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Displayed below are some selected recent viaLibri matches for books published in 1843

        Voyage en Orient fait avec Horace Vernet en 1839 et 1840. EA. - die Erstausgabe erschien auch unter dem Titel bzw. mit der Titelvariante "Voyage d'Horace Vernet en Orient".

      Paris, Challamel, (1843).. 2 Bll., 328 (recte 228) S. Mit 16 altkolorierten, lithographierten Tafeln nach Bildern von Frederic Goupil-Fesquet. Kl.4°, HLederband der Zeit mit etwas Rückenvergoldung.. Einband leicht berieben und etwas bestoßen; Kanten etwas beschabt; Lederecken mit winzigen Bezugsfehlstellen; Rückengelenke recht schwach; vorderes Innengelenk angeplatzt; Vorsätze leimschattig und etwas gebräunt; teils stockfleckig - vereinzelt auch stärker; Tafeln teils leicht gebräunt. Die Tafeln in einem vorzüglichen, originalen Handkolorit. Frederic Goupil Fesquet (1806-1863); franz. Orientmaler; wie der Historienmaler Horace Emile Jean Vernet (1789-1863), den er auf dieser Orientreise begleitete, gehörte Vernet zu den frühesten Photographen überhaupt - sie waren die ersten, die (auf der hier beschriebenen Reise) Photographien bzw. Daguerreotypien von antiken Monumenten in Ägypten und Palästina machten. Carteret III, 594.

      [Bookseller: AixLibris - Antiquariat Klaus Schymiczek]
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        London

      London, 1843. Steel engraving, 40 x 64 cms, engraved by B.R. Davies, original hand colour, blank verso. Map

      [Bookseller: Bryars and Bryars]
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        Autograph note signed in full ("Felix Mendelssohn-Bartholdy) relative to the composer's incidental music to Sophocles' Antigone

      . 1 page. Oblong octavo (173 x 81 mm.), cut from a larger sheet. Dated Leipzig, July 14, 1843. Written in brown ink in German cursive with proper names in Latin script. In German (with translation). Relative to the engraving of the score and parts of Antigone . "I request Director Ringelhardt to have the score and parts of my music to Antigone given to Mr. Kistner for engraving.". Written during Mendelssohn's residency in Berlin, during which time he retained close ties to Leipzig and continued conducting at the Gewandhaus. He composed the incidental music to Sophocles' Antigone in 1842-1843, and Ewer in London published the first edition of the piano-vocal score in 1843; Kistner's edition did not appear until 1951. "The composer began work in 1841 on music for the choruses of Antigone. His own classical studies held him in good stead: using the translation of J.J.C. Donner, scrupulously faithful to the original metre, Mendelssohn rendered the strophes and antistrophes of Sophocles' choruses with syllabic settings for double male choir accompanied by an orchestra, occasionally resorting to a recitative-like style of declamation. The parts of the principal characters were left as spoken dialogue, or set as melodrama, with the orchestra accompanying the spoken text... Though opinion varied about Mendelssohn's music (Schumann viewed the score as 'half opera, half tragedy'; The Times, 'too modern, and at the same time not modern enough'), Antigone was widely performed and used as a model for later classical revivals. In 1845 alone, it achieved 45 performances at Covent Garden; the same year, it was satirized in Lortzing's comic opera Der Wildschütz, another sign of its popularity." R. Larry Todd in Grove online Friedrich Sebald Ringelhardt (1785-1855) was the director of the municipal theatre in Leipzig from 1832 to 1845; Carl Friedrich Kistner (1797-1844) was Mendelssohn's publisher in Leipzig.

      [Bookseller: J & J Lubrano Music Antiquarians LLC]
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        La Danse des morts composée par H. Hess d?après les tableaux à fresque qui se trouvaient sur le mur du cimitière de l?église de St. Jean à Bâle. Todtentanz der Stadt Basel gemalt von H. Hess nach den Frescogemälden der ehemaligen Kirchhofmauer der Predigerkirche. The Dance of Death. Painted by H. Hess.

      Basel, Alb. Sattler, nach 1843 - 4° (30 x 23 cm), 40 Textblätter (Übersetzungen in franz u. engl.) und 40 Orig.- Lithographien, diese exzellent altkoloriert, mit den deutschsprachigen Dialogen., Neuer HLdr.- Einband goldgeprägt., Die Tafeln m. den Lithographien papierbedingt gebräunt, ansonsten sehr schönes Exemplar. Oppermann 1135. Die Lithographische Anstalt von Hasler & Cie., die den ersten Druck des Hess'schen Totentanzes veranstaltete ging 1843 an Sattler über. - Hieronymus Hess ( 1799-1850) war schüler con Jos. Antn Koch in Italien, später liess er sich in siener Vaterstadt Basel nieder, wo er hauptsächlich alsAquarellmaler im Genrefach tätig war. 1200 gr. [Attributes: Hard Cover]

      [Bookseller: antiquariat peter petrej]
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        Le tabernacle dans le désert; Ombre des choses célestes. Quatre planches gravées, coloriées et ornées d'or, d'argent et d'airain, conformément aux textes de l'Ecriture.

      Lausanne, Marc Ducloux, 1843 - 2° (43 x 29 cm), 26 S., 4 handkolorierte lithogr. balttgrosse Tafeln., OLwd. goldgeprägt., Deckel fleckig u. berieben. Im Gelenk gelockert, Vorsätze stärker, Bl. weniger stockfleckig. Einige Bl. m. leichten Randläsuren - gutes brauchbares Exemplar. Traduit de l'Anglais sur la 3e édition. - Text franz. Die Tafeln aus der englisch Auflage. Evangelikale Sicht auf die Bundeslade. Als Bundeslade wird ein mythischer Kultgegenstand des Volkes Israel bezeichnet. Sie enthielt nach biblischer Darstellung unter anderem die Steintafeln mit den Zehn Geboten, die Mose von Gott erhielt. Die Bundeslade galt nach dem Auszug aus Ägypten und während Israels Wüstenwanderung (um 1200 v. Chr.) und Landnahme in Kanaan als Garant für Gottes Gegenwart inmitten des Volkes. Sie ist bis heute das Symbol für den Bund Gottes mit dem Volk Israel (daher der Name ?Bundeslade?). Einen archäologischen Nachweis ihrer Existenz gibt es nicht. 1200 gr. [Attributes: Hard Cover]

      [Bookseller: antiquariat peter petrej]
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        Handbuch der Zeichen und malerkunst

      1843. MITTERMEIER, L.L. Handbuch der Zeichnen- und Malerkunst. Enthaltend die verschiedenen Methoden, selbst ohne vorgehenden Unterricht im Zeichnen und ohne natürliche Anlage treu nach der Natur und nach Originalgemälden zu zeichnen, das Ganze der Pastell-, Elfenbein-und Miniatur-, Oel-, Glas-, Porzellan- und Staffiroder Gebäudemalerei so wie auch das Lithochromiren, das Restauriren und Ueberfirnissen der Oelgemälde, die Glasfärberei, das Daguerreotypiren, die Darstellung von Landschaften in Relief und das Abdrucken aller Arten von Gemälden auf Holz, Papier und Fayence und die Kunst, Gemälden in Wasserfarben das Ansehen von Oelgemälden zu geben. ... Mit Abbildungen. vi, 336 pp. Illustrated with two folding engraved plates containing 25 figures. 8vo., 174 x 100 mm, bound in contemporary black patterned cloth. Nordhausen: Ernst Friedrich Fürst 1843. |~||~||~||~| Unrecorded artists' manual covering drawing, painting, engraving, realism, materials including pastel and oil, surfaces such as wood and pottery, coloured glass, camera obscura, camera lucida, and an early account of the daguerreotype process. Among the 25 illustrated figures are tools for measuring perspective; multiple easels; an example engraving divided into sections; and different types of palette knives. Browning throughout, head of spine repaired.

