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Displayed below are some selected recent viaLibri matches for books published in 1833

        Illuminated ornamnets selected from manuscripts and early printed books from the sixth to the seventeenth centuries. Drawn and engraved by (...). With descriptions by Sir Frederic Madden.

      London. 1833. Stor 4to. Skinnryggbind. 16 s. Med 59 helsides plansjer i farver og gull.. Et meget vakkert verk med illustrasjoiner fra manuskripter og verk

      [Bookseller: Damms Antikvariat]
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        Manuscript Journal - Importer's Log Book on Southampton Royal Pier - Fresh Fruit Trade

      Southampton, UK, 1833. Southampton, England, 1833-1837. Manuscript log book of a Southampton broker gainfully importing fresh fruit for large firms and wealthy clients in Southampton and London, most likely operating from the Royal Pier which opened in 1833. A complete and detailed record of business transactions, the broker calculates currency differences and the numerous costs involved in foreign imports to create client invoices. 8vo. 128 pages in manuscript on lined paper watermarked Joseph Coles [possibly Joseph T. Coles active 1833-1839, operating a mill at Wookey Hole near Wells, Somerset.] Original brown calf boards ruled and titled "Memorandum Book" in gilt to spine, original marbled endpapers, working metal clasp. Bookbinder's label to front pastedown, being T. King of Southampton. Wear to boards, otherwise in very good condition. This journal provides a window into nineteenth century shipping and import industries, the costs and documentation involved, specifically for the fresh fruit trade. It dates to, and reflects, the sudden and brief peak period of oranges being imported into the United Kingdom - which occurred in the mid-the 1830s. [Oranges from places like Spain, Florida or Latin America entered the United Kingdom in the nineteenth century. Both apples and oranges became the objects of substantial international trade in the nineteenth century, as in the right conditions they remained edible despite being shipped great distances.] Joseph Ridges, this fruit broker in Southampton, appears to have been successful and well known in South England, with notable clients in London and other nearby towns. Indeed, his services must have been popular, as he brought in fresh fruit during dismal rainy winters, mainly from Spain, Portugal, France, and Zante in Greece. The commercial introduction of foreign oranges on a commercial level, in the 1830s, places him in the elite group of the first orange brokers of England. He most likely operated from the Royal Pier which opened in 1833, was the first pier in Southampton, and was used by steamers to the Channel Islands, Le Havre and the Isle of Wight. This volume suggests that it was also used by schooners importing produce from Spain, Portugal and Greece. [In 1803, to revive Southampton's shipping and trade industry the newly-formed Harbour Commissioners demolished the derelict Watergate Quay and began to build the new Town Quay on the same site. The Southampton Docks company was formed in 1835, and in October 1838, the foundation stone of the docks was laid. The first dock finally opened on 29 August 1842.] In the first part, the volume contains a detailed log of specific vessels arriving at the Southampton port, the particulars of the cargo being imported, calculations of various costs, and a record of the invoices. Some ship masters are named, as well as the firms for which he imports goods. Dealing primarily in fruit, he sources product from Spain, Portugal, and France. This section is 58 pages. Following are some examples of the English vessels and cargo documented in this journal: The schooner George Canning arriving from Malaga in 1833 with Luxia raisins, grapes, lemons and oranges, shipped by Crooke Brothers & Co. at Malaga A schooner named Comet arriving from Oporto [Porto], Portugal, 9 October 1833 cargo of cork wood, onions, lemons, wine Sylph arriving from Bordeaux, France, 9 October 1833 with French fruit preserves and olive oil Peace, a schooner arriving from Dénia, Spain, 12 November 1833 with a sizeable cargo of raisins (1740 boxes and 700 half-boxes) shipped by the English firm Messrs Carey and Co. based in Alicante Again the George Canning, this time with a cargo of the popular raisins from Dénia, Spain, arriving 23 October 1834 Again the Comet, whose master William Eva is named here, arriving from Malaga, Spain, 31 October 1834 with raisins, grapes, lemons, and almonds Again Peace, its master bearing the surname Bloomfield, arriving from the Greek island of Zante [Zakynthos] 28 November 1834 with currants and several caroteels of butter "Invoice of Sundry Articles for the Marquis of Anglesea" commanded by J. Fuzzaro, her cargo examined at Bordeaux on 6 September 1834. [This ship is not to be confused with the vessel by the same name which arrived at Swan River Colony in Australia in 1829 and was wrecked on the return voyage] An invoice for cargo en route to Havre, France for DeLaroche Arrard DeLessert & Co. lists prunes, soft shell almonds, inspected at Bordeaux 31 September 1934. Suddenly oranges are being imported The first indication is an "Invoice for 98 chests of China oranges shipping for Portsmouth on the English cutter Osprey, Capt. Wm. Payne..." dated Seville, 3 December 1834. Another smiliar shipment for China oranges, sour oranges, and China lemons, is dated Seville 24 December 1834. The oranges seem to have quickly increased in popularity, bringing opportunity for public sales, as recorded by the writer. In January 1835 China oranges are being conveyed via St. Michaels [São Miguel Island, Azores], these being examined by a William Toews. Following this is a record of goods sold at a public sale in London 10 November 1834, followed by another sale in London, made by John and James Adams 3 May 1835, their oranges having been procured from Terceira in the Azores. Amidst the import logs is an eight page list comprising a chronological tally of product sales, dating as early as 1824 For each cargo received, the writer notes freight charges, duty, storage, wharfage fees, currency exchange, and other tarrifs which are added to his client's invoice. Often the cargo was bonded. "Customs Entries" is the heading found at center of the volume, prefacing 11 pages of detailed manuscript notes which provide further information on the previously recorded transactions. Here, the broker is revealed by his initialed annotation to the first entry, a declaration which reads as follows, "N.B. on the Book of the Warrants as Follows - I, Joseph Ridges do hereby declare that I am duly authorised by the Importers to enter the within mentioned fruit for the same value of six pounds, witness my hand this ninth day of October 1833. J.R." He makes other declarations in reference to other shipments. Bond agreements are transcribed her also. The subject matter in a section of notes titled "Memorandums" is as vast as the heading suggests, providing notes on gunpowder and soaps, duties payable on imported fruit in 1833 and in 1834, the price of barley and wheat, the exchange value of Maltese, Greek, Spanish, Portuguese and French currencies, measurements of round metal hoops for barrels as well as crate rods. A list of clients includes the Earl of Normanton, wholesale tea dealer Richard Lowcock, brewer and sportmans John Trueman Villebois of Harmsworth near Alresford, London merchants Messrs Cole Nichols and Co. Of personal interest, Ridges transcribes an application which he evidently made in February 1837 to purchase shares in the Southampton Coach Company. This section is 24 pages. A fascinating digression from business matters, the journal contains a collection of highly unusual recipes and concocions, some evidently obtained from persons who have made voyages to foreign lands. Of the twenty-seven pages of recipes, some examples include: ginger beer, ginger wine, currie, Brazil sauce, ropy beer, fish sauce, pickled lemons, crystalized cayenne, black paint, Indian ink and 'curious' Japan ink. We also find mixtures to soothe a broken knee, to increase hair growth, to calm a fretting horse, to clean mahogany, to destory flies, to waterproof footwear, as well as remidies for rheumatic gout and hooping cough, and even a medicine for dogs. One of these is dated 1850. . Very Good.

      [Bookseller: Voyager Press Rare Books & Manuscripts, ]
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        Rosier des Indes jaune [Hume's Blush Tea-scented China]

      Paris: [C.L.F. Panckoucke, 1833. Stipple engraving, printed in colours and finished by hand, engraved by Bessin. Very good condition apart from some overall light soiling. A beautiful image from "Choix des Plus Belles Fleurs": one of greatest flower books ever published by the most celebrated flower painter of all time. Pierre-Joseph Redouté was one of the world's great flower painters. Born into a family that had been painters for at least two generations, Redouté went to Paris in 1782 with his brother where they worked as scene painters for the Théâtre Italien. Redouté painted flowers in his spare time. The search for subjects led him to the Jardin du Roi and eventually to Gerard van Spaendonck who made him an assistant. While at the Jardin du Roi, Redouté came to know Charles-Louis L'Heritier, an amateur botanist and writer of independent means. He gave Redouté a full time job as an illustrator, instructing him in plant anatomy. Redouté's scientific understanding of plants contributed greatly to the clarity of his depictions. But it was Redouté's work in stipple engraving and colour printing that was to be of the greatest importance. Stippling and the application of two or three colour inks to one plate were engraving innovations that Redouté brought to French printmaking, and these were brought to perfection in his three great works: Les Liliacees (1802-1816), Les Roses (1817-1824) and the work from which this image comes Choix des plus belles fleurs... et ... des plus belles fruits which was published in 36 parts with 144 plates between 1827 and 1833. The present image shows Redouté at his most assured, combining the best of his artistic background with his skill as an observer of nature. He writes in the preface to the Choix : ''It is with the benefit of experience, and encouraged by the most flattering approval of naturalists and painters of France and abroad, that I undertook took this most agreeable of botanical works. By ceaseless observation of nature, in its constancy and its variety of forms and colours, I believe that I have reached that synthesis of botanical accuracy, composition and colouration that is essential to produce the perfect image of the plant kingdom.' Cf. Hunt Redouteana 21; cf. Dunthorne p 235; cf. Great Flower Books (1990), p 129; cf. Nissen BBI 1591; cf. Pritzel 7456; cf. Stafleu & Cowan TL2 8750.

      [Bookseller: Donald Heald Rare Books]
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        The Works

      London: John Murray,, 1833?-56. With His Letters and Journals. 9 volumes, octavo (220 x 140 mm). 19th-century tree calf skilfully rebacked to style, dark red morocco labels, elaborate decoration to spines gilt, leaf sprays and flower rolls to boards, top edges gilt, marbled endpapers. Steel-engraved frontispieces and plates throughout. Occasional contemporary marginalia and underlinings. Boards slightly edge-chipped, small loss to top corner of front binder's blank of Volume 1 of Letters and Journals. An excellent set. A handsomely bound set of Byron's poetical works in six volumes and letters and journals in three volumes, which include Notices of His Life by Thomas Moore.

      [Bookseller: Peter Harrington]
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        Skottska Vuer tecknade efter Naturen under en resa i Skotland ar 1830. Lithographierade af C.J. Billmark.

      Stockholm: Gjothstrom & Magnusson o.J. ( 1833). 2°. 36 Bl.( davon 24 Tafeln) , 1 Bl. Roter Halblederband d.Z. mit Rückenvergoldung. Gutes Exemplar der Erstausgabe. Mit 24 lithographischen Tafeln und gest. Titelvignette von C.J. Billmark nach Graffman. Schönes Ansichtenwerk von Schottland mit überaus eindrucksvollen und stimmungsreichen Darstellungen ( 16 x 23 cm). Der schwedische Künstler Graffman war 1830 nach Schottland gereist und hatte dabei auch Walter Scott einen Besuch auf Burg Abbotsford abgestattet. Die Abbildungen zeigen zahlreiche Burgen , u.a. Edinburg Castle, Stirling Castle, Abbotsford, Dundarow Castle, Dunsstaffanedge Castle, aber auch schöne Landschaftsbilder, u.a. Ben Lomond , Blick auf Perthshire , Trossachs Pass sowie die obligatorische Schäferszene ( Inverary). Einband berieben und bestossen, Kanten leicht beschabt, insgesamt schönes und dekoratives Exemplar. Versand D: 6,00 EUR Ansichtenwerk, Schottland, Alte Reiseberichte

      [Bookseller: Kunsthandlung Primavera]
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        The Hunchback of Notre - Dame

      London: Richard Bentley ,, 1833 pp [1- frontispiece] + xiv (title with illustration, blank, title without illustraton, blank, contents - two pages, sketch of life and writings of author - eight pages) + 466 . Translated by Frederick Shoberl . Internally very good subject to a fair degree of browning to the first few leaves, binding rather strained , cracked between iv and v, preceding leaves partly loose, cover (looks to be contemporary - goatskin spine & corners, marbled boards) rather worn, AEG. First Edition in English. Half-Leather. Good. 16mo - over 5¾" - 6¾" tall.

      [Bookseller: Longland Books]
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        MEMPO YOMU: THE ESSENTIALS OF COTTON CULTURE AND FARMING.

