The viaLibri website requires cookies to work properly. You can find more information in our Terms of Service and Privacy Policy.

Displayed below are some selected recent viaLibri matches for books published in 1851

        Lives of the Queens of England.

      

      [Bookseller: Peter Harrington]
 1.   Check availability:     Biblio     Link/Print  


        Art periodical ‘Russian gold leaf’ (1851–1862) - Facsimile

      

      [Bookseller: First Editions Facsimile]
 2.   Check availability:     Biblio     Link/Print  


        Geschichte des östereichischen Hofs und Adels und der östereichischen Diplomatie 1. -10 Band von 11 Bänden

      Hoffmann u. Campe Verlag 1851-1852, Hamburg - 10 Bände in 5 Halblederbänden der Zeit, XVI, 327, 298, 317, 340, 305, 332, 338, 316, 362, 292 Seiten; Zustand: gut mit Exlibris auf dem Vorsatz de 2200 Buch

      [Bookseller: ANTIQUARIAT.WIEN Fine Books & Prints]
 3.   Check availability:     ZVAB     Link/Print  


        Brockhaus: Allgemeine deutsche Real-Encyklopädie für die gebildeten Stände (Conversations-Lexikon), 10. (zehnte) Auflage, 15 Bände (in 16 Bänden), Halbleder-Ausgabe, 1851 - 1855.

      Leipzig, F. A. Brockhaus 1851 - 1855. Zehnte, verbesserte und vermehrte Auflage. Vollständiges Grundwerk in 16 Bänden (A - Z). Braune Original-Halblederbände mit goldgeprägten Rückentiteln sowie reichen ornamentalen Goldprägungen im Stil der Zeit. Buchdeckel in bräunlich-beiger Marmorierung. Mehrfarbig marmorierter Buchschnitt. Farbige Vorsätze. Im Gesamtumfang von 12.500 Seiten. Gebunden in 16 Bänden (Bd. 15 in zwei Teilbänden). Alle Bände mit Artikel-Register. Bd. 15/II ferner mit Universal-Register der gesamten Ausgabe sowie einem Nachwort \"Zur Geschichte und Charakteristik des Conversations-Lexikon\". \"Es gibt wohl in der ganzen neuern Zeit kein Werk, das sich einer ähnlichen Verbreitung und eines ähnlichen Einflusses erfreute\", urteilte der zeitgenössische \"Grenzbote\". Buchrücken durchgehend etwas aufgehellt, Gesamterscheinungsbild gleichwohl recht harmonisch. Leder noch frisch wirkend, nicht ausgetrocknet; bei drei Bänden minimale Kapitalläsionen fachmännisch instandgesetzt. Erste und letzte Seiten etwas fleckig, Seiten sonst aber für die Zeitverhältnisse recht sauber und überwiegend fleckenfrei, nicht gebräunt. In toto dekoratives Exemplar mit reicher Ornamentik. Weitere Fotos auf der Homepage des Antiquariats (bitte Art.-Nr. auf der Angebotsseite in das Suchfeld eingeben). Versand D: 5,00 EUR Brockhaus Lexikon Konversationslexikon Konversations-Lexikon Conversations-Lexikon Conversationslexikon Enzyklopädie Encyclopädie

      [Bookseller: Das Konversations-Lexikon]
 4.   Check availability:     buchfreund.de     Link/Print  


        MEMOIRS OF THE LIFE OF THE LATE JOHN MYTTON, ESQ.

      Rudolph Ackerman, London 1851 - A fine hardcover copy bound in full leather with five raised bands. All edges gold gilt with gilt geometric designs to inside boards. Signed binding by J. Lawler? 3rd Edition, first to contain The Life of Nimrod by Surtees. 18 HAND COLORED AQUIATINT PLATES, by H. Alken and T.J. Rawlins. An important book for the sporting life of the period. A very nice copy with just a touch of rubbing to spine. Copy is very tight with some light foxing to the first couple of pages. Spine is elaborately gold gilt to each compartment. Gift inscription appears in pencil on the 2nd title page. *** WE BOX AND SHIP ALL BOOKS WITH USPS TRACKING. *** WE HAVE BEEN BUYING AND SELLING USED BOOKS FOR OVER 37 YEARS. [Attributes: Hard Cover]

      [Bookseller: Booklegger's Used Books ABAA]
 5.   Check availability:     AbeBooks     Link/Print  


        The Stones of Venice: Three Volume Set. The Foundations; The Sea-Stories. The Fall.

      London: Smith, Elder, and Co, 1851-1853. 1st Edition . Very Good. 7.5 x 10.25 inches (19 x 26 cm). Complete three volume set, all first editions. Full blue morocco leather bindings by Zaehnsdorf. Spines have five raised bands, gilt lettering and ornaments, date of publication to foot of spines. Boards have triple gilt fillet border, single gilt fillet to edges. Marbled endpapers, ornately decorated wide turn-ins plus gilt border to pastedown endpaper. Top page edges gilt, other edges untrimmed. Original cloth covers have been mounted and bound in. Spines slightly faded, scratch to front board of Vol I, scratch and scuff to front board of Vol II, the bindings are otherwise in excellent condition. Offsetting to free endpapers from decorated turn-ins, light foxing to page edges and endpapers, occasional spotting to text, a few plates in Vol. III has light staining to the margin. Engraved bookplate to front pastedown endpapers (Sir David Salomons Bart., Broomhill, Tunbridge Wells.) An interesting character, Salomons was elected as both Sheriff and Lord Mayor of London, the first Jew to hold either position. In 1851 he became the second Jewish elected Member of Parliament, Lionel de Rothschild was the first in 1847, but at the time neither were permitted to sit in the House of Commons due to the Christian oath. The verso of the front free endpaper in Vol. I has a pasted clipping from a bookseller catalogue and a few notes that appear to indicate the books was bought in 1892 for £18 and the bindings cost £6 and 15 shillings. The leading blank has a pasted slip from a bookseller's catalogue for this set priced at £24/0/0. The first printing of Ruskin's landmark work, an excellent example in Zaehnsdorf bindings of the very highest order. We also have a uniformly bound first edition of Ruskin's Seven Lamps of Architecture. Overall condition is Very Good. Please Note: This is a heavy item and international postage will be more than the standard rate - a postage supplement will be requested after the order has been placed. Please contact us for an accurate postage cost for your location. Hardback. Printed pages: xii, 413, 394,362

      [Bookseller: Tarrington Books]
 6.   Check availability:     Biblio     Link/Print  


        NEW VARIETIES OF GOLD AND SILVER COINS, COUNTERFEIT COINS, AND BULLION; WITH MINT VALUES

      New York, 1851. Original gilt cloth. Slight repair at head of spine. Very minor scattered foxing. Bright and very good. Second edition, "rearranged, with numerous additions," after the first Philadelphia edition of the previous year. The authors were the official assayers for the Philadelphia Mint at the time of this work's publication, and the book was intended as a guide for those unfamiliar with recent advances in coinage and assaying. The text includes much data regarding the recent strikes in California, and devotes an entire chapter to the analysis of the quality of ore coming from California. The black and white plates depict various gold coins produced in the United States, including California bullion struck by private firms. There is also a discussion of the coinage of various countries of the world, including the TONG TSIEN of China, a "trashy coin...extremely convenient for alms-giving, a single piece being the usual quietus for a beggar." COWAN, p.76. KURUTZ 217b.

