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Displayed below are some selected recent viaLibri matches for books published in 1816

        Graphic Illustrations of the Most Prominent Features of the French Cap

      1816. PARIS. Graphic Illustrations of the Most Prominent Features of the French Capital; with Characteristic Figures in the Foregrounds comprised in Twelve Stroke Engravings, From Accurate Designs Taken in Paris during the Imperial Reign of Buonaparte. With Descriptive Notices and Interesting Anecdotes. [26] pp. Illustrated with 12 double-page engravings. Folio, 430 x 380 mm, bound in contemporary French three-quarter black morocco over marbled boards, gilt title and floral vignettes on spine, paper label with ms. number "20" on front cover and spine. London: Harper and Co., 1816. Twelve artistically-conceived views of Paris engraved by English artists. The large double-page engravings incorporate local Parisians participating in daily routines within the setting of each view. Panoramic views include: the Military School and the Church of the Invalides; View of Paris from the South Boulevard; View of Paris from Montmartre; South View of the Old and New Louvre; The Mint and The Façade of the Louvre; View of La Place de la Concorde; The Garden of the West Front of the Tuileries; Palace of the Tuileries Facing La Place du Carrousel; Garden of the Tuileries; The Luxembourg or Palais du Senat with the Gardens; The Elysian Fields, Distant Gardens of the Tuileries; Entrance to Les Champs Élysées and La Place de la Concorde. Each plate is followed by two pages of text giving historical details and anecdotes about the site illustrated. Minor wear to outer edges of binding, plates and text clean. Rare: OCLC lists 6 copies worldwide, of which only one is held in America (Bowdoin College).

      [Bookseller: Ursus Rare Books]
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        Eigenh. Brief mit U.

      O. O., "ce dimanche 8 Sept." (1816 oder 1822?). 1 S. auf gefalt. Doppelblatt. 4to. Beiliegend gedr. Portraitkarte.. An den Gesangspädagogen Charles-Henri Plantade (1764-1839), dem er für einen Schüler das Manuskript seines "Telemaque" (1806) schickt: "Mon cher Plantade / Je t'envoie mon air de Telemaque, avec quelques changemens que je crois avantagueux pour la voix de ton eleve. Fais moi le plaisir de le lui donner franc qu'il en tire une copie, mais qu'il te rende la partition car-je n'ai point le double de ce nouveau manuscrit. Tu pense le garder si tu le veux pour en faire tirer. Les parties d'orchestre par-le copiste qui se charge des concerts de l'ecole-Royale, enfin fai tout a que tu jugeras a propos pourra que mon manuscrit ne soit pas perdu, et dans tes mains je serai parfaitement tranquile [...]." - Spuren zeitgenöss. Faltung.

      [Bookseller: Antiquariat Inlibris, Gilhofer Nfg. GmbH]
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        Mansfiels Park: A Novel in Three Volumes. By the Author of "Pride and Prejudice".

      Printed for J. Murray., London. 1816 - Three Volumes. 12mo. with half titles, [2] 360pp, [2] 294pp, [2] 354pp [1]. [marginal soiling} The printer's name appears on the verso of the half-title, and on the final leaf of each vol. Vol. 1: Printed by J. Moyes . London. Vol. 2: London: printed by C. Roworth . Vol. 3: T. Davison . London. [Austen, Jane 1775-1817.] later red half red calf. Good Set of the Scarce Second Edition.

      [Bookseller: HALEWOOD AND SONS ABA ILAB. est.1867]
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        L'Hindoustan, ou Religion, Moeurs, Usages, arts et Metiers des Hindou

      1816. INDIA. L'Hindoustan, ou Religion, Moeurs, Usages, Arts et Métiers des Hindous. By Jean-Amable Pannelier. Six volumes. Illustrated with 104 engraved plates. 12mo., 148 x 90 mm, bound in original publisher's yellow printed and illustrated wrappers, edges uncut, volume numbers in pencil at foot of each spine. Preserved in a yellow full morocco box. Paris: A. Nepveu, 1816. |~||~||~||~| First Edition of this profusely illustrated work, featuring over 100 plates depicting images of various Hindu gods, men and women in native costumes, fakirs, kings, musicians, soldiers, merchants, school teachers and students, acrobats, and many others. "Copies of the plates are contained in Frederic Shoberl's Hindoostan in 'The World in Miniature' series which also contains a free translation of the text" (Hiler). Although issued anonymously, Barbier attributes the work to J.-A. Pannelier. In vol. IV pages 25-96 are misbound following p. 120; an outstanding copy in original condition. Colas 2266. Lipperheide Ld15. Hiler p. 684. Brunet I, 1226.