      Osaka [1833], Kawachiya. Stitched blue wrs., 2 vols., set,. minor worming [mended], 65+64p., 18 b.w. illustrations,wood-. block printed on hand made Washi paper, 14.5 x 22 cm.,covers. scuffed, faded, contents clean, solid. FIRST & ONLY EDITION. This excellent monograph was written by the altruistic Okura Nagasune [1768-1856?]. He was some what of a renaissance man, and worked to improve the lot of the impoverished Japanese farmer. He introduced many new and unusual cash crops including cotton, sugar cane, indigo, cedar, Paulownia, paper-making plants and the tallow or wax tree and several others. . * The work begins with an introduction extolling the virtues of the cotton plant, and a fine illustration of its botanical taxonomy: leaves, stem, buds, flowers, seeds &c. The next illustration shows a lowly farmer and is wife; she rotates the home-made wooden cotton gin by hand, while their elderly and helpless grandfather looks on. The husband and his companion are loading up cotton balls into rice straw bails. It continues with explanaations for cultivation techniques, preparation of the planting beds, planting of the seedlings, fertilization by use of two wooden buckets on the shoulder yoke with the application of "night soil" to the plants. * A double-page picture of all of the farming implements with names of each, many are steel on wooden handles. He offered commentaries on the use of one tool over another in terms of time need to do the same job with his improved tools based on actual time and motion studies ! As the plants grow, so the birds come to feast on the fruit & flowers. * Volume 2 continues with more excellent illustrations on the watering & irrigation of the plants and shows a great number of shallow water well pump poles used to pull up the field water. As the cotton balls are harvested, some are put into bamboo baskets, weighed and prepared for transport to the buyer. Variant forms of the raised bed method are also shown with water trenches for abundant water. The farmer knew cotton was a heavy water and fertilizer feeder since his grandfather was a cotton farmer. He introduced the use of sardines for fertilizer to shorten growing season. Another page shows an old grandfather supplements family income by rotating a hand powered homemade spinning wheel. The last picture is of the cotton market, with coolies moving great numbers of bailed cotton to waiting barges, others unload the horses. * ABOUT OKURA NAGATSUNE: An excellent essay on him and this title by the late Prof. R.C. Rudolph is found in Okura's SEI-YU ROKU: ON OIL MANUFACTURING [1974], Olearius which is an English translation of the original 1836 edition on pp 67-70. In this Prof. Rudolph points out Okura's origins as the son of a cotton farmer, who witnessed the suffering of the crop failures in 1883 & 1787. This work was an improvement over his predecessor's landmark study: NOGYO ZENSHO: GENERAL TREATISE ON AGRICULTURE published in 1696 by Miyazaki Antei. Okura added his own observations on the sexuality of the cotton plant by use of a microscope submitting very accurate drawings of the various parts. He also extolled the good results of using different fertilizers, irrigation, cotton ginning and seed selection. * Another fascinating and highly informative essay on Okura is found in a book edited by A.M. Craig et al: PERSONALITY IN JAPANESE HISTORY, pp.127-154 by Thomas C. Smith. Wherein Smith outlines more about this "technologist" and hitherto unsung hero-champion of the common farmer in Japan. The metaphor that best suits Okura was: "Farming was like an illness that could be cured by proper treatment" and Okura fancied himself the doctor ! * A most valuable contribution to the agriculture genre by Japan's pre-eminent agriculture technologist. Please inquire with us about his other title: SEI-YU ROKU: ON OIL MANUFACTURING and others as we may have them in stock. * REFERENCES: JAPAN BIOGRAPHICAL ENCYCLOPEDIA AND WHO'S WHO,1962-1964 edition, p.1182-3. * H.H. Bartlett et al: JAPANESE BOTANY DURING THE PERIOD OF WOOD-BLOCK PRINTING, p.363 & p.445; exhibit 34. * H. Kerlin: CATALOGUE OF PRE-MEIJI JAPANESE BOOKS AND MAPS IN PUBLIC COLLECTIONS IN THE NETHERLANDS. * J. Edgren: CATALOGUE OF THE NORDENSKIOLD COLLECTION. * Okura Nagatsune: SEI-YU ROKU: ON OIL MANUFACTURING * Scans can be sent by email. Images displayed may not always be the exact photo of the copy in stock for sale at any given time. If you want to see the exact image of the book or edition in stock, please request this by email. . Photos of most of our books are posted to our .

      [Bookseller: Rare Oriental Book Company, ABAA, ILAB]
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        Autograph letter signed ("A. B. Fürstenau").

      Hannover, 15. XI. 1833. - 8vo. 2 pp. on bifolium. To an unidentified recipient, about a concert in Hildesheim.

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
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        SPOTTED OR CANADA GROUSE. [SPRUCE GROUSE]

      London, 1833. Sheet size: 37 3/4 x 25 3/8 inches. Two very small neatly repaired marginal tears, else very good. A fine print of one of the rarer and very elusive game- birds of the northern States. A group of two male and two female Spruce Grouse (Canachites canadiensis) are shown on the edge of undergrowth that includes painted trilliam and twisted- stalk. They all look warily about, the male in the foreground takes fright at an imagined danger. "Audubon went to the state of Maine to observe the habits of this dark, secretive grouse and, although he succeeded, the task, he admitted, was perhaps as severe as any he ever undertook. 'These breeding grounds,' he wrote, 'I cannot better describe than by telling you that the larch forests, which are there called "Hackmetack Woods," are as difficult to traverse as the most tangled swamp of Labrador...We sunk at every step or two up to the waist, our legs stuck in the mire and our bodies squeezed between the dead trunks and branches of trees, the minute leaves of which insinuated among my clothes, and nearly blinded me...We saved our guns from injury, however, and seeing some of the Spruce Partridge before they perceived us, we procured several specimens.' There is some evidence that the spruce grouse may not be as abundant today as it was in earlier times. It is no longer easy to find, at least in the southern parts of its range" - Peterson.

      [Bookseller: William Reese Company - Americana]
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        Els-Kwau-Ta-Waw, [Tenskautawaw] The Open Door

      Philadelphia: E. C. Biddle, 1833. Hand-coloured lithograph. In excellent condition apart from the usual off-setting in the plate. A fine image from McKenney and Hall's 'Indian Tribes of North America': `One of the most important [works] ever published on the American Indians' (Field),` a landmark in American culture' (Horan) and an invaluable contemporary record of a vanished way of life. Elsk-wa-ta-wa orTenskwatawa (1775-1834) was the name Lalawethika, a Shawnee leader and brother of Tecumseh, adopted after a profound vision. Socially unpopular among his people, Lalawethika was quagmired by alcohol during late 1790s and early 1800s when Tecumseh, who didn't drink, fought the American forces under General Arthur St. Clair and Anthony Wayne. In 1805, Tenskwatawa had a vision that changed his life. He stopped drinking and became a wandering orator, known as the Prophet. His main goal became to unite Native Americans against the whites and to persuade them to renounce all the trappings of the white world, including alcohol. The brothers sought to form a confederacy of Indian nations: Tenskwatawa as the religious leader and Tecumseh as political leader. Then, without his brother's approval or knowledge, Tenskwatawa fought General Harrison at Tippecanoe. Though not a definitve defeat, the battle represented an effective end to the Indian confederacy. Tecumseh exiled his brother for having fought it. McKenney and Hall's 'Indian Tribes of North America' has long been renowned for its faithful portraits of Native Americans. The portraits are largely based on paintings by the artist Charles Bird King, who was employed by the War Department to paint the Indian delegates visiting Washington D.C., forming the basis of the War Department's Indian Gallery. Most of King's original paintings were subsequently destroyed in a fire at the Smithsonian, and their appearance in McKenney and Hall's magnificent work is thus our only record of the likenesses of many of the most prominent Indian leaders of the nineteenth century. Numbered among King's sitters were Sequoyah, Red Jacket, Major Ridge, Keokuk, and Black Hawk. After six years as Superintendent of Indian Trade, Thomas McKenney had become concerned for the survival of the Western tribes. He had observed unscrupulous individuals taking advantage of the Native Americans for profit, and his vocal warnings about their future prompted his appointment by President Monroe to the Office of Indian Affairs. As first director, McKenney was to improve the administration of Indian programs in various government offices. His first trip was during the summer of 1826 to the Lake Superior area for a treaty with the Chippewa, opening mineral rights on their land. In 1827, he journeyed west again for a treaty with the Chippewa, Menominee, and Winnebago in the present state of Michigan. His journeys provided an opportunity to become acquainted with Native American tribes. When President Jackson dismissed him from his government post in 1830, McKenney was able to turn more of his attention to his publishing project. Within a few years, he was joined by James Hall, a lawyer who had written extensively about the west. McKenney and Hall saw their work as a way of preserving an accurate visual record of a rapidly disappearing culture. (Gilreath). Cf. Howes M129; cf. Bennett 79; cf. Field 992; cf. Lipperheide Mc 4; cf. Reese American Color Plate Books 24; cf. Sabin 43410a.

      [Bookseller: Donald Heald Rare Books]
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        Illustrations of Surgical Anatomy, With Explanatory References, Founded on the Work of M. Blandin

      Blackie & Son Ltd [1833], Glasgow - 52pp. 16 tissue guarded engraved plates. Language: eng G : in Good condition. Plates with some light age toning. Small tear to upper corner of two leaves with no impact on text or illustrations [Attributes: Hard Cover]

      [Bookseller: Barter Books Ltd]
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        Tulipe de Gesner / Tulipa Gesneriana

      Paris: [C.L.F. Panckoucke, 1833. Stipple engraving, printed in colours and finished by hand, engraved by Langlois. Good condition apart from mild soiling, mostly marginal. A beautiful image from "Choix des Plus Belles Fleurs": one of greatest flower books ever published by the most celebrated flower painter of all time. This tulip was named after Conrad Gessner (1516-65), a polymath who published the first scientific description and depiction of a tulip in 1561. Pierre-Joseph Redouté was one of the world's great flower painters. Born into a family that had been painters for at least two generations, Redouté went to Paris in 1782 with his brother where they worked as scene painters for the Théâtre Italien. Redouté painted flowers in his spare time. The search for subjects led him to the Jardin du Roi and eventually to Gerard van Spaendonck who made him an assistant. While at the Jardin du Roi, Redouté came to know Charles-Louis L'Heritier, an amateur botanist and writer of independent means. He gave Redouté a full time job as an illustrator, instructing him in plant anatomy. Redouté's scientific understanding of plants contributed greatly to the clarity of his depictions. But it was Redouté's work in stipple engraving and colour printing that was to be of the greatest importance. Stippling and the application of two or three colour inks to one plate were engraving innovations that Redouté brought to French printmaking, and these were brought to perfection in his three great works: Les Liliacees (1802-1816), Les Roses (1817-1824) and the work from which this image comes Choix des plus belles fleurs... et ... des plus belles fruits which was published in 36 parts with 144 plates between 1827 and 1833. The present image shows Redouté at his most assured, combining the best of his artistic background with his skill as an observer of nature. He writes in the preface to the Choix : ''It is with the benefit of experience, and encouraged by the most flattering approval of naturalists and painters of France and abroad, that I undertook took this most agreeable of botanical works. By ceaseless observation of nature, in its constancy and its variety of forms and colours, I believe that I have reached that synthesis of botanical accuracy, composition and colouration that is essential to produce the perfect image of the plant kingdom.' Cf. Hunt Redouteana 21; cf. Dunthorne p 235; cf. Great Flower Books (1990), p 129; cf. Nissen BBI 1591; cf. Pritzel 7456; cf. Stafleu & Cowan TL2 8750.

      [Bookseller: Donald Heald Rare Books]
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        Kriegsgeschichte sämmtlicher im Bezirke des königlich bayerischen zweiten Armee Divisions-Commandos befindlichen Städt, Festungen und Schlösser mit besonderer Rücksicht auf den ehemaligen Vertheidigungsstand und denen daselbst vorgefallenen Schlachten, Belagerungen und Gefechten, als Beitrag zur Geschichte der Vaterlandsvertheidigung.

