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Displayed below are some selected recent viaLibri matches for books published in 1840

        The National Gallery of Pictures by the Great Masters, Presented by Individuals or Purchased by Grant of Parliament. 2 Vol. (compl.)

      London, Jones & Co., Temple of the Muses, ca. 1840.. 4°, Halbleder. First Edition. Undated but c1840s. Half-leather binding with marbled paper boards and marbled edges, five raised bands, gilt title and vol. number to spine. Endpapers and page edges marbled. Unpaginated but contain 114 fine plates, each with a 2 page description. An attractive Copy in 2 volume. The title page was drawn and engraved by F W Topham. The artists represented include Hogarth, Joshua Reynolds, Canaletto, Velasquez, Van Dyck, Titian, Poussin, Rembrand, Gainsborough and many more. A good copy. There is very light foxing to the title page and frontispiece (which shows the National Gallery), One page of Text with tear, after all a good clean copy. The leather spine is in good condition but is light rubbed.

      [Bookseller: Antiquariat an der Universität München]
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        "Fribourg en Suisse". Gesamtansicht (19,5 x 26,5 cm), umgeben von 16 Teilansichten.

      . Lithographie bei A. Briquet & J. Labastrou, um 1840, 38 x 49,5 cm.. Die reizenden Teilansichten zeigen die Sehenswürdigkeiten der Stadt, Kirchen, das Rathaus, Brücken und Plätze. - Sorgfältig restaurierter, kaum sichtbarer Einriss durch das Bild rechts unten. Auf Japanpapier aufgezogen. - Seltenes Souvenirblatt.

      [Bookseller: Peter Bierl Buch- & Kunstantiquariat]
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        Frau mit Kind, Hund und Federvieh vor Flusslandschaft

      Mitte 19. Jh.. . Aquarell und Gouache auf dünnem Karton, mit Papier verstärkt. 17,7 x 12,7 cm. Unten mittig mit Feder undeutlich signiert und datiert "...vh 1840 (oder) 1860" . - Rückseite leicht fleckig mit Montagespuren.

      [Bookseller: Antiquariat Hardner]
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        Keepsake pour 1840

      Paris: M.D. Wilmann, 1840. First edition. Twenty steel-engraved plates after Catermole. 302, [1] pp. 8vo. Probable publisher's binding of full contemporary green morocco, covers blocked in blind with scrollwork border surrounding a large gilt-stamped urn, a.e.g., by Boutigny (ticket on flyleaf). Fine. Small bookplate. Ramsden notes that Boutigny was the leading exponent of the rocaille style and did much of his work anonymously for publishers.

      [Bookseller: James Cummins Bookseller]
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        Rules and Regulations of The Walton and Cotton Club. Instituted 19th March 1817. Revised 8th April 1840

      London: Privately Printed by [C. Whittingham, Printer] for [William Pickering], 1840. First edition, one of only 33 copies. Frontispiece, decorative borders printed in red, historiated initial letters, illustrated. [24] pp. 1 vols. 12mo. Bound in full green morocco, some toning to spine, else fine. Bookplate of Arnold Wood, Walton bibliographer. One of 33 copies

      [Bookseller: James Cummins Bookseller ]
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        A fine collection of eleven letters

      Brixton and Hastings, 1840. 19 and a half pages, four of the letters with integral address leaves. 1 vols. Various sizes. To friends and associates. Some folds, offsetting, one repaired at fold and another laid onto a sheet but generally in excellent condition. Lithography pioneer Prout was a noted painter and well recognized for his fine lithographed works. He was a friend of Ruskin, David Roberts, Cooke, Stanfield and other eminent artists. He published several works as well as contributing to Turner's "Picturesque Views on the Southern Coast of England" and Cooke's "Views in London and Its Vicinity." Ruskin noted the quality of his work in "Elements of Drawing." ¶ Letters: 1) To HENRY BICKNELL, Saturday night, n.y., 2 1/2 pp. writing that he hopes that ill health will not prevent him from attending the meeting of the 'Graphic' "as the only opportunity I have of seeing artist friends during the year." 2) To C[YRUS] REDDING, the eminent journalist, editor and author, [undated], 1 p., declining an invitation. 3) To "My dear Sir" [watermarked 1827], 3 pp., to an ENGRAVER of his plates making suggestions (one with a small sketch) and asking that he see another proof prior to it going to the printer. From 1826 through 1834 George Cooke was engraving some of Prout's work for Cooke's "Views in London and Its Vicinity" and this letter may be to him. 4) To "My dear Sir" [watermarked 1828], 1 p., concerns framing some drawings 5) To "My dear Sir," [watermarked 1825], 1 1/2 pp., writing that he will drop in on Friday and looks forward to hearing of his travels and seeing his sketches. Also thanking him for the offer of Clerissas' drawings but resisting. 6) To E. MAGRATH, dated 28/2/33, 1 p., writing how "Eddis has succeeded to perfection in [Clarkson] Stanfield's portrait...Eddis made one feel conceit when I look'd at what I thought a fair representation, but some honest or malicious, foes or friends, have deny'd my identity in the portrait. Is not Stanfield jealous in voting against it, or is not S:P: jealous that Stanfield 's beauty should be confirm'd and his doubtful?" 7) To R[obert?] BENT, postmark 13 April 183[3?], 1 p., thanking him for the offer to notice his work in the monthly list but wishes his subscribers to have their copies before he advertises it as published. Robert Bent was a son of William Bent who founded 'Bent's Literary Advertiser.' This may refer to his most famous and important lithographic work "Fascimiles of Sketches made in Flanders and Germany and drawn on Stone." (1833). 8) To E. MAGRATH, at the Athenaeum, 20/12/36, 2 1/2 pp., commenting that HUNT's prices "are beyond what I mentiond yet the labour, & expense of models, demand something above such house-painters as Prout." The two paintings they'd preferred: "the boy praying is 15 or 17 Gs " and the "boy tired of the sermon, ranks first, & will be 20 or 25." He sends a message to STANFIELD that he's not without hope and said that something similar might be said to [J. M.] WILLIAM TURNER. 9) To his friend, the eminent dealer D. COLNAGHI, 1836, 2 1/2 pp., enquiring about the Caneletto etchings and sending regards to his friends DAVID ROBERTS & BROCKEDON 10) To S. FOX at St. Leonards, [watermarked 1839], 1 p., cancelling an appointment due to ill health 11) To "My dear Sir", 26 October 1841, 2 1/2 pp., obviously a friend writing "My promise was to send you half a dozen specimens of subjects for a vol of LITHOGRPHY. I have 3 in hand but they are not what I wish...I have nothing which would answer in a small size but gateways, towers and an old archway." He compliments the recipient on his "Woods & Forests".

      [Bookseller: James Cummins Bookseller]
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        Blick auf Burg Langeneck nahe Runkelstein bei Bozen.

