadt Antiquariat]
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        Blackberries: Picked off many bushes by D. Pollex and others. Put in a basket by William Allingham.

      G. Philip & Son 1884 - (5), 172 pp. With ornamental initial letters and head & tail pieces, printed on hand-made paper, t.e.g., others uncut, dark green fine diagonal ribbed cloth, gilt titling on front cover and spine, covers slightly marked, hinge slightly loose, exlibris of Oliver Brett (later Lord Esher) and Roger Senhouse. [Attributes: First Edition; Hard Cover]

      [Bookseller: Yushodo Co., Ltd.]
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        STRAY LEAVES FROM STRANGE LITERATURE

      Boston: James R. Osgood & Co.(1884). First Edition, Stories Reconstructed from the Anvari-Soheill, Baital, Pachisi, Mahabharata, Pantchatantra, Gulistan, Talmud, Kalewala, etc. Blue-green cloth with decorations and lettering stamped in black and gilt. BAL 7912. First issue of author's first book, preceded by a translation. Small stain to the margins of several pages. Front hinge with some cracking, as often the case, but still tight. Slight rubbing and soiling to covers, gilt on spine still bright. Housed in a half green morocco slipcase with matching green cloth chemise; rubbing to the raised bands and spine tips of the slipcase., Original cloth, Near Fine housed in a Very Good half morocco slipcase

      [Bookseller: Charles Agvent, ABAA]
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        Treasure Island

      This is a 2nd edition H/Bk copy of "treasure Island" by Robert Louis Stevenson and published by Cassell in 1884. This copy although dated 1884 must have been available in 1883 as there is a Xmas gift inscription on the front end paper with that date and the code with the list of other publications is 12.83. The book has 292 pages of text rather than the 304 claimed in the advertisement at the rear. It also has all the errors noted. The book is bound in green silk with the titled on the spine in gold. The edges and corners are rubbed and bumped and the book has a slight lean. The binding is tight. If you have any questions about the book or its contents please email me.

      [Bookseller: The Bookroom]
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        Vanity Fair.

      London: Vanity Fair, Jan. 5, 1884 to June 28, 1884.(). Small folio. Half roan, worn. with 26 chromolithographs, including images of Oscar Wilde in 1884, Alfred Rothschild and princesses, lords and ladies.

      [Bookseller: Wittenborn Art Books]
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        Catalogue of an important portion of the extensive & valuable library of the late Sir John Hayford Thorold, Bart., removed from Syston Park, Lincolnshire (catalogue for an auction conducted by Sotheby, Wilkinson & Hodge, London, 12-19 December 1884)

      London, Sotheby, Wilkinson & Hodge, 1884. (25.5 cm), vii (1), 193 (3) pp. 2110 lots. Bound in contemporary black cloth, back lettered "Syston Park Library Dec. 1884" (printed yellow wrappers retained). - The Syston Park library was collected by Sir John Thorold (1734-1815), ninth baronet, and by his son, John Hayford Thorold (1773-1831). The elder Thorold commenced collecting about 1785, and by 1789 had become well-known in the Parisian salerooms; his pace began to slacken about 1800. Sir John's principal contribution was an impressive group of Elzevirs; his son concentrated on Aldines, incunabula, and early printing, and rebuilt the library at Syston in 1822-1824 to house the new acquisitions (Tim Knox, "Sir John Thorold's library at Syston Park, Lincolnshire" in Apollo, volume 146, September 1997, pp.24-29). The sale of the library in 1884 was tremendously successful, realising just over £28,000, with some outstanding prices: the 1462 Mainz Psalter on vellum (£4950), and the 42-line Bible (£3900), are most notable. The auctioneer afterwards distributed copies of the sale catalogue annotated with buyers' names and prices. The present copy is one of these; there was also an issue of 25 annotated copies in a larger format (c. 280 × 195 mm, designated large paper in manuscript facing the title; see Christie's sale of the Bibliotheca Bibliographica Breslaueriana, New York, 22-23 March 2005, lot 328: $2640). Further sales of books occurred on 3 July 1899, 5 March 1923 (lots 1-317), and 9 April 1923 (lots 411-795); the house was demolished in 1924. ¶ Good copy.