      Bearbeitet durch den Verfasser der Kriegsgeschichte von Augsburg. 19 folding engraved plates, maps, & views (one is hand-colored). xvi, 236 pp., one leaf of errata; iv, [2], 190 pp., one leaf of errata; x, 163, [1] pp. Three vols. in two. 8vo, orig. red sheep maroquiné [Vol. I, Vol. II more "orangey"], sides ruled in gilt, flat spines gilt, a.e.g. Nuremberg: J.A. Stein, 1833. First edition of this history of the major battles and sieges in which the Royal Bavarian Second Army Corps took a role. They include those at Cham, Donauwörth, Ingolstadt, Lauingen, Memmingen, Neuburg, Nördlingen, Regensburg, Straubing, and Wülzburg. The handsomely engraved plates depict plans and maps of cities and regions. The battles range from the 16th century up through the Napoleonic period. Fine set from the Wittelsbach library of the dukes and kings of Bavaria. Laid-in is a letter from the author, dated 7 February 1834, presenting this set to the Duke of Bavaria. WorldCat locates no copy in the U.S. .

      [Bookseller: Jonathan A. Hill, Bookseller, Inc.]
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        A Map of Worcester Shire Town of the County of Worcester

      [Worcester]: Published by C. Harris, 1833. Lithographed folding map, printed on two sheets joined, period hand-colouring in outline. Inset map of the "Village of Worcester." Ten vignette views of buildings, including churches, schools, the "Antiquarian Hall" (i.e. American Antiquarian Society), town hall, the "Lunatic Hospital" and "House of Corrections." The scarcest and most decorative map of Worcester published in the 19th century. "This 1833 map of the town of Worcester, Massachusetts, was printed by Pendleton's lithography. It is distinctive for its depiction of generalized relief and vegetation on the map and of churches and public buildings in the margins" (Ristow). The detail on the map is quite impressive, with hundreds of individual residences named and the locations of businesses identified. The hand coloured boundaries divide the county into twelve school districts. The printing of the map is exceptional, with the hachuring and views exquisitely rendered on stone by Pendleton's Lithography. Stebbins worked as a lawyer in South Brookfield, Massachusetts but was also a trained surveyor. Following work on this map, he was employed as a Civil Engineer by the Massachusetts Western Railroad. The map is rare, with no copies listed in the auction records. We can locate only the Harvard and University of Massachusetts copies. Ristow, American Maps and Mapmakers , p. 289. Not in Rumsey or Phillips, A List of Maps of America.

      [Bookseller: Donald Heald Rare Books]
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        Die Hausthiere, dargestellt in 12 Bildern mit Text (",Hausthiere nennt man Kuh und Pferd und Esel Schwein und Ziegen, kurz Thiere, die man pflegt und nährt, zum Nutzen und Vergnügen"),

      Berlin, Verlag von Winckelmann & Söhne, [1833]. - mit einem handkolorierten lithographhischen Titelblatt und 10 weiteren ebensolchen, einseitig bedruckten Seiten mit je 4 Zeilen gereimtem Text, ORDENTLICHES EXEMPLAR dieses sehr seltenen Titels Sprache: Deutsch 10x17, brauner O Karton mit einer montierten, getönten lithographischen Tafel auf der vorderen Einbanddecke, [Attributes: First Edition; Soft Cover]

      [Bookseller: Antiquariat Im Baldreit]
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        Voyages Round the World; with selected sketches of voyages to the South Seas, North and South Pacific Oceans, China, etc....between 1792 and 1832

      New York, 1833. Octavo. 499pp. 5 plates (2 folding). Original green cloth-backed brown/grey paper covered-boards, printed paper label to spine (label chipped, neat repairs to spine), green cloth chemise, green cloth slipcase, brown morocco lettering-piece Provenance: E.A. Bradford (early pencilled signature to front pastedown); Sarah F. Bradford (inscription) First edition of a classic narrative of voyages to the Pacific. Fanning's adventurous life at sea began at a young age. A native of Connecticut, he set sail in 1792 for the South Seas in search of seal skins. During the following quarter century he made voyages around the world and to the Pacific, visiting Australia, south Georgia, Fiji, Tonga, and the Marquesas. Included in his work is a narrative of the first American naval exploring expedition to the southern hemisphere in 1829-30 by Benjamin Pendleton. "Fanning, who went to sea as a 14-year-old cabin boy in 1783, first sailed to the South Seas on a voyage for seal skins on the Betsey in May 1797. During the next 25 years he either captained or directed over 70 voyages to the Pacific and around the globe, personally visiting China, Australia, Fiji, and the Marquesas. In 1798 he discovered both Fanning and Palmyra Islands...the latter is officially a part of the city and county of Honolulu and is privately owned by a Honolulu family. In 1829 Fanning was instrumental in sending out an exploring expedition under the command of Captain Benjamin Pendleton and Nataniel Brown Palmer... It was Fanning's petition to Congress and largely his own personal efforts that led to the ... fitting out of the United States Exploring Expedition [i.e Wilkes Expedition]" (Forbes). The Bishop Museum in Honolulu holds Princess Kaiulani's copy of Fanning's Voyages. American Imprints 18752; Ferguson 1643; Hill (2004) 581; Howes F27, "aa."; Sabin 23780; Forbes 839.

      [Bookseller: Donald Heald Rare Books]
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        A MANUSCRIPT LETTER DATED OCTOBER 12, 1833 WRITTEN BY [CAPT.] MATTHEW C. PERRY,

      [New York 1833, U.S. Navy Yard]. A hand written holographic. letter in pen from Perry to Lineham, double folded letter,. 19.5 x 25 cm., boldly signed "M.C. Perry Commanding Officer". with verso showing date "Oct.12th 1833 From Capt. Perry...". AN ORIGINAL PENNED LETTER IN PERRY'S HANDWRITING This is a very nice example of Perry's boldly written letter written to one of his officers. The text reads: "Sir, You will be pleased to transfer to the receiving ship Nicolas Lineham a boy now on board the Sch. Shark. I have oriented Lt. Mc Cluney to send on board of your request to complete the complement allowed to a schooner, one seaman, one ord'y seaman & two boys. Resp'fy, M.C. PERRY, Com'dg Officer prv. hem..." With an additional note at the bottom in his hand. Perry [1794-1858] was an American naval office, who command- ed the expedition that established United States relations with Japan. Born April 10, 1794, in South Kingston, Rhode Island, the brother of Oliver Hazard Perry, he began his naval career as midshipman at the age of 15. He advanced to lieutenant in 1813 and to commander in 1826. He supervised the construction of the first naval steamship, the Fulton, and upon its completion in 1837,he took command with the rank of captain. He was promoted to commodore in 1842. In 1846-47 he commanded the Gulf squadron during the Mexican War. In 1853, Perry was sent to Japan, a country that had been closed to outsiders since the 17th century. On July 8, he led a squadron of four ships into Tokyo Bay & present- ed representatives of the Emperor with the text of a propos- ed commercial and friendship treaty. To give the reluctant Japanese court time to consider the offer, he then sailed for China. With an even more powerful fleet, he returned to Japan in February 1854. The treaty, signed on March 31, 1854 provided that humane treatment be extended to sailors ship- wrecked in Japanese territory, that U.S. ships be permitted to buy coal in Japan, and that the ports of Shimoda & Hako- date be opened to U. S. commerce. Perry's mission ended Japan's 400 years of self-imposed isolation, a prerequisite for its subsequent development into a modern nation. Perry died in New York City on March 4, 1858. Scan can be sent by email. Images displayed may not be the actual copy in stock for sale at any given time; if you want to see the exact image of the book or edition in stock, please request this by email and an image will be returned to you by attachment. * * * * BUY WITH .

      [Bookseller: Rare Oriental Book Company, ABAA, ILAB]
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        E-HON TOSHISEN GOGON ZEKKU: SELECTIONS OF ILLUSTRATED TANG POEMS [618-907] IN TH

      [Tokyo 1833, Kosanbo]. Stitched blue wrs., covers rubbed,one. title slip in facsimile, 2 vol. set: 19 + 18 double leaves,. 56 + 53 illustrations [109] in all, woodblock printed, very. good impression, 16.5 x 24 cm., unnumbered volumes. R A R E. STUNNING CHINESE POEMS ILLUSTRATED BY THE EMINENT HOKUSAI STYLE OF THE PAINTINGS: Zekku [Chueh-chu]; Ritsu [lu]; Ko-shi [ku-shih]; Zekku consists of four verses, please see Toda for more details on the structure of these Chinese poems of the Tang dynasty. The Japanese admired and idealized Chinese art, poetry and emulated many of their most famous works. This is a superb example of Hokusai's respect and appreciation of Chinese art and poetry. * HOKUSAI: This title is signed "Zen Hokusai Iitsu." Per Roberts, Hokusai used over 50 studio names [Go], see below for additional notes. *** CHINESE Pinyin: Artist's Name in Chinese: QIAN BEI SHU [WEI YI WENG HUA.] Chinese title: HUA BENG TANG SHI XIAN WU YUAN JUE JU. *** OBSCURE EDITION: This title as drawn by Hokusai is not clearly documented in this edition except where referred to by Kerlin. There does not seem to be any other citation to the Meiji edition, and the other bibliographies only cite earlier editions, but with very little reference to Hokusai's contribution to two of the volumes in the larger set drawn by other artists. We believe that our set published during the Meiji period represents a "lost work" of Hokusai illustrated books. *** CONDITION: The volumes are bound in the original blue paper covers. There is ample rubbing to the covers, one volume has the title slip in facsimile. The contents of volume 1 from the 6th leaf to the end being with mild stain, getting stronger by the end, with some old mildew throughout. Purple mildew begins from leaf 6 and gets worse towards the end. Volume 2 also has a similar stain from leaf 12 to the end. Regardless of the condition, this is an exceptionally R A R E book with strong registry and excellent printing. This title has seldom come to market. * ORIGINAL PRINTED PAPER SLEEVE/COVERS: There is a very rare woodblock-printed protective sleeve in which these two volumes were originally containd when issued from the publisher. There are mends where the papers were joined and then separated when originally made. There are substantial purple mildew and other stains on both the front and back. Else complete as issued. See our website for an image of this as illus12.jpg. * ***** BIBLIOGRAPHY: H. Kerlen: CATALOGUE OF PRE-MEIJI JAPANESE BOOKS AND MAPS IN PUBLIC COLLECTIONS IN THE NETHERLANDS, number 1769, p.742-744. He cites this Meiji edition as illustrated by Hokusai. We can not find very many other bibliographic citations for this edition elsewhere, only other similar titles per below. * K. Toda: THE RYERSON COLLECTION OF JAPANESE AND CHNESE ILLUSTRATED BOOKS, p.174 cites "Yehon Toshi-sen THE ILLUSTRATED TOSHI-SEN," see the last paragraph about this, where in Toda states: "This is an early Japanese publication of this book in an illustrated form. There were many "Yehon Toshi-sen" published later. One illustrated by Hokusai is the most famous." . This citation refers to the book we here describe. Toda then refers to "Yehon Toshi-sen" on page 259 from the top. "The series which we have here, is a later publication, and undoubtedly, the best Japanese work of this kind." He described a 6 volume set, not illustrated by Hokusai. Then on page 259-261 Toda lists several of this s ame title by other artists. * Mitchell: THE ILLUSTRATED BOOKS OF THE NANGA, MARUYAMA, SHIJO AND OTHER RELATED SCHOOLS OF JAPAN: A Bibliography, pp.535-536, for related editions. * J. Hillier: THE ART OF HOKUSAI IN BOOK ILLUSTRATION: see index on p.287 entry: TOSHISEN EHON GOGON-ZEKKU; see also p.278, #238, for edition published in 1833 in 5 volumes; then see text pages 232-234, with plates 216-218 illustrating a double-page from this title [though these plates are not in our set] they came from the 1822 edition. Hillier further states on p.234 "It was at this date [1832] that Hokusai was invited to illustrate the two final parts of the monumental publishing undertaking." [meaning to publish this title by other artists in 5 volumes]. The seventh and final parts probably meaning the last 2 volumes after volumes 5 were by illulstrated by Hokusai. Our copy is a later edition of these two volumes. * Holloway pp.13-14, see illustration #114 * KSM: Kanshi, Kaiga 67-49-4 * Kraft. vol. 1, no.747 * L.P. Roberts: DICTIOMARY OF JAPANESE ARTISTS, p.48-50 * R. Lane. HOKUSAI LIFE AND WORK: pp.248,251,308/234, and the illustration # 312. ***** Color scans can be sent by email. Images displayed may not be the actual copy in stock for sale at any given time; if you want to see the exact image of the book or edition in stock, please request this by email and an image will be returned to you by attachment. * * * * BUY WITH .