      1840 1840 - Aquarell über Bleistift, auf Velin, verso bezeichnet und datiert „Langeneck hinter Runkelstein bei Botzen. 23 Sept. 1840." 21,3:31 cm. Zwei Quetschfalten im Papier rechts oben. Ahlborn hatte nach einer ersten Ausbildung als Zimmermaler an der Akademie von Berlin studiert und bereiste von 1827 bis 1831 zusammen mit seinen Studienkollegen A.W.F. Schirmer (1802-1866) und A.F. Hopfgarten (1807-1896) Italien, wo er sich dem Kreis der Nazarener anschloß. Nach einigen sehr erfolgreichen Jahren in Berlin als Landschaftsmaler konvertierten er und seine Frau unter J. Führichs (1800-1876) Einfluß 1838 zum Katholizismus. Er bereiste zwischen 1840 und 1845 im Auftrag der Königin Friedrike von Hannover die ehemaligen welfischen Besitzungen in Süddeutschland und Italien. Kurz nach seiner Rückkehr übersiedelte er 1847 endgültig nach Italien. Das 19. Jahrhundert brachte die Wiederentdeckung der Burg Runkelstein durch Josef von Görres (1776-1848). Er erkannte als erster den hohen künstlerischen Wert der Malereien und machte König Ludwig I. von Bayern auf diese aufmerksam. Auf seine Veranlassung hin studierten und kopierten Hofarchitekten und Hofmaler die Burg Runkelstein und brachten Zeichnung davon mit nach München.

      [Bookseller: Galerie Joseph Fach GmbH]
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        [Opp. 24, 25, 27 nos. 1, 81, and 85 no. 12]. A collection of early editions of lieder and excerpts from the opera Genoveva

      . Folio. Half dark green textured cloth with black textured cloth boards. Op. 24 Liederkreis von H. Heine für eine Singstimme und Pianoforte componirt und Mademoiselle Pauline Garcia zugeeignet... Op. 24... Pr. 1 Thlr. Leipzig: Breitkopf & Härtel [PN 6343], [after 1840]. 1f. (title), 3-23, [i] (blank) pp. Engraved. Publisher's handstamp to foot of title; title and final leaf professionally repaired at edges; lower right corners creased; handstamp slightly trimmed. Various annotations in pencil (including instructions in German for transposition). First Edition, later (unrecorded) issue, lacking printer's note to lower left corner of p. 3, "Stich und Druck von Breitkopf & Härtel in Leipzig." Hofmann p. 61. McCorkle pp. 100-10. Op. 25 Myrthen Liederkreis Göthe, Rückert, Byron, Th. Moore, Heine, Burns & J. Mosen für Gesang und Pianoforte... Op. 25. Heft I. Heft II. Heft III. Heft IV, a 20 Ngr. Leipzig, Fr. Kistner [PNs 1290, 1291, 1293, 1294], [ca. 1842]. First Edition, later issue, lacking credits to Krätzschmer to illustrated title. Hofmann pp. 63/65. McCorkle p. 111. Heft I: 1f. (title within decorative border printed in green), [i] (dedication), 5-17, [i] (blank) pp. Heft II: [i] (title), 2-14 pp. Heft III: [i] (title), 2-15, [i] (blank) pp. Heft IV: 1f. (title), 3- 13, [i] (blank) pp. Lacking pp. 11-12 (lieder no. 25). Title and dedication pages lithographed, music engraved. Signature "Jenny Meyer" in pencil to upper right corner of all titles. Uniformly browned; title of Heft III detached; tear to foot of final page. With additional pagination to some pieces at lower corners. Op. 81 Gesangstücke mit Pianoforte- Begleitung aus der Oper Genoveva... op. 81... Leipzig u. Berlin: Bureau de Musique von C. F. Peters [PNs 4405-4414], [?1860]... Der vollständige Klavier-Auszug mit Text, sowie für Piano a 4 ms. ist gleichfalls erschienen. No. 1. Vierstimmiger Choral: Erhebet Herz und Hände (mit Stimmen). 7 1/2 Ngr. [i] (title), 2-3, [i] (blank) pp. No. 2. Lied des Golo: Frieden zieh in meine Brust. 7 1/2 Ngr. [i] (title), 2-5, [i] (blank) pp. Nr. 3. Lied: O weh des Scheidens 5 Ngr. [i] (title), 2-3, [i] (blank) pp. No. 4. Duettino für Sopran und Tenor: Wenn ich ein Vöglein wär. 10 Ngr. 1f. (title), 3-7, [i] (blank) pp. No. 5. Gebet der Genoveva: O Du, der über alle wacht .7 1/2 Ngr. [i] (title), 2-5, [i] (blank) pp. No. 6. Lied des Siegfried: Bald blick ich dich wieder mein Heimathschloss. 10 Ngr. 1f. (title), 3-7, [i] (blank) pp. No. 7. Lied der Margarethe: Jch sah ein Kind im Traum. 10 Ngr. [i] (title), 2-6, [i] (blank) pp. No. 8. Duettino für Sopran u. Alt: Abendlüfte kühle wehn. 10 Ngr. [i], (title), 3-7 (no. 8), [i] (blank) pp. No. 9. Quartettino für 2 Soprane u. 2 Tonore [!Tenöre]: Wann die Lichter der Erde verglühn. 7 1/2 Ngr. [i] (title), 2-5, [i] (blank) pp. No. 10. Gebet der Genoveva: Mich geb ich hier in Deine Hand. 7 1/2 Ngr. [i] (title), 2-5, [i] (blank) pp. Engraved. Signature "Jenny Meyer" in pencil to lower right corner of all ten volume titles. First Edition of excerpts. Very rare. Only one complete set in WorldCat (University of Oxford). Not in Hofmann or McCorkle. Bound with: - 3 songs in manuscript in a professional copyist's hand: [Op. 25, no. 1]. Widmung. [i] (title), [2]-[5], [i] (blank) pp. (transposed down to G-flat major). Handstamp of Jenny Meyer to head of title. Occasional annotations in pencil [Op. 25, no. 3]. Der Nussbaum. [i] (title), [2]-[6] pp. (transposed down to F major) [Op. 27, no. 1]. "Sag an, o lieber Vogel mein." [i] (title), [2]-[3], [i] (blank) pp. (transposed down to A major) - Abend-Lied... Aus Op. 85 Nr. 12 apart, ist in folgenden Editionen erschienen... Für Sopran oder Tenor mit Piano 5 Sgr. J. Schuberth & Co. Leipzig und New-York [PN 3613], [ca. 1870]. [i] (series title), 14-15, [i] (publisher's catalogue listing publications up to ca. 1857 and prices in Thaler and Neugroschen). Lithographed. With publisher's handstamp to foot of title. Later edition of arrangement, with neither arrangement nor text credited. Schumann composed the piece for piano, three-hands. Between 1859 and 1876, Schuberth published numerous arrangements for a variety of instrumental combinations (see McCorkle p. 958, where the present arrangement is dated at 1863, but others listed on the series title are dated as late as 1870). Boards worn and detached, spine lacking. Signatures loose.. From the collection of Jenny Meyer, possibly the singer (1834-94) and sister-in-law of Julius Stern, director of the Stern Conservatory of Music in Berlin from 1883-94.