      [Bookseller: William Reese Company - Americana]
 7.   Check availability:     Biblio     Link/Print  


        Umrisse und kritische Studien zur Geschichte von Siebenbürgen. Mit besonderer Berücksichtigung der Geschichte der deutschen Colonisten im Lande.

      Hermannstadt, Hochmeister 1840 - 1851. - 2 in 1 Band. 1 Bl., III, 102, 31 S.; 3 Bll., 194 S. Neuere HLwd. mit eingeb. vord. Orig.-Karton. Wurzbach XXXII, 160; Petrik III, 338. - Tls. etwas fleckig. [Attributes: Soft Cover]

      [Bookseller: Antiquariat Uwe Turszynski]
 8.   Check availability:     ZVAB     Link/Print  


        Poesías de D. Ignacio Rodriguez Galvan.

      Mejico: Impresas por M.N. de la Vega Folio (24 cm; ). 2 vols. in 1. I: [4] ff., frontis., 311, [1 (blank)] pp., [1] f. II: 336 pp., [1] f.. 1851 First edition. Born in 1816 in the small town of Tizayuca in what is now the state of Hidalgo, Rodriguez Galvan is widely credited with being the initiator of the Romantic movement in Mexico. He wrote novels, poetry, plays, and was the editor of several periodicals, most especially Calendario de las Señoritas Mexicanas and Año Nuevo, El Recreo de las Familias. He died of yellow fever in Havana in 1842 at the age of 27 while en route to South America on a diplomatic mission. A few of the poems in vol. I were penned in => Havana before his death. These volumes offer his "Composiciones líricas originales" in vol. I and "Composiciones dramáticas originales" in vol. II. The frontispiece is a fine lithographic portrait of Don Ignacio, in Romantic style of course; there is a liberal use of handsome tailpieces. The whole was compiled and edited by the author's brother Antonio. => This first edition is uncommon in our experience as dealers in Mexicana. Provenance: Masonic stamp, "Porfirio del Rio" on title-page; inscription to fly-leaf of A. Quijano, 1916. Handsome contemporary quarter red morocco with red mottled paper sides, boards rubbed; spine exuberantly tooled in gilt, bright. Foxing and spotting variously; provenance indications as above.

      [Bookseller: Philadelphia Rare Books & Manuscripts Co]
 9.   Check availability:     IOBABooks     Link/Print  


        Poesías de D. Ignacio Rodriguez Galvan.

      Mejico: Impresas por M.N. de la Vega Folio (24 cm; ). 2 vols. in 1. I: [4] ff., frontis., 311, [1 (blank)] pp., [1] f. II: 336 pp., [1] f.. 1851 First edition. Born in 1816 in the small town of Tizayuca in what is now the state of Hidalgo, Rodriguez Galvan is widely credited with being the initiator of the Romantic movement in Mexico. He wrote novels, poetry, plays, and was the editor of several periodicals, most especially Calendario de las Señoritas Mexicanas and Año Nuevo, El Recreo de las Familias. He died of yellow fever in Havana in 1842 at the age of 27 while en route to South America on a diplomatic mission. A few of the poems in vol. I were penned in => Havana before his death. These volumes offer his "Composiciones líricas originales" in vol. I and "Composiciones dramáticas originales" in vol. II. The frontispiece is a fine lithographic portrait of Don Ignacio, in Romantic style of course; there is a liberal use of handsome tailpieces. The whole was compiled and edited by the author's brother Antonio. => This first edition is uncommon in our experience as dealers in Mexicana. Provenance: Masonic stamp, "Porfirio del Rio" on title-page; inscription to fly-leaf of A. Quijano, 1916. Handsome contemporary quarter red morocco with red mottled paper sides, boards rubbed; spine exuberantly tooled in gilt, bright. Foxing and spotting variously; provenance indications as above.

      [Bookseller: Philadelphia Rare Books & Manuscripts Co]
 10.   Check availability:     Biblio     Link/Print  


        Regulations for the Uniform & Dress of the Army of the United States June 1851 From the original text and drawings in the War Department

      Philadelphia: William H. Horstmann & Sons, 1851. Folio. (14 1/2 x 11 1/2 inches). 25 lithographic plates by P.S. Duval after G.C. Humphries (5 printed in colours, 6 hand-coloured). (Occasional small chips to margins of plates and first few leaves of text). Original grey paper-covered limp boards, blue/grey title label on upper cover, rebacked with green cloth. (Extremities worn, corners rounded) Modern cloth box with leather label. In a modern clamshell box. First edition of this rare colour-plate book recording the uniform and dress of the mid-19th century United States Army This work was published by William H. Hortsmann and Sons, "military furnishers" of Philadelphia: established in 1815, they were the country's leading military outfitters throughout the nineteenth century and well into the twentieth. The plates, drawn by G.C. Humphries, were presumably used by Hortsmann, in conjunction with the text, to explain to customers what they were entitled to wear; the official nature of the work being emphasized by the facsimile endorsments on each plate by the Adjutant General. The attractive plates are ably executed in lithography by P.S. Duval, one of the leading lithographic printers of the time. They consist of five chromolithographic images showing 19 full-length views of various ranks and regiments within the US Army; followed by 16 plates of details of uniforms (4 partially or completely hand-coloured); 2 plates of swords; and ending with coloured plates of "horse furniture." The text reprints the relevant regulations concerning the dress-code for officers and enlisted men, including members of the topographical engineers, dragoons, and cadets. Not in Bennett or McGrath; Sabin 68957 (an apparent variant, with all 25 plates coloured).

      [Bookseller: Donald Heald Rare Books]
 11.   Check availability:     IOBABooks     Link/Print  


        Moby Dick; or, The Whale

      New York: Harper, 1851. First. hardcover. very good. xxiii, 635 pages, plus ads. Thick 8vo, original slate blue cloth -- covers blind-stamped with a heavy rule frame and circular device in center of both boards (faded to green on spine and with ends repaired; upper corner of front cover faintly stained; original orange coated endpapers are discolored at center and have a small embossed bookseller's ticket; very light foxing on title and other preliminary pages; ownership signature dated 1851 on the verso of the rear orange flyleaf). New York: Harper & Brothers & London: Richard Bentley, 1851. First edition. A very good copy. Melville's great classic, in the first binding, complete with 6 pages of ads at rear. Only 3000 copies were printed, and it was not a commercial success. Three years later, all of the unsold copies were destroyed in a warehouse fire, making this truly rare and desirable. Housed in an attractive 1/4 green morocco slipcase. -- BAL 13664.

      [Bookseller: Argosy Book Store]
 12.   Check availability:     Biblio     Link/Print  


        TABLE-TALK. TO WHICH ARE ADDED IMAGINARY CONVERSATIONS OF POPE AND SWIFT

      London: Smith, Edler, 1851. First edition. Fine. First edition. xi, errata, 251p. (i, ads). Bound by Wood in full brown crushed morocco with marbled endpapers, a.e.g., the spine with gilt titles, the panels with flowers and vines, the petals with red onalys, the covers also with red onlaid flowers and vines as flowing frames. Original cloth covers bound in rear.