      [Bookseller: Rare Oriental Book Company, ABAA, ILAB]
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        [EXECUTIVE DOCUMENTS FOR THE HOUSE OF REPRESENTATIVES]

      Washington: Gales & Seaton, 1833 - 1834. First Edition. Hardcover. Occasional foxing and toning to the text. The signature is strong and clear, the binding Fine. Thick (3") octavo recently bound in brown morocco leather-backed marbled boards with matching morocco corners and a red morocco spine label. Documents from the 23rd Congress, First Session, 1833-4 containing approximately a thousand pages with each document paged individually. James Polk's copy with his full SIGNATURE including middle initial on the top of the first page, the Index. At the time of publication, Polk was a member of the House of Representatives from 1825 to 1839, serving as Speaker of the House from 1835 to 1839, the only Speaker eventually to be elected president. He was a staunch supporter of President Andrew Jackson and supported Jackson's positions on a number of bills included here, most notably leading the fight in the House against the recharter of the Bank of the United States, exposing its financial weakness. Polk was appointed chairman of the House Ways and Means Committee in December 1833, when these documents begin. The first "dark horse" candidate in presidential history, Polk was nominated on the 9th ballot at the Democratic convention and narrowly defeated Henry Clay in the Presidential election of 1844 becoming, at the age of 49, the youngest president to date. Vowing to serve only one term, he was possibly the least corrupt and most effective president in American history, having established an independent treasury, confronted the British, conquered Mexico, and seized the western third of the North American continent creating the land mass that would ultimately become the contiguous United States. Included is a 1992 letter from the Executive Director of the Tennessee Historical Society de-accessioning the volume. Books from Polk's library are quite uncommon.

      [Bookseller: Charles Agvent]
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        Experiments and observations on the gastric juice

      Plattsburgh: F. P. Allen, 1833. Original boards. Herbert M. Evans copy

      [Bookseller: Jeremy Norman's Historyofscience.com]
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        Die Durchschneidung der Archillessehne, als Heilmethode des Klumpfusses, oder durch zwei Fälle erläutert (pp.195-218, mit 1 gefalteten, doppelblattgr. Kupfertafeln).

      - Rust's Magazin, 39. - Berlin, Georg Reimers, 8°, 1833, 582 pp., mit 2 Kupferstichtafeln, Pappband d. Zeit; gutes Exemplar. Paradigmawechsel: Beginn der modernen Orthopädie - ERSTE AUSGABE. Originalbericht über eine der großen Pionierleistungen der modernen Orthopädie, der subkutanen Tenotomie. 5 Jahre! vor dem Erscheinen seiner berühmten Arbeit "Beiträge zur operativen Orthopädie, Hannover 1835", berichtet Georg Friedrich Stromeyer (1804-1867) hier erstmalig über seine am 28. Febr. 1831 durchgeführte Operation an dem 19-jährigen Georg Ehlers, sowie über die zweite Operation vom 12. Juni 1832. Ganz offen erwähnt Stromeyer die Verdienste von Delpech. Die Erfolge Strohmeyers waren wesentlich in seiner Nachbehandlung (Extensions-Apparate) begründet. Die Operation allein führte zu keiner Heilung des Übels. -Es ist heute überhaupt nicht vorstellbar wie hilflos die Ärzte Anfang des 19. Jahrhunderts dem Klumpfuß gegenüber standen. "Noch im Jahre 1835 wurden in einer deutschen chirurgischen Klinik Klumpfüße amputiert und der Dirigent sprach den Satz aus, wahre Klumpfüße werden nicht geheilt und müssen amputiert werden!" Nur so ist es verständlich mit welcher Begeisterung die neue Methode überall aufgenommen wurde. Die subkutane Durchschneidung der Achillessehne war ein neuer Hoffnungstrahl, an dem sich Tausende Unglücklicher, die sich bisher mit ihrem Schicksal abfinden mußten, aufrichteten. [Attributes: First Edition; Hard Cover]

      [Bookseller: Antiq. F.-D. Söhn - Medicusbooks.Com]
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        Ixia Tricolor / Ixia Tricolore [Harlequin Flower]

      Paris: [C.L.F. Panckoucke, 1833. Stipple engraving, printed in colours and finished by hand, engraved by Victor. Very good condition apart a small, soft crease to the top left corner, and some very slight foxing at sheet edges top and right. A beautiful image from "Choix des Plus Belles Fleurs": one of greatest flower books ever published by the most celebrated flower painter of all time. Pierre-Joseph Redouté was one of the world's great flower painters. Born into a family that had been painters for at least two generations, Redouté went to Paris in 1782 with his brother where they worked as scene painters for the Théâtre Italien. Redouté painted flowers in his spare time. The search for subjects led him to the Jardin du Roi and eventually to Gerard van Spaendonck who made him an assistant. While at the Jardin du Roi, Redouté came to know Charles-Louis L'Heritier, an amateur botanist and writer of independent means. He gave Redouté a full time job as an illustrator, instructing him in plant anatomy. Redouté's scientific understanding of plants contributed greatly to the clarity of his depictions. But it was Redouté's work in stipple engraving and colour printing that was to be of the greatest importance. Stippling and the application of two or three colour inks to one plate were engraving innovations that Redouté brought to French printmaking, and these were brought to perfection in his three great works: Les Liliacees (1802-1816), Les Roses (1817-1824) and the work from which this image comes Choix des plus belles fleurs... et ... des plus belles fruits which was published in 36 parts with 144 plates between 1827 and 1833. The present image shows Redouté at his most assured, combining the best of his artistic background with his skill as an observer of nature. He writes in the preface to the Choix : ''It is with the benefit of experience, and encouraged by the most flattering approval of naturalists and painters of France and abroad, that I undertook took this most agreeable of botanical works. By ceaseless observation of nature, in its constancy and its variety of forms and colours, I believe that I have reached that synthesis of botanical accuracy, composition and colouration that is essential to produce the perfect image of the plant kingdom.' Cf. Hunt Redouteana 21; cf. Dunthorne p 235; cf. Great Flower Books (1990), p 129; cf. Nissen BBI 1591; cf. Pritzel 7456; cf. Stafleu & Cowan TL2 8750.

      [Bookseller: Donald Heald Rare Books]
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        The Holy Bible, containing the Old and New Testaments, in the common version, with amendments of the language by Noah Webster.

      New Haven: Durrie & Peck; Sold by Hezekiah Howe & Co., and by N. & J. White 8vo (23 cm; 9"). xvi, 907 pp.. 1833 First edition of the Bible in English (Authorized Version) tailored for American readers by Noah Webster (1758?-1843). "His purpose was to remove obsolete words and those offensive to delicacy" (Rumball-Petre), Webster himself further stipulating, "To avoid giving offense to any denomination of christian [sic], I have not knowingly made any alteration to the passages of the present version, on which the different denominations rely for the support of their peculiar tenets" (Preface, p. iv). Webster further explains that the purpose of his revisions is to make the language clearer and purer so as to not "divert the mind from the matter to the language of the scriptures, and thus, in a degree, frustrate the purpose of giving instruction" (Preface, p. xvi). Webster considered his work on the revision of the Bible more important than that on the dictionary and was sorely disappointed at the Bible's poor reception among all levels of readers. Provenance: 19th-century ownership signatures of Luther P. Hubbard (undated) and R.T. Hall (1894); after ca. 1954 in The Howell Bible Collection, Pacific School of Religion (properly released). Publisher's sheep, spine dry and tending to flake; front board once detached and resecured with a cloth tape repair at the hinge (inside). Foxing as usual. Priced to encourage better repair to its binding, this is a complete, sound copy.

      [Bookseller: Philadelphia Rare Books & Manuscripts Co]
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        EL EXMO. SR. VICE-PRESIDENTE DE LOS ESTADOS-UNIDOS MEXICANOS SE HA SERVIDO DIRIGIRME EL DECRETO QUE SIGUE [caption title]

      Mexico. Aug. 17, 1833.. [2]pp. on single folded sheet. Folio. Some worming to first outer leaf and gutter. Very clean. Very good. This document is a decree from the Vice President of los Estados-Unidos Mexicos distributed to the parishes of Alta and Baja California. It states the government's intention to secularize the parishes in order to regain the attentions and loyalties of the native community. This move sought to make the local parishes smaller and return land to the natives. It also includes details of payment to each parish, to be used as aid to the community. These actions by the government were a last ditch attempt to convert the native communities to Spanish ways and to gain their allegiance to the crown.

      [Bookseller: William Reese Company - Americana]
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        Allgemeine Naturgeschichte für alle Stände. 7 Teile in 13 Bänden und 3 Tafelbände. Zus. 16 Bände. Stuttgart, Hoffmann, 1833-(1843). Mit 1 gestoch. Porträt-Frontispiz, 1 lithogr. Titel und 164 lithogr. Tafeln (davon 111 kolor.). 8° u. Gr.-4°. 13 marmor. Hldr.-Bde. d. Zt. mit je 2 RSch. u. RVerg. (Textbände; etw. berieben), 2 Hlwd.-Bde. d. Zt. (etw. berieben) u. 1 Pp. d. Zt. (Rücken und Kanten beschabt).

       1833 Vgl. Graesse V,16; Poggendorff II,319.- Eine der umfassendsten Naturgeschichten ihrer Zeit mit allen Tafeln.- Textbände vereinzelt etwas stockfleckig, Tafelbände teils etwas stock- und fingerfleckig (meist nur am weißen Rand), 5 Tafeln (Zellenpflanzen - Pilze) und 5 Registerblätter mit größerem Feuchtrand.- . Versand D: 5,00 EUR

      [Bookseller: Antiquariat Schramm]
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        Vorstellung höchst vollkommen dressirter Hunde. Munito, die Phönixe Europa`s.

      (München, 1833).. Lithographie. Mit zwei kleinen Hunde-Abbildungen und Beschreibung in durchgehend lithographierter Kurrentschrift. Blattgr.: 39 x 23 cm. Um 1818 erschien ein Herr Castelli und führte in ganz Europa den Hund Munito vor, der äußerst ungewöhnliche Kunsttücke beherrscht; u. a. konnte er angeblich buchstabieren, rechnen, Karten und Domino spielen etc. Munito wurde zu einer Sensation, ist aber seit 1824 nicht mehr mit Auftritten belegbar. Ab 1827 erschien ein weiterer Munito auf der Bildfläche, allgemein als "Munito II." in der Literatur bezeichnet. Der erste war ein Wasserspaniel, "Munito II." wird als "schöner weißer Pudel mit Löwenschur" von Eugène Muller in seinem Buch Les Animaux Célèbres bezeichnet; die hier vorliegende Abbildung mag dem entsprechen - sie zeigt einen sitzenden Hund mit einer Karte mit der Nummer 5 im Maul. Rätselhaft sind die Besitzverhältnisse: Der zweite Munito wurde nach einer Mitteilung von J.-F. Bertachon in Notice sur les chiens Munito (1836) von einem Herrn Nief vorgeführt; es muss sich dabei aber nicht zwingend um eine andere Person als Castelli handeln, der eventuell unter diesem neuen Pseudonym ein Comeback mit einem weiteren Hund startete. Vorliegende Bestätigung eines Auftritts am 18. September 1833 in München legitimiert Nief als Besitzer. Der umfangreiche Text preist die Vorzüge des neuen Munitos und anderer Hund und listet die vorzuführenden Tricks auf. - Linker Rand mit kleiner Hinterlegung, sonst sehr gutes Exemplar.

