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Displayed below are some selected recent viaLibri matches for books published in 1860

        The lake regions of Central Africa. A picture of exploration.

      London Longman 1860 - First edition, two volumes, 8vo., xviii, 412; viii, 468 pp., twelve tinted woodcut plates, twenty-two woodcut illustrations in the text, folding tinted map, bound as an Eton College leaving gift in contemporary polished calf gilt, panelled spines in six compartments, tan morocco lettering piece to second, green morocco numbering roundel on citron morocco label to third, others richly gilt, raised bands, marbled edges, a fine set. One of the most important Burton titles, considered by many to be his best piece of writing. Burton travelled with Speke on their second journey together in order to found the "Jebel Kumri", or the "Mountains of the Moon." They made a brief examination of Lake Tanganyika, but with failing health they were forced to return to Kazeh to recuperate. Following this, Burton sent Speke off by himself to investigate a large lake. Speke became convinced that this was the source of the Nile; a conclusion disputed by Burton which led to their falling out and, probably, Speke's mysterious death. This work contains Burton's first attack on Speke in print. Penzer pp67-68. [Attributes: First Edition; Hard Cover]

      [Bookseller: Shapero Rare Books]
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        CDV - Marchand des poisson (Fischhändler)

      J. Monstein Photographer, Moscow / Moskau - Sehr selten. CdV - Carte de Visite von Phtograph Johann Monstein in Moskau. - Um 1860 - 1870. Stammt aus dem Vorlass eines Botschafters i. R., aus dem Familienbesitz (bereits der Urgroßvater war leidenschaftlicher Fotograf). - Format ca. 10,5 x 6,2 cm. Auf Rückseite Firmenaufdruck von J. Monstein in Kyrilisch, sowie von Hand mit Bleistift beigefügt: "Russia - Marchand des poisson". -- Bankverbindungen in Österreich und Deutschland.

      [Bookseller: Antiquariat Birgit Gerl]
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        Gesamtansicht von der Ostseite.

      - getönte Lithographie v. Loeillot gedr. v. L. Zöllner in Berlin n. F. Koska b. F. Behrend, um 1860, 22 x 36,5

      [Bookseller: Antiquariat Norbert Haas]
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        Three legal documents reporting the sale of a female slave and her child

      Taylor County, Kentucky, 1860. Unbound. Very good. Three one-page Taylor County, Kentucy documents regarding the sale of two slaves, Ann and her son John, as part of an inheritance lawsuit following the death of their owner, James F. Campbell of Taylor County, Kentucky. All three documents are in nice shape. After James F. Campbell, a farmer in Taylor County, Kentucky, died in 1854, his wife, Melinda, and their two children moved in with her father Rezin H. Davis, also of Taylor County. Davis was appointed as guardian of James and Melinda's son, Alfred T. Campbell. Alfred T.'s other grandfather, Alfred Hazelwood, was appointed as the administrator of James F.'s estate. There was friction between the two families regarding disposition of the estate, and Davis won a judgement on behalf of Alfred T. against the estate administered by Hazelwood, and the Circuit Court directed two of the slaves belonging to the estate, Ann and her son James, be sold and that the proceeds go to Davis on behalf of Alfred T. Two of the documents, signed by D. J. Hotchkiss, are promissary notes addressed to George W. Montague, a commissioner of the court. The first, dated 14 November 1859, promises to pay "the sum of Seven Hundred & Eighty Dollars - with interest from this date, being the purchase money for a Negro woman named Ann & her Child named John." Apparently the court found the price paid to be insufficient and directed that Ann and John be sold at auction. In the second document, dated 2 April 1860, Hotchkiss promises to pay Montague "the sum of Nine Hundred * Sixty One dollars with interest therein from this date being the purchase money for a Negro woman named Ann & child John." The third document is an official court document, signed by Montague, reporting that "he did . . . expose to sale to the highest bidder . . . said Slaves Ann & John and D. J. Hotchkiss being the highest bidder for said slaves Ann & John became the purchaser . . . at the sum of Nine hundred and Sixt one Dollars." A telling group of documents that drives home the fact slaves were no more than property to be bought and sold like any other commodity in order to raise money or settle debts.

      [Bookseller: Read 'Em Again Books, ABAA]
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        Weimar- Album. Blätter der Erinnerung an Carl August und seinen Musenhof. Eine geschichtliche Schilderung.

      Lpz., Heinrich Schmidt & Carl Günther. 1860 - 2°. VIII, 125 S. Mit ill. Titelblatt und 22 ganzseitigen Stahlstichen von Gustav Brinckmann. Ill. OLn., goldgeprägt mit ornamentaler Randleiste. Ganzgoldschnitt. Einband berieben, Ecken bestossen. Alt restauriert, (Buchrücken verstärkt). Vereinzelt fleckig. Insgesamt gutes, dekoratives Exemplar. Stahlstiche:1. Portraits. 2. Ansicht des Schlosses zu Weimar. 3. Goethe's Büste nach Trippel. 4. Goethe's Gartenhaus. 5. Herder's Haus. 6. Wielands, Haus. 7. Das Borkenhäuschen. Die Sternbrücke. 9. Der Stern. 10. Der Aufgang zu dem römischen Hause.11. Das römische Haus. 12. Denkstein für Franz von Dessau. 13. Die Schillerbank. 14. der Stein mit der Schlange. 15. Das Tempelherrnhaus. 16. Goethe's Colossal- Statue in Marmor von Steinhäuser in Rom, nach einer Idee von Bettina von Arnim. 17. Schiller's Büste nach Dannecker. 18. Goethes Haus in der Stadt. 19. Schiller's Haus. 20. Herder- Statue. 21. Wieland- Statue. 22. Goethe- und Schiller Monument. 23. Tiefurt. 24. Ettersburg. 25. Die Fürstengruft auf dem Friedhofe. [Attributes: First Edition; Hard Cover]

      [Bookseller: Altstadt Antiquariat Bode]
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        Set of Twelve Chinese Junks and Barges.

