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Displayed below are some selected recent viaLibri matches for books published in 1848

        Nomenclatoris zoologici index universalis, continens nomina systematica classium, ordinum, familiarum et generum animalium omnium, tam viventium quam fossilium

      Soloduri (Solothurn), Jent et Gassmann, 1848.. Thick crown octavo. Pp. (ii) publisher?s ads, x, 1135. Half-title present. Rebound in the original printed wrappers, these bit frayed and dust-soiled, laid-down on support, with a new plain paper spine; bit dog-eared, bit foxed. An untrimmed copy in a very good condition. - - First edition. Jean Louis Rodolphe Agassiz (1807-1873), was a Swiss paleontologist, glaciologist, geologist and a prominent innovator in the study of the Earth?s natural history. He was a professor of natural history at University of Neuchâtel, later, he accepted a professorship at Harvard University. His work Nomenclator zoologicus was published in 1842-46.

      [Bookseller: Librarium of The Hague]
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        The Haunted Man And The Ghost's Bargain: A Fancy For Christmas-time

      London: Bradbury & Evans. Very Good+. 1848. First Edition. Cloth. A bright First Edition in Very Good+ condition, minor spotting to a few pages. Deep red vertically-ribbed cloth with gold Christmas wreath centered on the front cover; gold ornament to spine; all edges gilt. 17 illustrations, including frontispiece and vignette title. Tenniel made all the chapter decorations which number three; Leech made five pictures, Stanfield three and F. Stone three. Tenniel initialed the drawing for chapter I, but signed none of the others. Leech signed four J. Leech and one with his initials; all of Stanfield's are signed, only one of Stone's. Smith ii.9; Eckel pp. 124-125; The final or fifth Christmas Book was begun in Broadstairs late in the autumn of 1846. Dickens was still deeply engrossed with Dombey and Son at the time. The public responded eagerly when the book appeared, the sale running to 20,000. "It is important to remember past sorrows and wrongs so that you can then forgive those responsible and, in doing so, unburden your soul and mature as a human being. " .

      [Bookseller: Books Tell You Why]
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        Specimens of the Geometrical Mosaic of the Middle Ages. With a brief historical notice of the art founded on papers read before the Royal Institute of British Architects, the Royal Society of Arts and the Archaeological Institute of Great Britain and Ireland

      London: For the Proprietor, 17 Gate St.. 1848. First printing. Hardcover. Good +. 1848 Tall folio, 19 x 13 inches (48.25 x 33 cm). 26 p, plus 21 color plates (including title page). Original boards rebacked with recent dark brown leather, with gilt rule and title on spine. With a sheaf of 12 original contemporary hand-drawn watercolor mosaic designs and notation, each protected with tissue guard and likely executed by the original owner whose note is mounted on the front pastedown. The note reads, "Please take great care of this book and of the loose copies of mosaic designs. J. M. Ivery", dated 1899. The volume has gone through repair, with Japanese paper reinforcements to many of the foredges of the text pages, likely accomplished by the binder who rebacked the volume, with evidence of earlier taping still evident in places. The plates are primarily untouched, having been printed on sturdier stock. There appears to be old waterstaing to the boards, though the contents remain unmarked. Crease to the lower corner of the front board. Despite its wear, the copy remains in good+ condition, with the exquisite color lithograph plates still bright and clean, text legible and intact. A very scarce document of medieval ornament and decoration.

      [Bookseller: Caliban Books ABAA-ILAB]
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        Bürgerwache: W_. W_. W_. Wr. Wer da! Geist: Ein Abgeordeneter aus dem Friedrichshain, um in Berlin zu fragen, was wir mit unserem Blute erkauft haben? --- Bürgerwache: Ach bester Herr Geist! das kann ich ihnen sagen: _ Rauchfreiheit und Nationaleigenthum!

      Lithographie von H. Delius nach Haag im Verlag J. Rocca, Berlin 1848. 28x43 cm. - Wolf, Karikaturen 1.40.2 - Otto, Vormärz S. 432 - Zeit für neue Ideen 149 - Flemig S. 102 - Karikatur auf die Berliner Bürgerwehr und die Errungenschaften der Märzrevolution. Am Landsberger Tor, vor dem Friedhof der Märzgefallenen in Friedrichshain hält ein wohlbeleibter Bürgerwehrmann mit geschultertem Gewehr und großer schwarz-rot-goldener Kokarde am Hut Wache. Ihm erscheint um Mitternach der Geist eines Märzgefallenenen, der wissen will, was durch die Blutopfer erreicht wurde. Der Wachmann kann ihm nur die Freiheit des Rauchens in der Öffentlichkeit und den Schutz des zum Nationaleigentum erklärten Kronprinzenpalais (Wohnsitz des verhassten und geflüchteten Prinz Wilhelm von Preußen) nennen. "In der Tat verstand sich die Bürgerwehr hauptsächlich als neue Ordnungsmacht, die jedwede Unruhe - wenn möglich schon im Keime - zu ersticken hatte. Die Regierung Camphausen, die ... mit allen Mitteln die Revolution abzuwürgen suchte, hätte kaum einen verläßlicheren Bündnispartner finden können. Die Bourgeoisie wurde derart zum "Schild der Dynastie", dessen sich die Reaktion - wann immer sie wollte - bedienen konnte." (Otto). Im November 1848 erfolgte die Entwaffnung der Bürgerwehr durch das Militär.Der unter dem Pseudonym Haag publizierende Karikaturist schuf Spottblätter auf "König Friedrich Wilhelm IV, das Königshaus, die Bürgerwehr und das Scheitern der Revolution. Politisch markante Berliner Karikaturen in Witz und Satire, respektlos und agressiv." (Flemig). Kurze Einrisse im schmalen Rändchen restauriert.

      [Bookseller: Wenner Antiquariat]
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        Die freie Jagd. Wildschweinjagd. Zwei Szenen nebeneinander auf einem Blatt

      Altkolorierte Lithographie von Julius Böhmer bei Albert Schepeler, Berlin um 1848. 21x35 cm. - Zeit für neue Ideen 87 - Brückmann 45 - Heidermann, König S. 246 - Karikatur auf das feudale Jagdrecht und die Wildschweinjagd vor dem Verbot des Jagdrechts auf fremden Grund und deren Schäden für den Bauernstand. In der ersten Szene verwüsten Wildschweine ein Getreidefeld. Die Bauern, denen es bei Androhung hoher Strafen verboten ist, die in ihre Felder einfallenden Wildschweine zu jagen, werden von Soldaten in Schach gehalten; sie müssen tatenlos zusehen, wie ihre Ernte vernichtet wird. Die Lanzen der Soldaten tragen an der Spitze den Preußenadler. In der zweiten Szene überfallen Wildschweine eine Bauernfamilie beim Essen, auch hier darf die Familie die Schweine nicht vertreiben und muss zusehen, wir die Wildsau und die Frischlinge ihnen die Kartoffeln aus ihrer Schüssel wegfressen. Ein Emblem über der Tür zur Hütte zeigt eine gefesselten Bauern, der sich tief vor einem Löwen (Allegorie des Grundherren) beugt. In jeder Szene ist am Rand ein herrschaftlicher Jäger dargestellt, der ein Wildschwein streichelt; eine Anspielung auf die Jagd zu Lasten der Bauern. Unten, oben und zwischen den Szenen Rankenbordüre mit Motiven aus Flora, Fauna und Jagd. Unten links Trockenstempel des Verlegers.Die Jagd der zum Hochwild zählenden Wildschweine war bis 1848 dem Adel vorbehalten, erst in den im Dezember dieses Jahres verabschiedeten Grundrechten des deutschen Volkes wurde die Jagdgerechtigkeit auf fremden Boden und Jagddienste ohne Entschädigungen aufgehoben. Die Jagdberechtigung war nun an das Grundeigentum gebunden.

      [Bookseller: Wenner Antiquariat]
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        THE ETHIOPIAN FLUTE INSTRUCTOR, CONTAINING FULL AND COMPLETE INSTRUCTIONS, WITH ALL THE POPULAR NEGRO MELODIES OF THE DAY, INCLUDING THOSE OF THE CHRISTY MINSTRELS

      Boston: Elias Howe, 1848.. 48pp. Oblong. Original printed covers with cloth spine. Light wear and chipping to covers. Light foxing and soiling, several leaves loose. About very good. Minstrel-themed songster containing instructions on how to play the flute and an essay on the history of the instrument. Some of the tunes included here are "A Darkie' Life is Always Gay," "Jim Crow Polka," "My Pretty Yaller Gal," "Old Dan Tucker," and others. Scarce. OCLC locates fewer than ten copies.

