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Displayed below are some selected recent viaLibri matches for books published in 1820

        The History and Antiquities of the Collegiate and Cathedral Church of St. Patrick, near Dublin, from its foundation in 1190, to the year 1819. Comprising a Topographical Account of the Lands and Parishes appropriated to the Community of the Cathedral, and to its Members; and Biographical Memoirs of its Deans. Collected, chiefly, from sources of original record, by William Monck Mason.

      Dublin. Printed for the Author. 1820. - folio, 31.5cm, first (sole) edition, [vi],478,xcvii,p., Large Pager Copy, with 7 steel engraved plates (inc. cathedral view, plan/map, interior, ancients, full portrait of Swift, monument), appendices & additional notes, bound in full contemporary calf, expertly rebacked, raised bands, blind decorations in the panels, crushed black morocco label gilt, blind decorated borders on the boards, blind inner dentelles, marbled endpapers and edges, some repaired peeling on the boards, very good to fine copy, rare Not in Bradshaw. Mason, who was born at Powerscourt, 1778-1858, was an author, poet and librarian of the King's Inns. He became, through his concern with Protestant evangelization, interested in the Irish language and was instrumental in founding the first chair of Irish at T.C.D., and in 1830 he published an Irish Grammar. In his life time he formed a great collection of rare books and manuscripts. Published at his own expensive, this is a great history and a fine work but it received little support. His plans for a companion work on Christ Church and History of Dublin, did not materialize. [Attributes: First Edition; Hard Cover]

      [Bookseller: J. Patrick McGahern Books Inc. (ABAC)]
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        Histoire de la guerre de Vendée, ou Tableau des guerres civiles de l'Ouest, depuis 1792 jusqu'en 1815, comprenant l'histoire secrète du parti royaliste jusqu'au rétablissement des Bourbons. Quatrième édition, revue, corrigée et augmentée, avec cartes et portraits.

      Paris, Michaud 1820 - 4 vol. in-8, frontispice à chaque vol., 3 cartes dépliantes dont 2 en couleurs, basane fauve, dos lisse orné, pièces de titre et de tomaison de maroquin rouge et vert, tranches marbrées (rel. de l'époque). Lemière, 24, qui signale qu'au tome II, les pages 469 à 472 des pièces justificatives manquent presque toujours, ce qui est le cas pour notre exemplaire. Bel exemplaire.

      [Bookseller: Librairie Historique F. Teissèdre]
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        Ricerche mediche su i bagni a vapore e di calorico e sulle fumigazioni di sostanze ammoniacali e balsamiche, di zolfo, di mercurio ec. ec. del dott. Paolo Assalini . Tomo 1 (all publ).,

      - Napoli : dalla stamperia della società tipografica, 1820, 4°, (8), XVI, 315, (15) pp., (3) carte di tav. di 2 ripiegate : ill., Tabelle, Pergamenteinband. d.Zt. Erste deutsche Mitteilung über Assalini's Räucherungsapparat! "Sowie er von den Dampfbädern und Räucherungen im Allgemeinen handelt.so macht er auch auf die Anwendbarkeit und den Nutzen derselben gegen syphilitische Leiden, vorzüglich gegen syphilitische Exantheme, aufmerksam." Heinrich August Hacker, LITERATUR der syphilitischen Krankheiten vom Jahre 1794 bis mit 1829. (1830), p.111 Paolo Assaloini (1859-1846) « Nato a Reggio Emilia, si formò negli studi medici prima a Modena, poi a Pavia c quindi a Londra e Parigi, per ampliare la sua cultura prima di rientrare a Reggio Emilia. Fu chirurgo dell' Armata di Napoleone e successivamente chirurgo in capo dell' Ospedale Militare di S. Ambrogio di Milano. Uomo di cultura e genio, si applicò con notevole successo ad altri campi della medicina. Avendo avuto modo di studiare in Francia certe stufe per bagni a vapore e intravvedendone un possibile uso terapeutico, ne modificò il sistema rendendole più pratiche. Approntato quindi un piccolo stabilimento, in quattro anni trattò con buoni risultati ben 6000 individui affetti da varie malattie cutanee, reumatiche e "linfatiche". Li adoperò anche a Pozzuoli, servendosi delle fumigazioni naturali provenienti dai soffioni. Nel 1820 pubblicò tutti i suoi risultati in un volume. Viaggiò per l'Europa intera per poi trasferirsi prima a Palermo, poi a Catania e infine a Napoli, dove si spense. » Carlo Gelmetti, Storia della Dermatologia e della Venereologia in Italia. (2015), pp.87-88 siehe - Archivio Biografico Italiano (ABI) III 21,339-344; IV 27,6-7; Dizionario biografico della storia della medicina e delle scienze naturali : Liber amicorum / a cura di Roy Porter. - Milano : Ricci, 1985-1989. - Tomi 4; Giorgio; Bergia, Silvio; Gottardi, Giovanni: Dizionario biografico degli scienziati e dei tecnici / di Giorgio Dragoni, Silvio Bergia e Giovanni Gottardi. - Bologna : Zanichelli, 1999 [Attributes: Hard Cover]

      [Bookseller: Antiq. F.-D. Söhn - Medicusbooks.Com]
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        Swiss Scenery.

      1820 1820 - 4to (8 x 11.5ins, 200 x 290mm) original boards, untrimmed, sometime well rebacked in appropriate buckram with paper label. Engraved title-page ( a little foxed), 60 copper-engraved plates. An occasional marginal spot, light waterstain to corners of a couple of plates, otherwise an acceptable, tall copy, most plates with their protective tissues still. "Carefully and truthfully drawn, architecture correct in its proportions" DNB. A European tourist since the age of 13, Batty served under Wellington in both the Peninsular war and Waterloo campaign. [Attributes: Hard Cover]

      [Bookseller: Nicholas Goodyer ABA ILAB]
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        Antique Master Print-OVID-LANDSCAPE-SATYR-CUPID-Morel-Morelli-Carracci-ca. 1820

      - Plate : 'Hic illi cursum impedientibus .'. This plate shows a scene from Ovid's Metamorphoses. The nymph Syrinx is chased by a Pan, and later transformed into reed. On the left cupid with bow and arrow shoots at a satyr seated at the pond's edge. Engraving / etching on thick wove paper. Description: Original antique master print published in Italy ca. 1820.Artists and Engravers: Engraved by Franciscus Morel after Annibal Caracci. Francois Morel or Francisco Morelli (c.1768 - c.1832) was a French engraver. He was a student of Volpato and active in Italy. Annibale Carracci (1560 - 1609) was an reknown Italian Baroque painter. Condition: Good. General age-related toning and light staining/soiling from handling as visible on image. Scattered staining in the margins. Please study scan carefully. Storage location: DP-P6-06 The overall size is ca. 25.6 x 20.5 inch. The image size is ca. 24.4 x 17.3 inch. The overall size is ca. 65 x 52 cm. The image size is ca. 62 x 44 cm.