      c 1860 - A set of twelve Chinese Junks and Barges: Watercolour and gouache studies on pith paper, edged in blue silk ribbon. Framed and glazed in hand-made gold leaf reeded frames. The vessels depicted include variants of the traditional flat-bottomed Junk, the similar but European-hulled Lorcha, State and pleasure barges, and a large floating duck house. Pith came into use for painting to satisfy the increasing demand for small, inexpensive and easily transported souvenirs, following the massive growth in the China Trade in the first quarter of the nineteenth century. Paintings in oils, on board and canvas were costly and difficult to carry home. Earlier and more prestigious export watercolours had often been on a larger scale and painted on fine Chinese paper or on paper imported from Europe. The albums of pith paintings (and later the little glass-fronted boxes) were inexpensive, light, easy to pack and gave the pictures some protection on the long voyage home. Because many were sold in albums and hence protected from the light, they retain their bright colours to this day. Pith comes from the central column of spongy cellular tissue in the stem of a small tree called Tetrapanax Papyrifera, native to south-west China. It has had a variety of uses, some going back many centuries. At the imperial court both men and women wore coloured flowers made from pith in their hair. For use in painting, it is cut by hand with a knife into thin sheets from short lengths of the spongy tissue. Cutting is highly skilled and the constraints of the process mean that the finished sheets for painting seldom, if ever, measure more than about 30cms by 20cms. The sheets are dried, trimmed and used for painting without any further processing. Because of the nature of pith and its cellular structure, the gouache used by the Chinese sat on the surface and produced a bright and even sparkling effect. Very fine detail could be achieved but pith did not lend itself to the flat wash of colour favoured for European watercolours.

      [Bookseller: Shapero Rare Books]
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        Documents in the Spanish and two of the early tongues of Florida (Apalachian and Timuquan).]

      n.p. 1860 - Folio, 10 leaves; 4 leaves of facsimile manuscript (1 leaf blank); without a title page, as issued. A manuscript note: "George H. Moore Esq, these copies (seven sheets) [i.e. 14 leaves] of official papers in Spanish and in Apalachian and Timuquan - early languages of Florida - from his friend / Buckingham Smith / January 1860" stands in its place. Pilling records a similar note on his copy, which contains a further mention that this is one of 50 copies. Blue library cloth, gilt title direct on spine, near fine. An Ayer Linguistics duplicate, with their release stamp on flyleaf and labels on rear pastedown. Pilling, Proof-sheets 3633; Pilling, Muskhogean p. 85. [Attributes: Soft Cover]

      [Bookseller: Rulon-Miller Books (ABAA / ILAB)]
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        Leipzig.

      Leipzig Payne um 1860 - Stahlstich von Payne nach Elsner (eig. Christian Adolf Eltzner), Bildausschnitt 20 x 33,5 cm, Blattgr. 24,5 x 37 cm. Detailreiche Ansicht von Leipzig aus der Vogelschau, im Bildmittelpunkt der Augustusplatz mit der Paulinerkirche und dem Augusteum, dahinter die Innenstadt, im Vordergrund die 1963 gesprengte Johanniskirche; knapprandig, von guter Erhaltung.

      [Bookseller: Antiquariat Clemens Paulusch GmbH]
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        Poésies inédites

      Imp. de Jules Fick 1860 - - Imp. de Jules Fick, Genève 1860, 15x23cm, reliure de l'éditeur. - Edition originale publiée par Gustave Revilliod. Reliure de l'éditeur en plein cartonnage bleu, dos légèrement plus foncé orné de deux motifs typographiques dorés, petites traces de frottements sur les coiffes, encadrement et motifs typographiques à froid sur les plats, coins légèrement émoussés. Envoi autographe signé de Gustave Revilliod. Petites rousseurs éparses. Rare exemplaire présenté dans son cartonnage romantique d'origine. [AUTOMATIC ENGLISH TRANSLATION FOLLOWS] First Edition published by Gustave Revilliod. Publisher's binding in full blue cardboard back slightly darker adorned with two golden typographical reasons, small traces of friction on the caps, coaching and typographical reasons Cold boards, lightly bumped corners. Autograph signed G. Revilliod. Small scattered spots. Rare example presented in its original carton romantic. --- Please note that the translation in english is done automatically, we apologize if the formulas are inaccurate. Contact us for any information! [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Librairie Le Feu Follet]
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        Eigenh. Brief m. Unterschrift.

      Oldenburg, 12. II. 1860. - [An den österr. Chemiker u. Mineralogen Anton Schrötter von Kristelli (1802-1875)]. - Umfang- und inhaltsreicher Brief. - „[.] Stephan von Österreich gehörte zu den berühmtesten Mineralsammlern des österreich-ungarischen Reiches, dessen Interesse an den Mineralen bereits mit fünf Jahren erwachte. Nach seiner politischen Ausbildung am Königshof von Wien unternahm er ausgedehnte Erkundungstouren durch das Reich und nutzte während dieser Zeit jede Gelegenheit, berühmte Mineralmuseen und bekannte Mineralfundorte zu besuchen, um seine Sammlung durch eigene Funde oder Käufe zu erweitern. 1845 ehrte der bekannte Mineraloge Wilhelm Ritter von Haidinger seine Bemühungen um die Mineralogie mit der Benennung eines wichtigen Silberminerals und -erzes nach ihm als Stephanit. Die mineralogische Sammlung Stephans von Österreich enthielt bei seinem Tod 1867 rund 20.000 Proben und wurde auf den für damalige Verhältnisse enormen Wert von 300.000 Mark geschätzt. Nach Stephans Tod ging die Mineralsammlung auf das Haus Oldenburg über und wurde bis zu deren Verkauf 1888 an den Unternehmer Carl Rumpff weiter ausgebaut. Nach dessen Tod 1889 wurde die Sammlung schließlich an das Museum für Naturkunde in Berlin übergeben" (Wikipedia). --- Der in Olmütz geborene Anton Schrötter, Sohn eines Apothekers, studierte ab 1822 zunächst auf Wunsch seines Vaters in Wien Medizin, wechselte dann aber unter dem Einfluss von Friedrich Mohs zu den naturwissenschaftlichen Fächern, speziell der Mineralogie. 1827 erhielt er eine Assistentenstelle für Physik und Mathematik an der Universität Wien. 1830 wurde er Professor für Physik und Chemie am Technischen Institut Joanneum in Graz. Während eines halbjährigen Urlaubs im Jahre 1838 besuchte er chemische Institute in Göttingen, Heidelberg, Frankfurt und Paris. In Gießen machte er sich bei Justus von Liebig mit der organischen Elementaranalyse vertraut. Ab 1843 arbeitete er als Professor für technische Chemie am Polytechnischen Institut der Universität Wien und übernahm dort 1845 die Professur für allgemeine Chemie. Schrötter war neben Baumgartner, Ettingshausen und Haidinger einer der Begründer der Kaiserlichen Akademie der Wissenschaften in Wien und wurde 1850 ihr Generalsekretär. Die Deutsche Akademie der Naturforscher Leopoldina wählte Schrötter 1856 zu ihrem Mitglied. Ab 1868 leitete er das österreichische Hauptmünzamt und wurde gleichzeitig zum Ministerialrat ernannt. Er wurde 1874 in den Ruhestand versetzt und eröffnete in seiner Wohnung ein Privatlaboratorium, in dem er Studien über Edelmetalle betrieb. 1875 starb er in Wien. Schrötter hat in seinem Leben ca. 60 wissenschaftliche Publikationen verfasst. Ab 1845 beschäftigte Schrötter sich intensiv mit Phosphor. 1848 gelang ihm der Nachweis der schon von Berzelius geäußerten Vermutung, dass roter Phosphor eine allotrope Modifikation des weißen Phosphors, nicht aber eine Phosphorverbindung ist. Schrötter wandelte weißen Phosphor durch Erhitzen in roten um, den man zeitweise Schrötterschen Phosphor nannte. Sein Verfahren zur Darstellung desselben revolutionierte die Streichholzindustrie, wo roter Phosphor schon bald als Bestandteil der Reibflächen genutzt wurde. Er war ein Organisator in Industrie und Wissenschaft sowie Berater bei den Vorbereitungen zur Novara-Expedition und zur Österreich-Ungarischen Nordpolexpedition. - ge Gewicht in Gramm: 350 [Attributes: Signed Copy]