      [Bookseller: William Reese Company - Americana]
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        The Natural History of Man; comprising inquiries into the modifying influence of physical and moral agencies on the different tribes of the human family ... Third edition, enlarged

      London, Paris & Leipzig: H. Baillière [and others], 1848. Octavo. (8 13/16 x 5 5/8 inches). Half-title. 51 leaves of plates after George Catlin and others (50 hand-coloured on 46 leaves, 5 uncolored on 5 leaves), 97 wood- engraved illustrations. Contemporary black half morocco, spines gilt in six compartments with raised bands, gilt lettering to the second and fourth compartment (joints split). A fine copy of the third expanded edition of Prichard's important ethnographical work, with a selection of plates after George Catlin 'In 1843 Prichard published his Natural History of Man, in which he reiterated his belief in the specific unity of man, pointing out that "the same inward and mental nature is to be recognized in all the races." Prichard may fairly be honored with the title of the founder of the English branch of the sciences of anthropology and ethnology.' (Encylopedia Britannica [1911] vol.XXII, p.315). The 1843 edition was published as a single volume with only 37 plates. The present third edition has been enlarged and now includes 51 plates, a number after Catlin. Cf. BM (NH) IV, p.1614; cf. Sabin 65475

      [Bookseller: Donald Heald Rare Books]
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        Sydney in 1848: Illustrated by copper-plate engravings

      Sydney,: D. Wall, 76 York Street, n.d. but, 1848.. Quarto, with full page copper plate engravings throughout, owner's name "Alfred C. Johnson"; a good copy in the original pink papered boards (stained and spotted), preserved in a blue folding quarter morocco book-form box, lettered to the spine. First edition, first issue of Australia's first work devoted to architecture, showing the Georgian heritage of Sydney at a time when it was a city of just 50,000 inhabitants: 'invaluable for the early topography of Sydney' (Ferguson).Joseph Fowles arrived in Sydney in 1838 and this is without doubt his most important work, providing remarkably detailed information on the buildings of mid-nineteenth-century Sydney. As Morton Herman puts it, 'the Sydney he records was a lovely colonial town of clean, chaste Georgian architecture. Whole streets were pleasant compositions of harmonious buildings, few of them over three stories high, all clearly designed, well mannered and an orderly delight to the eye...' (Foreword to the facsimile edition of 1963).Published by subscription, this work consists of forty "Copperplate Engravings of the Principal Streets, Public Buildings, Churches, Chapels, Etc.". Fowles stated that its express purpose was 'to remove the erroneous and discreditable notions connected with the Colony'. It is one of the rarer Australian illustrated books whilst its importance to architectural history is without rival. No further such detailed study appeared for at least fifty years. The handful of small illustrations of printers establishments used in this list all derive from this work.This work was re issued in 1878 with the text reset, and has been reprinted many times over. This first edition is greatly enhanced by its forty fine copper-engravings produced in Sydney. It was first issued in parts (an almost impossible rarity today; we offered such a set in a recent catalogue): this is its first appearance in bookform, here in the first issue (with a sheet of reviews and advertisements, omitted from later issues, following the title-page). These illustrations were engraved by W. Harris from original drawing done by Fowles and were well received by the press as "superior to any previous attempts at representing Sydney as it really is... " (Bell's Life in Sydney).Throughout his life Fowles taught as well as practised art. He was in charge of the training and examination of art teachers for the National Board of Education from 1854 until 1867 when the board was succeeded by the Council of Education. It was largely through his efforts that drawing was being taught in every government school in New South Wales by the surprisingly early date of 1869. He was also drawing master at a number of private schools, including The King's School, Sydney Grammar, Sydney High and Camden College, as well as at the Sydney Mechanics School of Arts (lessons £1 a quarter).Ferguson, 4766.

      [Bookseller: Hordern House Rare Books]
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        The Genera of the Plants of the United States illustrated by figures and analyses from Nature, 2 volumes, complete

      Boston: James Munroe, 1848-1849. First edition. Some foxing to the endpapers and to four plates (no. 30, 88, 89, 96), all of the text and the rest of the plates are bright and clean without foxing or browning, a tight and clean copy in very good condition.. Pp. 230; 229, 186 full-page plates (one is a double page plate). Publisher's elaborately blind-stamped dark brown cloth with matching new cloth spine, spine with gray leather title labels lettered in green, lg 8vo. An early well-illustrated flora of the United States; the text is by Asa Gray and the finely engraved plates are from drawings by Isaac Sprague. Though the work is in English, it also has a title in Latin: Genera Florae Americae Boreali-Orientalis Illustrata. For further bibliographic information see Stafleu and Cowan, 2125. This volume has some interesting associations. It was first owned by Elizabeth Carrington Morris (1795-1865) of Germantown, PA, dated May 20th, 1848. Morris used the back yard garden of her home to study insects and plants. She maintained a collection of rare plants and corresponded with Asa Gray. She became a member of the Academy of Natural Sciences of Philadelphia. The book is also signed by her sister, Susan Sophia Morris Littell and by her sister's son Thomas Gardiner Littell. Finally, on the rear endpaper of each volume there is the small ink stamp of George F. Mason, Princeton, Massachusetts.

      [Bookseller: Natural History Books]
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        3 documents on the pedigree of a foal born to the royal stallion stud Pompadour (Corrèze).

      Limoges, 1848. - Small 4to. Altogether 4 pp. 1. Birth certificate of the foal Tulip, born of a thoroughbred mare "d'espèce de Selle" and a royal stud of the same stud farm Pompadour (document partly printed, signed by the domain administrator de Pompadour). 2. Certificate of Affiliation. 3. Document concerning the mare's sale.

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
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        Christelige Taler.

      Kjøbenhavn, Reitzels Forlag, 1848. 1. udg. 103s. + 74s. + 96 s. + 77 s. Indbunden i orig. blå kart. med orig. titeletikette.. Et fint, velholdt eks. Ny ryg i samme blå nuance og påsat orig. titeletikette. Nyindsatte friblade med guldkant. /Copenhagen, Reitzel, 1848. Orig.edt. 103 + 74 + 96 + 77 pp. Bound in publ. orig. blue cardboard. Spine rebacked in same blue colour and the orig. titlelabel. Fine, well-preserved copy with only occasional brownspotting

      [Bookseller: Bøger & Kuriosa]
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        Autograph letter signed.

      Dresden, 19. V. 1848. - Large 4to. 2¾ pp. on double leaf. With autogr. address. Important letter of political content, written to the German politician and stenographer Franz Jacob Wigard (1807-1885), at the time member of the Frankfurt Assembly, the first freely elected parliament for all of Germany. In his peremptory letter, Wagner laid down what in his opinion were the principles that ought to guide the Frankfort meeting. He looks to the meeting of the German National Assembly in Frankfurt to assume unified power from the old Bundestag, to introduce rearming the German people, to make a defensive treaty with France and, finally, to create a rational and coherent German nation out of the myriad of princely states, both large and small, overcoming the opposition of the Princes themselves, emphasizing that only then can the Assembly begin its work and without which all their good work so far will be undone. "I am apprehensive of much harm", he wrote, "if the German Parliament does not in the first instance resolve on the following: (1) that Parliament at once vests the sole constitutive power in itself, as well as the authority to nominate a Provisional Executive from among its members; (2) immediate introduction of Folk-arming after the model known to us; (3) an offensive and defensive alliance with France [.] Let the fourth step be the Territorial question of the German States. If the Frankfort Assembly intends to create a constitution that will unite Germany, it must first address itself to the inequality of the individual States: it must appoint a commission to formulate proposals for a rational and natural construction on the basic principle that no single State shall have less than four or more than six million inhabitants. That is the definitely decisive point, without the establishment of which all our labours would be merely patchwork [.]". - A fine letter outlining Wagner's political views and his desire to see a unified German nation, in the wake of the 1848 Revolution in France and turmoil within Germany. Barricades were put up in Dresden and the king was presented with demands for constitutional reform. Wagner joined the revolutionaries, hoping that this would lead to the reform of a National Theatre. His letter was prompted by the convening of the National Assembly at Frankfurt on 18 May, and is addressed to the Saxon Delegate at the Assembly, Jacob Franz Wigand, who had earlier been dismissed from the University at Dresden for his radical political views. - Published in the "Sämtliche Briefe", II, no.256, after a press-cutting in the Wagner Archives and without reference to the original. - Torn margins repaired, dust-marked.

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
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        The British Colonies; Their History, Extent, Condition and Resources

      London and New York,: J. and F. Tallis, n.d., but, 1848.. Eight volumes, large octavo, with numerous plates and maps, some hand-coloured; a very fine, bright set in the original red cloth, spines and front boards richly decorated in gilt. A set in particularly fine condition.First published in 1834 and extensively revised and extended over the next twenty years, Martin's comprehensive account of the British Colonies encapsulates the remarkable growth of the British Empire under Queen Victoria. A former Colonial Treasurer at Hong Kong, Martin's constantly revised and expanded book is "a work of extraordinary research, reference, and completeness" (Hocken), although it is perhaps now most notable for the fine series of highly decorative handcoloured Tallis maps that illustrate it.This set, complete in eight parts, is not recorded in the bibliographies, although Ferguson's 4822a describes what we take to be a prospectus for this edition.This edition not in Bagnall, Ferguson, or Hocken.

      [Bookseller: Hordern House Rare Books]
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        THE GOLD REGIONS OF CALIFORNIA: BEING A SUCCINCT DESCRIPTION OF THE GEOGRAPHY, HISTORY, TOPOGRAPHY, AND GENERAL FEATURES OF CALIFORNIA: INCLUDING A CAREFULLY PREPARED ACCOUNT OF THE GOLD REGIONS OF THAT FORTUNATE COUNTRY. PREPARED FROM OFFICIAL DOCUMENTS AND OTHER AUTHENTIC SOURCES

      New York: Dewitt & Davenport, Tribune Buildings, 1848.. 80pp. plus [12]pp. of advertisements. Frontispiece map. Original printed wrappers. Spine perished (but still sturdily bound), wrappers a bit soiled and with some small chips at edges. Impeccably clean internally, and a very good copy. Untrimmed. In a half morocco box. An odd and apparently unrecorded variant of Foster's early and important book on the gold regions of California, with "Second Edition" printed on the wrapper, but the titlepage has no edition statement at all, which implies that it is a first edition titlepage. This copy also has the same number of advertisement leaves as Kurutz notes for the first edition (the number of which differs in subsequent editions). This would appear, then, to be the first edition titlepage and text of Foster's work bound up in second edition wrappers. Edward Eberstadt called this "the first considerable pamphlet on the Gold Regions and but two others (Sherwood and Simpson) are contemporary with it." "Foster, in his eloquent and stirring introduction...correctly predicted that a fortune could be made by the enterprising blacksmith, wheelwright, carpenter, shoemaker, etc. This slender work is a useful anthology of some of the earliest reports of the gold discovery and features the writings of Farnham, Mason, Doniphan, Larkin, Folsom, Fremont, Colton, and articles from the June and August issues of the CALIFORNIAN" - Kurutz. The frontispiece map shows California from Los Angeles to Sutter Buttes, with the Gold Region encircled by a dotted line. According to Wheat, the map is one of the first to mention the Gold Region. An important early gold rush book, in an odd variant. KURUTZ 250a, 250b. GRAFF 1387. HOWES F287, "aa." MINTZ 160. ROCQ 15810. STREETER SALE 2529. COWAN, p.219 (3rd ed). SABIN 25225. WHEAT GOLD RUSH 77. WHEAT GOLD REGION 39. EBERSTADT 107:55-58. DECKER 24:68. HOWELL 50:85.

