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Displayed below are some selected recent viaLibri matches for books published in 1836

        Les Métamorphoses du Jour par Grandville.

      Aubert & Cie, Paris 1836 - In-4 oblong d'1 titre et 71 planches en noir, cartonnage jaune illustré (reliure de l'époque). Deuxième tirage publié par Aubert en 1836 du chef-d'oeuvre anthropomorphe de Grandville dans son cartonnage romantique illustré. Collection complète des 71 lithographies en noir de la deuxième édition dite « populaire » publiée une première fois par Bulla en 1828. Cartonnage légèrement défraîchi et pâles rousseurs mais bon exemplaire. Vicaire, V, 780. [Attributes: Hard Cover]

      [Bookseller: Bonnefoi Livres Anciens]
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        Über die Verschiedenheit des menschlichen Sprachbaues und ihren Einfluß auf die geistige Entwickelung des Menschengeschlechts.

      Berlin Kgl Akademie für Dümmler 1836 - 4°. XI, 511 S. Halblederband der Zeit Borst 1795. Carter/Muir 301. Erste Einzelausgabe und "Summe" von Humboldts sprachphilosophischen Aufsätzen. Erschien gleichzeitig als Einleitung zu dem dreibändigen Werk "Über die Kawi-Sprache auf der Insel Java". In diesem seinem philologischen Testament versucht Humboldt, Völker nach ihrer Sprache zu klassifizieren. Wichtiger als diese Klassifizierung ist jedoch der Schluß, den Humboldt daraus zieht, daß nämlich die Entwicklung der einzelnen Sprachen durch Physiologie, Ethnographie, Geschichte, Geographie sowie politische und religiöse Beziehungen beeinflußt wird und daß kulturelle Entwicklungsphasen der Völker in ihren Sprachen starke Spuren hinterlassen. - Außengelenke gering eingerissen. Titelblatt und Vorwort gestempelt. Ränder gebräunt aber kaum stockfleckig. 3 Bll. mit kl. Papierbeschädigung am weißen Rand. Gewicht (Gramm): 2000

      [Bookseller: Müller & Gräff e.K.]
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        The Complete Angler . by Izaak Walton and . Charles Cotton . With Original Memoirs and Notes by Sir Harris Nicolas

      William Pickering, London 1836 - First Nicolas edition. Engraved title page, 48 engraved plates, two pages of music and two woodcuts of the Walton seal, 9 head-pieces, and 2 portraits of Walton. 2 vols. 4to (10-1/4 x 7 inches). The First Nicolas Edition. One of the finest illustrated editions of Walton ever published. Pickering employed 27 of the most prominent artist, painters, and engravers to illustrate it. Coigney 44; Westwood & Satchell, p.28; Keynes, p. 94; Oliver 41 Full red pebbled morocco, spine gilt, a.e.g. Some minor rubbing to spines. Bookplate of Frederick Adolphus Philbrick, Middle Temple. In open-faced cloth slipcases Engraved title page, 48 engraved plates, two pages of music and two woodcuts of the Walton seal, 9 head-pieces, and 2 portraits of Walton. 2 vols. 4to (10-1/4 x 7 inches) [Attributes: First Edition]

      [Bookseller: James Cummins Bookseller, ABAA]
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        O KA HULIANO, HE OLELO NIELE IA E MOAKAKA AI KE ANO O KA PALAPALA HEMOLELE...

      Oahu: Mei Pai Palapala a na Misionari, 1836. 12mo. Contemporary calf, spine tooled in gilt, leather label. Hinges lightly rubbed. Bookplate on front pastedown. Near fine. The second edition, with a printing of only 3,000 copies. The title translates as: "The inquiry, questions illustrating the meaning of the Holy Scriptures. A good thing for Sunday Schools. Book I. About the story of Jesus and his miracles." This copy is from the library of James F. Hunnewell (1832-1910), with his bookplate. Hunnewell was a Boston book collector and bibliographer. He published BIBLIOGRAPHY OF THE HAWAIIAN ISLANDS in 1869. His father, James Hunnewell, became familiar with the islands when the ship he was on was sold to Hawaiian chiefs. The senior Hunnewell was responsible for collecting the payment in sandalwood and then selling it in China. As a result, he spent several months in the islands and became friendly with the local populace. In 1820 he arrived in Honolulu as second mate on the brig Thaddeus, the ship bearing the first American missionaries as well as the first printing press there. He later developed a significant business in Hawaii which grew into the commercial house later known as C. Brewer & Company. Though he returned to Charlestown, Massachusetts, he spent the rest of his life actively engaged in exporting goods to Hawaii and California. Part of his considerable fortune was given to found Oahu College. FORBES 1019. JUDD 141. DAB IX, p.381.

      [Bookseller: William Reese Company - Americana]
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        The Despatches, Minutes, and Correspondence of the Marquess Wellesley, during his Administration of India

      London: John Murray, , 1836-7. 5 volumes, octavo (217 × 135 mm). Contemporary half calf, marbled boards, title gilt direct to spines, raised bands with dotted roll gilt, edges sprinkled red, dun endpapers. Engraved portrait frontispiece with facsimile signature to volume I, 2 folding maps and one similar battle-plans, one coloured, one coloured in outline, and one with the dispositions in colour. Just a little rubbed, some off-setting from the plates and bookplates, mild foxing front-back and fore-edge, light browning else, a very good set. First editions. "The most brilliant part of Wellesley's career was unquestionably his government of India. He must be regarded as one of the three men who consolidated the empire of which Clive laid the foundation. In many respects he resembled Dalhousie more than Hastings; but the difficulties which he was called upon to encounter were greater than those which confronted Dalhousie Â… As a member of a constitutional government such as that of Great Britain he was somewhat out of place owing to his autocratic habits and the contempt which he felt, and did not attempt to conceal, for the failings of his less able colleagues. Mackintosh called him 'a sultanized Englishman'" (DNB). A very handsome set indeed of this important collection of Wellesley's papers. An excellent set in a solid and soberly handsome binding with the bookplates of Sir Edward Cholmeley Dering, (1807-1896), Kent landowner, and MP variously for Wexford, New Romney and Kent East, 1830-68.

      [Bookseller: Peter Harrington]
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        Switzerland. Illustrated in a series of views taken expressly for this work by W.H. Bartlett.

      London George Virtue 1836 - 2 Bde. 4°. IV, 1 nn. Bl., 188 S., 1 nn. Bl., 152 S. Mit 2 gest. Tit.-Vign., 106 Stahlst. u. 1 mehrfachgef. Kte. With 2 engraved title vignettes, 106 steel engravings and 1 several times folded map. Ldr. Verg. Rü.-Sch. u. Rü.-Tit., dekorative Rü.-u. Deckelverg. Goldschn. Etw. ber. u. bestossen, Rü. an d. Gelenken m. kl. Einrissen. Bd 1 Gelenke l. lose. Vorsatzbll. fl., tls stärker gebr. u. braunfl. Dekorative Ausgabe. Calf. Gilt label and title on spine, decorative gilt spine and gilt images on boards. Gilt edges. Slightly rubbed and bumped, back with little tears. Vol. 1 joints slightly loose. Flysheets stained, partly browned. Very nice copy. Auf Wunsch gerne Foto via e-mail. 5,000 gr. [Attributes: Hard Cover]

      [Bookseller: Neusser Buch & Kunst Antiquariat]
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        The Pictorial Bible Being The Old and New Testaments

      London: Charles Knight & Co.,, 1836. Illustrated with Many Hundred Wood-CutsÂ…To Which Are Added Original Notes. 3 volumes, large octavo (257 x 170 mm). Contemporary brown half morocco, titles to spine gilt with decoration in blind, brown pebble-grained cloth boards, brown endpapers, red stained edges. Engraved title pages and illustrations throughout. Pages nice and clean, spines and corners just a little rubbed, an excellent copy. A handsomely bound and copiously engraved Bible.

