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Displayed below are some selected recent viaLibri matches for books published in 1860

        Die Helden der Revolution" originale Kupfer-Radierung/etching ca.47x63cm (Darstellung/image size) auf Büttenkarton/strong paper (55x71cm) von Frederik Giersch; unterhalb der Darstellung typographisch betitelt und bezeichnet; Prämie zum achten Bande der

      - New Yorker Criminal Zeitung; H. Peters New York 1860 [Das äußerst seltene und großformatige Blatt am oberen Rand mit kleineren hinterlegten Läsuren und bildmittig in der Steuben-Darstellung mit fachmännisch repariertem Einriß. The very rare etching on the upper margins with some backed tears und in the mid of the etching, the portrait of Steuben with professionally repaired tear. All in one a very splendid and collectable etching.] Frederick Girsch, a German artist and engraver, emigrated to the United States in 1849. The first works he executed in the US include two premium prints for the New Yorker Criminal Zeitung, this etching "Die Helden der Revolution" and a view of Niagara Falls entitled "Der Niagara".

      [Bookseller: Antiquariat Niederbayern]
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        GA aus der Vogelschau, im Vordergrund die Schelde, "Anvers, Vue prise au dessus de la tete de Flandre".

      - Lithographie ( anonym ) m. Tonplatte, um 1860, 35 x 49,4 Sehr seltene Ansicht. Auf der Schelde zahlreiche Schiffe, im Himmel ein Heissluftballon. Unter der Ansicht zahlreiche Erklärungen zu den wichtigen Gebäuden der Stadt.

      [Bookseller: Antiquariat Nikolaus Struck]
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        Report of the Commissioner of Indian Affairs (26 volumes total, for the Year 1860 - 1870, 1873, 1875, 1876, 1879, 1888, 1890 + Annual Report: 3rd, 7th, 8th, 21st, 22nd, 24th, 25th, 26th; 1871, 1875, 1876, 1889, 1890, 1892, 1894, 1898)

      Commissioner of Indian Affairs; George W. Bowman 1860 - 26 volumes. Report of the Commissioner of Indian Affairs (26 volumes total, for the Year 1860 - 1870, 1873, 1875, 1876, 1879, 1888, 1890 + Annual Report: 3rd, 7th, 8th, 21st, 22nd, 24th, 25th, 26th; 1871, 1875, 1876, 1889, 1890, 1892, 1894, 1898). An exceptional collection. All volumes bound in publisher?s brown cloth, later volumes in blue cloth. Good bindings and covers. (Except: Annual report for 1875, binding is cracked and the report for 1888 has a chip missing lower spine edge; 1889 has a minor dampstain). Clean, unmarked pages. Some institutional stamps. Lovely color fold out maps in the 1875 and 1876 reports. Additional fold out maps of the Black Hills, etc. A fascinating look at nearly three decades of the policy of U.S. government sponsored assimilation of American Indians. Extensive coverage is given in the early volumes to the Dakota War (Santee War) in Minnesota. Also, Confederate States of America contact with Indian nations (the Cherokee and others supported the South) and the impact of the Civil War on Indian Nations is covered. All of the volumes include reports about current conditions of Indian peoples, their education, conversion to Christianity, agriculture, industry, and conflicts with whites. Accounts from Indian agents, Tribal Chiefs, Letters from the Society of Friends, US military officers, Kit Carson, etc. are reported. Later volumes also deal with the Indian Training and Industrial School. Many of the accounts are unvarnished and present a lurid picture of the destruction of native peoples. Due to the diversity of peoples, time and region covered in the volumes, it is impossible to cover the extent of this publication in this listing. Here is one small note from Vital Jarrot, an Indian Agent in Atchison, Kansas. Jarrot writes in August, 1865 about U.S. troops on the Platte. He states that the troops and officers were often overheard stating: "that 'none [Indians] should be spared; all ought to be killed, men, women and children, and no quarters given.' I have been frequently shocked at the barbarity advocated by our soldiers, and many of our officers. I state these facts not because I desire to reflect upon the army of the Platte, but I state them because they are facts, facts known to the Indians, and, therefore, as a strong reason why the Indians, even those friendly, will not come in unless some other opportunity is offered them than there is new.? 434 p. Some of the Indian nations described: Sioux, Nez Perces, Choctaw, Chickasaw, Creeks, Seminoles, Chippewa, Munsee, Pottawatomie, Wyandotte, Ottawa, Oneida, Onondaga, Seneca, Sac, Fox, Cherokee, Navajo, Cheyenne, Kickapoos, Arapaho, Yakama, Shawnee, S?Klallam, Chehallis, Blackfeet, Blood, Piegan, Crow, Winnebagoes, Omaha, Pawnees, Ottoes, Missourias, Osage, Comanche, Wichita, Kiowa, Apaches, Caddoes, Aleuts, Metlacatlah, Shoshones, Utes, Flathead, Gros Ventres, Poncas, Peorias, Kaskaskia, Weas, Piankeshaws, Kaw, Menomonee, Waco, Pueblos, Moquis, Coose, Umpqua, Alsea, Sayouslaws, Snake, Modoc, Pimas, Maricopa, Yuma, Cayuse, Yavapai, Mohave, Cosinos, Zuni, Coyoteros and Sierra Blanocs. Contemporary signatures: William F. Cady, (Chief Clerk for the Commission of Indian Affairs during Grant?s Presidency, under Commissioner Parker); Henry H Brownmiller (Civil war veteran and secretary for the Commission of Indian Affairs), George Sykes, NJ Congressman. Also includes Joint Special Committee. Condition of the Indian Tribes Report. Washington, 1867, Indian Trust Bonds, 1861. This is a large set, that requires additional postage for international delivery outside the US. [Attributes: First Edition; Hard Cover]

      [Bookseller: Sequitur Books]
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        Transformation, or, The Romance of Monte Beni.

      London: Smith, Elder and co., 1860. - First Edition. Three volumes, octavo. Bound in recent half brown calf over marbled paper boards, with raised bands, red title label and black volume label to spine. A very attractive triple-decker novel. Internally clean and free from spotting. Published in the United States as The Marble Faun, this is the last of Hawthorne's romances, focusing on four protagonists whose names (Miriam, Hilda, Kenyon, and Donatello) may give some indication of the novel's themes. Set in Italy and inspired by Hawthorne's year-long holiday there in 1858, the novel was critized at the time for its languorous pace. It is also mildly fantastical, and consequently appears on the Bleiler list, which now may seem to be its most interesting feature. It is unsual in having inspired works by both Henry James and H.P. Lovecraft. [Attributes: First Edition; Hard Cover]

      [Bookseller: Adrian Harrington Ltd, PBFA, ABA, ILAB]
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        GA aus der Vogelschau, "Bruxelles. Vue prive au desus de la Stadion du Chemin de fer d'Anvers".