      [Bookseller: William Reese Company - Americana]
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        TRATADO DE PAZ, AMISTAD, LIMITES Y ARREGLO DEFINITIVO ENTRE LA REPUBLICA MEXICANA Y LOS ESTADOS-UNIDOS DE AMERICA.... [Second titlepage, in English:] TREATY OF PEACE, FRIENDSHIP, BOUNDARIES, AND DEFINITIVE SETTLEMENT BETWEEN THE UNITED STATES OF AMERICA AND THE MEXICAN REPUBLIC

      Mexico: Imprenta de I. Cumplido, 1848.. 55pp., printed on facing pages in parallel Spanish and English. Original printed wrappers bound into modern Mexican calf, spine gilt, gilt inner dentelles. A few light fox marks, else near fine. The official Mexican printing of the final text of the landmark Treaty of Guadalupe Hidalgo, ending the Mexican War and delivering to the United States its current territory in the Southwest. This printing closely follows the Queretaro edition produced just a few months earlier, but contains added protocols excluded from that earlier printing. The full text appears here in both English and Spanish, on facing pages. Pages 46-49 contain the text of amendments made to the treaty by the United States Senate, followed by a statement of Pena y Pena, dated May 30, 1848, accepting the modifications, and concluded by a Protocol dated May 28 attempting to put the best light on the treaty from the Mexican point of view. The Treaty of Guadalupe Hidalgo, which ended the war between the United States and Mexico, resulted in the formal cession of the entire Southwest and California to the United States. Agreements were reached for the withdrawal of American troops from Mexico, the payment of Mexican claims, and the formal cession of territory (the U.S. had already occupied all of the land). The theoretical boundaries were set out, and arrangements for boundary commissioners were made. By this treaty the U.S. obtained an addition of land equalled in size only by the Louisiana and Alaska purchases. A fundamental piece of Western Americana, here in the official Mexican edition of the complete treaty, and scarce on the market. STREETER SALE 282. PALAU 339389. GARRETT, p.91. COWAN, p.252. HOWES M565, "aa." EBERSTADT 162:847. MALLOY, p.1107.

      [Bookseller: William Reese Company - Americana]
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        Parables of Our Lord

      New York: D. Appleton & Co., 1848. 12mo (16.5 cm; 6.5"). [16] ff. The Victorian era saw that the application of emerging technologies to book manufacture could produce books that would rightly be thought of as tours de force. The fascination with the "gothic," for example, led to the marriage of chromolithography and papier maché: the color printing used to approximate the eye-popping illumination, miniatures, and marginal decoration of late medieval manuscripts, and papier maché to approximate gothic woodcarving. This edition of the parables has 31 text pages, each with a => different chromolithographic border. The text is printed in gothic type in black and red, with touches of blue and gold in-fill. There are a scattering of chromolithographic miniatures and historiated initials; the title-page is printed in black and gold. The illuminated initials and borders are by Henry Noel Humphreys. Binding: Publisher's boards of papier maché and plaster, formed using a metal mold and colored black, creating a gothic "carved wood binding." Title blind-embossed on black roan spine. All edges gilt. McLean states of the English edition of this work that "It was . . . the first of the so-called 'papier maché' bindings, contrived to look like carved ebony." => This first American edition bears the first "papier maché" binding accomplished in the U.S. Ray, The Illustrator and the Book in England, 231; McLean, Victorian Book Design (second edition), pp. 99, 210; Maggs Bros., Bookbinding in the British Isles, part 2, 245; Abbey, Life, 222. Very nicely preserved copy with just a few small cracks in the binding, leaves expertly reattached/recased; spine intact with surface of front cover a little rubbed in one small portion. => Unlike the broken, chipped, and damaged copies we have seen, this is a treasurable exemplar. Housed in a quarter red cloth clamshell case with tan cloth sides and black leather gilt spine label.

      [Bookseller: SessaBks, A Division of the Philadelphia]
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        WINDSOR CASTLE - VIEWS OF THE INTERIOR AND EXTERIOR OF WINDSOR CASTLE.

      London Thomas M'Lean 1848 - Royal folio 28x20 inches, half publisher's brown morocco. Title printed in blue with a coloured vignette, dedication also printed in blue, one leaf of explanatory introduction, list of plates and 25 SUPERB COLOUR PLATES MOUNTED ON CARD - with accompanying leaves of text. THE PLATES ARE HAND COLOURED CHROMOLITHOGRAPHS - where the main body of the plates are printed in three colours and the details and figures are hand coloured and finished. Said to have been coloured by Nash himself. This is a rare Royal Copy - see description in Abbey Scenery. The card mounts and the text are spotted - as usual - but the plates themselves are fine in stunning colour. The binding is also somewhat worn as usual due to the extreme weight of the volume.

      [Bookseller: Charles Russell, ABA, ILAB, est 1978]
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        "If honored by election to the Presidency," Zachary Taylor will remain "Uncommitted to the principles of either party"

      All through the beginning of 1848, the Whigs held meetings that acclaimed Taylor as their choice for the party's& presidential nomination. They tapped him because his long military record would appeal to northerners, while& his ownership of slaves would lure southern votes. The potential candidate, though he clearly sympathized with& the Whigs, was not enthused about running.& By the spring, however, he had been convinced to accept the nomination that would surely be tendered to him& when the Whig convention met in June. The Taylor family tradition relates that he reluctantly agreed to accept& the nomination when convinced it was for the good of the country. In June the Whig convention formalized his& nomination. His campaign did not dwell on the details of matters in controversy, instead stressing that he would& be a national rather than a regional president and that principle would prevail over politics.& As his biographer, K. Jack Bauer states, "Taylor viewed himself as a non-partisan figure attracting support from& all parties." His Democratic opponent, Lewis Cass, favored letting the residents of territories decide for themselves& whether they wanted slavery, which in practice was a pro-southern position. The following campaign statement& sets forth Taylor's core principles during his presidential campaign.& Letter Signed as virtual Whig nominee for president, Baton Rouge, La., March 26, 1848 to Dr. John Kearsley& Mitchell, a noted Philadelphia physician and chemist who lectured in chemistry from 1833-1838 at the Franklin& Institute and was professor of medicine at the Jefferson Medical College from 1841-1858. He was the father of the& eminent physician, S. Weir Mitchell. "Your letter of March 7 has been duly received and perused with much pleasure.& I avail myself of this acknowledgment to express my sincere thanks for the kindness shown in the terms and views of your& letter. Permit me to add, that I am now, as before so repeatedly avowed, in the hands of the people of the country. If honored& by election to the Presidency I will strive to execute with fidelity the trust reposed in me, uncommitted to the principles of& either party. But should they cast their votes for another, I shall truly rejoice that one more able than I is charged with the& responsible duties of the Executive Chair. Should I visit Philadelphia, which is at this time a matter of very great improbability,& I shall be most happy to remember your very courteous invitation."& Taylor kept the campaign promise made& here, and had he lived the Civil War might& well have been avoided. When he took office& in 1849, the issue that was pressing was the& extension of slavery into the territories newly& conquered from Mexico. Taylor strongly& opposed the proposed Compromise of 1850,& 22& Page 37& which he saw as opening up partisan competition to settle and control the territories, leading the nation into constant& agitation and danger (as so it proved).& Under his plan, Taylor urged settlers in New Mexico and California to draft constitutions and apply for statehood& immediately, bypassing the territorial stage altogether. This would save years of further bitter controversy& and satisfy opponents of the expansion of slavery, since neither state constitution would be likely to permit that& institution, as things stood then. Taylor was a slaveowner committed to defending slavery where it was already& established and did not outright oppose any expansion of it. Thus, he believed, southerners whose position on& slavery was less extreme could be brought along with him, isolating and marginalizing the "fire-eaters."& In February 1850, Taylor held a stormy conference with extreme southern leaders who threatened secession. He& told them that if necessary to enforce the laws, he personally would lead the army south and persons "taken in& rebellion against the Union, he would hang...with less reluctance than he had hanged deserters and spies in Mexico."& A few months later he died mysteriously and his successor scrapped his plan and signed the Compromise of& 1850. Taylor's family still remains convinced he was poisonsed.