      [Bookseller: Antiquariat Wolfgang Friebes]
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        SHADOW AND SUBSTANCE

      W. Kent & Co, London 1860 - Bound in full crimson crushed morocco with triple gilt ruled boards, spine decorated with floral sprays and publishing information, exaggerated gilt decorated turn-ins attractive end papers. BINDING SIGNED TWICE BY L. BROCA. Binding shows light rubbing to high spots and edges but clean, attractive and square. This amusing spoof of English characters comes illustrated with plates in two states, both black ink and hand colored. The colored plate titled "Puppy" opposite pg.97 is missing and the black ink plate titled "Windbag" opposite pg.181 is missing making 29 (of 30) of each state. A very attractive volume with only very mining spotting in places and with colored plates very clean. From the library of Thomas W. Lawon [American investor/financier] with his book plate attached at front paste down. [Attributes: Hard Cover]

      [Bookseller: Charles Thomas Bookseller]
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        The Impending Crisis of the South: How to Meet It Enlarged Edition (Signed and Inscribed by the Author)

      New York: A. B. Burdick, 1860. Hardcover. Enlarged edition. xvi, [1], 18-438pp + [2]pp of publisher's advertisements. Recent brown half morocco over marbled boards, spine with four raised bands, lettered and decorated in gold. Engraved frontispiece. Signed and inscribed by Hinton Rowan Helper on the flyleaf: "Andreas Willmann, / with the compliments / of the author, / H. R. Helper / New York, / June 6, 1860." Willmann was later the President of the German Republican Central Committee and Supervisor of the County of New York. Mend to flyleaf and frontispiece, some smudges to margins. A clean, near fine copy. "Voicing the conclusion that slavery was economically unsound, this work of a southern 'poor white', officially banned in the South, vied in popularity and influence with the sentimental Uncle Tom's Cabin." Howes H400. Sabin 31271. ; 12mo; Signed by Author.

      [Bookseller: Parigi Books, ABAA/ILAB]
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        Handbuch der Edelsteinkunde für Mineralogen, Steinschneider und Juweliere.

      Leipzig, F. A. Brockhaus 1860. XVIII, 561 S. 15 lithograph. Tafeln mit 201 Abbildungen, Schrift: Fraktur / Altdeutsche Schrift. Halbleder, gebundene Ausgabe, Exemplar in gutem Erhaltungszustand Erste Ausgabe dieses Klassikers der Edelsteinkunde - sehr selten. Geo Versand D: 4,50 EUR EDELSTEINKUNDE, Edelsteine, Naturwissenschaft / Geologie / Mineralogie / Gesteine / Minerale /

      [Bookseller: Wiesbadener Antiquariat Christmann]
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        The Impending Crisis of the South: How to Meet It. Enlarged Edition. (Signed and Inscribed by the Author)

      A. B. Burdick, New York 1860 - Enlarged edition. xvi, [1], 18-438pp + [2]pp of publisher's advertisements. Recent brown half morocco over marbled boards, spine with four raised bands, lettered and decorated in gold. Engraved frontispiece. Signed and inscribed by Hinton Rowan Helper on the flyleaf: "Andreas Willmann, / with the compliments / of the author, / H. R. Helper / New York, / June 6, 1860." Willmann was later the President of the German Republican Central Committee and Supervisor of the County of New York. Mend to flyleaf and frontispiece, some smudges to margins. A clean, near fine copy. "Voicing the conclusion that slavery was economically unsound, this work of a southern 'poor white', officially banned in the South, vied in popularity and influence with the sentimental Uncle Tom's Cabin." Howes H400. Sabin 31271. ; 12mo; Signed by Author. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Parigi Books, ABAA/ILAB]
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        Parigi verso la fine del XVII secolo

      1860 - Acquaforte, 1860. Da un disegno antico della collezione Bonnardot. Bellissima prova, nello stato finale, impressa su carta vergata coevam con pieni margini, in ottimo sttao di conservazione. L'opera raffigura una Parigi di fine del XVII secolo ed è edita da Auguste Delatre, con una tiratura di 100 esemplari. Etching with light surface tone, printed in brown-black ink. After a earlier drawing in the collection of M Bonnardot. A fine impression of the final state, printed on contemporary laid paper, with full margins, perfect condition. View of part of Paris and the river Seine towards the end of the 17th century, after an earlier drawing by another artist; rows of tall, gabled buildings with bridge seen at left. Lettered with title, extensive caption "N.B. Suivant toute probabilité[.]la collection de Mr Bonnardot]" and production and publication detail, all below image: "Delâtre Imp, r. des Feuillantines, 4. Paris." and "Chez ROCHOUX Quai de l'Horloge, 19." Delteil+Wright 51.VIII; Schneiderman 73.VIII Dimensioni 320 155mm

      [Bookseller: Libreria Antiquarius]
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        Geschichte der Fremd-Truppen im Dienste Frankreichs. Deutsch von F. Symon de Carneville.