      [Bookseller: Robin Halwas | Rare Books]
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        THE ADVENTURES OF HUCKLEBERRY FINN (TOM SAWYER'S COMRADE). SCENE: THE MISSISSIPPI VALLEY. TIME: FORTY TO FIFTY YEARS AGO

      London: Chatto & Windus(1884). First Edition, The First English Edition, preceding the American edition by four months. With 174 illustrations by E.W. Kemble. BAL 3414: Sequence B with the gatherings saddle-stitched with wire staples as opposed to sewn. BAL assigns no priority to the sequences. With the publisher's catalogue insert at rear dated October 1884, per BAL., Decorated red cloth, Typical sunning to spine with mild fraying to head and neat cloth repair to heel. Minor spotting to covers. Near Fine

      [Bookseller: Charles Agvent, ABAA]
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        Cowdray: The history of a Great English house.

      Bickers & Son, Leicester Square, London 1884 - Wonderful copy of a very scarce book on Cowdray House in Midhurst. Maroon cloth with a blank cloth spine which has become a tad sunned and a little frayed at extremities. Gilt title lettering and coat of arms motif on front board. A little bumped at extremities and a few marks. The light pencilled notes of AWF Fuller, from whose descendants this book was acquired (see other listings) are inscribed on the verso of the ffep. and read: "Slipped in: Very interesting autograph. Letter from the Author relating to this book, dated from B'ton, 25. June 1920." and further"For Lot & his daughters see pp120-1 to the Dulwich Gallery" On page 121 the annotated light pencilled notes read "?Have a copy" which relates to the catalogue of 1777 (underlined in the text) and "Lot & his daughters Our painting which I presented to the Dulwich Gallery in 1941?" There are some letters and clippings also laid in. One clipping is of the auction of the gates in Buck Hall Cowdray in 1937, another is a newspaper photo from The Sunday Times June 4th, 1950 of Polo being played at Cowdray Park. One of the letters is from AWF Fuller in his own hand writing and refers to the painting as mentioned in the book. It is headed "Painting of Lot and his daughters" and goes into some detail about the painting. There is a later note above the letter which says that the painting was presented to the gallery in memory of Rev. A. Fuller by his son AWF Fuller. The letter gives the history of the painting since the family bought it in 1830. The address of AWF Fuller on the letter is 50 Kingsmead Road, London, SW2 and dated 21. June 1940. There is also a letter laid in from the author to a Mr. Williamson, dated 25 June XX (1920) in which she states her concern about another book on "Cowdray & Easebourne Priory" in which she expresses concern that the book may have lifted parts of her book without her permission. "I am not likely to see it, as it costs four guineas." she writes! "Pray excuse me troubling you. I think the book is sure to come under your eye, Yours sincerely, Julia Roundell," Also laid in are a set of letters between Mr. A Walton who was writing on behalf of Mrs E Fuller (AWF's widow) in 1974 to the Clerk of the Governors of Alleyn's College, Dulwich College, about the subject of a bust of Shakespeare having been presented by Mrs Fuller and, at that point, having not been exhibited in the gallery. This also appears to have been acquired from Cowdray house. In all this book with the letters laid in to go along with it make a unique and exciting piece of history. Definitely a one off. [Attributes: First Edition; Hard Cover]

      [Bookseller: M RICHARDSON RARE BOOKS PBFA]
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        Le Crime et le Chatiment. Th. Dostoievsky. Traduit du Russe par Victor Derély. 2 vols.

      Paris: Librairie Plon. 1884 Half titles; occasional light foxing. Contemp. sage green three-quarter cloth, marbled boards, maroon leather spine labels sl. chipped. A v.g. copy in continental binding.Prestuplenie i nakazanie, 1866. The first French edition, from which the first English edition was translated.

      [Bookseller: Jarndyce Rare Books]
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        La Regenta. Por (Clarín). Ilustraciones de Juan Llimona. Grabados de Gómez Polo.