      [Bookseller: The Raab Collection]
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        Konvolut von 26 (davon 2 doppelt), bei Helfter als "Fliegende Blätter" bezeichnete radikale Flugblätter der Wiener Revolution

      Wien, Lell, bzw. Ludwig, bzw. Druck der a. p. Kunstanstalt, 1848.. Jeweils ca. 30 x 24 cm. Die `Fliegenden Blätter` erschienen zwanglos und ohne erkennbares Schema, mitunter mehrere an einem Tage, im Format 4, die Herausgeber und Drucker wechselten, nachweisbar sind sie bis zum 25. Oktober 1848" (Deutsches Historisches Museum in seiner Online-Präsentation; nur 1 Blatt vorhanden); Helfert S. 223: "Welche Rohheit, welche Verwilderung sich der Gemüther der großen Menge bemeisterte, zeigte unter anderm der reißende Absatz den die im September entstandenen `Fliegenden Blätter` jetzt fanden ... Eines dieser Blätter erlebte vier Auflagen - vielleicht fünf oder sechs, aber ich kenne und besitze nicht mehr -, und welches? Das gräulichste von allen: die Leiche Latour`s in Lumpen gehüllt vom Gas-Candelaber herab hängend!!!" - - - Neben diesem besonders bemerkenswertem Flugblatt befinden sich u. a. die folgend genannten in vorliegender Sammlung: "Brutale, rohe und barbarische Handlung eines Nationalgarde-Bezirkschefs von Mariahilf" (doppelt vorhanden); "Wie die Fürsten und Könige selber das Feuer der Revolution schüren und zur hellen Lohe blasen, um Ursache zu finden, - durch Bajonette und Kanonendonner ihre alte Herrschaft wieder zu erringen" (doppelt vorhanden); "Der Gardist und seine junge Frau"; "Der Menschenfresser"; "Selbst die Hölle hasst den Zopf"; "Wie die Camarilla den russischen Eisbären in`s Land locken möchte"; "Metternich gestorben!!"; "Barrikadenkampf in Frankfurt"; "Abbildung des Anführers einer räuberischen Horde, wie er von seinen eigenen Leuten ermordet wird" - - - - Das den laternisierten Latour zeigende Blatt gefaltet und 42 x 26 cm groß. - Tls. fleckig und gebrauchsspurig, bei einigen Blättern an den Ränder kleinere Läsuren. 2 Blätter mit Ausriss, bzw. Ausschnitt, ohne Textverlust. Ein Blatt stark beschnitten.

      [Bookseller: Antiquariat Turszynski]
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        New York - Arrivee du Paquebot Transatlantique

      Paris: E. Savary, 1848-50. Hand-coloured lithograph by Auguste Bry. 13 x 19 inches. 18 1/4 x 24 1/4 inches. Louis LeBreton was a surgeon in the French Navy from 1836-48. During that period he made several very long expeditions including Dumont d'Urville's second circumnavigation (1837-40) aboard the Astrolabe. During that journey and on subsequent trips, he made drawings and watercolor views of noteworthy places, including Sacramento and San Francisco, New Orleans and Boston, Rio de Janeiro, sites in Oceania, New Zealand and Africa, as well as this view approaching New York. LeBreton's drawings served as a source for a portfolio of hand- coloured lithographic prints made by Auguste Bry and published by E. Savary about 1850. LeBreton's watercolors of the Astrolabe voyage were exhibited at the Salon de Paris during the years 1841-48. The boat in this New York scene is a paddlewheel steamship-triple masted sailing ship: the smoky, dangerous transitional boats that ultimately became all steam and built of steel. We see it steam, pumping out a black funnel of smoke, towards the East River, Fort William on Governor's Island on the right, Fort Clinton at the Battery on the left. As we look at the city, there are a number of fanciful architectural additions mixed with the buildings that were actually there. This is however clearly based on first-hand impressions. The scene the visitor to New York in the 1840s encountered would have been nearly overwhelming. There were far more boats in the Harbor than there are today. The lower portion of the island was lined with piers and warehouses. There was an immense amount of activity , both import and export, rapidly establishing New York as the primary American port. LeBreton, in a characteristically French way, added elegant turrets and spires and made the warehouses more evocative than they can have been, but in all communicating a true impression of a city exuding energy. Reps, Views and Viewmakers, #2654

      [Bookseller: Donald Heald Rare Books]
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        Five Years in China; from 1842 to 1847. With an account of the Occupation of the Islands of Labuan and Borneo by Her Majesty's Forces

      London.: Bentley & Son.. 1848.. Colour frontispiece, black and white engravings in text, 405pp, appendix. Full calf binding a little worn in places, particularly on upper join. Inscribed by the English Liberal politician and landowner Henry Hobhouse to a young friend on his leaving Eton in 1867. Text very clean and sound. A pleasing copy. Forbes was a well-travelled naval officer with wide experience of many parts of the globe from his varied service postings. He was an energetic walker and a keen observer of humanity, and his detailed descriptions of what he saw in China, mainly in and round Shanghai, and afterwards in Borneo, including the occupation of Labuan as a British possession in 1847, are most valuable to the historian. Sadly, he disappears from history after his posting to the West Coast of Africa on anti-slavery cruises, probably falling victim to its deadly climate. Lust 369. Cordier 2371. .

      [Bookseller: Asia Bookroom]
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        Remarks on the superinduction of anaesthesia in natural and morbid parturition, with cases illustrative of the use and effects of chloroform in obstetric practice

      Boston: William B. Little & Co., Chemists & Druggists, 1848. 8vo (22 cm; 8.5"). 48 pp. Sole American edition. Simpson (1811–70) a Scots physician educated at Edinburgh, pioneered the use of anesthetics in obstetrics, despite the opposition of the medical establishment who seemed to believe that pain was essential to the birthing process, or ordained by God. This paper was first read before the Medico-Chirurgical Society of Edinburgh in December, 1847. => The work ends with an appendix not found in the Edinburgh editions, offering letters on the use of chloroform written by several members of the medical profession. Heirs of Hippocrates 1765; Osler 1461. Removed from a nonce volume, without the wrappers; (very) limited spotting to a few leaves including title. Very good.

      [Bookseller: SessaBks, A Division of the Philadelphia]
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        TRAITÈ COMPLET DE L' HYSTÈRIE 1848 Seconde Edition

      - Paris & Londres . H. Bailliére . 1848 . Seconde édition , conforme à celle de 1846 . Broché in-8 , 142 x 227 m/m , de VIII + 402 pages et 2 pages . Manque 6 feuilles ( Pages 403-414 ) des observations et 2 feuilles de table ( pages 416-420 ), remplacées par des photocopies . Mouillure claire au milieu de la couverture & titres , sinon de toute fraicheur, en tres grande partie non coupé . Ouvrage rarissime . Dans MADAME BOVARY, Gustave FLAUBERT a utilisé le Traité de LANDOUZY pour décrire les symptomes de l' "hystérie" de EMMA. Ses allusions au tempérament " nerveux " de celle-ci sont tirées d'un chapitre de ce traité .( Florence VATAN ) [Attributes: Soft Cover]

      [Bookseller: LA FRANCE GALANTE]
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        [AUTOGRAPH LETTER, SIGNED BY THOMAS HART BENTON, DISCUSSING THE FRENCH REVOLUTION OF 1848]

      Washington. March 28, 1848.. [2]pp., plus integral blank. Folio. Old fold lines. Lightly soiled. About very good. In a tan cloth folder, gilt leather label. Letter written by Senator Thomas Hart Benton to "Messrs. Stubbs, Ennis, Sheaham, &c., a committee, &c.," discussing the French Revolution of 1848, in which he mentions the Marquis de Lafayette's desire for democracy for the French people. The Revolution of 1848 saw an end to the French monarchy and the beginnings of the Second Republic. The Republic, however, lacked strong organization and leadership, and in 1851, President Louis Napoleon disbanded the elected assembly and declared himself Napoleon III. The second French empire would last until 1871, when the Third Republic was established, lasting until World War II. In 1848, however, feelings were high and positive, as shown in this letter by Benton. He writes: "Above fifty years ago Lafayette said to the Constituent Assembly of France: 'For a people to be free, it is sufficient that they will it.' These brief, but profound words, have just had their impressive realization on the very spot on which that disciple of Washington spoke them. The French Revolution of 1848 is one of Will. The People willed it! and it came! and the first act of the Provisional Government, for the future government of France, is one of deference to the national Will. A national election is ordered, and the whole question of their future government is referred to the votes of the French people. If, in that election, the expression of the national Will shall correspond with its present manifestation, then the fate of France is fixed by those who have a right to fix it, and wo[e] to the sacrilegious hand that touches this work." Thomas Hart Benton (1782- 1858) was a Missouri Senator and statesman who served in the U.S. Senate for thirty years, during the crucial years leading up to the Civil War (1821-1851). Prior to his service in the Senate, he fought in the War of 1812 and fought several duels - including one sword and pistol brawl with Andrew Jackson, though he later became a Jackson supporter and a staunch Democrat. He broke with his party, however, over slavery and secession, staunchly arguing for preservation of the Union.

      [Bookseller: William Reese Company - Americana]
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        1848 French Issue Murray Guide: Handbook for Switzerland and the Alps of Savoy and Piedmont

      Paris: l Maison, 1848. Hardcover. Very Good. Handbook for Switzerland and the Alps of Savoy and Piedmont, 1848, French issue of 3rd edition, lxvii 407pp, original blind stamped cloth titled in gilt with a folding map at rear, a panorama of Mont Blanc with text, and a bookseller's (ITINERAIRES-RICHARD) label on front pastedown. The text is in English. Publisher's purple cloth binding, gilt lettering and blindstamped designs to spine and front board. Interesting mid 19th century travel guide. Includes folio folding view of the Alps at pg. 320 and a folding b&w map at rear. This edition is slightly larger than the English edition and measures c. 4 3/4" W x 7 1/2" H. Mostly clean condition. Boards somewhat toned and gently edge-worn, spine cloth and gilt faded, cloth splitting along the joints so that the spine cloth is a bit loose (although still well attached), textblock very gently but uniformly toned, endpapers browned. VG- overall condition. Lister (#56) indicates the French editions are listed in Bibliotheque Nationale but only the 1850 edition has been seen and paginated. This edition has the same pagination as noted by Lister but has not been seen.