      [Bookseller: Ursus Rare Books]
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        Exposition de la Theorie des Chances et des Probabilites

      Paris: Librairie de L. Hachette, 1843. Hardcover. Very Good. 8vo - over 7¾ - 9¾" tall. Modern quarter binding with red title label on spine and marbelled boards. Some foxing throughout and the folding plate at the end of the book appears to be a modern copy. This item may attract additional postage before sending abroad - kindly contact me before ordering. An important study of the theory of probability and chance so far as it affects Astronomy, Life Assurance, etc.

      [Bookseller: Chris Phillips]
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        Le Droit civil expliqué suivant lordre des articles du Code, depuis et y compris le titre de la vente. Du contrat de société civile et commerciale ou Commentaire du titre IX du livre III du code civil, par M. Troplong. Ouvrage qui fait suite à celui de M. Toullier, mais dans lequel on a adopté la forme plus commode du commentaire

      Charles Hingray, 1843 - 2 vol. in-8 de C-474 et 604 p., EO, demi-basane, dos à nerfs ornés et estampés à froid, reliure signée Lacouture. [code civil ], [Attributes: Signed Copy; Soft Cover]

      [Bookseller: Chapitre livres et presse ancienne]
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        Small manuscript archive relating to the Bathurst property of his son Thomas Sloman

      Exeter, 1843. A remarkable archive of mail received by the Sloman family, all in near pristine condition; 23 separately dated letters totalling some 100 pages of various sizes; see note for more details. Finance & love in early Bathurst. A fascinating archive of detailed and candid family letters sent to the prominent Bathurst settler Thomas Sloman in the decade after he arrived in Sydney.Thomas Sloman (1811-1902) was a banker and pastoralist who arrived in Sydney with letters of introduction to Samuel Marsden in 1833. After odd-jobbing around the colony, some time in 1836 he moved to Bathurst with the Bank, becoming a prominent figure in the region. After years in different trades, and a quick trip to England in 1849 to organise a peal of bells for All Saints, he returned to banking as an energetic 60 year-old, serving as the Bathurst manager of the Savings Bank of New South Wales, popularly known as "Sloman's Bank". A doyen of the city, on his ninetieth birthday he was presented with an illuminated address from his fellow citizens.Sloman had been born in Exeter, the son of Samuel George Sloman, and it is from his father that all of the more detailed letters in this collection were sent, although several of his siblings also contribute shorter notes and additions. Samuel was apparently the ideal correspondent: Thomas can have had no cause to make the common complaint of many of his peers that receiving news from England was like wringing blood from a stone. In letter after letter he and his family carefully answer Thomas' queries, update him on all manner of social and business news, and evidently revel in the news from Australia. Indeed, although only Samuel's half of the correspondence is present, it is possible to intuit much of what Thomas has written by a careful reading of the replies.Samuel George was a wine merchant of Exeter, with strong connections to the local Newnham family. His work as a merchant clearly saw him do a lot of business in Portugal, as any number of comments on the fragile political state of the Iberian Peninsula attest. He died in 1846 (see his will in the UK National Archives). One of his sons, also Samuel, was an Exeter physician and is much mentioned in the correspondence. Not all of the letters here are fully dated, but those that are were written from the family home "Mount Radford", on Radnor Place, Exeter. Most of the letters are added to over the course of several days, and many have more than one correspondent: which ever of Thomas' siblings are in Exeter will usually add substantially.The correspondence provides an intimate insight into the challenges facing a frontier pastoralist of the 1830s. Money matters are treated in some detail as Thomas borrowed heavily from his father, who is generous with advice accordingly. We learn of remittances, purchasing livestock, investments in New Zealand, mortgage bonds in Sydney Town, and the like. On a more personal level, Thomas' search for a wife is an ongoing preoccupation with the family. He is cautioned against opportunistic women in the colony and urged to return to England for a suitable partner (gender parity in Australia was not achieved until the Gold Rushes). Later letters in this archive reveal Thomas has become involved with a woman considered inappropriate by his father and aunt.Following the decease of Thomas Sloman, the letters passed to his daughters, and in due course were divided amongst his grand-daughters. The distribution of the Sloman letters is detailed in the foreword to Letters to Tom, a small self-published book edited by Joan Thomas (Avalon 1995). Some of the letters included in this archive are included in Letters to Tom; and it can be hoped that further manuscript material will someday emerge to shed further light on the history of Thomas Sloman and his family.A calendar of documents, with short summaries of each of the letters, is available upon request.

      [Bookseller: Hordern House Rare Books]
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        Les Burgraves

      E. Michaud 1843 - - E. Michaud, Paris 1843, 14,5x23,5cm, relié. - Edition originale. Reliure à la bradel en demi percaline bleu-gris à coins, dos lisse orné d'un motif floral stylisé doré, date et double filet dorés en queue, pièce de titre de chagrin marine comportant un petit manque angulaire en tête, plats de papier marbré, couvertures conservées, reliure signée de Champs. Envoi autographe signé de l'auteur à son ami le critique littéraire Henri Trianon. Petite correction manuscrite sur la première page de l'introduction, quelques piqûres sur les pages de titre et de faux-titre. Provenances : des bibliothèques Morizet, Raymond Boueil avec son ex-libris gravé, Maurice Escoffier (Le mouvement romantique N°1557), Robert Schumann avec ses initiales manuscrites (1965, N°207) et Philippe Zoummerouff (2001, N°62). [AUTOMATIC ENGLISH TRANSLATION FOLLOWS] Original edition. Binding to bradel half percaline blue-gray with corners, back smoothes decorated with a stylized floral motif gold, when gold and double tail thread, as an exhibit with marine sorrow a little lack angular head, marbled paper dishes , preserved covers, binding signed Champs. Signed autograph of the author to his friend the literary critic Henri Trianon. Origins: Morizet of libraries, Raymond Boueil with his bookplate engraved, Maurice Escoffier (The Romantic Movement No. 1557), Robert Schumann with his handwritten initials (1965, No. 207) and Philippe Zoummerouff (2001, No. 62). Small handwritten correction on the first page of the introduction, some spots on title pages and half-title. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Librairie Le Feu Follet]
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        Days and Nights of Salmon Fishing in the Tweed; With a Short Account of the Natural History and Habits of the Salmon, Instructions To Sportsmen, Anecdotes, Etc.