      - Lithographie mit Tonplatte n. u. v. Noury ( Dessine par Guesdon ) b. Hauser, A. in Paris, um 1860, 29 x 45 Sehr seltene Ansicht. Über der Ansicht: "Voyage Aerien dans les Pays-Bas".

      [Bookseller: Antiquariat Nikolaus Struck]
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        Voyage Pittoresque en Allemagne, Partie Septentrionale.

      Paris Morizot 1860 - 2 Bll., 514 SS. m. 20 (2 kol.) Stst.- Tafeln, 4°, HLdr. m. Kopfgoglschnitt Mit schönen Stst.- Ansichten von und nach Rouargue, darunter Berlin (2), Dresden (2), Frankfurt/M (2), Koblenz, Köln, Leipzig, Mainz, Würzburg usw. [Attributes: Hard Cover]

      [Bookseller: Antiquariat Nikolaus Struck]
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        [Kremsmünster - Lithographie Sammelblatt]. Gewidmet dem Hochwürdigsten Herrn Augustin Reslhuber, Abte des Benedictinerstiftes Kremsmünster etc. von Joh. Schauer.

      Wien, v. Reiffenstein & Rösch, o. J. [um 1860 - 1875]. OTonlithographie. ca. 39 x 45 cm. Leicht stockfleckig, Läsur fachmännisch m. Japanpapier geschlossen, leichte Gbrsp. - Beinhaltet die Ansichten (im Uhrzeigersinn): Kremsmünster von Nord-Ost (Mitte), Teich am Stiftsgebäude, Fischbehälter, Partie aus dem Stiftsgarten, Gunther`s Denkmal, Kirchberg, Kremsmünster von Süd, Kremsmünster von Nord, Kremsmünster von Süd-West, Kremseck, Moschee. Versand D: 7,00 EUR Oberösterreich

      [Bookseller: Antiquariat Weinek]
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        Gecostumeerde optogt gehouden door de leden van het Leidsche Studenten-Corps den 11den junij 1860, ter viering van den 285sten verjaardag der Leidsche Hoogeschool, voorstellende de intrede en huldiging van Frans, Hertog van Anjou, Alenc¸on, Berry, enz. als Hertog van Braband en Markgraaf van Antwerpen, binnen Antwerpen den 19den februarij 1582. Naar de oorspronkelijke bronnen bewerkt door de commissarissen tot regeling van de maskerade, en onder hun toezigt geteekend en op steen gebragt door G.J. Bos. (Met 4 bijbehorende publicaties).

      Leiden, Jac. Hazenberg Czn., [1860]. Linnen portfolio met goud- en blinddruk, linten present. Oblong 29 x 38 cm. Leporello van 28 gelithografeerde en gekleurde bladen van elk 28 x 36 cm, ofwel één prent van 10,80 meter lang! Met bijbehorende losse toelichting op blauw papier (8 p.). 1e druk. De portfolio vertoont heel lichte gebruikssporen. Eerste blad los, enkele vouwen wat ingescheurd, laatste blad aan de rechterrand versleten en wat vuil.* De feestelijke intocht in Antwerpen van Frans van Anjou, de kroonprins van Frankrijk, in 1582. Het betreft dus niet de 'Franse furie' van 1584! Een kolossaal lange lithografische prent die de feestelijke optocht voorstelt waarmee de Leidse studenten het 57ste lustrum van de in 1575 gestichte Universiteit van Leiden vierden.Bijgevoegd: A. BLOEMBERGEN, De intrede en huldiging van Frans, Hertog van Anjou (...), binnen Antwerpen den 19den Februarij 1582. Uitgegeven ter opheldering van de maskerade. Leiden, Hazenberg, 1860. Linnen. VIII, 156 p. 1e druk. Band iets verbleekt.En: Programma van de maskerade. Leiden, Hazenberg, 1860. Op blauw papier. 16 p. 1e druk. Bibliotheeksporen. Wat verfomfaaid aan de randen.Tenslotte: Geschiedkundige beschrijving der maskerade. Leiden, M.R. van Gelder, 1860. Origineel omslag met lithografische afbeelding. 36 p. 2e druk. Gebruikssporen.Mooi ensemble met de toelichting op blauw papier en drie zeldzame contemporaine publicaties over deze maskerade van de intocht in Antwerpen.

      [Bookseller: Antiquariaat Fokas HOLTHUIS]
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        Ölgemälde eines Knaben mit Teddybär.

      - Hübsches ovales Ölgemälde des 1860 in Berlin geborenen und 1939 verstorbenen Malers. Öl auf Platte, links unten mit *R. Scholz, 1927* signiert und datiert. Bildmaße: 56 x 47 cm, alt gerahmt. Guter Zustand. ( Provenienz: Privatbesitz - Literatur: Thieme-Becker ) ( Pic erhältlich // webimage available ) ( Please notice: Shipment only possible without the frame ) [Attributes: Signed Copy]

      [Bookseller: Antiquariat Friederichsen]
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        Sommario iconografico di medicina operativa e di anatomia chirurgica. Versione dal francese del dottor F.L. Alberti. Con prefazione note e giunte del dottor L. Capparelli. Opera contenente 113 tavole disegnate dal naturale ed incise al bulino in acciajo

      Agostino Pellerano, Napoli 1860 - - XXVIII + 550 con 88 tavv. incise in acciaio f.t. p. - in-8 p.tela edit. con titoli oro sul dorso e sul piatto

      [Bookseller: Libreria Antiquaria Giulio Cesare]
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        Landau an der Isar. Ansicht von Nordwesten.

      Landau, ca 1860 - Entwurf und auf Stein graviert von Al. Steininger, Orig. Lith. ca. 27 x 43 cm, ---Faltspur in der Mitte, stärker stockfl., Läsuren, SELTENES BLATT. +++Antiquariat seit über 25 Jahren+++

      [Bookseller: Der ANTIQUAR in LAHR, Werner Engelmann]
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        TA., Rathaus umgeben von weiteren Ansichten aus dem "Neckarthal".