      - Barcelona, Biblioteca Arte y Letras, 1884-1885, 2 tomos, 20,5 x 14 cm., encuadernación original y en perfecto estado en tela con estampaciones a color, cortes jaspeados, 527 págs. = 592 págs. (Primera edición. Sello de anterior poseedor en portada) NOVELAS

      [Bookseller: Librería Anticuaria Antonio Mateos]
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        Michel Strogoff. De Moscou à Irkoutsk, suivi de un drame au Mexique

      Hetzel 1884 - - Hetzel, Paris 1884, in-8 (18x27,5cm), (6p.) 368pp., relié. - Edition illustrée de dessins de J. Férat, gravés par Barbant. Cartonnage dit "au globe doré" du type 4, signé Engel. Dos au phare. Second plat de type Engel "i". Gardes bleues, toutes tranches dorées. Premier plat polychrome orné d'instruments de navigation dorés et de feuillages verts. Quelques très infimes manques de dorure sur le premier plat. Cartonnage très habilement restauré. Ex-dono au stylo sur la page de faux-titre. Exemplaire frais, presque tout à fait exempt de rousseurs. [AUTOMATIC ENGLISH TRANSLATION FOLLOWS] Edition illustrated with drawings by J. Férat, engraved by Barbant. Cartonnage "golden globe" type 4, signed Engel. Back to the lighthouse. second board of type Engel "i". Blue guards, all golden slices. First polychrome dish decorated with gilt navigation instruments and green foliage. Fresh copy, almost completely free of foxing. (6p.) 368pp. [Attributes: Hard Cover]

      [Bookseller: Librairie Le Feu Follet]
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        RECOLLECTIONS OF CALIFORNIA MINING LIFE.

      San Francisco, CA: Dewey & Co., 1884. 16 pages of text. Original blue printed paper wrappers, with illustraion by Charles Nahl, with minor to moderate soiling and rubbing, and a few scuffs. There is one small stab hole at the lower corner running through all pages. In addition to the 5 interior illustrations, both covers are illustrated. See Howes D220. Wheat, Books of the Gold Rush #56: "crammed with gold discovery data." Detailed history of the first strikes, the men who made them, their fate, and the history of Sutter's Mill, where Marshall made the first strike. First edition.. First Edition. Paperback. Very good- condition. Octavo (8vo).

      [Bookseller: Kurt Gippert Bookseller (ABAA)]
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        Toasts èchangés a Prague le 26 Avril 1934.

      mit Frontispiz, zwei ganzseitigen Porträts der beiden Außenminister und zwei weiteren Abbildungen, unpaginiert 4, Broschiert, mit schönem lithographiertem Einband ( Stadtansicht Prags). mit Pergaminumschlag, dieser gebräunt und mit Randfehlstellen, innen sauber und frisch, auf dem Titel von Eduard Benes signiert und datiert, Kolophontext: "Il a été tiré de cette plaquette pour les éditions Orbis sur papier Zanders 300 exemplaires horse commerce avec cinq lithographies et cuverture de Václav Masek, Exemplar 123 von 300". Eduard Benes (* 28. Mai 1884 in Kolany - + 3. September 1948 in Sezimovo Ústí) kämpfte mit Masaryk für die Unabhängigkeit der Tschoslowakei und ist einer ihrer bedeutendsten Politiker. Er war Außenminister 1918-1935 und dann Präsident der Republik (1935-1938). Dann resignierte er wgen des Münchner Abkommens und trat am 5. Oktober 1938 als Präsident zurück und flog einige Tage später nach London. Sein Nachfolger wurde Emil Hácha. 1941 wurde Benes Präsident der tschoslowakischen Exilregierung in London, kam 1945 zurück nach Prag und wurde erneut Präsident der Republik bis zur Machtübernahme durch die Kommunisten im Jahre 1948. Im gleichen Jahr starb er. Louis Barthou (1862-1934) was mehrmals Minister der 3. Französischen Republik und Ministerpräsident von März bis Dezember 1913. 1934 war er französischer Außenminister und bemühte sich um die diplmatische Isolierung Nazi-Deutschlands, was insbesondere bei rechten Kreisen auf Widerstand stieß. Barthou starb nachi einem Attentat am 9.Oktober 1934 in Marseille zusammen mit König Alexander I. von Jugoslawien an einer Schußverletzung durch kroatische Terroristen, war also zum Zeitpunkt der Herausgabe des Buches am 15. Dezember 1934 nicht mehr am Leben, der Band kam damals nicht in den Buchhandel.