      [Bookseller: ThePrintsCollector]
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        Antique Book-FABLE-WOODENGRAVING-Bewick-Aesop-1820

      - Published in Newcastle by S. Hodgson, 1820. 4to: 372 pp. Brown half morocco over marbled boards with marbled endpapers. Binding from the second half 19th century. Reference: Hugo 387. More than 148 b/w illustrations, among which a full-page portrait of Thomas Bewick, and 4 smaller portraits of the same. Charming wood engraved tailpieces and oval headpieces. Thomas Bewick. Antique Book, titled: 'Select Fables with Cuts, designed and engraved by Thomas and John Bewick and others previous to the year 1784 together with a memoir and a descriptive catalogue of the works of messrs. Bewick.', by: Aesop. A collection of fables of Aesop, preceded by a catalogue of the prints engraved by the Bewick brothers.Artists and Engravers: Author(s): Aesop. Aesop (ca. 620-ca. 560 BC.) wrote a very popular series of fables. Illustrated by: Thomas Bewick (1753-1828) was born in Prudhoe, near Newcastle upon Tyne. He would remain in this region for the rest of his live. Bewick worked as a woodengraver. His many very finely executed designs and bookillustrations are highly appreciated. Bewick is seen as the man who started the great production of woodengraving in the 19th. century. Condition: Very good, given age. Choice copy in a fine binding. Storage location: TPCZolder-Krat 11 4to: 5.7 x 8.7 inch. 4to: 14.5 x 22.2 cm. [Attributes: Hard Cover]

      [Bookseller: ThePrintsCollector]
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        A New Introduction to Book-Keeping after the Italian Method, by Debtor and Credtor. Revised and improved by a merchant. Salem, Cushing and Appleton

      1820 - Second (?) American edition. 8vo, 81pp, modern boards [Attributes: Soft Cover]

      [Bookseller: Far Eastern Booksellers / Kyokuto Shoten]
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        Cape of Good Hope and its Dependencies

      An Accurate and Truly Interesting Description of those Delightful Regions Situated Five Hundred Miles North of the Cape.First edition thus. 8vo. Original boards, some shelf wear, owner's signature to title page. xvi, 144p. London, Edwards and Knibb,

      [Bookseller: Maggs Bros. Ltd.]
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        Italian Scenery from Drawings made in 1817

      London: Rodwell & Martin, 1820. 1st Edition . Very Good. 7.25 x 10.5 inches (18.5 x 27 cm). Full calf leather binding by Colnaghi & Co. London, rebacked with original spine laid over. Spine has five raised bands and richly decorated compartments. Ornate gilt panelled boards, gilt ruled board edges and turn-ins. All page edges gilt, later marbled endpapers. Some light foxing to plates, some browning and offsetting to pages facing plates. A few occasional marks but overall a very clean example. Overall condition is Very Good. Hardback. Printed pages: Large 8vo. [8], 197, [1]. With engraved title page and 60 leaves of plates.

      [Bookseller: Tarrington Books]
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        Swiss Scenery from drawings by Major Cockburn.

      London, Rodwell & Martin, 1820, - gr. in-4to, VII + 200 p. + 60 engraved plates, with 2 engraved vignettes (title and tailpiece), bookplate ?C. Robert Bignold & Francis H. D. C. Whitmore & P.G. (Panof Grafsos) Skinos, Full morocco-leather gilt, gilt edges, large paper copy. Orig. spine mounted, fine copy. First Edition. - Cockburn was an officer in the royal artillery and had studied art under PaulSandby at the Royal Military Academy, Woolwich. During periods of leave from Malta and Woolwich, where he was stationed after the peace, he executed many drawings of continental scenery, which were engraved and published in the1820's. The present collection of engravings of Swiss scenery includes views of Mont Blanc, Vevay, Lausanne, Neuchatel, Berne, Lucerne, the Castles of Martigny, Chillon, and Bellinzona, the Glacier at Grindelwald, the Fall of the Rhine near Schaffhausen, Lakes of Brientz, Zoug, and Lowertz, etc. - "Major Cockburn is said to have been the first to use a camera lucida in making his drawings and sketches in the Alps" (de Beer). Please notify before visiting to see a book. Prices are excl. VAT/TVA (only Switzerland) & postage. Wäber BSL III/58; Perret II/1042. [Attributes: First Edition; Hard Cover]

      [Bookseller: Harteveld Rare Books Ltd.]
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        Vesuvio. Cinque vedute originali a la gouache in forma di ventaglio.

      - Anonimo. Eruzioni del Vesuvio. 1820 ca. Cinque vedute originali a la gouache in forma di ventaglio.

