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Displayed below are some selected recent viaLibri matches for books published in 1877

        [Sammelband of Four Pamphlets concerning San Francisco's Pavements]: Report of the Special Committee on Pavements of the Board of Supervisors of the City and County of San Francisco [with] Certificates of Merit showing the Superior Excellence of the Stow Foundation Pavement over all other Wooden Pavements in Use [with] Streets and Street Pavements: a Consideration of the Street Pavement Question from a Practical Standpoint. With copious comments from the press of this city [with] Street pavements as viewed by G.K. Fitch, on the one side, and H.F. Williams, on the other

      San Francisco: Steam Printing House of A.L. Bancroft & Co., 1877. First editions. Three quarter morocco over marbled boards. Very good copies, with old stab holes at margins, in a worn binding, back strip separated from rear hinge, about a quarter of the spine perished.. 73 pp.; 57 pp.; 82 pp.; 41 pp. Illus. with 4 b/w plates. Examination of the pavement needs of San Francisco as unfinished wooden pavements were found unhealthy. Includes: Report of the Special Committee (A.L. Bancroft & Co. 1870); Certificates of Merit (Edward Bosqui & Co., Printers, 1870); Williams, Henry F., Streets and Street Pavements (Real Estate Reporter Office, 1874); Fitch, G.K. [George Kenyon], and Williams, Henry F. [Fairfax], Street pavements as viewed by... (Edward Bosqui & Co., Printers, 1877) All are fairly uncommon titles with OCLC locating only St. Patrick's Univ., as holding all four titles, and other holdings respectively of 7, 2, 1, and 2. Rocq: California Local History 11330 (Special Committee); 12842 (Fitch & Williams).

      [Bookseller: Kaaterskill Books, ABAA/ILAB]
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        L'art d'être grand-père EDITION ORIGINALE

      Paris: Calmann Lévy, 1877. Fine. Calmann Lévy, Paris 1877, 15,5x23,5cm, relié. - First edition, one of 40 numbered copies on Holland paper, only 20 papers with great China and Japan 8. Bound in full red leather, back with five nerves decorated with a three intertwined crescents iron embossed gold repeated on each entrenerfs, place and date tail, the same iron to growing stamped gold at the four corners of the boards , large lace with small irons in coaching contreplats, contreplats and guards made paper, double net gilded on the cuts, golden roulette on headdresses, all edges gilt, binding specifically established by Chambolle-Duru for the bibliophile H. Bordes. Provenance: libraries and Antoine H. Bordes Bordes with their bookplates. Exceptional copy remarkably established by Chambolle-Duru - [FRENCH VERSION FOLLOWS] Edition originale, un des 40 exemplaires numérotés sur Hollande, seuls grands papiers avec 20 Chine et 8 Japon. Reliure en plein maroquin rouge, dos à cinq nerfs orné d'un fer à trois croissants entrelacés estampé à l'or répété sur chaque entrenerfs, lieu et date en queue, le même fer aux croissants estampé à l'or aux quatre angles des plats, importante dentelle aux petits fers en encadrement des contreplats, contreplats et gardes de papier à la cuve, double filet doré sur les coupes, roulette dorée sur les coiffes, toutes tranches dorées, reliure spécialement établie par Chambolle-Duru pour le grand bibliophile H. Bordes. Provenance: des bibliothèques H. Bordes puis Antoine Bordes avec leurs ex-libris. Exceptionnel exemplaire remarquablement établi par Chambolle-Duru

      [Bookseller: Librairie Le Feu Follet]
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        Shadrach S. Stevens' Speculations. Sallie Sparkle's Serio-Comic Story.

      San Francisco: M. Schmidt & Co. 1877 - 4to. Oriiginal wrappers, splitting at spine, but good. 18pp. Very scarce. Loosely inserted is a printed statement from the printer from1933 about the origins of the pamphlet stating that Stevens was a mining stock speculator back in 1877. Newspaper article pasted down. Every word begins with an S. Printed by H.S. Crocker in San Francisco. Provenance: Serendipity Boooks. [Attributes: Soft Cover]

      [Bookseller: Wittenborn Art Books]
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        Laughable Lyrics: A Fourth Book of Nonsense Poems, Songs, Botany, Music, &c

      LOndon: 32, Charing Cross, SW: Robert John Bush, 1877 1877, 1st ed, VG. In green cloth, corners rubbed. Spine, gilt tooling & titles, edges bumped and worn. Internally, half title, not paginated but 64 leaves, containing, 2 music plates, 10 Botany Plates, 26 Alphabet Plates, and 8 illustrations within text, 1 pl soiled with small repair, text block edges sprinkled red, ink name to fep (Harvey), lacks adverts at end, recased. (Allibone 983). Lear published his last book of nonsense, Laughable Lyrics, which contained some of his finest, but also his saddest songs, including ‘The Pelican Chorus’, ‘The Yonghy-bonghy-bò’, and ‘The Dong with a Luminous Nose’ See ODNB.

      [Bookseller: Madoc Books (ABA-ILAB)]
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        Preliminary Trial of a Horse Thief in Kansas City

      Clay, Cosack and Company, Buffalo 1877 - John Mulvany (1844-1906), "Preliminary Trial of a Horse Thief in Kansas City", Published: Clay, Cosack and Company, Buffalo, 1877. Medium: Chromolithograph. Sheet Size: 20" x 28"

      [Bookseller: Arader Galleries of Philadelphia, PA]
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        Obras de D. Antonio Aparisi y Guijarro Tomo I- Biografía. Pensamientos y poesías; Tomo II- Discursos políticos y académicos; Tomo III- Artículos; Tomo IV- Opúsculos; Tomo V- Escritos y discursos politicos.

      1873-1877. . - Imp. de la Regeneración/ Imp. de A. Flórez y Compañía. Madrid. . 5 Vol. . . Cuarto. Media piel. Audio-visuales (Fotografía), Historia de España (Carlismo), Literatura Hispánica (Poesía), Literatura Hispánica (Romanticismo / siglo XIX), Política / Ensayo / Relaciones Exteriores (General), Siglo XIX . Contiene fotografía albumina del autor en fontispicio del primer volúmen. Cinco volúmenes reencuadernados en media piel con nervios y dorados en lomera. Buen estado. Spanish Literature. Carlism. .

      [Bookseller: Librería Anticuaria Astarloa]
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        Nuculidi terziarie rinvenute nelle provincie Meridionali d'Italia

      Rome: Coi Tipi del Salviucci, 1877. Seguenza, Giuseppe (1833-89). Nuculidi terziare rinvenute nelle provincie meridionali d?Italia. Reale Accademia dei Lincei, Memoria della classe di scienze fisiche, matematiche e naturali, Vol. I (1877). Rome: col Tipi del Salviucci, 1877. 40pp. 5 plates. 310 x 224 mm. Original printed wrappers, chipped, spine splitting, front wrapper partly detached at spine, library stamp. Minor foxing and toning, slight crease in upper corner, but very good. Presentation Copy, inscribed by the author on the title: ?Al Chiarisso Sigr Duca del [...] Offre l?Autore?; ?Transferred by the Author to me R. B. Watson? inscribed beneath in a different hand. Tipped and laid in are three Autograph Letters signed from Seguenza to Watson, dated 21 June, 19 August and 24 November 1879, totaling 7 pages. The letter of 19 August also includes a manuscript list of shell species in what appears to be Watson?s hand. First Edition, and scarce, with only two copies listed in OCLC and COPAC (U. Florence; Nat. Hist. Museum, London). Seguenza was a prominent Sicilian naturalist and paleontologist who specialized in marine malacology. His monograph on the tertiary nuculidae of southern Italy describes and illustrates 58 species of these small saltwater clams, including the newly discovered fossil species Nucinella calabra, Leda peraffinis, Yoldia sinuosa and Neilo messanensis. Seguenza presented this copy to Robert Boog Watson (1823-1910), the Scottish malacologist who prepared the report on the scaphopoda (tusk shells) and gastropoda (snails) collected during the H. M. S. Challenger expedition.

      [Bookseller: Jeremy Norman's Historyofscience.com]
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        Lengthy Autograph Letter Signed, 4 separate 4to sheets of onion skin stationery, n.p., n.d., but companion envelope postmarked, Baltimore, Apr. 21, 1911

      Hartley writes to Anne Traubel in a long letter in which he discusses his loneliness, the nature surrounding him, and his working on his paintings. He had a close friendship with Anne and her husband, Horace Traubel (1877-1943), author and biographer of Walt Whitman ("With Walt Whitman in Camden," published 1906). Hartley begins with a comment that her "beautiful letter" arrived "in the silences...It is a beautiful message for any one to deliver, this dark man's message...I sit writing you after having started a picture, done a washing which lies purifying in the sun on the grass. This hermit life which I live - curiously unlike me, does not bring me all the happiness it should..." He continues, "I am free to confess that as yet art has never been more than love and friendship nor has it been less - some would say it has nothing to do with either of them because art is purely intellectual and has little to do with the simple emotion - However I have painted on a picture - I have alluded to the needs of my body...and so I am feeling the loneliness in the presence of these beautiful unhuman things - there is too much peace, there is too much indifference too much of supremacy of mighty things...that know not what it is to be human...I desire only a human hand to touch a big broad shoulder to brush by...a smile to be conscious of ...These are the emotions that fill me here as the sun is nearly noon high...." He describes the vegetable garden he was planting earlier in the morning before painting. He mentions that the next day is, "Whitman's dinner day isn't it," and that he would like to attend to see people he would otherwise not meet. He mentions Mildred Bain. Frank and Mildred Bain were supporters and friends of Whitman and of the Traubels. Hartley sends his love to Horace and signs, "Marsden H." Small tear on the fourth page affecting one word, "dinner." Shortly before he wrote this letter, Hartley had exhibited 15 works in the Independents Exhibition. A group of New York artists sought to establish academy-independent shows in 1910 and 1911. The 1911 show, called the "Independent Exhibition of the Paintings and Drawings of Twelve Men," was held at the Society of Beaux-Arts Architects and organized by Rockwell Kent and Arthur B. Davies. In 1912, the year following our letter, Alfred Stieglitz offered Hartley his second solo show at Stieglitz' 291 Gallery. The show was quite successful, having sold a number of paintings to Agnes Meyer who became a benefactor. The sales to Meyer helped to enable Hartley to travel in Europe to study and paint. He left in 1912 and did not return until 1915.