      [Bookseller: First Folio]
 13.   Check availability:     Biblio     Link/Print  


        History of the Early Settlement and Indian Wars of Western Virginia

      Philadelphia: Hoblitzell, 1851. Hard back history book with gold type on spine. Small illustration of an Indian standing over a dead white man (also in gold). Also has a folding plate between pages 50 and 51. Is 416 pp. in all. As far as wear on book, spine is chipped at top and bottom, and also has a small cut towards the front cover; front cover is worn and very slightyl torn near spine, and has some sort of stain/smudge on bottom left hand corner of cover; back cover has a couple of small, noticeable spots; pages are foxing, and some have moisture damage, it also has a water stain towards inside of bottom of some pages. A description of the history of where the book was found/has been is written inside front cover. THIS BOOK IS VERY RARE. Overall, considering this book's age, it is in great condition and a very special book...The book may have minor flaws that may have gone unnoticed.. 1st. Cloth. Very Good/No Jacket. Illus. by Numerous Engravings. 8vo - over 7¾" - 9¾" tall. Hard Back.

      [Bookseller: Add-More Books]
 14.   Check availability:     Biblio     Link/Print  


        Realities. A Tale

      Saunders and Otley, 1851, Hardcover, Book Condition: Very Good; Corners a little bumped and rubbed. Title labels chipped with loss. Top edge dust stained. Foxing., First Edition; First Printing. Three volumes half calf with marbled boards, red speckled edges gilt rules and titles to spine. Vol. 1 302pp. Vol. 2 304pp. Vol. 3 264pp. Not in SADLEIR or WOLFF. COPAC shows 5 copies.

      [Bookseller: GOTHICA BOOKS LTD.]
 15.   Check availability:     Bookzangle     Link/Print  


        The Stones of Venice` with Signed Photograph of John Ruskin

      Smith, Elder, and Co. 1851-53, London - An attractive 3 v. first edition set of Ruskin`s treatise on art and architecture, with a separate sepia photograph of the author taken by Elliot & Fry, Victorian photographers, and signed by Ruskin himself. 3 v. set top edges gilt. Heraldic ex-libris to front pastedown of v.1. Occasional foxing and other marks. Ex-booksellers` stickers to pastedowns. Otherwise in reasonably nice condition. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Kagerou Bunko (ABAJ, ILAB)]
 16.   Check availability:     AbeBooks     Link/Print  


        The Forrest Divorce Suit, Report of the Trial of Catherine N Forrest.

      1851 - Complete Account of a Notable 1851 New York Divorce Trial [C] [Trial]. Forrest, Catherine Norton (Sinclair), Plaintiff. The Forrest Divorce Suit, Report of the Trial of Catherine N. Forrest vs. Edwin Forrest. For Divorce, Held in the Superior Court of New York, Dec., 1851. Before Chief Justice Oakley and a Special Jury. Reported by the Law Reporter of the New York Herald. New York: Printed at the Herald Book and Job Office, 1851. 120, 81-185, [3] pp. Two woodcut portraits in text (at pp. 96-97). Format changes from single to double columns at p. 81 of the second paging sequence. The verdict, printed after the publication of the book, is pasted to the foot of p. 185 and its verso. Complete as issued. Contemporary three-quarter morocco over cloth, gilt rules to boards, raised bands, gilt ornaments and gilt title to spine, patterned endleaves. Light rubbing to boards, moderate rubbing to extremities with some wear to spine ends and corners, early owner bookplate to front pastedown. Moderate toning to text, occasional light foxing, repair to margin of pp. 99-100, a few minor tears to final leaf of text. Early owner signature to front free endpaper, "No 5" to head of title page in early hand, interior otherwise clean. * Only edition. Edwin Forrest was a famous New York Shakespearean actor who filed for divorce in Philadelphia on the grounds of adultery, having found his wife with another actor. His wife countersued in New York. The trial lasted six weeks with a judgment against Mr. Forrest, who went on to appeal the case five times. As one would expect, this celebrity trial attracted a great deal of attention, in part though Mr. Forrest's efforts. A larger-than-life figure, his notoriety from the trial filled theaters, where he gave passionate speeches about the trial during intermissions. As printed, this book ends with the retirement of the jury. The verdict, included in our copy, was printed later in the New York Evening Post with instructions to cut and past the verdict into the endleaves of the book. Some copies do not have the verdict, other copies have it pasted on one or more leaves, which is why collations of this book differ. OCLC locates 8 copies in North American law libraries (Duke, Harvard, Library of Congress, Social Law, University of Denver, University of Missouri, University of Pennsylvania, [Attributes: Hard Cover]

      [Bookseller: The Lawbook Exchange, Ltd., ABAA ILAB]
 17.   Check availability:     ZVAB     Link/Print  


        Sindh, and the race that inhabit the valley of the Indus; With Notices of the Topography and History of the Province.

      London: Wm. H. Allen & CO., 7, Leadenhall Street., 1851 6 by 9 inch size, Folding Map of Sinde before title page, Back side of frount cover 21-2 C-18 with D written in ink. First leaf person name and date and very searce 1 st edt. Frount hing stsrting to crack. Spine and corners damage. Inside back cover This book belongs to Anderew A. Miller.

      [Bookseller: Bill's Books]
 18.   Check availability:     Biblio     Link/Print  


        THE KING OF THE GOLDEN RIVER; OR, THE BLACK BROTHERS: A LEGEND OF STIRIA

      London: Smith Elder & Co., 1851 [December 1850]. First edition, 18 x 13.5cm (8vo), in publisher's cream paper-covered boards w/printed border, title & designs by Doyle to fr. cover, printed borders & central device to rear, a.e.g., coated decorative pale green ep.s w/binder's ticket (Westleys & Co., London; Ball 103B) to rear pastedown, [i-vi], [1] 2-52 pp. w/24 wood engravings (incl. fr. cover designs, frontis & prelim titlepage designs) by the Dalziels, Harvey Orrin Smith, Isabel Thompson etc. after Doyle, +2pp. publ. adverts to rear (undated, but obviously from Dec. 1850).  Printed by Henry Vizetelly, London.  Interestingly, Doyle misspelt the title's final word on his woodblock for the prelim titlepage as "STYRIA" & to correct this the engraver trimmed off the right-hand upward angle of the "Y" creating a crooked "I"; however, the misspelling remains uncorrected in the fr. cover design.  Inscribed to verso of fr. ep.: "Rose Emma Fawcett from her affecte Papa, Novbr 7th 1852."  Binding Good (expertly rebacked w/ivory linen, corners worn w/moderate paper loss, & a few rub spots & scratches to paper); contents Very Good (occas. lt. thumbing, & several illus. lightly coloured by a prev. owner).  Slater 226-27, Ashley IV 181 ("it is important that the original covers should be preserved, as the design upon the front includes two [wood]cuts which are not reproduced in the body of the work"), Ray 142 (Doyle "made a little masterpiece of Ruskin's fairy tale"--see also pp.xxii, 87 & 88), de Beaumont 348; see also Wolff 5993a Note.  Together with a brilliant copy of the first American edition, Boston: Mayhew & Baker, 1860, 18 x 13.5cm (small 4to), in publisher's crimson morocco-grain cloth w/embossed borders to covers, gilt decoration to fr. cover, gilt title to fr. cover & spine, a.e.g., cream ep.s, [1-13] 14-68 pp. w/numerous wood engravings after Doyle, the originals re-engraved by Kilburn & Mallowry, Boston.  Printed by H.O. Houghton & Co., Cambridge MA.  Binding Near-Fine (minor staining & bubbling to ep.s); contents Near-Fine.  Both volumes enclosed in a fine custom-made pale tan linen clamshell box w/gilt title on brown morocco label to spine.  As Osborne (which has the 2nd British ed.) reports, "in 1841 the twelve-year-old Euphemia (Effie) Chalmers Gray dared Ruskin ... to write a fairy tale for her."  Ruskin & Effie were married in 1848, but 7 years later she filed for annulment claiming that Ruskin was unwilling to consummate the marriage--whether or not this was merely a ploy to gain her freedom so she could marry her not-so-secret lover John Everett Millais has long been a topic of discussion (Effie's huge commercialistic influence on Millais's subsequent career has elicited the sarcastic speculation that had Ruskin remained married to her, he would have written "Bubbles").