      [Bookseller: Ursus Rare Books]
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        Narrative of a Ten Years' Residence at Tripoli

      1816. TULLY, Miss. Narrative of a Ten Years' Residence at Tripoli in Africa: From the Original Correspondence in the Possession of the Family of the Late Richard Tully, Esq. The British Consul. Comprising Authentic Memoirs and Anecdotes of the Reigning Bashaw, His Family, and Other Persons of Distinction; also, an Account of the Domestic Manners of the Moors, Arabs, and Turks. xiv, [2], 370 pp. Illustrated with 5 hand-coloured aquatints and 1 double-page map. 4to., 277 x 212 mm, bound in contemporary tan calf, gilt compartments and title on spine. London: Printed for Henry Coburn, British and Foreign Public Library, 1816. |~||~||~||~| First Edition. An exceptional copy of this rare insight into Tripolitan life at the end of the 18th century. "This is an important account of the closed world of court life in Tripoli. Miss Tully was sister-in-law to Richard Tully, the British consul, whose family was very close to that of the Bashaw. Thus the narrative contains a unique insight into his private life." (Blackmer). A fine copy (some minor spotting) in attractive polished calf over heavy boards. PROVENANCE: Norman Douglas Simpson, with his bookplate on the front pastedown. Abbey, Travel 299. Blackmer 1052.

      [Bookseller: Ursus Rare Books]
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        Siege & Defence of Fort Erie

      [Philadelphia, Pa.: Thomas Desilver, 1816]. Stipple engraving measuring 17 x 11 inches. Plan of Fort Erie showing fortifications, bastions, and battle plan. Includes scale and some topographical details. Was a fold-out plate from Historical Sketches of the Late War, between the United States and Great Britain. Several long tears along folds, moderate foxing. Good.

      [Bookseller: Alan Wofsy Fine Arts]
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        Observations critiques sur l'ouvrage intitulé Génie du Christianisme suivies de quelques réflexions sur les écrits de M. de B., etc. relatifs à la loi du Divorce

      First Edition rare.Bound in half brown sheepskin with corners, flat spine decorated with gilt fillets and cold traces of rubbings on spine, marbled paper plates, guards and contreplats brown paper, corners bumped, contemporary binding.Copy almost free of freckles. Delaunay Paris 1816 12,5x20,5cm relié

      [Bookseller: Librairie Le Feu Follet]
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        Gedenkzuil van den Nederlandschen krijgsroem in Junij MDCCCXV.

      (IV)+XIV+(60)+136+(20) pp. Complete with engr. title, 9 plates (incl. 6 fold.) & fold. map of the area between Brussels and Charleroi with the battles of Ligny, Quatre Bras and La Belle Alliance against Napoleon's army in 1815. List of subscribers (60 pages, cont. c. 2700 names). Hardcover. Contemp. half morocco, spine gilt. VG. (Edges sl. rubbed; recent owner's inscr. on endp., title sl. waterst.). [Attributes: Hard Cover]

      [Bookseller: Charbo's Antiquariaat]
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        Siege & Defence of Fort Erie Booklet - 1816 report with scarce Battle Plan Map