      [Bookseller: Schulson Autographs]
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        L'art d'être grand-père EDITION ORIGINALE ENVOI AUTOGRAPHE

      Paris: Calmann Lévy, 1877. Fine. Calmann Lévy, Paris 1877, 14x23,5cm, relié. - first edition. Binding half red shagreen, back with five nerves decorated with double gilded boxes decorated with gilded decorative motifs, marbled paper plates, guards and contreplats of handmade paper, contemporary binding. Signed autograph of the author to his friend the journalist and art critic (Jules-Antoine) Castagnary which was socialist activist and ardent supporter of Gustave Courbet. - [FRENCH VERSION FOLLOWS] Edition originale. Reliure en demi chagrin rouge, dos à cinq nerfs orné de doubles caissons dorés agrementés de motifs décoratifs dorés, plats de papier marbré, gardes et contreplats de papier à la cuve, reliure de l'époque. Envoi autographe signé de Victor Hugo à son ami le journaliste et critique d'art (Jules-Antoine) Castagnary qui fut militant socialiste et ardent défenseur de Gustave Courbet.

      [Bookseller: Librairie Le Feu Follet]
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        A Chinese Dictionary in the Cantonese Dialect

      London.: Trubner.. 1877.. 3 volumes. Volume I: xxxv + 404pp. Volume II: 405 - 1018pp. Supplement: xcviipp. Volume II: Lacks preliminary leaves prior to title page, but otherwise complete. Some worming particularly title page and first leaves but fortunately largely only affecting the margins of the leaves, indeed where letters have been lost, the sense of the sentence is still quite clear. All volumes recased, the first 2 volumes bound in early 20th maroon cloth and the supplement in black which is likely the original cloth. Each volume has modern endpapers, volumes I and II lettered in gilt on spine, new endpapers. Upper joint volume I torn with a little loss of cloth but still sound, some wear head and tail of spine, corners worn and bumped. Light even browning both volumes, note in black ink upper cover volumes I and II, some occasional spotting or marking. Cloth of Supplement volume damp marked, some occasional light soiling but overall text very good. Volumes I and II 23.8 x 15.5cm (25.4 x 17 binding) measure whereas the Supplement is a little larger at 24.5 x 15.7cm, (25 x 16.5cm binding). Ernst Johann Eitel (Ernest John Eitel, 1837-1908) was a German protestant missionary to China in the Canton area who later joined the Hong Kong civil government, where his knowledge of the languages and people of the province were of great assistance to the British authorities. He was also a prolific writer, whose works on Buddhism and on fengshui are being reprinted to this day on account of their abiding value. The Cantonese-English Dictionary is not least among his achievements. Several Cantonese-English dictionaries predate Eitel?'s, the most significant being the 1856 one volume work by the eminent American missionary scholar, S. Wells Williams (1812-1884) best known for his major historical work, The Middle Kingdom, published in 1848 and in a revised edition of 1883. Wilhelm Lobscheid (1822-1890), another German missionary-scholar turned Hong Kong civil servant, published an English and Chinese Dictionary in Hong Kong in four parts between 1866-69 (Daily Press Office) which gave the Punti (Cantonese) and Mandarin pronounciations , and was afterwards (1883) enlarged and re- published as a single volume in Japan by a Japanese scholar, However, Eitel?'s was the first properly Cantonese-English dictionary to appear in two regular volumes. It was later revised and enlarged further by Immanuel Gottlieb Genahr (1856-1937) yet another German missionary-scholar working in the Canton province [Guangdong] and published in 1910. This is the edition more commonly available today. The first edition is seldom if ever seen, which makes the present copy of greater interest to the specialist bibliophile. The supplement is even scarer still than the rare first edition. Strictly speaking, Cantonese is a language, not a dialect. The Eitel dictionary adopted the speech of the provincial capital, Canton, as the standard version of the spoken language, but there were, and to some extent still must be, many variations to be found within the regions of the province, including major dialects which were the subject of published articles by James Dyer Ball and other resident sinologues of the day, to be found in late 19th century issues of the China Review. In this situation, it is scarcely surprising that it is open to criticism by modern linguistic scholars like the late Wong Shik-ling (S.L. Wong) 1908-1959, of Lingnan and Hong Kong Universities, whose authoritative study of the language was published in Chinese in 1948. His observations would apply to all earlier works, but this is to be expected and in no way detracts from Eitel?'s and others?' achievements in bringing forward their important contributions to those westerners studying the language and to the promotion and understanding essential to meaningful cultural exchange. This copy of the first edition of Eitel?'s Dictionary was bought in Hong Kong about 1970 or earlier, and is likely to have spent its whole life there, perhaps having been brought out for sale by the London publisher?'s co-publisher, the famous local firm of Lane, Crawford & Co, founded in 1850 which continues to this day as the territory?'s most prestigious local department store, with branches in China. The dictionary itself was re-bound in the early 20th century, and the worn title blocks were replaced very recently. It appears likely that the cloth the supplementary volume is bound in is the original. .

      [Bookseller: Asia Bookroom]
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        Les plus belles murailles de Pompéi. Planches chromolithographiques par Victor Steeger. Avec explications sommaires de E. Presuhn. Cahier 1-3.

      - Turin, chez Hermann Loescher, 1877. Small folio. 8 pp.+ 10 chromolith. plates; 8 pp.+ 10 chromolith. plates; 8 pp.+ 10 chromolith. plates. All plates with tissue guards with printed text in red. Contemporary red half morocco, gilt spine with raised bands, marbled boards, top edge gilt, slight wear to extremities. Not in Garcia, but compare 10898f. Not in Furchheim, but compare p. 75. The Italian, German, English and this French edition were all published the same year, 1877. Garcia mentions all but this French (he mentions a second French edition from 1878), Furchheim only mentions an Italian later edition. Each cahier starts with the same overview map of the excavated areas of Pompeii. Emil Preseuhn (1844-81) and Victor Steeger also co-operated in the larger work ?Pompeji. Die neuesten Ausgrabungen von 1874 bis 1878?, with 60 chromolithographed plates. [Attributes: Hard Cover]

      [Bookseller: Centralantikvariatet]
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        Histoire de la caricature sous la République l'Empire et la Restauration EDITION ORIGINALE

      Paris: Dentu, 1877. Fine. Dentu, Paris 1877, 14x19,5cm, broché. - Deuxième édition en grande partie originale, un des rares ex sur Holland papere dont il n'est fait nulle mention. Ouvrage illustré de 84 gravures. Agréable exemplaire à toutes marges bien complet du catalogue de l'éditeur in-fine. --- Please note that the translation in english is done automatically, we apologize if the formulas are inaccurate. Contact us for any information! - [FRENCH VERSION FOLLOWS] Deuxième édition en grande partie originale, un des rares ex sur Hollande dont il n'est fait nulle mention. Ouvrage illustré de 84 gravures. Agréable exemplaire à toutes marges bien complet du catalogue de l'éditeur in-fine.

      [Bookseller: Librairie Le Feu Follet]
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        Centralblatt für Gynäkolige - Zentralblatt für Gynäkologie, 1.(1877) - 20. (1896) Jahrgang. 20. Bde.

      . Leipzig, Druck und Verlag von Breitkopf und Härtel, 1877, 8°, 20 orig. Leinenbände, mit fleuraler Deckel- und Titelprägung und reichlicher Rückenvergoldung; feines Exemplar.. Fine copy of the first 20 volumes, the 'Centralblatt für Gynäkologie", it is an important source for every one interested in the Origin of Modern Gynaecology. - Here just a few samples of the important original contributions printed in this 20 volumes: - - Hegar, Alfred (1830-1914): Ueber die Exstirpation normaler und nicht zu umfänglichen Tumoren degenerierter Eierstöcke (1(1877): pp.297-307; 2(1878): pp. 25-39). - "Hegar develpoed Battey's operation and employed it for the treatment of various ovarian condition." - Garrison & Morton No.6067 - - Ruge, Carl Arnold (1846-1926) & Veit, Johann (1852-1917): Anatomische Bedeutung der Erosionen am Scheidentheil (1 (1877): pp.17-19). - Meilensteine in der Gynäkologie und Geburtshilfe; Garrison & Morton No.6069 - - Olshausen, Robert v. (1835-1915): Ueber ventrale Operation bei Prolapsus und Retroversio uteri (10 (1886): pp.698-701). - "First account of Olshausen's operation for retroversion of the uterus". - Garrison & Morton No.6083 - - Walcher, Gustav Adolf (1856-1935): Die Conjugata eines engen Beckens ist keine konstante Größe, sondern lässt sich durch die Körperhaltung der Trägerin verändern (13 (1889): pp.892-893). - "First description of the "Walcher position"." - Garrison & Morton No. 6200 - - Olshausen, Robert v. (1835-1920): Über Exstirpation der Vagina (19 (1895): pp. 1-6). - "The operation of excision of the vagina was introduced by Olshausen." - Garrsion & Morton No.6098 - - Knauer, Emil (1867-1935): Einige Versuche über Ovarientransplantation bei Kaninchen (Vorläufige Mittheilung) (20 (1896): pp. 524-528). - "Kanuer implanted ovaries into immature or castrated animals, producing development of sexual characteristics, thus demonstrating the existence of an ovarian hormone." - Milestones in Gastroenterology and Metabolic Research; Garrison & Morton No. 1178.1 - - Mackenrodt, Alwin Karl (1859-1925): Ueber den künstlichen Ersatz der Scheide (20 (1896): pp.546-550). - "Mackenrodt's operastion for the plastic reconstruction of the vagina". - Garrison & Morton No.6103 - - Wertheim, Ernst (1864-1920): Über Blasen-Gonorrhöe (20 (1896): pp. 1-10). - "Wertheim demonstrated the gonococcus in actue cystitis." - Garrison & Morton No. 6103 - - see - James vV. Ricci, One Hundredy Years of Gynecology, 1800-1900: p.86, 99, 97, 99, 107, 143, 144, 175, 176, 203, 219, 296, 317, 318, 352, 406, 411, 419, 420, 425, 429, 455, 463, 482,486, 587, 495, 496, 497, 500, 528, 540, 542, 557.