      - aquarellierte Federzeichnung v. Adolf Burmester, um 1860, 33 x 47 Zu Burmeister s. Klose/Martius: Ortsansichten und Stadtpläne der Herzogthümer Schleswig, Holstein und Lauenburg, Textband S. 129 und 287. - Dek. Blatt, das mittig eine Ansicht vom Heilbronner Rathaus zeigt. Am linken und rechten Rand je 3 Ansichten. Links: Hornberg, Gutenberg und Ehrenberg. Rechts Guttenberg, Burg Weibertreu b. Weinsberg und Gesamtansicht von Heilbronn.

      [Bookseller: Antiquariat Nikolaus Struck]
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        Bern, Bundesrathaus, Lithographie 1860

      Verlag Durheim, Bern - Tonlithographie, "DAS BUNDESRATHAUS IN BERN Südseite", verlegt von Durheim in Bern, anno 1860. Auf Karton alt aufgezogen, unten rechts Wasserfleck, ausserhalb der Darstellung, Blattmaß: 55x76 cm., alt auf Karton aufgezogen. Für weitere Infos bitte unteren Link klicken. [Attributes: Hard Cover]

      [Bookseller: Hammelburger Antiquariat]
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        SCHWERIN. "Schwerin in Mecklenburg um 1860". 20 kleine Ansichten aus dem großen Souvenirblatt "Schwerin von der Nord-Seite", ausgeschnitten und einzeln unter Passepartout montiert.

      - 20 Lithographien mit Tonplatte von Gustav Frank bei Chr. Fuchs, Hamburg, um 1860, je 5 x 7,5 cm. Die Ansichten zeigen die wichtigsten Gebäude und Plätze von Schwerin: Schloß, Marktplatz, Dom, Rathaus, Marstall, Bahnhof, Regierungsgebäude, das großherzogliche Palais, Schauspielhaus, das Gasthaus in Zippendorf, den Tempelberg, die katholische Kirche uvm.

      [Bookseller: Peter Bierl Buch- & Kunstantiquariat]
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        Voyage pittoresque sur les bords du Rhine.

      Paris Morizot ca 1860 - Droit de traduction reserve. 502 S., illustr. mit ganzs. Stahlstichen. , insgesamt gutes Ex.

      [Bookseller: Neusser Buch & Kunst Antiquariat]
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        Gesamtansicht über die Warthe gesehen ('Gniezno. - Gnesen.').

      - getönte Lithographie v. L. Blau & Co. in Leipzig n. C. Scheitz, um 1860, 28 x 43 (Bilder zum Artikel auf meiner Homepage, oder bei Anfrage - pictures on my homepage or after request)

      [Bookseller: Antiquariat Norbert Haas]
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        Gesamtansicht vom Meer aus gesehen; im Vgr. zahlreiche Segelschiffe ('Malaga. Vue prise de l'entrée du port. - Malaga. Vista tomada de la entrada del puerto.').

      - getönte Lithographie v. F. Gourtin n. Chaman & Poyatos b. L. Turgis in Paris & New York, um 1860, 39 x 47,5 (Bilder zum Artikel auf meiner Homepage, oder bei Anfrage - pictures on my homepage or after request)

      [Bookseller: Antiquariat Norbert Haas]
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        ESPANA CORRIDA DE TOROS. COURSES ET COMBATS DE TAUREAUX.

      Paris, L. Turgis, no date, circa 1860.. Edition uknown circa 1860, oblong approximately 100 x 165 mm, 4 x 6½ inches, hand coloured title page and portrait of Francisco Montes and 17 hand coloured lithograph plates of bull fighting by Turgis, captions in French and Spanish, no text, bound in plain brown paper wrappers. Title page has pale stain to lower margin, pale foxing to margins and blank side of plates, otherwise a very good copy. MORE IMAGES ATTACHED TO THIS LISTING, ALL ZOOMABLE, FURTHER IMAGES ON REQUEST. POSTAGE AT COST.

      [Bookseller: Roger Middleton]
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        Herr Vogt.

      London A Petsch & Co deutsche Buchhandlung 1860 - Erste Ausgabe. 8vo. VI S., (1) Bl. Inhalt, 191 S., (1) S. Druckfehler. Angebunden: K. Marx, Der Achtzehnte Brumaire des Louis Bonaparte. Zweite Auflage. Hamburg, Meißner, 1869. Halbleinen der Zeit, Kanten berieben, hs. Rückenschild. First edition. Contemporary quarter cloth, rubbed along edges. Marx/Engels Erstdrucke S. 26; Rubel 567; Stammhammer I, 145, 22. [Attributes: First Edition; Hard Cover]

      [Bookseller: JDinter]
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        LEITMERITZ. Gesamtansicht von Süden über die Elbe (16,5 x 33 cm), umgeben von 14 Teilansichten aus der Stadt.

      - Lithographie mit Tonplatte von W. Morauer nach Klinger, um 1860, 35 x 54 cm. Sehr dekoratives Souvenirblatt mit Ansichten vom Ringplatz, Schützenhaus, Marienhospital, von Josefs-, Lange-, Dominikaner- und Jesuitengasse, der Elbbrücke u.a. - Breitrandig und gut erhalten.

      [Bookseller: Peter Bierl Buch- & Kunstantiquariat]
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        „Das Eiserne Thor in Gratz Demotirt [sic] im Winter 1859-60“.

      Graz, (vor 1860). Signierte Orig.-Fotografie (26,5 x 26,3 cm) unter Passepartout (38,5 x 38,5 cm). Äußerst seltene und frühe Fotografie des Grazer Fotografen Carl Sanonner (1818 - um 1862). - „[...] wirkte als Bildhauer, Daguerreotypist und Fotograf in Graz, stellt in den 1850er Jahren Porträts und Salzpapierabzüge her [...]“ (Timm Starl: Lexikon der Fotografie in Österreich 1839-1945, S. 415). - Links unten vom Fotografen eigenh. in Bleistift signiert („C. Sanon[n]er Gratz“ und unten in der Mitte von alter Hand eigenh. in Tinte bezeichnet. - Die Fotografie etw. verblasst, fleckig u. geknittert. Untere Hälfte mit einer durchg. Knickspur. - Versand D: 12,00 EUR Graz - Das Eiserne Thor in Gratz, Eiserne Tor, Eisernes Tor, Ansichten, Photographie, Photographien, Fotografie, Fotografien

      [Bookseller: Antiquariat Wolfgang Friebes]
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        Grande Illustrazione del Lombardo-Veneto ossia storia delle città, dei borghi, comuni, castelli, ecc. fino ai tempi moderni.