      [Bookseller: Das Bookman]
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        Hare-Indian Dog [Pl. 132]

      New York: J.J. Audubon, 1848. Lithograph, coloured by hand, by J. T. Bowen of Philadelphia. (Small chips to three corners). 21 1/16 x 27 1/4 inches. A fine image of the Hare Indian Dog, from the greatest illustrated natural history work to be produced in America during the nineteenth century. "This Dog resembles the Wolf more than the Fox. It is more domestic than many of the Wolf-like dogs of the plains. The Indians north of the Great Lakes use it in hunting, but not as a beast of burden or for draught." (Quadrupeds, II, p.58) This very fine plate is from the folio edition of John James Audubon's The Viviparous Quadrupeds of North America, produced entirely in the United States. The work was to be John James Audubon's last, and by 1846 he had to hand over the drawing of the final 50 or so plates to his sons, John Wodehouse and Victor Audubon. The final parts of this work of national importance were published after his death in 1851, but the images remain as a final fitting memorial to the greatest American wildlife artist who ever lived. The production of the Quadrupeds was begun by John James Audubon and his sons at about the same as the commercially-successful octavo edition of The Birds of America. Unlike the double-elephant folio, the Quadrupeds was produced entirely in the United States. William Reese notes that "By 1843 the Audubon family business was a well-oiled machine, involving John James, his two sons,... and various in-laws and friends. The octavo Birds was still in production when J.T. Bowen began to produce the plates for the elephant folio edition of the Quadrupeds, the largest successful color plate book project of 19th- century America. It took the family five years to publish 150 plates in thirty parts. The massive project was a commercial success, thanks to the close management of Victor. There were about three hundred subscribers." (Stamped with a National Character pp.58-59) Cf. Bennett, p. 5; cf. Reese Stamped With A National Character 36; cf. Sabin 2367; cf. Wood, p. 209

      [Bookseller: Donald Heald Rare Books]
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        Memoirs of the Life of William Collins, Esq., R.A.: With Selections from his Journals and Correspondence. 2 Volumes

      London: Longman, Brown, Green, and Longman, 1848. Hard Cover. Very Good. Hard Cover. 8vo. This is the UNCOMMON FIRST EDITION of renowned writer Wilkie Collins';s first book, a biography of his father, published when he was only 24. The biography was completed the year after his father, the noted artist William Collins, died. According to Gasson';s Wilkie Collins: An Illustrated Guide, William Collins had always intended for his son to write his biography. To an extent, William';s journals, correspondence, and notes were written with this in mind. Wilkie also received assistance from his father';s friends. The book received generally good reviews, and was praised by writers such as Maria Edgeworth and Walter de la Mare. Wilkie's first novel, Antonina, was published in 1850. Very good in contemporary three-quarter brown leather that has some scuffing and rubbing, with marbled boards and end papers, gilt title, and rules on spine, and gilt to top edges. The interior pages are clean and solid. Includes an engraved portrait of William Collins, and the volumes are extra-illustrated by the insertion of 57 plates by many artists of the period. Volume I has xii, 348 pages; Volume II has vi, 354 pages. BIO/091507 This set may require an extra shipping fee.

      [Bookseller: The Kelmscott Bookshop]
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        Official list of officers who marched with the Army under the command of Major General Winfield Scott, from Puebla upon the City of Mexico ... and who were engaged in the battles of Mexico

      Mexico: American Star Print, 1848. Oblong small 4to. (8 x 10 1/4 inches). [24]pp., errata slip pasted to verso of the title. 1 lithographic map of the Battles of Mexico. Original oatmeal-coloured paper wrappers, the upper cover with letterpress title (repaired tears to the upper cover). First and only edition of a scarce work which was "printed on the occupying army's own press" (Howes). The text, in the form of detailed tables, lists the officers with Scott, where they were employed, and whether they were killed, wounded, or distinguished themselves, including, on the first page, Robert E. Lee as the second in command of the Engineer Corps. This copy includes the plan of the battles in the vicinity of Mexico City, which is often lacking. The inside lower cover includes a letterpress printed extract of Scott's summary of the casualties and the magnitude of the victory. Garrett, p.131; Haferkorn, pp.53-54; Howes S243, "aa"

      [Bookseller: Donald Heald Rare Books]
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        Trattato Delle tre Potesta, Maritale, Patria e Tutelare del Sig

      1848. Chardon, [Olivier Jacques] [1762-1846]. Lombardi, Antonino, Editor. Cafaro, Fortunato, Editor. Trattato Delle tre Potesta, Maritale, Patria e Tutelare del Sig. Chardon. Arricchito di Tutte le Quistioni Esaminate nel Trattato dei Diritti delle Mogli, Del Cubain; Nel Codice della Minorita, Ec., Del Marchand; E nel Trattato della Minorita, Ec., Del Magnin; Non che Della Giureprudenza e Legislazione Belga. 1. Versione Italiana su la Edizione Belga del 1844, Di Antonino Lombardi, Accomodata Alle Leggi ed Alla Giureprudenza del Regno Delle Due Sicilie, Ed Arricchita di Note per le Cure di Fortunato Cafaro. Naples: Presso G. Pedone Lauriel/G. Dura, 1848. Three parts in one, each with title page and individual pagination. Main texts in parallel columns. Royal octavo (10" x 6-1/2"). Quarter calf over marbled boards, gilt-edges raised bands and gilt title to spine, marbled endpapers. Light rubbing to extremities, hinges cracked. Negligible toning to text, occasional light foxing, internally clean. * Only Italian edition. Edited for the post-Napoleonic Kingdom of the Two Sicilies, which had a system based on French law, this book collects three treatises on family law by the French jurist Chardon. Part One: husband and wife; Part Two: parent and child; Part Three: guardian and ward. OCLC locates 2 copies in North America (at the Library of Congress and the New York Public Library).

      [Bookseller: The Lawbook Exchange, Ltd.]
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        Dealings With The Firm Of Dombey And Son, Wholesale, Retail, and for Exportation

      London: Bradbury and Evans, 1848. First edition. Hardcover. Orig. green pictorial wrappers. Near fine in green/blue chemises in matching, Fine cloth slipcases. /No Dust Jacket. Hablot .K. Browne. 22 x 14 cm. 20 parts in 19 illustrated with forty plates by Hablot K. Browne [Phiz]. Perhaps most notable, the illustrations, usually darkened and foxed, are generally clean, the text as well. 12 line errata slip in part 5, the "Dombey & Son Advertiser" in all parts, and other inserted advertisements. First issue of part 14. with "if" omitted from line 9. page 26, but page 431 numbered. The other misprint noted by Hatton & Cleaver are present: part 11, page 324 "Capitan" for "Captain." ECKEL. pp. 74-76. "Under his contract with Bradbury & Evans his profits were 75 per cent, so this netted him for the first six months 2,200 pounds......financial worriment ceased." Dickens approached this work with more careful planning than his earlier novels. Some critics place it as the first of the later novels. HATTON & CLEAVER. pp.223-250. YALE/GIMBEL. A102. Bookplates in chemises, overall bright and very fresh set.

      [Bookseller: Royoung bookseller, Inc.]
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        The Book of Modern Gems 3 Volume Leatherbound Set The Poets and Artists of Great Britain 1848

      London: Henry G. Bohn. Very Good+ with No dust jacket as issued. 1848. Hardcover. 3 Volume Leatherbound Set. Very light shelfwear, else Very Good Plus condition. Volume 1: 304 pages, Chaucer to Prior. Volume 2: 302 pages, Pomfret to Bloomfield. Volume 3: 304 pages, Book of Gems of Modern Poets. Hubbes spines. Elaborate gold gilt design. Gold gilt page edges. Published by Henry G. Bohn, London. Volumes 1 and 2 - 1848 and Volume 3 - 1849. J. Wright binder. ; 8vo 8" - 9" tall; 910 pages .