      [Bookseller: Antiquariat für Medizin - Fritz-Dieter S]
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        SLOVENLY PETER'S STORY BOOK

      - [HOFFMANN,HEINRICH]. SLOVENLY PETER'S STORY BOOK. NY: McLoughlin Bros. no date inscribed 1877. 12mo, cloth stamped in black and gold, pictorial paste-on, few minor mends, paper worn on one page and finger soil throughout, tight and overall VG. Containing: Dirty Child, Little Glutton, Tom the Thief, Little Jacob, Sammy Tickletooth, Untidy Tom, Little Suck-a-Thumb, Johnny Sliderlegs, Carrie and the Candle and Rocking Philip. Illustrated with 48 chromolithographs. [Attributes: Hard Cover]

      [Bookseller: Aleph-Bet Books, Inc. - ABAA]
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        Catalogue des livres de beaux-arts, de littérature et d'histoire la plupart ornés de figures et très-bien conditionnés composant la bibliothèque de feu M. Phélippon

      Paris: Adolph Labitte, 1877. First Edition. Hardcover. Very good antiquarian condition. 8vo. 164 pp. 1243 lots, all with prices and buyers' names in manuscript. Contemporary French broad half red morocco over marbled boards (trifle rubbed at extremities), marbled edges and endpapers, original wrappers bound in. Scarce; no copy in the Grolier Club, and indeed combined searches in OCLC Worldcat and CCFR (Catalogue collectif de France) produce just one copy worldwide: BnF. Our copy has prices and buyers' names throughout in a fine calligraphic hand. Characteristic of contemporary taste are high prices realized for "livres a figures" such as Dorat's "Les Baisers" (1770) illustrated by Eisen, the Phelippon copy bound in blue morocco by Bozerian (lot 449) for 905 FF (to Rouquette). Compare this Phelippon's copy of Senault's "Heures nouvelles" (ca. 1680) in contemporary green morocco elaborately gilt "aux dentelles" (lot 20) which sold for 73 FF (to Labitte). Another comparable: a 1514 Basle Bible in contemporary calf over wooden boards (lot 1) for just 7.50 FF (to Ritti) which is a fraction of the price paid for Dorat's "Les Baisers." A complete set of Bernard Picart's "Ceremonies et coutumes" (7 vols., 1741) in contemporary mottled calf (lot 54) sold for 106 FF. Gustav Brunet discusses the Phelippon sale in his "Livres payés en vente publique 1,000 fr. et au dessus depuis 1866" (Paris, 1877), reference to the Phelippon copy of "Les Baisers" and also the Oudry Fables de La Fontaine (1755-59, 4 vols.) printed on Papier de Hollande (lot 553) which realized 1,100 FF (to Morgand). Whereas the Phelippon sale occurred immediately prior to the bespoke Brunet publication, additional biographical information about this enigmatic collector has not been forthcoming, thus inviting further research. The name of Adolph Labitte, one of the two Commisseur-Priseurs, and publisher of the catalogue, appears as a buyer on almost every page. Blogie col. 144, lists the copy at the Bibliotheque royale Albert I, Brussels. From the library of Georges Heilbrun, with his bookplate.

      [Bookseller: Michael Laird Rare Books LLC]
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        Método racional de lectura para enseñar a los ciegos, precedido de tres ejercicios encaminados a facilitar el del tacto .

      1877. . 1877 - Imp. del Colegio Nacional de Sordo-mudos y de Ciegos, S. Mateo. Madrid. . 1 Vol. . 40 folios. Octavo apaisado. Tela y Papel. Enseñanza / Educación/ Urbanidad / Escolar / Infantil / Caligrafía , Siglo XIX . Interesante ejemplar de libro destinado a la lectura táctil para la enseñanza de los ciegos. Por su temprana fecha, es un de las primeras obras de su género editadas en España. El texto se halla en relieve en grafía latina y no en el sistema "braile". Auténtica joya para la historia de la enseñanza de los invidentes en España. Buen estado. .

      [Bookseller: Librería Anticuaria Astarloa]
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        L'assommoir EDITION ORIGINALE Tirage de tête

      Paris: Charpentier, 1877. Fine. Charpentier, Paris 1877, 12x19,5cm, relié. - Original, one of 75 numbered copies on Holland paper only major paper edition. Bound in full red morocco, spine tooled raised five triple gilded boxes, when golden tail, triple gilt frames on the boards, and guards contreplats of handmade paper, blankets (small stain on the front cover) and back and irradiated with two small gaps in the foot preserved golden head; lined morocco case the same, flat coated paper bowl, inside gray felt, elegant set signed P. Goy & C. Vilaine. Some light bites without gravity. Beautiful copy of a well established masterpieces of the author. --- Please note that the translation in english is done automatically, we apologize if the formulas are inaccurate. Contact us for any information! - [FRENCH VERSION FOLLOWS] Edition originale, un des 75 exemplaires numérotés sur Hollande, seuls grands papiers. Reliure en plein maroquin rouge, dos à cinq nerfs orné de triples caissons dorés, date dorée en queue, triples encadrements de filets dorés sur les plats, gardes et contreplats de papier à la cuve, couvertures (une petite tache sur le premier plat) et dos insolé et comportant deux petits manques en pied conservés, tête dorée; étui bordé du même maroquin, plats recouverts de papier à la cuve, intérieur de feutrine grise, élégant ensemble signé de P. Goy & C. Vilaine. Quelques légères piqûres sans gravité. Bel exemplaire parfaitement établi de l'un des chefs-d'oeuvre de l'auteur.

      [Bookseller: Librairie Le Feu Follet]
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        The Moonstone: A Dramatic Story, in Three Acts Altered from the Novel for Performance on the Stage

      [London]: Charles Dickens [Jr.] & Evans, 1877. First edition. "This play is not published. It is privately printed for the convenience of the author.". 88 leaves, printed on rectos only. 1 vols. 8vo. Full blue polished calf, gilt spine, with red morocco title labels, t.e.g., by Riviere & Son. Near fine, with original plain blue wrappers bound-in at rear. First edition. "This play is not published. It is privately printed for the convenience of the author.". 88 leaves, printed on rectos only. 1 vols. 8vo. The Rare Stage Adaptation. Extremely scarce stage adaptation of his novel - no copy has appeared at auction for over twenty years. According to Nuel Pharr David (THE LIFE OF WILKIE COLLINS, p. 284), "Partly out of kindness he contributed a weak short story to the July 2 All the Year Round, which Charles Dickens, Jr., was vainly attempting to keep from foundering. During this time [1877] he composed nothing else except a dramatic version of THE MOONSTONE ... It opened at the Olympic on September 7. Despite good acting and a tight script, THE MOONSTONE had only an indifferent run to partly filled houses.". Parrish & Miller, pp. 75-6; Wolff 1368b; OCLC: 21243438

      [Bookseller: James Cummins Bookseller]
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        A Series of Original Portraits and Caricature Etchings by the Late John Kay with Biographical Sketches and Illustrative Anecdotes. 2 Volume set

      Edinburgh: Adam & Charles Black Ltd. G+ : in Good condition plus with marbled eps. Cover lightly rubbed. Some light scattered browning. Contents firm. Teg. 1877. New Edition. Contemporary green quarter Moroccco gilt. 290mm x 220mm (11" x 9"). viii, 445pp; viii, 504pp. 361 b/w hand-pressed plates. 361 etchings providing an invaluable record of Edinburgh in the late 1700s / early 1800s. .

      [Bookseller: Barter Books Ltd]
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        Oeuvres complètes

      Paris: Charpentier., 1877. Fine. Charpentier., Paris 1877, 11 T. en 11 vol grd in 8 (14x21cm), relié. - New edition. Bida illustrated by 28 etchings and a portrait by Flameng. Were added as a result of 9 T forming the complete works for a Tome posthumous works, and Tome de Musset for biography by his brother Paul de Musset. 1) Poems 1828-1833, 2) Poems 1833-1852, 3) Comedies and Proverbs I, 4) Comedies and Proverbs II, 5) Comedies and Proverbs III, 6) The Confession of a Child of the Century, 7) News, 8) Tales and new, 9) Mixtures of literature & criticism, 10) Posthumous Works, 11) Biography of Alfred de Musset by Paul de Musset. Demi shagreen burgundy wedge. Back to 5 nerves decorated with blind fillets and three small gold chains. Good series. Binding slightly later. Wrappers preserved, backs are uniformly thinned. Very slight traces of foxing tail three back. Perfectly white paper, however, pale foxing to the place of serpentes that were removed. --- Please note that the translation in english is done automatically, we apologize if the formulas are inaccurate. Contact us for any information! - [FRENCH VERSION FOLLOWS] Nouvelle édition. Illustrée par Bida de 28 eaux-fortes et d'un portrait par Flameng. Ont été ajoutés à la suite des 9 T formant les oeuvres complètes un Tome pour les oeuvres posthumes, et un Tome pour la biographie de Musset par son frère Paul de Musset. 1) Poésies 1828-1833, 2) Poésies 1833-1852, 3) Comédies et proverbes I, 4) Comédies et proverbes II, 5) Comédies et proverbes III, 6) La Confession d'un enfant du siècle, 7) Nouvelles, 8) Contes et nouvelles, 9) Mélanges de littérature & de critique, 10) Oeuvres posthumes, 11) Biographie d'Alfred de Musset par Paul de Musset. Demi chagrin lie de vin à coins. Dos à 5 nerfs orné de filets à froid et dorés de trois petits fers. Bonne série. Reliure légèrement postérieure. Couvertures conservées, les dos sont uniformément éclaircis. Très légères traces de mouillures en queue de trois dos. Parfaite blancheur du papier, cependant rousseurs pâles à l'endroit des serpentes qui ont été retirées.