      [Bookseller: Bührnheims Literatursalon GmbH]
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        uvres

      Alphonse Lemerre 1884 - Paris, Alphonse Lemerre, 1884-95 10 volumes in-4 (28cm x 22cm) Tiré à 1200 exemplaires dont 50 sur Japon, 25 sur Chine, 25 sur Whatman et 1100 sur Hollande. Demi maroquin bleu, dos à nerfs, auteur, titre et date frappés or, tête dorées, fers du châteaux de Vert-Coeur frappés or sur les premiers plats, couvertures et dos conservés (Yseux Sc de Thierry Simier). Un des exemplaires sur papier de Hollande, celui-ci enrichi d'une suite sur Japon des eaux-fortes d'Henry Pille (N°458). De la bibliothèque du comte René Philippon (Ex-Libris) pour qui a été construit le Châteaux de Vert-Coeur à la fin du XIXe siècle. Bel ensemble, dos des reliures une teinte plus foncé, légers frottements sur les nerfs du tome I, en bel état par ailleurs; feuillets en bel état malgré de rares brunissures. [Attributes: Hard Cover]

      [Bookseller: LIBRAIRIE EPPE FRÈRES]
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        Die Bruder Karamasow (The Brothers Karamazov)

      Leipzig: Verlag von Fr. Wilh. Grunow, 1884. First Edition. Hardcover. Very Good. First German edition, cloth issue published by newspaper Die Grenzboten as noted on half-titles and spines, published simultaneously with wrappered and red cloth issues, neither with half titles. Complete in four octavo volumes. Volume I: Half-title + TP + [v] - viii+1leaf + 1 – 271 + [i]-xxxii- publisher’s ads on browned inferior stock; II: Half-title + TP + 1 - 272; III: Half-title + TP + 1 - 298; IV: Half-title + TP + 1 - 336. Original green cloth with gilt stamping and top edges, original dark green endpapers. In German, translated anonymously. Very Good with front hinges starting, a few light scuffs to bindings, bumped corners, light cup ring to front cover cloth of first volume, but internally clean, gilt nice and sharp. An attractive, unsophisticated set.The very first translation of Bra'tia Karamazovy [1879-1880] from the original Russian into any language, preceding the French version by four years and the English version by 28 years. The German public's interest in Dostoyevsky stemmed from the promotion and resounding success of 1882's German translation of Crime and Punishment.Scarce. No other copies currently for sale in the trade and no copies located outside of Europe in OCLC.

      [Bookseller: Burnside Rare Books]
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        LEIPZIGER STUDIEN ZUR CLASSISCHEN PHILOLOGIE anno VII

      VON S. HIRZEL, 1884. INTERLINGUE 0,47 In latino e greco, pagine brunite ai bordi da fattore tempo, con fioriture sparse ed alcune gore, tagli non allineati e non rifilati, brossura editoriale morbida, con titoli neri, ingiallita al dorso, con lieve usura ai bordi e strappetti al piede ed alla cima USATO

      [Bookseller: Biblioteca di Babele]
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        Life in the Soudan:

      London: Remington & Co.,, 1884. Adventures amongst the Tribes, and Travels in Egypt, in 1881 and 1882. Octavo. Original orange-brown cloth, titles to spine gilt, titles and decoration to front cover in black, black coated endpapers. With 2 autograph letters signed from the author (single bifolium, 180 × 114 mm; single sheet, 155 × 100 mm, with Williams's letterhead), and the publisher's prospectus ("Opinions of the Press", single gathering of 4 leaves of pink paper, wire-stitched, Geological Society ink-stamp) laid in. Half-tone portrait frontispiece, 6 wood-engraved plates. Recent monogram book-label of travel collector Humphrey Winterton to the front pastedown. Ink-stamp of the Royal Society, Edinburgh, to the title page (see note). Extremities lightly bumped and rubbed, faint finger-soiling to gently rolled spine and to rear board, this last with a small nick to top edge, front board lightly bowed, finger-soiling to blank versos of a couple of plates. A very good copy. The first letter (single bifolium) in excellent condition, the second browned and slightly chipped along inner edge to no loss of text, and with a segment of the Geological Society ink-stamp to the upper outer corner; publisher's prospectus with the ink-stamp of the Geological Society, and chipped along spine, but holding. First and only edition. Presentation copy, inscribed by Williams "With the author's compliments, October 1884" on the front free endpaper recto, together with an autograph letter (dated September 1884) presenting the copy to the president of the Royal Society, Edinburgh, and soliciting election as a fellow of the society. (The recipient was either the lawyer and politician Lord Moncrieff or his successor as president, Thomas Stevenson, pioneering architect of lighthouses.) Also laid in is a shorter autograph letter from Williams, dated 4 September 1886 evidently from another copy, presenting the book to the secretary of the Geological Society of London, together with a copy of the publisher's prospectus. Williams, a former surgeon-major in the Khedival Egyptian Army, was the medical officer in this lengthy hunting expedition to the isolated Kunama or Basé country on what is now the border between Ethiopia and Eritrea; in his letter to the RSE he describes it as an "unknown region on the border of Abyssinia". The party boarded a steamer from Brindisi to Alexandria and spent some time sightseeing in Cairo before sailing from Suez to Suakin on the Sudanese coast, continuing inland to Kassala and eventually reaching the homeland of the Kunama people, then currently engaged in conflict with the Beni-Amer tribe. The party also encountered the Hamran Arabs described by Sir Samuel Baker, the dedicatee of Life in the Soudan, in his classic Nile Tributaries of Abyssinia (1867), before making a return journey via Massawa on what is now the coast of Eritrea. Williams's account aroused considerable interest on publication as it described territory then under the control of the Mahdi. It is today highly uncommon, with two copies only traced at auction.

      [Bookseller: Peter Harrington]
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        Traité élémentaire de mécanique céleste.

      Paris, Gauthier-Villars, 1884. ____ "Valuable text-book on mathematical astronomy." (Pr. Carjori.) Deuxième édition. Le faux-titre n'a pas été conservé par le relieur. Très bel exemplaire au dos décoratif. Ex-libris gravés: "Andrew Noble" et "Charles Gyselynck". Sotheran 14084. *-------*. In-4. [279 x 220 mm] Collation : XIX, (1), 459 pp. Demi-vélin à coins, dos très orné, tête dorée. (Reliure de l'époque.).

      [Bookseller: Hugues de Latude]
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        Flatland: A Romance of Many Dimensions [SIGNED]

      London: Seeley and Co, 1884. 1st Edition . Good Plus. 7.25 x 8.75 inches (18 x 22 cm). Signed by Author. Original parchment wraps with the usual wrinkling, however only minimal loss to ends of spine. Marking and slight staining to covers. Some tears and creasing to edges of rear free endpaper. A couple of light marks to text but otherwise in very clean condition throughout. Inscribed by Edwin A. Abbott to the half title page: 'With the author's kind regards'. A nice solid example of the rare first printing. Overall condition is Good Plus. International postage will be less than the stated rate. Actual costs are Europe £10.15; Oceania £12.95; Rest of World £12.50. A postage refund will be made after the order has been placed. Paperback. Printed pages: 100

      [Bookseller: Tarrington Books]
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        Le neveu de Rameau. Satire par Denis Diderot. Revue sur les textes originaux et annotée par Maurice Tourneux. Portrait et illustrations par F.-A. Milius. Exemplaire truffé de 25 aquarelles originales signées ?Boudier?.

      Paris, P. Rouquette, éditeur, 1884, - gr. in-8vo, (23.8x16.5 cm), Portrait gravé + XXIX (faux-titre & titre + notice préliminaire) (+ 1) + 204 p. + 2 ff. + 8 planches gravées h.-t. (dont le portrait et 7 planches en 2 états =16 h.-t.) le tirage des gravures a été fait par M. Clément, qqs taches par-ci par-là, généralement ex. frais., un des 150 exemplaires sur papier manufactures impériales du Japon num. (le num. a été vilainement tracé) reliure en demi-maroquin citron aux coins (ou brun clair), dos richement orné or avec auteur, titre et date, plat couvert de papier marbré, gardes identiques, couvertures de la brochure orig. cons. (qqs taches), tête doré (reliure signé Champs-Stroobants). Bel exemplaire. Illustré avec de magnifiques aquarelles d?Edouard-Louis Boudier, né à Paris (ca. 1845) et mort en 1909, Ec. Fr. Peintre et aquarelliste, il exposa e.a. au salon à partir de 1874.Please notify before visiting to see a book. Prices are excl. VAT/TVA (only Switzerland) & postage. Benezit 2, 216; Flety p. 41 (V. Champs) & p.164 ( Jean Stroobands). [Attributes: Signed Copy; Soft Cover]