      John Murray, London 1843 - xvi, 298, 16 pp. 4to. Decorative title-page. 13 tinted lithographs (including illustrated title-page and 3 hand-colored plates of fish and flies). Wood engravings. Original green cloth. Spine somewhat faded. Bookseller's sticker -- Simms & Dinham, Manchester -- on front paste-down endpaper. Westwood and Satchell, p. 191. [Attributes: First Edition; Hard Cover]

      [Bookseller: Brown & Dickson (ABAC, ILAB)]
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        Chemische und mikroskopische Untersuchungen zur Pathologie angestellt an den Kliniken des Julius-Hospitals zu Würzburg.

      - Heidelberg, Akad. Verlagshandlung v. C.F.Winter, 1843, 8°, VIII, 2 Bl., 232 pp., 1 lith. Taf. mit 15 Abb., Halbleinenband d.Zt.; St.a.Tit.; Titel fleckig ansonsten frisches Exemplar. Erste Auflage! - - Das Buch - enthält nach Krankheiten geordnet - eine Fülle von Einzelbeobachtungen, die Scherer in der kurzen Zeit von etwas 2 Jahren zusammengetragen hat. Er widmet das Buch "seinen verehrten Collegen und Freuden, den Mitglieder der medizinischen Fakultät". Scherer weist auch darauf hin, daß bei Beurteilung klinisch-chemischer Analysenresultate neben den aktuellen Krankheitserscheinungen verabreichte Nahrung, Getränke und Heilmittel berücksichtigt werden müssen." - "Die Entwicklung der Klinischen Chemie im deutschsprachigen Raum "beginnt etwas gleichzeitig in Berlin, Wien und Würzburg. In Würzburg war Johann Joseph Scherer die entscheidende Persönlichkeit. - Scherer wurde 1814 in Aschaffenburg als Sohn eines Lehrers geboren und studierte von 1833 bis 1836 an der Würzburger Universität Medizin sowie Chemie, Geologie und Mineralogie. Er promovierte mit Auszeichnung zum Doctor der Medizin und Chirurgie und praktizierte dann während seines Biennium practicale in Wipfeld "als von der Regierung aufgestellter Basearzt". Während dieser Zeit lernte er den Freiherrn Ernst von Bibra (1806-1878) kennen, der als Privatgelehrter auf Schloß Schwebheim auf medizinisch-chemischen Gebiet arbeitete. Von Bibra bestimmte Scherer, sich ganz der Chemie zuzuwenden. Vom Wintersemester 1838/39 bis zum Wintersemester 1839/40 studierte Scherer Chemie an der Münchner Universität. Nach seinem bayerischen Staatsreisestipendium begab er sich nach Giessen . zu Liebig. . Scherer erhält von Liebig die Aufgabe gestellt, kurz zuvor veröffentliche Befunde des holländischen Chemikers Mulder zu überprüfen, wonach pflanzliche und tierische Einweißstoffe die gleiche Elementarzusammensetzung haben. Scherer kann dies bestätigen. Er untersucht eine große Zahl weiterer Eiweißkörper. . Zahlreiche Analysenergebnisse Scherers sind von Liebig in seine Monographie "Die organische Chemie in ihrer Anwendung auf Physiologie und Pathologie" auf genommen worden. - Im September 1841 kehrt Scherer nach einer kurzen Studienreise nach Würzburg zurück, nimmt hier Verbindung auf zu Prof. v. Marcus, dem Vorstand der Medizinischen Klinik am Juliusspital, Von Marcus bemühte sich zu diesem Zeitpunkt darum, nach dem Vorbild seines berühmten Lehrers und Amtsvorgängers Johann Lucas Schönlein chemische Untersuchungen in die Klinik einzuführen. Zu diesem Zweck wurde von ihm "ein kleiner Apparat für chemische Untersuchungen klinischer Fälle" angeschafft und Scherer erhält die Erlaubnis "pathologische Produkte" von Patienten des Juliusspitales zu analysieren. . In seiner wissenschaftlichen Arbeit wendet sich Scherer . in Würzburg sogleich pathologisch-chemischen Fragen zu. Er untersucht mit quantitativen Methoden systematisch Blut, Urin sowie pathologische Produkte bei den Kranken des Juliusspitals und versucht allgemeine, für die Diagnostik verwertbare Schlüsse daraus zu ziehen. Zu den im Liebigschen Laboratorium angewendeten Analysemethoden kommen neue Verfahren, etwas zur quantitativen Analyse des Blutes. . cf. J.Büttner - Siehe - J.Büttner, Johann Joseph Scherer (1814-1869), Ein Beitrag zur frühen Geschichte der Klinischen Chemie. J.Clin. Cehm. Clin. Biochem., Vol.16, 1978, pp.478-483; Christina Grund, Der Würzburger Chemiker Johann Joseph von Scherer und die Begründung der Klinischen Chemie im 19. Jahrhundert [Attributes: Hard Cover]

      [Bookseller: Medicusbooks]
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        Specielle Beschreibung der Heilquellen, Mineralbäder und Molkenkur-Anstalten des Königreichs Bayern.

      München, Selbstverlag, (1843).. 8°, circa 20,8 x 13 cm. X, 372 SS., mit 5 (3 gefalteten) lith. Tafeln, 1 Holzstich-Tafel und 1 ganzseitigen Textholzschnitt Grünes Leder d. Zt. mit Rücken-, Deckel- und Stehkantenvergoldung, Goldschnitt. Erste Ausgabe der sehr hübsch ausgestatteten Dokumentation mit Ansichten von Ludwigsbad bei Wipfeld, Schäftlarn, Rosenheim, Greifenberg am Ammersee, Brunnthal in München-Bogenhausen, Wildbad bei Wemding und Krumbad. Dieses Exemplar in sehr dekorativem Einband stammt aus der herzöglichen Bibliothek der Wittelsbacher in Schloss Tegernsee, am Rücken das typische Etikett. Rücken und Deckel mit Romantikervergoldung. - Gut erhalten, teils etwas fleckig, meist jedoch sauber. Sehr dekorativ.

      [Bookseller: Antiquariat Thomas Rezek]
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        The History of the Conquest of Mexico, with a preliminary view of the Ancient Mexican Civilization, and the Life of the Conqueror, Hernando Cortés

      Richard Bentley, New Burlington Street, London 1843 - WITH ALS With laid in 1 page ALS to Messrs. Carey & Hart, dated March 25, '47, "You are quite welcome to make any use you please of the note which I wrote to Mr. Griswold." Sabin 65262; BAL 16340 Bound in original blind-stamped ribbed cloth, Vol. I recased, rest Very Good minor rubbing. In quarter morocco drop box Frontispiece portraits, signature facsimile, maps. xxx, 442 ; xvi, 439; xvi, 455, [1] pp. Printed by S. & J. Bentley, Wilson & Fley. 3 vols. 8vo [Attributes: First Edition]

      [Bookseller: James Cummins Bookseller, ABAA]
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        The Deerslayer. A Tale A Tale

      London, Richard Bentley. 1843, 1843. FIRST ILLUSTRATED EDITION. With a preface by the author. Issued as part of 'Bentley's Standard Novels'. 12mo, with engraved frontispiece and title page, bound in publisher's purple vertical-ribbed cloth, title in gilt to spine, covers tooled in blind, yellow coated endpapers with printed advertisements. A clean copy in the original cloth; apart from some gentle sunning to cloth, this is an exceptionally fine copy. This novel introduces Natty Bumppo as "Deerslayer", a young frontiersman in early 18th-century New York.