      [Bookseller: Librairie Le Feu Follet]
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        5 offprints Charles Sedgwick Minot One inscribed

      Cambridge, Printed at the Riverside Press 1877 - Group of 5 rare offprints by Charles Sedgwick Minot. First separate editions. Included are: The Sledge Microtome (1877) reprinted from The American Naturalist, April, 1877 Inscribed presentation copy from the author. Fold marks, chipping to edges; The Concrescence Theory of the Vertebrate Embryo from The American Naturalist July, 1890; The Concrescence Theory of the Vertebrate Embryo, from the American Naturalist, August, 1890; Ueber die Vererbung und Verjungung, Leipzig, Eduard Besold, 1895, ring-stain front cover; The Number Habit from the Proceedings of the American Society for Physchical Research Vol. 1 Part II, June, 1886 (front cover perished, back cover torn and badly chipped.First separate editions. Offprints. Good to very good condition. Rare books make Fine Gifts. Quality, Value, Experience.

      [Bookseller: Robinson Street Books, IOBA]
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        Across Africa.

      London: Daldy, Isbister & Co., 1877 - 2 volumes, octavo (215 × 137 mm). Recent dark blue morocco, titles and decoration to spines gilt, raised bands, single rule to boards, marbled endpapers, top edges gilt, others untrimmed. Ownership inscription to half-title, some occasional light foxing, an excellent copy. Frontispiece to each, 31 plates and 123 woodcuts in all, one engraved folding map coloured in outline in end-pocket of Volume I. First editions. Cameron (1844-94), a naval officer and traveler, volunteered to lead the Royal Geographic Society expedition to find and assist David Livingstone in the African interior. The expedition suffered from the usual difficulties, including desertion, illness, and conflict with local chiefs, before it arrived in Unyanyembe in August 1873. Here, word reached Cameron of Livingstone's death; the missionary's body was brought in some time later. "This left Cameron in a quandary. His instructions from the Royal Geographical Society made it clear that he should go no further than find Livingstone and put himself at his disposal. Moreover, he had been warned that money was short" (Ewans, European Atrocity, African Catastrophe, p.34). Under the pretext of collecting some of Livingstone's belongings, Cameron set out for Ujiji and Lake Tanganyika, where he decided to continue Livingstone's exploration of the southern part of the lake. This decision lead to Cameron following the Lukuga River onwards east to the Lualaba and from thence onwards. In November 1875, after more than two years' travel in Central Africa, Cameron arrived in Benguela, thus becoming the first European to transverse the African continent from east to west. Published two years later, Across Africa, the account of his travels, "contained valuable suggestions for the opening up of the continent, including the utilization of the great lakes as a Cape-to-Cairo connection" (Howgego). Embacher, p. 68; Howgego IV C5.

      [Bookseller: Peter Harrington. ABA member]
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        Tiyo Soga: A Page of South African Mission Work

      Edinburgh, London, Glasgow, Grahamstown, Cape Colony: Andrew Eliot, Hodder & Stoughton, David Bryce & Son, James Kay. 1877. First. First edition. Thick octavo. 488pp. Albumen photographic frontispiece portrait of Tiyo Soga. Brown cloth decorated in black and stamped in gilt. Attractive and small contemporary gift inscription on the half-title, binding a little cocked, modest wear on the boards, slight foxing on first few pages, but overall a nice, very good or better copy. Biography of Tiyo Soga, who died in 1871, and was the first black South African to be ordained. He studied in Scotland and later worked translating the Bible and John Bunyan's Pilgrim's Progress into Khosa. Uncommon. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Dos a Uno, Meten La Paja en el Culo] or [Disparate Conocido]. If two to one, stuff your arse with straw. Well-known folly.

      Paris printed by Francois Lienard 240 x 350mm. Very good clean impression. HARRIS. 266.III - Etching and aquatint, from L'Art, on laid paper, This is one of the additional plates for 'The Proverbios' series. This edition impression was published in 1877 in volume 2 of L'Art with the title Que Guerero (Quel Guerrier). The man running in mock terror from the scarecrow figures slaps his backside to entertain the crowd.

      [Bookseller: R.G. Watkins Books and Prints]
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        Yochi Shiryaku

      1877. UCHIDA, Masao. Yochi Shiryaku [Outlines of World Geography or Short Description of the World]. 216 pp. Printed on double-leaves of rice paper. Illustrated with 37 wood-engravings or lithographs plus 4 maps of the Americas, United States and Mexico (2 folding). 4to., 253 x 167 mm, bound Japanese style in original dark blue paper wrappers, paper title-label on cover. Laid into black cloth box. [Tokyo, Japan]: Uchida Masayoshi zoban, Meiji 10, 1877. |~||~||~||~| First Edition (?) of this fascinating Japanese geo-encyclopedia of the United States and Mexico. This volume represents the North America section of a 13-volume Japanese series covering the entire world. Of particular interest here are the many illustrations, primarily woodcuts (there are two beautiful lithographs as well), depicting such typically American subjects as big trees in California, steamboats on the Mississippi, Native Americans in the Southwest, gold mining in California, a buffalo hunt, railroads, Niagara Falls, scenes in New York City, Washington (view of the Capitol before the addition of the dome, Congress in session and the White House, views of Boston, St. Louis, Philadelphia, and other American cities. Natural history illustrations include an American bald eagle, a cotton plant and a black bear. Uchida Masao (1838-1876), a graduate of the Nagasaki naval school and one of the earliest Japanese travelers in America. Uchida was dispatched to Europe by the Tokugawa shogunate, where learned Western culture and technology in Holland for five years beginning in 1862. Uchida was part of a Bakufu "student" group that visited America on his way back from Europe. He then returned to Japan with oil paintings, photographic albums, and hundreds of pictorial natural history images. Based upon the sources he collected on his travels, "Uchida began to compile the Yochi Shiryaku in 1870, a thirteen-volume of encyclopedia of world geography. Its success was primarily due to the huge number of illustrations that Uchida called "shashin (photography)," the images copied from the Western photographic albums and traveling magazines." (Paper delivered to the "Association of Asian Studies," Chicago, March 26-29, 2009). The Mexican views include the Cathedral in Mexico City, views of other Mexican towns such as Guanajuato, view of the volcano Popocatepetl, a pair of Mexican women in traditional dress, and a Mexican farmer harvesting maguey juice. Holdings of the complete 13 volume series are held by Harvard, University of Michigan and UC Berkeley, but individual volumes are more commonly found since the work was issued over a period of years. Very minor wear to wrappers, one binding thread broken, cover label with small chip to one corner, occasional worm tracing, very minor, and not affecting text. Beasley, W.G. Japan Encounters the Barbarian (1995), p. 121 and passim.

      [Bookseller: Ursus Rare Books]
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        Black Beauty: his grooms and companions. The autobiography of a horse

      London: Jarrold and Sons,, [1877]. Translated from the original equine. Octavo. Original green cloth, spine and front board lettered and decorated in black and gilt, rear board blocked in blind, brown endpapers (Carter's B binding), edges trimmed. Frontispiece, 8pp. undated publisher's adverts at end. Skilful restoration to cloth at foot of spine and to inner hinges, an excellent copy. First edition, presentation copy inscribed by the author's mother Mary on the front endpaper, "The Revd J Drake, from his sincere friend, Mary Sewell"; in one of two primary bindings (Carter B). This Victorian classic was the only book of its bedridden author, who died shortly after its publication, much too soon to appreciate its slowly accumulated worldwide success. Presentation or inscribed copies are understandably rare and the majority are not inscribed by the author herself, but by her mother. Anna's mother Mary was a Quaker (though she experienced a spiritual crisis in her late thirties that resulted in her leaving the Quakers and being baptized) and a children's writer in her own right. Anna and her mother were extremely close and mother helped daughter substantially during the composition of the novel. In 1938 Carter distinguished three states of the binding: A with the same blocking as this, but all in gilt; B, as here, with the horse's head, titling, and the rustic portions of the decoration in black (Carter mistakenly describes the titling as gilt, which invariably leads to the B binding being described as a variant), the other parts being gilt; and C, blocked in black and gilt, with a much smaller horse's head gilt in a medallion, facing left, the same design as used for the later editions. Carter A and B are primary, and the earliest dated inscribed copies are Christmas 1877. Publication date was 24 November 1877.

      [Bookseller: Peter Harrington]
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        Emma: a Novel

      London: George Routledge and Sons,, [1877]. Octavo (162 × 100 mm). Contemporary pale brown half sheepskin, gilt tooled on the raised bands, blind centre tooled spine, brown cloth sides, marbled edges. Ownership inscription on front free endpaper: "Miss Cassels, Wheatlandside, Lanark [Scotland], 1877"; a very nice copy. A decidedly scarce mid-Victorian edition: Copac appears to locate only two copies (Exeter, Cambridge); as the edition is undated it is difficult to trace accurately the number of copies in OCLC but it would appear to be no more than a handful. The only copy that Gilson had seen was in Boston Public Library, and he comments that the edition was "presumably" issued in Routledge's Ruby Series. Emma was first published in 1816.