      [Bookseller: Leonard Roberts, Bookseller]
 19.   Check availability:     Biblio     Link/Print  


        The history and antiquities of the abbey church of St. Peter, Westminster: Including notices and biographical memoirs of the abbots and deans of that foundation.

      First edition, illustrated with a total of 62 engraved plates. Allibone describes Brayley "a laborious and accurate topographer"; he compiled and edited a wide range of works with titles featuring assorted Beauties, Picturesques, Histories, Antiquities, etc. The present work provides a history of Westminster Abbey and some of its associated luminaries, along with extensive descriptions of its architecture, sculptures, and paintings. The illustrator who portrayed many of the above, John Preston Neale, was an architectural draftsman and landscape painter "best remembered for his views of the nation's country houses, churches, and public buildings," according to the Oxford DNB. Binding: By Francis Bedford, signed, in dark brown morocco done between 1851 and 1880, covers framed and panelled in ornate gilt rolls with gilt-stamped corner fleurons and midpoint decoration. Spines gilt extra with gilt-stamped leather title and volume labels. Board edges gilt-tooled with triple fillets, turn-ins with gilt-tooled rolls and corner fleurons. All edges gilt. Stamped "F. Bedford" on lower front turn-in.Provenance: Each front pastedown with armorial bookplate of William Arthur, sixth Duke of Portland.

      [Bookseller: PRB&M/SessaBks (Philadelphia Rare Books ]
 20.   Check availability:     Direct From Bookseller     Link/Print  


        The Ansayrii, and the Assassins,

      London: Richard Bentley,, 1851. with Travels in the Further East, in 1850-51. Including a visit to Nineveh. 3 volumes, octavo. Original brick red cloth, gilt lettered and blind stamped spines, ornamental blind stamped border on sides, yellow coated endpapers. Lithograph portrait frontispiece of the author by G. Remy in volume I, two other engraved frontispieces of scenes by J. W. Cook. Ownership inscription on front free endpaper of each volume of Charles Bowles Hare (1841-1911), Bristol businessman. Spines toned, a little rolled and chipped at foot, sides slightly discoloured, a touch of wear to joints, internally clean, terminal advertisement leaf in each volume, and all frontispieces present (which is not usual). First edition, uncommon. "An account of journeys in 1850-51 through Ottoman lands, with the primary intent of exploring the mountains of an Ismaili sect known as the Ansayrii or Assassins, between Safyta and Nahr El Kebir (northern Lebanon-Syria). The book includes a detailed description of the Ansayrii, their customs, and way of life, as observed by the author during his sojourn among them. Also descriptions of Asia Minor as far north as Trebizond" (Ghani). Frederick Walpole (1822-1876), third son of the earl of Orford, was a British naval officer who earlier had written an account of a Pacific voyage in Four Years in the Pacific in Her Majesty's Ship Collingwood from 1844 to 1848 (London, 1849).

      [Bookseller: Peter Harrington]
 21.   Check availability:     Biblio     Link/Print  


        Les ballons. Histoire de la locomotion aérienne depuis son origine jusqu'à nos jours

      1851 - front., (4), IV, 208pp., Paris, Plon frères, 1851, in-12, front, (4), IV, 208pp, 16pl. (dont 2 dépl.), broché, couverture verte, emboîtage moderne, Frontispice et 16 planches représentant des ballons. Le frontispice et la planche p.126 sont rognés court dans la marge extérieure avec petite perte. Introduction de Gérard de Nerval sur les origines de l'aérostation dans la littérature. Turgan (1824-1887) fut rédacteur scientifique au journal "L"Événement". Couverture salie, qqs restaurations sur la brochure [Attributes: Hard Cover]

      [Bookseller: Librairie Alain Brieux]
 22.   Check availability:     ZVAB     Link/Print  


        Moby-Dick; or, The Whale.

      New York: Harper & Brothers; Richard Bentley, London,, 1851. Duodecimo. Original purple-brown cloth, publisher's devices to each board in blind, titles to spine gilt, orange coated endpapers. Housed in a brown quarter morocco solander box made by the Chelsea Bindery. Cloth a little faded and rubbed, small chip to headcap, some of the usual foxing associated with this title but lighter than often, a very good copy. First American edition, in the first binding with orange endpapers and the publisher's device stamped centrally on the sides. With the author's clipped signature laid in. The American edition was the first to appear under the familiar title and was set from Melville's original manuscript. The Whale, issued shortly before in London, was set from New York sheets, with Melville's alterations. The American edition contains some 35 passages not present in the English edition.

      [Bookseller: Peter Harrington]
 23.   Check availability:     Biblio     Link/Print  


        Franken, Heeringen Gustav, Wanderungen durch Franken, Leipzig, W

      Heeringen G.A., 1800-1851 - Franken, Heeringen Gustav, Wanderungen durch Franken, Leipzig, Wigand, anno 1840, Heeringen, Gustav von, aus, "Das malerische und romantische Deutschland", Orig Umschlag, 2 Aufl., 183 Seiten, 31 Stahltiche nach L. Richter, u.a. von: Wertheim, Coburg Veste, Schloß Callenberg, Altenstein, Die Bettenburg, Bad Berneck, Kulmbach, Bayreuth, Die Alte Linde bei Phantasie, Lichtenstein, Lichtenfels, Vierzenheiligen, Bamberg, Altenburg bei Bamberg, Pommersfelden, Ebrach, Schloss Theres, Schloss Mainberg, Kloster Schwarzach, Kitzingen, Würzburg, Nürnberg Festung, Bad Kissingen, Kreuzberg, Kloster Kreuzberg, Die Salzburg, Streitberg, Rabeneck, Burg Neidek,Aufsees, Pottenstein usw. 8°, gering stockfleckig [Attributes: Hard Cover]

      [Bookseller: Hammelburger Antiquariat]
 24.   Check availability:     ZVAB     Link/Print  


        The Great Exhibition of the Works of Industry of all Nations, 1851. Official descriptive and illustrated catalogue. By authority of the Royal Commission. In three volumes (and 1 Supplement). Vol. I: Index and Introductory. United Kingdom: Section I. - Raw Material, Classes 1 to 4 Section II. - Machinery, Classes 5 to 10.; Vol. II: United Kingdom: Section III. - Manufactures, Classes 11 to 29. Section IV. - Fine art, Class 30. Colonies; Vol. III. Foreign States. Vol. IV: Supplemental. Additional Illustrations and Descriptions. The first and the second Report of the Royal Commission.