      [Bookseller: J & J Lubrano Music Antiquarians LLC]
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        Eigenh. Brief mit U.

      Leipzig, 25. I. 1840.. 1 S. Gr.-4to.. "Werthgeschätzter Herr Zöllner / Ihrem Wunsche gemäß habe ich Ihren Brief an H. Fr. Hoffmeister abgegeben, und habe gethan was in meinen Kräften stand, weßhalb ich den besten Erfolg hoffe. Um von Ihrer Composition etwas zu besitzen, frage ich hiermit bei Ihnen an, ob Sie mir für den Preis von 5 Rth. pr. 12 Stück Entre Acts von den Ihrigen ablaßen wollen mit der Bitte recht launigen Inhalts, ich glaube es könnte Ihnen Nutzen bringen [...]". Queißer gilt als einer der ersten bedeutenden Posaunenvirtuosen (vgl. ADB XXVII, 33). - Spuren alter Faltung; im Rand etwas angestaubt.

      [Bookseller: Antiquariat Inlibris, Gilhofer Nfg. GmbH]
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        Tir federal de 1840. - Affiche commemorative en couleur, lith. par Simon fils a Strasbourg, d'apres un dessin de Pierre Meinrad Felber, architecte a Soleure.

      . 90x60cm, legerement tachee, petites dechirures sur les bords.. Please notify before visiting to see a book. Prices are excl. VAT/TVA (only Switzerland) & postage.

      [Bookseller: Harteveld Rare Books Ltd.]
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        Badische Landschaft; kleines Bauernhaus an bewaldetem Hang in einem Tal.

      - Bleistift, auf Velin, rechts unten bezeichnet und datiert „Baden. 1840.", verso bezeichnet „gem Carl M*". 24,8:34,7 cm. Im linken Rand vergilbt, rechts einige Braunflecken. Literatur: Eichler Z 152 (abweichende Größenangabe). Die Zeichnung entstand auf der Reise mit dem Vater Johann Friedrich Morgenstern (1777-1844), nach Karlsruhe, Baden-Baden und Umgebung. Der Landschaftsmaler Carl Morgenstern entstammte einer Frankfurter Künstlerfamilie, die über fünf Generationen tätig war. Er war der Sohn von Johann Friedrich und Vater von Friedrich Ernst Morgenstern. Neben seiner Lehrzeit beim Vater studierte er die altniederländische Malerei. Während seines Münchner Aufenthaltes 1832-1834 bildete er sich im Umgang mit den Landschaftsmalern C. Rottmann (1797-1850) und Chr. Morgenstern (1805-1867) weiter. 1833-1834 reiste er in die bayerischen und österreichischen Alpen. Seit 1834 hielt er sich in Italien auf, vorwiegend in Rom. Er unternahm Ausflüge ins Albaner- und Sabinergebirge, nach Neapel und dessen Umgebung sowie nach Sizilien. 1837 kehrte er nach Frankfurt zurück. Weitere Reisen führten ihn 1839 nach Düsseldorf, Holland, Belgien, 1841 nach Frankreich, in die Schweiz und mehrmals nach Italien. Seine italienischen Landschaftsmotive fand er in Venedig, Neapel, der Toskana, auf Capri und Sizilien, während Ansichten von Frankfurt und dem Taunus sowie Main- und Rheinlandschaften kennzeichnend für seine Darstellungen aus dem deutschen Raum wurden.

      [Bookseller: Galerie Joseph Fach GmbH]
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        Gesamtansicht mit Burgruine Landshut i.Hgr. ('Bernkastel. Moselle.').

      . Lithographie v. Francais b. Baron de Bar, um 1840, 26,5 x 37,5. (Bilder zum Artikel auf meiner Homepage, oder bei Anfrage - pictures on my homepage or after request)

      [Bookseller: Antiquariat Norbert Haas]
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        Gesamtansicht.

      . Lithographie v. Francais b. Baron de Bar, um 1840, 25,5 x 38,5. (Bilder zum Artikel auf meiner Homepage, oder bei Anfrage - pictures on my homepage or after request)

      [Bookseller: Antiquariat Norbert Haas]
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        Burg Eltz.

      . kolorierte Lithographie v. Francais b. Baron de Bar, um 1840, 36 x 29,5. (Bilder zum Artikel auf meiner Homepage, oder bei Anfrage - pictures on my homepage or after request)

      [Bookseller: Antiquariat Norbert Haas]
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        Historia general del Reino de Mallorca. Segunda edicion. 3 vols. With 3 ill. titles + 31 engraved plates.

      Palma, Juan Guasp y Pascual, 1840-1841,. in-8vo, titre grave + XXXVIII + 1 ff. + 547 p. + 2 ff. + 7 planches lithographiques / titre lithographie en couleurs + titre + pp. 550-1306 + 3 ff. + 6 lithographies / titre lithographie en couleurs + XXIII + 730 p. + 1 ff. + 18 lithographies, papier generalement frais, rares taches d'humidite, 3 titres gravees dont 2 en couleurs, les 3 titres imprimees ont une petite decoupe (timbre decoupe) en bas des feuilles, reliures d'epoque legerement usees en demi-cuir vert, dos lisses avec titre et ornements en or.. La chronique occupe les deux premiers volumes avec numerotation des pages continue; le troisieme contient les copieuses notes au texte. Cette edition est la plus complete et donc la plus appreciee par les historiens. DAZU: Lavallee Espagne. et Guerpult 1844 L'Univers de tous les peuples avec gravuresPlease notify before visiting to see a book. Prices are excl. VAT/TVA (only Switzerland) & postage. Palau 68213.

      [Bookseller: Harteveld Rare Books Ltd.]
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        Master Humphrey's Clock

      Chapman and Hall, London 1840 - Comprises Dickens two novels, The Old Curiosity Shop and Barnaby Rudge. Bound in original publsher's cloth, gilt spine and slightly faded, spines neatly laid down. Sold by J. Goodwin Bookseller, Bakewell Illustrated by George Cattermole and Hablot Browne. Three frontispieces, numerous illustrations in text. iv, 306, 1-228 pp.; vi, [229]-306, 426 pp. 3 vols. Large 8vo [Attributes: First Edition]

      [Bookseller: James Cummins Bookseller, ABAA]
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        Sans-Souci ( Sanssouci ): Farblithographie.