      [Bookseller: CASELLA STUDIO BIBLIOGRAFICO ALAI-ILAB]
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        Journal of a Tour Through Part of the Snowy range of the Himala Mountains, and to the Source of the Rivers Jumna and Ganges,

      London, 1820 - FIRST EDITION, large folding map, 4to, contemporary calf, rebacked, full gilt panelled spine, maroon letter piece.Contains a history of Nepal and an account of the rise progress and termination of the war between Britain and Nepal in 1814 [Attributes: First Edition; Hard Cover]

      [Bookseller: Reg & Philip Remington ABA ILAB]
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        Raccolta di N°60 vedute antiche e moderne della citta di Roma e sue vicinanze : con la giunta delle sale appartementi al Museo Pio Clementino

      Edition illustrated with 158 figures etchings depicting views of Rome. The engravings are different signatures: Parboni, Franzetti, Olivieri, or not carry any, and sometimes the date of 1824. Drawing on strong vellum.Binding half calf contemporary hazelnut. Back smooth decorated with long irons. A lack of volume in the lead 3. Friction copings and joints. Some pale foxing in the margins on a well white paper. Good copy. Presso Agapito Franzetti in Roma 1820 S.d. Trois volumes in-12 oblong (15,5x22cm) reliés

      [Bookseller: Librairie Le Feu Follet]
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        Veduta del Ponte di Cassano sul Adda

      1820. Classica veduta della cittadina vista dal fiume Adda stampata in seppia, pubblicata a Milano da Francesco Bernucca

      [Bookseller: Libreria Trippini Sergio]
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        Neuestes Reise-Handbuch durch Teutschland und nach den Hauptstädten der angränzenden Länder. Enthaltend Regeln für jeden Reisenden, die Münzen verschiedener Länder und ihre Vergleichung, die Reiserouten und Angaben der Stationenzahl, Beschreibung aller bedeutenden Orte und ihrer Merkwürdigkeiten, Nachweisung der besten Gasthöfe, Schilderung der vorzüglichsten teutschen Bäder u.s.w.

      Nürnberg: Campe 1820 - Mit Ortsregister, XXIV,566 S., Schuber fleckig und berieben, Faltkarte tlw. fleckig und in Falzen gelegentlich eingerissen, sonst ist das Buch sehr gut erhalten (II+) * Die Größe der grenzkolorierten Karte beträgt ca. 58 x 70 cm. 3866 Sprache: Deutsch Gewicht in Gramm: 500 [Attributes: Hard Cover]

      [Bookseller: Versandantiquariat Dr. Wolfgang Ruß]
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        Le jardin d eté

      Artist: Anonymus ; issued in: ; date: ca 1820 - - technic: Lithography; - colorit: original colored; - condition: Very good; - size (in cm): 25 x 36,5; - description: Beautiful view of the promenade at the summer garden of the palace in St. Petersburg. With a nice sailing ship and people walking.

      [Bookseller: Antique Sommer& Sapunaru KG]
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        Relation de la défense de Dantzig en 1813, par le 10e corps de l'armée française contre l'armée combinée Russe et Prussienne.

      Paris, Ladrange, Lheureux, 1820, - in-8, IV-512 pp., 2 tabl. dépl., demi-vélin blanc à coins, dos à nerfs orné (rel. de l'époque).

      [Bookseller: Librairie Historique F. Teissèdre]
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        Bando escuela de letras. Ozumba 1820

      1820 - Interesting and rare broadsheet inviting to attend to the school of Ozumba (town and municipality located in the southeast portion of the Valley of Mexico) to a mass in honour of Saint Joseph, patron saint of the school, witness the exams which are described in detail and participate in dances and other entertainments through the local streets.

      [Bookseller: Elena Gallego - Rare Books]
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        Vue du Glacier de Grindelwald.

      o.J., um 1820, - 16.5x27 cm, Kolorierte Umrissradierung, Gerahmt (30x45). Please notify before visiting to see a book. Prices are excl. VAT/TVA (only Switzerland) & postage.

      [Bookseller: Harteveld Rare Books Ltd.]
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        Trento.

      1820 - Si vende in cornice. Formato: Disegno ad acquerello e china di misure 265x145 mm. Buono.

      [Bookseller: Studio Bibliografico Adige]
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        Paysanne fribourgeoise, toilette.

      S.d., vers 1820, - 20 x 14.5 cm, gravée à l?eau-forte et aquarellée à la main, 1 feuille. Please notify before visiting to see a book. Prices are excl. VAT/TVA (only Switzerland) & postage.

      [Bookseller: Harteveld Rare Books Ltd.]
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        Handschrift. Nicht der Gang zum Eisenhammer, ein Lustspiel in 4 Aufzügen. Gewidmet meinem teuern Freunde Karl Fabricius und seiner jungen Gemahlin Therese, gebohrene Kinreich am Tage ihrer Vermählung am 10ten November

      1820, 1820 - kl. in-8vo (11x10 cm), Front. (Darstellung des Paares auf einem Boot im Sturm, von der Hand des Autors gemalt) + Titel + 106 unnum. Bl., handgeschrieben in feiner deutscher Kurrentschrift d. Z. auf handgezogenem Papier mit Wasserzeichen (Wappenadler mit Reichsinsignien), grüner Maroquinband mit ornamentalen Goldfileten auf Deckeln und reicher Goldprägung auf Rücken, Goldschnitt, sehr schönes Exemplar. Unikat. Ein spezielles Hochzeitsgeschenk aus der Biedermeierzeit in Form eines kleinen und in feiner Schönschrift verfassten Theaterstückes auf über 200 Seiten! Titelblatt und Überschriften sind sorgfältig kalligraphiert. Das Frontispiz mit dem sturmumtobten Boot, welches das glückliche Paar zum Tempel von ?Freundschaft und Liebe? bringt, trägt die Legende: ?Kein Sturm, selbst der Tod trennt euch nicht!? Das Stück selbst ist offensichtlich eine Anspielung auf Schillers Ballade ?Der Gang nach dem Eisenhammer? Please notify before visiting to see a book. Prices are excl. VAT/TVA (only Switzerland) & postage. [Attributes: Hard Cover]

      [Bookseller: Harteveld Rare Books Ltd.]
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        Souvenirs Pittoresques du Général Bacler d?Albe. (10e) Cahier. Ensemble de 22 vues lithographiées.