      München, Deschler für Lindauer, 1860. - 2 Bde. Mit 32 kolor. Holzstich-Tafeln nach J. Sorieul. S. (III)-XXI, 560 S., 1 Bl., IV S.; 2 Bl., V S., S. (3)-664 S. Lwd. d. Zt. mit reicher Rvg. (Rücken gering aufgehellt, leicht angeschmutzt). (2) Erste deutsche Ausgabe. - Mit einem eigenen Beitrag des Verfassers zum Krimkrieg und den Kämpfen gegen die Kabylen 1856-57. - Ohne den Vortitel des ersten Bandes. - Etw. braunfleckig. Lipperheide Qk 51. [Attributes: First Edition; Hard Cover]

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
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        Instruments De Musique'.

      - Farblithographie v. Richier & Laugier b. Deyrolle in Paris, um 1860, 49 x 66 Sammelblatt mit 128 verschiedenen Musikinstrumenten.

      [Bookseller: Antiquariat Norbert Haas]
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        Teilansicht, Postamt, i. Vgr. zahlr. Postkutschen, "A north east view of the new General Post Office. With the Royal Mails & Carts preparing to Start".

      - altkol. Aquatinta v. Pyall n. Pollard, 1860, 37 x 58 Dek. Blatt. Unter der Darstellung sind die Bestimmungsorte der vor dem Postgebäude haltenden Postkutschen angeführt.

      [Bookseller: Antiquariat Nikolaus Struck]
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        Alexandrie. Vue générale prise du fort Cafarelli / Alejandria. Vista generale tomada del fuerte Cafarelli.

      Paris, 1860 circa. Litografia stampata in colore e rifinita a mano d'epoca, cm 33,5 x 50,2 (la parte figurata), 53,2 x 66,5 (il foglio). Splendida veduta panoramica della serie "Porte de Mer d'Europe". Il Lebreton, insieme allo Chapuy e al Deroy, fu autore di numerose serie di vedute di città, fra cui questa di Alessandria d'Egitto, che fu pubblicata dall'editore Turgis sia a Parigi che a New York. Ottimo esemplare in bella coloritura e a pieni margini ma incollato su sottostante recente cartone (difficilmente separabile).

      [Bookseller: Studio Bibliografico Botteghina D'arte G]
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        Les Vosges par J.-J. Bellel-Vingt dessins d'après nature.

      1860 - Paris, A. Morel et Cie, Lib.-Edit., 1860; in plano, 15pp + 2ff + 20pl., reliure demi-chagrin vert empire de l'époque, plats percalinés vert empire orné d'un filet d'encadrement or, dos à faux nerfs, titre frappé or au dos. La référence en terme d'illustrations XIXème sur ce département des Vosges, si pittoresque. Le texte descriptif est de Théophile Gautier. Ouvrage orné de 20 dessins somptueux, à pleine page, oeuvre de J.-J. Bellel, lithographiés par J. Laurens. A savoir, Epinal, vue prise de la route de Plombières. Cascade du Tendon. Promenade des Dames à Plombières. Parc Impérial à Plombières. Promenade de Tivoli à Plombières. Route de la vallée des Roches au Val d'Ajol. Cascade du Géhart dans la vallée des Roches. Hérival. Remiremont, vue prise de la route de Plombières. Saut de la cuve à Saint Amé. Vallée de Saint Amé. Route de Rochesson à Gérardmer. Lac de Gérardmer. Saut des cuves à Gérardmer. Route de Remiremont à Epinal par Saint Nabord. Lac de Longemer. Lac de Retournemer. Le col de la Schlucht près de Retournemer. Saint-Dié, vue prise des hauteurs du Gratin. Vallée de la Bolle près de Saint-Dié. Toutes les gravures sont protégées deur leurs serpentes, légendées. Ouvrage réalisé en souscription. Au nombre de 239. De plus, cet exemplaire est orné d'un joli envoi de Golbéry, célèbre de l'autre côté des Vosges? à son ami Emile Kühlmann. Très jolie reliure de l'époque, corps de l'ouvrage splendide, hormis quelques éparses rousseurs n'entravant aucunement la qualité de cet exemplaire.

      [Bookseller: Librairie Moresi]
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        Die Chronik von Rosenheim enthaltend urkundliche Nachrichten über Entstehung und Ausbildung des Marktes, seiner Verfassung, Kirchen, Stiftungen und öffentlichen Gebäude; über Handel und Schiffahrt, Krieg und Frieden, Sitten und Gebräuche, sowie über die berühmten Männer Rosenheims und vieler adelicher und bürgerlicher Familien Stamm und Wappen.

      Rosenheim, \"Zu beziehen durch die Marktschreiberei\", Druck von E. Huber, 1860. 27 x 21,5 cm. XIII S., 1 Bl., 279 S. Mit 27 Textholzstichen und einem getönten, lithographierten Frontispiz von J. Adam nach Emminger. Mod. HLwd. Pfister 4310; nicht bei Lentner. - Die lithographierte Tafel zeigt eine Gesamtansicht von Rosenheim über den Inn. - Die Tafel mit nur 3 kleinen Fleckchen, sonst durchgehend stockfleckig. Versand D: 6,00 EUR BAYERN, Oberbayern

      [Bookseller: Antiquariat Bierl]
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        Lithographed Membership Certificate for the Socialistischer Turner-Bund, ca.1850's

      [Cincinnati?]: Issued without imprint, [N.d. but before 1860]. Early membership certificate for the North American Socialistischer Turner-Bund, a German Socialist Athletic society formed by exiles from the Revolution of 1848. The Bund, established in 1850 in Cincinnati (with nearly simultaneous chapters in other centers of German immigration, including Philadelphia, New York, Milwaukee and Chicago), is generally considered the first organized Socialist organization in America. The organization disintegrated during the Civil War, but was re-established in the 1870's but with a much-reduced emphasis upon political affairs -- in fact, after about 1870, the descriptor "Socialistischer" was dropped from the organization's name. Tinted lithograph broadside, ca. 12" x 9", printed recto-only on thin paper. Text in one column within elaborate pictorial borders; blank portions for completion by hand (unused). Old folds; neat tape repairs verso; light soiling; Good.

      [Bookseller: Lorne Bair Rare Books ]
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        MIESBACH. "Miesbach". Gesamtansicht, mit Blick auf den Ort von einer Anhöhe aus.

      - Farblithographie von A. Kappis bei Mey & Widmayer, um 1860, 15 x 23 cm. Lentner 8948. - Aus der seltenen Folge "Bayerisches Hochland". - Mit schmalem Rändchen. Rechts oben hinterlegter Randeinriß.