      [Bookseller: Adrian Harrington Rare Books]
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        System der gesamten Armenpflege. Nach den Werken des Herrn von Gérando und eigenen Ansichten von F.J. Buß. Vier Theile in 4 Bänden

      Stuttgart, Verlag der J.F. Steinkopf'schen Buchhandlung 1843 - Vier Bände in 8vo.; XLII, 438 S.; VII, (1), 472 S.; (4), 428 S.; (4), 668 S.; schwarze Pappbände der Zeit mit Moireepapierbezügen, etwas Rückenvergoldung und goldgeprägtem Titel sowie Bandnummern, leicht berieben und bestossen, gelber Schnitt, handschriftliche Nummer auf Vorsatz, leicht swtockfleckig, sonst sauber und frisch, eine sehr gute Reihe. Erst deutsche Übersetzung von "De la bienfaisance publique". Der hochdekorierte französische Staatsbeamte J.-M. Baron de Gérando (1772-1842) trat mit philosophischen und ethnologischen Werken hervor. Seine Publikationen zum Armenwesen haben neben ihrer zeitgenössisch-normativen Bedeutung einen hohen kulturgeschichtlichen Quellenwert. F.J. Buß (1803-1878) war Professor für Staatswissenschaften und Kirchenrecht in Freiburg und wurde 1848 Mitglied der Frankfurter Nationalversammlung. Menger Sp. 701 (italien. EA); Einaudi 2525 (franz. EA); Coquelin & Guillaumin, S. 828-829 [Attributes: First Edition; Hard Cover]

      [Bookseller: Antiquariat Dieter Stecher]
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        MÜNCHEN. "Erinnerung an München". Großer Stadtplan mit Englischem Garten und den Vorstädten, links unten kleiner Nebenplan 'München- Nymphenburg', umgeben von 24 kleinen (4,5 x 6,5 cm) Teilansichten sowie einer Gesamtansicht Münchens von der Südwest-Seite (4,5 x 15,5 cm).

      - Teilkolorierter Kupferstich, 1843, 47 x 58 cm. Lentner 1134; vgl. Slg. Proebst 31 (GA von Nordosten); nicht bei Maillinger und Pfister. - Der seltene und detailreiche Plan umgeben von Ansichten der Theatiner-, Frauen-, Ludwigs- und Allerheiligenkirche, von Isartor, Universität, Residenz, Pinakothek, Auer Kirche u.a. - Geglättete Faltspuren; der Plan in feinem Kolorit.

      [Bookseller: Peter Bierl Buch- & Kunstantiquariat]
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        Jorrock's Jaunts and Jollities; being the Hunting, Shooting, Racing, Driving, Sailing, Eating, Eccentric and Extravagant Exploits of that renowned Sporting Citizen, Mr. John Jorrocks, of St. Bodolph Lane, and Great Coram Street

      Rudolph Ackermann, Eclipse Sporting Gallery, 191, Regent Street, 1843. First edition with Alken's plates, second edition of text. 15 hand-colored illustrations drawn and etched by Henry Alken. 1 vols. 8vo. Original green cloth, stamped in gold on spine and upper cover, blind on lower cover, a.e.g.; cloth faded on front cover, spine quite bright however, an exceptionally clean and bright copy with brilliant coloring. Signed by "William Cropper, Minling 1850' In quarter blue morocco box and chemise, spine with wear. The book first appeared in the New Sporting Magazine (Vols. I-VII), then in book form, in 1838 with 12 Phiz illustrations, then again in 1839 with the incomparable Alken illustrations. Tooley 471

      [Bookseller: James Cummins Bookseller]
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        Personal Narrative of the Campaigns in Afghanistan, Sinde, Beloochistan, etc. 'Personal Narrative of the Campaigns in Afghanistan, Sinde, Beloochistan, etc. Detailed in a Series of Letters of the Late Colonel William H. Dennie, C.B., Junior Lieut-Col. of Her Majesty's 13th Light Infantry Regiment. Aid-de-camp to the Queen. With an Appendix, Containing Colonel Dennie's Correspondence with Lord Keane, Sir Henry Fane, etc. Compiled and Arranged by William E. Steele, M.D., with a Map.'

      Dublin: William Curry, Jun. and Company. London: Longman, Brown, and Company. 1843., 1843. FIRST EDITION. Foolscap otavo, pp.221. Bound in dark green publisher's cloth with gilt lettering to spine, yellow endpapers. Wide blind border and large blind floral design adorning front and rear boards, blind armorial tooling to spine. Bookplate of T.L. Malsie to pastedown with crest and motto 'Aide toi, le ciel t'aidera' ('Help yourself, and Heaven will help you') associated with French politician Adolphe Thiers. Bookplate of Philip Kamil to flyleaf with camel illustration. Detailed advertisement for a publication of Captain William Siborne's 'History of the War in France and Belgium in 1815' bound in at front of book, in addition to a folding map of Afghanistan. Cloth boards in very good condition, small marks to front board, very minor discolouration along joints of spine, pages remain largely untrimmed, text block clean excepting some spotting toward first and final leaves, corners a little bumped. Overall, an attractive copy.

      [Bookseller: Adrian Harrington Rare Books]
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        Seder Haggdah shel Pesach im tziyurim: asher kvar huva ledfus al yedey hamedakdek hatorani kvod harav Rabbi David Bar Mordechai Halevi, zikhrono livrakha: veata huva ledfus shenit al yedey kvod haRav Haim bar Sander [=Hyam Barnett], mokher sfarim: [etc.] Rabbi Yitzhak ben Akiva

      Printed, Published and Sold by H. [Hyam] Barnet = Haim bar Sander, 2, Duke¿s Place Aldgate, London 1843 - 20 leaves, 3 plates (of 4). A facsimile of the 4th plate is laid in. Some taped repairs. A few wine stains. Modern binding. Not in Yaari. Yudlov 862. The plates that come with this edition were originally made for an earlier larger publication, including more than the Passover Haggadah, with many more pages. So in the plates themselves there are references to page numbers that do not apply here. There is a reference, for example, to page 54 even though this publication of a stand-alone Passover Haggadah consists of only 20 leaves, which is 40 pages. This Hagada follows the Ashkenazic rite and includes a Yiddish translation for the piyutim Adir Hu, Ekhad Mi Yodea and Khad Gadya. In his Haggadah Thesaurus, Yudlov bases his entry for this edition on a copy at Florsheim collection. [Attributes: Hard Cover]

      [Bookseller: Meir Turner]
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        General Report of Geological Survey of Newfoundland, Executed under the Direction of the Government AndLegislature Of The Colony During the Year 1839 and 1840.