      Milano, 1860 - Sei volumi di cm. 25, pp. 839 (9); 830; 1244; 1014; 1091; 791. Frontespizio inciso a ciascun volume, 4 piante di città ripiegate (Venezia, Milano, Venezia e Mantova), una veduta di Venezia a doppia pagina, 2 tavole ripiegate, 20 ritratti fuori testo e 977 incisioni xilografiche prevalentemente di vedute, panoramiche, scene storiche e particolari delle città e dei paesi descritti. Elegante legatura coeva in mezza pelle, dorsi lisci con ricchi fregi in oro. Esemplare fresco, genuino ed in ottimo stato di conservazione. Si tratta della seconda edizione, pressochè uguale alla prima e pubblicata contemporaneamente ma che da quest'ultima si differenzia almeno per la presenza dei ritratti. Spesso il numero delle piante fuori testo e dei ritratti varia secondo l'operato del legatore, la nostra copia presenta il maggior numero di tavole possibile. Opera ancor'oggi ricercata per la quantità di informazioni storiche, statistiche e topografiche riguardanti l'alta Italia. Ogni provincia viene descritta dettagliatamente a partire dal capoluogo fino a tutti i centri minori che la compongono. Notevole inoltre l'aspetto vedutistico che risulta una delle maggiori fonti documentarie del tempo soprattutto per quanto concerne la provincia e le zone solitamente meno privilegiate dal punto di vista iconografico. Insieme ormai piuttosto raro a reperirsi completo, anche perché formato da studi monografici che vengono spesso proposti singolarmente. Cfr. Cremonini 164 (che cita 17 ritratti); Catalogo Hoepli, 593: "Opera delle più interessanti e compiute per quel tempo, che illustra le regioni del Lombardo-Veneto sotto tutti gli aspetti, storico, artistico, culturale, economico, ecc". Ormai non comune, soprattutto quando completa di tutte le tavole ed i ritratti come nel presente esemplare (nessuna copia censita recentemente porta un tale numero di ritratti). Esemplare impreziosito inoltre da una legatura assai decorativa. [Attributes: Hard Cover]

      [Bookseller: Studio Bibliografico Benacense]
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        THE ISLAND OF ANTIGUA Revised by J W Norie, 1827

      Antigua [but actually Philadelphia], 1860. Backed with contemporary blue paper. Light foxing and toning. A few small tears in margins. Very good. An unusual lithographic edition of Norie's 1827 revision of this handsome chart, lithographed by Wagner & McGuigan in Philadelphia. A statement in the cartouche reads: "Presented by R.B. Eldridge, Antigua, to Captain Andrew Tyler." The captain's name is accomplished in manuscript. R.B. Eldridge is not listed in Tooley's DICTIONARY OF MAPMAKERS and appears to be unrelated to publisher of charts George Eldridge. It seems most likely that he was rather an Antigua merchant who commissioned a reprint of the chart for complimentary distribution to sea captains. A handsome piece.

      [Bookseller: William Reese Company - Americana]
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        A Sketch-Book by an American in Venice

      [Venice]: N.p., 1860. 1st. Original wraps. First edition thus. 4to. Etched title page and 48 full page etchings of Italian street vendors, signed in the plate, by Eugenio Bosa (1807-1875), Italian sculptor & painter. Blue-grey wrappers housed in folding cloth & paper covered portfolio. Light foxing to some pages; wear and rubbing to portfolio; a very good copy. No copies found in institutions of this title with the 48 etchings, scarce thus. 23 etchings depict Venetian costumes; 24 depict Triestini costumes; and 1 plate not indicated. An unusual collection of etchings by Bosa, showing, in excellent detail, Italians in Venice and Trieste wearing picturesque clothing particular to their trade, each one wielding the necessary tools for daily use. Bosa (1807-1875) was a Venetian artist, best known for his illustrative work of daily life, often "...humorous, curious, even satirical, full of whimsical details that earned him the title of Goldoni of Venetian painting."

      [Bookseller: Carpe Diem Fine Books]
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        Souvenirblatt, Gesamtans. v. Brauhausberg, umgeben v. 20 Teilansichten.

      - altkol. Lithographie n. u. v. G. Frank, um 1860, 32,5 x 46 Nicht bei Drescher/Kroll: "Potsdam, Ansichten aus 3 Jahrh.". - Die Randansichten zeigen: Nicolaikirche, Charlottenhof, das neue Palais, Communs, königl. Schloß, Rathaus, Schützenhaus, Kirche inSacrow, das Casino, Babelsberg, heil. Geist Kirche, Mamorpalais, Sanssouci von der Rückseite, Sanssouci, das Schauspielhaus, dieGarnison- und Hofkirche, Schloß Glienicke, die Garde-Husaren Kaserne, die Pfaueninsel vom Blockhaus aus und den Bahnhof.

      [Bookseller: Antiquariat Nikolaus Struck]
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        Eigenh. Brief m. Unterschrift.