      Sacco, Berlin - Schönes Blatt ohne Erscheinungsjahr ( um 1840 erschienen ). Bei A. Sacco in Berlin verlegt, bei J.Hesse in Berlin gedruckt. Mit Frontalansicht des Schlosses, 2 Schalenbrunnen ( die von Hermann Sello, dem Hofgärtner unter Friedrich Wilhelm IV., zur Kühlung auf der Terrasse angelegt wurden ), im Bildvordergrund 2 biedermeierlich gekleidete Damen, im Bildhintergrund die Flügel der Mühle. Bildggröße 25,5 x 36 cm ( Höhe x Breite ), alt unter Glas und Passepartout gerahmt ( Rahmenmaß: 50,5 x 56 cm ). Das Blatt gering fleckig, der Rahmen gering bestoßen. Insgesamt guter Zustand. - selten - ( Bitte beachten: Leider kein Versand möglich, weil unter Glas gerahmt - hier bitte Selbstabholung bzw. selbst organisierter Abtransport ). ( Pic erhältlich / webimage available )

      [Bookseller: Antiquariat Friederichsen]
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        Two Years Before The Mast A Personal Narrative Of Life At Sea

      Harper & Brothers,, New York: 1840 - Very good+, professionally rebacked preserving the original dark brown cloth covered boards and the spine's backstrip with its gilt text. The text shows only occasional spots of foxing and the last 6 pages are moderately soiled. A 24mo measuring 6" by 3 1/2" with an early prior owner's inscription noting his date of purchase in Parkersburg, West Virginia in Nov. 8, 1896 on the verso side of the first free end page. Without a dust jacket as issued. First editions did not carry the author's name on the spine or title page. This is a variant first edition copy of this title as it lacks any date on the title page and no enumeration of the various titles in the series. This is the second issue of the first edition where there is no dot over the "i" in the word "in" on the copyright page and the broken type at the top of page 9. The gilt publisher's emblem on the spine states: "The | Family | Library | No. 106" with the book's modified title "Life | Before | The | Mast" at the base of the spine. Wright Howes in his bibliography U.S.Iana states: "This account of California in 1835 and 1836 surpassed in popularity all other books relating to that state." This is volume "No. 106" in Harper's Family Library Series. (BAL 4434; Howes D-49; Sabin 18448; Cowan p.156) [Attributes: First Edition; Hard Cover]

      [Bookseller: Town's End Books, ABAA]
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        The Fall of the House of Usher in Bentley's Miscellany

      Richard Bentley 1840 - This bound collection of magazines contains the first UK appearances of four stories by Edgar Allan Poe, including The Fall of the House of Usher, the Irish Gentleman and the Little Frenchman and two others. Contemporary 3/4 tan calf and embossed floral cloth. Covers reattached with show of cloth. Calf worn and repaired. Contents recased. Plates foxed, remaining contents slightly foxed. Otherwise very good, clean and tight copy. iv. 643 pages. Plates by George Cruikshank, Alfred Crowquill and John Leech. All the Poe stories were pirated and were printed without Poe's name or permission. The Usher story first came out in the US the prior year, 1839. Housed in a custom-made collector's slipcase. [Attributes: First Edition; Hard Cover]

      [Bookseller: Bookbid]
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        ALBUM SARAH K. HAYHURST 1840 (ORIGINAL HANDWRITTEN ALBUM DATED -- 1840)

      Manuscript Document, Wrightstown, Pennsylvania 1840 - 150 plus pages --complete cover to cover.IN A VERY ATTRACTIVE PRE-VICTORIAN RED CALF BINDING --HEAVILY GILT ON ALL SURFACES WITH THE JOURNAL AUTHOR'S NANE FRAMED IN GILT ON THE FRONT BOARD. THIS WITH FEW EXCEPTIONS IS NOT ORIGINAL MATERIAL, BUT THE SELECTIVE COLLECTION OF IMPORTANT IDEAS, POEMS AND REFLECTIONS OF THE TIME CAREFULLY PENNED AND COLLECTED BY SARAH K. HAYHURST. SARAH IS LISTED IN THE PHILADELPHIA QUAKER RECORDS OF THE GREEN STREET MONTHLY MEETING. (SEEMINGLY STILL ACTIVE TODAY)BORN IN 1797 AND DIED AT AGE 87 IN 1884. THE HAYHURST FAMILY FARM IS ON THE NATIONALL REGISTER OF HISTORIC PLACES IN NORTHEASST WRIGHTSTOWN ON EAGLE ROAD. (GENERAL JOHN SULLIVAN USED THE HAYHURST FARM WHEN PREPARING WITH WASHINGTON TO CROSS THE DELAWARE. THIS IS AN EASILY READ JOURNAL OF AN EDUCATED QUAKER LADY OF THE LATE FEDERALIST PERIOD WITH REFERENCES TO THE ICONS OF THE PERIOD--WASHINGTON, JEFFERSON AND ADAMS. REFLECTED IN THE JOURNAL ARE QUOTES OF RELIGIOUS AND MORAL IMPORTANCE. IN FULL RED CALF HEAVILY GILT OR BLIND STAMPED. SOME WEAR TO CORNERS, BUT GENERALLY IN BEAUTIFUL CONDITION. ALL EDGES GILT. POLISHED GRAY ENDPAPERS, DENTELLES HEAVILY GILT. (PHOTOS UPON REQUEST.) PLUS A FEW LOOSE PAGES WITH POEMS ABOUT WASHINGTON AND WILLIAM HENNY HARRISON ADDED TO NOT TAKEN FROM JOURNAL. Size: 8vo - over 7¾ - 9¾" tall [Attributes: Hard Cover]

      [Bookseller: Longed For Books]
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        Musikalische Bilderfibel zur Erlernung der Noten entworfen und gezeichnet von F.G. Normann.

      Trautwein, Berlin - ( Ohne Erscheinungsjahr - hier offenbar n erster Auflage um 1840 vorliegend ) Mit III lithographierten kolorierten Blättern incl. Titelblatt sowie 15 lithographierten kolorierten Blättern ( so vollständig ). Gegliedert in: *Erste Abtheilung: Die natürlichen Töne - Die weissen Tasten des Pianos* / Zweite Abtheilung: Die Versetzungszeichen. Schwarze Tasten des Pianoforte* .Halbleinenband der Zeit mit marmorierten Buchdeckeln, Quer8° ( 18 x 22 cm ) Altkolorierte Ausgabe dieses überaus seltenen Bilderbuchs zur Erlernung der Noten und des Notensatzes. Einband etwas berieben, Ecken und Kanten gering bestoßen. Innen Papier teils etwas gebräunt. Seiten teils gering fleckig bzw. leicht fingerfleckig ( meist zur unteren rechten Ecke hin ). Insgesamt guter, dekorativer Zustand dieser seltenen kolorierten Ausgabe. ( Literatur: Wegehaupt, Nr. 1655 ) ( Gewicht 200 Gramm ) ( Pic erhältlich // webimage available )