      [Bookseller: Peter Harrington]
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        Indien oder die Hindus , nach den neuesten und besten ,vorzüglich englichen Werken " (2Bände)

      Verlag Baumgärtner Leipzig Erscheinungsjahr 1836 - Format 8° - 4 Abteilungen in 2 Bänden - , XII S. + 562 S.+ 579 S.+ insgesamt 44 ganzseitige zumeist gefaltete Tafeln ,hübsch marmorierte Originalpappbände , diese etwas bestoßen , Buchblöcke sehr gut erhalten , Band 2 endet mit "Ende des zweiten Bande" , gleichzeitig wird darauf hingwiesen, daß an einer 5.Abteilung gearbeitet wird,zu der jedoch gerade Material gesammelt wird , jedoch nie erschien - alles Erschienene und damit vollständig- insgesamt guter bis sehr guter Zustand

      [Bookseller: Antiquariat Alfred Tauchnitz]
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        Les Saints Évangiles

      First edition of this publication in the Gospels carefully Curmer. A frontispiece in chromolithography, the first of the preliminary discourse beautifully illuminated page in gouache, 12 figures inset on steel by Tony Johannot, 2 color maps and 10 woodcuts out text drawn on China from Marville and French. All boards have a printed winds. Each page in a Gothic-style frame with interlaced foliage and small figures; there are several types through the book.Spectacular bound in full morocco black long grain (Russian leather). Smooth back very ornate. Take large decorations intertwined based binders Renaissance Grolier. Curmer Paris 1836 In-8 (17x26,5cm) 2 tomes en 2 volumes reliés

      [Bookseller: Librairie Le Feu Follet]
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        Experimental Researches in Electricity Twenty-Second Series: On the crystalline polarity of bismuth and other bodies, and on its relation to the magnetic form of force" AND "Experimental Researches in Electricity Twenty-Second Series: On the crystalline polarity of bismuth and other bodies, and on its relation to the magnetic form of force, Part II" The Bakerian Lecture in Philosophical Transactions of the Royal Society of London, 139, 1849, pp. 1-18 and pp. 19-41

      FIRST EDITION OF TWO IMPORTANT PAPERS BY MICHAEL FARADAY, EACH PUBLISHED AS PART OF HIS LANDMARK TWENTY-NINE PAPER "EXPERIMENTAL RESEARCHES IN ELECTRICITY" SERIES. The papers discuss magneto-crystallic force and the abnormal behavior of various crystals in a magnetic field. Faraday "hoped that when 'properly understood' the various phenomena examined in terms of their magnecrystallic, crystallographic and optic axes would come under 'one law [that] will include all these phenomena'" (Kox, No Truth Except in the Details). Faraday was an English chemist and physicist often thought to be the best experimentalist in the history of science. During Faraday's earlier experiments on electro-magnetical theory he had "observed some phenomena that led him to a belief in the existence of another form of force, distinct from either paramagnetic or diamagnetic force, which he called the magne-crystallic force. He had been experimenting with some slender needles of bismuth, suspending them horizontally between the poles of an electro-magnet. Taking a few of these cylinders at random from a greater number, he was much perplexed to find that they did not all come to rest equatorially, as well-behaved bars of diamagnetic bismuth should do, though, if subjected to the action of a single magnetic pole, they did show this diamagnetic character by their marked repulsion. After much experimentation, he ascribed this phenomenon to the crystalline condition of the cylinder. By experimenting with carefully selected groups of crystals of bismuth, he believed he could trace the cause of the phenomenon to the action of a force which he called the magne-crystallic force" (Houston, "Electricity and Magnetism"). Faraday believed that in studying the different action of a magnetic field upon crystalline bodies (different according to the position of their axes of crystallization) he [was observing] the 'action' of a 'new' and 'specific force' (Faraday). Here he describes his research in an important letter to colleague Christian Schönbein: "I have been working also a little and have sent two papers to the Royal Society on the Crystalline Polarity of bismuth and other bodies and its relation to the Magnetic force. [My research] makes the crystal point as a magnetic needle would point, yet is the result not an effect of attraction or repulsion or polarity, for the bismuth is repelled, as a diamagnetic body, as much and no more than if it had not this set. If it be fused and then resolidified, all this power is lost, because it belonged to a regular crystallization and that has now become irregular. Antimony and Arsenic are also magnecrystallic, like bismuth - and crystalline plates of these metals taken from broken up masses point well, provided the whole of the fragment be uniformly crystallized. Not only are diamagnetic bodies, like those mentioned, but also Magnetic bodies, Magnecrystallic. Thus a crystal of protosulphate of iron is so, having the Magnecrystallic axis perpendicular to two of the faces of the rhombic prism, in which that salt crystallizes. I can by arrangement oppose the Magnecrystallic force either to the magnetic or the diamagnetic condition of bodies - so that I can make a crystal of Sulphate of iron recced from a magnetic pole, or a crystal of bismuth approach towards it, against what we should otherwise consider their natural tendency. As I said just now this effect is not one of attraction or of repulsion but of position only, and is as far as I can see a new effect or an exertion of force new to us" (The Letters of Faraday and Schoenbein 1836-1862, 182). CONDITION & DETAILS: Entire Part I of the Phil Trans for 1848 [published in 1849] offered here. Disbound with text block intact. Ex-libris with occasional small "Liverpool Mechanics' Institution' stamps not impacting text. 4to. (11.5 by 9 inches; 288 x 225mm). [2], x, [4], 170, [2]. 12 plates. The title page has been professionally reinforced. Clean and bright throughout.

      [Bookseller: Atticus Rare Books]
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        Payta Kootha A Shawanee Warrior

      Philadephia: E. C. Biddle, 1836. Hand-coloured lithograph after Charles Bird King, printed by Lehman & Duval. A fine image from McKenney and Hall's 'Indian Tribes of North America': `One of the most important [works] ever published on the American Indians' (Field),` a landmark in American culture' (Horan) and an invaluable contemporary record of a vanished way of life. Payta Kootha, Flying Clouds, was a Shawnee chief. He signed several treaties including the Treaty of Greenville in 1795. His last treaty was signed in 1825 by which the Shawnee surrendered all claim to land east of the Mississippi. An early impression printed by Lehman & Duval and published by Edward Biddle. Based on paintings by the artist Charles Bird King, who was employed by the War Department to paint the Indian delegates visiting Washington D.C., forming the basis of the War Department's Indian Gallery. Most of King's original paintings were subsequently destroyed in a fire at the Smithsonian, and their appearance in McKenney and Hall's magnificent work is thus our only record of the likenesses of many of the most prominent Indian leaders of the nineteenth century. Numbered among King's sitters were Sequoyah, Red Jacket, Major Ridge, Keokuk, and Black Hawk. After six years as Superintendent of Indian Trade, Thomas McKenney had become concerned for the survival of the Western tribes. He had observed unscrupulous individuals taking advantage of the Native Americans for profit, and his warnings about their future prompted his appointment by President Monroe to the Office of Indian Affairs. As first director, McKenney was to improve the administration of Indian programs in various government offices. His first trip was during the summer of 1826 to the Lake Superior area for a treaty with the Chippewa, opening mineral rights on their land. In 1827, he journeyed west again for a treaty with the Chippewa, Menominee , and Winebago in the present state of Michigan. His journeys provided an unparalleled opportunity to become acquainted with Native American tribes. When President Jackson dismissed him from his government post in 1830, McKenney was able to turn more of his attention to his publishing project. Within a few years, he was joined by James Hall, a lawyer who had written extensively about the west. McKenney and Hall saw their work as making a record of a rapidly disappearing culture. (Gilreath). Cf. BAL 6934; cf. Bennett p.79; cf. Field 992; cf. Howes M129; cf. Lipperhiede Mc4; cf. Reese, Stamped With A National Character 24; Sabin 43410a; Viola, The Indian Legacy of Charles Bird King, 75-79.

      [Bookseller: Donald Heald Rare Books]
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        Führer durch Köln. Guide dans la ville de Cologne. Mit 15 (1 gefalt.) lithogr. Ansichten a. Tafeln u. 1 lithogr. Ansicht als Vortitel.

      Köln Renard & Dübyen 1836 - 30 Seiten, 1 Bl. und Tafeln, Kl8°, (15,5 x 10 cm), mod. handgeb. hellbrauner Ganzlederbd. mit Ganzgoldschnitt. Mit den dekorativen Kleinansichten vom Bayenturm, Dom, St. Kunibert, Schaupielhaus, Regierungsgebäude, St. Gereon, Apostelkirche, Innere von St. Maria im Kapitol, Tempelhaus, Gürzenich, Rathaus (2), St. Martinskirche, St.Severinskirche und das Dombild (gefalt. Ansicht des Gemäldes von Philipp Kalf von Köln). - Sehr gut erhaltenes Exemplar, Text und Tafeln leicht gebräunt.

      [Bookseller: Antiquariat Heuberger (VDA / ILAB)]
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        Sketches and remembrance of the Carlist Army / Esquisses et souvenirs de l’Armée Carliste. Colección de 5 litografias coloreadas (de 6, en nuestra colección falta la nº 2).

      1836 - Paris, Lith. de Ligny, rue Quincampoix, 38., ca. 1836-1837. 28x35 cms. Se presentan enmarcadas, y creemos que están ligeramente recortadas. Pequeñas motitas de óxido. Nº 1: Infantry of the line / Soldat d’infanterie de ligne carliste – "Inglez! Sangre vendido! Venga, venga aca." Nº 3: Light infantry of the line / Soldat d’infanterie legere carliste – "Maldita seais estos malditos negros nos hacen andar como unos desesperados" Nº 4: Cavalry of the province of Navarre / Cavalier carliste de la province de Navarre – "Tanto val ser faccioso como Christino: Don Carlos no pierde, la Reyna no gaña, nosotros comemos y el pueblo lo paga" Nº 5: Doineirs or guerrilha / Douanier ou guérille carliste – "Con la gracia de N. Sª de Arranzazu ya von mien 190 cartucho" Nº 6: Cavalry of the province of Guipuscoa / Cavalier de la province de Guipuscoa – "Ya pasa de tres años que andamos corriendo estas sierras como lubos y de cierto moriremos aquí de viejo" La librería ofrece por tiempo limitado un descuento del 15%. El precio original de este ejemplar era de 880 EUR.