      Philadelphia: Port Folio Magazine, 1816. 1st Edition. Soft Cover. Good+. 5 1/4" x 8 1/2", 26pp., [97]-121, plus folding map with self-cover paper wraps and paper label on front.Folding map 8 1/2" x 16 3/4". Image: 7 1/2" x 14 1/2" Black aquatint engraved print. Drawn by D. B. Douglass, U.S. Engineer and Engraved by J. VallancePaper repairs and some browning, with small hole in filed area at top. Map has been cleaned and deacidified. Good+ condition. Full text article from the 1816 Port Folio magazine with this item. Over 20 pages including the index for this map! The Port Folio (PERIODICAL). 1816. Fourth Series. Vol. I. This disbound section booklet contains a discussion of the attack on Fort Erie in 1814, with a rare folding battle plan (cleaned and repaired) of the siege and defenses including a legend. Plan of Fort Erie showing fortifications, bastions, and battle plan. Includes scale and some topographical details. Items in the image are lettered for identification however no legend on the map.Fort Erie, across the Niagara River from Buffalo, New York, was the first British fort to be constructed in what was formerly French land following the French and Indian War. During the War of 1812, the fort was held by United States' forces after it was abandoned by British troops in June 1813. On August 15,1814 the British launched a four pronged attack against the fortifications. A well-prepared American defence and an explosion in the North East Bastion destroyed the British chance for success with the loss over 1,000 men. A full scale siege set in and it was broken on September 17 when American troops sortied out of the fort to capture and wreck the British siege batteries.

      [Bookseller: Lord Durham Rare Books (IOBA)]
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        Pisciceptologie ou l'art de la pêche à la ligne; discours sur les poissons, la manière de les prende et de les accommoder; la pêche au filets et autres instruments; suivi d'un traité des etangs, viviers, fossés, réservoirs, et les moyens d'en tirer avantage; avec un grand nombre de figures en taille-douce ou descriptions des pièges propres à ces différentes pêches.

      - Paris, de Cussac, 1816. 12mo. xxiv, 388 pp.; engraved frontispiece, and 27 engraved plates. Contemporary half calf over paper-covered boards. Spine with five raised bands, gilt bands and title, black vignettes. Marbled endpapers. Edges yellow.l Rare first edition of an interesting compilation of every method of fishing and fisheries and fish breeding in the beginning of the 19th century. Very well illustrated. The work went through three more editions up to 1829. Westwood and Satchell only list the 1820 and later editions. In this edition the author is listed as "J. C****", which we believe to be Jean Cussac. Frontispiece and last few pages with some very light brown spots, binding a bit worn, otherwise a very good copy. Westwood and Satchell, p. 171. [Attributes: First Edition; Hard Cover]

      [Bookseller: DIETER SCHIERENBERG BV]
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        London 1. London - In the centre is seen principally Waterloo Bridge, to the right part of Somerset House and the Adelphi . in distance Westminster Abbey and bridge, Lambeth Palace and in the middle distance, the Theatres, Whitehall and St Martins and other Parish Churches. 2. London - taken near the Custom House - to the right is seen the Custom House, St Pauls, the Monument etc, in the Centre London and three other Bridges and to the left Westminster Abbey, St Saviour etc.

      Messers Boydell & co for T. S Roberts London - 17 1816 - A pair of original hand-coloured aquatint engravings, some fading and overall browning, framed. Dimensions: Plate size: 484 by 632mm (19 by 25 inches)

      [Bookseller: Shapero Rare Books]
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        "Mahler Friedrich Müller, geb. 1749 zu Kreutznach." Büste im Halbprofil nach rechts.