      Oldenburg, 12. II. 1860. 4 S., 4°. [An den österr. Chemiker u. Mineralogen Anton Schrötter von Kristelli (1802-1875)]. - Umfang- und inhaltsreicher Brief. - „[...] Stephan von Österreich gehörte zu den berühmtesten Mineralsammlern des österreich-ungarischen Reiches, dessen Interesse an den Mineralen bereits mit fünf Jahren erwachte. Nach seiner politischen Ausbildung am Königshof von Wien unternahm er ausgedehnte Erkundungstouren durch das Reich und nutzte während dieser Zeit jede Gelegenheit, berühmte Mineralmuseen und bekannte Mineralfundorte zu besuchen, um seine Sammlung durch eigene Funde oder Käufe zu erweitern. 1845 ehrte der bekannte Mineraloge Wilhelm Ritter von Haidinger seine Bemühungen um die Mineralogie mit der Benennung eines wichtigen Silberminerals und -erzes nach ihm als Stephanit. Die mineralogische Sammlung Stephans von Österreich enthielt bei seinem Tod 1867 rund 20.000 Proben und wurde auf den für damalige Verhältnisse enormen Wert von 300.000 Mark geschätzt. Nach Stephans Tod ging die Mineralsammlung auf das Haus Oldenburg über und wurde bis zu deren Verkauf 1888 an den Unternehmer Carl Rumpff weiter ausgebaut. Nach dessen Tod 1889 wurde die Sammlung schließlich an das Museum für Naturkunde in Berlin übergeben“ (Wikipedia). --- Der in Olmütz geborene Anton Schrötter, Sohn eines Apothekers, studierte ab 1822 zunächst auf Wunsch seines Vaters in Wien Medizin, wechselte dann aber unter dem Einfluss von Friedrich Mohs zu den naturwissenschaftlichen Fächern, speziell der Mineralogie. 1827 erhielt er eine Assistentenstelle für Physik und Mathematik an der Universität Wien. 1830 wurde er Professor für Physik und Chemie am Technischen Institut Joanneum in Graz. Während eines halbjährigen Urlaubs im Jahre 1838 besuchte er chemische Institute in Göttingen, Heidelberg, Frankfurt und Paris. In Gießen machte er sich bei Justus von Liebig mit der organischen Elementaranalyse vertraut. Ab 1843 arbeitete er als Professor für technische Chemie am Polytechnischen Institut der Universität Wien und übernahm dort 1845 die Professur für allgemeine Chemie. Schrötter war neben Baumgartner, Ettingshausen und Haidinger einer der Begründer der Kaiserlichen Akademie der Wissenschaften in Wien und wurde 1850 ihr Generalsekretär. Die Deutsche Akademie der Naturforscher Leopoldina wählte Schrötter 1856 zu ihrem Mitglied. Ab 1868 leitete er das österreichische Hauptmünzamt und wurde gleichzeitig zum Ministerialrat ernannt. Er wurde 1874 in den Ruhestand versetzt und eröffnete in seiner Wohnung ein Privatlaboratorium, in dem er Studien über Edelmetalle betrieb. 1875 starb er in Wien. Schrötter hat in seinem Leben ca. 60 wissenschaftliche Publikationen verfasst. Ab 1845 beschäftigte Schrötter sich intensiv mit Phosphor. 1848 gelang ihm der Nachweis der schon von Berzelius geäußerten Vermutung, dass roter Phosphor eine allotrope Modifikation des weißen Phosphors, nicht aber eine Phosphorverbindung ist. Schrötter wandelte weißen Phosphor durch Erhitzen in roten um, den man zeitweise Schrötterschen Phosphor nannte. Sein Verfahren zur Darstellung desselben revolutionierte die Streichholzindustrie, wo roter Phosphor schon bald als Bestandteil der Reibflächen genutzt wurde. Er war ein Organisator in Industrie und Wissenschaft sowie Berater bei den Vorbereitungen zur Novara-Expedition und zur Österreich-Ungarischen Nordpolexpedition. - Versand D: 12,00 EUR Stephan Franz Viktor, Erzherzog von Österreich, Schrötter, Brief, Letter, Lettre, Briefe, Autograph, Autographe, Autographen, Autograf, Autografe, Autografen, Signatur, Signiert, Signed, Signature, Unterschrift, Eigenhändig, Handschrift, Handschriften, Manuscript, Manuscrit, ALS, A.L.S., LAS, L.A.S.

      [Bookseller: Antiquariat Wolfgang Friebes]
 26.   Check availability:     buchfreund.de     Link/Print  


        Macchina Magnetica ad Elettro-Calamita Trasversale di Antonio Pacinotti nel 1860 [so titled on upper wrapper].

      FIRST SEPARATE EDITION. Pacinotti's dynamo, considered to be the first practical electric motor and generator from which all modern machines emanate, was the first machine that could produce an even current of electricity, and despite continuous refinement, his basic concept remains at the heart of all modern generators and electric motors.Pacinotti's "reputation was due largely to his invention of a new form of armature used in electric motors and generators. The armature design that Pacinotti first described in a paper published in Nuovo cimento (June 1864) became a key element in the evolution from the magnetoelectric generator to the commercial self-excited dynamo during the next decade. The Pacinotti armature consisted of an iron ring with projecting teeth interspersed with coils which formed a closed series circuit with connections to a commutator. In his paper Pacinotti pointed out that his new machine could be used as either a direct-current motor or a generator" (DSB)."It is the principle of convertability which makes the electric transmission of power possible The application of this law to magneto-electric machines also was first recognised by Pacinotti and was considered by the late James Clerk Maxwell the most important discovery of the age" (A. von Urbanitsky, Electricity in the service of man, p. 616).This pamphlet, with the drophead title "Descrizione di una maccinetta elettro-magnetica. (Estratto dal Nuovo Cimento Fascicolo per Giugno 1864, pubblicato il 3 Maggio 1865)" differs from the periodical publication (vol. 19, pp. 378-384), but both are clearly from the same setting of type.No other copy of this extremely rare separate issue has been traced. Ekelöf catalogue 1277 (1912 edition). Wheeler Gift 1601 (journal issue).8vo, 7 pages, 1 lithographed plate. Original yellow printed wrappers. PRESENTATION COPY, inscribed on the upper wrapper "Al Sig. G. Ferraris, Antonio Pacinotti". Galileo Ferraris (1847-1897) was Pacinotti's colleague and an electrical engineer, notable for his transmission of electric energy over long distances, his invention of the AC induction motor, etc.

      [Bookseller: Nigel Phillips]
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        Utazás Kalifornia déli részeiben. Irta --, a Természettudományok Philadelphiai Akadémiája, az Amerikai Philosophiai Társulat s a Bostoni Athenaeum rendes tagja. Egy földképpel, nyolc k?- és nyolc fametszettel. [Travel in Southern California. By --, Regular member of the Philadelphia Academy of Natural Sciences, of the American Philosophical Society, and of the Boston Athenæum. With One Map and Eight lithographs and Eight Woodcuts.]