      [Bookseller: Book Gallery // Mike Riley]
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        Sydney in 1848

      Sydney,: D. Wall, 76 York Street, n.d. but, 1848.. Quarto, with 40 plates, with the single sheet "Opinions of the Press" present; a fine copy in later polished half calf, gilt, morocco label to spine. First edition, first issue of Australia's first work devoted to architecture, showing the Georgian heritage of Sydney at a time when it was a city of just 50,000 inhabitants: 'invaluable for the early topography of Sydney' (Ferguson).Joseph Fowles arrived in Sydney in 1838 and this is without doubt his most important work, providing remarkably detailed information on the buildings of mid-nineteenth-century Sydney. As Morton Herman puts it, 'the Sydney he records was a lovely colonial town of clean, chaste Georgian architecture. Whole streets were pleasant compositions of harmonious buildings, few of them over three stories high, all clearly designed, well mannered and an orderly delight to the eye...' (Foreword to the facsimile edition of 1963).Published by subscription, this work consists of forty "Copperplate Engravings of the Principal Streets, Public Buildings, Churches, Chapels, Etc.". Fowles stated that its express purpose was 'to remove the erroneous and discreditable notions connected with the Colony'. It is one of the rarer Australian illustrated books whilst its importance to architectural history is without rival. No further such detailed study appeared for at least fifty years. The handful of small illustrations of printers establishments used in this list all derive from this work.This work was re issued in 1878 with the text reset, and has been reprinted many times over. This first edition is greatly enhanced by its forty fine copper-engravings produced in Sydney. It was first issued in parts (an almost impossible rarity today; we offered such a set in a recent catalogue): this is its first appearance in bookform, here in the first issue (with a sheet of reviews and advertisements, omitted from later issues, following the title-page). These illustrations were engraved by W. Harris from original drawing done by Fowles and were well received by the press as "superior to any previous attempts at representing Sydney as it really is... " (Bell's Life in Sydney).Throughout his life Fowles taught as well as practised art. He was in charge of the training and examination of art teachers for the National Board of Education from 1854 until 1867 when the board was succeeded by the Council of Education. It was largely through his efforts that drawing was being taught in every government school in New South Wales by the surprisingly early date of 1869. He was also drawing master at a number of private schools, including The King's School, Sydney Grammar, Sydney High and Camden College, as well as at the Sydney Mechanics School of Arts (lessons £1 a quarter).The printer David Wall was the proprietor of the Citizen, a 'working-man's paper, advocating anti-transportation, formation of Unions and other radical measures' (Ferguson). All of his other publications listed by Morrison are extremely modest productions, which makes the grand scale of this work all the more surprising. Wall had two different locations on York Street between 1844 and 1850. Wall seems to have injured his hand badly some time in 1848 or 1849, because a report in Bell's Life in May 1849 tells the story of how he received poor treatment and ultimately had his hand amputated; taken to court for the non-payment of his medical bills, he finally paid up the sum of 2 guineas, making his feelings known by paying out in farthings (2016 coins, to be exact). Wall died, aged 37, 'after a lingering illness of three months', in March 1850. His widow took over the business, noting in the press that it was well-known that she had taken 'a very active part in the business...'.

      [Bookseller: Hordern House Rare Books]
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        Nord-Amerikas indianer och de, under ett åttaårigt vistande bland de vildaste af deras stammar, upplefvade äfventyr och öden.

      Öfversättning från femte engelska upplagan. Sthlm, P. G. Berg, 1848. 4:o. XI,(1),320 s. & 23 handkolorerade litograferade plr. Brunrött marmorerat pappbd med gul titeletikett och grönstänkta snitt (Johanna Röjgård). Enstaka småfläckar. En reva i nedre marginalen på s. 3 och några fläckar på s. 68-71. Mindre pappersförlust i nedre yttre hörnet på s. 155 och en liten reva och ett mindre hål i inre marginalen på s. 185.. Översatt av A. Lindeberg. Publicerades ursprungligen i 20 häften varav det första utkom 1846. Tämligen bra exemplar av den ovanliga svenska upplagan av Catlins viktiga arbeten om Nordamerikas indianer. P. G. Berg har slagit samman och bearbetat de två arbetena, "Letters and notes on the manners, customs, and condition of the North American Indians" (1841) och "North American Indian portfolio" (1844), och åstadkommit en egen hybrid

      [Bookseller: Mats Rehnström]
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        AN HISTORICAL AND STATISTICAL ACCOUNT OF THE BERMUDAS, FROM THEIR DISCOVERY TO THE PRESENT TIME

      London: Thomas Cautley Newby, 1848.. xii,346pp. Folding colored frontispiece map. Contemporary three-quarter calf and marbled boards, gilt label. Small tear in upper foredge of a few pages. Small closed tear repaired on verso of map. Map and titlepage slightly foxed, else quite clean and neat. A very good copy. Williams, a resident of Hamilton, Bermuda, drew largely on the heretofore unexamined material in the Public Records Office of the Colony. His work constitutes the first thorough history of Bermuda, from discovery and initial settlement through the mid-19th century. There is a heavy emphasis on the political history of the island, and also information on geology, climate, agriculture, commerce, churches, etc. A lengthy appendix reprints many documents important in the history of the island. A scarce book; we can find only one copy appearing at auction in the last thirty years.

      [Bookseller: William Reese Company - Americana]
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        The Wonders of Geology; Or a Familiar Exposition of Geological Phenomena

      London: Henry G. Bohn, 1848. . Sixth edition. 2 volumes. 8vo. xvi, 481, (1); (vi), 483-938 pp. one plate with some foxing, marbled endpapers and edges. Contemporary tan full calf, spines with raised bands, twin red and green gilt lettered labels, gilt to other compartments, all edges and endpapers marbled, circular bookplates and ownership inscriptions dated 1855 of Lord Eldon to the verso of the first free endpaper of each volume. Frontispiece by John Martin and 6 full page plates of which 3 are coloured including a geological map of England and Wales, plus 200 woodcuts in the text. Repairs to the upper joint, head and tail of volume I, else a very good set. One of Mantell’s most popular works. “...none did more to enhance his name among the educated public than successive editions of ‘The Wonders of Geology’, a much read, widely influential invitation to the science and its latest discoveries...”& The frontispiece, “The Country of the Iguanadon” by John Martin, is one of the earliest (the first edition appeared a decade earlier) to show a dinosaur supposedly in its natural habitat. “The genre itself... was new, and only a few paleontological localities were sufficiently well investigated to be reconstructed in such detail... [it] therefore became the first well-known attempt to re-create the actual appearance of dinosaurs... It effectively awakened Victorian imaginations to a saurian past that has continued to fascinate us ever since” Dean, 160.

      [Bookseller: Bow Windows Bookshop]
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        The Cape And Its Colonists: With Hints To Settlers

      London: Henry Colburn, 1848., 1848. 8vo. pp. vii, 219. with half-title. engraved frontis. of Grahamstown. later half red morocco for Chas.J.Sawyer, t.e.g. First Edition. "During his residence in Cape Town, and in the course of his journeys, the author saw a good deal of the Cape Colony.Nicholson deprecates the efforts of the Colonial missionaries.with regard to the Boers it is maintained that the 'hasty, fanatical, and oppressive manner in which the emancipation of the slaves was conducted in the Cape Colony', had converted those previously loyal subjects to bitter enemies.". (Mendelssohn) Mendelssohn III 543.. F.

      [Bookseller: D & E Lake Ltd. (ABAC, ILAB)]
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        Il cuciniere italiano moderno ovvero l'amico dei ghiotti economi e dei convalescenti. Opera necessarissima pei capi di famiglia, che desiderano fare una cucina economica, famigliare e sana.e per chi vuole imparare l'arte del pasticciere, confetturiere, liquorista e diacciatore.

      Vignozzi., Livorno. 1848 - In 16°, p. tela no coeva, pp. 276.

      [Bookseller: Libreria Cicerone]
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        Jones's Guide to Norway, and Salmon-Fisher's Pocket Companion

      London:: Longman, Brown, Green and Longman; and J. Jones,, 1848.. First edition.. Hardcover. Very Good+. xxiv, 239pp; with guarded tinted frontis of Fiskum Foss and the additional pictorial title page, as well as the eight celebrated hand-coloured illustrations of salmon flies by J. and H. Adlard. Has a high reputation as being the first and the best British book about angling in Norway. Some browning to the corners and edges of the frontis and both title-pages. A few small and faint spots of foxing to one plate (The Major) where the tissue guard was creased. Minimal toning to some edges. Otherwise all very clean and fresh, with original yellow coated endpapers, firm in the original green cloth, boards stamped in blind with crenellated border pattern, slightly mottled, spine lettered and decorated in gilt, bright. Spine ends puckered, corners good. A very nice copy.

      [Bookseller: Chapel Books]
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        The Life and Adventures of Oliver Goldsmith. A biography: in four books

      London: Bradbury & Evans: and Chapman & Hall,, 1848. Extra-Illustrated. 3 volumes, octavo (203 × 129 mm). Full blue-green crushed morocco by Sangorski & Sutcliffe for Brentano's of New York, spines gilt in compartments between five raised bands, gilt titles in two compartments and dated at foot, bevelled covers with wide gilt borders, board edges ruled in gilt; beige morocco doublures and moiré silk endpapers, the front doublures each with an oval hand-painted miniature portrait (vol. 1, Goldsmith; vol. 2, Samuel Johnson; vol. 3, David Garrick) under curved glass set in the centre, the doublures decorated all over in gilt with floral tools with orange and yellow onlays, the portrait oval surrounded by a gilt wreath and with the subject's name lettered in gilt on a blue banner below; turn-ins elaborately gilt; gilt edges. Copiously extra-illustrated throughout with engravings, portraits, maps, taken from a variety of sources. A fine set. First edition, a handsome three-decker set in lavish Cosway-style bindings, housed in their original leather-entry slipcase, with portraits of Goldsmith, Johnson and Garrick. After his magisterial Life of Dickens, this is probably the best remembered of Forster's many literary biographies.