      [Bookseller: Llibreria Central]
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        Hauptmomente aus dem Leben Sr. Majestat Franz I. Kaisers von Oesterreich, apostol. Konigs.

      Posonii (Bratislava. Typis Antonii Nobilis De Schmid. 1836 - Album di cm. 51x73; pp. (4) testo in latino, 20 tavole di 21, pp. (4) testo in tedesco. Manca frontespizio e una tavola, la 21a raffigurante catafalco funebre. Venti belle tavole in litografia, di cm. 36,5 x 47 circa cadauna, con testo in tedesco e latino, sulla vita di Francesco I. tavola 1: Visiti ai militari infermi a Lugos 1789; Tavola 2: Perlustrazione delle fortificazioni nemiche vicino a Krotzka presso Belgrado; Tavola 3: Francesco firma la Costituzione Ungherese 1792; Tavola 4: Incoronazione di Francesco Imperatore a Francoforte nel 1792; Tavola 5: La Battaglia presso Tournay 1794; Tavola 6: Francesco con la famiglia; Tavola 7: Fondazione dell'Ordine di San Leopoldo 1808; Tavola 8: Incoronazione di Maria Lodovica a Bratislava nel 1808; Tavola 9: Battaglia di Lipsia 1813; Tavola 10: Ingresso di Francesco I a Parigi 1814; Tavola 11: Ritorno a Vienna 1814; Tavola 12: Incontro tra Francesco I e gli imperatori di Russia e Prussia nel 1814; Tavola 13: Primo Annoversario della Vittoria di Lipsia (festeggiamenti) 1814; Tavola 14: Entrata di francesco I in Francia 1815; Tavola 15: Solenne Ingresso a Venezia nel Lombardo Veneto nel 1815; Tavola 16: Omaggio del Tirolo a Francesco I Padre della Patria 1816; Tavola 17: Francesco I ricevuta dal Papa Pio VII 1819; Tavola 18: Incoronazione del figlio Ferdinando V a Bratislava 1830; Tavola 19: Francesco I assieme a Nicola di Russia conduce la cavalleria ungherese nel 1833; Tavola 20: Francesco I sul letto di morte 1835. Disegni delle tavole di Johan Nepomuk Hoechle, litografo F. Wolf. Legatura coeva in mezza pelle con punte. Qualche fioritura, piccoli difetti, ottimo esemplare [Attributes: Hard Cover]

      [Bookseller: GALLERIA LA STAMPA ANTICA]
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        TRACTS AND OTHER PAPERS, RELATING PRINCIPALLY TO THE ORIGIN, SETTLEMENT, AND PROGRESS OF THE COLONIES IN NORTH AMERICA, FROM THE DISCOVERY OF THE COUNTRY TO THE YEAR 1776.

      Washington. -1846. 1836 - Four volumes. 19th-century three-quarter morocco and marbled paper, gilt, spines gilt. Spines slightly darkened. Bookplate on front pastedowns. Very light, scattered foxing, confined to first two volumes. Very good, untrimmed. An important collection of accounts of the early history of the American colonies, gathered by the assiduous Peter Force. Among the items reprinted, all with their own titlepages and paginations, are A TRUE DECLARATION OF THE ESTATE OF THE COLONIE IN VIRGINIA (1610), Smith's .NEW ENGLAND., the first printed version of Oglethorpe's A BRIEF ACCOUNT OF THE ESTABLISHMENT OF THE COLONY OF GEORGIA., and works by the Gentleman of Elvas and Nathaniel Byfield. "A most interesting and valuable series of reprints of the rarest of tracts relating to America, all of which are noticed in this dictionary, under their respective names" - Sabin. "Some of these fifty-two tracts appeared here in print for the first time" - Howes. "This collection of tracts on early American history is indispensable to all students, whether of the north or the south, and by frequent reprints should be made accessible to all" - Larned. Force formed a very large collection relating mainly to American history, which he sold to the Library of Congress. HOWES F247, "b." LARNED 848. SABIN 25059.

      [Bookseller: William Reese Company - Americana]
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        Mémoire sur la Dispersion de la Lumière

      1836 - IV-236 pages Prague, chez J.G. Calve, 1836, in-4, IV-236 pages, demi-chagrin havane, dos à faux nerfs, Première édition séparée. Important ouvrage dans lequel Cauchy (1789-1867), à la suite de Fresnel, explique la dispersion de la lumière selon la théorie ondulatoire. Il a paru à l'origine en 8 livraisons dans les Nouveaux exercices de mathématiques en 1835; il s'inscrit dans la continuité ses travaux précédents, publiés à Paris en 1830. Ce mémoire a paru quant à lui à Prague, où le mathématicien était précepteur du duc de Bordeaux en exil. Titre et avant-propos des Nouveaux exercices de 1835 rajoutés parmi les feuillets liminaires. Étiquette ex-libris Henri Viellard. Cachets de l'Institut catholique annulé. Petits manques au dos, charnières frottées. Étiquette en pied du dos. Quelques feuillets fortement brunis, rousseurs. DSB III, p. 131 et suiv. [Attributes: Hard Cover]

      [Bookseller: Librairie Alain Brieux]
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        Cheret, Jules - Quinquina Dubonnet.

      DE BELLE EPOQUE NODIGT UIT VOOR EEN APERATIEFReclame Affiche '" "Quinquina Dubonnet"', lithografie ontworpen door Jules Chéret (1836-1932), gedrukt door Chaix te Parijs in 1896. Afmetingen: 125 x 89 cm. Chéret was de eerste die kleurenaffiches maakte, levendige ontwerpen voor cabaret, variété en theater zoals Olympia, Folies Bergères en Moulin Rouge. Later breidde hij zijn werk uit naar het maken van advertenties voor allerlei producten. Hij wordt gezien als de vader van de moderne lithografie en vader van de reclame affiche. Chéret maakte verschillende ontwerpen voor Quinquina Dubonnet, alle met een mooie jonge vrouw en een witte kat. Deze kat is een compliment aan mevrouw Dubonnet, wiens eigen kat in het bedrijfslogo was verwerkt. Hier zien we de jonge vrouw met het glas in haar hand, uitnodigen voor een aperitief. Met aandacht voor beeld in plaats van tekst, bracht Chéret een revolutie teweeg in de manier waarop posters werden vorm-gegeven. Hij meende dat een affiche niet noodzakelijkerwijs een product moest tonen, het was slechts van belang dat het bij de kijker een positieve reactie genereerde. Met zijn grote affiches met afbeeldingen van vrijdenkende dames, zette hij aan tot de emancipatie van de vrouw. Vrouwen werden vóór Chéret meestal afgebeeld als prostituee, of als puritein. Zijn zgn. "Chrérettes"' waren geen van beide. Het werkte merkbaar bevrijdend voor de vrouwen van Parijs, die nu decolletés mochten dragen en konden roken in het openbaar. Vandaag de dag behoort Chéret tot de meest verzamelde kunstenaars uit de Belle Epoque. Prijs: € 2.450,- (incl. lijst, excl. BTW/VAT).

      [Bookseller: Inter-Antiquariaat MEFFERDT & DE JONGE]
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        Sammelband mit insgesamt 37 Ankündigungszetteln des Olympischen Circus der Gebrüder Tourniaire für Vorstellungen in Würzburg (3) und Frankfurt (24, sowie 10 Dubletten).

      (Würzburg), 2.-4. 9. 1836 und (Frankfurt), Heller & Rohm, 8. 9. - 1.10. 1836.. Marmorierter Pappband d. Zt. 36 x 21,5 cm. Vorliegen die letzten 3 Tage der Tourneestation in Würzburg, daran angebunden die Werbezettel für alle täglichen Auftritte in Frankfurt; 10 davon doppelt vorhanden. Benoit (1801-1865) und Francois (1810- ca. 1846) Tourniaire übernahmen nach Tod des Vaters und Begründers der gleichnamigen Zirkus- und Kunstreiterdynastie, Jacques Tourniaire (1772-1829) das Geschäft und zogen damit 17 Jahre durch Europa. Zu der interessanten Familiengeschichte siehe auch ausführlich: Saltarino, Artisten-Lexikon, p. 203-206.

      [Bookseller: Antiquariat Turszynski]
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        Sammelband mit insgesamt 37 Ankündigungszetteln des Olympischen Circus der Gebrüder Tourniaire für Vorstellungen in Würzburg (3) und Frankfurt (24, sowie 10 Dubletten).