      [Bookseller: Peter Harrington]
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        The Rise and Fall of the Mustache and Other "Hawk-Eyetems"

      A. Roman and Company, San Francisco 1877 - First edition, San Francisco issue. Illustrated by R.W. Wallis. 328pp. Decorated brown cloth stamped in black and gilt. Penciled ownership signature dated in 1877 (see below for possible significance), slight tears in the cloth at the spine ends, and a little light rubbing, else a nice, tight, near fine copy. Author's first book. *BAL* 1954 notes this San Francisco variant, but specifies the date of 1878 on the title page, *Wright III* 790 conforms to *BAL*. *OCLC* seems to locate no copies with this 1877 San Francisco imprint. [Attributes: First Edition; Hard Cover]

      [Bookseller: Between the Covers-Rare Books, Inc. ABAA]
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        Michael Strogoff, the Courier of the Czar.

      Scribner, Armstrong & Company, New York 1877 - xi, 377pp + 6pp of publisher's advertisement. Original brown decorated cloth stamped in black and gold on the front panel and the spine panel. With ninety full-page illustrations. Revised by Julius Chambers. Translated by W. H. G. Kingston. Lower front corner tip worn, mild wear to extremities. Name on the half-title page, short closed tear to one of the leaves. A bright, near fine copy. Taves and Michaluk V015.; Octavo [Attributes: First Edition; Hard Cover]

      [Bookseller: Parigi Books, ABAA/ILAB]
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        SHIPMASTER'S ARCHIVE, COMPRISING HIS SCHOONER LEDGER, BRIEF DIARY, AND SOME 100 OTHER PRINTED AND HANDWRITTEN ITEMS THAT BELONGED TO BURGESS

      1877. Original manuscripts. Leather-backed boards. Very Good. LEDGER, worn leather and marbled boards, 13" x 8", containing 153 pages of handwritten entries in ink on blue paper, dating from 1861 to 1867. Most of the book is made up of ledgers of expenses for three different schooners owned by Burgess: "Elizabeth B"; "Typhoon"; and "Aurelia P. Howe". DIARY, 3-1/2 closely written pages of the ledger in which Capt. Burgess describes not only a thrilling hurricane, but also the attempted seizure of his vessel in early 1861 by the Confederacy, and his subsequent escape. (Accompanied by a 9-page modern transcription of the diary portion, written in pencil by an earlier owner of this book.) ARCHIVE documenting the construction and early voyages of the Bark "John Sheppard"--Freeman Burgess, Owner and Master, 1874-1879. (Archive housed in a 3-ring binder of archival document sleeves.). The first page of the ledger contains a list of the "gross stock" costs for 15 voyages of the "Elizabeth B." to destinations in 1863--New York, Boston, Gloucester, New Bedford, Providence and Bangor. This vessel next appears on page 10 with a list of "charges" for "kerosine and fluid", lamp, "hired help", stamps on the bill of lading, etc. Pages 16-17 list provisions and their costs: cod fish, butter and lard, etc., and Freeman E. Burgess, as well as Lovell Burgess (one of them appearing as "Ensign Burgess") are listed as being charged $10 for passage to NY. Pages 18-19 list "Port Charges", 1865, and include a list of people's names and what they were paid, including both Burgesses. More "wages and provisions prices are on pp. 20-21, then 28-29, dated 1863, contain figures for various bills for caulking, painting, lumber and nails, customs house, sail work, etc., while p. 30 lists "Port Charges", a long list: wharfage, pilotage, stamps, kerosene, harbour master, etc. The Provisions and Wages Paid list on p. 32 includes "Ensign Burgess", who is again listed on p. 34 (1863) along with his "share of the voyage". Later pages contain more of the same, including charges for 1864-65 voyages, with the final appearance of this schooner on p. 164, which notes that Freeman E. Burgess, Capt. of the Schooner Elizabeth B., received $3.50 "in full for 8 days service on Bord...Providence to New York" since he is paid $13/month. ~~ The second vessel named is the "Typhoon", carrying freight to Brashear (City), Louisiana (renamed Morgan City in 1876), and the entries include expenses at Brashear (wages paid to seamen, as well as several names including Burgess's). The next voyage mentioned is to Havana (pp 4-5), and expenses include an interpreter, translation of the manifest, "American Consul bill", ship chandler's bill, etc. She next (p. 6) goes to Frontera (Mexico), where expenses include "certificate of death and desertion of Cook and One". On p. 60, the "Manifest of Cargo On Board" lists Freeman E. Burgess as Master, and she is bound from Brashear City to Boston. ~~ It is as Captain of the Typhoon that Captain Burgess has his adventure with the Confederates in 1861, an episode he describes in detail in his 3 ½-page journal, written in the middle of the volume. The voyage starts on February 9, 1861, when the Typhoon sails out of Boston, headed for Brashear City, Louisiana. There is immediately a dramatic storm: "Gave all the chain we had and stood by the anchors all night until myself and mate were froze so bad it was impossible to stand it any longer...our water caske froze and burst and we were so covered with ice we could do nothing...." After they "laid three days" they set sail again and arrive in Brashear twenty days later. He walks around town as unloading begins, then returns and hears a steamer whistle. "I was most surprised when I saw the people that was on her on the top of her Paddle Boxes...25 men, some with a bottle and some with...whiskey giving 3 cheers for the Southern Confederacy. They came alongside and came on board, told me they should take charge of the schooner and cargo and had no authority but what they took upon themselves." The revelers finally leave "drunker than ever." ~~ Burgess goes to town next day and sees the cutters crew hauling the Schooner Mary on to the wharf: "I began to think they were in earnest and after reaching town I learned that orders had just come from Montgomery to stop all vessels loaded with Live Oak and Naval Stores." He is told that they will "put an officer aboard" his vessel if he doesn't give his word not to sail off. He replies that he has enough officers on board already and is told that they've written Montgomery about his giving the Live Oak, etc. Burgess waits 14 days, then receives orders that he could "discharge my Live Oak". After two days of unloading, contradictory orders come, saying he is not to unload and that schooner and cargo will be taken to New Orleans. He has no money or provisions, so "discharged all my crew except my mate and got just money enuf to get them out of the place...." He takes the "chronometer and all the valuable things out of the vessel" and next sees "Capt. Hampson and crew getting into the Cars to go home, likewise my own [crew]..." He registers a protest and notes that "myself and mate were the only Northerners" there. He goes to see "Mr. McMullin, chief collector" and tells him he'd like to see any official "authority for stopping the vessel." He is told that orders came the day before "that all American vessels would have 30 days to get [to] their respective homes..." The Collector sent a letter saying to "retain the Live Oak but give the vessel a clearance within 30 days" and adds that Burgess should let him know if anyone "bothered or molested" him. &c., &c. ~~ The third schooner in the ledger is the Aurelia P. Howe, and thirty pages are devoted to wages and provision, bills paid, settlement of voyages, gross stock lists, port charges, etc. Virtually all are from 1867. In addition to Burgess, another captain mentioned in connection with the vessel is Lewis B. Doane, whose name appears when Capt. Burgess pays him $100 in January, 1868; in a settlement of Jan-Sept. 1867; in accounts dated July-Sept, 1866; as receiving cash for 1/128 of Schooner A.P. Howe; as receiving credit on his wages, etc. Burgess's name is included in a list of owners (pp 152-3) and is mentioned also in lists of the schooner's earnings for various periods. The Aurelia P. Howe's destinations include Savannah (1866 or '67), Tampico, Chiltepec, Boston to Harwich, Philadelphia to Boston, Mobile, Galveston, Charleston, NY, etc. ~~ A fourth schooner, the Edward Kidder, is mentioned on pp 98-99, 101 and 103, with the usual listings for expenses (Newport to Savannah), port charges, wages, etc. No mention of Burgess. ~~ The archive accompanying this ledger is a collection of about 100 items, including the contract for building the bark "John Sheppard" between Freeman Burgess of Harwich, and George Currier, master ship builder of Newburyport, and all manner of carpenters, purveyors, chandlers, surveyors, customs people, merchants, consignors and port officials. Her maiden voyage saw her sail to South America (several receipts from the Panama Railroad Company) to Mexico, to Queenstown, Ireland, to Liverpool, and back to Boston. This is a rich assortment of 19th century billheads, invoices accounts, and other printed material creating the biography of an American merchant sailing ship, and now housed in archival sleeves and a binder.

      [Bookseller: R & A Petrilla]
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        Satsu-shu Kagoshima Senki (Record of the Battle of Kagoshima in Satsu-shu)

      Funatsu Chujiro, 1877, Book Condition: Near Fine, First Edition, Signed by Illustrator, Illustrated By: YoshitoshiSize: Folio - over 12" - 15" tall, Artist: Taiso (great resurrection) Yoshitoshi. Title: Satsu-shu [Sasshu] Kagoshima Senki (Record of the Battle of Kagoshima in Satsu-shu) From the Satsuma Rebellion. Publ.: Funatsu Chujiro. Date: Meiji 10 (1877). The print is contemporaneous with the battle memorialized. Size: (HxW) 13.75" x 9.5" (each of 3 pieces) of triptych. Oban tate-e. Signature: oju Taiso Yoshitoshi. Condition: Near Fine impression and state. No creasing observed. Immensely clean, front and back. Sharp, unbroken key block lines and with well-registered colors. Vibrant aniline dye colors, slight color transfer. Very good color choices, with black, olive, purple, red and mustard yellow dominating. Deft bokashi evident in the purple and elsewhere. Note that upright sword of central character on middle triptych almost certainly used gin (tin) or akegane (copper) to imitate silver, probably using starch-printing (nori-zuri) technique, and the metal-color has moderately transferred or off-set to part of the center of the left-hand triptych, but is scarcely noticeable except across a white sleeve. Fully trimmed; no outer margins. Comments: Right-side triptych includes addresses of artist and publisher, as required by law. Original price printed as 7 sen. The portrait of Saigo (general) Takamori [?] drawn byTsukioka Yonejiro. The Battle of Kagoshima in Satsu-shu is more commonly know as the Battle of Tabaruzaka. On March 4, 1877, Imperial Army General Yamagata ordered a frontal assault from Tabaruzaka, guarding the approaches to Kumamoto, which developed into an eight-day long battle. This ukiyo-e print states: "Very brave disenfranchised samurai got together and decided upon a military order for sending their soldiers to fight around a very important road going into Kumamoto." The samurai, in addition to swords, were armed with Enfield and Model 1857 Six Line (Russian) muzzle loading rifles and could fire approximately one round per minute.