      London: Spicer Brothers, W. Clowes and Sons, 1851. 1 gestochenes Titelblatt, CXCII, 462 (von 508) Seiten, gezählt 1 - 478 (die Paginierung 193* - 208* und 465* - 478* zusätzlich, doch ohne die Seiten 105 - 124 und 157 - 172), 76 Seiten Inseratenanhang; (IV), 524 Seiten (gezählt 479 - 1002); (IV), 468 Seiten (gezählt 1003 - 1470). Supplement: XXVIII, 62 Seiten (gezählt 1471 - 1532), LIV, 211 (1), 76 Seiten, 4 Blätter Inseratenanhang. Jeder Band mit zahlreichen Abbildungen im Text und auf zahlreichen Tafeln und zusammen 1 mehrfach gefaltete Karte, 1 doppelseitige Farblithographie mit zwei Ansichten, 5 farblithographische Tafeln, zwei mehrfach gefaltete Tafeln, 2 mehrfach gefaltete Pläne der Ausstellung, 1 doppelseitige farblithographische Tafel. 27 x 19 cm, blaue Original-Leinenbände mit goldgeprägten Deckel- und Rückentiteln sowie Einbandillustrationen, dreiseitiger Goldschnitt. \"Die Great Exhibition (deutsch Londoner Industrieausstellung 1851) war die erste Weltausstellung, die vom 1. Mai bis 11. Oktober 1851 im Hyde Park in London stattfand. Die Ausstellungsfläche betrug 10,5 Hektar. Die offizielle Schlussfeier fand am 15. Oktober statt. 28 Länder mit insgesamt 17.062 Ausstellern nahmen an der Ausstellung teil. Aufgrund der hohen internationalen Beteiligung wurde die Ausstellung auch bald als World’s Fair bezeichnet. Auf dieser ersten Weltausstellung wurden industrielle Güter und handwerkliche Produkte aller Art, Maschinen und Produktionsmethoden aber auch Bodenschätze und bildende Kunst gezeigt. Als Neuheiten wurden u.a. der Telegraf und der erste Plastikstuhl aus vulkanisiertem Kautschuk vorgestellt. . . . Das Wahrzeichen der 1. Weltausstellung war das Ausstellungsgebäude selbst. . . Joseph Paxton, der als Gartenarchitekt Erfahrungen mit Gewächshäusern hatte, legte einen Entwurf im Stil der Gusseisen-Architektur ganz aus Glas und Gusseisen vor, der von Charles Fox in nur 17 Wochen aus vorgefertigten Bauteilen errichtet werden konnte. Der Kristallpalast, wie das gewächshausartige Gebäude von Londoner Zeitungen bald getauft wurde, war 563 m lang und 124 m breit. Ursprünglich war das Gebäude mit einem Flachdach geplant. Das charakteristische Tonnengewölbe über dem Transept, dem Querschiff des Gebäudes, war erst später hinzugefügt worden. Grund dafür waren einige alte Ulmen, die auf dem geplanten Ausstellungsgelände standen und die vor der Abholzung verschont werden sollten.Grundeinheit des Palastes waren Quadrate von 24 Fuß Seitenlänge (ungefähr 7,3 m). Die Grundfläche bestand aus 77 x 17 solcher Grundeinheiten. Die Aufteilung der Ausstellungsräume spiegelte sich in diesen Einheiten wider. Die Räume setzen sich aus einem Vielfachen dieser Grundeinheiten zusammen. Insgesamt standen mehr als 1600 solcher Quadrate zur Verfügung, was einer Fläche von etwa 80.000 Quadratmeter entsprach. Nach der Ausstellung wurde das Gebäude abgebrochen, mit einigen Veränderungen in Sydenham wieder aufgebaut und als Museum verwendet. 1936 brannte der Kristallpalast ab. Industrieausstellungen hatte es zwar auch schon früher gegeben, sie hatten bis dahin aber eher nationalen Charakter wie zum Beispiel die französischen Industrieausstellungen seit 1798. Im Unterschied dazu war die Great Exhibition von Anfang an als internationale Ausstellung geplant. An der Ausstellung beteiligten sich 94 Länder, darunter souveräne Staaten wie England, Frankreich, Belgien und die Schweiz, aber auch abhängige Gebiete wie Indien, Algerien, Ceylon etc. Einzeln gezählt wurden auch die britischen Kanalinseln und die deutschen Einzelstaaten, obwohl sich einige von ihnen an der Ausstellung im Zollverein gemeinsam präsentierten. Mehr als die Hälfte des Gebäudes (darunter fast der gesamte westliche Flügel und das Querschiff) war dem britischen Empire vorbehalten. Aus Großbritannien, Irland und den britischen Kolonien kamen knapp 8500 Aussteller, etwa so viele, wie aus allen anderen Ländern zusammengenommen. Es wurden Ausstellungsstücke aus den vier Kategorien Maschinen, Rohstoffe, Fabrikate und bildende Kunst gezeigt. Besonderes Gewicht kam den Maschinen zu, nicht zuletzt, weil Großbritannien auf diesem Gebiet führend war, aber auch neue Erfindungen wie etwa ein Schlauchboot oder handwerkliche Erzeugnisse nahmen einen wichtigen Platz ein.\" (Wikipedia) * * * *Einbände berieben und fleckig, Titel gestempelt, Band 1 ohne die Seiten 105 - 124 und 157 - 172. Sonst ordentlich erhaltenes und gut brauchbares Exemplar. * * * Versand D: 5,20 EUR Commission for the Great Exhibition of the Works of Industry of all Nations, 1851. Official and descriptive catalogue. Supplementary volume...Weltausstellung

      [Bookseller: Antiquariat Am Bayerischen Platz]
 25.   Check availability:     buchfreund.de     Link/Print  


        The Great Exhibition of the Works of Industry of all Nations, 1851. Official descriptive and illustrated catalogue. By authority of the Royal Commission. In three volumes (and 1 Supplement). Vol. I: Index and Introductory. United Kingdom: Section I. - Raw Material, Classes 1 to 4 Section II. - Machinery, Classes 5 to 10.; Vol. II: United Kingdom: Section III. - Manufactures, Classes 11 to 29. Section IV. - Fine art, Class 30. Colonies; Vol. III. Foreign States. Vol. IV: Supplemental. Additional Illustrations and Descriptions. The first and the second Report of the Royal Commission.