      [Bookseller: Antiquariat Turszynski]
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        American Ornithology; or, the Natural History of Birds inhabiting the United States, not given by Wilson

      Philadelphia: Samuel Augustus Mitchell [vol I]; Carey, Lea & Carey [vols II & III]; Carey & Lea [vol IV], 1833. 4 volumes, folio. (15 x 12 inches). 27 hand-colored engraved plates by Alexander Lawson (11 after Titian R. Peale, 15 after A. Rider, and 1 after J.J. Audubon and A. Rider). Extra-illustrated with 5 uncoloured engraved plates in vol. IV. (Usual paper toning in vol. IV, minor offsetting in vols. II-IV, short repaired tear to an uncoloured plate in vol. IV). 19th-century black half morocco over green cloth-covered boards, the spine in six compartments with raised bands, lettered in the second and fourth, the compartments bordered in gilt with double fillets, marbled endpapers, top edge gilt. Provenance: Juliette Clary (inscribed by Bonaparte on the vol. I title, "Offert par l'auteur a sa Cousine Juliette") A very fine set of the first edition, first issue of this important American ornithological work, inscribed by Prince Bonaparte to his cousin and with additional uncoloured states of the plates in volume four. Bonaparte's important continuation of Wilson's American Ornithology describes 60 birds not in the original work. "A love for the same department of natural science, and a desire to complete the vast enterprise so far advanced by Wilson's labors, has induced us to undertake the present work," Bonaparte writes in the preface, "in order to illustrate what premature death prevented him from accomplishing, as well as the discoveries subsequently made in the feathered tribes of these States." "The work which had been performed by Wilson's hands alone now gave employment to several individuals. Titian R., the fourth son of Charles Wilson Peale, not only collected many of the birds figured while on the Long expedition, which were credited to Thomas Say, who originally described them in footnotes scattered through the report; or in a subsequent private trip to Florida during the winter and spring of 1825, under the patronage of Bonaparte; but also drew the figures engraved for the first, and two plates for the fourth and last volume. A German emigrant by the name of Alexander Rider, of whom little is known beyond that he was a miniature painter in 1813, and a portrait and historical painter in 1818, was responsible for the remainder of the drawings with the exception of the two figures of plate 4 of volume I..." (Frank L. Burns, On Alexander Wilson ). That plate, the Great Crow Blackbird, is notable as being the first book appearance of any engraving after John James Audubon. Perhaps the most influential artist involved with the work, however, was Bonaparte's master engraver Alexander Lawson, arguably the most talented ornithological engraver in America at that time. Three issues of the first edition of Wilson's continuation have been identified. This fine set is comprised of the rare first issue of vol. 1 (with the Mitchell imprint and containing the first issue of plate 6 in that volume (see Ellis/Mengel) and with first issues of volumes two through four (published by Carey & Lea and printed by William Brown). Carey & Lea later reissued the first volume, with their own imprint, after purchasing the rights to the publication from Mitchell in 1828. The third issue includes volumes reprinted by T.K. and P.G. Collins (with their imprint replacing that of William Brown) for Carey & Lea with unchanged dates on the titles but actually printed in about 1835 after the completion of the final volume. We are aware of the existence of only one other inscribed set of Bonaparte's Ornithology to have appeared on the market in the last 30 years, inscribed to the Count Charles de Chatillon. Anker 47; Bennett 16; Coues 1:609; Ellis/Mengel 312a-b; Fine Bird Books (1990) p. 78; Nissen IVB 116; Sabin 6264; Wood 247; Zimmer p.64.

      [Bookseller: Donald Heald Rare Books]
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        Neuester Fremdenführer für Berlin und die umliegende Gegend; enthaltend: eine kurze Nachricht von allen daselbst befindlichen Merkwürdigkeiten.

      Berlin George Gropius 1833 - IV, 202 SS m. 9 Stahlstichen ( ohne den Plan ), kl.- 8°, Or. - Ppbd. m. Rsch. ( l. best. u. fl. ). Berl.- Bibl. S. 58 ( f. d. 2. Aufl. 1839); Holzm.- Boh. II, 4122. - Die Stahlstiche zeigen: Stechbahn - Königl. Schloss m. Langer Brücke - Königl. Palais - Opernhaus - Schauspielhaus - Universität - Neue Wache - Königl. Museum - Brandenburger Tor. Ohne den Plan. Durchgängig leicht, vereinzelt etwas stärker fleckig, - Seltener Führer. [Attributes: Hard Cover]

      [Bookseller: Antiquariat Nikolaus Struck]
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        MEYER`S UNIVERSUM oder Abbildung und Beschreibung des Sehenswerthesten und Merkwürdigsten der Natur und Kunst auf der ganzen Erde.

       Hildburghausen u. New York, Bibliographisches Institut 1833 ff. Bde. 1- 13 (in jeweils 12 Lieferungen), Bd. 14 / Lfgn. 1-6. qu.-gr. 8°. Zus. 629 Stahlstichtaf. u. 11 gest. Titelbll. 160 OBrosch. Einzelne Bll. lose, fleckig, wasserrandig, wurmstichig im w. Rd., wenige Umschl. rissig. Im Ganzen jedoch gut erhaltenes, sauberes Expl.Nebehay-W. 411 - Erste Ausgabe eines der bekanntesten und umfangreichsten Ansichtenwerke des 19. Jahrhunderts von dem bis 1860, 21 Bände erschienen waren. - Unser Expl. im urprünglichen Originalzustand der Lieferungen. Es fehlen lediglich im 11. Bd. die Lieferungen 9 + 10, darin Ansichten v. Birmingham; Janina in Albanien; Siostow u. d. veteranische Höhle i. d. Türkei; Vico i. d. Bay v. Neapel, Der Donauwirbel in Oesterreich; Die Grenzfeste Roma in Serbien; Portsmouth - Im 12. Bd.: Die beiden Ansichten v. Cetara i. d. Bai von Salerno bei Neapel; Der Obelisk von Luxor in Paris. Versand D: 4,00 EUR Graphik, Zeitschriften

      [Bookseller: Antiquariat Burgverlag]
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        Dresden. - Neustadt aus der Vogelschau. - Carl Wilhelm Arldt. - "Panorama der K. S. Residenzstadt Dresden und ihrer Umgebungen. Nordöstliche Ansicht".

      - Historische Ortsansicht. Lithografie / Kreidelithografie, auf gewalztem China, alt aquarelliert, 1833. Von Carl Wilhelm Arldt. 26,6 x 38,4 cm (Darstellung) / 39,5 x 52,0 cm (Blatt). Unterhalb der Darstellung betitelt. - Eine von vier Panorama-Ansichten vom Turm der Katholischen Hofkirche. - Blatt schwach gebräunt und knickspurig. Im oberen Rand Reste vormaliger Montierung. Insgesamt aber guter Zustand mit wohlerhaltenem Kolorit. Carl Wilhelm Arldt (1809 Niederruppersdorf - 1868 Löbtau). Deutscher Landschafts- und Porträtzeichner und Lithograf. Sohn eines Uhrmachers. Lernte das Zeichnen beim Gymnasiallehrer Christian Gotthelf Müller in Zittau. Studierte 1826-30 an der Kunstakademie Dresden bei Carl August Richter. Lernte später bei Ferdinand Hartmann und Heinrich Arnold, wurde aber wegen Unregelmäßigkeiten von der Akademie verwiesen. Erlernte darauf in Dresden den Beruf des Lithografen. Als solcher arbeitete er für verschiedene lithografischen Anstalten in Dresden, dabei entstand ein außerordentlich umfangreiches Werk an Porträtlithografien sowie Ansichten und Landschaften Mitteldeutschlands.

      [Bookseller: GALERIE HIMMEL]
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        Bishop Burnet's History of His Own Time: With Notes by the Earls of Dartmouth and Hardwicke, Speaker Onslow, and Dean Swift. To Which are Added Other Annotations.

      Oxford, at the University Press,, Oxford: 1833 - Bound in full brown tree calf, a handsome binding with raised bands and gilt decorated compartments. A complete six volume set, beautifully bound, with gilt borders, all edges marbled, and marbled end papers. A history and first hand account of the English Civil War, through 1713, by the Scottish theologian & bishop of Salisbury. Edited by Martin Routh, the classical scholar and president of Magdalen College, Oxford. A lovely set, in very good + condition, with slight wear at the head of Vol. I. OCLC: 493043029. [Attributes: Hard Cover]

      [Bookseller: Antipodean Books, Maps & Prints, ABAA]
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        Collection complète des "Histoires en estampes" en édition originale (8 albums). [Avec] Essai de physiognomonie [Et] Voyages et aventures du Docteur Festus (roman illustré)

      1833 - 10 volumes, soit : 8 albums , 1833-1846, , 10 volumes, soit : 8 albums in-8 oblongs en reliures dépareillées d'époque, 1 volume petit in-8 demi-basane et un album in-4 broché, , Ensemble exceptionnel comprenant les éditions originales de tous les albums de "littérature en estampes", considérés comme les premières bandes dessinées, soit: 1. Les rares éditions suisses, autographiées par Töpffer, de Jabot, Crépin, Vieux Bois, Pencil, Festus et Albert (6 albums); l'autographie, procédé découlant de la lithographie, permettait à Töpffer de dessiner directement ses histoires à l'encre grasse sur un papier spécial. Il fut le premier à utiliser ce procédé, alors peu courant, pour des tirages importants. Deux de ces histoires ont paru à Paris chez Cherbuliez (Festus et Pencil), l'un des rares libraires qui avaient l’autorisation de vendre les albums de Töpffer à l'étranger Seul Mr Cryptogame n'a pas été autographié par l'auteur; afin de publier cet album dans l'hebdomadaire l'Illustration, dirigé par son cousin Jacques-Julien Dubochet, Töpffer fit en effet redessiner et graver sur bois l'ensemble de cette histoire par son disciple français Cham; l'édition que nous présentons ici est la première édition en librairie. 2. L'édition originale du Dr Festus sous la forme d'un roman, illustré de planches. 3. Le très rare Essai de physiognomonie en 1845, dont nous présentons également la première édition, ouvrage entièrement autographié dans lequel Töpffer légitime la littérature en estampe et affirme l'utilité du procédé autographique. Composition de l'ensemble, par date de publication: - Histoire de M. Jabot. Genève, 1833. [2] feuillets et 52 planches. Exemplaire en demi-chagrin bleu nuit, dos lisse orné de fers rocaille, titre doré frappé sur le plat supérieur. - Monsieur Crépin. Autographié chez Frutiger à Genève, 1837. [1] feuillet de préface et [86] pages; 1 feuillet de titre manuscrit relié en tête. Veau olive souple, dos à faux nerfs, encadrement à froid de motifs rocaille, titre dans un cartouche losangé, tranches dorées. Étui cartonné. Ex-libris au contreplat: Lt. Dubourg à Verney. (Coins usés, étui défraîchi). - Les amours de M. Vieux Bois. Autographié chez Frutiger, Genève, 1837. [1] feuillet de titre et [83] pages. Demi-chagrin rouge. - La seconde édition, augmentée et en partie originale, des Amours de Mr Vieux-Bois. Genève, 1839. 92 pages dont le titre. Maroquin vert à grain long, dos lisse orné en long, roulette d'encadrement sur les plats, titre doré frappé sur la plat supérieur. Agréable reliure. - Monsieur Pencil. Autographié à Genève. Lithographie de Schmid [Paris, Cherbulier], 1840. 72 pages dont le titre. Demi-chagrin havane, dos à faux nerfs, couvertures conservées. Ex-libris Yves G. Margotat. (Dos passé, coiffes arasées). - Dr. Festus. Autographié par l’auteur à Genève, litho. de Schmid [Paris, Cherbulier], sans date (1840). 88 pages dont le titre. Demi basane bleue à coins, dos lisse, couvertures conservées. (Coins usés, charnières frottées.) - L'édition originale de la version de Festus en littérature illustrée: Voyages et aventures du Docteur Festus. Genève et Paris, Ledouble et Ab. Cherbuliez, 1840. In-8, 160 pages, 7 planches. Demi-basane noire. (Charnières fragiles.) - Histoire d’Albert. Genève, Deutsche Buchhandlung von J. Kessmann, 1845. [2] feuillets, 39-[1] pages. Maroquin à grain long tabac, dos lisse, large roulette d’encadrement des plats et roulette intérieure, couvertures bleues conservées. Ex-libris du dramaturge Paul Gavault (1866-1951). Histoire publiée par Töpffer sous le nom de Simon de Nantua; signée, au dernier feuillet, "R.T." - Essai de physiognomonie par R.T. Autographié chez Schmidt Genève, 1845. [1] feuillet de titre et 36 pages, nombreuses illustrations dans le texte. Broché, couverture imprimée d'origine. (Trace de colle d'une ancienne étiquette ex-libris en deuxième de couverture.) - Histoire de M. Cryptogame. Paris, J.J. Dubochet, sans date (1846). [2] feuillets, 64 pages et [2] feuillets [Attributes: Hard Cover]

      [Bookseller: Librairie Alain Brieux]
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        Topographische Karte der Schweiz. Vermessen und herausgegeben auf Befehl der eidgenössischen Behörden.