      [Bookseller: Peter Bierl Buch- & Kunstantiquariat]
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        Album mit 29 Stahlstich-Ansichten und 1 Lithographie.

      Mchn., Mey & Widmayer, ca. 1860. 14,5 x 20,5 cm. 29 Stahlstich-Tafeln von Hablitscheck und 1 altkol. Lithographie. Dunkelblaue Lwd. d. Zt. mit goldgepräg. Deckeltitel. Enthalten sind u.a. Gesamtansicht von der Nordseite, Odeonsplatz mit Blick auf Cafe Tambosi, Nationaltheater, Residenz, Ludwigskirche, Siegestor, Universität, Frauenkirche, Schrannenhalle, Bahnhof, Bayerischer Hof, Schießstätte, sowie die altkolorierte lithographierte Trachtendarstellung einer Münchnerin mit Sonnenschirm. - Einband minimal fleckig. Die Tafeln teils gering bis leicht stockfleckig. Versand D: 6,00 EUR BAYERN, Oberbayern

      [Bookseller: Antiquariat Bierl]
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        MÜNCHEN. - Münchener Album (Deckeltitel). Album mit 29 Stahlstich-Ansichten und 1 Lithographie.

      Mchn., Mey & Widmayer, ca. 1860 - 14,5 x 20,5 cm. 29 Stahlstich-Tafeln von Hablitscheck und 1 altkol. Lithographie. Dunkelblaue Lwd. d. Zt. mit goldgepräg. Deckeltitel. Enthalten sind u.a. Gesamtansicht von der Nordseite, Odeonsplatz mit Blick auf Cafe Tambosi, Nationaltheater, Residenz, Ludwigskirche, Siegestor, Universität, Frauenkirche, Schrannenhalle, Bahnhof, Bayerischer Hof, Schießstätte, sowie die altkolorierte lithographierte Trachtendarstellung einer Münchnerin mit Sonnenschirm. - Einband minimal fleckig. Die Tafeln teils gering bis leicht stockfleckig. [Attributes: Hard Cover]

      [Bookseller: Peter Bierl Buch- & Kunstantiquariat]
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        The Woman in White [in original parts, serialised in vols. II-III of All The Year Round.]

      London: No. 11 [26], Wellington Street North, 1859-1860 - First appearance in parts. 3 vols. containing nos. 1-76 [Collins’ novel serialised in parts 31-70]; pp. iv, 624, iv, 568 & iv, 620; double-column text; occasional foxing, else very good in contemporary uniform half calf, gilt, contrasting lettering pieces, spines non-uniformly faded. [Attributes: First Edition; Hard Cover]

      [Bookseller: Meridian Rare Books ABA PBFA]
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        Three legal documents reporting the sale of a female slave and her child

      Taylor County, Kentucky, 1860. Unbound. Very good. Three one-page Taylor County, Kentucy documents regarding the sale of two slaves, Ann and her son John, as part of an inheritance lawsuit following the death of their owner, James F. Campbell of Taylor County, Kentucky. All three documents are in nice shape. After James F. Campbell, a farmer in Taylor County, Kentucky, died in 1854, his wife, Melinda, and their two children moved in with her father Rezin H. Davis, also of Taylor County. Davis was appointed as guardian of James and Melinda's son, Alfred T. Campbell. Alfred T.'s other grandfather, Alfred Hazelwood, was appointed as the administrator of James F.'s estate. There was friction between the two families regarding disposition of the estate, and Davis won a judgement on behalf of Alfred T. against the estate administered by Hazelwood, and the Circuit Court directed two of the slaves belonging to the estate, Ann and her son James, be sold and that the proceeds go to Davis on behalf of Alfred T. Two of the documents, signed by D. J. Hotchkiss, are promissary notes addressed to George W. Montague, a commissioner of the court. The first, dated 14 November 1859, promises to pay "the sum of Seven Hundred & Eighty Dollars - with interest from this date, being the purchase money for a Negro woman named Ann & her Child named John." Apparently the court found the price paid to be insufficient and directed that Ann and John be sold at auction. In the second document, dated 2 April 1860, Hotchkiss promises to pay Montague "the sum of Nine Hundred * Sixty One dollars with interest therein from this date being the purchase money for a Negro woman named Ann & child John." The third document is an official court document, signed by Montague, reporting that "he did . . . expose to sale to the highest bidder . . . said Slaves Ann & John and D. J. Hotchkiss being the highest bidder for said slaves Ann & John became the purchaser . . . at the sum of Nine hundred and Sixt one Dollars." A telling group of documents that drives home the fact slaves were no more than property to be bought and sold like any other commodity in order to raise money or settle debts.

      [Bookseller: Read 'Em Again Books, ABAA]
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        HISTORY OF THE RECENT DISCOVERIES AT CYRENE, made during an Expedition to the Cyrenaica in 1860-61.

      London, Day & Son Lithographers to the Queen, 1864, 1860. FIRST EDITION 1864. PRESENTATION COPY FROM E.A. PORCHER TO GEORGE DUPRE PORCHER, HIS BROTHER, DATED CHRISTMAS 1864. Folio, approximately 375 x 280 mm, 14¾ x 11 inches, 36 lithograph plates including map, of which 23 are tinted lithographs, 2 in colour, 24 illustrations in the text, 16 mounted photographs and 10 lithograph plates of inscriptions, pages: xvi, 1-117, tipped in errata slip at rear, bound in publisher's full green morocco, gilt title to upper cover, gilt decoration to spine and covers, all edges gilt, cream endpapers. Binding rubbed and scuffed, corners worn, shelf wear to edges, small chip to head of upper hinge, damp stain affecting a lot of the book, damp stain to prelims including title page, the map and 4 plates, mostly affecting the inner margin extending slightly onto the text and the plates, after page 23 the damp stain just affects a small part of the top margin and reduces gradually until it reaches the photographs when it starts again, affecting the inner margin of 6 photographs, not affecting the images, all the lithograph inscriptions have damp stain to inner margins extending onto the plate, quite heavy on the last few pages, some pages age-browned, some light foxing to margins of plates. Apart from the beginning and the end of the book, where the damp stains are worse, the central part of the book is quite clean. A good working copy. MORE IMAGES ATTACHED TO THIS LISTING, ALL ZOOMABLE. FURTHER IMAGES ON REQUEST. POSTAGE AT COST.