      London: Spicer Brothers, W. Clowes and Sons, 1851 - 1 gestochenes Titelblatt, CXCII, 462 (von 508) Seiten, gezählt 1 - 478 (die Paginierung 193* - 208* und 465* - 478* zusätzlich, doch ohne die Seiten 105 - 124 und 157 - 172), 76 Seiten Inseratenanhang; (IV), 524 Seiten (gezählt 479 - 1002); (IV), 468 Seiten (gezählt 1003 - 1470). Supplement: XXVIII, 62 Seiten (gezählt 1471 - 1532), LIV, 211 (1), 76 Seiten, 4 Blätter Inseratenanhang. Jeder Band mit zahlreichen Abbildungen im Text und auf zahlreichen Tafeln und zusammen 1 mehrfach gefaltete Karte, 1 doppelseitige Farblithographie mit zwei Ansichten, 5 farblithographische Tafeln, zwei mehrfach gefaltete Tafeln, 2 mehrfach gefaltete Pläne der Ausstellung, 1 doppelseitige farblithographische Tafel. "Die Great Exhibition (deutsch Londoner Industrieausstellung 1851) war die erste Weltausstellung, die vom 1. Mai bis 11. Oktober 1851 im Hyde Park in London stattfand. Die Ausstellungsfläche betrug 10,5 Hektar. Die offizielle Schlussfeier fand am 15. Oktober statt. 28 Länder mit insgesamt 17.062 Ausstellern nahmen an der Ausstellung teil. Aufgrund der hohen internationalen Beteiligung wurde die Ausstellung auch bald als World’s Fair bezeichnet. Auf dieser ersten Weltausstellung wurden industrielle Güter und handwerkliche Produkte aller Art, Maschinen und Produktionsmethoden aber auch Bodenschätze und bildende Kunst gezeigt. Als Neuheiten wurden u.a. der Telegraf und der erste Plastikstuhl aus vulkanisiertem Kautschuk vorgestellt. . . . Das Wahrzeichen der 1. Weltausstellung war das Ausstellungsgebäude selbst. . . Joseph Paxton, der als Gartenarchitekt Erfahrungen mit Gewächshäusern hatte, legte einen Entwurf im Stil der Gusseisen-Architektur ganz aus Glas und Gusseisen vor, der von Charles Fox in nur 17 Wochen aus vorgefertigten Bauteilen errichtet werden konnte. Der Kristallpalast, wie das gewächshausartige Gebäude von Londoner Zeitungen bald getauft wurde, war 563 m lang und 124 m breit. Ursprünglich war das Gebäude mit einem Flachdach geplant. Das charakteristische Tonnengewölbe über dem Transept, dem Querschiff des Gebäudes, war erst später hinzugefügt worden. Grund dafür waren einige alte Ulmen, die auf dem geplanten Ausstellungsgelände standen und die vor der Abholzung verschont werden sollten.Grundeinheit des Palastes waren Quadrate von 24 Fuß Seitenlänge (ungefähr 7,3 m). Die Grundfläche bestand aus 77 x 17 solcher Grundeinheiten. Die Aufteilung der Ausstellungsräume spiegelte sich in diesen Einheiten wider. Die Räume setzen sich aus einem Vielfachen dieser Grundeinheiten zusammen. Insgesamt standen mehr als 1600 solcher Quadrate zur Verfügung, was einer Fläche von etwa 80.000 Quadratmeter entsprach. Nach der Ausstellung wurde das Gebäude abgebrochen, mit einigen Veränderungen in Sydenham wieder aufgebaut und als Museum verwendet. 1936 brannte der Kristallpalast ab. Industrieausstellungen hatte es zwar auch schon früher gegeben, sie hatten bis dahin aber eher nationalen Charakter wie zum Beispiel die französischen Industrieausstellungen seit 1798. Im Unterschied dazu war die Great Exhibition von Anfang an als internationale Ausstellung geplant. An der Ausstellung beteiligten sich 94 Länder, darunter souveräne Staaten wie England, Frankreich, Belgien und die Schweiz, aber auch abhängige Gebiete wie Indien, Algerien, Ceylon etc. Einzeln gezählt wurden auch die britischen Kanalinseln und die deutschen Einzelstaaten, obwohl sich einige von ihnen an der Ausstellung im Zollverein gemeinsam präsentierten. Mehr als die Hälfte des Gebäudes (darunter fast der gesamte westliche Flügel und das Querschiff) war dem britischen Empire vorbehalten. Aus Großbritannien, Irland und den britischen Kolonien kamen knapp 8500 Aussteller, etwa so viele, wie aus allen anderen Ländern zusammengenommen. Es wurden Ausstellungsstücke aus den vier Kategorien Maschinen, Rohstoffe, Fabrikate und bildende Kunst gezeigt. Besonderes Gewicht kam den Maschinen zu, nicht zuletzt, weil Großbritannien auf diesem Gebiet führend war, aber auch neue Erfindungen wie etwa ei

      [Bookseller: Matthias Severin Antiquariat]
 26.   Check availability:     ZVAB     Link/Print  


        Guide : Lillywhite Guide for 1851 , 4th Edition (Smith 4/24)

      1851. Hi, Here we have an 1851 Lillywhite Guide. A decade before Wisden started. 4th Edition in Orignal Paperback Form The covers are a bit dark with some loss to the edges and rounding of the corners, it is tightly bound although some loss of paper to the spine, the internal pages are clean and very presentable and pre dates Wisden. Rare.

      [Bookseller: Wisdenshop.com]
 27.   Check availability:     Biblio     Link/Print  


        THE THAMES TUNNEL. Leben und Treiben im Tunnel in London. La vie agitee dans le tunnel de Londres.

      Accordion-folding peepshow, with four cut-out panels. The front-face, measuring 17.5 x 22 cm, forms the lid to the shallow cartonnage box containing the peepshow. The peepshow expands by paper bellows to approximately 76 cm. The lithographed scenes are hand-coloured. Four vignettes on the front-face show the Great Exhibition Building, the Hungerford Suspension Bridge, the Houses of Parliament, and the Tower of London. The two peep-holes show the Wapping entrance to the Tunnel with views along the Western and Eastern Archways. Within the Tunnel can be seen many foreign visitors, some walking, some shopping at various counters that have been set up for trading. Box restored at edges; else an excellent example of a particularly colourful and attractive Thames Tunnel peepshow. See Hyde 177.Very scarce.

      [Bookseller: David Miles]
 28.   Check availability:     Direct From Bookseller     Link/Print  


        Atlas zu Alexander von Humboldt's Kosmos in zweiundvierzig (42) Tafeln mit erläuterndem Texte von T. Bromme.

      Stuttgart bei Krais & Hoffmann Erste Ausgabe. 1851 - Folio quer ( 29 x 35 cm). Brauner Originalhalblederband auf vier Bünden mit goldgeprägtem Rückentitel. Stehkanten teils durchgerieben, Ecken bestoßen. Der vordere Innendeckel mit Kratzspuren ( wohl durch ein entnommenes Exlibris). 3 Blätter Titel und Inhaltsverzeichnis, 136 Seiten und 42 Tafeln (39 kolorierten lithographischen Karten und 3 Stahlstichtafeln). An den Rändern leicht vergilbt und teils gering fleckig / fingerfleckig. Der Vortitel mit kleiner privater zweizeiliger Zueignung in durchdrückender Tinte. Insgesamt durchaus sauber und ordentlich erhalten. Gutes Exemplar. Von 1845 bis 1862 erschienen als Zusammenfassung von Humboldts Forschungen und Ideen die Kosmostextbände ( Das Werk meines Lebens ), 1851 wurde es durch den Atlasband ergänzt. FLUR

      [Bookseller: Antiquariat und Buchhandlung Carl Wegner]
 29.   Check availability:     ZVAB     Link/Print  


        THE WORKS OF DANIEL WEBSTER

      Little, Brown, Boston 1851 - Original cloth with 5 (of 6) volumes, lacking the second volume and with volumes 3 and 5 supplied from another set. Illustrated with plates. A presentation copy with a 34-word SIGNED INSCRIPTION by the author to William Judson in the first volume. While the signed Subscriber's Edition is fairly common, inscribed sets of Webster's works are rather scarce. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Charles Agvent, est. 1987, ABAA, ILAB]
 30.   Check availability:     AbeBooks     Link/Print  


        Schweiz.