      [Bookseller: Peter Harrington]
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        Annals of the Artists of Spain ... [With:] Talbotype Illustrations to the Annals of the Artists of Spain

      London: John Ollivier, 1848 [vols I-III] - 1847 [vol. IV, but 1848]. 4 volumes, large 8vo. (10 3/4 x 7 1/8 inches). [Vols. I-III:] Text ruled in red throughout. Letterpress title pages printed in red and black (with a duplicate title in vol. 3), color lithographed additional title pages (with an additional unnumbered title in vol. 3), 14 plates (including 12 mounted India paper proofs), numerous text illustrations. [Vol. IV:] Interleaved with blanks throughout, mounted Talbotype title, mounted Talbotype dedication, 66 mounted Talbotype photographs (on 62 leaves, one double-page), all by Nicolaas Henneman. Contemporary full red morocco by F. Bedford, covers elaborately gilt with the arms of Spain on the upper covers and Stirling's monogram on the lower covers, spines with raised bands in six compartments, lettered in the second and third, the others with a repeat decoration in gilt, marbled endpapers, g.e. An incunable of 19th century photography: one of 25 large-paper presentation copies of Stirling's groundbreaking study of Spanish art illustrated with photographs by Henry Fox Talbot's assistant. One of the earliest and rarest of all photographically illustrated books and the first photographically illustrated book on art. "The existence of this fourth volume of Talbotypes has enabled the Annals of the Artists of Spain to be hailed as the first art history book to be illustrated with photographs ... this volume marked the beginning of a revolution in the methodology of art history, in which photographs and photographically illustrated books would become essential tools" (Macartney). In the mid-19th century, Spanish art was not well studied or appreciated outside of Spain. On a Grand Tour journey to Spain and the Middle East in the early 1840s, however, Stirling was greatly influenced by the art of the region and began collecting in earnest. Upon return to England, and seeing a very slender body of English work on the subject, he conceived the present work. After a draft of the work was rejected by publisher William Murray in 1845, Stirling decided to privately-print this groundbreaking history which introduced the artists El Greco, Velazquez, Murillo, Ribera and Goya to much of the English speaking world. Of the text, Stirling would print 750 regular copies (of which 25 were specially bound), and 25 large-paper copies (like the present), described in the limitation: "with red marginal lines, proof impressions of the plates on India paper, and two extra plates." To these large-paper, presentation copies, a fourth volume was added, containing 66 illustrations reproducing examples of Spanish art using "the beautiful photographic process invented by Mr. Fox Talbot" (vol. IV Preface). The photographs in the fourth volume are by Nicolaas Henneman, William Fox Talbot's assistant, who is described by Stirling as "the intelligent agent of the inventor" (vol. IV Preface). It is unclear what prompted Stirling to illustrate the presentation copies using the new art of photography. On his initial tour in Spain, like many of the tourists from that period, he brought with him a camera lucinda. His interest in photography was no doubt further advanced by the publication of Talbot's Pencil of Nature (1844-46) and Sun Pictures of Scotland (1845), both of which had avid following among the Scottish elite. Macartney further suggests that Stirling would have realized the duality between the exact reproductive nature of photography and the defining realism portrayed in Spanish art relative to Italian art. Nevertheless, using photography to illustrate these Spanish masterpieces was not without considerable difficulty. Indeed, the art selected to be photographed was greatly limited by size and the necessity of bringing the art outside into the sunlight to be photographed. Early on, Stirling also realized the delicate nature of Talbotypes, writing to a bookdealer in 1856 - just eight years after publication - that a client not rebind the photographs into the text of the Annals (i.e. instead of their being in a separate volume, as intended), writing, "He is lucky if his set is not fading, or faded; wh. I fear all have, is further increased, according to some people's opinion, if the plates are faced by paper of some particular quality..." (quoted in Macartney). Many of the extant copies of the photographs show considerable retouching; the present set without these crude repairs. The experimental nature of this incunable of photography is further evidenced by the strict limitation of copies printed. The large-paper issue was limited to only 25 sets. However, from Henneman's records which have survived, 50 sets of the photographs were printed. Macartney suggests that these 25 additional sets were printed and mounted on smaller sheets to accompany the 25 "specially bound" sets of the regular issue text; another possibility is that they could have been printed to supply replacement photographs to the presentation copies. Either way, it stands to reason, that the best prints were selected for the deluxe, large-paper presentation issue. "Because of its method of illustration [Stirling's Annals] is to be regarded as the cornerstone of all modern artistic connoisseurship, for it contained the first exactly repeatable pictorial statements about works of art which could be accepted as visual evidence about things other than mere iconography. It was no longer necessary to put faith in the accuracy of the observation and skill of the draughtsmen and the engravers. These reports were not only impersonal but they reached down into the personality of the artists who made the objects that were reproduced" (Ivins). The four-volume, deluxe, large-paper, presentation issue with the photographs is exceedingly rare. Of the 25 copies which were printed, Macartney estimates that only 16 are extant (including examples in the British Library, the Metropolitan Museum of Art, the Hispanic Society of America, Museo del Prado, and the National Library of Scotland). The present copy, in a glorious binding by Bedford, is inscribed by Stirling to noted solicitor and Writer to the Signet John Dundas, who was a relative of the Stirling family, and a close associate and neighbor of the author's father. Truthful Lens 157; Gernsheim 9; Macartney, H. "William Stirling and the Talbotype Volume of the Annals of the Artists of Spain" History of Photography, 30 (4). pp. 291-308; Ivins, Prints and Visual Communication, p. 124; Encyclopedia of Nineteenth Century Photography, vol. 1, pp. 648- 650.

      [Bookseller: Donald Heald Rare Books]
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        WUTHERING HEIGHTS

      New York: Harper & Brothers, 1848. First American Edition. Wraps. Spine and rear cover of the first part in expert facsimile. The second part with expert repairs to the spine and rear cover. Some soiling and foxing to covers and contents. Generally Very Good and exceptionally scarce in the wrappers. Two octavo (5-1/4" x 7-11/16") volumes in the original printed wrappers. First published in England in December 1847, this American edition was published in April 1848 simultaneously in wrappers (two volumes at 25 cents each) and in cloth (one volume at 75 cents), with copies in cloth much more common than those in wrappers. It was this American edition which led to the "unmasking" of the Brontes. The author is wrongly identified on the covers and the title page as being that of "JANE EYRE," which was also first published in 1847 but was of course by Emily's sister, Charlotte. Harper & Brothers, acting on the assumption of Thomas Newby, the Bronte's British publisher, that the sisters (writing under the pseudonyms of Currer, Ellis, and Acton Bell) were, in fact, one person, saw nothing untoward in attributing WUTHERING HEIGHTS to the "author of JANE EYRE." It was to clear up this misunderstanding that the Brontes made their dramatic 1848 visit to their British publishers to reveal their true identity. The various film adaptations of the novel include the classic 1939 version directed by William Wyler and starring Laurence Olivier as Heathcliff and Merle Oberon as Cathy. It was voted best film of the year by the New York Film Critics in preference to the Oscar-garlanded GONE WITH THE WIND. The English Edition of the previous year will set you back an easy 6 figures.

      [Bookseller: Charles Agvent]
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        THE PRACTICAL MECHANIC'S JOURNAL

      London & Glasgow; April, 1848-March, 1863: Practical Mechanic's Journal and Patent Office Illustrated with Steel, Wood and Letterpress Engravings. Fourteen volumes, April, 1848-March, 1863. Each volume contains many plates and textural engravings of various new inventions or newly designed inventions for patent. A few examples include a gas cooking range, German air gun, revolvers, life preserving travelling bag, the spur, the first photo engraving machine and a 16 color printing machine, washing machine, and many, many more. Examples on the propulsion of steamers, various types of aquatic animals; frogs, fish and birds are used to demonstrate how feet, fins or tales are used to propel them through water. A wonderful resource for the history of inventions and their improvements over time and their comparison to those of other countries, including the U.S. Vol. 1- April, 1848-March, 1849. Practical Mechanic's Journal and Patent Office; Glasgow. Quarto. 288pp., complete with 26 for single or double paged plates of which 11 are folding. Inner front hinge starting, rear cracked through endpaper. Bound in brown cloth, spine lettering gilt. Vol. II- April, 1849-March, 1850. Practical Mechanic's Journal and Patent Office; Glasgow. Quarto. 288pp., (v) index (1)pp. list of plates at rear. Complete with 18 single or double paged plates of which 10 are folding. Vol. III-April, 1850-March, 1851. London, For George Herbert. Quarto. 288pp., (v) index, (1)pp. list of plates at rear. Complete with 23 single or double paged plates of which 11 are folding, two plates bound in out of order. Vol. IV- April, 1851-March, 1852. London, For George Herbert, Quarto. 288pp., (vii) index, (1)pp. list of plates. Complete with 25 single or double plates of which 11 are folding including one extra large folding advertising plate at rear of Specimens of Articles Manufactured From Fireclay before the index (not listed). Front inner hinge just starting, rear hinge cracked through endpaper. Bound in brown cloth, spine lettering gilt. Vol. V-April, 1852-March, 1853. London, For George Herbert. Quarto. viii, 296pp., Complete with 27 single or double paged plates of which 2 are folding. Both hinges cracked through endpaper. Bound in dark green cloth, spine lettering gilt. Spine has faded to lighter shade of green, a few light spots of foxing to first few leaves. Vol. VI. April, 1853-March, 1854. London, For George Herbert. viii., 296pp., Complete with 26 single or double paged plates of which two are folding. Bound in dark green cloth, leather spine label gilt, spine uniformly faded to a lighter green. Vol. VII.April, 1854-March, 1855. London, For George Herbert. Quarto. V11, (1)pp. list of plates, 288pp. Complete with 23 single or double paged plates of which one is folding. Bound in dark brown embossed cloth, black morocco spine label gilt with chipping, some loss of cloth along gutters of spine with a couple of spots with loss of cloth to spine, internally clean. Vol. I, Second Series. April, 1856-March, 1857. London, For Longman, Brown, Green, Longmans, and Roberts. Quarto. vvi, (1)pp. list of plates, 332pp., Complete with 17 single or double paged plates of which two are folding, light scattered foxing to first and last few leaves, bound in brown cloth, spine uniformly faded to lighter brown, black leather label gilt. Vol. II. Second Series. April, 1857-March, 1858. London, For Longman, Brown, Green, Longmans, and Roberts. vii, (1)pp. list of plates, 332pp., Complete with 17 single or double paged plates of which two are folding, bound in brown cloth, spine faded to light brown, leather spine label gilt with some chipping. Vol. III. Second Series. April, 1858-March, 1859. London, For Longman, Brown, Green, Longmans, and Roberts. Quarto. vi, (1)pp. list of plates, 332pp. Complete with 14 single or double paged plates. The first plate (plate #222) has a small hole and a small closed tear evidently from something previously mounted and removed from its backside. Bound in purple cloth, spine evenly faded, lacking spine label. Vol IV. Second Series. Ap. Quarto.