      [Bookseller: Roger Middleton P.B.F.A.]
 28.   Check availability:     maremagnum.com     Link/Print  


        Lights and Shadows, a Yule Tide Rhyme

      Ipswich: Cowell's Anastatic Press, 1860. Quarto. (8)ff., final leaf blank. Lithographed throughout, hand-colored in red, green, and blue and heightened with gold. Photographic reproduction of a madonna and child pasted to the title page as part of the decorative border. Each page shows a Christmas verse surrounded by borders of greenery, ribbons, and occasional angelic and star imagery to fit the holiday theme. The title page identifies the author not by name, but with the image of a robin. A production of Cowell's Anastatic Press in Ipswich, a printing and stationary business led by Samuel Harrison Cowell. Cowell took out a license on the anastatic process in 1848, and for a time it was the only anastatic press in the country. Although not internally dated, this book was likely produced during the 1850s and 1860s. To the inside front cover is the bookplate of Edward J. Law, a leading collector and scholar of anastatic lithography. Bound in green wrappers, decorated with a printed or lithographed reproduction of the title page, heightened in gold. Cover rubbed with occasional marking, with wear to extremities. Protected by a modern folio. No copies in OCLC or COPAC.

      [Bookseller: Bromer Booksellers]
 29.   Check availability:     Biblio     Link/Print  


        Auf Egern zu" originales Ölgemälde auf Holzplatte ca.27x21cm; unten rechts signiert "L.Sckell" um 1860 [Maße im blattvergoldeten Holzrahmen (36,5x30cm) der renommierten Münchner Fachwerkstatt Petzenhammer.]

      - "On the way to Rottach-Egern" original oil painting on wooden panel approx.27x21cm; bottom right signed "L.Sckell" around 1860 [Dimensions of the leaf-gilt wooden frame of the Munich professional workshop Petzenhammer 36,5x30cm.] [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Antiquariat Niederbayern]
 30.   Check availability:     ZVAB     Link/Print  


        Sveriges ätliga och giftiga svampar tecknade efter naturen [.] utgifna af kongl. Vetenskaps-akademien. [I-X].

      1860 - (Stockholm, P. A. Norstedt & söner, 1860-66). Folio. Extra lithographed title leaf,(2),53,(1 blank),1-2 pp. & I-IX,Xa-b,XI-XCIII lithographed plates in colour. Elegant tan morocco with raised bands, spine decorated in blind and gilt (Hedberg, 1946). Top edge sprinkled red, remaining edges only trimmed. All ten printed wrappers preserved. Text slightly foxed in parts. Plate IX foxed. A very good copy.Krok Bibliotheca botanica suecana 129. Nissen Die botanische Buchillustration 655. Blomqvist Mat och dryck i Sverige p. 113. The leaf pp. 15-16 is a cancel. In this copy both variants of plate X are preserved. The work was published in ten parts, for which Peter Åkerlund (1835-71) made the nice illustrations, all in colour and lithographed by A. J. Salmson. Elias Fries (1794-1878) was professor of botany at Uppsala University and head of the Uppsala Botanical Garden and Museum. He made his most important scientific contributions to the field of mycology, in which he also played an important role in the international research community. This is surely one of the most charming of the Swedish illustrated works published in the 19th century. [Attributes: Hard Cover]

      [Bookseller: Mats Rehnström Rare Books SVAF, ILAB]
 31.   Check availability:     IberLibro     Link/Print  


        Gesamtansicht

      - Lithographie m. Tonplatte v. C. Frühsorge, um 1860, 33,5 x 59 Schöne und dek. Gesamtansicht der Stadt mit der die Umgebung überragenden St. Wolfgangskirche. im Himmel eine Läsur; Selten!

      [Bookseller: Antiquariat Nikolaus Struck]
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        Elemente der Psychophysik. 2 Bde.

      Leipzig, Verlag von Breitkopf und Härtel, 1860, 8, XIV, 336, XII, 572 pp., 2 Halbleinenband der Zeit, mit Rückenvergoldung und Rückenschild St.a.Tit. frisches Exemplar. First Edition. Gustav Theodor Fechner (1801-1887) "founded the science of psychophysics, which applies the laws of mathematical physics to the physiology of sensation. In his Elemente der Psychophysik, Fechner placed the methodology of this new science on a sound footing by developing three of its basic methods: the method of limits (just noticeable differences) the method of constant stimuli and the method of average error. 'His greatest contribution was his creation of a scale of sensation, a scale that measured sensation as something different from the stimulus so that the relation of the magnitude of the stimulus to the magnitude of the consequent sensation could be determined. That determination came to be known as Fechner's law..., the rule that the magnitude of the sensation is proportional to the logarithm of its stimulus [S = C log R]. Theretofore there had been no strictly objective measurement, and the new scientific psychology, just ready to be founded, hailed this achievement as its warrant and safe-conduct" Herrnstein & Boring, Sourcebook in the History of Psychology, p. 67 "In effect, a major portion of Elemente is a handbook on experimental design, the most comprehensive treatment of that topic before R. A. Fisher's 1935 Design of Experiments" (Stigler, History of Statistics, p. 244 pp. 242-254. Garrison-Morton 4972 Norman 771

      [Bookseller: MedicusBooks.Com]
 33.   Check availability:     booklooker.de     Link/Print  


        Meyer's Umiversum oder Abbildung und Beschreibung des Sehenswerthesten und Merkwurdigsten der Natur und Kunst auf der ganzen Erde

      Bibliographisches Institut, Amsterdam and New York 1860 - Four volumes bound in one. Thick oblong small quarto. 148; 130; 149; 184pp. Heavily illustrated. Quarter leather and cloth. Text in German. Front board detached, boards heavily worn, externally fair only, internally very good.

      [Bookseller: Between the Covers-Rare Books, Inc. ABAA]
 34.   Check availability:     IberLibro     Link/Print  


        Edgar Allan Poe Carte-de-visite, (CDV), Cabinet Card Photo, Circa 1860"s

      E. & H. T. Anthony, (1860's), New York - This is an albumen carte-de-visite with an image size of 2 3/16" by 3 5/16" mounted on an original 2 7/16" by 4 1/16" thin stiff card. The back of the card lists the name of the photography studio, "Published by E. & H. T. Anthony, 501 Broadway, New York. From Photographic Negative in Brady's National Portrait Gallery". The name Edgar A. Poe has been written on both the front, below the image, and rear of the card. Michael J. Deas' book, "The Portraits and Daguerreotypes of Edgar Allan Poe" on page 90 notes that this approximate size albumen carte-de-visite photograph was distributed during the 1860's. The history of this image is rather obscure and complicated, but most likely copied with some retouching from an original daguerreotype, the "Ultima Thule", of Poe taken in 1848 the year before he died. Condition is clean with age toning and corners of the stiff card are slightly clipped, not affecting the image itself. Now protected in a mylar sleeve. A scarce, rarely seen early image of one of the great early American authors.