      Lauffer és Stolp (Herz János) 1860 (1859), Pesten (Pest) - First edition. The lithographs were printed in Pest by Haske és Társa. In contemporary green cloth, with gilt spine. (1) [lithograph frontispiece], (11), (1), 2- 191, (3) p., and 7 lithograph plates on sepia and gray toned ground, and one folding lithograph map. Xantus' second North America travelogue, an account of travels in southern California. Xantus writes about the geography, flora and fauna, and also shares his ethnological and historical knowledge about the area. The book is divided into three chapters: "From Los Angeles to Fort Tejon" which includes the description of Los Angeles; "Tejon and Tejon Indian Tribe" with detailed description of history and customs of the tribe, a short dictionary, and about the rock art of the Native Americans; "Baja California Peninsula" concerns with the plants and the animals of the region. The lithograph plates are: "San Fernando Mission", "Native American Blacksmith at Work. In San Fernando", "Native American Weaving. In San Fernando.", "Native Americans Grinding Corn.", "At the Top of Sierra Nevada. On July 13.", "La Jolla.", "Encampment Between Timpa[?] and Todos Santos.", "San Marcos." It is printed on the plates that they were made after Xantus' drawings, however several appear to be copies with slight alterations, from drawings made by R. H. Kern (in Sitgreave's "Report of an Expedition down the Zuni and Colorado Rivers"). John Xantus de Vesey (1825-1894) was a Hungarian exile naturalist and zoologist. He was a Freedom Fighter in the Hungarian Revolution of 1848, and as a result a political refugee in the United States where he arrived in 1852. He became a stretcher-bearer in the US army where he met a surgeon William Alexander Hammond who acted as a collector for the renown zoologist Spencer Fullerton Baird. Through Hammond he became interested in natural history and became a talented collector. In 1859 he made an expedition to Baja California, which was almost unknown at the time. Xantus explored the entire surrounding region and many adjacent islands, he collected numerous unknown species of plants and animals. Baird stated that Xantus made "the addition of a larger number of new animals to our fauna than has been made by one person in any single region of North America before". Several zoological and botanical taxa have been named for him. In 1862 Xantus was sent to the American consulate in the port of Manzanillo in southern Mexico. The consulate was closed two years later and Xantus returned to Hungary with part of his scientific collection that he later donated to the Hungarian National Museum. He became the appointed director of the Budapest Zoo and Botanical Garden and worked as a consultant and curator for the Hungarian National Museum. During these years he undertook several collecting trips through Asia and found more species previously unknown to western science. [Wheat 237.; Graff 4785.; Barrett, Baja California 2681.; Cowan II, p. 697.; Graff 4785.; Holliday 1224.; Howell, California 50:1664.; Sabin 35764 and 105714.]. Stamp of ownership on inner pastedown also inscription in ink, and stamp on title page. A small tear on spine, extremities slightly rubbed. Sporadic foxing throughout. Otherwise a fine copy. In contemporary green cloth, with gilt spine First edition. The lithographs were printed in Pest by Haske és Társa. [Attributes: First Edition; Hard Cover]

      [Bookseller: Földvári Books]
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        The Deaths-Head Pipe. Original caricature.

      [c.1860?] - Pencil, ink & watercolour, signed & inscribed. Framed & glazed. A young man smokes an opium pipe sat on an armchair legs stretched out towards an open fireplace. Beside him, emanating from the head of the pipe is a skeletal figure saying: ?I only let him smoke me to give a colour to the affair. He will soon be mine!? William McConnell, a one-time pupil of George Cruikshank, was a comic artist of some repute. He was the close friend of the Brothers Brough and of George Augustus Sala, for whom he made a set of elaborate drawings to illustrate Twice Round the Clock. PLEASE NOTE: For customers within the UK and the EU, this item is subject to VAT. [Attributes: Signed Copy]

      [Bookseller: Jarndyce, The 19th Century Booksellers]
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        Masques et Bouffons (Comédie Italienne)

      Paris, Michel Lévy Freres, 1860. 1860 Edizione originale. 2 voll. in 4°, p. VIII, 356(4); (4)384. 50 bellissime tavole f.t. a colori. Disegni di M. Sand incisi da A. Manceau. Prefazione di George Sand. Le incisioni raffigurano le maschere italiane diventate famose in tutto il mondo, grazie alla "Commedia dell'Arte". Leggere fioriture. Legatura coeva in mezza pelle con angoli e nervature al dorso. Titoli e fregi in oro al dorso. (Carteret II, 321 e III, 549).

      [Bookseller: Studio Bibliografico Marisa Meroni]
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        Panorama du Mont Righi. Edition originale.

      Zürich, R. Dikenmann ca, 1860 - 18,5 x 71,5 cm, Aquatinta in grauen Tönen, etwas stockfleckig, Ppe - Einband, Ecken bestossen, es zeigt von Nord(Meyers Capel) bis West (Mörlischachen)

      [Bookseller: Antiquariat A. Wempe]
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        The Mill on the Floss

      William Blackwood & Sons, London 1860 - Complete 3 volumes. Belonged to James McBryde (Ghost Stories of an Antiquary illustrator) and has his book-plate to the front paste down of each volume. Original brown cloth, original pale yellow end papers to each volume, half-title and title page complete to each volume, 16 pages of adverts complete to the rear of vol.3, binder's ticket (Edmonds & Remnants) to rear pastedown of vol. I. Each book is bumped to the corners and spine ends, the paper to the rear hinge of volume 3 is split but holding fine, there is some foxing to the pages mainly the fore edge and first and last few pages, two pages in vol.1 are frayed to the edge but have no loss of text, there is a neat inscription dated 1860 to the front free end paper of each volume and a small cutting from a book-seller's catalogue to the front free end paper of vol.1, when the books were priced in 1888 at £1 8s. [Attributes: First Edition; Hard Cover]

      [Bookseller: Knights Rare Books (Est. 1994)]
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        Journal of Researches into the Natural History and Geology

      London: John Murray,, 1860. of the Countries Visited During the Voyage of H.M.S. Beagle Round the World. Under the Command of Capt. Fitz Roy. Tenth Thousand. Octavo. Original green cloth, titles to spine gilt, boards blocked in blind, brown coated endpapers. Engravings in the text. Library label to front pastedown, contemporary ownership signature to front free endpaper, bookseller's ticket to rear pastedown. A little wear to tips, head of rear joint split, front hinge cracked but holding, rear hinge partially split but holding, edges spotted, occasional mild foxing to contents. A very good copy. Second edition. This is the final definitive text, with the earliest state adverts. The Journal of Researches was first published as vol. III of Fitzroy's Narrative of the surveying voyages of His Majesty's Ships Adventure and Beagle in 1839, and also issued as an independent volume at the same time. The second edition, extensively revised and reduced from about 224,000 words to 213,000, was first published in 1845 in the scarlet cloth of John Murray's Colonial and Home Library. It was reprinted in the same series in 1852, the title page now describing it as a new edition, instead of second, although there is no change. The present is the next issue of the same second edition, and is the final text as Darwin left it. The parts from the original stereos are the same, but a postscript, dated 1 February 1860, is added to the preliminaries, and it is in a green cloth case of the same style as the first three editions of the Origin. "The page height is nearly two centimetres greater than before and the wider margins give the book a much better appearance. Inserted advertisements in this edition may be as late as September 1868" (Freeman). In this copy, the advertisements are dated January 1860. Darwin noted in his autobiography that "The voyage of the Beagle has been by far the most important event in my life and has determined my whole career…As far as I can judge of myself I worked to the utmost during the voyage from the mere pleasure of investigation, and from my strong desire to add a few facts to the great mass of facts in natural science. But I was also ambitious to take a fair place among scientific men…The success of this my first literary child always tickles my vanity more than that of any other books."