      [Bookseller: Harteveld Rare Books Ltd.]
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        Le Figaro. Supplément du dimanche. L?Expédition du Tonkin racontée par les Chinois.

      Samedi 28 juin 1884, - 64 x 87 cm, double page originale du supplément de ?Le Figaro? reproduisant deux grandes gravures chinoises coloriées à la main, texte en français et chinois, 2 feuilles montées sur toile, L'Expédition du Tonkin etait une opération militaire française opérée sous la Troisième République et qui donne lieu à la guerre franco-chinoise. Elle a provoqué en mars 1885 la chute du cabinet de Jules Ferry, attaqué par la droite monarchiste et l'extrême-gauche radicale, Clemenceau en tête.Please notify before visiting to see a book. Prices are excl. VAT/TVA (only Switzerland) & postage.

      [Bookseller: Harteveld Rare Books Ltd.]
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        Michel Strogoff. De Moscou à Irkoutsk, suivi de un drame au Mexique

      Edition illustrated with drawings by J. Férat, engraved by Barbant.Cartonnage "golden globe" type 4, signed Engel. Back to the lighthouse. second board of type Engel "i". Blue guards, all golden slices. First polychrome dish decorated with gilt navigation instruments and green foliage.Fresh copy, almost completely free of foxing. Hetzel Paris 1884 in-8 (18x27,5cm) (6p.) 368pp. relié

      [Bookseller: Librairie Le Feu Follet]
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        Origin of Species : By Means of Natural Selection

      John Murray, London 1884 - Sixth Edition. Original green cloth publishers boards with original clean brown endpapers. No inscriptions. A truly superb copy, no resoration and hardly ever used. Bright tight clean copy of 458pp. [Attributes: Hard Cover]

      [Bookseller: Berwyn Books]
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        [HIMALAYAS] Ocherki puteshestviya v Gimalayi g-na i g-zhi Vereshchaginykh [i.e. Sketches of a Journey to the Himalayas by Mr. and Mrs. Vereshchagin]

      St. Petersburg: Typ. of M.M. Stasiulevich, 1884. 2 vols. Vol. 1. Sikkim. Second edition. Vol. 2. Kashmir, Ladakh. [2], 86; 135 pp. Octavo. With twenty woodcut plates and numerous woodcut illustrations in text. Original publisher's illustrated wrappers. Previous owner's pencil inscriptions on the front wrappers and the title pages, wrappers are age toned with minor chipping of extremities , vol. 2. with the spine lacking, otherwise very good internally clean copy. First edition. Very rare. Little known account of the first travel to India of famous Russian artist Vasily Vereshchagin (1842-1904) written by his first wife Elizaveta Kondratyevna (1856-1941); nee Elizabeth Maria Fischer, German born, was married to Vereshchagin in 1871-90). The text was initially written in German, as Elizaveta Vereshchagina wasn't fluent in Russian, and then translated into Russian by Vereshchagin himself. The book was published in the well-known Saint Petersburg typography of Mikhail Stasyulevich, the first volume had two identical print runs, both issued in 1883. The book has never been reissued or translated into other languages. The book describes the Vereshchagin spouses' travel to India, Eastern Himalayas, Kashmir and Ladakh in 1874-76. The first volume details the journey to Sikkim, including descriptions of Darjeeling, trekking to the Dzongri Top of the Goecha La mountain pass (over 4200 m.) to paint views of Kanchenjunga and surrounding Himalayan peaks, with interesting notes on the effects of altitude sickness and snow blindness (the spouses ascended Dzongri in January, in spite of numerous advice against it, and stayed there for three days); visits to several local monasteries (Pemayangtse, Sanga Choeling, Tashiding, Namchi), towns of Yuksom and Tumlong, audience with the young king of Sikkim Thutob Namgyal (1860-1914), and acquaintance with the Sikkim equivalent of Dalay-Lama whose portrait Vereshchagin painted while in Tumlong, and others. The second volume describes the journey to Kashmir and Ladakh, with stops in Lahore and Srinagar, Wular Lake; Dras, Kargil, and Shergol stations, Ladakh's capital Leh, several local monasteries (Lamayuru, Hemis, Shey, Phyang, and others), Lakes Pangong and Moriri, Simla and Narkanda mountain stations, and others. The account is lively and entertaining, presenting a strenuous travel to the Northern India and the Himalayas from a woman's perspective. The book is richly illustrated with reproductions of Indian views and portraits of the locals by Vasily Vereshchagin (he did over 150 sketches during this first Indian travel); interesting details of the circumstances in which some of the sketches were made are often provided. Elizaveta noted on several occasions that she was the first European woman to visit some of the monasteries and villages in Sikkim, Ladakh and Kashmir. The travelers often had to overcome obstacles created by British authorities who suspected that Vereshchagin was on service of the Russian intelligence service, and him painting Himalayan mountain passes and settlements was a part of Russia's plan to ascertain the approaches to Tibet. Overall a very interesting early Russian journey to the Himalayas written from a woman's point of view. Worldcat locates only three paper copies (Yale, Columbia, Harvard).