      1816. Radierung, Rom 28. Juni 1816, auf feinem Bütten. 12,9:11,4 cm. Literatur: Stoll 66, IV (von 4), die Nummer ausgeschliffen. - Vorzüglicher Abdruck, mit ca. 2,5/4,3 cm breitem Rand rundum. Friedrich Müller, genannt "Maler Müller" (1749 Kreuznach-Rom 1825) lebte seit 1778 in Rom. Dort besuchte ihn Grimm während seines Rom-Aufenthaltes von 1816 mehrmals und urteilte recht freimütig: "Die Arbeiten, die er mir in seiner Wohnung zeigte, gefielen mir nicht, stumpfe Zeichnung und rußig koloriert. (...) Das beste war unstreitig seine eigene Erklärung darüber, poetisch und schön." (Zit aus: A. Stoll, Ludwig Emil Grimm. Lebenserinnerungen. Leipzig, 1911, S. 246.) Zehn Tage nach der Ankunft in Rom entstand die Bildniszeichnung, die das Temperament Müllers - "er räsonnierte gern, aber geistreich und schön, und geißelte rechts und links" - überzeugend darstellt.. Der vor allem als Radierer tätige Grimm war 1804-1808 Schüler der Kasseler Kunstakademie bei Gottlieb Kobold (1769-1809), Andreas Range (1762-1828) und Ernst Friedrich Ferdinand Robert (1763-1843). Durch seine Brüder Jacob und Wilhelm Grimm wurde er mit Clemens Brentano (1778-1842) und Achim von Arnim (1781-1831) bekannt, mit denen er zusammenarbeitete. Wohl 1807 lernte Grimm Bettine Brentano (1785-1859) kennen, von der er zahlreiche Porträts anfertigte. In November 1808 zog er nach Landshut zu Brentano und dessen Schwager Friedrich Carl von Savigny (1779-1861). Auf ihre Vermittlung ging er nach München und erlernte Kupferstechen bei Carl Ernst Christoph Heß (1755-1828). Zugleich studierte er an der Münchner Akademie unter Andreas Seidl (1760-1834). Unterbrechung des Studiums 1814 durch Teilnahme an den Freiheitskriegen. Mit Georg Brentano reiste er im Frühjahr 1816 nach Italien, wo er zwei Monate blieb. 1817 kehrte er nach Kassel zurück. 1824 reiste Grimm zum ersten Mal nach Willingshausen und wurde zum Mitbegründer der Willingshäuser Malerkolonie, eine der ersten Malerkolonien Deutschlands. 1832 wurde er an die Kasseler Kunstakademie als Lehrer berufen.

      [Bookseller: Galerie Joseph Fach GmbH]
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        Die beiden Russen beim Bagagewagen.

      . Kreidelithographie, 1816, auf leicht gräulichem Velin. 20,9:28,1 cm. Literatur: Jahn 178, I (von II), unverkürzt; Dussler 7; Winkler 16, I (von II). - Inkunabel der Lithographie! Sehr selten!. Bereits als Achtjähriger erhielt Klein Zeichenunterricht durch den Maler G.C. II. von Bemmel (1765-1811). 1802 war G.P. Zwinger (1779-1819) an der Nürnberger Zeichenschule sein Lehrer. 1805-1811 war er Lehrling bei dem Maler, Zeichner und Kupferstecher A. Gabler (1762-1834). Ab 1811 Studium an der Kunstakademie in Wien. 1814 und 1816 folgten Reisen nach Ungarn und 1815 eine Studienreise an Main und Rhein. 1818 hielt er sich in München auf, wo er mit P. von Hess (1792-1871) und M.J. Wagenbauer (1775-1829) verkehrte. 1819 ging er in seine Heimatstadt zurück. Von dort aus unternahm er mit seinen Freunden J.C. Erhard (1795-1822), den Brüdern F.P. (1779-1840) und H. Reinhold (1788-1825) sowie E. Welker (1788-1857) eine Reise ins Salzkammergut. Von Ende 1819 bis August 1821 weilte Klein in Italien, kehrte dann aber nach Nürnberg zurück. 1833 wurde er zum Mitglied der Berliner Kunstakademie ernannt. 1839 zog er nach München, wo er bis zu seinem Tode leben sollte. 1848 begann ein Augenleiden, was in den nächsten Jahren zu einer zunehmenden Beeinträchtigung des Sehvermögens führen und schließlich ab 1871 das Arbeiten unmöglich machen sollte. Als Graphiker beschäftigte sich Klein mit der Technik der Radierung und Lithographie.

      [Bookseller: Galerie Joseph Fach GmbH]
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        The Law of Baron and Femme; of Parent and Child; of Guardian and Ward; of Master and Servant; and of the Powers of Courts of Chancery. With an Essay on the terms, Heir, Heirs, and Heirs of the Body

      New-Haven: Printed by Oliver Steele, 1816. Contemporary calf, worn, some staining, well rebacked; sound First edition of the first American work devoted to the law of women, written by Tapping Reeve, founder of the first American law school, at Litchfield

      [Bookseller: Meyer Boswell Books, Inc.]
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        EMMA: a novel