      London. JohnMurray. 1843. - 8vo, 22.5cm, first edition, 160,8p., ads., with 2 foldingpartially-coloured lithograph plates inc. the frontispiece, a diagram and(the often missing) large map of Newfoundland, in the original elabratedblind decorated green cloth, gilt spine titles, with the Armorialbookplate and signature of Henry W. Acland, [a British physician andeducator], some slight foxing, rare especially with the folding map whichis usually wanting, a fine copy, rare. (cgc) The first geological surveyof Newfoundland was undertaken by Joseph Beete Jukes in 1839-40. His taskwas most difficult as the interior of the British colony was virtuallyunknown and therefore uncharted, except for the single track of W. E.Cormack's crossing from Trinity Bay to St. George's Bay in 1822. His fullgeological report first appeared in London in 1842 as part of his"Excursions in and about Newfoundland". The map which accompanies thiswork is the first comprehensive map of the interior ofNewfoundland. [Attributes: First Edition; Hard Cover]

      [Bookseller: Patrick McGahern Books, Inc. (ABAC)]
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        Plate XXVI Wolverine. Gulo Luscus, Lin (Linnaeus). The Viviparous Quadrupeds of North America

      Audubon J.J., Philadelphia 1843 - A Near Fine orginal hand-colored lithograph by JT Bowen after painting by John James Audubon. (1785-1851). Near Fine condition with a few light foxing spots at edge, not effecting the image. Rich original color, full margins. Imperial Folio (22 x 28 inches) framed to 33.75 x 29.25 inches. Archivally framed in Ecru pongee with goldleaf bevel and 2" gold leaf & burl Neoclassical frame by Lowry-James Rare Prints & Books. The Viviparous Quadrupeds of North America (Philadelphia c.1845-48) represents the culmination of a lifelong dream held by America's most prominent naturalist and visionary, John James Audubon (1785-1851). Following the completion of his magnum opus, the Double Elephant Folio Edition of Birds of America, c. 1824-38, Audubon was at liberty to pursue a project close to his heart, large scale portraits of all of North America's native animals. Audubon's effort to render America four-legged (thus quadruped) mammals in their natural settings pioneered the way for an entire culture of naturalist artists and engravers. Once the animals were placed within their native habitat, inspired by Audubon's classical composition and watchful eye, most subsequent naturalist painters rarely presented animals and birds void of a full botanical perch, landscaped setting, or woodland background. Very few, if any naturalist artists returned to the solo vignette so commonly found in most natural history works from the previous three centuries. Audubon's dream to complete this monumental work was made manifest through the artistic and clerical assistance of his two sons, John Woodhouse and Victor Gifford, as well as the Reverend John Bachman, who contributed the excellent text for the production. Today, the tale of Audubon's westward journey to hunt and gather skins and specimens and thus inspiration to complete the 155 paintings for the Quadrupeds is common enough. The story of how he sold his work through subscription format and created a smaller (Royal Octavo Edition) as a more democratic and affordable option to the production has been told religiously, and in great detail, by anyone reviewing these masterpieces once again. Yet through these critiques, America's premier ornithologist, painter and naturalist has gained his rightful place among the masters of Animal Portraiture, painters like Edwin Landseer and George Stubbs. Regardless of any criticism his artistic practices and personal affairs may have encountered, Audubon's legacy has enriched our understanding and appreciation of America's native species, both birds and animals. In addition, through Audubon's paintings we are offered the very first glimpses of the American landscape west of the Mississippi, as his work predates that of the Hudson River Artists. Lowry-James Rare Prints & Books has featured the monumental edition of Audubon's work since 1989. Near Fine Condition with rich original hand-coloring.

      [Bookseller: Lowry-James Rare Prints & Books, ABAA]
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        St. Petersburgische Handels-Zeitung. Jahrgang 1843

      St. Petersburg, Buchdruckerei des Departements des auswärtigen Handels, 1843.. 522 S. Pappband d. Zt. 41 x 29,5 cm. Nicht im KVK. - Kompletter Jahrgang in 102 Ausgaben, erschien jeweils Samstag und Mittwochs. Mit Berichten zu allen Aspekten und Interessen des deutschen Kaufmanns in Russland: Statistiken zu Import und Export verschiedenster Güter, Ukase der Regierung, Bekanntmachungen der Departements der Finanz- und Handelsministeriums, Handelshäuser, Industrie, Bergbau, Seehandel, Havarien, Versteigerungstermine, Chancen mit dem Handel ausländischer Produkte etc. etc. - Das erste Blatt mit altem Stempel der Bibliothek des Rigaschen Börsen-Comité. Sehr gutes Exemplar!

      [Bookseller: Antiquariat Turszynski]
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        The Barnabys in America; or, Adventures of the Widow Wedded

      London: Henry Colburn, Publisher, 1843. First edition. Frontispiece in each volume and 6 plates by John Leech (vol. I frontis misbound at p. 99). [iv], 321, [1]; [ii], 312; [ii], 306 pp. 3 vols. 8vo. Bound in contemporary quarter green cloth and boards, paper labels, recased, wear to covers and spine labels, plates browned. Sadleir 3214; Wolff 6806

      [Bookseller: James Cummins Bookseller]
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        RHEIN. - Voyage pittoresque des bords du Rhin . et accompagné d'un texte eyplicatif.

      Bleuler, (1843)., Laufen, - 25 x 17 cm. 1 Bl., 104 S. Mit Aquatinta-Frontispiz und 27 Aquatintatafeln von Hürlimann, Himely, Salathe und Weber nach L. Bleuler und Federle. Lonchamp 3358; Schmitt 283: "Wie schon in Schreibers 'Ouvrage' liegen auch den hier enthaltenen Aquatinten Vorlagen des geschätzten Johann Ludwig Bleuler zugrunde. Der Text von Emil Zschokke ist, verglichen mit den Illustrationen, eher nebensächlich". - Mit malerischen und zumeist sehr hübsch staffagierten Ansichten von Bacharach, Baden-Baden, Basel, Bieberich, Bingen, Boppard, Breisach, Freiburg, Heidelberg, Kreuznach, Mainz, Mannheim, Oberwesel, Rüdesheim, Speyer, Straßburg, Wiesbaden, Worms etc. - Einband gebräunt und berieben. Ränder stellenweise etwas stockfleckig, sonst sehr schönes Exemplar!

      [Bookseller: Peter Bierl Buch- & Kunstantiquariat]
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        The First Ten Cantos of the Inferno of Dante Alighieri. Newly Translated into English Verse. (John Neal association copy)

      William D. Ticknor (privately printed), Boston 1843 - JOHN NEAL'S COPY, with his lightly-penciled annotations, OF THE FIRST AMERICAN EDITION OF ANY PART OF DANTE'S DIVINE COMEDY. 83 pp. + an engraved portrait frontispiece of Dante by D. G. Johnston. The translator, Thomas William Parsons (1819-1892), was a leading Boston dentist (!), poet, and intellectual. A contemporary (and acquaintance) of Longfellow, Oliver Wendell Holmes, Emerson, Thoreau, and James Russell Lowell, this is his first published work. Although he was only in his early 20s when he composed this translation, he demonstrates a highly-developed poetic sensibility and the work has considerable literary merit (and doubtless played a role in encouraging Parsons' friend Longfellow to translate the entire Comedy a few decades later). Still, Dante was relatively unknown in America during the early 19th century, and so very few copies of this privately-printed edition were issued. This is AN OUTSTANDING ASSOCIATION COPY, with a presentation inscription from Parsons to JOHN NEAL, ESQ. Neal (1793-1876) was an intellectual who traveled in the same literary circles as Parsons. He is considered the first American author to use slang in his writing, and was an early proponent of women's rights (and a lawyer, boxer, and architect as well). Neal read this book carefully, as attested by several brief, lightly-penciled marginal annotations. Published by William Davis Ticknor (1810-1864), who went on to found Ticknor and Fields. Printed on fine wove paper. Large 8vo. BOUND IN THE ORIGINAL CLOTH-BACKED BOARDS, WITH THE ORIGINAL PAPER SPINE LABEL INTACT. Some wear to extremities of binding, but structurally solid. INTERNALLY FINE AND BRIGHT. Colomb de Batines I, 269 (not mentioning the frontispiece portrait present here); BAL 15518 (with note that this work is cited without being seen). A truly exceptional copy of an important and extremely rare book. [Attributes: First Edition; Hard Cover]

      [Bookseller: Cole & Contreras / Sylvan Cole Gallery]
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        Los españoles pintados por si mismos. 2 Tomos en un Volumen

      Boix, Madrid 1843 - plena piel rozada, en general buena conservación cortes pintados, numerosas ilustraciones grabadas, manchas del tiempo. . 951 págs.