      K. Baedeker Coblenz 1851 - Third edition. pp[6] xl, 503pp, chromolithographed frontispiece, one large folding map at rear, 4 town plans, one map pasted down on front endpaper, one attractive folding coloured panorama of the "Faulhorn", some red pencil underlining inisde, some browning of the pages throughout( as is usual), bookplate, bookseller's label pasted down on title-page covering the date, publisher's original variant red decorated cloth binding, gilt lettered, spine faded; a good example of this unusual edition. "Schweiz" was almost the longest series in German with thirty-nine editions from 1844 to 1937. The early editions included a coloured frontispiece with the coats of arms of the various Swiss Cantons. This copy is bound in a slightly different red cloth to the usual old style binding. It is an original Baedeker binding. Town plans include Basel, Berne, Geneva and Zurich. Hinrichsen D291 [Attributes: Hard Cover]

      [Bookseller: Shapero Rare Books]
 31.   Check availability:     ZVAB     Link/Print  


        SCINDE; OR, THE UNHAPPY VALLEY [TWO VOLUMES]

      London: Richard Bentley. Near Fine. 1851. First Edition. Hardcover. Very light foxing to first few pages vol. 1; This is Burtons' first book written while on active duty in modern-day India and Pakistan. Rebound in blue leather boards with gilt spine lettering and three raised bands. Marbled endpapers. ; 12mo; 297, 309 pages .

      [Bookseller: Complete Traveller Antiquarian Bookstore]
 32.   Check availability:     IOBABooks     Link/Print  


        Bildnis Albert Louis Hendschel (1834-Frankfurt am Main-1878) vor einer Landschaft, Kopf leicht nach rechts gewandt; in reicher floraler und symbolhafter Umrahmung.

      - Federlithographie, 1851, auf gelblichem Velin, rechts unten monogrammiert „K", oben (innerhalb der Umrahmung u. spiegelverkehrt) die Buchstaben „K Z H". 25:19 cm. – Insgesamt nicht ganz frisch. Im Unterrand handschriftlich bezeichnet „Robert Brubach. Kopf v. Hendschel, Randverzierung v. Harveng u. (auf) Stein v. Harveng".

      [Bookseller: Galerie Joseph Fach GmbH]
 33.   Check availability:     ZVAB     Link/Print  


        A Mathematical Theory of Magnetism" & "A Mathematical Theory of Magnetism. Continuation of Part I" (Philosophical Transactions of the Royal Society of London, Vol. 141 for the Year 1851 Part I, pp. 243-268, 269-285)

      Royal Society of London, London 1851 - Also contains Michael Faraday's "Experimental Researches in Electricity -- Twenty-Fourth, Twenty-Fifth, Twenty-Sixth, & Twenty-Seventh Series" (pp. 1-116). x, [1], [1]-331, [1], clvii pp. 4to. Library binding, tan leather spine with gold embossed titling. Interiors clean, ex-library stamp on title page, and occurring sporadically within. Numerous folding plates that illustrate articles. Pages were trimmed slightly when rebound. [Attributes: First Edition; Hard Cover]

      [Bookseller: Artisan Books & Bindery, ABAA/ILAB]
 34.   Check availability:     AbeBooks     Link/Print  


        Géologie appliquée aux arts et à l'agriculture ; Carte géologique du Finistère

      1851 - 2 ouvrages en un vol. in-8, Paris, M.A. Gente; Imp. De Fain et Thunot, 1851 et 1844, , 2 ouvrages en un vol. in-8, 534 pages, (2) pp. ; XVIII-196 pages, 1 planche de gravure sur cuivre, demi-basane verte, titre doré, La Géologie appliquée aux arts et à l'agriculture est suivi d'un vocabulaire des termes scientifiques utilisés. Première édition. Grand tableau chronologique h.t. gravé sur cuivre. Ce tableau représente les "divers terrains ou systèmes de couches minérales stratifiées qui constituent la partie connue de l'écorce terrestre", tableau établi par Elie de Beaumont. Poggendorff, I, 331. Ward & Carozzi, 1688. Carte géologique du Finistère : texte explicatif écrit par l'ingénieur Michel-Eugène Lefébure de Fourcy (1812-1889). Rare. Annotations dans les marges. Tampon de l'Institut catholique de Paris. Quelques rousseurs. [Attributes: Hard Cover]

      [Bookseller: Librairie Alain Brieux]
 35.   Check availability:     AbeBooks     Link/Print  


        Photographs - Recently Raised By ISIS - Palmyra Grave Tombs & Basilica

      

      [Bookseller: Voyager Press Rare Books & Manuscripts, ]
 36.   Check availability:     Biblio     Link/Print  


        Our Herds, No. 4, Dairy Cow

      London: E. Gambart & Co, 1851. Hand-coloured lithograph. Very good condition apart from some light soiling, mild rippling, and a few small losses at the edges of the top and left margins. A charming plate after a work by one of the most prominent nineteenth-century animal painters. Strongly influenced by the seventeenth-century Dutch landscape and animal painters like Aelbert Cuyp, Thomas Sidney Cooper was one of the most prolific and eminent animal painters of his time. As a young boy, he showed a remarkable aptitude for drawing, and he trained with the scene-painter Doyle while completing an early apprenticeship with a coachbuilder. After brief stints as a coach-painter, draughtsman, and scene-painter, he moved to London in 1823, where he began to sketch works in the British Museum. Although admitted to the Royal Academy schools, he was unable to attend due to financial constraints and moved back to Canterbury, where he worked as a drawing instructor. In 1827, he moved to Brussels, where he established a coterie of students and befriended Eugène Verboekhoven, whose animal paintings strongly influenced his early endeavors. It was during this period that Cooper first began to experiment with oil painting and completed several series of cattle lithographs, which were issued by various publishers including Ackerman. Cooper returned to London in 1831, where he exhibited at acclaimed venues including the Suffolk Gallery and the British Institution. His reputation grew after his cattle paintings were exhibited at the Royal Academy in 1843-45, and he was elected Associate Royal Academician in 1845. In addition to his intimate bovine studies, he also painted animals into the landscapes of other artists including Frederick Lee, R.A. and Thomas Creswick. Despite various attempts to experiment with other genres, Cooper's thematic mainstays remained cattle and sheep throughout his life. By the 1870s, he was inundated with profitable commissions, and many of his works were engraved and copied in order to meet public demand. Cf. Dictionary of National Biography.