      London: John Murray. 1816. First edition. Three volumes. Publisher?'s original blue paper boards with paper labels to the spines. 12mo (19 x 10.5cm). Uncut. Half titles in all three volumes. An exceptionally fine copy in entirely original condition, without repair or restoration and therefore with all blanks, half titles and publisher's adverts present as issued. The binding of volume one with a couple of trivial splits to the spine tips. Light rubbing and tiny nicks without loss to the extremities of all three volumes. Ink ownership inscription of Lady M. Dalrymple, Oxenford Castle to the front endpaper of volume one and ?'Oxenford Castle?' in her hand to the endpaper of volume three. An astonishing survival. Whilst copies of Emma in the original boards do appear infrequently, beautiful examples in this entirely untouched condition are of great rarity. Provenance: Lady M. Dalrymple, Oxenford Castle. Coincidentally a Lady Dalrymple appears in Persuasion, completed in the year of Emma?'s publication. [Gilson A8].

      [Bookseller: Lucius Books]
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        THE DANCE OF DEATH; FROM THE ORIGINAL DESIGNS OF HANS HOLBEIN

      London: J. Coxhead, 1816. Rebacked with original spine laid-down. French gilt fillet borders. Panelled spine with elaborate gilt designs.Marbled endpapers. All edges gilt. Old book-seller's catalogue listing of this book tipped-in to a front preliminary page. A lovely signed Bedford binding. Illustrtated with thirty-one HAND-COLORED plates engraved by Hollar. Descriptions in English and French. Frontispiece engravings of both Holbein and Hollar. Small scuff near top of front cover. (See photo). Thirty-one pages of text precede the plates, including "The Life of Hans Holbein" and a history of "The Dance of Death". Each of the color-plates is on a separate page with explanations in English and French. "The Dance of Macaber" is a full-page plate at the end. A crisp and clean copy throughout in a fine signed binding. . Later Edition. Full Crimson Morocco. Minor Edge and Corner Wear./No Jacket. Thin Octavo.

      [Bookseller: Glenn Books]
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        Journal of a tour in Germany, Sweden, Russia, Poland, during the years 1813 and 1814.

      London 1816. 4to. VIII + (4) + 527 s. 19 akvatinter. 1800 talls skinnbd. med ryggdekor i gull. Marmorert overtrekkspapir. Ryggen litt slitt

      [Bookseller: Ruuds Antikvariat]
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        "Hoffnung ", "Wiedersehen ".

      . 2 Aquatintaradierungen in Braundruck, 1816, Darstellungen im Hochoval, mit 3zeiligem Text unter den Darstellungen, auf cremefarbenem Velin. Je 24,1:18,4 cm. Literatur: Nagler 17 und 18. - Sehr gute Abdrucke mit Rändchen um die Plattenkanten, 1 Blatt mit sorgfältig restauriertem Einriß oben.. Der Zeichner und Kupferstecher arbeitete für das physiognomische Werk von Lavater, der für seine Ausbildung sorgte. Goethe lernte ihn 1775 auf seiner Schweizreise kennen, begegnete ihm auf der zweiten Reise dorthin wieder und weilte später mit ihm zusammen in Rom. Auf Goethes Befürwortung wurde er 1789 Lehrer an dem Freien Zeicheninstitut in Weimar. 1794 kehrte er jedoch nach Zürich zurück. Lips hat Goethe wiederholt porträtiert. Am bedeutendsten ist das Bild von 1791.

      [Bookseller: Galerie Joseph Fach GmbH]
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        Eclectic Repertory and Analytic Review. Medical and Philosophical. Volumes 1-6.