      [Bookseller: Antiquariat Friederichsen]
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        Carl Frommel's Pittoreskes Italien. 1840

      FROMMEL Carl - WINKLES H. Carl Frommel's Pittoreskes Italien. Nach dessen Original - Gemalden und Zeichnungen. Die Scenen aus dem Volksleben nach Zeicnungen von Catel, Gail, Goetzloff Mosbrugger, Weller, Pinelli, etc. Leipzig, Kollmann, 1840. In - 4°, 3 parti in un unico volume, pagg.574; 3 antip. figg. Leg.in percalina marrone con titolo in oro al dorso, un po' sciupata. Completo di 103 incisoni in acciaio fuori testo, fra cui 52 vedute di città, 48 costumi e scene di autori Pinelli, Gail, Catel, Weller ed altri. Testo tedesco. Fra le tante vedute: Sempione, Milano, Bergamo, Trento, Verona, Vicenza, Padova, Venezia, Genova, Torino, Bologna, Perugia, Siena, Firenze, Roma e dintorni, Napoli e dintorni, Reggio...Esemplare con alcune macchie di foxing al testo, molte tavole protette da veline. Legatura solida; in complesso buon esemplare. ?900.

      [Bookseller: Stampe antiche la Puntasecca]
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        Les iles Boromées / au lac majeur

      1840 ca., Lago Maggiore 1840 - Veduta delle isole Borromee presa dalla strada del Sempione, in primo piano sulla destra un gruppo di donne in abiti caratteristici. Lo scorcio che si gode da questo luogo, permette un' ampia panoramica del centro lago, mentre lo sguardo si perde in lontananza verso Caldè ed il Sasso del Ferro. mm 180x232

      [Bookseller: Sergio Trippini]
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        Winkel in einem Vorratskeller in einem Haus in St. Goar.

      . Bleistift, auf Velin, rechts unten bezeichnet und datiert "St Goar 24 Sept 1840", links unten bezeichnet "gez. von J.F. Dielmann". 13,9:20,5 cm. Einriß im Unterrand restauriert. Provenienz: Sammlung J.F. Hoff, Frankfurt am Main (Maler u. Kunstschriftsteller, 1832-1913). Ein Aufenthalt Dielmanns an der Mosel im Herbst 1840 ist durch mehrere Arbeiten belegt.. Dielmann studierte unter C.F. Wendelstadt (1786-1840) am Städelschen Kunstinstitut in Frankfurt am Main und ging als Stipendiat 1835 nach Düsseldorf, wo er sich unter J.W. Schirmer (1807-1863) als Landschaftsmaler ausbildete. Bereits ab 1837 war er Mitglied der "Meisterklasse". Durch eine Einladung von G. von Reutern (1794-1865) lernte er 1841/42 die malerische Schwalm kennen. Nach seiner Rückkehr nach Frankfurt war er durch die "Modernität" seiner Genre- und Landschaftsbilder Vorbild, so für A. Burger (1824 - 1905), mit dem er 1858 die "Kronberger Malerkolonie" begründete, eine der ersten Künstlerkolonien Deutschlands.

      [Bookseller: Galerie Joseph Fach GmbH]
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        Promenades d'un artiste. Tyrol - Suisse - Nord De l'Italie. Avec 26 gravures d'après Stanfield et Turner

      Jules RenouardS.d. (ca 1840). In - 8 (234 x 154 mm), veau blond peint, dos lisse orné, pièces de titre maroquin vert, plats décorés de deux filets or et d'un motif à froid, tranches dorées (reliure signée Boutigny). Illustré de 26 gravures d'après Stanfield et Turner, dont le titre gravé. (coiffe supérieure abîmée, frottements sur les charnières et les coupes, coins émoussés, rousseurs, cahiers mal alignés, déchirure marginale au bas de la page 383). / / N.d. (ca 1840). Octavo (234 x 154 mm), blond painted calf, smooth spine tooled, green morocco labels, covers tooled with two gilt fillets and a blind tooling, gilt edges (binding signed Boutigny). Illustrated with 26 engravings after Stanfield and Turner, including engraved title. (top of spine used, rubbings on hinges and turns - in, corners a bit used, brownings, leaves not well lined - up, tear in margins on bottom of page 383).

      [Bookseller: Librairie Henri Picard & Fils]
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        Atlas-Album mit Stadtplänen bayerischer Städte und Ortschaften. 54 lithographierte Pläne.

      Um 1840.. Je Plan ca. 13 x 13,5 cm bzw. 6,5 x 13,5 cm, teilweise 2 Pläne auf einem Blatt. Auf die Blätter eines Albums aufgezogen. 14 x 15,5 cm, Halbleinen der Zeit im marmorierten Pappschuber.. 50 Stadtpläne, darunter Augsburg, Ansbach, Bamberg, Bayreuth, Deggendorf, Kempten, Eichstätt, Freising, Ingolstadt, Lindau, München, Nürnberg, Passau, Regensburg, Speyer u.a. Und 4 Übersichtspläne: Bayern vom 13.-16. Jahrhundert; Bayern zur Zeit Kurfürst Max I. im 17ten Jahrhundert; Meteorologische Stationen in Deutschland, der Schweiz und den Niederlanden; Telegraphennetz von Bayern. - Sehr gut erhalten.

      [Bookseller: Antiquariat Mertens & Pomplun GbR (Versa]
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        Le nouvel Ebel. Manuel du voyageur en Suisse. ... Revu, coordonne, mis en ordre et augmente par Richard. Suivi du Guide complet dans le Tyrol.