      [Bookseller: ARABESQUE BOOKS]
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        Indian Pass. Rocky Mountains.

      New York: Currier & Ives, [1860]. New York: Currier & Ives. Very Good. [1860]. Lithograph. Hand-colored lithograph, measuring 19" x 24". This large-margin copy of a view of Indian Pass in the Rocky Mountains has exceptionally vibrant coloring; bright yellow, green, white, brown, blue and purple are used to depict a body of water surrounded by steep peaks, a wide variety of vegetation including various cacti species, coniferous and deciduous trees, and three men on horses near the body of water. Lithograph has light foxing on margins, light soiling near edges, top and fore edges each have one 1" tear, not affecting content, moderate toning and soiling on verso. An all-encompassing example of Rocky Mountain West scenery produced by one the most prolific lithographers in the United States. .

      [Bookseller: Back of Beyond Books, ABAA ]
 36.   Check availability:     ABAA     Link/Print  


        Gesamtansicht, "Jerusalem in her Fall. As now viewed from the Mount of Olives.".

      - Radierung v. Charles Mottram n. Henry Courtney Selous b. George Lord Beeforth in Scarborough sowie Hayward und Leggatt in London, dat. 1860, 65 x 95,5 Beeindruckendes Blatt von Jerusalem aus der 2. Hälfte des 19. Jahrhunderts, der Blick geht vom Ölberg auf den Tempelberg, mittig der Felsendom: breitrandig und gut erhalten.

      [Bookseller: Antiquariat Nikolaus Struck]
 37.   Check availability:     ZVAB     Link/Print  


        CDV - Marchand des poisson (Fischhändler)

      Sehr selten. CdV - Carte de Visite von Phtograph Johann Monstein in Moskau. - Um 1860 - 1870. Stammt aus dem Vorlass eines Botschafters i. R., aus dem Familienbesitz (bereits der Urgroßvater war leidenschaftlicher Fotograf). - Format ca. 10,5 x 6,2 cm. Auf Rückseite Firmenaufdruck von J. Monstein in Kyrilisch, sowie von Hand mit Bleistift beigefügt: "Russia - Marchand des poisson".. -- Bankverbindungen in Österreich und Deutschland.

      [Bookseller: Antiquariat Birgit Gerl]
 38.   Check availability:     booklooker.de     Link/Print  


        Passauer Album mit 24 lithographischen Ansichten der Stadt und Umgebung.

      Passau, P. Moseder o. J. (um 1860). - Sehr seltenes, reizendes Album von Passau und den umgebenden Ortschaften. Der genannte Künstler S. Sohn ist nicht bei Thieme/Becker u. auch nicht bei anderen uns zugänglichen Bibliografien genannt. - Die Ansichten zeigen: Passau Spitzberg / Passau Ilzstadt / Passau Innseite (2) / Innstadt Passau / Friedhof Passau / Passau Niederhaus / Bahnbrücke Passau / Dom v. Passau / Bahnhof Passau / Hals bei Passau / Kloster Neuhaus / Bad Höhenstadt / Bad Kellberg /Kellberg / Osterhofen / Vilshofen /Scheerding / Hauzenberg / Freudensee bei Hauzenberg / Freinberg / Schardenberg / Neuburg / Büchlberg. 11 x 18 cm. Lith. Tit. u. 24 Ansichten auf Tafeln (Kreidelithographien mit Tonplatte nach Zeichnungen von S. Sohn). Schwarzer Pappband d. Zt. m. goldgepr. Titel u. Filete auf Vorderdeckel sowie blindgepr. Deckelrahmen. Ecken u. Kapitale etw. bestoßen u. berieben, Vorsätze etw. gegilbt, Tit. u. Tafeln geringf. braunfleckig. [Attributes: Hard Cover]

      [Bookseller: Antiquariat Löcker]
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        LA LÉGENDE DE SAINTE URSULE [ENCADERNAÇÃO ARTÍSTICA]

      - Princesse Britannique et ses onze mille vierges. D?Après les anciens tableaux de l?église de Sainte-Ursule a Cologne reproduits en chromolitographie. Publié par F. Kellerhoven, texte par J. B. Dutron. Planches et texte inèdits. Chez l?Auteur. Impressions lithochromiques par Hangard Maugé. Typographie par Simon Raçon. Paris. 1860. [1863] In fólio de 30x23 cm. Com 19, 194, [2] pags. Encadernação da época inteira de chagrin vermelho com nervos, finos ferros a ouro na lombada, seixas e as pastas com filtes duplos e ferros rendilhados decorativos tendo ao centro em ambas as pastas o super-libris com o brasão armoriado do Papa Pio IX. (1846-1878). Corte das folhas dourado. Ilustrada por 21 cromolitografias numeradas, extratexto, a cores e ouro ao gosto dos livros de horas iluminados reproduzindo os quadros medievais de autor anónimo existentes na Igreja de Santa Úrsula em Colónia. Inclui também 1 fronstispício em cromolitografia, o fac-simile do breve papal, e uma reprodução a duas cores de uma inscrição latina do V ou VI Século. Tudo litografado por F. Kellerhoven e Cromolitografado por Hangard-Maugé. A reprodução a duas cores é de Lemercier. Exemplar apresenta leves manchas devidas a oxidação natural do papel. Obra de grande primor no trabalho tipográfico e de encadernação. Todo o texto referente à lenda da princesa e das suas onze mil virgens, esta regrado por uma bela tarja xilografica, onde se conta a história do nascimento, infância e martírio de Santa Úrsula. Contém um breve dirigido a F. Kellerhoven, editor e autor das cromolitografias, datado de Roma, 14 de Março de 1863, com a bênção apostólica do Papa Pio IX salientando ?a paciência, a habilidade e a perfeição na execução desta magnífica obra.? Integra a história de Santa Úrsula e um apêndice dividido em quatro partes nas quais o autor reflecte sobre os critérios para a analise de antigas biografias de santos, analisa as obras publicadas sobre Santa Úrsula, descreve numerosas obras de arte inspiradas pela santa e dá algumas notas relativas ao texto. Segundo algumas fontes tardias Úrsula seria filha de Théonoto, rei da Irlanda, ao longo da sua vida de santidade, manteve-se pura, nobre, humilde e com doutissimos conhecimentos das Santas Escrituras, foi martirizada pelo Hunos, em 381, juntamente com as suas companheiras. O seu culto teve uma enorme expansão por todo a Europa, existindo confrarias e congregações religiosas com a sua inspiração e um enorme impacto na arte (ver Retábulo no Museu de Arte Antiga, em Lisboa) mas as fontes contemporâneas são escassas e algo confusas levando a que por prudência o Papa Paulo VI, cerca de 1969, tenha retirado o seu nome da lista dos santos. Este facto não significa que se declare que ela não existiu nem que não possa ser de objecto de culto particular, é apenas para garantir que sobre as biografias dos santos incluídos na lista oficial da Igreja Católica, não existam quaisquer dúvidas. Papa Pio IX. (1792-1878) exerceu o cargo durante 31 anos, o mais longo papado depois de S. Pedro e um dos mais importantes tendo reunido o Concílio Vaticano I e proclamado o dogma da Imaculada Conceição. Book bounded in red marroquin, tooled in the spine and in the framework of folders with double decorative lines and super-libris with armored coat-of-arms of Pope Pius IX (1846-1878) on both folders. Finishing of the leaves with blue and decorative gold. Masterpiece of typographical work and bookbinding. Chromolithographies printed separately - colored and goldened stamps - inspired on the illuminated books of hours. Copy stained with natural foxing of the paper. The story tells the legend of the Eleven Thousand Virgins, which tells the story of the birth and childhood of the daughter of Théonoto of Ireland, and her life of holiness and knowledge of Holy Scripture. The text is ruled by beautiful stripe woodcuts. Location/localizacao: 2-2-D-8