      [Bookseller: Bookvica]
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        A History Of Philadelphia, From The Time Of The First Settlement On The Delaware To The Consolidation Of The City And Districts In 1854.

      Mounted and Bound By Payson & Nicholson for Edwin R. Cope,, Philadelphia 1884 - b/w; 4to, original three quarters red morocco and cloth, gilt, gilt spine compartments, top edges gilt, raised bands; joints, edges, corners, and bands occasionally rubbed, small bit of black residue [dime sized], possibly wax, on cloth of front cover of vol. 5. Light waving to mounting sheets. Scattered Maps, illustrations. Internally clean. Presumed unique set with text mounted on heavy paper sheets, in custom binding. Fascinating incidents and tales neatly mounted on red framed heavy stock. Includes many apocryphal stories and legends as well as historical incidints. The source is unknown but doubtless a newspaper or magazine as all entries are of uniform typography. Professionally mounted text appears fresh and unworn. With illustrations. Possibly an early proof/mockup for the 3 volume printed edition later that year. 9.5 x 12.5 ; 50 [Attributes: First Edition; Soft Cover]

      [Bookseller: poor man's books (mrbooks)]
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        Mr D. Lindsay's Explorations through Arnheim's [sic] Land

      [Adelaide], Government Printer, 1884. Foolscap folio, 21 pages plus a large folding map (575 x 855 mm). Recent quarter leather and gilt-lettered cloth; very short tear to the map near the stub expertly repaired; a fine copy. South Australian Parliamentary Paper Number 239 of 1883-84; one of only 680 copies. Leaving Katherine in late July 1883, Lindsay 'led a Government expedition of six men into Arnhem Land. He followed the overland telegraph ... to Roper Creek. He travelled east to the Chambers River and on to the Roper River. He surveyed along the north bank of the Roper to its confluence with Leichhardt's Wilton River and followed the Wilton upstream to the junction with the Mainoru River. Returning to the Roper, he went downstream until he reached its tidal flats, about twenty miles from Limmen Bight. A broad line of country was then explored to the north and the expedition reached the Gulf of Carpentaria near latitude 14* S, opposite Groote Eylandt. A general north-west course was taken and the Goyder River traced to the coast at Castlereagh Bay. Directing the expedition homeward, Lindsay crossed the Blyth River above its tidal influence, and reached the Mann River, a tributary of the Liverpool. Following a south-westerly course now, the party reached the banks of the Liverpool River and followed it to its source. Continuing south, they came to another stream, which Lindsay described as the "supposed Cadell River", but he had come again to the banks of the Mann, which was also followed to its source. Crossing the watershed between the northerly and westerly flowing rivers of central Arnhem Land the expedition came to the headwaters of the Katherine River' (Feeken, Feeken and Spate: 'The Discovery and Exploration of Australia') and thence back to Katherine in early November, having covered 1916 miles. 'Rivers and Creeks from my exploration' are overprinted with a wide grey-blue band on this most detailed map. Lindsay notes in his journal that the 'natives are very numerous, and inclined to be hostile', and he gives a detailed account of an incident when 'After seeing the coast we started west for the Liverpool, lost our horses in the tableland for five days, were attacked by natives and [were] compelled to fire on them in self defence'. McLaren 12615.