      (Würzburg), 2.-4. 9. 1836 und (Frankfurt), Heller & Rohm, 8. 9. - 1.10. 1836. - Marmorierter Pappband d. Zt. 36 x 21,5 cm. Vorliegen die letzten 3 Tage der Tourneestation in Würzburg, daran angebunden die Werbezettel für alle täglichen Auftritte in Frankfurt; 10 davon doppelt vorhanden. Benoit (1801-1865) und Francois (1810- ca. 1846) Tourniaire übernahmen nach Tod des Vaters und Begründers der gleichnamigen Zirkus- und Kunstreiterdynastie, Jacques Tourniaire (1772-1829) das Geschäft und zogen damit 17 Jahre durch Europa. Zu der interessanten Familiengeschichte siehe auch ausführlich: Saltarino, Artisten-Lexikon, p. 203-206. [Attributes: Hard Cover]

      [Bookseller: Antiquariat Uwe Turszynski]
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        Types Français

      1836. Daumier and Traviès at their BestÂ…DAUMIER, Honoré. TRAVIÈS, (Charles Joseph Traviés De Villers). A group of nine caricature portraits from the 'Types Français' series. A group of nine lithographs, seven by Daumier and four by Traviés. Seven with original hand-coloring heightened in gum-arabic, four uncolored. Each c.245 x 180 mm., some minor marking and light soiling visible to margins, but overall excellent, Paris, ca. 1836. Bound in the 'French' style in period nineteenth century full green straight-grain morocco, covers elaborately ruled in gilt and blind, spine with five raised bands, elaborately tooled and lettered in gilt, gilt board edges and turn-ins, marbled endpapers. A spectacular collection of hand-colored lithographs - Daumier and Traviès at their very bestÂ…5. TRAVIÈS. Le Bottier (The Bootmaker) [coloured and uncolored copies]8. DAUMIER. le Petite Rentier (The Retired Ironmonger - Two thousand francs of yearly income, a dog, a cat, canaries and a garden on his windowsill) DR #264 / HD 2703 [colored and uncolored copies]10. DAUMIER. Le Cuisinier (The Cook. The cook is a French export article. Particularly England makes a prodigious use of him. He is also very appreciated in Paris where he is an influential governing tool) DR #265 / HD 270412. DAUMIER. Le Coiffeur (The Hairdresser. Hair styling is an art, which has its own language, its principles, its academies, and its experts. The true artist hairdresser is French, Parisian, from Languedoc or Provence, but above all a Gascon) DR #267 / HD 270613. DAUMIER. Perruquier du Faubourg (The barber of the suburbs. He is talkative, a scandal monger, a backbiter, but a good man. His hand is rough and heavy, a razor which lacks an edge and a soap which stinks of herbs) DR #268 / HD 2707 15. DAUMIER. Le Rapin (The Art Student. He despises the crowd which laughs at his greasy hair, at his dirty beard, at his blue fingernails, his black shirt, at his discoloured clothes and at his allure of genius. He scorns Raphael or Watteau, following the fashion of the art students of his time. He despises the fortune which he will never attain and the lessons which he scorns to take. He despises everything and believes that the world is looking at him. At thirty you will see him as a drawing teacher at the Brive-la-Gaillarde high school) DR #269 / HD 270817. DAUMIER.. Le Charcutier (The Pork Butcher. The effect of fire on the expression of the butcher determines either an extreme thinness or produces an excessive plumpness. As to his nature, the pork butcher is somewhat stationary, besides that he is a happy lad, as you can see and rapidly makes his fortune) DR #270 / HD 270918. TRAVIÈS. Le Médecin de Quartier (The District Doctor)21. TRAVIÈS. Le Viveur (The Rake)The complete suite of Types Francaise consisted of eleven lithographsThe five lithographs not present are: Le Petit Clerc (The Little Clerk) DR #260 / HD 2699Le Tailleur (The Tailor) DR #261 / HD 2700 L'écrivain Public (The Public Writer) DR #262 / HD 2701Le Banquier (The Banker) DR #263 / HD 2702 Le Restaurateur (The Restorer) DR #266 / HD 2705

      [Bookseller: David Brass Rare Books, Inc.]
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        Wanderings and Excursions in North Wales and South Wales. 2 volumes.

      C Tilt and Simpkin and Co ( Wrightson and Webb, Birmingham ), London. 1836 - North Wales volume [12] + 261 pp + [4] + 51 plates as called for. South Wales volume ( including The Scenery of the River Wye ) [10] + 268 pp + [2] + 48 plates as called for. Scattered foxing, with some offsetting from plates. Very good hardbacks in fine, ornately decorated, full morocco. Aeg. A beautiful pair. [Attributes: First Edition; Hard Cover]

      [Bookseller: Elaine Beardsell (PBFA )]
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        Trauerszene am Kreuz nach der Kreuzabnahme Jesu. "Gemalt von Wm. Schadow." " Gestochen von Hoffmann."

      Düsseldorf Kupferdruckerrei d Königl Kunst-Academie Düsseldorf von C Schulgen-Bettendorff () 1836 - Einblattdruck auf feinem Papier, sauberer klarer Abdruck, Papier sauber, Blattmaße: 29 x 44,5 cm. Das Gemälde zum Kupferstich fertigte Schadow (1788 Berlin - 1862 Düsseldorf) noch vor seiner dritten Romreise 1839/40 an (Schadow konvertierte 1814 vom evangelischen zum katholischen Glauben). Ende 1825 schloss Schadow sein großes Atelier in Berlin, da man ihn Anfang 1826 zum Direktor der Düsseldorfer Kunstakademie als Nachfolger von Peter von Cornelius gemacht hatte. 1827 folgten ihm einige seiner begabtesten Schüler, darunter Eduard Bendemann, Theodor Hildebrandt, Julius Hübner, Carl Friedrich Lessing Carl Ferdinand Sohn. Daraus entstand nach kurzer Zeit die Düsseldorfer Malerschule. In seiner Eigenschaft als Direktor der Akademie war Schadow maßgeblich an der Verbesserung des Kunststudium sowie der dazugehörigen praktischen Ausbildung beteiligt. 1829 wirkte er an der Gründung des Düsseldorfer Kunstvereins mit. In den ersten Jahren nach 1810, 1830 und 1831 und später nochmals 1839 bis 1840 hielt sich Schadow in Rom auf. Von diesen Reisen brachte er viele Skizzen und Ideen mit, welche dann im Atelier die Grundlage seines künstlerischen Schaffens wurden. Der vorliegende Kupferstich nach einem Gemälde von Schadow wurde "Den Mitgliedern des Kunstvereins für die Rheinlande und Westphalen für die Jahre 1837 und 1838" überreicht. "Das Original ist von dem Kunstvereine auf den Hauptaltar der Pfarrkirche zu Dülmen gestiftet". (Text im unteren Blattbereich). Der Kupferstich trägt den Bibelvers: "Denn also hat Gott die Welt geliebt dass Er seinen eingeborenen Sohn hingab damit alle die an Ihn glauben nicht verloren gehen, sondern das ewige Leben haben. Joh 3,16".

      [Bookseller: Versandantiquariat Christine Laist]
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        Landschaft mit Gutshof.

      - Aquarell über Bleistift, mit schwarzer Tuschlinie umrandet, auf cremefarbenem Velin mit Wasserzeichen: J Whatman Turkey Mill, links von der Mitte signiert und datiert „EHArndt gez. 1836.". 23,6:53,3 cm. - Leicht fleckig, kleinere Einrisse im linken Rand sorgfältig restauriert. Mit liebevoller zeichnerischer und perspektivischer Genauigkeit erfaßte der in Dresden lebende Architekt hier einen großen, in eine spätsommerliche Landschaft eingebetteten Gutshof. Nach Arndts Plänen ist beispielsweise 1840/41 die Kirche in Lichtenberg/Lausitz errichtet worden, die seinerzeit als Muster einer Predigerkirche angesehen wurde. 1844/46 plante er zusammen mit dem viel beschäftigten Dresdener Architekten Gustav Heine (1802-1880) ein Gebäude für die Technische Bildungsanstalt (heute TU Dresden).