      Bern, -1863 1833 - 61 x 45 cm, 1 gestoch. Titelbl., 25 gestochene Doppelblatt grosse Karten, Rotes HLdr.der Zeit mit golgeprägt. Deckelschild, Deckel mit kreisrundem (12 cm) Wärmeverzug des Ueberzugsleinens. Einige Karten wenig stockig, insgesamt ein schönes Exemplar. Beiliegend: Dufour, G.-H., La topographie de la Suisse 1832-1864, Histoire de la carte Dufour, Bern, Stämpfli, 1898., Gr.8°, Fronti., (V) 270 S., zahlr. teilw. farb. Tafeln. OLwd. goldgepr., marmor. Schnitt. (Kleiner Fleck über Kapital u. Frontdeckel, min. berieben, sehr schönes Exemplar.) M. einer Reproduktion d. Photogravure v. Ary Scheffer 1852. M. zahlr. Reproduktionen div. Karten. Text frz.Auf einer der Karten die Uebersichtskarte und auf einer zweiten die «Höhen der vorzüglichsten Punkte».Die Dufour-Karte basiert auf Vermessungen der Kantone und der Schweizerischen Eidgenossenschaft und wurde in den Jahren 1845 bis 1865 vom Eidgenössischen Topographischen Bureau unter der Leitung von Guillaume-Henri Dufour herausgegeben.Die Originalaufnahmen für die Dufourkarte wurden im Massstab 1:25000 (im Flachland) und 1:50000 (im Gebirge) erstellt. Die Publikation erfolgte jedoch im Massstab 1:100000, wobei das Gebiet der Schweiz auf 25 Blätter verteilt wurde. Das bergige Gelände wird auf der Dufourkarte mit Schattenschraffen dargestellt, wodurch es besonders plastisch erscheint. Diese so genannte «Schweizer Manier» erntete viel Lob und brachte dem Topographischen Bureau mehrere internationale Auszeichnungen ein. 3100 gr. Schlagworte: Helvetica - AllgemeinReisen - Kartenwerke, Panoramen [Attributes: Hard Cover]

      [Bookseller: antiquariat peter petrej]
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        Raccolta e parallelo delle fabbriche classiche di tutti i tempi d'ogni popolo e di ciascun stile con l'aggiunta di altre 300 e più fabbriche e monumenti d'ogni genere antichi e moderni e della storia generale dell'architettura di J.G. Legrand

      Antonelli, Venezia 1833 - Vecchia annotazione cassata e piccola mancanza al frontespizio, mancanza alla base del dorso Testo bilingue italiano e francese su due colonne, doppio frontespizio. (8) + 196 + (2) con 266 tavv. numerate (di cui 36 a pagina doppia) (le seguenti sono tavole bis: 37 - 38 - 59 - 61 - 106 - 143) p. in-folio

      [Bookseller: Libreria Antiquaria Giulio Cesare]
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        The Story-Teller or Minor Library of Fiction: A Collection of the Choicest Tales, Legends, and Traditions of All Nations Embracing Specimens of the Most Celebrated Ancient and Modern Authors Together with Original Stories and Foreign ... (Truncated)

      The Principal Booksellers in Town and Country, 1833, Hardcover, Book Condition: Good Condition, Dust Jacket Condition: No Dust Jacket. Full Book Title: The Story-Teller or Minor Library of Fiction: A Collection of the Choicest Tales, Legends, and Traditions of All Nations Embracing Specimens of the Most Celebrated Ancient and Modern Authors Together with Original Stories and Foreign Tales Written Expressly for This Work and Translated for Its Pages Immediately After Their Appearance on the Continent in Two Volumes. 2 books. Each measures about 7 1/2 x 10 inches, 826 pages each. Marbled boards; leather bindings; some wear; broken hinges; splitting on the spine. The pages have light staining, foxing and discoloring but good overall. The title page is volume 2 is missing about half and repaired. These are very rare books. Quantity Available: 1. Shipped Weight: 4+ Pounds/Larger. Category: Antiquarian & Rare; Inventory No: 137825.

      [Bookseller: Easy Chair Books]
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        Vue des Caps du Port Jackson. Nouvelle Galles du Sud

      Paris: Tatsu, 1833. Lithograph, 358 x 517 mm; in fine condition, embossed stamp below title, mounted. A fine view of the ships of the Astrolabe voyage passing through the Heads of Port Jackson by Louis de Sainson. The lithograph is from Dumont Durville's Voyage de la Corvette l'Astrolabe.The Astrolabe sailed via the Cape of Good Hope, through Bass Straits and arrived at Sydney on December 2, 1828. The expedition found that the local authorities were disturbed by renewed French activity in Australian waters and were actively working to forestall French settlements. After a stay of only 17 days the Astrolabe sailed for New Zealand. Views, scientific data and portraits were illustrated in sumptuous folio atlases as a part of the publication which included this view, published soon after the expedition returned to Paris.

      [Bookseller: Hordern House Rare Books]
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        Traité du domaine public, ou de la distinction des biens considérés principalement par rapport au domaine public vol 2 + 3 + 4 + 5

      Lagier, Dijon 1833 - 4 vols original Pappband, 8°, 420, 576, 470, 500 Seiten; Exemplar gestempelt fr 3000 Buch [Attributes: Hard Cover]

      [Bookseller: ANTIQUARIAT.WIEN Fine Books & Prints]
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        Neueste humoristisch=topographisch=statistische Beschreibung der Haupt= und Residenzstadt München und deren Umgebungen, für Fremde und Einheimische. 2., nach einem neuen Plane gänzlich umgearbeitete, sehr vermehrte und verbesserte, dann mit vollständigen Registern versehene Aufl.

      Mchn., Lindauer, 1833. 18 x 11 cm. XII, 228 S., Mit 1 gefalt. gestoch. Frontispiz, 9 lithographierten Tafeln und 1 mehrf. gefalt. lihtographierten Plan. Lithogr. Kart. d. Zt. Lentner 454 und 14608. - Lord Semmelbrösel macht unter Leitung seines lustigen Cicerone Kratzfüssle alle nur erdenklichen Kreuz- und Querzüge durch die Stadt, wobei u.a. folgendes geschieht oder besprochen wird: Kratzfüßl`s topographisch=statistische Vorlesung auf dem St. Petersthurme - Häuserzahl und Bevölkerung i. J. 1832 - Bier und Bierbrauereien - Handel, Dulten, Schrannen, Manufakturen und Fabriken - Caffehäuser - Metzgersprung - Der Eiermarkt - Burggasse - Neuer Bockkeller - Kgl. Bräuhäuser - Prater - Der schöne Münchner und die schöne Münchnerin - Münchens Journale und Zeitungen - Theresienwiese - Eisenbahn - Wallburgers Kunstbade=Anstalt - Schweigerisches Volkstheater - Zacherls Bräuhaus und Sommerkeller - usw. - Mit einem schönen Souvenirblatt (in Kupferstich) mit einer Gesamtansicht umgeben von 12 kleinen Teilansichten (Evangelische Kirche, Isarbrücke, Maximilianplatz, Biederstein, St. Emeran, Harlaching, Schleissheim, Neuberghausen, Nymphenburg, Blutenburg, Magdalenen Kapelle, Palais des Prinzen Carl) und detailliertem großen Stadtplan, sowie neun Lithographien mit 18 Ansichten. - Einband berieben und bestoßen. Teils gering gebräunt und etwas stockfleckig. Versand D: 6,00 EUR BAYERN, Oberbayern

      [Bookseller: Antiquariat Bierl]
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        Berlin und seine Umgebungen im neunzehnten Jahrhundert. Eine Sammlung in Stahl gestochener Ansichten, ..., nach an Ort und Stelle aufgenommenen Zeichnungen von Mauch, Gärtner, Biermann und Hintze nebst topographisch historischen Erläuterungen von S.H. Spiker.

      Berlin, George Gropius 1833 Mit 104 Stahl-Stichen auf 52 Tafeln. 165 Seiten Kl.-4° Ganzleinen der Zeit mit goldgprägtem Rücken. Samuel Heinrich Spikers Text gilt als maßgebliche Darstellung der Zeit und die Bilder von Mauch, Gärtner, Biermann und Hintze werden wegen ihres dokumentarische Wertes gerühmt. Mit einer gestochenen Titelvignette (Berlin vom Kreuzberge). Auf der dem Titel folgenden Seite ein großer Wappenstich. Mit dem vollständigem Subskribentenverzeichnis. Zu den Tafeln sind die Seidenblätter vollständig vorhanden. Der dekorative Einband weist leichte Gebrauchsspuren am Rücken auf, ist an den Ecken und Kanten ein wenig bestoßen sowie etwas fleckig. Unser Exemplar des Klassikers der Berliner Stadtansichten zu Zeiten Schinkels ist teilweise leicht stockfleckig und einige wenige Blätter leicht gebräunt.Siehe Foto, weitere Informationen auf Wunsch. LEIDER WURDE DIESER BAND BEREITS VOR EINIGER ZEIT GESTOHLEN. Nachdrucke dieses Bandes finden Sie unter unseren Bestellnummern 5522 und 5879. Versand D: 5,90 EUR

      [Bookseller: BerlinAntiquariat]
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        Berlin und seine Umgebungen im neunzehnten Jahrhundert. Eine Sammlung in Stahl gestochener Ansichten von den ausgezeichnetestem Künstlern Englands nach an Ort und Stelle aufgen. Zeichn. v. Mauch, Gärtner, Biermann, Hintze nebst topogr.-hist.Erläuterungen.

      Gropius Berlin 1833 ( Hier vorliegend: Der Textband sowie der Tafelband mit 52 Stahlstichtafeln mit zusammen 104 Ansichten ) Der Textband mit 1 blattgroßen Wappendarstellung in Holzstich, X ( Mit einer Dedikation des Kunst- und Buchhändlers Georg Gropius von 1832 an den preussischen König, sowie erstes Subskribentenverzeichnis ), IV ( zweites Subskribentenverzeichnis ), VI ( drittes Subskibentenverzeichnis ), II ( viertes Subskribentenverzeichnis ), 1 Blatt ( Inhalt ), 165 Seiten ( beschreibender Text zu den Tafeln ). Der Tafelband mit schönem gestochenen Titel sowie 52 Stahlstichtafeln mit jeweils 2 Ansichten von Berlin bzw. der Umgegend von Berlin, insgesamt 104 Ansichten von Finden, Barber, Frommel und Varral nach Mauch, Gärtner, Biermann und Hintze. Die Ansichten zeigen u.a.: Artillerie- u. Ingenieurschule, Bauschule, Börse, Brücken ( Fischerbrücke, Königsbrücke, Lange Brücke, Möhrenbrücke, Waisenbrücke ), Kadettenhaus, Kammergericht, Kirchen ( Dom, Friedrich-Werdersche Kirche, Katholische Kirche, Nicolai-Kirche...), Königswache, Magazin, Münze, Museum, Palais ( Königspalais, Prinz Wilhelm, Prinz Carl, Prinz Albrecht...), Post, Rathaus ( Berlinische, Cölnische ), Schloss, Sternwarte, Tore ( Brandenburger, Potsdamer ), Theater ( Königliche Opernhaus, Schauspielhaus, Königstädtische ), Universität, Zeughau // Umgegend: Bellevue, Köpenick, Monument auf dem Kreuzberge, Charlottenburg ( Schloss, Mausoleum, Schauspielhaus, Muskow`s Caffeegarten ), Potsdam ( vom Pfingstberge aus, Garnisonskirche, Nikolaikirche, Rathaus, Schauspielhaus, Königliches Schloß, Neue Palais, Sanssouci, Marmor-Palais, Charlottenhof, Palais des Prinzen Wilhelm, Schloss Klein-Glienicke, Russische Kirche, Pfaueninsel, Danziger Haus ). Text- und Tafelband jeweils in goldgeprägtem Ohldr, 4° ( Textband 26 x22 cm / Tafelband 29 x 23, 5 cm ). Einbände stärker lichtrandig, Rücken beschädigt und fleckig ( beim Textband stark angeplatzt, geklebt mit kleinen Fehlstellen / beim Tafelband stärker angeplatzt mit kleinen Beschädigungen ). Deckel stärker lichtrandig, etwas fleckig, Ecken und Kanten bestoßen, Deckel des Tafelbandes unten mit Stauchung. Der Textband innen teils etwas stockfleckig, wenige Seiten auch stärker, die Holzstichwappentafel von guter Erhaltung, einige Seiten mit kleineren Randläsionen bzw. etwas angeknickt. Der Tafelband mit den schönen Stahlstichansichten meist in der Darstellung von ordentlicher Erhaltung und nur gering stockfleckig, am äußeren weißen Rand dagegen teils auch stärker stock- bzw. braunfleckig, wenige Tafeln mit kleinen Randbeschädigungen, die Tafeln jeweils unter Seidenpapier ( dieses ebenfalls teils stärker stock- bzw. braunfleckig ). Der schöne gestoche Titel des Tafelbandes wie auch die erste Tafel mit Heftklammerspur am äußeren Rand. Seltene erste und vollständige ( incl. der Potsdamer Ansichten ) Ausgabe des klassischen Ansichtenwerkes zum Berliner Stadtbild der Schinkelzeit. ( Gesamtgewicht 1300 Gramm ) ( Pic erhältlich / webimage available ) Versandkostenfreie Lieferung Berlin, Potsdam, Spiker, Stahlstiche, Ansichten

      [Bookseller: Antiquariat Friederichsen]
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        Meyer\'s Universum oder: Abbildung und Beschreibung des Sehenswerthesten und Merkwürdigsten der Natur und Kunst auf der ganzen Erde. (Bände 1-8, zusammen 8 Bde).