      [Bookseller: The Book Carrel]
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        Reise in Nordost-Afrika. Schilderungen aus dem Gebiete des Beni Amer und Habab nebst zoologischen Skizzen und einem Fhrer fr Jagdreisende. 2 B„nde in 1.

      Braunschweig Westermann ; 1877 - EA; ca 24x17 cm; (16) 285 (1), (8) 304 Seiten mit 10 Holzstichtafeln, 3 kolorierte lith. Tafeln und 1 mehrfach gef. Karte; Originalhalbleinwandeinband mit Rckentitel (Rcken etwas sp„ter erneuert mit aufgezogenem Originalrcken, Einband leicht berieben, Vorsatz mit einigen Zahlen beschrieben, Stempel auf Titelrckseite, der erste Band teils gering stockfleckig; insgesamt gutes Exemplar) Heuglins letzte Expeditionsreise, selten! "Man verdankt [dem Buch] genauere Angaben ber den oberen Atbara und seine Zuflsse sowie Nachrichten ber die Schimfa und den Dinder" (Henze). 0,000 gr. [Attributes: First Edition]

      [Bookseller: Antiquariat Hilbert Kadgien]
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        Thousand Miles Up The Nile [FIRST EDITION DATED 1877]

      Longmans, Green, & Co, London, 1877. First Edition. Hardcover. Good Condition/No Dust Jacket. Amelia Edwards 1831 - 15 April 1892, English novelist, journalist, traveller and Egyptologist. In 1877, Edwards proceeded to write a vivid description of her Nile voyage, under the title of A Thousand Miles up the Nile. Enhanced with her own hand-drawn illustrations, the travelogue became an immediate best-seller. Chapter Headings: I. Cairo and the Great Pyramid II. Cairo and the Mecca Pilgrimage III. Cairo to Bedreshayn IV. Sakkarah and Memphis V. Bedreshayn to Minieh VI. Minieh to Siout VII. Siout to Denderah VIII. Thebes and Karnak IX. Thebes to Assouan X. Assouan and Elephantine XI. The Cataract and the Desert XII. Philae XIII. Philae to Korosko XIV. Korosko to Aboo Simbel XV. Rameses the Great XVI. Aboo Simbel XVII. The Second Cataract XVIII. Discoveries at Aboo Simbel XIX. Back Through Nubia XX. Silsilis and Edfoo XXI. Thebes XXII. Abydus and Cairo. Appendix. Book - in Good original black and gilt decorated cloth covered boards with gilt and red lettering & all edges gilt - some darkening to the boards with some slight bumping and wearing to the extreme corners and rubbing and wearing to the extreme edges, gilt lettered, cloth covered spine is not original. Contents, new but sympathetic coloured endpapers, some browning to the introductory and title pages, also SEE SCANS inexplicably to pages 506/7 and to the plate in between, otherwise only the expected very occasional slight spotting/browning mar what is a clean, bright and tightly bound first edition copy of this remarkable record of a Victorian Lady's journey up the River Nile. Size: 10.5 inches tall by 7.5 inches. xxv, 721 pages. Iillustrated frontispiece & 16 full page wood engraved plates, 62 vignettes & 2 colored folding maps.Wood engravings by G. Pearson after drawings by the author.. Quantity Available: 1. Shipped Weight: 2-3 kilos. Category: Travel & Places; Biography & Autobiography. Pictures of this item not already displayed here available upon request. Inventory No: 8799.. THIS BOOK IS HEAVIER THAN THE AVERAGE UPON WHICH CHARGES ARE BASED AND SO WILL INCUR AN ADDITIONAL CHARGE FOR SHIPPING TO ADDRESSES OUTSIDE THE U.K..

      [Bookseller: John T. & Pearl Lewis]
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        Spinal Disease and Spinal Curvature, their treatment by suspension and the use of the plaster of Paris bandage

      Smith, Elder & Co, 1877. Hardcover. Fair/No Dustjacket. 1877. 121 pages. No dust jacket. Burgundy cloth boards. The front hinge is cracked with the binding netting exposed, pages are lightly tanned with foxing throughout. Some of the plates have come detached but are present, with the text block loosely bound towards the back of the text block, but all pages attached. Few fingerprint marks to back of plates and page edges with light creasing or chipping to the edges of some of the plates, but most are intact. Moderately stained and blemished boards with rubbing, scuffing and surface wear. Moderate edge rubbing, scuffing and wear with light corner bumping.

      [Bookseller: The World of Rare Books]
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        Broadside: Western Wilds and the men who redeem them. An Authentic Narrative

      Jones Brothers, Philadelphia 1877 - With text in center and 14 wood engravings surrounding it. 29 3/4 x 21 3/4 inches. An advertisement for Beadle's upcoming book. With text in center and 14 wood engravings surrounding it. 29 3/4 x 21 3/4 inches

      [Bookseller: James Cummins Bookseller, ABAA]
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        Eigenh. Brief mit U.

      An Bord der "Nixe", Palma de Mallorca, 30. III. 1877. - 2 ½ SS. 8vo. auf Doppelblatt. An den Diplomaten und Forschungsreisenden Karl von Scherzer (1821-1903): "Herzlichen Dank für Ihre Sendung Ihres Werkes über Nordamerika welche ich vor ein paar Tagen erhielt. Ich werde die Bändchen mit doppeltem Interesse lesen einerseits als das Resultat eines scharfsinnigen Beobachtens über eine theilweise mir bekannte Gegend, andererseits als ein Werk des theueren unvergesslichen Bekannten [ ]". - Der umtriebige Sohn des vertriebenen Großherzogs Leopold II. von Toskana war u. a. Reiseschriftsteller, Ehrenmitglied der Österreichischen Akademie der Wissenschaften und Vater einiger illegitimer Kinder. In der Familie Habsburg-Lothringen als der "gelehrte Erzherzog" geltend, "unternahm [er] mit seiner Jacht Expeditionen im Mittelmeer und schrieb darüber viele Bücher. Bei Besuchen am Hof in Wien fiel er durch nachlässige Kleidung und unhöfisches Benehmen auf" (Öst. Lex. I, 729).

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
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        [Broadside circular:] Testimonial to Thomas Nast [with:] Four related handwritten letters regarding Thomas Nast

      [Ft. Sander, Wyoming Territory: s.n.], 1877. Broadside circular, 8-1/4 x 5-1/4 in, with 4 8vo letters, 4 pp. total. Formerly folded, short edge-tear, mild wear, very good. A broadside circular from the "Cavalry" of Ft. Sanders, Wyoming Territory, addressed to William Conant Church, editor of the Army and Navy Journal, regarding the raising of funds by subscription to present a testimonial to Thomas Nast. Reading, in part, "The Army feel that Mr. Thomas Nast, of Harper's Weekly, has, by his vivid caricatures, in said paper, exhibited to the country how the Army has been and is being treated, and by such action on his part he is entitled to the gratitude of both officers and soldiers ?" A subscription, at 25 cents a share for enlisted Army and Navy men, is to be created; the money collected for "a suitable testimonial" to Nast.William Conant Church's personal copy. Annotated in pen at the conclusion, "One sent to every Post in the Army. Guy V. Henry." According to Albert Bigelow Paine, Henry was one of the "? 'bravest of the brave,' [Henry] then at Fort Sanders trying to get well of injuries received in the campaign agaist Crazy Horse, under General Crook" (p. 372).Included are four autograph letters from 1878 that pertain to the "suitable testimonial" of the broadside - a vase to be created by Tiffany in Nast's honor. One letter is from Tiffany Company to Church discussing the vase. The other three letters are from Nast (but not signed, and not in his hand) to Church describing the former's drawings and ideas for the vase. Not in OCLC. Paine, Thomas Nast: His Period and his Pictures (1904), pp. 372-4 (illustrated)

      [Bookseller: James Cummins Bookseller ]
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        Faust 1. Theil,

      München, Bruckmann, (1877). - 143 Seiten mit 14 Tafeln und zahlreichen Textholzstichen von A. v. Kreling Einband gering berieben, auf hinterem Deckel mit minimalen Flecken, sehr schön erhaltener, seltener Prachtband Sprache: de Gewicht in Gramm: 8000 Groß-Folio, Ledereinband mit Metallbeschlägen und -portraits, Goldprägung auf Deckel und Rücken, dreiseitiger Goldschnitt [Attributes: First Edition]

      [Bookseller: Antiquariat Gisa Hinrichsen]
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        Album of Ten Original Watercolour Views of Saigon and Environs].