      [Bookseller: Galerie Joseph Fach GmbH]
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        Système pénitentiaire aux Etats-Unis et de son application en France; suivi d'un appendice sur les colonies pénales, et de notes statistiques; seconde édition entièrement refondue et augmentée d'une introduction, etc

      1836 - 2 volumes de I: (4), 394pp. Paris, Charles Gosselin, 2° éd, 1836, in-4, 2 volumes de I: (4), 394pp. - II: (4), 374pp, 5 pl. dont 2 dépl, demi-chagrin vert à coins, dos à nerfs orné de caissons dorés (Boersch), Seconde edition, augmentée d'une introduction nouvelle (dans laquelle le système pénal de l'Angleterre et de la France sont examinés, et qui formerait à elle seule déjà un bel ouvrage) et d'extraits d'articles émanés de la presse française et étrangère dans lequel cet ouvrage a été l'objet d'un examen (on trouvera ces extraits rassemblés par l'éditeur en fin du second volume). Partis ensemble aux Etats-Unis en 1831 afin d'examiner le système carcéral américain, et surtout le système politique, Beaumont et Tocqueville publient en janvier 1833 leur livre "Du système pénitentiaire aux Etats-Unis et de son application en France". Après la parution de l'ouvrage, Beaumont est relevé de ses fonctions de substitut; Tocqueville se solidarise avec lui et démissionne de son poste de juge suppléant. Peu après, Toqueville rédigera De la démocratie en Amérique, paru en 1835, et qui deviendra un immense succès populaire. En 1841, Tocqueville affirmera dans une lettre que "le premier ouvrage que nous ayons publié en commun M. de Beaumont et moi sur les prisons d'Amérique, a eu pour rédacteur unique M. de Beaumont. Je n'ai fourni que mes observations et quelques notes" (Lettre à R-A. Mignet). Il semble néanmoins avoir rédigé lui-même les notes et études statistiques de l'ouvrage qui reçoit le prix Montyon, décerné par l'Académie française aux ouvrages les plus utiles aux moeurs. Quelques rousseurs, pages 1 à 17 reliées dans le désordre. Bel exemplaire complet de ses 5 planches qui sont dans un état remarquable [Attributes: Hard Cover]

      [Bookseller: Librairie Alain Brieux]
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        Sistema compiuto di polizia medica. Traduzione dal tedesco

      Saverio Starita 1836-1841, Napoli - - Il secondo volume di supplemento  Polizia degli spedali scritta dal Dott. Giovanni Pozzi 1841 pp. IX + 312 con 3 tavv.f.t. ripiegate. con 3 tavv.f.t. ripiegate p. 9 voll + 2 supplementi in 5 tomi in-8 p.perg. coeva con doppio tassello bicromatico

      [Bookseller: Libreria Antiquaria Giulio Cesare]
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        Bettler vor der Haustüre erhält von einer jungen Frau eine Gabe.

      - Aquarell über Bleistift, auf festem grautonigem Zeichenpapier, links unten monogrammiert und datiert „18 JG (ligiert) 42.". 24,5:17,1 cm. Gilbert war Schüler von G Lance und debütierte 1836 in der Society of British Art mit einem Aquarell „Gefangennahme Will. Hastings‘ durch Richard Gloucester", 1837 und 1838 war er mit Arbeiten in der Royal Academy in London vertreten. Als Maler und Illustrator war er über Jahre erfolgreich tätig.

      [Bookseller: Galerie Joseph Fach GmbH]
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        Memorie storiche sulla città Sabazia ora Lago Sabatino, sulla origine di Trevignano anteriore assai a quella di Bracciano e Anguillara, sulla potenza della famiglia Orsini e saggio storico sull'antichissima città di Sutri. UNITO A: Bartolomeo Pacca - Notizie istoriche intorno alla vita ed agli scritti di Monsignor Francesco Pacca Arcivesovo di Benevento . Aggiuntevi in questa terza edizione una prefazione del Sig. Ab. Carlo GAzola . Orvieto, presso Sperandio Pompei, 1839

      Tipografia Calasanziana, Firenze 1836 - Naturali bruniture (4) + III + 187 con ill.n.t. e una tav.f.t. XVIII + (2) + 117 p. 2 opere in 1 tomo in-8

      [Bookseller: Libreria Antiquaria Giulio Cesare]
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        A philosophical dictionary; from the French of m. de Voltaire. With additional notes, both critical and argumentative by Abner Kneeland. American stereotype edition

      Printed and Published by J. Q. Adams, Boston 1836 - Two volumes bound in one: frontis portrait tissue-guarded, lii, 408, 2 [light cardstock "Family Record" leaves], frontis (of family) with tissue, lii [repeated material], 416p., first edition recased in late 19thC red morocco gilt: a custom-bound production with pleasing spine titling, raised bands ruled and tooled gold, all edges fully gilded, sewn headbands, green endsheets overprinted gilt. Extremities are slightly abraded, a 3-inch split upper front joint, boards yawn somewhat. Within, textblock is quite sound; find original blanks faintly toned with flecks of soil, v.I foxing to portrait, occasional foxing in text, v.II frontis heavily foxed, some splashy foxing in text. A very good copy, pace the split, which in no way affects handling. Kneeland, an intimate with Robert Dale Owen and Frances Wright was a frequent contributor to their Free Enquirer. In 1831 he moved to Boston and established The Boston Investigator, one of the longest lived (1831-1904) freethought publications in the United States (See Brown & Stein p. 33); he was tried four times and eventually convicted for his writings in the Dec. 20, 1833 issue [Attributes: First Edition; Hard Cover]

      [Bookseller: Bolerium Books Inc.]
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        Works

      1836 - BROWNE, Thomas. Works. Including His Life and Correspondence. Edited by Simon Wilkin. London: William Pickering, 1835-36. Four volumes. Octavo, contemporary full red morocco, raised bands, elaborately gilt-decorated spines and dentelles, marbled endpapers, all edges gilt. $1600.Later edition, with engraved frontispiece portrait and plates, folding genealogical charts and a facsimile of Browne’s last will and testament, beautifully bound by Chambolle-Duru.The Works include the Religio Medici, Pseudodoxia Epidemica, Garden of Cyrus, memoirs, correspondence, unpublished papers and more. “By turns credulous and sceptical, Sir Thomas Browne is one of the most unusual of the great writers of the 17th century… What he demands is the liberty to be guided by his own reason” (PMM 131). “His qualities served to foster a general interest in science and, above all, to illuminate thought by truth concerning the material world” (DSB 2, 523). Slight rubbing to outer hinges. A beautifully bound set. [Attributes: Hard Cover]

      [Bookseller: Bauman Rare Books]
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        THE DEBILITATED SITUATION OF A MONARCHICAL GOVERNMENT WHEN PUFFED UP BY PRIDE AND SELF-IMPORTANCE, WHOSE RESOURCES MUST BE WRUNG FROM THE PEOPLE'S HANDS...THE FLOURISHING CONDITION OF A WELL-FORMED, INDUSTRIOUS REPUBLIC. THE WILLINGNESS DISPLAYED BY THE CITIZEN OF A FREE STATE TO SERVE HIS COUNTRY WITH HIS BLOOD AND FORTUNE [dual caption title]

      [Most likely Philadelphia, but possibly London, 1836. Six small closed tears along left edge, all of them one- half inch or less, far from the image and below the mat line. A fresh, clear, dark impression. Near fine. Matted. An impressive and handsome lithographic print, forcefully illustrating the differences between the strong, wealthy, and secure United States and the corrupt, bankrupt, and fearful French monarchy in the 1830s. The image shows President Andrew Jackson and a group of six Americans standing on the left, facing King Louis Philippe, and six Frenchmen standing on the right, the two parties separated by a narrow strip of water symbolizing the Atlantic Ocean. Jackson holds in his hand the treaty of July 4, 1831, made between the United States and France to settle the issue of outstanding debts (in the amount of some twenty-five million francs) caused by French depredations during the Napoleonic Wars. The French were to pay over a number of years, but soon pled poverty and balked on their payments. This is symbolized in the illustration by an overturned treasure chest on the French side, with no money in it, but with unpaid bills spilling out, including those for the army and the civil list. Louis Philippe holds in his hand a slip of paper reading: "fortunate speculation 25 millions." By contrast, the chest on the American side is filled with bags of money, showing the great government surpluses available at the time. The American treasure chest has an image of the U.S. Capitol on its lid and is surrounded by books, including a biography of Washington and another listing great American military victories. The Americans are shown as confident and prosperous, and include a young sailor waving his cap, and a plainly dressed citizen holding a rifle and bayonet. The Frenchmen, by contrast, look fearful and apprehensive, and one of them is a sailor being impressed into service. Three French ships are seen in the background, facing off against three American ships, including the Constitution ("Old Ironsides") and the New Orleans. This evokes the determination of Jackson to settle the issue by force if necessary, and the fact that naval conflict over the French non-payment was a very real possibility. The caption notes that in "monarchical governments" resources must be "wrung from the people's hands," whereas in a republic citizens willingly sacrifice their blood and fortune for their country. The lack of an imprint has led some to put forth London as the place of production for this print. A delightful lithograph, evocatively demonstrating growing American power and prosperity during the "Era of Good Feelings," especially in contrast with a decrepit, monarchical Europe.

      [Bookseller: William Reese Company - Americana]
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        Leuchturm von Port Jackson / Sydney Harbour ('Ansicht Vom Leuchtturm Des Seehafens Jackson. - Neu-Süd-Wallis').