      Hildburghausen / Amsterdam / Philadelphia, Bibliographisches Institut, 1833, 1835, 1837, 1837, 1838, 1839, 1840, 1841. Erste Auflagen (jedoch 1. Bd. in 3., 2. Band in 6. Aufl.). Gestochenes Frontispiz, Titel, 108 S., 46 Stahlstiche; 112 S., 47 Stiche; 148 S., 48 Stiche; 142 S., 47 Stiche; 136 S., 47 Stiche; gestochener Titel, 130 S., 47 Ansichten; gestochener Titel, 152 S., 47 Stiche; gestochener Titel, 134 S., 47 Stahlstiche. 19,5x27cm (Querformat), dunkelgrünes, geprägtes Halbleder (Band 6 in braunem Halbleder) der Zeit mit Lederecken und goldenen Rückentiteln, mit gemusterten Vorsatzpapieren, mit Lesebändchen, gebunden. Der Wortlaut der gestochenen Titelblätter lautet: \"Meyer\'s Universum oder die schönsten Ansichten der Erde in monatlichen Lieferungen, jede geziert mit drey bis vier Stahlstichen der berühmtesten Künstler. Text von J. Meyer, Chef des Bibliographischen Instituts.\" Unter den Stichen des 1. Bandes sind Radierungen von: Venedig, Bad Ems, Rom, Marienbad, Andernach, Windermere, Coblenz, Oxford, Brighton, Bingen / Rhein, Rheinfall. Dehli, Afra / Indien, Tivoli, Florenz, Eaton-Hall, Elitumnus-Tempel, Washington, New-Haven, Bamborough-Castle, Constantinople, Amsterdam, Veste Klumm, Como, Comer See, Edinburg, Edinburger Schloß, Cadix, Malta, Mainz, Thal Tempe Briegg, Philadelphia, Dieppe, Albany / Amerika, Cintra / Lissabon ZWEITER BAND: Lissabon, Giant\'s Causeway, Ruine Godesberg, Seilbrücke bei Teree (Himalaya), Heidelberg, Newcastle upon Tyne, Mont St. Michel, Elephanta, Santa Maura, Lugo, Tempel bei Tritschencore (Indien), Jungfrau, Gotha, Leuchtturm Blackrock / Bellrock (Liverpool), Mainzer Dom, Edinburgh University, Isola Bella und Lago Maggiore, Salamis, Den Haag, Diodati (Genfersee), Olymp, New York, Neapel, Ellora (Indien), Rhone-Gletscher, Brügge, London, Honfleur, Niagara Fall, Durham, Bonn, Interlaken, Theseus-Tempel (Athen), Pantheon (Rom), Madras, Ithaka, Gallerie von Gondo (Simplon), Phylae (Ägypten), Nantes, Wiesbaden (Neuer Kursaal), Palmyra, Oporto, Ararat, Brücke St. Louis (Meeralpen), Libanon-Gebirge, Bank of the U. S. A. (Philadelphia), Jerusalem (Ansicht beim Teiche Bethesda): DRITTER BAND: Niagarafällen, Berg Carmel (Palästina), Syrakus, Gibraltar, Tabor, Innsbruck, Negroponte, Grabmal Cäcilia Metella (Rom), Howard-Castle, Theben, Heilige Grab (Jerusalem), Sardis, Blenheim-Castle, Park in Brüssel, Damaskus, Suli, Petra, Madrid, Smyrna, Pisa, Ruinen von Tyrus, Campo Santo in Pisa, Liebenstein und Sternfels (Rhein), Rouen, Zion, Pinakothek und Glyptothek (München), Delphi, Dowlutabad (Ostindien), Forum (Rom), Antonius-Kloster (Libanon), Bergveste Trostberg, Drachenfels (Rhein), Heilige-Grab-Kirche (Jerusalem), Verona, Bonn, Cordova/Cordoba, Königsgräber bei Jerusalem, Wartburg, Velino-Fall bei Terni, Kreml (Moskau), Alexandersäule (Petersburg), Nazareth, Arimathia, Bank von England (London), Bethlehem (hier nicht Berg Moriah), Bamberg, Corinth, Würzburg. VIERTER BAND: Pyramiden von Gizeh, Königsbau in München, Hurduwar, Sidon, dem Jordan, Carrik-o-Reede, Leipzig, Roveredo, Mitylene, Absaloms Denkmal (Mausoleum) in der Nekropole von Jerusalem, Havre, Kaisergärten bei Nanking in China, Jericho, Thun am Thuner See, Rathaus in Boston, Schloss Johannisberg, Piazetta (Venedig), Virginia University, Trient, Benares, Dublin, Zinngruben in Cornwall, Odessa, Dresden, Stehan Girard\'s Bank in Philadelphia, Goldener Turm von Sevilla, Irun und die Brücke von Bidassoa, Königstein und Lilienstein bei Dresden, Chateau Chillon, Constantinopel (Istanbul), Nürnberg, Cathedrale von Cordova (Cordoba), Bieler Grund, Kasan-Kirche in St. Petersburg, Ruine Lahneck, Coburg, Burg Landeck, Brüssel, Eppstein, Burg Stolzenfels, Hirnischkretschen, Inneree v. Nikolskoy in St. Petersburg, der Horeb, die Kathedrale von Antwerpen, Veste Stolpen in Sachsen, Ruine zu Samaria, Festung Peterwardein. FÜNFTER BAND: Dom v. Burgos, Falkenburg, Cap der guten Hoffnung, Nassau, Quebeck, Sayn, Etretat, Schloss Reinhardsbrunn, Mölk, Cypern, Barnard-Castle, Gräber der Pariarchen, Burgaos, Fürstenberg, Djerasch, St. Malo, Genua, Sinai, Moschee Omar\'s, Falmouth, Schloss in Madrid, Antiochia/Syrien, Marokko, Theben/Ungarn, Constantine, Cadix, Cathedrale Wassilly-Blaggenoy in Moskau, Marienbad, Göttingen, Rudelsburg, Madagascar, Donaustrudel, Himalayah, Segovia, Frauenstein bei Freiberg, Leuchtenburg, Schädelpyramide Jerbi, Wien, Die Schlösser Gleichen und Mühlberg, Gangesquelle, Sevilla, Passau, Belgrad, Burg Altenstein/Franken, Grätz, Juggernath-Tempel /Orissa, Neuburg/Baiern. SECHSTER BAND: Gothenburg (Schweden), Bodensee, Ollmütz (Mähren), Kupferbergwerke zu Katharinenberg (Schweden), Semlin, Madrid, Eisenminen von Dannamora, Burgk (Saale), Xeres / Spanien, Dürrenstein, Constanz, Kloster Banz (Franken), Monea (Indien), Teneriffa, Quelle des Jumna (Himalajah), Veste Spielberg (Brünn), Göta-Kanal (Schweden), Toppö-Fall des Trollhättan, Zeughaus zu Moskau, Berchtesgaden, Gripsholm, Heldburg und Straufhain, Carlsruhe, Valenzia, Chateau de Puy, Donau bei Kellheim, Schloß Schwarzburg, Carlskrona, Eskurial, Tharand, Bombay, Lyon, Burgos, Nossen, Themse-Tunnel, Der obere Trollhättan-Fall (Schweden), Gullö-Fall, Baden bei Wien, Salzburg, Upsala, Bettenburg, Bei Eger, Stockholm, Calcutta, Darmstadt, Danzig, Cölner Dom. SIEBENTER BAND: St. Helena, Gensdarmenmarkt / Berlin, Berliner Schloß (Wasserseite), Canton (China), Czaratzina / (Moskau), Die neue Londonbrücke (London Bridge), Goethes Gartenhaus in Weimar, Kiew, Oerbyhus (Stockholm), Bad Brückenau, Grab des Bonifazius (Fulda), Palermo, Ruine Heckersdorf a.d. Donau, Hofwyl (Bern), Kreuzberg (Rhön), Kursaal (Kissingen), Hamburg, Schiras (Persien), Brandenburger Thor in Berlin, Mahadeo-Tempel (Indien), Schmalkalden, Sidney, Peking, Ruine Henneberg, Kissingen, Augsburg, Erfurt, Messina, Rudolstadt, Amphitheater (Nismes), Paulinzella (Thüringen), Tegernsee, Benares, Ofen und Pesth, Ghazipore, Abach, Frankfurt (Main), Walhalla (bei Regensburg), Mausoleum Mahomed Chans / Indien, Gastein, Rio de Janeiro, Mailand, Riesenburg (fränkische Schweiz), Swansea (Wales), Ruinen von Carthago. ACHTER BAND: Fingals-Höhle, Timbuktu, Triest / Hafen, Die Eisenbahn von London nach Greenwich, Coimbra in Portugal, Brünn, Hobarttown, Panama, Paulskirche / London, Antwerpen, Der Inselsberg, Der Pass von Pancorvo / Spanien, Havanna, / Kuba, Ithalica / Sevilla, Das Hypathius-Kloster / Rußland, Der Gollinger Fall / Tyrol, Hohenschwangau, Der Caucasus (Kaukasus), Regensburg, Burg Woerth, Plaza Mayor / Mexico, Stockholm / Mälar-Seite, Schloss Ambras / Innsbruck, Die Alcala in Madrid, Astrachan / Armenien, Mahabalipoor, Passau, Lima, Schloss Weideneck 7 Nieder-Österreich, Hoch-Winzer in Bayern, Troitzker Serginskloster, Tells-Kapelle bei Küsnacht, Ruine Hilgardsberg / Baiern, Eskilstuna in Schweden, Taganrog / Rußland, Die Gärten des Chans in Baktschissarai, Gran in Ungarn, Schleissheim bei München, Segovia in Spanien, Triumphbogen des Augustus bei Aosta, Kertsch im südlichen Russland, Puppanassum (Indien), München (Totalbild), Moti-Musjet in Agra, Kupferminen zu Fahlun / Schweden, Heliopolis / Aegypten ZUSTAND: Titelblatt (Band 2) mit Wachsfleck am unteren Rand (1,3cm) 6. Band: Einband mäßig berieben und bestoßen, Rücken lose, Ansichten und Seiten selten stockfleckig. - Prächtige, innerhalb der acht Bände komplette Reihe in sehr schönem Zustand. Versand D: 4,50 EUR Geographie, Ansichten, berühmte Ansichtenwerke, Reise, Reisen im neunzehnten Jahrhundert, famous german sets of steel engravings, nineteenth century

      [Bookseller: Antiquariat Olaf Drescher]
 41.   Check availability:     buchfreund.de     Link/Print  


        Architectonische Denkmäler der Altmark Brandenburg. In malerischen Ansichten aufgenommen von J.H. Strack und F.L. Meyerheim. Mit erläuterndem Text.