      1877 - 1877-1878. Watercolour and ink on paper; six larger sketches, ca. 13x21 cm (5x8 in), and four smaller ones, ca. 10,5x14 cm (4 x 5 ½ in). All captioned and dated in ink in the lower margins of the images, with additional pencil captions or notes on the mounts. Period style maroon gilt tooled half morocco with cloth sides. Watercolours mounted laid paper leaves. Album overall in very good condition. Beautiful sketches taken from life by a skilful amateur artist, a French colonial engineer, while serving in Indochina. The collection includes several interesting views of Saigon showing the La Sainte Enfance School, St. Joseph Seminary ('Seminaire annamite'), the house of the director of the French arsenal, a horse-driven carriage or 'Malabar' et al. The watercolours include some nice portraits of the locals, including a sketch of a Chinese merchant followed by a servant carrying his goods, portraits of Vietnamese women with children, people driving oxen carts, villagers et al. There is also a great view of Dong Nai River near Bien Hoa city (32 km east from Saigon) - a peaceful picture of a river with two people paddling in a boat and several village houses amidst lush tropical greenery on shore. The earliest watercolour in the collection, dated 1877, is a view of Bangkok. One sketch shows local plants - mango tree, bamboo and an Erythrina tree covered with bright red flowers. Chrétien Édouard Caspari was a French hydrographer and astronomer. He graduated from École polytechnique in 1860, and in 1862-1902 he worked as a hydrographer and engineer in France, the Caribbean and French Indochina (the Gulf of Siam, Annam and Tonkin). Caspari was the author of an astronomy textbook for the Service Hydrographique de la Marine, and of numerous scientific papers, some relating to Indochina. He was awarded with the Prix Montijon of the French Academy of Sciences (1878), and in 1905 he became President of the Astronomical Society of France. [Attributes: Hard Cover]

      [Bookseller: The Wayfarer's Bookshop, ABAC/ILAB/PBFA]
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        GROUP OF NINETEEN STEREOCARDS SHOWING SCENES IN DENVER, GLENWOOD SPRINGS, CANYON CITY, PUEBLO, ASPEN, AND OTHER COLORADO SIGHTS].

      Littleton, N.H.: B.W. Kilburn, /90. 1877 - Seventeen cards measure 3 1/2 x 7 inches; the final two cards listed measure 4 1/4 x 7 inches. Penultimate card on the list cropped at top upper edge (dimensions listed below), else the group is unblemished. Some of the images are slightly faded. Very good. A fine group of rare stereocards showing scenes in Colorado towns and forests, including several photographs of Denver and Glenwood Springs, early pictures of Pueblo and Aspen, and several views of the Rocky Mountains. They offer interesting views of street scenes and cityscapes of growing Colorado towns, as well as scenic views of the Rocky Mountains. Two are especially noteworthy for showing the interiors of churches, one a Methodist Episcopal church featuring a huge pipe organ, the other the more modest interior of a Catholic church. The cards were produced by the B.W. Kilburn company of Littleton, New Hampshire, a prominent stereocard producer in the later 19th century. Edward and Benjamin West Kilburn began operation in the 1860s as suppliers of views of New Hampshire scenes, especially the White Mountains. Their business expanded, and in the late 1870s they began offering views of natural wonders in the West, including the Colorado Rockies and Yellowstone. Such 19th-century stereocards of scenes in Colorado towns and the Rocky Mountains are quite rare. The web site of the photographic collection at the Denver Public Library lists thirty-six stereocards of Colorado by the Kilburn Company, five of which match the images in the present group. OCLC records only one listing for Colorado stereo views by the Kilburn Company, a group of five views dated 1890, located at the Bancroft Library at the University of California. A comparison with those views, however, shows that they are different than any of the cards in the present group. The final two cards in the group bear copyright dates of 1877 and are early photographs of Pike's Peak and the "Garden of the Gods." Nine of the cards are dated 1890, and the other nine cards, similar in format and numbering pattern, were also likely produced around 1890. Each card is numbered beside the caption, and that number is recorded in parentheses in each listing below. Two of the cards are duplicates (items 1 and 2 below). 1) "Court House, Denver, Col. U.S.A." (5645) A nice view of the massive courthouse in downtown Denver. A man stands in profile in front of the building, and a telegraph pole is also visible. 2) "Court House, Denver, Col. U.S.A." (5645) A duplicate of the previous card. 3) "Interior of the Trinity M.E. Church, Showing the Great Organ, Denver Col." (5650) The church's huge pipe organ is clearly depicted. 4) "Interior of Catholic Chapel, Denver, Col. U.S.A." (5651) 5) "Bird's-eye view of Denver, Col., U.S.A." (5654) A nice view of downtown Denver, showing many multi-story buildings and a few steeples. 6) "Bird's- eye view of Denver, Col., U.S.A." (5655) Another view of downtown Denver, from a different perspective, showing a sizeable church with a steeple and large rose window, as well as many large homes and other buildings. 7) "Denver, from the Tower of the North Denver High School. Col. U.S.A." (5662) Taken from the outskirts of the city, looking toward downtown. 8) "The Boys Day, Glenwood Springs, Col. U.S.A." (5623) Shows a group of boys playing in a large pool, with a huge fountain in the center of it. 9) "D. & R. G. R. R., Tunnel, Glenwood Springs, Col. U.S.A." (5626) A view of a Denver & Rio Grande Railroad tunnel cut into the side of a large mountain. 10) "Our little picnic at Glenwood Springs, Col. U.S.A." (5628) Shows a man and a woman, their son, daughter, and family dog, with mountains in the distance. The young daughter sits on a horse. 11) "Canyon City, from the Cliffs, Col. U.S.A." (5603) Depicts a group of day- trippers on the side of a hill with Canyon City down below. 12) "The Pride of Pueblo from the Bridge, Col. U.S.A." (5599) Shows a bustling main street in downtown Pueblo, with many buildings, peop

      [Bookseller: William Reese Company - Americana]
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        [GROUP OF NINETEEN STEREOCARDS SHOWING SCENES IN DENVER, GLENWOOD SPRINGS, CANYON CITY, PUEBLO, ASPEN, AND OTHER COLORADO SIGHTS]

      Littleton, N.H.: B.W. Kilburn, 1877/90.. Seventeen cards measure 3 1/2 x 7 inches; the final two cards listed measure 4 1/4 x 7 inches. Penultimate card on the list cropped at top upper edge (dimensions listed below), else the group is unblemished. Some of the images are slightly faded. Very good. A fine group of rare stereocards showing scenes in Colorado towns and forests, including several photographs of Denver and Glenwood Springs, early pictures of Pueblo and Aspen, and several views of the Rocky Mountains. They offer interesting views of street scenes and cityscapes of growing Colorado towns, as well as scenic views of the Rocky Mountains. Two are especially noteworthy for showing the interiors of churches, one a Methodist Episcopal church featuring a huge pipe organ, the other the more modest interior of a Catholic church. The cards were produced by the B.W. Kilburn company of Littleton, New Hampshire, a prominent stereocard producer in the later 19th century. Edward and Benjamin West Kilburn began operation in the 1860s as suppliers of views of New Hampshire scenes, especially the White Mountains. Their business expanded, and in the late 1870s they began offering views of natural wonders in the West, including the Colorado Rockies and Yellowstone. Such 19th-century stereocards of scenes in Colorado towns and the Rocky Mountains are quite rare. The web site of the photographic collection at the Denver Public Library lists thirty-six stereocards of Colorado by the Kilburn Company, five of which match the images in the present group. OCLC records only one listing for Colorado stereo views by the Kilburn Company, a group of five views dated 1890, located at the Bancroft Library at the University of California. A comparison with those views, however, shows that they are different than any of the cards in the present group. The final two cards in the group bear copyright dates of 1877 and are early photographs of Pike's Peak and the "Garden of the Gods." Nine of the cards are dated 1890, and the other nine cards, similar in format and numbering pattern, were also likely produced around 1890. Each card is numbered beside the caption, and that number is recorded in parentheses in each listing below. Two of the cards are duplicates (items 1 and 2 below). 1) "Court House, Denver, Col. U.S.A." (5645) A nice view of the massive courthouse in downtown Denver. A man stands in profile in front of the building, and a telegraph pole is also visible. 2) "Court House, Denver, Col. U.S.A." (5645) A duplicate of the previous card. 3) "Interior of the Trinity M.E. Church, Showing the Great Organ, Denver Col." (5650) The church's huge pipe organ is clearly depicted. 4) "Interior of Catholic Chapel, Denver, Col. U.S.A." (5651) 5) "Bird's-eye view of Denver, Col., U.S.A." (5654) A nice view of downtown Denver, showing many multi-story buildings and a few steeples. 6) "Bird's- eye view of Denver, Col., U.S.A." (5655) Another view of downtown Denver, from a different perspective, showing a sizeable church with a steeple and large rose window, as well as many large homes and other buildings. 7) "Denver, from the Tower of the North Denver High School. Col. U.S.A." (5662) Taken from the outskirts of the city, looking toward downtown. 8) "The Boys Day, Glenwood Springs, Col. U.S.A." (5623) Shows a group of boys playing in a large pool, with a huge fountain in the center of it. 9) "D. & R. G. R. R., Tunnel, Glenwood Springs, Col. U.S.A." (5626) A view of a Denver & Rio Grande Railroad tunnel cut into the side of a large mountain. 10) "Our little picnic at Glenwood Springs, Col. U.S.A." (5628) Shows a man and a woman, their son, daughter, and family dog, with mountains in the distance. The young daughter sits on a horse. 11) "Canyon City, from the Cliffs, Col. U.S.A." (5603) Depicts a group of day- trippers on the side of a hill with Canyon City down below. 12) "The Pride of Pueblo from the Bridge, Col. U.S.A." (5599) Shows a bustling main street in downtown Pueblo, with many buildings, people, carriages, and telegraph lines. 13) "Don't be frightened, old Jenny is true Aspen, Col., U.S.A." (5577) Shows two young children sitting on a donkey perched on a perilous hillside. The future resort town of Aspen, quite large even in 1890, is clearly visible in the background. 14) "The Sentinel, Garden of the Gods, Manitou, Col., U.S.A." (5560) An interesting rock formation which appears to be precariously balanced. 15) "Father Abraham and Uncompahgre Canyon, Col., U.S.A." (5517) A mountain scene. 16) "Our Trip to the Mines, Ouray, Col." (5496) Shows two men on horseback. 17) "The storm, Canyon of the Rio De Las Animas, D. & R. G. R. R., U.S.A." (5611) 18) "Manitou and Pike's Peak, Colorado." (9) This card was originally 4 1/4 x 7 inches, but has had its upper edge trimmed off, and the dimensions are now 3 1/4 x 7 inches. Shows the small town of Manitou, nestled in the foothills of Pike's Peak. 19) "The Gateway, Garden of the Gods, Colorado." (6) A nice image showing three men in a carriage drawn by two horses passing through this distinctive rock formation. OCLC 34275783 (ref).