      à Paris, à la Lithographie de G. Engelmann, rue Louis le grand N° 27 au coin du Boulevard, s.d., ca. 1820, - 28x38 cm, collection de planches divers, tirée de ?Souvenirs Pittoresques de Suisse, Italie et France? le ?n° 10? à été mis à la main, non relié dans la brochure originale avec titre imprimée (couverture avec déchirure). La collection des ces ?incunables de la lithographie? ont été lithographiée par Engelmann. C?est bien lui qui a introduit le procédé de la lithographie en France (Perret). La collection complète est illustré de 100 planches, notre collection em comprend 22: N° 28: Pont d?Arcole / 30 Vue de Grenoble, rive droite de l?Isère / 35 Fabrique à Pont de Royau en Dauphiné (tache d?eau) / 36 Le Pont de Royan en Deuphiné / 37 Le jour de Cuisine au Camp /39 Ruines d?un château antique appellé la Tour de Crèst / 41 Françoise Cantinière / 42 Chartreuse de Romans en Dauphiné (tachée) / 46 Torrent de la Roche Baudin / 47 Vue de Grenoble rive gauche / 48 Vue de l?Ermitage près la cascade du Bouchot / 49 Un soldat blessé / 54 Roche tailliée, ruines de St. Barthelemi de Vals / 55 Entrée de Plombières / 59 Le Capitaine ne dinera pas / 67 La ville de Die sur la Dromme / 69 Ruines d?un Monastère à Dieu-le-fit / 72 Le Châzeau de Tournon sur le Rhône / 73 St. Sever à Vienne / 74 L?Eglise St. Pierre à Vienne / 75 Vue des anciens murs de Valence / 76 Montelegier (Drome).Louis Marc BACLER D?ALBE, est le fils du général, cartographe et grand artiste de l'Empire Louis Albert Guislain Bacler d'Albe. (1761-1824). En 1835 ou 1836, il épouse Emily de Villamil, fille de Felipe Martin de Villamil. Il est l'élève de son père et de Louis Hersent, lui-même élève de Jean-Baptiste Regnault. Plusieurs de ses tableaux sont exposés aux Salons de 1827 à 1833.Please notify before visiting to see a book. Prices are excl. VAT/TVA (only Switzerland) & postage. cf. Perret 209. [Attributes: Soft Cover]

      [Bookseller: Harteveld Rare Books Ltd.]
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        Vedute di Milano

      Milano 1820 - Serie di vedute della città in un foglio. Incisione in rame, all'acquatinta, in ottime condizioni. Dimensioni 465 350mm

      [Bookseller: Libreria Antiquarius]
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        La Gazza Ladra Melodramma in due Atti. Die diebische Elster Oper in zwei Aufzügen... Klavierauszug... Pr. 6 Rthlr. [Piano-vocal score].

      Leipzig: Breitkopf und Härtel [PN 3158], [1820]. Oblong folio. Modern half dark brown calf with marbled boards, rules and titling to spine gilt. 1f. (title), [1] (cast list and table of contents), 2-232 pp. Lithographed. Text in Italian and German. With "Presso Gio. Ricordi Negoziante di Musica d'ogni genere... " overpaste to title. Some browning, foxing, soiling, small tears, and minor dampstaining to margins of first and last leaves; trimmed at upper margin. Second edition of the first version. Rognoni, p. 446, no. 21. Gossett p. 357. La gazza ladra, to a libretto by Giovanni Gherardini after La pie voleuse by J.M.T. Badouin d'Aubigny and Louis-Charles Caigniez, was first performed in Milan at the Teatro alla Scala on May 31, 1817. "Musically, La gazza ladra is the finest of Rossini's several essays in the semiseria that stretch from L'equivoco stravagante (1811) to Matilde di Shabran (1821). In this instance, the work can be seen to derive in part from the French drama larmoyant, in part from the so-called 'rescue' opera. The opera deals with a wide range of social groupings, and conforms to the tradition of the happy ending, the heroine saved from execution at the eleventh hour, even though in the original French play the heroine dies on the gallows." Richard Osborne in Grove Music Online.

      [Bookseller: J & J LUBRANO MUSIC ANTIQUARIANS]
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        Poems for youth. By a family circle

      London: Printed for Robinson and Sons, 1820. iv, 106pp. Contemporary straight-grained green morocco, gilt, recently rebacked with contemporary spine laid-down, A.E.G. A trifle rubbed, some marking. Recent endpapers, internally clean and crisp. Ink gift inscription to verso of FFEP; 'Sarah Touchet / from Wm. Greg'. Poems for Youth, collected and arranged by Mary Anne Roscoe (later Jevons), features the work of her sister Jane alongside their abolitionist father's best known (and much imitated) juvenile poem 'The Butterfly's Ball'. . First edition. 12mo.

      [Bookseller: Antiquates]
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        Viaggio nell'interno dell'Africa alle sorgenti del Senegal della Gambia fatoo per ordine del governo francese. 2 vols. Milano, Giambattista Sonzogno

      1820 - First Italian Edition. 2 vols. 8vo, xiv, 267, [2]; 269, [1], [15]pp, a folding engraved map and 6 coloured engraved platges, original printed wrappers, uncut [Attributes: Soft Cover]

      [Bookseller: Far Eastern Booksellers / Kyokuto Shoten]
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        Sammelband of Scores, including one SIGNED BY ROSSINI