      - Lithographie v. J. Brodtmann n. J. Werner & de Sainson aus Entdeckungsreise der franz. Corvette Astrolabe, um 1836, 18,5 x 26 (hochauflösende Bilder auf meiner Homepage, oder bei Anfrage - high resolution pictures on my homepage or after request)

      [Bookseller: Antiquariat Norbert Haas]
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        Corso di Porta S. Luca in Cremona.

      Cremona, 1836 - Incisione all'acquatinta di mm 277x385 (parte incisa) su foglio 310x390, rifilata alla battuta del rame. Bella veduta del corso con la chiesa riccamente animato da scene di vita quotidiana. Stampata presso Luigi De Michelis. Ottime condizioni eccettuata la rifilatura.

      [Bookseller: libreria antiquaria perini Sas di Perini]
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        [THE ABORIGINAL PORT FOLIO OR A COLLECTION OF PORTRAITS OF THE MOST CELEBRATED CHIEFS OF THE NORTH AMERICAN INDIANS]

      Philadelphia: Published by J.O. Lewis, 1836. Folio. Contemporary calf "bound by R. Allen. Late S. Bennett...Mercury Office, Nottingham" (see binder's label on front pastedown), covers paneled in gilt, titled in gilt on upper cover "Aboriginal / Port-Folio"; expertly rebacked to style, spine gilt, red morocco label, marbled endpapers. Very good. One of the rarest 19th-century American color plate books and the first major American color plate book on American Indians. Scarcer than McKenney and Hall's HISTORY OF THE INDIAN TRIBES, Prince Maximilian's REISE IN DAS INNERE VON NORD-AMERICA, or CATLIN'S NORTH AMERICAN INDIAN PORTFOLIO, Lewis' work records the dress of the Potawatomi, Winnebago, Shawnee, Sioux, Miami, Fox, Iowa, and other tribes at treaties of Prairie du Chien, Fort Wayne, Fond du Lac, and Green Bay. THE ABORIGINAL PORT FOLIO was published in Philadelphia by lithographers George Lehman and Peter S. Duval. It was issued in ten parts, with each part containing eight plates. Given the size of the undertaking, the first nine parts were issued remarkably quickly, appearing monthly between May 1835 and January 1836. The reason for this haste was probably that Lewis was aware that the imminent appearance of the first part of McKenney and Hall's HISTORY OF THE INDIAN TRIBES OF NORTH AMERICA would adversely affect his subscriber numbers. The evidence of the surviving copies suggests that his fears were well-founded, as there are a number of sets made up from eight parts (with sixty-four plates), but very few with nine parts (seventy-two plates); and ten-part sets with the full complement of a frontispiece/title-leaf and eighty plates are virtually never found: only the Siebert copy is listed as having sold at auction in the past twenty-five years, and there are only about a half dozen or so other recorded sets (the Siebert set and one other are the only two examples to include the titlepage). The binding of the present set can be dated to between 1836 and 1847: in 1836 Samuel Bennett died and Richard Allen took over as proprietor of the Nottingham Mercury. In 1847 the proprietorship passed to Thomas Bailey. James O. Lewis was born in Philadelphia in 1799, moved west as a teenager, and had become an engraver and painter by the time he was living in St. Louis in 1820. In 1823 he moved to Detroit, and painted the first of his Indian portraits at the request of Gov. Lewis Cass of Michigan. He accompanied Cass on four Indian treaty expeditions in the Great Lakes region in 1825-27 and painted Indians during the course of each. Virtually all of the originals of the images published here were executed by Lewis in this period. Subsequently, many of the Lewis portraits were copied by Charles Bird King, and some appeared in the King versions in the McKenney and Hall portfolio. All of the Lewis originals were destroyed in the Smithsonian fire of 1865.

      [Bookseller: William Reese Company - Americana]
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        MONOGRAPHY OF THE FAMILY UNIONIDAE. OR NAIADES OF LAMARCK, (FRESH WATER BIVALVE SHELLS,) OF NORTH AMERICA. ILLUSTRATED BY FIGURES DRAWN ON STONE FROM NATURE

      Philadelphia: J. Dobson, 1836. 19th-century three-quarter morocco and cloth, spine gilt. Binding slightly edgeworn and darkened. Small ownership stamp on titlepage and an occasional very light fox mark, else internally very clean. Very good. A mostly complete copy of this extremely rare and attractive color plate book on fresh water bivalves. Timothy Abbott Conrad was an early and important American naturalist whose reputation is now mostly lost to history. His work is an important complement to Thomas Say's AMERICAN CONCHOLOGY, and Conrad assisted Say's widow in completing the final part of that work, which was unfinished at the time of Thomas Say's death. The very lovely plates in this work, done after Conrad's own drawings, were lithographed by P.S. Duval, one of the leading illustrators of Philadelphia, and are quite handsomely drawn and shaded. Most every plate contains several colored illustrations of shells. Conrad's text gives the scientific details of the shells, as well as his personal observations and comparisons with Say's findings. This work was originally issued in thirteen parts between 1836 and 1840, but is most often found in single- volume form. Each part contains five plates. The present copy, then, contains twelve of the thirteen parts, lacking only the final five plates and accompanying text. "A book of both scientific and artistic merit" - Bennett. Extremely rare on the market, the first copy we have ever seen offered for sale.

      [Bookseller: William Reese Company - Americana]
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        Alpenröslein; oder: Vierundzwanzig malerische Ansichten verschiedener Burgen, Gegenden, Seen ec. im Salzkammergute, dann in den Salzburger=, Berchtesgadener= und Tyroler=Gebirgen ec. Mit erläuterndem deutschen und französischen Texte.

      Mchn., Lindauer, 1836. 20,5 x 26,5 cm. 21 S., 1 Bl. Mit 24 Lithographien von Gustav Kraus. Illustr. OPp. von Franz Seitz (?). Pressler 219-242; Lentner 15049 und 16926. - Die sehr seltene komplette Folge der hübschen Ansichten von Gustav Kraus. - Reizendes Album, das mit den \"Alpenblumen\" von 1837 und dem \"Gebirgsalbum\" von 1840 fortgesetzt wurde. Die Politik des Verlages, mit gebundenen Erinnerungsalben auf den mehr und mehr einsetzenden Fremdenverkehr und Tourismus in das bayerische und österreichische Gebirge abzuzielen, zeigt sich hier erstmals. - Die Ansichten zeigen: Gesamtansicht von Salzburg, St. Petrikirche mit Haydn`s Grabmahl, Aussicht vom Kapuzinerberge bey Salzburg, Der Park von Aign, Gnigl bei Salzburg, Salzburg von Maria Plain aus, Lustschloss Leopoldskron, Schloss Seehaus an der Salzburger Grenze, Aussee im Salzkammergut, Grundel See, Hallstädter See, Gosau See, Berchtesgaden mit dem Watzmann, Königssee mit dem Jagdschlosse St. Bartholomae, Der Ausfluss des Königssee`s, Ramsau, Burggebäude in Golling, Pass Lueg im Tyrol, Hochwerfen im Pongau, Innspruck, Schloß Ambras, Parthie im Zillerthale, Kufstein, Schloß Tyrol. - Der Einband vorne und hinten \"mit einer in Umrissen lithographierten Almszene und einer Gebirgslandschaft im Stile Eugen Neureuthers, vermutlich von Franz Seitz\" (Pressler). - Einband leicht fleckig, der Rücken oben und unten lädiert. Die Tafeln teils stockfleckig. Aus der Sammlung Proebst und mit dessen Sammlerstempel verso auf allen Lithographie, sowie auf dem Einband hinten. Versand D: 6,00 EUR BAYERN, Oberbayern

      [Bookseller: Antiquariat Bierl]
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        Angler in den Isarauen bei München.