      [Bookseller: LIBRERIA ANTICUARIA EPOPEYA]
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        Letters from Van Dieman's Land, written during four years imprisonment for political offences committed in Upper Canada

      Buffalo: A.W. Wilgus, 1843. Small octavo, frontispiece and folding map printed white-on-black; some browning (as usual with this paper stock), yet a very good copy in handsome full speckled calf with black and red labels. Firsthand account of Tasmanian convict life. Exile account by a conspicuous figure in the Canadian Patriotic Rebellion of 1837. Wait was condemned to be hanged, but the efforts of his wife procured a stay of execution, and he was finally one of the many Canadian rebels to be transported for life to Van Diemen's Land.His wife continued her heroic efforts on his behalf, and he escaped from Van Diemen's Land in a small boat; after many adventures he finally reached Grand Rapids, where his wife was living as a school teacher. She died soon after, worn out by her efforts to secure her husband's release.

      [Bookseller: Hordern House Rare Books]
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        The Christmas Books Being; A Christmas Carol, The Chimes, The Cricket on the Hearth, The Battle of Life and The Haunted Man

      Chapman and Hall, London, 1843- 48., 1843. ALL FIRST EDITIONS. 5 volumes. Small 8vo. All in the publisher's bright, original gilt decorated cloth, all edges gilt, yellow endpapers. Christmas Carol with brownish pink colouring (Christmas Carol with 'Stave One' being the First Edition, Second Issue with yellow end papers), the rest in red cloth. Light browning, minor wear to covers and extremities, a little soiling to cloth, some chipping to head of professionally repaired spine on 'The Haunted Man', bookplate to 'Cricket on The Hearth', 'Battle of Life' usual later state (first state is effectively unobtainable). Ink ownership to title page of 'Christmas Carol.' Overall a very good, highly attractive set, housed in a tailor made felt lined slipcase.

      [Bookseller: Adrian Harrington Rare Books]
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        Algérie historique, pittoresque et monumentale, ou Recueil de Vues, Costumes, et Portraits faits d'après Nature dans les Provinces d'Alger, Bone, Constantine et Oran Par Bour, Ol. Bro, Al. Genet, E. Flandin, Philippoteaux, Raffet &c. Avec le Texte descriptif par M. Berbrugger. 3 Vols in 5 Parts. (1: Province d'Alger - 2: Province d'Oran. - 3: Province de Bone. - 4: Province de Constantine. - 5: Races Algériennes, Monnaies, Flore d'Algérie.).

      Paris, J. Delahaye, 1843. Large folio. (58x42 cm.). Bound in 3 uniform contemp. hcalf. Covers with inlaid cloth with ornamentation in gold. Wear to spine ends. Spines rubbed. A repair to lower part of spine on volume one. Chromolithographed frontispiece. XIV,(4),80;(2),68;(4),20;(4),42;(4),21,18,(2) pp. and 2 lithographed maps, 127 lithographed and tinted plates (2 coloured) and 10 handcoloured lithographed plates of flowers. Textillustrations. Cul de lamps. All plates with tissue-guards. Some browning and spotting to many of the plates.. First, and only, edition of Berbrugger's monumental description of Algeria. The plates depicts city views, landscapes, costumes, scenes from daily life etc.Colas, 298. - Lipperheide, 1594. - Brunet I, 782

      [Bookseller: Lynge & Søn A/S]
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        Autograph Letter, signed, to Mr. H.H. Farley of Auburn, New York, giving his first-hand account of the SOMERVILLE EXPEDITION

      Galveston (Texas), 1843. 3 pp., on single folded sheet, doc. 4TO. Very good. Docketed in Borden's hand on first page: "Mr. S[am?] send his best respects". Borden's Eye Witness Account to the Somervell Expedition A letter rich in content from a prominent Texas pioneer. John P. Borden (1812-1891) was a prominent early Texas colonist and the brother of two other illustrious Texans -- Gail, Jr., and Thomas. John Borden was a veteran of the Texas Revolution who fought at the Battle of San Jacinto alongside Sam Houston, who chose Borden to be Texas' first Land Commissioner (1837-1840). Due to Borden's heroic efforts -- with a puny staff and almost no budget -- the Texas Land Office managed to acquire thousands of land documents from all over Texas; Borden later oversaw their controversial transfer from Houston to Austin. Borden also served in the Somerville expedition in 1842, and, as this vivid letter to an old friend shows, did not continue on the disastrous Mier expedition. He writes to an old friend from his native New York: "... Your letter of the 23rd Oct came to my hands but a few days since having lately returned from a tour of the Rio Grande some account of which you have no doubt seen in some of the public prints. The expedition consisted of about 700 men all mounted, some of course, on inferior horses under the command of Brig. Gen. Somervell. We left the Medina on the 25th Nov. - - entered Laredo on the 8th Dec took possession of the place without opposition - Staid [sic] there long enough to plunder it (contrary to orders) and then left for Guerrero, however there was a split or severance of about two hundred men who resolved to come home - pretended to be dissatisfied with the commander &c. The other party consisting of about 500 of us went on down to Guerrero which plan we took without opposition -- after making a requisition of some provisions saddles & blankets we recrossed the Rio Grande where we we remained for two days -- during this time a large proportion of the men determined that they would follow Gen Somerville no longer but would choose to commandeer and take down MIER and other places that they had done nothing yet -- and they had no notion to return home. Our prudent Genl marched all of the obedient officers and soldiers for homes. The other party went on and the result was I presume as you have seen publicly -- a total defeat. So much for that [underlined] affair ..." Borden continues: "My tour of the Rio Grande though at a time of the year when the weather was inclement, did not impair my health ... the expedition was badly conducted, and has resulted badly, still I feel that it was not a wild goose chase ... I left Galveston on the 26th Sept at the time when it was believed that Gen. [Adrian] Woll was marching into our country with a considerable force. Before I reached the seat of war, the enemy had fled ..." Borden speaks of current relations with Mexico ("I have no fear of a regular invasion this coming spring"), and turns to personal matters, sending news of friends from the land office: Henry Raglin, his successor as Commissioner ("in Mississippi ... doing nothing"); William Sandusky, land surveyor and mapmaker ("He married Miss McKnight"). Borden also writes of the transfer of the documents to Austin: "... I allude to the late effort of the President [Houston} to remove the archives of the General Land Office while Congress was in session, without the sanction of the law. This act has been severely commented upon & censured by both friends & foes alike ...".