      - A handsome sammelband of 25 early nineteenth-century Italian opera arias, including one aria signed by Rossini, collected and assembled by the Marquis of Bourdeille ca. 1820. Included are arias by Mozart, Guglielmi, Martini, Pucitta, Paër, Gail, Fioravanti, Cimarosa, Pacini, and Mercadante, as well as 6 scores to arias from Rossini's early operas Demetrio e Polybio, Il Turco in Italia, Otello, and Armide, the last of which is autographed on the first page by the composer. A manuscript table of contents is bound into the volume. Ca. 220 pp. total. Hardcover, red boards and red leather spine. One tear to the top of the spine, some light edge and shelf wear, but overall in fine condition. 10 x 13 inches (25.5 x 33 cm).The pieces bound in the following order:Mozart, Wolfgang Amadeus. (1756-1791). Air du Mariage de Figaro, Musique de Mozart, arrangé pour piano. No. 6 [Non so più cosa son, cosa faccio]. Paris: A la Thipographie de la Syrene, chez Carli et Comp. Marchand de Musique, Péristyle du Théâtre Favart, coté de la Rue Mariveaux [between 1807 and 1812]. Engraved. [PN] 483. 4 pp. (31-34).Mozart, Wolfgang Amadeus. (1756-1791) & Ferrari, Giacomo Gotifredo. (1763-1842). O Dolce Concento, Air de la Flute Enchantée, Musique de Mozart, Varié par G. G. Ferrari et chanté par Mme. Catalani. Paris: Chez Carli [.] Place et Péristyle des Italiens, [ca. 1809-12]. Engraved. [PN] 580. 6 pp. With several pencil additions of vocal ornamentation throughout.Carafa, Michele. (1787-1872). Frà tante angoscie e palpiti. Cavatine da Carafa, intercalée dans l'opéra Il Pretendente Burlato de Guglielmi. Copyist manuscript. 8 pp.Martini, Giovanni Battista. (1706-1784). Guardami un poco. Air Chanté par Mme. Mainvielle Fodor, della Capricciosa corretta. Paris: Chez Carli [.] Place et Péristyle des Italiens, [ca. 1809-12]. Engraved. [PN] 603. 6 pp.Martini, Giovanni Battista. (1706-1784). La Donna ha bello il core. Polacca Chanté par Mme. Mainvielle Fodor, della Capricciosa corretta. Paris: Chez Carli [.] Place et Péristyle des Italiens, [ca. 1809-12]. Engraved. [PN] 601. 7 pp.Pucitta, Vincenzo. (1778-1861). Sul Margine d'un rio, varié par Mr. Pucitta et chanté par Mme. Catalani. Paris: Chez Carli [.] Place et Péristyle des Italiens, [ca. 1809-12]. Engraved. [PN] 578. 6 pp.Pucitta, Vincenzo. (1778-1861). La placida campagna. Cavatine chanté par Mme. Catalani nell'Opéra della Principessa in Campagna. Paris: Chez Carli [.] Place et Péristyle des Italiens, [ca. 1809-12]. Engraved. [PN] 747. 7 pp.Paer, Ferdinando. (1771-1839). Barcarolle, no. 6 des Six Nocturnes à deux voix. Copyist manuscript. 11 pp.Paer, Ferdinando. (1771-1839). Duo delle Finte Rivali chanté par Mmes. Barilli et Correa. Paris: Chez Lélu, Boulevard des Italiens, no. 8 près la rue Cérutti, [ca. 1813-1816]. Engraved. [PN] 148. 11 pp.Paer, Ferdinando. (1771-1839). Quatuor par Paer, composé pour Monsieur Massimino (beginning: "Qui l'armonia soggiorna.") Copyist manuscript. 11 pp.Gail, Edmée Sophie. (1775-1819). La Sérénade, Barcarole Vénitienne. Chanté par Mrs. Martin Ponchard et Mme. Boulanger. Paris: Ph. Pétit, successeur de P. Gaveaux, Passage du Théâtre Feydeau, nos. 12 et 13, [between 1816 and 1826]. Engraved. [PN] 6. 5 pp.Fioravanti, Vincenzo. (1799-1877). Con pazienza sopportiamo. Duo chanté par Mme. Catalani et Mr. Barilli nel Fanatico per la Musica. Paris: Chez Carli [.] Place et Péristyle des Italiens, [ca. 1809-12]. Gravé par Michot. Engraved. [PN] 526. 13 pp.Guglielmi, Pietro Carlo. (1772-1817). Duo des Due Gemelli, Chanté par Mmes. Morandi et Goria. Paris: Chez Carli  [.] Place et Péristyle des Italiens, [ca. 1809-12]. Engraved. [PN] 310. 7 pp.Guglielmi, Pietro Carlo. (1772-1817). Duo della Serva Innamorata, Chanté par Mme. Festa et Mr. Lombardi. Paris: Chez Carli [.] Péristyle du Théâtre Favart, à la Typographie de la Sirène, coté de la Rue Mariveaux [ca. 1809-1812]. Gravé par Michot. Engraved. [PN] 59. 8 pp.Fioravanti, Vincenzo. (1799-1877). Signora Betta. Recitatif Se d'amarle non la

      [Bookseller: Schubertiade Music]
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        L'Italiana in Algeri Opera comica in due Atti. Pr. [Florins] 13 [Kreutzer] 30. [Piano-vocal score]

      B. Schott figli [PN 1277], Magonza 1820 - Oblong folio. Half contemporary mid-brown calf with marbled boards, decorative dark red morocco title label gilt to upper, spine in decorative compartments gilt. 1f. (title with fine large vignette of a scene from the opera engraved by Contgen), 1-[2] (cast list and table of contents), 222 pp. Engraved. Text in Italian and German.Contemporary signature in black ink to front free endpaper.Binding somewhat worn and bumped; upper joint partially split. Some minor wear, soiling, browning, and foxing; small portion of corner of pp. 55-56 lacking, not affecting music. An attractive copy overall. First Edition. With two spurious numbers. Gossett: "The Operas of Rossini," pp. 245 and 259-262. Rognoni p. 444, no. 11. OCLC no. 16970555.L'italiana in Algeri, to a libretto substantially derived from Angelo Anelli's libretto for Luigi Mosca's L'italiana in Algeri, was first performed in Venice at the Teatro S Benedetto on May 22, 1813."The opera is Rossini's first buffo masterpiece in the fully fledged two-act form. It quickly won widespread popular acclaim in Italy and it was the first Rossini opera to be produced in Germany (1816, Munich) and France (1817, Paris). L'italiana in Algeri is a work of great richness and sophistication. Formally it is an innovative piece, drawing Rossini's experience from his single-act farse into a larger context. It is also, despite being written at speed, notably free from any kind of self-borrowing. The numbers that were farmed out to another composer, gracious and decorous in an 18th-century style, are by contrast a reminder of how fiercely the flame of Rossini's own comic invention burns in this remarkable opera, which transcends Mosca's earlier effort as surely as Rossini's Il barbiere di Siviglia was shortly to transcend Paisiello's." Richard Osborne in Grove Music Online. [Attributes: Hard Cover]

      [Bookseller: J & J LUBRANO MUSIC ANTIQUARIANS LLC]
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        Travels in the North of Germany, describing the Present State of the Social and Political Institutions, the Agriculture, Manufactures, Commerce, Education, Arts and Manners in that Country, particularly in the Kingdom of Hanover.