      Berlin Sachse & Co 1833 - 5 Bll. Text m. 1 Vignette, 22 Tafeln mit 28 lithographierten Ansichten, folio, Or.- HLwd. ( l. fl., ber., besch. u. best.). Nicht bei Engelmann. Seltenes Ansichtenwerk über die Altmark. Erschien in vier Lieferungen. Alle Blätter mit dem Blindstempel von Sachse. Zusätzlich zu den im Inhaltsverzeichnis der vier Hefte genannten Motiven (24) von Tangermünde, Stendal, Jerichow und Salzwedel sind folgende vier weitere Ansichten auf zwei Tafeln vorgebunden: Burgkapelle zu Tangermünde - Rathaus zu Tangermünde, Burg zu Calbe - Auf der Burg zu Tangermünde. - Alle Tafeln meist im Rand leicht fleckig, ohne dass die Darstellungen stark beeinträchtigt werden. - [Attributes: Hard Cover]

      [Bookseller: Antiquariat Nikolaus Struck]
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        Von den Krankheiten des Herzens und der großen Gefäße.

      - Übersetzung aus dem Englischen mit einem Vorworte, Anmerkungen und Zusätzen hersg. von Ferd. Wilh, Becker. - Berlin, Theod. Christ. Friedr. Enslin, 1833, 8°, (30), 505, (1) pp., 1 Taf., feiner Halbledereinband der Zeit. First edition in German of one of the great cardiac classics, translated by Ferd. Wilhelm Becker, a former fellow - student of James Hope (1801-1841) at Edinburgh. -- Klassische Beschreibung von Herzasthma, Herzklappenerkrankung und Herzneurose. - "Hope did much to advance the knowledge of heart murmurs, valvular disease, and aneuyrysm; he described the second sound of the left side of the sternum in mitral stenosis as "altered" - losing its short, flat clear sound and becoming a prolonged bellows murmur. From his description this becomes known as "Hope's early diastolic murmur", and his classic description of cardic asthma, valvular disease, and cardic neurosis." - Garrison & Morton No.2747; Willius & T.E.Keys, Cardia Classics, pp.405-15, Waller 4901; Bedford 272 [Attributes: First Edition; Hard Cover]

      [Bookseller: Antiq. F.-D. Söhn - Medicusbooks.Com]
 43.   Check availability:     ZVAB     Link/Print  


        Berlin und seine Umgebungen im neunzehnten Jahrhundert. Eine Sammlung in Stahl gestochener Ansichten, ., nach an Ort und Stelle aufgenommenen Zeichnungen von Mauch, Gärtner, Biermann und Hintze nebst topographisch historischen Erläuterungen von S.H. Spiker.

      George Gropius, Berlin 1833 - Samuel Heinrich Spikers Text gilt als maßgebliche Darstellung der Zeit und die Bilder von Mauch, Gärtner, Biermann und Hintze werden wegen ihres dokumentarische Wertes gerühmt. Mit einer gestochenen Titelvignette (Berlin vom Kreuzberge). Auf der dem Titel folgenden Seite ein großer Wappenstich. Mit dem vollständigem Subskribentenverzeichnis. Zu den Tafeln sind die Seidenblätter vollständig vorhanden. Der dekorative Einband weist leichte Gebrauchsspuren am Rücken auf, ist an den Ecken und Kanten ein wenig bestoßen sowie etwas fleckig. Unser Exemplar des Klassikers der Berliner Stadtansichten zu Zeiten Schinkels ist teilweise leicht stockfleckig und einige wenige Blätter leicht gebräunt.Siehe Foto, weitere Informationen auf Wunsch. LEIDER WURDE DIESER BAND BEREITS VOR EINIGER ZEIT GESTOHLEN. Nachdrucke dieses Bandes finden Sie unter unseren Bestellnummern 5522 und 5879. Mit 104 Stahl-Stichen auf 52 Tafeln. 165 Seiten Ganzleinen der Zeit mit goldgprägtem Rücken. [Attributes: Hard Cover]

      [Bookseller: BerlinAntiquariat, Karl-Heinz Than]
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        A liberdade dos mares, ou o governo inglez descoberto; traduzido livremente do hespanhol.

      Rio de Janeiro, Typ. de Miranda & Carneiro, 1833. - 3 parts in 2 volumes bound together. 8°, recent period tree sheep, spine gilt with raised bands in five compartments, crimson leather lettering piece in second compartment from head, gilt letter, borders of covers double-ruled in blind. Woodcut laurel wreath on title pages. Occasional light foxing. Overall in very good condition. liv, 54, 92; 103, (6, 1 blank) pp., (1 l. errata). *** First edition in Portuguese [?] of Barère de Vieuzac's @La liberté des mers, ou le gouvernement anglais dévoilé, first published in Paris, 1798?an invective against the British government, whose maritime supremacy is described in such terms as "horrors," "monstrosities," "despotism" and "tyranny." Barère begins with general comments on maritime power and on the evils of the British government, moves on to prove that the British government destroys natural law and the law of nations, and argues that its continued existence is incompatible with the security and peace of other European nations. The translation from Barère's work is acknowledged on p. xx.In the preface "A todos os povos amantes da liberdade," the unidentified translator added about 10 pages (pp. xxi-xxx) to Barère's list of British sins, referring to actions in Russia, Bengal, the United States, Havana, and Puerto Rico, and in Spain during the Peninsular War. The latest reference in this section is to the execution of Gomes Freire de Andrade and others in the aborted 1817 independence attempt in Brazil. Barère himself charged the British with a multitude of sins in this introductory section, e.g., that the British were responsible for all the evils of the French Revolution, that they fomented rebellion in South America, that they armed Indians in the Americas and encouraged them to attack non-British settlers (the Indians on Lake Ontario and on the Ohio River are mentioned specifically), that they supported the rebels in the Vendée, that they aided and abetted pirates, that they exiled Irish and Scots to Botany Bay, and that they consistently maltreated prisoners of war (see pp. vii-xviii).Barère (1755-1841) was born at Tarbes and practiced law until elected to the States-General in 1789. There he quickly gained a reputation as one of the most indefatigable and radical members of the revolutionary Assembly. Elected president of the Convention in December 1792, Barère presided over the trial and execution of Louis XVI. His rhetorical style earned him the sobriquet "l'Anacréon de la guillotine." Narrowly escaping deportation after Robespierre's fall, Barère was eventually banished to Belgium in 1816 as a regicide, only to return after the revolution of 1830. His many published works include poetry and translations in addition to political commentary.There is some confusion about the authorship and publishing history of the work. Palau nº 137771 calls this Portuguese edition a translation of his nº 137769, which is a translation from French into Spanish - yet he gives the date of the Spanish edition as 1835 (i.e., 2 years after this work appeared). At nº 24149, however, Palau cites this as a translation of Barère. Innocêncio V, 185 states that the work was originally published in 1804 and was written in France or by someone under French influence, but does not identify the author. @NUC cites the work under Barère's name and lists several Spanish-language editions published between 1820 and 1842. Our edition is a translation from one of the Spanish editions.*** Innocêncio V, 185. Palau 137771 (cf. 137769) and 24149. Not in Gonçalves Rodrigues, @A tradução em Portugal. On Barère de Vieuzac, see @Nouvelle biographie générale V, cols. 490-5. Porbase locates a single copy, in the Biblioteca Nacional de Portugal, but gives a collation of liv, 103, [6] pp. only. Not located in Copac. NUC: DCU-IA; also Spanish editions of Philadelphia, 1820, 1825, 1826; Madrid, 1835, 1841; and Barcelona, 1842. [Attributes: First Edition; Hard Cover]

      [Bookseller: Richard C. Ramer Old and Rare Books]
 45.   Check availability:     IberLibro     Link/Print  


        Konvolut von 17 Lithographien auf Velin, davon 5 kolorierte, aus "La Caricature" bzw. "Le Charivari", Paris 1832-1850. - Blattformat ca 33 x 25 cm (gering variierend).- Dabei: 1 Bl. (ebenso) von A.Desperret ("Voici le pistolet", aus "La Caricature", 1833).

      - Die selteneren Kartonblätter (ohne rückseitigen Text): 12 s/w Blätter mit den charakteristischen Politiker.Karikaturen z.T. aus der Serie "Les Représentants représentés" (überwiegend ganzfigurig: u.a. die berühmte "Birne" Louis Philippe, s.Abb.) und 1 kolor. Szene (1848), sowie 4 kolorierte Karikaturen aus dem Privatleben (Ehe, Schulden ua.a). - Tlw. frühe bzw.seltene Druckzustände (nach Delteil-Nr), teilw. M.Querfalte, Heftspuren, kl.Läsuren.- Abbildungen und ausführliche Beschreibungen ggf. auf Anforderung.- (Keine paypal-Zahlung möglich).

      [Bookseller: Fontane-Antiquariat Dr. H. Scheffers]
 46.   Check availability:     ZVAB     Link/Print  


        President Jackson writes about the care of a young horse: "feeding and treatment of the colt is such as I pursue myself - The food (oats & hay) with grass ought to be regulated to keep the colt in good thrifty & growing condition - at its age thought not to be fed too high with grain least it might injure its legs ?"

      Washington, D.C., November 21, 1833. 8" x 10". "Autograph Letter Signed ""Andrew Jackson"" as President, 1 page, 8"" x 10"". Washington, November 21, 1833. To William J. Leiper. Light soiling. Expertly silked for strengthening and preservation. With a color photocopy of the integral leaf addressed by Jackson to ""William J. Leiper Esqr / Philadelphia,"" franked across the top ""Free Andrew Jackson."" Fine condition.In full, ""Your letter of the 19th instant is just received. I have to thank you for your prompt attention about the Medal for Master Dingee. I do not recollect his Christian name - on the Medal, after word Ingenuity, may be added 'Master Dingee' 'New York,' if room. I thank you for the enclosure Genl Irwins letter, and have only to remark, that hes made of feeding and treatment of the colt is such as I pursue myself - The food (oats & hay) with grass ought to be regulated to keep the colt in good thrifty & growing condition - at its age thought not to be fed too high with grain least it might injure its legs, but kept in good growing order. I have only to request the presentation of my kind respects to the Genl & say to him I fully approve of his management of the colt. In haste yrs respectfully Andrew Jackson.""President Jackson may have been referring to ""General Irvine,"" not ""Irwin."" Gen. Callender Irvine (1775-1841) was Commissary General of the U.S. Army from 1814 until his death in 1841. General Callender Irvine and William J. Leiper lived in Philadelphia. The families were friends; one of William's nephews was named Callender Irvine Leiper. According to whitehousehistory.org, ""Jackson's passion for horse racing and gambling was renowned ... Jackson bred racehorses at the Hermitage and operated a racing stable from the White House during his presidency. One day at the National Race Course in Washington, D.C., President Andrew Jackson took Vice President Martin Van Buren up to the course to watch [race horse] Busiris train. General Callender Irvine owned and stabled Busiris with Jackson when he raced in Washington. .."" In 1834, President Jackson wrote a letter to General Irvine telling him that ""the fine filly, by Bollivar, which you had the goodness to let me have, reached me in fine condition ... She comes up to my highest expectations, and is a perfect likeness of Bollivars grand dam. I shall endeavour to have her well raised, and I trust will add fame to your fine stock?"in due time I will send you one of my best blooded stock which will I hope make a valuable cross upon yours ..."" "

      [Bookseller: University Archives]
 47.   Check availability:     Biblio     Link/Print  


        Diana, et Tidsskrivt for Jagtelskere udgivet af Jagtvenner.

      1833 1833 - 6 hefter i 2 bd. (Det udkomne). Randers: J.M. Elmenhoff 1833-35. Med nodebilag. [8] + 301 + [8] + 296 s. Eksemplar i de originale, lidt slidte papiromslag med vignet på for- og bagomslag på hefte 2-6, og med samtlige deltitelblade og indholdsfortegnelser for hvert hefte foruden fælles titelblade og fælles indholdsfortegnelser for hvert bind. Første binds første hæfte, der udkom uden påtrykt dekoration på omslaget, defekt. 2. bind totalt ubeskåret. * Det første tidsskrift om jagt på dansk. Blicher, der selv var ivrig jæger, var stort set den eneste bidragyder til værket. Bertelsen 14. Blicher-Selskabets Bibliografi nr. 436.

      [Bookseller: Peter Grosell, Antiquarian Bookseller]
 48.   Check availability:     ZVAB     Link/Print  

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