      [Bookseller: James Cummins Bookseller]
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        Palæographia Sacra Pictoria; being a Series of Illustrations of the Ancient Versions of the Bible, copied from Illuminated Manuscripts, Executed between the Fourth and Sixteenth Centuries

      London: William Smith, 1843-1845., 1843. Firs Edition. Folio. Illustrated with 50 chromolithograph plates sometimes highlighted in gold or silver. Bound in recent half brown morocco with gilt titles and gilt to spine, marbled boards, top edge gilt. Odd, very occasional brown spot. Near fine. Later reprinted by Bohn in 1849.

      [Bookseller: Adrian Harrington Rare Books]
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        La Russie en 1839. Tome I a 4. Relies en 2 vols.

      Bruxelles, Wouters et Cie, 1843,. gr. in-8vo, 222 p. / 212 p., de la Bibliotheque de Charles de Constant, avec ces initiales en bas du dos. reliure demi-cuir rouge, dos richement orne, bel exemplaire.. Please notify before visiting to see a book. Prices are excl. VAT/TVA (only Switzerland) & postage.

      [Bookseller: Harteveld Rare Books Ltd.]
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        Frygt og Bæven.Dialektisk Lyrik af Johannes de silentio.

      Kjøbenhavn 1843. 8vo. Samtidig damskert helshirtingbind. VIII, 135, (1) s.. Små slitasjer ved kapitélene. Noen solstriper

      [Bookseller: Damms Antikvariat]
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        [The Christmas books:] A Christmas Carol; The Chimes; The Cricket on the Hearth; The Battle of Life; The Haunted Man

      London: Chapman & Hall,, 1843?-8. 5 volumes, small octavo (159 × 99 mm). Bound by Bayntun in crushed red morocco, raised bands, titles and leaf tooling to compartments gilt, single gilt frames to boards, gilt edges, marbled endpapers and turn-ins richly gilt. Housed in a red cloth slipcase. All volumes with the original cloth bound in at the end. Christmas Carol with the original green endpapers bound in at the end. Christmas Carol with hand-coloured frontispiece, 3 full-page hand-coloured plates, illustrations in the text; other titles with frontispiece, engraved title, and illustrations in the text. A few light scuff marks to boards. Minor worm damage to head of rear joint of Cricket on the Heath. An excellent set. First editions of Dickens's famous sequence of annual Christmas books. First edition, first issue of A Christmas Carol, with the 1843 title page printed in blue and red, the title verso printed in blue, and the heading on page [1] in the first state, reading Stave I; The Battle of Life first edition, fourth issue as usual.

      [Bookseller: Peter Harrington]
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        Urkundenbuch der Stadt Lübeck 4 Bände (1. Abteilung 1, 2.2, 2.2, 3)

      . Friedr. Asschenfeldt Lübeck 1843, 1858, 1858 und 1871; Band I 1. Abt.71 S. Vorrede und chronologisches Verzeichniss der Urkunden,764 S. Text und Subskribentenliste, Band I 1. Abt. Zweiter Theil Erste Hälfte 600 S., Band I 1. Abt. Zweiter Theil Zweite Hälfte 598 S. (zusammen mit der ersten Hälfte 1196 S.) und 3 Tafeln mit Siegelabbildungen, Band I 1. Abt. Dritter Theil 923 S. mit geographischem und Personenregister, enthält die abgedruckten Urkunden von 1159 bis 1370, alle drei Bände in schönen einheitlichen Halbledereinbänden, alter gelöschter Stempel in allen 4 Bänden, im letzten Band ein Exlibris "Gesellschaft für Geschichte und Alterthumskunde der Ostseeprovinzen Russlands in Riga", sehr gut erhalten, selten. Die Versandkostenpauschale beträgt unabhängig der Menge 6 EUR bis 30 kg nach Deutschland und 12 EUR innerhalb der EU-Länder!

      [Bookseller: Windau Antiquariat]
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        BADENWEILER. "Badenweiler und seine Umgebungen von Dr. Wever". Folge von 6 Ansichten: Gesamtansicht von Süd-West, im Vordergrund Heuernte; Gesamtansicht von Norden; Ansicht von der Sophienruhe; Ansicht im Jahre 1600; Die Römischen Bäder und die Burg; Der Schmelzofen in Oberweiler.

      - 6 Blatt Lithographien auf China von F.X. Rixinger nach M. de Ring, 1843, je ca. 14,5 x 20,5 cm (im lithogr. Originalumschlag). Schefold 21161 a -e, 21248, 21252. - Aus "Badenweiler und seine Umgebungen" von Dr. Wever. Der zweifarbige, lithographierte Originalumschlag mit Ansicht der Burgruine. Tadellos erhalten! [Attributes: Hard Cover]

      [Bookseller: Peter Bierl Buch- & Kunstantiquariat]
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        Ponte Nomentano in der Römischen Campagna mit Staffagen links auf dem Weg.

      . Bleistift und Pinsel in Dunkelbraun, auf cremefarbenem Velin. Ca. 15,5:25 cm. Verso zwei Entwurfskizzen südlicher Landschaften, rechts unten datiert "9/5 66.". Am Oberrand auf Untersatz montiert. Provenienz: Sammlung Joseph Heilmair (1843-1923). Rechts und unten ungleich beschnitten.. Die frei und flott gemalte Entwurfzeichnung stammt sicher aus einem Skizzenbuch. In der Städtischen Galerie Würzburg befindet sich eine Bleistiftzeichnung von 1866, die ebenfalls den Ponte Nomentano und die Römische Campagna zeigt, nur vom näheren Standpunkt aus (vgl. Ausst. Katalog: August Wilhelm Geist (1835-1868), Städtische Galerie Würzburg, Würzburg 1985, Abb. 38, S. 52 und S. 67). Aus einer Künstlerfamilie stammend, nahm Geist zunächst Unterricht bei seinem Vater, dem Würzburger Maler A. Geist (1803-1860). 1848-1850 setzte er an der Städtischen Gewerbeschule und 1850-1853 am Polytechnischen Zentralverein seine Ausbildung fort und beendete sie 1853 in München bei dem Landschaftsmaler F. Bamberger (1814-1873). 1854 unternahm er zum Landschaftsstudium eine Rhönreise, da er vom Würzburger Polytechnischen Verein den Auftrag erhalten hatte, Landschaftsveduten aus der Gegend anzufertigen. 1855 kehrte er nach München zurück. Es folgten Motive aus der fränkischen Schweiz und vom Starnberger See. Starken Einfluß übte die Malerei J.W. Schirmers (1807-1863) auf ihn aus, dessen Werke er 1859 in Karlsruhe studierte. 1861 unternahm er eine Rheinreise. In dieser Zeit schloß er Freundschaft mit H. von Marees (1837-1887), den er 1861 auf dem Weg nach Köln und Antwerpen in Koblenz besuchte und mit dem er die Reise nach Köln fortsetzte. Eine schwere Erkrankung brachte 1864/1865 eine Reise nach Reichenhall. Obwohl der Aufenthalt keine wirkliche Besserung bewirkt hatte, ging er im darauffolgenden Jahr nach Rom. Dort unterhielt er gemeinsam mit F. Preller d.J. (1838-1901) ein Atelier. 1867 kehrte er nach München zurück. Geist zählt sicher zu den bedeutendsten Landschaftsmalern Mainfrankens, wenn auch sein früher Tod im Alter von 33 Jahren als Folge einer wohl langjährigen Tuberkulose die vielversprechende Malerlaufbahn jäh beendete.