      first edition2 vols.tall 8vo.xxvi, 496;(iii)-x, 518pp., original boards with blue paper sides and grey paper spines, printed paper labels on spines, edges untrimmed, most of the top 5 cms. chipped from head of the spine of vol.1 as well as a small piece at the foot of the spine of vol.2, labels toned and slightly chipped, joints rubbed, endpapers slightly foxed, else a very good and internally fresh copy.An excellent copy in its original state. Hodgskin (1787-1869), English economist, political theorist, and journalist, after about twelve years period in the British navy was in 1812 put on the retired list and, reduced to half-pay. "In his first published work, An Essay on Naval Discipline (1813), he contrasted the arbitrary brutality of naval life with the good government with which Britain was reputedly blessed. Publication of the Essay brought Hodgskin to the attention of the London radicals, notably Francis Place, who was to offer Hodgskin intellectual companionship and patronage. In July 1815 Hodgskin embarked on a walking tour which took him first to Paris and later to Germany, where he made a detailed study of the political and economic institutions of Hanover. Although his investigations were shaped by a questionnaire devised by Jeremy Bentham, his suggestion, in Travels in the North of Germany (2 vols., 1820), that 'many evils are in Germany, occasioned by governing too much' was far from Benthamite. Hodgskin expounded a minimalist conception of the state, insisting that government tended to shackle the energies and liberties of individuals. The guarantor of good government was the influence of public opinion. He concluded that if Britain was better governed than the states of Germany this was principally because of the greater freedom of expression in Britain and because the political education of the working classes had progressed further in Britain than in Germany" [O.D.N.B.] His views became increasing radical and when in 1822 "Place secured him a position as a correspondent for the Morning Chronicle .. respectable journalism gave [him] a regular income, but no outlet for his real opinions. In 1823 he was instrumental in establishing the Mechanics' Magazine and the mechanics' institute, where in 1825 he delivered a course of lectures later published as Popular Political Economy (1827). His reputation as an economist rests on these lectures, the trenchant Labour Defended Against the Claims of Capital (1825), and The Natural and Artificial Right of Property Contrasted (1832). He has frequently been described as a 'Ricardian socialist', but the description is more ironic than accurate. Certainly Hodgskin used elements from Ricardian economics, but only as tools with which to undermine the Ricardian edifice. At the same time he pressed the labour theory of value to far more radical ends than David Ricardo, seeing skilled labour as both the measure and producer of all value. Fixed capital was no more than accumulated labour. Hodgskin saw a shameless deception at the centre of Ricardian economics and British capitalism: both pretended that capital was productive and the essential spring to greater prosperity, but, Hodgskin argued, capitalists were always parasitic, holding wages close to subsistence levels and diverting the fruits of labour's productivity to unproductive and anti-social consumption. Although Karl Marx's formulation of the theory of surplus value was more sophisticated, his debt to Hodgskin is unmistakable" [O.D.N.B.]

      [Bookseller: P and B Rowan]
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        Déposé age d Argent

      Artist: Gadola ; issued in: Lyon; date: ca 1820 - - technic: Lithography; - colorit: gouache; - condition: Very good; - size (in cm): 51 x 61; - description: Allegoric representation of metal elements: SILVER

      [Bookseller: Antique Sommer& Sapunaru KG]
 31.   Check availability:     ZVAB     Link/Print  


        Therese Mathilde Amalie Fürstin von Thurn und Taxis. Brustbild mit Haarnetz über vollen Locken und Perlenkette en face im Oval. Lithographie von und nach Friedrich Rehberg bei Selb um 1820. Seltene Inkunabel der Lithographie

      München: Selb'sche Lithographische Anstalt um 1820 - Original-Lithographie von und nach Friedrich Rehberg (im Stein signiert) auf rückseitig unbedrucktem Büttenblatt, bildliche Darstellung ca. 27 x 22 cm, Blattgröße ca. 39 x 24 cm, im breiten Blattrand etwasAlterspatina, ansonsten sehr gut erhalten, sehr selten und für uns anderenorts antiquarisch nicht nachweisbar - gilt als "Inkunabel der Lithographie", einer der ersten Steindrucke nach der Erfindung des lithographischen Drucks durch Senefelder, museal 2100 gr. [Attributes: First Edition; Signed Copy]

      [Bookseller: historicArt Antiquariat & Kunsthandlung]
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        La Gazza ladra Melodramma in due Atti. Die diebische Elster Oper in zwei Aufzügen. Klavierauszug. Pr. 6 Rthlr. [Piano-vocal score]

      Breitkopf und Härtel [PN 3158], Leipzig 1820 - Oblong folio. Modern half dark brown calf with marbled boards, rules and titling to spine gilt. 1f. (title), [1] (cast list and table of contents), 2-232 pp. Lithographed. Text in Italian and German.With "Presso Gio. Ricordi Negoziante di Musica d'ogni genere. " overpaste to title.Some browning, foxing, soiling, small tears, and minor dampstaining to margins of first and last leaves; trimmed at upper margin. Second Edition of the first version. Rognoni, p. 446, no. 21. Gossett p. 357.La gazza ladra, to a libretto by Giovanni Gherardini after La pie voleuse by J.M.T. Badouin d'Aubigny and Louis-Charles Caigniez, was first performed in Milan at the Teatro alla Scala on May 31, 1817."Musically, La gazza ladra is the finest of Rossini's several essays in the semiseria that stretch from L'equivoco stravagante (1811) to Matilde di Shabran (1821). In this instance, the work can be seen to derive in part from the French drama larmoyant, in part from the so-called 'rescue' opera. The opera deals with a wide range of social groupings, and conforms to the tradition of the happy ending, the heroine saved from execution at the eleventh hour, even though in the original French play the heroine dies on the gallows." Richard Osborne in Grove Music Online. [Attributes: Hard Cover]

      [Bookseller: J & J LUBRANO MUSIC ANTIQUARIANS LLC]
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        Viaggi intorno al mondo