      [Bookseller: Peter Harrington]
 33.   Check availability:     Biblio     Link/Print  


        Mozart enfant à la cour de l'empereur Francois Ier.'.

      - Stahlstich v. Jazet b. Knoedler in New York / Goupil in London, Paris u. Berlin, dat. 1860, 44,5 x 57 Thieme-Becker Bd. XVIII, S. 450. - Zeigt Mozart als Kind am Hofe Francois I. am Flügel spielend. (Bilder zum Artikel auf meiner Homepage, oder bei Anfrage - pictures on my homepage or after request)

      [Bookseller: Antiquariat Norbert Haas]
 34.   Check availability:     IberLibro     Link/Print  


        The Quarterly Review. Vol 108. July - Oct 1860. Contains the key article On the Origin of Species by Charles Darwin, reviewed by Samuel Wilberforce

      John Murray, London 1860, 1860. First Edition. Hardcover. Darwin himself was impressed by Wilberforce's review, describing it as "uncommonly clever", and it set off a significant debate within the British Association, between Wilberforce and T.H.Huxley, that was largely responsible for wider press coverage of Darwin's work and thus bringing it to greater public notice. In total this volume contains 16 articles. Title page, 4 pages contents, 614 pp including index. Bound in original half leather, with marbled boards. A little wear towards top of spine, and a little darkened. A sound text block. A pleasant copy. Quantity Available: 1. Category: Antiquarian Books; NOT FOR OTHER ABE; Inventory No: 187577. .

      [Bookseller: Cosmo Books]
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        Gesamtansicht über den Ruppiner See ('Neu-Ruppin').

      - getönte Lithographie v. Carl Frühsorge gedr. H. Arnold in Leipzig b. Rudolph Petrenz in Neuruppin, um 1860, 36,5 x 59,5 Nicht bei Berndt, Märkische Ansichten! - Carl Frühsorge (1840 - 1906) war Zeichner u. Lithograph aus Dessau. - Mitte der 60er Jahre erfolgte eine Zusammenarbeit mit dem in Dessau lebenden Gustav Frank (1819 Stralsund - 1886 Dessau) der über 90 großformatige Ansichten fertigte. (Bilder zum Artikel auf meiner Homepage, oder bei Anfrage - pictures on my homepage or after request)

      [Bookseller: Antiquariat Norbert Haas]
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        Original, signed autograph in ink of William Henry Fox Talbot - From the collection of a 19th century autograph - collector we have framed his original signature mounted with a reproduction of one of his most famous photographs. The complete collection includes 11 framed reproductions of his photography that are all part of this offer.

      England, 1860 - Original autograph. England, c. 1860. Excellent condition. The only existing autograph of Fox Talbot on the international market at the time of cataloging. Very rare ! The collection with framed photographs comes with free international DHL Express shipping. William Henry Fox Talbot (11 February 1800 – 17 September 1877) was a British scientist, inventor and photography pioneer who invented the salted paper and calotype processes, precursors to photographic processes of the later 19th and 20th centuries. His work in the 1840s on photomechanical reproduction led to the creation of the photoglyphic engraving process, the precursor to photogravure. He was the holder of a controversial patent which impacted the early development of commercial photography in Britain. He was also a noted photographer who contributed to the development of photography as an artistic medium. He published The Pencil of Nature (1844–46), which was illustrated with original salted paper prints from his calotype negatives, and made some important early photographs of Oxford, Paris, Reading, and York. (Wikipedia) Excellent condition. The only existing autograph of Fox Talbot on the international market at the time of cataloging. Very rare ! The collection with framed photographs comes with free international DHL Express shipping.

      [Bookseller: The Time Traveller's Bookshop Ltd.]
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        Souvenirblatt, Gesamtans. v. Brauhausberg, umgeben v. 20 Teilansichten.

      - Lithographie n. u. v. G. Frank b. Rocca in Berlin u. Göttingen, um 1860, 32,5 x 46 Nicht bei Drescher/Kroll: "Potsdam, Ansichten aus 3 Jahrh.". - Die Randansichten zeigen: Nicolaikirche, Charlottenhof, das neue Palais, Communs, königl. Schloß, Rathaus, Schützenhaus, Kirche inSacrow, das Casino, Babelsberg, heil. Geist Kirche, Mamorpalais, Sanssouci von der Rückseite, Sanssouci, das Schauspielhaus, die Garnison- und Hofkirche, Schloß Glienicke, die Garde-Husaren Kaserne, die Pfaueninsel vom Blockhaus aus und den Bahnhof.

      [Bookseller: Antiquariat Nikolaus Struck]
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        Gesamtans., "Panorama von Hamburg vom Thurme der Stadt-Wasserkunst aus gesehen auf Rothenburgs Ort".

      - Lithographie m. Tonplatte ( Druck Ch. Fuchs ) n. u. v. Valentin Ruths b. Ch. Fuchs in Hamb., um 1860, 49,5 x 79 Seltenes Blatt. - Blick vom 73 Meter hohen Turm der Stadt-Wasserkunst in Rothenburgsort nach Hamburg. ( Panorama von Veddel über Altona, St. Pauli, Grasbrock, Bille bis zur Vorstadt St. Georg ). Links die Elbe im naturbelassenen Zustand, rechts eine Straße nach Hamburg ( Billhorner Röhrendamm ?). Mittig im Hintergrund die St. Petrikirche ( der Turm ist noch nicht wieder hergestellt ). - Randeinrisse, alle außerhalb der Darstellung, wurden restauriert.

      [Bookseller: Antiquariat Nikolaus Struck]
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        L'Italie de nos jours.