      - Lavierte Feder- und Pinselzeichnung über Bleistift und Kreide, unten links signiert und datiert „Kaiser f. 1836", 15 x 21 cm. Ernst Kaiser, geboren in Rain, zeichnet sich durch seine lockere Aquarelltechnik und atmosphärische Licht- und Luftwirkung aus (vgl. auch die Aquarelle in der Staatlichen Graphischen Sammlung in München). Weniger anerkannt als sein Ateliergenosse Heinrich Bürkel starb Kaiser verbittert und fast vergessen in München. [Attributes: Signed Copy]

      [Bookseller: Peter Bierl Buch- & Kunstantiquariat]
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        Chronique d'Abou-Djafar Mohammed Tabari, fils de Djarir, fils D'Yezid; traduite sur la version persane d'Abou-Ali Mohammed Belami, fils de Mohammed, fils d'Abd-Allah, d'après les manuscrits de la Bibliothèque du Roi, par Louis Dubeux. Tome premier (ALL PUBLISHED)

      Printed by the Imprimerie Royale de France for the Oriental Translation Fund of Great Britain and Ireland, Paris 1836 - A SUBSCRIBER'S COPY, PRINTED FOR LADY CHARLOTTE GUEST, OF THE VERY RARE FIRST EDITION of this important Arab chronicle. 5, XL, 280 pp. Lady Charlotte Guest was one of the most erudite women of the 19th century: while she is best remembered as the editor of the first edition of the Mabinogi (Mabinogion), she also edited the first edition of any of Chrétien de Troyes' Old French romances of chivalry (Le chevalier au Lion (Yvain)) and had numerous other interests and accomplishments. Only subscriber's copies, like this one, include a leaf at the beginning, elaborately lithographed and printed in purple, incorporating the name of the subscriber. Beautifully printed (mainly with Roman, but also with some Arabic types) on extremely fine wove paper by the Imprimerie Nationale de France. Contemporary cloth (by W. Runting, with his ticket) with paper spine label. Uncut. Traces of wear to binding. Internally FINE AND BRIGHT, but for a few faint traces of foxing. Rare and important. [Attributes: First Edition; Hard Cover]

      [Bookseller: Cole & Contreras / Sylvan Cole Gallery]
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        Das Leben Jesu kritisch bearbeitet. Erster und zweiter Band.

      Tübingen : Osiandersche Buchhandlung 1835/ 1836 - XVI, 731 S.; XII, 750 S. m. dreiseit. Rotschnitt. - KEIN REPRINT! - Ebde. stärker berieben, Buchecke und -kanten bestoßen, Besitzervermerk auf Vorsatz u. Titelei, Vorsatz, Titelei u. Seiten fleckig, S. vereinzelt m. Eckknick, Buchrücken von Bd. 1 beidseitig angeplatzt. -- David Friedrich Strauß (* 27. Januar 1808 in Ludwigsburg; † 8. Februar 1874 ebenda) war ein deutscher Schriftsteller, Philosoph und Theologe. Er erregte damals durch seine 1835–1836 erschienene Schrift "Das Leben Jesu, kritisch bearbeitet" ein unerhörtes Aufsehen. Strauß wandte dort das auf dem Gebiet der Altertumswissenschaften begründete und bereits zur Erklärung alttestamentlicher und einzelner neutestamentlicher Erzählungen benutzte Prinzip des Mythos auch auf den gesamten Inhalt der evangelischen Geschichte an, welche er als Produkt des unbewusst nach Maßgabe des alttestamentlich jüdischen Messiasbildes dichtenden urchristlichen Gemeingeistes deutete. Für Strauß selbst war seine Deutung erst einmal die konsequente Anwendung der linkshegelianisch verstandenen Philosophie Hegels. So wurde der Gottessohn nicht als einzelner Mensch, sondern als die Idee der Menschheit betrachtet. [zitiert nach Wikipedia]. --- Wir akzeptieren VISA und MASTERCARD. Credit cards accepted. --- Sprache: Deutsch Gewicht in Gramm: 1500 OHalbleder 2 rotem und grünem Rückenschild. 21x13 cm. [Attributes: First Edition]

      [Bookseller: Antiquariat im Kloster]
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        Canada Jay (Elephant folio Plate CVII) Gray Jay, Perisoreus canadensis on Quercus alba, White Oak.

      London: Robert Havell. Very Good. 1836. First. Etching. Engraving with etching, aquatint and hand-coloring on J Whatman hand-made paper watermarked 1836. Unusaully wide, untrimmed margins showing the pulls from the binder's signatures on the left margin and the original gilt to the top edge. "I have found this species of Jay breeding in the State of Maine, where many individuals belonging to it reside the whole year, and where in fact so many as fifteen or twenty may be seen in the course of a day by a diligent person anxious to procure them. In the winter, their numbers are constantly augmented by those which repair to that country from places farther north. They advance to the southward as far as the upper parts of the State of New York.... Now, to my eye, the Canada Jay is as elegant in its movements, whether perched or on wing, as any other of our Jays, although its apparel is certainly very homely. It is joyous and lively at all times, even when, pushed by extreme hunger, it approaches the lonely camp of the traveller, with the hope of obtaining a share, however small, of his perhaps scanty fare. John James Audubon; 35 7/8 x 25 7/8 .

      [Bookseller: Old Florida Bookshop, ABAA, ILAB, FABA]
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        Topographisches Lexicon oder General-Verzeichniss aller in den Österreichischen Staaten gelegenen Ortschaften. Zum Allgemeinen Gebrauche. Neue, nach den jüngsten politischen und postalischen Bestimmungen umgearbeitete, und mit den Ortsnamen der Königreiche Ungarn, Kroatien, Slavonien, Dalmatien, Venedig-Lombardie, des Grossfürstenthumes Siebenbürgen, des Herzogthumes Salzburg, und Istriens vermehrte Auflage. Mit einer Übersichtskarte des Kaiserreiches. / Dizionario topografico postale etc. 3 Bde. [= kplt.].

      Wien, Vlg. der K. K. Hof- und Staats-Ärarial-Druckerei 1836-37. - ÖBL VIII, 389. In Lieferungen erschienene Überarbeitung des 1792 erschienenen Ortsverzeichnisses von Franz Landschau (`Ortschaften der kaiser. königlichen deutschen Erbländer zur postämtlichen Briefbestellung?). Titel und Überschriften, aber nicht das komplette Werk zweisprachig (dt. / ital.). Umfasst: Bd.1: A-E / Bd.2: F-M / Bd.3: N-Z. - Mit: ?Übersichts-Karte der Poststrasssen und Eisenbahnen in dem Kaiserthume Oesterreich und in den angrenzenden Staaten etc.? (51 x 41 cm) / ?Die Beförderungs-Anstalten für Reisende, Geld, Waaren, etc. oder: Lauf der Eil- und Fahrposten zwischen Wien und den Provinzen? (49 x 41 cm) und in 4 gef. Blättern ?Erste typographische Karte. General-Postkarte des Kaiserthumes Oesterreich und der nächsten Grenzländer, mit Ergänzungen der übrigen Staaten in Europa?(je Bl. 51 x 42 cm). ? Der aus Ungarn stammende Geograph, Kartograph und Topograph Franz Raffelsperger (1793-1861) gilt als einer der Bahnbrecher des typographischen Landkartendruckes. Nach seinem Studium in Wien und umfangreichen Reisen durch die Länder des österreichischen Kaiserstaates war R. 1824-1840 Beamter der k. k. Post in Wien und bemühte sich um Verbesserungen im Reisepostwesen der Monarchie. Er verfasste zahlreiche literarische und kartographische Arbeiten über die europäischen Länder. Seit 1835 beschäftigte er sich mit dem typographischen Landkartendruck, wobei er zunächst die Druckerei Anton Pichlers Witwe nutzte. 1837 erhielt er ein Privileg auf die Herstellung von Landkarten im Typendruck und 1843 gründete er die ?K. k. außerordentlich ausschließlich privilegierte typogr.-geograph. Kunstanstalt? in der Leopoldstadt. (vgl. dazu ÖBL VIII, 389 u. Wurzbach XXIV, 225 f.). Quer-4°. XXII(2), 506(2) S.; 2 Bll. (Titelei), 605(3) S u. 2 Bll. (Titelei), 680(2) S. Mit 1 gef. Taf. und 2 Karten (dav. 1 in 4 gef. Bll., diese ?geographisch gesetzt v. F. Rumpold? u. bei Pichler?s Witwe in Wien gedr.). Pappbde. der Zeit m. Deckelbezügen aus braunem Kleisterpapier und goldgepr. Titel auf mont., rotem Rüschi. Einbde. an den Kanten etw. berieben u. an den Kapitalen leicht lädiert, Ecken bestoßen, die ersten Bll. von 2 Bänden mit Quetschfalten, sehr vereinz. fingerfl., insges. im Text sehr sauberer u. guter Erh.zustand. [Attributes: Hard Cover]

      [Bookseller: Antiquariat Löcker]
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        London.

      1836 - London: Baldwin & Cradock, 1836. Original colour. Dissected and laid on linen, total 400 x 650mm, folded into original covers. A decorative folding map of London with vignettes of the Tower of London from London Bridge and London from Holloway, with lengths of bridges shown and with elevations of principal buildings along the bottom margin. Unusual to find this map sold sparately in a booklet format as this example, it is normally found bound in the SDUK as part of the atlas volume.