      Ward Lock, London 1820 - In 8° grande, edizione primi ‘800 in un volume, profusamente illustrato con ritratto al frontespizio, numerose vignette a piena pagina e incisioni nel testo, legatura in marocchino prugna su piatti in stoffa, nervature al dorso, xx, pp. 1152, copia molto buona con leggere abrasioni, edizione poco reperibile, descrizione dei suoi viaggi (Terra del Fuoco, N. Zelanda, Australia, Tahiti, Nuove Ebridi, N.Caledonia, Isole Sandwich, etc) sino alla morte avvenuta alle isole Hawai. 1 volume in 8° large, early 1800 edition in one volume, richly illustrated with portrait to the frontispiece, several full-page vignettes and engravings in the text, plum morocco binding over cloth plates, ribs to the back, xx, pp. 1152, very good copy with light abrasions, scarcely available edition, a description of his travels (Fire Land, N. Zealand, Australia, Tahiti, New Hebrides, N. Caledonia, Sandwich Islands, etc) until his death at Hawaii Islands. [Attributes: Hard Cover]

      [Bookseller: Redaelli Alberto]
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        Italian Scenery from Drawings made in 1817

      Rodwell & Martin, London 1820 - Full calf leather binding by Colnaghi & Co. London, rebacked with original spine laid over. Spine has five raised bands and richly decorated compartments. Ornate gilt panelled boards, gilt ruled board edges and turn-ins. All page edges gilt, later marbled endpapers. Some light foxing to plates, some browning and offsetting to pages facing plates. A few occasional marks but overall a very clean example. Overall condition is Very Good. Hardback. Printed pages: Large 8vo. [8], 197, [1]. With engraved title page and 60 leaves of plates. [Attributes: First Edition; Hard Cover]

      [Bookseller: Tarrington Books]
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        An Account of the Arctic Regions, With a History and Description of the Northern Whale-Fishery

      Edinburgh: Archibald Constable and Company, 1820. sep 22 2017. Two volumes. (4) xx, 551, 82; viii, 574 (2) pp. b/w plates, maps, many folding. First edition of a major work. “It was at once recognized as the standard work on the subject and may be considered the foundation-stone of arctic science.”—DNB. A second generation whaleman, Scoresby speaks with absolute authority in describing the history and natural history of the whale fishery. The second volume in particular deals with the specifics of whaling. Melville valued him as an informant and quotes him in "Moby Dick." The books are illustrated by a folding frontispiece in volume I, and twenty-three plates and maps illustrative of Arctic regions, life forms, and whale-catching tools - (numbered I-XXII, with an additional plate numbered "XII") in volume II. See Arctic Bib. 15610. Jenkins p. 144. NMM Catalog Vol. I, 833. Sabin 78167. Hill 1543 (note). Attractively bound in quarter diced calf with raised bands and gold spine lettering over marbled boards. Some foxing to plates and frontispieces, otherwise a clean, complete copy (including half titles) of a scarce book. Housed in a custom slipcase.

      [Bookseller: Ten Pound Island Book Co.]
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        L'Italiana in Algeri Opera comica in due Atti... Pr. [Florins] 13 [Kreutzer] 30. [Piano-vocal score]

      Magonza: B. Schott figli [PN 1277], 1820. First Edition. With two spurious numbers. Gossett: "The Operas of Rossini," pp. 245 and 259-262. Rognoni p. 444, no. 11. OCLC no. 16970555. L'italiana in Algeri, to a libretto substantially derived from Angelo Anelli's libretto for Luigi Mosca's L'italiana in Algeri, was first performed in Venice at the Teatro S Benedetto on May 22, 1813. "The opera is Rossini's first buffo masterpiece in the fully fledged two-act form. It quickly won widespread popular acclaim in Italy and it was the first Rossini opera to be produced in Germany (1816, Munich) and France (1817, Paris)... L'italiana in Algeri is a work of great richness and sophistication. Formally it is an innovative piece, drawing Rossini's experience from his single-act farse into a larger context. It is also, despite being written at speed, notably free from any kind of self-borrowing. The numbers that were farmed out to another composer, gracious and decorous in an 18th-century style, are by contrast a reminder of how fiercely the flame of Rossini's own comic invention burns in this remarkable opera, which transcends Mosca's earlier effort as surely as Rossini's Il barbiere di Siviglia was shortly to transcend Paisiello's." Richard Osborne in Grove Music Online.. Oblong folio. Half contemporary mid-brown calf with marbled boards, decorative dark red morocco title label gilt to upper, spine in decorative compartments gilt. 1f. (title with fine large vignette of a scene from the opera engraved by Contgen), 1-[2] (cast list and table of contents), 222 pp. Engraved. Text in Italian and German. Contemporary signature in black ink to front free endpaper. Binding somewhat worn and bumped; upper joint partially split. Some minor wear, soiling, browning, and foxing; small portion of corner of pp. 55-56 lacking, not affecting music. An attractive copy overall.

      [Bookseller: J & J Lubrano Music Antiquarians LLC]
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        1) MINERVE FRANÇAISE (La).