      [Bookseller: Donald Heald Rare Books]
 37.   Check availability:     IOBABooks     Link/Print  


        Manuale di ostetricia

      Coi Tipi dei Ff. di G. Rocchi, Lucca 1851 - Fu medico e filosofo visse a lungo a Lucca. Accusato di offesa alla religione dello Stato (la Civiltà Cattolica lo definà eresiarca) fu processato ed assolto. Nel 1848 venne eletto deputato al Parlamento toscano. Il busto situato ai giardini di Piazza Gramsci a Carrara à opera dello scultore Gino Nicoli. Esemplare raro. 187 p. in-16

      [Bookseller: Libreria Antiquaria Giulio Cesare]
 38.   Check availability:     AbeBooks     Link/Print  


        [Ruskin, John- Anti Rhetoric] Lengthy Autograph Letter Signed by "An Architect" to Newspaper Editor or SImilar, Scathing Anti-Ruskin

      Three pages, to "Sir" and signed, "Humble Servant, An Architect," we determined to be by Herbert Emmanuel Gonsal, an anti-Ruskin activist, who had authored a vehement objection to Ruskin in 1851 entitled, "Something on Ruskinism; with a 'Vestibule' in Rhyme," by an Architect" (London, Robert Hastings, 1851). This fascinating letter (undated, but contemporary with Ruskin) is to "a paper," in response to Gonsal reading an article on "Ruskin last week" and agreeing wholeheartedly with its views promulgated against Ruskin. The letter is noteworthy in its scathing tone, by a published author and obvious champion against the writings and teachings of John Ruskin. He decries, "his knowledge of architecture as shallow as his taste in it is eccentric & one-sided... his dogmatism... no better than so much yelping puppy-ism." Regarding the writer of the article in the paper, Gonsal characterizes as "both an able and well-qualified one... entitled to a hearty thanks of the whole architectural profession... for so convincingly espousing the absurdities and conditions of one who if not an absolute quack, is most assuredly a fantastic visionary & and a fanatic..." Much, much more along this line, including some real eccentric descriptions, such as "vulgarly called 'gift of gab,'" and "rigmarole and moonshine, ambitious nonsense and idiotic fine writing." As well, this colorful language: "quackery, farrago of heterogeneous matters that [have] nothing in common," etc. Gonsal closes, "I shall take every opportunity to call attention to the articles in your paper; and in the meanwhile beg the writer of them to accept what he may not perhaps have seen-- the accompanying little brochure on Ruskinism" [viz undoubtedly the treatise on "Ruskinism" mentioned above]. It is unclear the exact dating of this letter, but probably mid to late 1850's. A wonderful contemporary snapshot of anti-Ruskin sentiment by a published author.

      [Bookseller: Nudelman Rare Books]
 39.   Check availability:     Biblio     Link/Print  


        Halbinsel Sorrent - auf dem Weg nach Sorrent. [Blick von einer Terrasse auf die Küste].

      [Italien], -, 1851. Orig. Bleistiftzeichnung, weiß gehöht. ca. 28 x 44,2 cm. Im Passepartout. Mit eighd. Sign. Titelei in Bleistift a. Rückseite. - Weiss etw. berieben, leichte Gbrsp. Versand D: 7,00 EUR Italien

      [Bookseller: Antiquariat Weinek]
 40.   Check availability:     buchfreund.de     Link/Print  


        The Works of William Robertson D D Six Volumes Leatherbound Set

      Longman, Brown, Green & Longmans, 1851-01-01. Hardcover. Very Good. 6 volume set. Fine bindings. Contemporary polished tree calf binding. Gilt ruled. 6 spine compartments. Red and black spine labels. Rubbing to joints. Marbled edges and end pages. Hardcover. Pages are remarkably clean, white, and crisp. 6 fold out maps. A handsome set, see our pictures. 22 cm. Contains Robertson's history of Scotland, Charles V and America. He served as George III's chaplain and his history of America was completed soon after the revolution. Griffin 517. This is an oversized or heavy book that requires additional postage for international delivery outside of Canada and the US.

      [Bookseller: SequiturBooks]
 41.   Check availability:     Biblio     Link/Print  


        Ideen zu einem Versuch, die Gränzen der Wirksamkeit des Staats zu bestimmen. (Hrsg. und eingeleitet von Eduard Cauer). Titel, XXVIII, 189 S. Halbleinenbd um 1900 mit Rückentitel (bedruckter Orig.-Umschlag beigebunden).

      Breslau, Eduard Trewendt, 1851. - Erste Ausgabe der schon ab 1791 entstandenen Schrift, die ganz im Zusammenhang mit der zeitgenössischen Diskussion über die Ereignisse der Französischen Revolution zu sehen ist. Humboldt war 1789 während seiner Reise mit J. H. Campe Augenzeuge der Ereignisse geworden. Die Revolution war seither "das entscheidende Ereignis seines Lebens, Drehachse aller politischen und gesellschaftlichen Überlegungen" (Schölzel in: Demokratische Wege, S. 289). Die Schrift war das Programm des vollendeten Liberalismus: "Der Staat enthalte sich aller Sorgfalt für den positiven Wohlstand der Bürger und gehe keinen Schritt weiter, als zu ihrer Sicherstellung gegen sich selbst und gegen auswärtige Feinde notwendig ist." Nach Teilabdrucken in der 'Berlinischen Monatsschrift' und Schillers 'Neue Thalia' nahm Humboldt der Zensurschwierigkeiten und eigener Bedenken wegen von einer vollständigen Veröffentlichung Abstand. Erst 15 Jahre nach Humboldts Tod hat Cauer das Manuskript, das lange in Schillers Besitz war, veröffentlicht. – Exlibris. Die Vorrede papierbedingt gebräunt, sonst gutes Exemplar. – Goed. XIV 564, 731. Borst 2434. [Attributes: First Edition]

      [Bookseller: Antiquariat Wolfgang Braecklein]
 42.   Check availability:     ZVAB     Link/Print  


        GERMANIA. Die Vergangenheit, Gegenwart und Zukunft der deutschen Nation . Zur Förderung deutschen Sinnes und deutscher Einheit hrsg. von einem Verein von Freunden des Volkes und Vaterlandes. Eingeführt durch E. M. Arndt. 2 Bände.

      - Leipzig, Avenarius & Mendelssohn, 1851-1852. XIV, 705 S.; 2 Bl., 693 S., 1 Bl. Neue Halbpergamentbände mit beigebundenen Originalumschlägen. Erste Ausgabe. - Alles unter diesem Titel Erschienene. - Gebräunt u. stockfleckig. - Goedeke VII, 832, 132; Wilpert/G. 130; Schäfer/Schawe 1087. [Attributes: First Edition; Hard Cover]

      [Bookseller: Buch & Consult Ulrich Keip]
 43.   Check availability:     ZVAB     Link/Print  


        Lyrics of the Heart...with Forty-One Engravings on Steel.

      London: Longman, Brow, Green, and Longmans, 1851. Thick 8vo, xx, 331 (3)pp. With 41 plates after Stothard, Lawrence, Roberts, Westall and others. Superb de luxe Fazakerley binding of full olive crushed morocco extra, covers and backstrip with designs of inlays of blue, red, purple, ands tan morocco, top and bottom edges very richly gauffred, fore-edge with three watercolor paintings divided by further rich gauffring. New slipcase, a virtually perfect copy. Bookplate of Rodman Wanamaker. A classic Fazakerley triple fore-edge painted binding. In 47 years I have owned three comparable Fazakerley bindings with multiple fore-edge paintings and they are as rare as they are beautiful.

      [Bookseller: John Windle Antiquarian Bookseller]
 44.   Check availability:     Biblio     Link/Print  

______________________________________________________________________________


      Home     Wants Manager     Library Search     562 Years   Links     Contact      Search Help      Terms of Service      Privacy     


Copyright © 2018 viaLibri™ Limited. All rights reserved.