      [Bookseller: Livraria Castro e Silva]
 40.   Check availability:     AbeBooks     Link/Print  


        Rene Lalique 1860-1945. Maitre-verrier. Analyse de l'oeuvre et catalogue raisonne ,Paris 1989, 1047 pag., ill., hardbeck with dustwrapper. Good copy, only dustwrapper has a few tears.

      "Rene Lalique 1860-1945. Maitre-verrier. Analyse de l'oeuvre et catalogue raisonne ,Paris 1989, 1047 pag., ill., hardbeck with dustwrapper. Good copy, only dustwrapper has a few tears.".

      [Bookseller: Antiquariaat A.G. VAN DER STEUR]
 41.   Check availability:     NVvA     Link/Print  


        Sinai and Palestine in Connection with their History.

      

      [Bookseller: Henry Sotheran Ltd.]
 42.   Check availability:     Direct From Seller     Link/Print  


        CATLIN THE ARTIST SHOOTING BUFFALOS [sic] WITH COLT'S REVOLVING PISTOL [caption title].

      London: Day & Son, [ca. 1855-1860 - Hand-finished color-printed lithograph, 17 3/4 x 22 1/2 inches. Matted. Very light marginal dampstaining and mat burn. Very good. When the United States Senate rejected an 1852 bill proposing the purchase for the nation of George Catlin's "Indian Gallery," the artist was bankrupted and lost virtually all of the paintings and drawings he had used in his exhibitions. In order to raise funds, Catlin proposed an expedition to market Samuel Colt's firearms. Colt was eager to publicize his new revolving pistols and rifles and to have them adopted by the United States Army, and he commissioned Catlin to "paint a series of twelve pictures showing Colts being employed in the field. The terms of their agreement are unclear, but Catlin completed the order by 1857, and the Colt Patent Fire-Arms Manufacturing Company subsequently used the paintings in its advertising" (Dippie). "Six of the paintings were turned into lithographs, but few sets seem to have been made" - AMERICA PICTURED TO THE LIFE. The set of lithographs, all of which are drawn in Catlin's distinctive style, show the artist using Colt firearms in the wilds of both North and South America. The plates were printed in London by Day & Son, the best known British lithographic printers of the period. Catlin's images were drawn on stone by J. M'Gahey of Chester, England. These prints are not in any of the standard bibliographies, and the only other recorded sets are in the Colt Firearms Collection (Connecticut State Library in Hartford), the Amon Carter Museum, Yale University (the Paul Mellon set) and the Wadsworth Athenaeum. OCLC locates an additional two copies of this print at the University of Utah and the Crystal Bridges Museum. This image depicts Catlin participating in a buffalo hunt, with two native riders in the background and in the fore Catlin riding between two buffaloes and firing his pistol at one. The caption text reads, "He writes, I gave five shots to the right and left, four of which were fatal to the heart, and all in less than half a minute." MILES & REESE, AMERICA PICTURED TO THE LIFE 69. Dippie, CATLIN AND HIS CONTEMPORARIES: THE POLITICS OF PATRONAGE (1990).

      [Bookseller: William Reese Company - Americana]
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        Notes on Nursing: What it is and What it is Not

      New York: D. Appleton and Company, 1860. Very Good. First American edition, wrappered issue. Small octavo. 140, [4]pp. Spotting on the wrappers, creases to the corners of several pages but a sound and attractive, a very good copy in the fragile wrappers. The fruits of Nightingale's experiences as a manager of nurses in the Crimean War, soon to be heavily relied upon in the American Civil War. The first American edition is moderately uncommon, the wrappered issue is excessively so.

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
 44.   Check availability:     IOBABooks     Link/Print  


        Album du Rhin. Ems, L.J. Kirchberger, [ca. 1860?].

      Linen binding, 22x26 cm. With 30 steel engravings by J.J. Tanner and a panorama, all about the Rhine between Mainz and Coln. The panorama-print published by Ant. Baer in Frankfurt a/M.

      [Bookseller: Antiquariaat A.G. VAN DER STEUR]
 45.   Check availability:     NVvA     Link/Print  


        Notes on Nursing: What it is and What it is Not

      New York: D. Appleton and Company, 1860. Very Good. First American edition, wrappered issue. Small octavo. 140, [4]pp. Spotting on the wrappers, creases to the corners of several pages but a sound and attractive, a very good copy in the fragile wrappers. The fruits of Nightingale's experiences as a manager of nurses in the Crimean War, soon to be heavily relied upon in the American Civil War. The first American edition is moderately uncommon, the wrappered issue is excessively so.

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
 46.   Check availability:     Biblio     Link/Print  

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