      [Bookseller: Galerie Joseph Fach GmbH]
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        Eigenh. Albumblatt mit U.

      Köln, 3. II. 1843. - 1 S. Qu.-8vo. "Daß nicht die Execution / Auf Dein Geheiß mich dränge! / Hier ist das Buch, hier ist es schon / Im goldigen Gepränge! / Und hegst Du dennoch stillen Groll / Und lüstet's Dich zu schelten - / Ich stehe stumm und reuevoll, / So laß es mich entgelten". - Nikolaus Becker war nach seinem Studium der Rechte Auskultator am Kölner Landgericht und nahm 1840 eine Gerichtsschreiberstelle in Geilenkirchen an. "Unter dem Einfluß der deutsch-französischen Spannungen schrieb er 1840 sein Gedicht 'Sie sollen ihn nicht haben, den freien deutschen Rhein', das ihm Ehrengaben des preußischen und bayerischen Königs einbrachte" (DBE) und das mehr als 200 Mal vertont wurde. - Papierbedingt etwas gebräunt und mit kleinen Randläsuren sowie zwei kleinen Papierdurchbrüchen.

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
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        The Christmas Books: A Christmas Carol; The Chimes; The Battle of Life; Cricket on the Hearth; The Haunted Man and The Ghost's Bargain.

      Chapman and Hall 1843-48., London - First editions, first issues of all five of Charles Dickens' Christmas Books. Octavo, original cloth, 5 volumes. A Christmas Carol, in Prose. Being a Ghost Story of Christmas is first state binding ("D" intact, 14mm margin), half-title printed in blue, title-page printed in red and blue, verso printed in blue, hand-colored etched frontispiece and three hand-colored etched plates by John Leech, four wood-engravings in-text by W.J. Linton after Leech, 2pp. publisher's advertisements at the end. First edition, second impression per Smith, first impression, first issue per Todd YB43c (yellow endpapers, blue and red title-page, 1843 date, Stave One, remainder of text unrevised per Todd, also all per Scott save p.21, ln. 22, see supplement Table I Scott), one of three combinations that per Todd do not recur in the later issue, order 2 per Todd (no priority, outer b1 inner a1), sewers' mark "12" and line to verso of ad leaf and recto rear endpaper, and with one of five points noted in VanderPoel (space between sentences p.127, ln. 22, is 4mm). Very light wear to the cloth, otherwise fine. The Chimes. A Goblin Story of Some Bells that Rang an Old Year Out and a New Year yellow endpapers, a.e.g., advertisement, half-title, engraved frontispiece and first state vignette title page. First edition, first issue, with internal flaws per Smith (save "h" p.166, some copies). In near fine condition. The Cricket on the Hearth. A Fairy Tale of Home yellow endpapers, a.e.g., half-title, frontispiece and vignette title page, first state ad leaf. First edition, first issue, with internal flaws (save p.iv and 79). Front inner hinge cracked; manuscript inscription to title page. The Battle of Life. A Love Story has yellow endpapers, a.e.g., half-title, advertisements, frontispiece and second state vignette title page [Todd C2, Eckel 2]. First edition, with four internal flaws per Smith. In near fine condition. The Haunted Man and The Ghost's Bargain. A Fancy for Christmas-Time. London: Bradbury & Evans, 1848. 12mo, original red cloth, yellow endpapers, a.e.g., advertisements, frontispiece and vignette title page. First edition, with internal flaws noted per Smith (save pp.iv and 122, some copies). In near fine condition. Housed in a custom clamshell box. An exceptional set, uncommon in this condition. A Christmas Carol "may readily be called the Bible of Christmas It was issued about ten days before Christmas, 1843, and 6000 copies were sold on the first day the number of reprintings have been so many that all attempts at the figures have been futile. Altogether 24 editions were issued in the original format" (Eckel, 110). "It was a work written at the height of Dickens' great powers, which would add to his considerable fame, bring a new work to the English language, increase the festivities at Christmastime, and contain his most eloquent protest at the condition of the poor" (John Mortimer). "Suddenly conceived and written within a few weeks, [A Christmas Carol] was the first of Dickens' Christmas books (a new literary genre thus created incidentally) it was an extraordinary achievement—the one great Christmas myth of modern literature." [Attributes: First Edition]

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
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        "Das Innere des Colosseums zu Rom".

      . Feder und Pinsel in Grau, grau laviert, über Bleistiftskizze, auf Velin, im Unterrand betitelt, rechts unten signiert "Arthur Blaschnik fec.". 22,7:28,5 cm. Zwei kleine Fehlstellen im linken Rand ergänzt, rechte obere Ecke angesetzt, zwei Knickfalten geglättet.. Nach einer Ausbildung in Wien 1843 und in München 1844-1849 ging Blaschnik nach Gräfenberg, wo sein Vater als Grenzposten arbeitete. 1852 reiste er, angeregt durch Gemälde C. Rottmanns (1797-1850), nach Rom, das er über Zwischenstationen in Venedig und Florenz im Oktober 1853 erreichte. Während seines langjährigen Aufenthaltes unternahm er Reisen nach Neapel und Capri. Die in Italien entstandenen Zeichnungen sandte er an die Leipziger Illustrierte Zeitung zur Reproduktion. Ebenso zeichnete er 1857-1858 eine Reihe italienischer Ansichten für das Reisealbum der Kaiserin von Rußland. In Italien lernte er die Schriftstellerin und Journalistin Fanny Arndt kennen, die er 1874 heiratete. 1880 kehrte er nach Schlesien zurück, zog dann jedoch nach Berlin. 1907-1908 folgte erneut ein Aufenthalt in Rom.

      [Bookseller: Galerie Joseph Fach GmbH]
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        A System of Logic:

      London: John W. Parker,, 1843. Ratiocinative and Inductive, Being a Connected View of the Principles of Evidence, and the Methods of Scientific Investigation. 2 volumes, octavo (221 x 140 mm). Original blue cloth-backed buff paper boards with paper labels on spines printed in black, edges uncut. A few underlinings or marginal marks in light pencil. Spines a little tanned, labels with a few small chips, boards a little rubbed and bumped at corners. An excellent set. First edition of the author's philosophical work, outlining the five principles of inductive reasoning, now known as Mill's methods. Often considered as Mill's best work, A System of Logic spent twelve years in the making. "Mill began his book with the assertion that he was not concerned with the contested territory of epistemology, but only with the structure of logical argument. This austere agenda proved, however, impossible to observe at every point, and the text frequently spilt over into deep questions of human understanding [...] In Mill's view the study of the phenomenal world was a self-contained process of inference between induction and deduction, the latter being the formulation of general laws out of conjunctions of the more particular 'empirical' laws derived from the former." (ODNB). Copies of the first edition of Mill's influential book on the philosophy of science are scarce, even more so in the original boards.

      [Bookseller: Peter Harrington]
 42.   Check availability:     Biblio     Link/Print  

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