      [Bookseller: William Reese Company - Americana]
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        Thousand Miles Up The Nile [FIRST EDITION DATED 1877]

      Longmans, Green, & Co, 1877, Hardcover, Book Condition: Good Condition, Dust Jacket Condition: No Dust Jacket, First EditionAmelia Edwards 1831 - 15 April 1892, English novelist, journalist, traveller and Egyptologist. In 1877, Edwards proceeded to write a vivid description of her Nile voyage, under the title of A Thousand Miles up the Nile. Enhanced with her own hand-drawn illustrations, the travelogue became an immediate best-seller. Chapter Headings: I. Cairo and the Great Pyramid II. Cairo and the Mecca Pilgrimage III. Cairo to Bedreshayn IV. Sakkarah and Memphis V. Bedreshayn to Minieh VI. Minieh to Siout VII. Siout to Denderah VIII. Thebes and Karnak IX. Thebes to Assouan X. Assouan and Elephantine XI. The Cataract and the Desert XII. Philae XIII. Philae to Korosko XIV. Korosko to Aboo Simbel XV. Rameses the Great XVI. Aboo Simbel XVII. The Second Cataract XVIII. Discoveries at Aboo Simbel XIX. Back Through Nubia XX. Silsilis and Edfoo XXI. Thebes XXII. Abydus and Cairo. Appendix. Book - in Good original black and gilt decorated cloth covered boards with gilt and red lettering & all edges gilt - some darkening to the boards with some slight bumping and wearing to the extreme corners and rubbing and wearing to the extreme edges, gilt lettered, cloth covered spine is not original. Contents, new but sympathetic coloured endpapers, some browning to the introductory and title pages, also SEE SCANS inexplicably to pages 506/7 and to the plate in between, otherwise only the expected very occasional slight spotting/browning mar what is a clean, bright and tightly bound first edition copy of this remarkable record of a Victorian Lady's journey up the River Nile. Size: 10.5 inches tall by 7.5 inches. xxv, 721 pages. Iillustrated frontispiece & 16 full page wood engraved plates, 62 vignettes & 2 colored folding maps.Wood engravings by G. Pearson after drawings by the author.. Quantity Available: 1. Shipped Weight: 2-3 kilos. Category: Travel & Places; Biography & Autobiography. Pictures of this item not already displayed here available upon request. Inventory No: 8799.

      [Bookseller: John T. & Pearl Lewis Books by Post]
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        SHIPMASTER'S ARCHIVE, COMPRISING HIS SCHOONER LEDGER, BRIEF DIARY, AND SOME 100 OTHER PRINTED AND HANDWRITTEN ITEMS THAT BELONGED TO BURGESS

      1877. Original manuscripts. Leather-backed boards. Very Good. LEDGER, worn leather and marbled boards, 13" x 8", containing 153 pages of handwritten entries in ink on blue paper, dating from 1861 to 1867. Most of the book is made up of ledgers of expenses for three different schooners owned by Burgess: "Elizabeth B"; "Typhoon"; and "Aurelia P. Howe". DIARY, 3-1/2 closely written pages of the ledger in which Capt. Burgess describes not only a thrilling hurricane, but also the attempted seizure of his vessel in early 1861 by the Confederacy, and his subsequent escape. (Accompanied by a 9-page modern transcription of the diary portion, written in pencil by an earlier owner of this book.) ARCHIVE documenting the construction and early voyages of the Bark "John Sheppard"--Freeman Burgess, Owner and Master, 1874-1879. (Archive housed in a 3-ring binder of archival document sleeves.). The first page of the ledger contains a list of the "gross stock" costs for 15 voyages of the "Elizabeth B." to destinations in 1863--New York, Boston, Gloucester, New Bedford, Providence and Bangor. This vessel next appears on page 10 with a list of "charges" for "kerosine and fluid", lamp, "hired help", stamps on the bill of lading, etc. Pages 16-17 list provisions and their costs: cod fish, butter and lard, etc., and Freeman E. Burgess, as well as Lovell Burgess (one of them appearing as "Ensign Burgess") are listed as being charged $10 for passage to NY. Pages 18-19 list "Port Charges", 1865, and include a list of people's names and what they were paid, including both Burgesses. More "wages and provisions prices are on pp. 20-21, then 28-29, dated 1863, contain figures for various bills for caulking, painting, lumber and nails, customs house, sail work, etc., while p. 30 lists "Port Charges", a long list: wharfage, pilotage, stamps, kerosene, harbour master, etc. The Provisions and Wages Paid list on p. 32 includes "Ensign Burgess", who is again listed on p. 34 (1863) along with his "share of the voyage". Later pages contain more of the same, including charges for 1864-65 voyages, with the final appearance of this schooner on p. 164, which notes that Freeman E. Burgess, Capt. of the Schooner Elizabeth B., received $3.50 "in full for 8 days service on Bord…Providence to New York" since he is paid $13/month. ~~ The second vessel named is the "Typhoon", carrying freight to Brashear (City), Louisiana (renamed Morgan City in 1876), and the entries include expenses at Brashear (wages paid to seamen, as well as several names including Burgess's). The next voyage mentioned is to Havana (pp 4-5), and expenses include an interpreter, translation of the manifest, "American Consul bill", ship chandler's bill, etc. She next (p. 6) goes to Frontera (Mexico), where expenses include "certificate of death and desertion of Cook and One". On p. 60, the "Manifest of Cargo On Board" lists Freeman E. Burgess as Master, and she is bound from Brashear City to Boston. ~~ It is as Captain of the Typhoon that Captain Burgess has his adventure with the Confederates in 1861, an episode he describes in detail in his 3 ½-page journal, written in the middle of the volume. The voyage starts on February 9, 1861, when the Typhoon sails out of Boston, headed for Brashear City, Louisiana. There is immediately a dramatic storm: "Gave all the chain we had and stood by the anchors all night until myself and mate were froze so bad it was impossible to stand it any longer…our water caske froze and burst and we were so covered with ice we could do nothing…." After they "laid three days" they set sail again and arrive in Brashear twenty days later. He walks around town as unloading begins, then returns and hears a steamer whistle. "I was most surprised when I saw the people that was on her on the top of her Paddle Boxes…25 men, some with a bottle and some with…whiskey giving 3 cheers for the Southern Confederacy. They came alongside and came on board, told me they should take charge of the schooner and cargo and had no authority but what they took upon themselves." The revelers finally leave "drunker than ever." ~~ Burgess goes to town next day and sees the cutters crew hauling the Schooner Mary on to the wharf: "I began to think they were in earnest and after reaching town I learned that orders had just come from Montgomery to stop all vessels loaded with Live Oak and Naval Stores." He is told that they will "put an officer aboard" his vessel if he doesn't give his word not to sail off. He replies that he has enough officers on board already and is told that they've written Montgomery about his giving the Live Oak, etc. Burgess waits 14 days, then receives orders that he could "discharge my Live Oak". After two days of unloading, contradictory orders come, saying he is not to unload and that schooner and cargo will be taken to New Orleans. He has no money or provisions, so "discharged all my crew except my mate and got just money enuf to get them out of the place…." He takes the "chronometer and all the valuable things out of the vessel" and next sees "Capt. Hampson and crew getting into the Cars to go home, likewise my own [crew]…" He registers a protest and notes that "myself and mate were the only Northerners" there. He goes to see "Mr. McMullin, chief collector" and tells him he'd like to see any official "authority for stopping the vessel." He is told that orders came the day before "that all American vessels would have 30 days to get [to] their respective homes…" The Collector sent a letter saying to "retain the Live Oak but give the vessel a clearance within 30 days" and adds that Burgess should let him know if anyone "bothered or molested" him. &c., &c. ~~ The third schooner in the ledger is the Aurelia P. Howe, and thirty pages are devoted to wages and provision, bills paid, settlement of voyages, gross stock lists, port charges, etc. Virtually all are from 1867. In addition to Burgess, another captain mentioned in connection with the vessel is Lewis B. Doane, whose name appears when Capt. Burgess pays him $100 in January, 1868; in a settlement of Jan-Sept. 1867; in accounts dated July-Sept, 1866; as receiving cash for 1/128 of Schooner A.P. Howe; as receiving credit on his wages, etc. Burgess's name is included in a list of owners (pp 152-3) and is mentioned also in lists of the schooner's earnings for various periods. The Aurelia P. Howe's destinations include Savannah (1866 or '67), Tampico, Chiltepec, Boston to Harwich, Philadelphia to Boston, Mobile, Galveston, Charleston, NY, etc. ~~ A fourth schooner, the Edward Kidder, is mentioned on pp 98-99, 101 and 103, with the usual listings for expenses (Newport to Savannah), port charges, wages, etc. No mention of Burgess. ~~ The archive accompanying this ledger is a collection of about 100 items, including the contract for building the bark "John Sheppard" between Freeman Burgess of Harwich, and George Currier, master ship builder of Newburyport, and all manner of carpenters, purveyors, chandlers, surveyors, customs people, merchants, consignors and port officials. Her maiden voyage saw her sail to South America (several receipts from the Panama Railroad Company) to Mexico, to Queenstown, Ireland, to Liverpool, and back to Boston. This is a rich assortment of 19th century billheads, invoices accounts, and other printed material creating the biography of an American merchant sailing ship, and now housed in archival sleeves and a binder.

      [Bookseller: R & A Petrilla]
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