      Philadelphia, 1811-1816. 1st eds. - Six volumes. Volume 1: 8vo. vii, 536 pp. Modern half red Morocco with blue boards. A couple of small library stamps (title and contents pages) else very good (contents unmarked) in fine binding. Volume 2: 8vo. Fold-out frontispiece hand-colored engraving (after a drawing by the author). vii, 535 pp. 2 plates. Modern half red Morocco with blue boards. Contains John Syng Dorsey's "Inguinal Aneurism Cured by Tying the External Iliac Artery in the Pelvis." pp. 111-15. A couple of small library stamps (title and contents pages) else very good (contents unmarked) in fine binding. Volume 3: 8vo. vii, 551 pp. Contains Philip Syng Physick's "Account of a New Mode of Extracting Poisonous Substances from the Stomach." pp. 111-113 and 380-381. A couple of small library stamps (title and contents pages) very small edge stain bottom corner of pp. 431-456 not affecting text else very good (contents unmarked) in fine binding. Volume 4: 8vo, vii, 533 pp. + [2] pp. Dobson ads. 1 plate, hand-colored. Tables. Contemporary full leather with gilt-stamped red leather spinal label. Name front free endpaper else very good plus in very good plus binding. Volume 5: 8vo. vii, 468 pp. 2 plates with 10 figs. Tables. Contemporary full leather with gilt-stamped red leather spinal label. Name front free endpaper else very good plus in very good plus binding, one corner bumped. Volume 6: 8vo. viii, 558 pp. 1 plate. Tables. Contains Philip Syng Physick's "Buckskin and Kid Ligatures" pp. 389-390. Modern half-red Morocco with blue boards. A couple of small library stamps (title and contents pages) else very good plus (contents unmarked) in fine binding. [Attributes: First Edition; Hard Cover]

      [Bookseller: Thomas Dorn, ABAA]
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        Über indische Stahlbereitung (pp.102-104). + (C.L.F.Schultz): Ueber physiologische Gesichts- und Farben-Erscheinungen (Ohne Angabe des Verfassers) (pp.121-157, 1 Fig., 1 Taf.).

      . Schweigger's Journal, 16. - Nürnberg, in der Schrag'schen Buchhandlung, 1816, 8°, VIII, 488 pp., mit Vogels Bildniss auf einer Kupfertafel, 1 Textfig., (16) p. Tab., u. 1 Taf., HLdrBd. d.Zt.. "Goethes Beitrag führt obigen Titel am Kopf der betreffenden Seiten. In er Inhaltzsangabe sowohl wie des Bnades (S.IV) heißt dier so: Ueber deutsche und indische Stahlbereitung von v.Goethe (bzw. Göthe). Er bildet einen Teil der Abhandlung: Über die Pflanzenkohle und die metallische Grundlagen derselben vom Prof. DOEBEREINER (pp.82-104). Der Professor Böbereiner leitet die Stelle mit folgenden Worten ein: "Ich habe meine diesen Gegenstand betreffende Beobachtungen vor anderhalb Jahren Herrn Staats-Minister von Geothe mitgetheilt. Dieser allverehrte große Mann theilte mir hierauf in folgendem Schreiben nachstehende interessante Bemerkung Chardin's über die indische Stahlbereitung mit." Es handelt sich im einen Brief Geotehs vom 29.April 1815, in dem dieser eine Textstelle beisteuert aus: "(Jean) de Chardin, Voyage en Perse et autres lieux de l'orient (etc). Nouv. et augm. Amsterdam 1795. Tomme III, S.29. Goethe vermutet, daß der indische Stahl wie der deutsche von Siegen und Dillenburg eine Beimischung von Braunstein hat. - Goethes Beitrag aufgenmommen in W.A.IV, 25, S.287/288 u. 305 - - DEn durch Goethes Farbenlehre angeregten anonymen Aufsatz "Ueber physiologe Geischts- und Farben Erscheinungen" gab, "versehen mit einem anonymen Nachwort aus Goethes, Feder Goethe heraus. das Nachwort auf S. 157 mit den Worten: Vorstehender Aufsatz war schon im November 1814 geschrieben, sdann zu Prüfung, Freunden und Forschern mitgetheilt, und obgleich der Verfasser seit der Zeit neue Bemerkungen ..... (Diese Stelle aufgenommen in W.A. II, 5.Bd., 2.Abt. S.389). - Hierüber siehe im besonderen im: Briefwechselzwischen Goethe u. Staatsrath Schultz, herausgegeben von H.Düntzer, Leipzig 1853. Der Aufsatz erschien auf Schultz' Wunsch anonym, da er als vorläufige Mitteilung gedacht war (Schultzan Goethe, 23.Febr. 1816). Giete beförderte ihn im Mai 1816 zum Abdruck an obiges Journal, das zur Zeit währen der Reise -Abwesenheits Schweigers, von Döbereiner in Jena redigiert wurde (Goethe an Schultz, 11.März u. 25.Mai 1816; an K.Fr.Zelter, 21.Mai. 1816). "Ich habe für dessen möglichste Correctheit gesorgt und gegen Schluß zu eine Stelle verändert und statt "auf den Würfeln" - "beym Würfeln" - gesetzt (An Schultz, 25.Mai 1816). Vgl. ferner Goethes Tagebücher vom 0.April, 18. u. 19.Mai 1816." - - Schmid Nr. 84; 400