      Paris, Bureau de la Minerve Française, février 1818-février 1820, 9 volumes; (suivi de). –2) MERCURE DE FRANCE. [Tomes 3 à 5]. Paris, Administration du Mercure, 1817-1818, 3 volumes; demi-basane de l'époque, 3 coiffes très lég. endom., petite épidermure sur 2 dos, dos du 9e vol. lég. taché, petit travail de vers sur 3 charnières (1 cm), ex. non rognés. –Timbres royaux sur de nombreux ff. des volumes 9 à 12. –Bon exemplaire. - soit 2 ouvrages en 12 volumes in-8 ; 1) Tout ce qui a paru de ce célèbre périodique.Cat. périodique B.N. III-p. 536; Yvert, Politique libérale, biblio. sélective 23; Hatin, Biblio. de la presse p. 342."Minerve française (La), recueil périodique français publié de février 1818 à [février] 1820. Il fut fondé par les publicistes du parti libéral pour remplacer le Mercure de France, dépouillé de son privilège. Il paraissait par livraisons hebdomadaires et traitait plus de politique que de littérature, et professait, dans l’une et dans l’autre, les mêmes principes d’indépendance. Toutes les idées et tous les intérêts en opposition avec le gouvernement de la Restauration se manifestaient dans cet organe, qui était particulièrement celui de l’opinion constitutionnelle. Son succès rapide fut encore activé par la violence des attaques dirigées contre lui par tous les représentants de l’opposition légitimiste en France et à l’étranger. La Minerve avait pour principaux rédacteurs Benjamin Constant, Jay, Etienne, Jouy, Tissot, Lacretelle, etc. La pièce capitale, [en dehors des articles de Benjamin Constant], était les Lettres d’Etienne, qui se plaisait à chercher les nouvelles de Paris dans les journaux de l’étranger et à transcrire de l’anglais des choses qu’on n’aurait pas osé insérer d’abord dans une gazette française. La vivacité avec laquelle la Minerve soutint la lutte contre le pouvoir l’a fait appeler "la satire Ménippée de la Restauration". Ce fut pour neutraliser son influence que fut créé le Conservateur. En butte à de puissantes haines, dénoncée comme un danger public dans une foule de factums et de pamphlets, la Minerve cessa de paraître en 1820 pour protester contre le rétablissement de la censure." (Vapereau, Dict. des littératures p. 1402).La politique "reste surtout, du moins jusqu’à son élection comme député de la Sarthe le 26 mars 1819, l’œuvre de Constant qui y publie en tout 99 articles. Y figurent certains de ses meilleurs textes, notamment les "Lettres sur les Cent-Jours", publiées pour la première fois (cf. numéro 56), et son analyse des "Considérations" de Madame de Staël (cf. numéro suivant). On lira également ses articles sur l’affaire Wilfrid Regnault, les élections, la grande propriété, les débats parlementaires, l’inviolabilité de la Charte et les Constitutions (à propos de l’ouvrage de Lanjuinais, cf. numéro 27), la traite des Noirs, l’Angleterre, les lois de Serre sur la presse de 1819 et l’invalidation de Grégoire." (Yvert).2) Trois derniers volumes (sur 5 parus) du Mercure de France. Ces trois volumes couvrent la période du 5 juillet 1817 à janvier 1818. A la fin du dernier volume, on a relié une partie des numéros du tome II (31 mai 1817 à juin 1817). Le volume V est rarissime. Le premier volume parut en janvier 1817.Yvert, Politique libérale, bibliographie sélective n° 18."Premier grand périodique libéral depuis les Cent-Jours." (Yvert). Il avait pour principal rédacteur Benjamin Constant.A la suite du tome 9 de la Minerve, on a relié le 11e volume des Lettres normandes, envoyé aux abonnés de la Minerve française pour compléter leur abonnement (cf. Hatin p. 336). Les quelques brochures publiées par les rédacteurs de la Minerve après le rétablissement de la censure manquent comme dans la quasi-totalité des exemplaires.

      [Bookseller: LIBRAIRIE PHILIPPE SERIGNAN]
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        Narrative of The Cato Street Conspiracy being an impartial account of the attack in the stable and the death of Smithers the apprehension of the prisoners with the arms and ammunition taken by the police officers and soldiers the Coroners Inquest

      and the examinations and committal of the prisoners to The Tower of London, &c. on a charge of High Treason. Illustrated with Plans and Views of the Interior and Exterior of The Premises, The Pike-Heads, Hand-Grenades, &c. &c. First edition, Tall 8vo., folding frontispiece with captions and key, [3pp.], pp-4-36, rebound in twentieth-century marbled paper boards, gilt titles on black morocco spine, new endpapers. London, John Fairburn, n.d.,

      [Bookseller: Maggs Bros. Ltd.]
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        Acta Academiae Theodoro-Palatinae. Historia Et Commentationes Academiae Electoralis Scientiarum Et Elegantiorum Literarum Theodoro-Palatinae. Bände 1-5 (von 11).

      Quart. Zeitgenössisches Ganzleder mit Rückenvergoldung und goldgepr. Titelrückenschildern, marmorierten Vorsätzen und umseitig rotem Schnitt. Texte in Deutsch, Lateinisch und Französisch. Einbände leicht berieben, jeweils handschriftlicher Besitzeintrag o.g. Provenienz auf den Vorsätzen, datiert 1820 (und weitere des 19. Jahrhunderts). Bis auf die Tafel III im 4. Band, die wegen Überformates wie meist unserem Exemplar nicht beigebunden war, vollständig. Gutes Exemplar.

      [Bookseller: Antiquariat Stefan Wulf]
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        Picturesque Tour from Geneva to Milan, by way of Simplon: illustrated with Thirty Six Coloured Views of the most striking Scenes and of the principal works belonging to the new road constructed over that mountain.

      R. Ackermann, London., 1820. First edition. Quarto. pp [viii], 136, [2] List of Plates. 36 hand-coloured aquatint plates; frontispiece map. Period binding of full black morocco with elaborate decoration in gilt and blind, all edges gilt.Traces of bookplate removed from front pastedown. A spot or two of light foxing here and there, not affecting the plates. Covers a bit rubbed at the edges. Very good indeed. The plates are all in fine state.

      [Bookseller: Peter Ellis bookseller]
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        Abrégé de l'histoire générale des voyages, contenant ce qu'il y a de plus remarquable, de plus utile et de mieux avéré dans les pays où les voyageurs ont pénétré; les mœurs des habitants, la religion, les usages, arts et sciences, commerce et manufactures; par J.F. LAHARPE. Nouvelle édition, revue et corrigée avec le grand soin, et accompagnée d'un bel Atlas In-folio.

      Etienne Ledoux 1820 - LA HARPE (J.F). Abrégé de l'histoire générale des voyages, contenant ce qu'il y a de plus remarquable, de plus utile et de mieux avéré dans les pays où les voyageurs ont pénétré; les mœurs des habitants, la religion, les usages, arts et sciences, commerce et manufactures; par J.F. LAHARPE. Nouvelle édition, revue et corrigée avec le grand soin, et accompagnée d'un bel Atlas In-folio. Paris, Etienne Ledoux, 1820. 24 volumes in-8° (205x135) reliés demi-maroquin olive, dos ornés, tranches marbrées, belle série. 500pp. par volume, le dernier (XXIV) étant la table des matières. SANS L'ATLAS. (REF: P1-22) [Attributes: Hard Cover]

      [Bookseller: Im Perraud]
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