      Paris, (F.-A. Saurin a Poitiers pour) Maison, s.d. (1840),. pt. in-8°, 2 ff. + XL + 660 p. + 12 planches gravees dont 1 panorama repl. accomp. de 3 vues et 1 autre fig. + 3 cartes gravees repl., manque la carte de Keller, non rogne, ca et la qqs leg. rousseurs, planches general. propres, brochure originale jaune, entierement illustree, petite dechirure dans la couverture devant, dos fendille, traces d'usage.. Celebre manuel classique de voyage en Suisse "comprenant: 1° la description des villes, villages, hameaux de la Suisse. 2° des notices detaillees sur les curiosites naturelles, lacs, glaciers, cascades, points de vue, etc. 3° l'indication des hotels, bains. 4° les taxes des bateaux sur divers lacs. 5° les distances calculees par minutes. 6° les renseignements utiles ... Avec l'itineraire complet de la vallee de Chamonix; l'itineraire de l'Oberland, d'apres Wyss; du pays des Grisons, d'apres les voyages pittoresques les plus recents. - l'itineraire du mont Rigi, celui des bords du lac de Geneve, d'apres M. Manget. ... Suivi du guide complet dans le Tyrol".Les vues (dont 4 ovales) partiel. gravees a l'aquatinte, d'autres en lithographie, montrent e.a. Chaumiere Suisse / Vue du Mont-Blanc, prise du Pont St-Martin / Vue du Valais, prise du haut de la Forclaz / Route du Simplon / Cascade de Staubbach / Cascade de Reichenbach / Bains de Reichenbach / Gais (Appenzell / Chute du Rhin, pres de Schaffhouse / Chateau du Wolfberg / Hotel du Jura a Bienne.La grande planche repliee montre le panorama 'Vue de la chaine des montagnes depuis le Righi jusqu'au Mont Pilate prise de l'Hotel du Cygne de la belle vue a Lucerne', flanque de textes en allemand et francais 'Objets remarquables de Lucerne', et puis 4 vignettes, une avec nom de l'Hotel du Cygne, puis des vues de l'arrivee et du depart du bateau, l'hotel et les ecuries et remises de l'hotel (Lithogr. par C. Bury, Lith. de Engelmann pere et fils a Mulhouse).Les cartes representent: La vallee de Chamonix (d'apres Hartmann, extraite de la Karte der Schweiz nach Lutz) / De Thoune a Meirhingue (l'Oberland, par Wyss) / Carte du Tyrol. La grande carte de la Suisse par Keller manque helas dans cet exemplaire.Couverture entierement illustree: 16 portraits de femmes en costumes traditionnels (buste) / 3 vues au dos / 1 vue sur la couv. derriere 'Pont de Fribourg'.Please notify before visiting to see a book. Prices are excl. VAT/TVA (only Switzerland) & postage. Wäber, BSL cf. III/46 (sous Ebel) et III/61 (sous Audin); DHBS II/734; Hoefer NBG XV/596; cf. Barth 17851 (ed. de 1846); cf. Perret 1474

      [Bookseller: Harteveld Rare Books Ltd.]
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        Journal of a Residence in Circassia during the Years 1837, 1838 and 1839

      London: Edward Moxon,, 1840. 2 volumes, octavo (209 × 130 mm). Contemporary half calf by Bromage (with his ticket), gilt banded spines, twin black labels, marbled sides, edges and endpapers. 11 lithograph plates by Warren or Barnard after Bell (3 handcoloured, 8 tinted), one line engraved plate, folding map of Circassia. Bookplate of Frederick J. Edlmann, Hawkwood (Kent) on front pastedowns, signature of the author Alan Sillitoe inscribed on each. Joints rubbed, front hinge split on volume I but sound. An attractive copy. First edition of one of "the two most important travel books to emerge from 19th century peregrinations in the Caucasus. James Stanislaus Bell, having arranged in 1836 for [the ship] Vixen to run Russia's blockade of Circassia with a cargo of salt, saw the vessel illegally impounded. Lord Palmerston declined to demand restitution, setting a precedent for the insouciance toward unwarranted aggression against north Caucasians that the West has manifested ever since. With strengthened determination, Bell took up residence in Circassia (1837-1839), accompanied for a year by Times correspondent J. A. Longworth. Both published poignant journals relating the Circassian, Ubykh, and Abkhazian mountaineers' heroic struggle to defend their independence against often wanton brutality, while giving sympathetic insights into a lifestyle that within 25 years was to vanish forever" (Speake).

      [Bookseller: Peter Harrington]
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        The Charter and Statutes of Jefferson College, Washington, Mississippi, as Revised and Amended: Together with a Historical Sketch of the Institution from Its Establishment to the Present Time

      Natchez, [Mississippi]: Printed at the Book and Job Office. 1840. First edition. Contemporary unprinted blue wrappers. 90pp. Short tear and a litte wear on the front wrap, slight scattered foxing, else a near fine copy. History and then current structure of the College, Includes catalogue of the college library and a list of the scientific apparatus owned by the college of yellow paper. OCLC locates seventeen copies. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Im k. k. Prater Haupt-Allee beim 1. Kaffee-haus im runden Salon. Linien-Kriegs-Schiff. Außerordentliche Kunstausstellung eines vollkommen meisterhaft ausgeführten und bis ins kleinste Detail ausgerüsteten großen Linien-Kriegs-Schiffes, von 120 Kanonen mit 1000 Mann Matrosen, Soldaten, Schiffsjungen etc., in seiner inneren wie äußeren Einrichtung, ganz genau hergestellt nach dem engl. Admiralsschiffe "Neptun"

      (Wien), ca. 1840.. Mit großem Holzschnitt, den voll aufgetakelten Dreidecker HMS Neptune darstellend. Auf gelbem Papier gedruckt. 83 x 56 cm. Sehr seltenes, für mich nicht nachweisbares Plakat zu einer Ausstellung im Wiener Prater: Die unterzeichnende Theresia Lindner beschreibt das 23fach verkleinerte Modell als ein "Kunstwerk (das) 6000 Fuß Schnüre am Tackelwerk trägt, über 8000 fl. C. M. kostet, und daß 8 Personen gegen 4 Jahre mit der Zustandebringung desselben unermüdlich beschäftig waren". - Das Modell war "2 Klafter und 2 Klafter hoch" (jeweils ca. 3,80 m) und war "aus Holz gebaut und mit Kupfer beschlagen". - Die 1797 vom Stapel gelaufene HMS Neptune war ein britisches Linienschiff zweiter Klasse mit 98 Kanonen auf drei Decks. Eine wichtige Rolle spielte die Neptune in der Schlacht von Trafalgar unter dem Kommando von Captain Thomas Fremantle. Sie war das dritte Schiff in der von Vizeadmiral Horatio Nelson auf der Victory angeführten Luv-Linie und wurde in schwere Kämpfe verwickelt. Nach der Schlacht schleppte sie die schwer beschädigte Victory mit Nelsons Leichnam an Bord nach Gibraltar. - Mit horizontaler und vertikaler Faltung. Links mit Steuerstempel. Insgesamt sehr gutes Exemplar!

      [Bookseller: Antiquariat Turszynski]
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        Instructions for the Sword Exercise; Selected from Her Majesty's Rules and Regulations, and Approved of by Authority, for the Yeomanry Cavalry

      W. Clowes and Sons, London 1840 - The second edition of this cavalry sword manual by Henry William Angelo, the grandson of Domenico Angelo, founder of London's School of Arms. The first edition was published in 1835 with 10 plates. Period three quarter polished speckled calf and marbled boards, a.e.g., by Wallis. Fine. Inscribed to "Peter Bowditch Major 5th Cav. Marfa Texas Christmas 1920 from D.M.G. & R.P.G." Frontispiece & 14 plates, all hand-colored. vii, [i], 19, [1] pp. 1 vols. 12mo [Attributes: First Edition]

      [Bookseller: James Cummins Bookseller, ABAA]
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        De la Démocratie en Amérique