      [Bookseller: Altea Antique Maps]
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        Symbolik und Mythologie der alten Volken besonders der Griechen, Band 1, 3 & 4. Es umfasst diese Litographien: erster Band: 6 Tafeln, 1 ganzseitige Abbildung, 1 gefalt. Übersichtskarte genannt: Karte der alten Welt im fünften Jahrhundert vor Chr. Nach Herodot u. Rennell) + 7 Tafeln u. 1 kolorierte Tafel (Ficus religiosa & indica); dritter Band: 11 teils gefalt. Tafeln + 1 gefalt. Tabelle (zwischen S. 152 - 153) + 10 Tafeln u. 2 Farbtafeln + 7 Tafeln im Anhang. Vierter Band: 15 Tafeln + 7 Tafeln u. 1 Farbtafel (Blumeabbildung) Zweiter Band fehlt leider. Dritte, verbesserte Ausgabe

      Leipzig - Darmstadt: Carl Wilhelm Leske 1836 1842 1843 HLDr. der Zeit mit Lederecken, XVI+575 Seiten, 850 Seiten, 900 Seiten, 8°, mit reichvergoldeter Ornamentalrückenverzierung, marmorierter Schnitt. Alle Exemplare auf Decken und Rücken wenig berieben und bestoßen. Seiten und Abbildungen stellenweise etwas stockfleckig, sonst sehr guter Zustand.Archäologie, Altertum, Vorzeit, Kulturgeschichte, Mythologie

      [Bookseller: Antikvariát Valentinská]
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        Dragoon Campaigns to the Rocky Mountains.

      New-York: Wiley & Sons, 1836. - 8vo., (7 7/8 x 5 inches). (Repaired tear to final page of appendix; some spotting and browning). Contemporary purple cloth faded to brown, the smooth spine decorated and lettered in gilt (generally faded, extremities worn with some loss, some staining). Provenance: With the manuscript ownership inscription of A. T. Richardson July 17, 1901, and S. ?Bogardus to front free endpaper. Ross Valley Book Company, 9/91. PBA Galleries, December 3, 2005, Lot 28. First edition. The FIRST book in English to mention a poker game in print, featuring a footnote explanation of the term on p. 128: "a favorite game of cards at the south and west." The narrator describes the scene of a poker game between a Major and Captain, as the Major "lost some cool hundreds": "'I'll stake you another ten,' cried the M-----. 'Done,' said Captain -----. 'Twenty more,' said the M-----. 'Fifty more' said the M-----. 'Done,' said the Captain. The M----- hesitated; the coolness of the Captain threw him off his guard; at last he struck his fist upon the table and roared at the top of his voice, 'I'll stake you another hundred.' 'Done,' said the Captain. The M----- dared not risk more, and throwing down his cards exclaimed, 'There's four kings! What have you got?' 'Only four aces!' said the Captain coolly, as he began to scrape the money together. 'D---m----n!' roared the M-----, at the same time splitting the pine table with a blow of his fist." "U.S. Army regiment first organized in 1833 and then in 1836 reorganized and expanded into two dragoon regiments (later the 1st and 2nd Cavalry). In the U.S. system, the dragoons were basically medium cavalry, expected to use horses for mobility and speed but usually to fight dismounted, although they were certainly capable of mounted fighting. With the westward expansion of the United States, it became evident that mounted troops were required to cover the vast stretches of territory and compete with Native American warriors. Thus, despite a traditional fiscal aversion to regular mounted troops, in 1833 the U.S. Regiment of Dragoons was formed at Jefferson Barracks, Missouri, and included many veterans of the battalion of Mounted Rangers authorized by Congress a year earlier. The regiment, commanded by a colonel, originally Henry Dodge, and comprised of a headquarters and 10 companies, totaled 34 officers and 714 enlisted men. "In 1836 Congress authorized a second dragoon regiment, commanded initially by Colonel David Twiggs. The two regiments were now designated the 1st U.S. Dragoons and the 2nd U.S. Dragoons. No sooner was it established than much of the 2nd Dragoons was employed, both mounted and dismounted, in Florida in the Second Seminole War (1835-1842). Following that war, the 2nd Dragoons was reorganized as the Regiment of Riflemen but was remounted as dragoons the following year, rejoining its fellow regiment in the West "Until the Mexican-American War (1846-1848) began, the 1st Dragoon Regiment was employed in scouting Native American warriors along the 1,000 miles of western frontier and from Missouri to the Rocky Mountains. There were numerous expeditions associated with the Cherokee, Iowa, Kansas, Pawnee, Pottawatomi, Osage, Otoe, Sauk, and Sioux nations. Particularly notable were the 1834 Pawnee Expedition and the 1845 expedition to the South Pass of the Rocky Mountains. During these years, however, there was little fighting, and most disturbances were settled with a show of force, notably with the Osages in 1837 and 1838 and the Cherokees in 1839 and 1840. Dragoons were also engaged in exploration and in building roads and bridges" (The Encyclopedia of North American Indian Wars, 1607-1890, p. 244). Wagner-Camp suggests that Hildreth was just the person who brought the manuscript to the publisher, while the real author of the narrative may have been an Englishman named William L. Gordon Miller. Howes 471. Wagner-Camp 59. Graff 1885. Sabin 31769; Streeter 1800. For more information about this book, or a wa [Attributes: First Edition]

      [Bookseller: Arader Galleries - Aradernyc]
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        Opúsculos Legales del Rey Don Alfonso el Sábio (2 Bände),

      Madrid, Imprenta Real, 1836. - publicados y cotejados con varios códices antiguos por la Real Academia de la Historia. 2 Blatt, XII, 474 Seiten; 2 Blatt, 352 Seiten, Halblederbände der Zeit, 26,5 x 19,5 cm, Einbände etwas berieben und bestossen. [Attributes: Hard Cover]

      [Bookseller: Antiquariat H. Carlsen]
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        Werke.

      Weidmann'sche Buchhandlung,, Leipzig, 1836 - 6 Bände. Leipzig, Weidmann'sche Buchhandlung, 1836-1839. Ca. 17 x 11 cm. 1): Gestochenes Porträt Chamissos von C. Barth nach R. Reinick, (8) S., 436 Seiten; 2): gestochenes altcoloriertes Porträt , VIII S., 396 S., mit 1 gefalteten Tabelle (der auf den Marianen-Inseln befindlichen Ortschaften, Häuser und Einwohner) und 2 Karten (Carolinen-Inseln nach La Cantova und Carolinen Inseln nach Don Luis de Torres); 3): VIII S., 374 Seiten; 4): (2) S., 326 S., (1) Seite, mit vier Tafeln (Radierungen von Adolf Schroedter); 5) Gestochenes Porträt von X. Steifensand nach Weiß, VIII S., 391 S., (1) Seite; 6): (4) S., 298 S., (4) Seiten. Halblederbände der Zeit mit geprägtem Rückentitel. Erste Gesamtausgabe. Goedeke VI,153,50; Rümann "Das illustr. Buch", S. 356. Die Bände 1 und 2 enthalten "Reise um die Welt mit der Romanzoffischen Entdeckungs-Expedition in den Jahren 1815-18 auf der Brigg Rurik"; Band 3: Gedichte; Band 4: Gedichte. Adelberts Fabel. Peter Schlemihl; Band 5 u. 6 (hrsg. von Julius Eduard Hitzig): Leben. Briefe. Gedichte. Kleine Aufsätze. Die hier vorliegende Ausgabe mit den meist fehlenden, erst 1839 nach Chamissos Tod herausgegeben Teilen V und VI. Die vier Radierungen in Band 3 zu Peter Schlemihl. Band 2: die ersten Seiten am Rand gebräunt, Seiten 13-18 mit Fehlstelle am oberen Rand (durch kleinen Brandschaden), ein Blatt mit etwas Textverlust. Band 3: Blatt 303/304 nach Seite 298 eingebunden. Bände 1-6: Einbände etwas berieben, bei 4 Bänden Rücken neu mit Leder hinterlegt. Seiten teils stockfleckig und etwas gebräunt, am oberen Rand teils etwas wasserrandig. Halblederbände der Zeit mit geprägtem Rückentitel. [Attributes: Hard Cover]

      [Bookseller: Rainer Kurz - Antiquariat]
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        WIESBADEN. "Nassau". Innenansicht des Kursaals von Wiesbaden mit zahlreichen Personen, umgeben von weiteren Ansichten aus Nassau sowie Trachtendarstellungen.

      - Altkol. Lithographie von L.v. Hohbach aus 'Malerische Länderschau', Kempten, Dannheimer, um 1836, 32 x 37,5 cm (gerahmt). Über dem Mittelbild die heilende Badnymphe. Mit allegorischen Darstellungen des Wein- und Obstbaus, des Bergaus, der Landwirtschaft und Industrie. Mit Ansichten von Schloß Biberich, dem Kurplatz in Wiesbaden, Ellfeld, Braubach, Rüdesheim, Langenschwalbach, Nassau und Bad Ems. Mit Trachtenfiguren eines Winzers, einer Fischerin im Boot, eines Fischers und eines Fremdenführers. Unten mittig das Wappen von Nassau. - Geglättete Bugfalte. Mittelbild, Trachtenfiguren und Wappen in feinem Altkolorit.

      [Bookseller: Peter Bierl Buch- & Kunstantiquariat]
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