      Paris, H. Mandeville, Librairie-Éditeur, s.d., vers 1860, - in-4to, titre gravé avec vue des cascades de Tivoli + 2 ff. (titre - table) + 204 p. + 29 planches gravées par diverses graveurs d?après Bartlett, Leitch, Challis etc. reliure en d.-cuir aux coins, dos à six caissons richement orné or, bel exemplaire, tranches dorées. Première édition, bien illustré avec au total 20 gravures originales sur acier qqs rousseurs par-ci par-là.Please notify before visiting to see a book. Prices are excl. VAT/TVA (only Switzerland) & postage. Bellani -.

      [Bookseller: Harteveld Rare Books Ltd.]
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        Vue de la Jungfrau.

      Aarbourg, Imp. de Von Kilch. Grossmann, s.d., vers 1860, - 26x35 cm (Vue) /36x43 cm (la feuille), Original Farblithographie, zusätzlich vereinzelt orig. handkoloriert / Lithographie originale tirée en couleurs, avec qqs détails coloriés à la main, 1 Blatt / une feuille. Please notify before visiting to see a book. Prices are excl. VAT/TVA (only Switzerland) & postage.

      [Bookseller: Harteveld Rare Books Ltd.]
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        PORLEZZA/Luganer See. Blick auf einen herrschaftlichen Villenkomplex mit Kirche, links der Luganer See, vorne Landleute und Musikanten beim Tanz.

      - Gouache auf Malkarton, um 1860, 35 x 52,5 cm. Die "Perle des Ceresio" liegt in der Provinz Como, an der Spitze des östlichen Ausläufers des Luganer Sees. - Im Rand schwarz kaschiert, im Himmel einige Fleckchen.

      [Bookseller: Peter Bierl Buch- & Kunstantiquariat]
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        Blick auf einen herrschaftlichen Villenkomplex mit Kirche, links der Luganer See, vorne Landleute und Musikanten beim Tanz.

       Gouache auf Malkarton, um 1860, 35 x 52,5 cm. Die \"Perle des Ceresio\" liegt in der Provinz Como, an der Spitze des östlichen Ausläufers des Luganer Sees. - Im Rand schwarz kaschiert, im Himmel einige Fleckchen. Versand D: 6,00 EUR Europa, Italien

      [Bookseller: Antiquariat Bierl]
 43.   Check availability:     buchfreund.de     Link/Print  


        The Holy Bible, containing the Old and New Testaments. Translated out of the original tongues into Canarese. By a committee of missionaries of the German, London and Wesleyan Missionary Societies for the Madras Auxiliary Bible Society. [Text evtl. in Karnatisch gedruckt].

      Bangalore: Druck durch die Wesleyan Mission Press 1860. Zusammen ca. 600 Seiten. Ganzleder der Zeit mit vergoldetem Rückentitel, Quarto, 29 x 23 cm. (bestossen, stärker beschabt, anfangs Innenfalz angerissen, wenig gebräunt bzw. braunfleckig, anfangs wenige Seiten etwas knitterspurig und mit kleinen Einrissen, insgesamt innen sauber) Erste Gesamtausgabe dieser Übersetzung in den südindischen Dialekt von Mysore (Madras), der immerhin von ca. 10 Millionen Einwohnern gesprochen wurde. - vgl. Darlow/Moule 1865 (die vorl. Ausgabe dort nur in der Anmerkung erwähnt) - in den online-Katalogen der Bibliotheken weltweit konnten wir nur ein Exemplar, das in der British Library, nachweisen. Versandkostenfreie Lieferung [Beautiful, Rare and Special;Schönes;Seltenes;Theologie;Bibliophilie;Alte Drucke;Geographie;Asien;Südasien;Fremdsprachen;Sonstige]

      [Bookseller: Versandantiquariat Bürck]
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        Zinkhütte; im Vgr. Eisenbahn ('Sociètè Anonyme Des Mines & Fonderies De Zinc De La Vieille Montagne Usine d'Oberhausen - Laminoirs - Allemagne').

      - Farblithographie v. Canelle gedr. v. Simonau & Toovey aus Belique Industrielle b. J. Géruzet in Bruxelles, um 1860, 36,5 x 45,5 (Bilder zum Artikel auf meiner Homepage, oder bei Anfrage - pictures on my homepage or after request)

      [Bookseller: Antiquariat Norbert Haas]
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        Quedlinburg. - Gesamtansicht. - "Quedlinburg".

      - Historische Ortsansicht. Lithografie, um 1860. Von Carl Frühsorge. 33,6 x 56 cm (Darstellung) / 45,5 x 62 cm (Blatt). Unterhalb der Darstellung betitelt. Links unten "Aufgenommen u. lith. v. Carl Frühsorge", mittig "Verlag von H. C. Huch", rechts "Druck v. H. Arnold, Leipzig". - Malerische Ansicht der Stadt Quedlinburg. - Minimal fleckig. Insgesamt sauberes Blatt in sehr gutem Erhaltungszustand. Carl Frühsorge Deutscher Zeichner und Lithograph aus Dessau.

      [Bookseller: Graphikantiquariat Koenitz]
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        TA., Rathaus umgeben von weiteren Ansichten aus dem "Neckarthal".

      - aquarellierte Federzeichnung v. Adolf Burmester, um 1860, 33 x 47 Zu Burmeister s. Klose/Martius: Ortsansichten und Stadtpläne der Herzogthümer Schleswig, Holstein und Lauenburg, Textband S. 129 und 287. - Dek. Blatt, das mittig eine Ansicht vom Heilbronner Rathaus zeigt. Am linken und rechten Rand je 3 Ansichten. Links: Hornberg, Gutenberg und Ehrenberg. Rechts Guttenberg, Burg Weibertreu b. Weinsberg und Gesamtansicht von Heilbronn.

      [Bookseller: Antiquariat Nikolaus Struck]
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        Eighteen Illustrations.

      n.p. [c.1860?] 18 images, approx. 10 x 14 cms, mounted within thick mounts in an attractive brown morocco Victorian album. The clasp is missing. Renier booklabel. a.e.g.An album of eighteen illustrations, beautifully printed on white silk. The illustrations depict aspects of rural life, showing idealised scenes of the farm and homestead. They are predominately of children and young girls, occupied in a range of pastoral activities, such as feeding chickens, milking cows, tethering ponies, and tending sheep. Each design bears the monogram 'FB', but we have been unable to identify the artist.

      [Bookseller: Jarndyce Rare Books]
 48.   Check availability:     Direct From Bookseller     Link/Print  

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