      Charles Gosselin, Paris 1840 - (7 7/8 x 5 7/8 inches). Half-titles. 1 folding hand-coloured lithographic map. Expertly bound to style in green calf over contemporary marbled paper-covered boards, the spines divided into five compartments by gilt filets, black morocco lettering pieces in the second and fourth compartments The first editions of both parts of Tocqueville's famous classic Democracy in America. From the time of its first publication, Democracy in America enjoyed the reputation of being the most acute and perceptive discussion of the political and social life of the United States ever published. The first part was published in an edition of less than 500 copies in January 1835. The book was an instant and sustained success and numerous editions, many with revisions, followed quickly, so that the second part, first published in April 1840, was issued concurrently with the eighth edition of the first part. The origins of the book lie in the observations Alexis de Tocqueville made during a nine month tour of the United States starting in the spring of 1831. He was accompanied by his friend and fellow student, Gustave de Beaumont, and their original goal was to study the penitentiary system of the United States. After visiting prisons in the East, they undertook a tour of the South as far as New Orleans, ascended the Mississippi, visited the Great Lakes and Canada, and returned via New York. After writing their report on prisons, Tocqueville worked on the first part of Democracy in America in 1833-1834, publishing it in Paris in 1835 to great acclaim. The 1840 second part was equally as successful and the book remained in print throughout the 19th century: there were probably more than fifty editions in English and French published before 1900, besides numerous translations. Considering the many editions of the first part prior to the publication of the second part, along with the limited print run of the first edition of the first part, sets containing the first editions of both parts, as here, are particularly rare and desirable. Clark III:111; Howes T-278 & T-279; Sabin 96060 & 96061; Library of Congress, A Passion for Liberty, Alexis de Tocqueville on Democracy & Revolution (Washington, 1989); Nolla De la Démocratie en Amérique (Paris: 1990) II, pp.334-335. [Attributes: First Edition; Hard Cover]

      [Bookseller: Donald A. Heald Rare Books (ABAA)]
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        The Works of Thomas Hood - [Complete in 3 Volumes]

      New York; Derby And Jackson, 1840, Hardback, 1st Edition in this formFinely and sumptuously bound in modern aniline calf over marble boards. Raised bands, gilt cross-bands, uniform tooling with a contrasting gilt-blocked Morocco lable. An exceptional set, of presentation quality - scans etc. On request. ; 1 pages; Description: 3 v. Fronts. (incl. Ports. , facsim. ) illus. 19 cm.

      [Bookseller: MW Books Ltd.]
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        Album Romantique. - Album d'aquarelles originales sur papier et sur mica, vignettes gravees sur cuivre, dessins figuratifs et ornementaux originaux, bouquet de fleurs compose de decoupages de soie coloriee, et autres.

      S.d., environ 1840,. in-8° oblong (29.5 x 22 cm), superbe reliure romantique en maroquin pourpre avec riche decor en or et a froid, mosaique en rouge, vert et brun, tranches dorees.. Album d'aquarelles originales d'Inde sur mica et autres images superbe reliure romantique Superb 19th century straight-grained purple morocco binding, blind-stamped and richly decorated in gold, a pattern of dentelles with floral and decorative designs in red, green and brown, both covers with elaborated centerpiece, gilt inside filets, richly gilt compartments on spine, gilt edges, corners slightly bumped, in an allover fine condition.These type of binding, much en vogue in the middle of the 19th century, was brought to a very high standard by e.g. Simier and Thouvenin. The album contains original watercolour-paintings (a castle, a country house signed Bougat, a church), and 12 paintings in colour on mica, probably from the Cashmere area (India), of which 9 representing men and women and 3 representing birds, 8 small 18th century copper-engravings (animated interiors), original drawings, a composition of colourful silk flowers and so on. All mounted on stiff album paper. Please notify before visiting to see a book. Prices are excl. VAT/TVA (only Switzerland) & postage.

      [Bookseller: Harteveld Rare Books Ltd.]
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        Costumes of British Ladies from the time of William the 1st to the reign of Queen Victoria

      London: Dickenson & Son. Full Morocco. Near Fine. N.d., circa 1840. Folio, 48 hand-colored lithographed plates, some heightened in gilt, all mounted on card, as originally issued. Each accompanied by brief caption relating to authorities upon which illustration was based, and this caption is on separate leaf's verso, and there is a tissue guard sheet between this and the related plate. Title page with lovely hand-colored floral border. Followed by list of subscribers, which contains 171 names, and this must surely have been the extent of the entire issue since copies are extremely scarce. (Obviously the book has been mined many times as a breaker for plates.) The original gutta percha binding has been replaced with a sewn casing that is far more durable. Modern green full morocco and marbled endpapers. Gilt edges. Offsetting onto tissues. Small discreet library stamp on versos of plates -- otherwise no signs of ex-library whatsoever. Very occasional light fox marks.

      [Bookseller: White Fox Rare Books and Antiques ]
 35.   Check availability:     ABAA     Link/Print  


        [Volume with 11 articles, lectures and pamphlets on geology, mining and metallurgy, geochemistry, paleozoology, etc. by G.A. Daubrée, H.C. Sorby, J.A. Phillips, J. Dana, H.E. Sainte-Claire Deville, Th. Belt, J.H. Collins, W.B. Taylor and J.W. Dawson]. [Published in America and Europe, ca. 1840-1880]. 11 parts in 1 volume. 8vo. With illustrations. Contemporary brown half morocco.

      Collection of 11 important articles, treatises, and lectures on geology, mining and metallurgy, geochemistry, chemistry, paleozoology etc. They include some of the first accounts of Dana's findings on corals and volcanology, Sorby's famous paper on fluid cavities in crystals, an article by Deville on dissociation, and important studies by Daubrée on geochemistry.Bookplates of James Douglas, some slight browning. Good copy of this collection with important articles on geology, mineralogy, mining, chemistry and philosophy of nature.

      [Bookseller: ASHER Rare Books (Since 1830)]
 36.   Check availability:     NVvA     Link/Print  


        Poésies complètes. Contes d'Espagne et d'Italie.Poésies diverses. Un Spectacle dans un fauteuil. Poésies Nouvelles

      Charpentier 1840 In - 12 (181 x 120 mm), faux - titre, titre, (2) ff., 436 pp., demi - toile framboise, dos lisse, plats de toile chagrinée rouge, tranches mouchetées (reliure d'époque). Première édition collective, en grande partie originale; premier tirage, la table contenant deux erreurs (ne mentionne pas "A quoi rêvent les jeunes filles", et porte "Romance" au lieu de "Namouna". Clouzot). (dos très légèrement passé, mouillure en haut des pages jusqu'à la p. 150, rousseurs importantes). / / 12° (181 x 120 mm), half - title, title, (2) ff., 436 pp., raspberry half cloth, smooth spine, red shagreen - cloth covers, sprinkled edges (contemporary binding). First collective edition, containing many original texts; first printing with two mistakes on the table (no mention of "A quoi rêvent les jeunes filles", and "Romance" instead of "Namouna". Clouzot). (spine very lightly faded, water - stain on top of pages, until p. 150, important brownings).