      [Bookseller: Michael Treloar Antiquarian Booksellers]
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        Cookery for Beginners

      D. LOTHROP & CO, BOSTON, MD 1884 - General shelf wear, broken hinges, soiled cover, tanned pages, few page edges chipped, some pages soiled, PO's sticker on inner board, tanned spine, and some foxing. This is a very early cook book. rare DATE PUBLISHED: 1884 EDITION: 152 [Attributes: Hard Cover]

      [Bookseller: Princeton Antiques Bookshop]
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        Reprint of Papers on Electrostatics and Magnetism

      Diagrams and equations to the text. Second edition. 8vo., cloth. London, Macmillan and Co.

      [Bookseller: Maggs Bros. Ltd.]
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        [Poster]. Mrs. Partington

      Cleveland: W.J. Morgan & Co. Lith., 1884. First edition. A very good copy, margin restored at the left edge, spotting to top margin, remnant of text banner affixed to bottom (Condition B+).. Color lithograph. Illustrated with five vignettes of Mrs. Partington in action. Mrs. Partington, the American version of Mrs. Malaprop, was the creation of the Boston writer Benjamin Penhallow Shillaber (1814-1890). She appeared in three of this works: Life and Sayings of Mrs. Partington (1854); Partingtonian Patchwork (1873); and Ike and his Friends (1879). "The book... was a favorite of [Mark Twain's]. He probably intended the picture of Mrs. P[artington] on the last page of Tom Sawyer as both a tribute to Shillaber and an acknowledgment of the kinship between the two aunts and their mischevious nephews (Stephen Railton: Mark Twain in His Times, Tom Sawyer, Sources & Pretexts: twain.lib.virginia.edu/tomsawye/tomhompg.html). The character appeared on the stage as early as 1862 at Barnum's American Museum. The actor / comedian Joseph H. Keane toured with this operetta adaptation in the 1880s and was advertised in 1884 as "A genuine New England home picture in four acts and a hundred laughable tableaux, founded on the mythical career of mirth-provoking conversations of that famous old lady, the pranks of her mischievous son Ike, and perhaps of her acquaintances which are familiar ideals in every household in the land." The poster was most likely for this 1884 tour, which played at the Fulton Opera House in February. As Will Howe wrote: "Her benevolent face, her use of catnip tea, her faith in the almanac, her domestic virtue, and her knowledge of the most significant facts in the life of every person in the village immediately made a large circle of readers recognize the lifelike portrayal of a person known in every American community. It is interesting to observe that her nephew Ike and his experience with the dog and cat and with "spirits" is a striking prototype of Tom Sawyer in his relationship to his Aunt Polly" ("Early Humorists, The Cambridge History of American Literature/Book II/Chapter XIX, p. 155). Rare. We could locate no copies of this or any other posters for any production of Mrs. Partington despite its popularity. The Univ. of Chicago has a playbill for an April 21, 1884 production at the Chicago Museum.

      [Bookseller: Kaaterskill Books, ABAA/ILAB ]
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        John Wisden's Cricketers' Almanack for 1884 - 1884 Original Paperback Wisden No Restoration

      1884. Hi, I recently purchased a set of Wisdens and the first 50 of the run were in a suitcase that had not been opened for over 50 years. This lot is an 1884 Original Paperback Wisden. It has the Original Spine Paper without any Restoration. It is in Very Good Condition for the year. The spine paper is excellent, just some wear to the ends and to the side. The book is very tightly bound, the covers have some darkness to them, mainly in the middle of the front cover. Internally it is very nice and clean and hasn't been opened for a while. Spotting to page block but not much at all inside the book. Some rounding off on the corners of the covers and first couple of pages. No restoration.

      [Bookseller: Wisdenshop.com]
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