      [Bookseller: Charles Parkhurst Rare Books, Inc.]
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        Chronicles of England, France, Spain, and the Adjoining Countries : from the Latter Part of the Reign of Edward II to the Coronation of Henry IV / by Sir John Froissart ; Translated from the French Editions With Variations and Additions from Many Celebrated Mss. by Thomas Johnes to Which Are Prefixed a Life of the Author - [Complete in 2 Volumes]

      London : William Smith, 1848. 1st Edition in this form. Subject: Hundred Years' War, 1339-1453. Burgundy - Flanders - France - History - House of Valois, 1328-1589. Great Britain - History - 14th century. Other names; Bradbury & Evans. Notes: Title within ill. Col. Border. Language: English ; French. Finely bound both in the original red Morocco; professionally and very synpathetically re-spined. Raised bands with gilt cross-bands and uniform tooling to the compartments . An uncommonly good example of a now frustratingly scarce set.

      [Bookseller: MW Books Ltd.]
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        Gazzetta di Bologna.

      Subject: (Bologna - Risorgimento - Giornali). Bologna, 1848, folio cartonato ed etichetta coeva, dal n 74, gioved? 4 maggio al n 119, gioved? 29 giugno (manca il n 111, ma vi sono in pi? tre numeri straordinari e due supplementi, tutti di uno solo foglio). Inoltre un bando del Governo Provvisorio della Repubblica Veneta, del 14 maggio, riportante i sentimenti di Pio IX a favore "della santa causa dell'Indipendenza italiana", un messaggio del Gen. Durando e l'attacco a Peschiera di Re Carlo Alberto. In totale 45 num. di 4 pp. cad. + 5 (di 2) ed un bando. Periodo di eccezionale interesse storico - politico per la nostra citt? e per tutta la regione (nell'ambito del Risorgimento nazionale). (Hard Cover)

      [Bookseller: LIBRERIA PIANI]
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        The Baronial and Ecclesiastical Antiquities of Scotland

      Edinburgh & London: William Blackwood and Sons, [1848-1852]., 1852. 4 Volumes. 4to. irregular pagination. with list of subscribers. 4 engraved titles & 240 steel-engraved plates, by J. Sadler, J.H. le Keux, J.Godfrey, & others after drawings by Billings. numerous wood-engraved text illus. A nice set in contemporary half morocco, top edges gilt (bit rubbed). First Edition of this fine series of interior and exterior views of the architectural landmarks of Scotland, all after drawings by British architect, Robert William Billings, together with descriptive letterpress. This is Billings' greatest achievement and the one with which his name is chiefly associated. As an architect Billings is best known for his restorations of Edinburgh Castle, the Douglas Room in Stirling Castle, Gosford House, Haddingtonshire, for the Earl of Wemyss, Hanbury Hall, Worcester, Crosby-upon-Eden Church, Cumberland, and Kemble House, Wiltshire. Holloway 25.. F. Hardcover.

      [Bookseller: D & E Lake Ltd. (ABAC, ILAB)]
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        The Storming of Chapultepec. Sept. 13th. 1847

      New York: Sarony & Major, N. Currier, sole agent, 1848. Lithograph, printed in colours and finished by hand, by Sarony & Major "from a painting by Walker in the posession of Captn. Roberts". Sheet size: 27 7/8 x 39 3/4 inches. Very rare first issue of among the largest and most well known images of the Mexican War. "This print shows American forces attacking the fortress palace of Chapultepec on Sept. 13th, 1847. General Winfield Scott, depicted in the lower left on a white horse, led the southern division of the U.S. Army that successfully captured Mexico City during the Mexican American War. The outcome of American victory was the loss of Mexico's northern territories, from California to New Mexico. These terms were set by the Treaty of Guadalupe Hidalgo. It should be noted that the two countries ratified different versions of the same peace treaty, with the United States ultimately eliminating provisions for honoring the land titles of its newly absorbed Mexican citizens. Despite notable opposition to the war from Americans like Abraham Lincoln, John Quincy Adams, and Henry David Thoreau, the Mexican-American War proved hugely popular. The United States' victory boosted American patriotism and the country's belief in Manifest Destiny" ( Peters, America on Stone). "Walker may have personally overseen the production in 1848 of the most important of the prints when he traveled to New York. This is the large chromolithograph by Sarony & Major (cat. no. 148). Printed in colors from several stones with hand coloring added, it adheres faithfully to the original painting that Walker did for Captain Benjamin Stone Roberts in Mexico City. Technically, it is a masterpiece of the chromolithographic process, which was just gaining practioners among American lithographers at the time" (Sandweiss, et. al.). Sandweiss, Stewart and Huseman, Eyewitness to War 148.

      [Bookseller: Donald Heald Rare Books]
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        The British Angler's Manual, Or, The Art Of Angling In England, Scotland, Wales, And Ireland. With Some Account Of The Principal Rviers, Lakes, And Trout Streams, In The United Kingdom; With Instructions In Fly-fishing,

      London, H. G. Bohn, 1848. First Edition. Bound by Leighton in half blue leather and blue marbled boards with the covers and spine stamped in gilt. Five raised bands to the spine. All edges marbled. Marbled endpapers. Spine is sunned. Foxing to the frontispiece and the title page. Moderate wear to the extremities. Book condition: Near fine condition

      [Bookseller: James & Mary Laurie Booksellers (A.B.A.A]
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        Grundriß der Metaphysik. Für Vorlesungen.

      Trier, Fr. Lintz, 1848. - (8), (3)-207, (1) SS. Lederband der Zeit mit goldgepr. Deckelfileten und Rückentitel. Dreiseitiger Goldschnitt. 8vo. Erste Ausgabe. Widmungsexemplar des Autors an seinen Lehrer, den Wiener Theologen und Philosophen Anton Günther (1783-1863): "Sr. Hochwürden, dem Herrn Dr. Günther in hochachtungsvoller Ergebenheit, der Verfaßer" (Vorsatzblatt). Der Trierer Theologe Merten (1809-72) war lange Zeit der Philosophie Günthers verpflichtet, dessen Werke 1857 wegen seines "Semirationalismus" vom Vatikan auf den Index gesetzt wurden. Der sog. "Güntherianismus", der in den Jahren 1830-70 großen Einfluß ausübte, bestand hauptsächlich in einer rationalen Begründung des Christentums und einer fundierten Anthropologie. Mertens eigene "Metaphysik" wurde zwar nicht indiziert, doch beugte sich Merten dem Willen der katholischen Kirche, wandte sich allmählich von Güntherianismus ab und "söhnte sich, je länger er lebte, innerlich mit den Principien der großen Scholastiker aus. Es wäre Unrecht, Merten einer rein äußerlichen Accomodation an eine ihm innerlich widerstrebende Richtung anzuklagen. Der einfache demütige Sinn des Mannes machte es ihm verhältnismäßig leicht, mit seiner Vergangenheit zu brechen" (ADB XXI, 470). - Zahlreiche wohl von der Hand des Autors herrührende Textkorrekturen, die in der Regel Zeichensetzung, Textauszeichnung, Sprachrhythmus etc., aber auch Wortergänzungen betreffen. Später in der katholisch-theologischen Fakultätsbibliothek zu Wien mit entspr. Titelstempel. Zuletzt in der Bibliothek Dr. Eduard Kamenicky (1925-2008). Dekorativ gebunden. [Attributes: First Edition; Hard Cover]

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
 48.   Check availability:     AbeBooks     Link/Print  


        Vanity Fair. A Novel Without a Hero

      London: Bradbury and Evans,, 1848. With Illustrations on Steel and Wood by the Author. Octavo. Finely bound by Bayntun Riviere in red polished calf, burgundy and brown moroco labels, elaborate decoration to spine in compartments separated by raised bands, twin rule to boards with cornerpieces, marbled endpapers, gilt edges. Housed in a red cloth slipcase. Frontispiece and 38 plates, illustrations throughout the text. Small tear to frontispiece with some paper repair, spine rubbed and rather crudely repaired, minor rubbing to joints, still an attractive binding. First edition, first issue, with all the points traditionally associated with the first edition: the drop-head title in rustic lettering to page 1; the "Marquis of Steyne" woodcut on page 336 (later suppressed); and "Mr Pitt" for "Sir Pitt" on page 453.

      [Bookseller: Peter Harrington]
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        Travels in Siberia: Including Excursions Northwards, Down the Obi, to the Polar Circle, and Southwards, to the Chinese Frontier

      London: Longman, Brown, Green, and Longmans 1848, 1st U.K. edition. () xi,495; ix,536 pp.. Near fine. Octavo. Bound in full contemporary polished calf. Heavily gilt decorated spines. Marbled endpapers with edges to match. Early interesting bookplate and nearly contemporary gift inscription. Mild foxing only to the blank endpapers. Large folding map in volume one. A very attractive clean set. Arctic Bibl. 4662, Sabin 22771. This is the first edition in English of Erman's extensive Siberian travels. An American edition appeared in 1850 but did not include the map of Siberia. See colour image..

      [Bookseller: Aquila Books]
 50.   Check availability:     Biblio     Link/Print  

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