      [Bookseller: Librairie Henri Picard & Fils]
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        "Don'sche Kosaken und Französische Gefangene vor dem Rathause zu Artern am 26. Octbr. 1813. Von Ernst Sann als Augenzeuge dargestellt". Auf dem Platz und der überdachten Treppe des Rathauses lebhaftes Treiben der Soldaten, aus den Fenstern des Rathauses schauen Neugierige zu.

      . Lithographie von M. Hoffmann bei J. Hesse, Berlin, um 1840, 30 x 42,5 cm.. Interessante, figurenreiche Darstellung aus der Zeit der Befreiungskriege. Gut erhalten.

      [Bookseller: Peter Bierl Buch- & Kunstantiquariat]
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        SECRETARYS BOOK OF THE SUSQUEHANNA INVINCIBLE VOLUNTEER COMPANY 1823-1840

      N.p.: N.p.. FR/--. ca. 1840. ........ 1/4 Leather. By-Laws, list of volunteers. Covers from 1823-1840 on 23 leaves. Narrow folio. Balance of ledger has minor scrap notes. . Narrow Folio, unpaginated, worn, some pages stuck, stained .

      [Bookseller: Riverow Bookshop, INC ABAA]
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        Autograph Letter, Signed. To Col. William Davenport

      New York: Astor House, 1840. 1 1/4 page letter with initialed postscript, with integral blank. 4to (10 x 8 inches). Old folds. SECOND SEMINOLE WAR Letter to Colonel William Davenport, 1st Infantry, United States Army West Florida, written prior to Scott's return to Florida in 1840. Scott writes "I begin to entertain hopes that the Florida War may be terminated by the negotiations ... A deputation has arrived from the Arkansaw & another, it is said, is expected at Washington from Florida. Something may come out of this double diplomacy to enable us to withdraw our troops from those miserable swamps." Unfortunately for the men, the fighting in the swamps continued for two more years. In 1842 the Seminoles remaining in Florida were allowed to stay, providing they confined themselves to the established reservation. Scott is the longest serving general of any man in American history, and many historians rank him as the best American commander of his time, as do other military men like the Duke of Wellington, who called Scott the greatest living general after Scott captured Mexico City in 1847. Scott was also the commanding officer in charge of the removal of the Cherokee from Georgia, Tennessee, and Alabama. In an interesting postscript to this letter, Scott asks Davenport to attend to a sartorial matter, a black cashmere vest, made of the finest material, and a sidearm pocket for spectacles.

      [Bookseller: James Cummins Bookseller]
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        Das Königsstädter Theater.

      . gouachierte Lithographie m. Tonplatte v. Loeillot b. Sachse & Co., um 1840, 18,5 x 28. Selten! Nicht bei Kiewitz; Ernst, Loeillot, Nr. 57. - Blick vom Alexanderplatz zum ehemaligen königstädtischen Theater, halbrechts i. Hgr. die Königsbrücke mit den sog. Königskolonnaden.

      [Bookseller: Antiquariat Nikolaus Struck]
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        Histoire de l'Empereur Napoléon illustrée par Horace Vernet [et Hippolyte Bellangé]

      Paris: J.-J. Dubochet, 1840. Livre. Illus. by Horace Vernet - Hippolyte Bellangé. Très bon. demi-reliure. Petit In-4. Paris, J.-J. Dubochet, 1840. 26 x 17,5 cm (R), petit et fort in-4, 832 pp. - 47 planches hors texte, toutes en couleurs, dont un titre-frontispice par Clerget gravé par Andrew, Best et Leloir, un frontispice par Horace Vernet gravé par Brevière et 45 planches réhaussées de couleurs à l'aquarelle d'après Bellangé (graveurs variés), environ 500 vignettes sur bois dans le texte par Horace Vernet, reliure de l'époque de demi-chagrin prune, dos à 5 nerfs, entre-nerfs mosaïqués de chagrin noir et ornés de caissons et filets dorés. Deuxième édition, enrichie d'une relation de la translation en France des cendres de l'Empereur et des ses funérailles. Cette édition est la seule à comporter les planches en couleurs d'uniformes militaires d'après Bellangé. Dans notre exemplaire, le frontispice (statue de l'Empereur supporté par les soldats de la grande armée) est en couleurs, alors qu'on le trouve souvent en noir. De plus, notre exemplaire est enrichi d'une 45e planche hors-texte (l'Empereur à cheval), de la même série que les 44 autres, non mentionnée à la table des planches et parfois décrite comme deuxième frontispice. Vicaire mentionne un exemplaire (celui de la bibliothèque de M. Henri Monod) ayant les mêmes caractéristiques, mais en demi-reliure éditeur. Ce deuxième frontispice manque à la plupart des exemplaires. Ex-libris Jean-Claude Courbin. Fiches de libraires montées sur le premier feuillet blanc. Quelques rousseurs éparses, bel exemplaire. (VICAIRE, V, 100) (2,5 kg).

      [Bookseller: Des livres autour (Julien Mannoni)]
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        A Glossary of Terms Used in Grecian, Roman, Italian, and Gothic Architecture

      Oxford: John Henry Parker, 1840. Third edition, enlarged. Frontispiece, steel engravings to text. 3 vols. 8vo. Dark purple morocco, covers blocked in gilt to a cathedral design, spine in five compartments with raised bands, a.e.g., Dutch gilt endpapers, light rubbing to joints, near fine.

      [Bookseller: James Cummins Bookseller ]
 43.   Check availability:     ABAA     Link/Print  


        PORZELLAN, STEINGUT, FAIENCE FABRIKANT

      34 x 40 cm. Passepartoutausschnitt, um 1840.. Originallithographie v. C. Kunz bei Toman, Wien. Schönes, dekoratives Blatt in graumeliertem Holzrahmen.. In der Mitte des Blattes Porzellanladen mit Kunden, umgeben von ornamentaler Bordüre. In der Umrandung Arbeitsszenen des Töpfers und Emailleurs und ihrer Produkte. Aus der Reihe "Der Mensch und sein Beruf".

      [Bookseller: Magdeburger Antiquariat]
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        461, 305, 312, 443 pp. Leinen Here: 4 (from 5) large volumes (28,5cm x 38,5cm). Blaue Leinenbände mit Schutzumschlag im Schuber. Sehr gut erhalten. 4 volumes clothbound in blue linnen. . Tome 1: 1840-1881 Peintures (1974); Tome 2: 1882-1886 Peintures (1979); Tome 3: 1887-1898 Peintures (1979); Tome 4: 1899-1926 Peintures (1985). C47./A022, ISBN: 2908063069

      . sehr gut erhalten.

      [Bookseller: Antiquariat Bücherwurm, Einzelfirma]
 45.   Check availability:     ZVAB     Link/Print  

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