      [Bookseller: Antiquariat für Medizin - Fritz-Dieter S]
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        A Poetical Descant on the Primeval and Present State of Mankind; or, The Pilgrim's Muse

      J. Foster, Winchester, Virginia 1816 - First edition, 1816. Scarce title by this itinerant preacher and poet original from North Carolina, featuring a long poem full of historical references and with an overtly moral message. Early 19th century binding in full calf with tan spine label, 219 page plus errata. Covers rubbed, spine dried (but stabilized) and chipped at the extremities, spine label lightly chipped around the edges, free endpapers removed, section of title page - a horizontal strip that removed words "primeval and present" and "mankind" from the title - torn away, text block sound, pages foxed and lightly age-toned but clean, ink spot on title page below "poetical", names (Wm. Hutchinson, James Hutchinson) on front and rear pastedowns, no other markings. Sabin 63639. [Attributes: First Edition; Hard Cover]

      [Bookseller: Resource Books, LLC]
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        The History of Cornwall, civil, military, religious, architectural, agricultural, commercial, biographical, and Miscellaneous

      London: Printed for Law & Whittaker ... By Michell & Co, Truro, 1816. Seven volumes bound two [as usual]. (ii); 212; (ii); 224; (iv); 60; 96(supplement); (iv); 147; (iv); 207; (blank); (iv); (iii)-vii; (blank); 9-98; (blank); 140; (ii));19(supplement); (viii) pages. Map by John Cary, 47 plates inc. large folding plate of Mounts Bay, 16 pedigrees inc. folding (pedigee of the Haweis family supplied in manuscript), 3 folding tables bound at the rear. Attractively rebound in period style half calf, marbled boards extra gilt on the spine with contrasting morocco title-label. Polwhele's magnificent history. This is a work with a notoriously varied collation, this copy collates as Upcott, with the cancelled title-pages of the original edition which was published in 1803 (and later) by various Cornish publishers. An attractive complete copy, some minor staining, light creasing to some titles, a few short edge tears without any loss.. New edition, Corrected and Enlarged. Very Good. 4to.. Book.

      [Bookseller: Roger Collicott Books]
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        Steyr

      . Wir Vorsteher und andere Meister eines ehrsamen Handwerks deren burgerl. Messerschmidtmeistern in der kaiserl, königl. und landesfürstl. Stadt Steyr in Oberösterreich.... Steyr, den 4. May 1816. Metallschnitt u. Typendruck, 31,5 x 36 cm - wir garantieren für die Echtheit. Stopp X, A 100.15.- Handwerkskundschaft mit einer Gesamtansicht der Stadt.

      [Bookseller: Kunsthandlung Johannes Müller]
 23.   Check availability:     ZVAB     Link/Print  


        Italienische Landschaft. Junge Frau mit Esel und Treiber.

      . Radierung, 1816, auf dünnem Bütten. 14,4:18,7 cm. Literatur: Stoll 211, II (von II) mit der Nummer 15 rechts oben. - Sehr guter Abdruck mit ungewöhnlich breitem Rand. Mit sorgfältiger Restaurierung der linken oberen E cke.. Der vor allem als Radierer tätige Grimm war 1804-1808 Schüler der Kasseler Kunstakademie bei Gottlieb Kobold (1769-1809), Andreas Range (1762-1828) und Ernst Friedrich Ferdinand Robert (1763-1843). Durch seine Brüder Jacob und Wilhelm Grimm wurde er mit Clemens Brentano (1778-1842) und Achim von Arnim (1781-1831) bekannt, mit denen er zusammenarbeitete. Wohl 1807 lernte Grimm Bettine Brentano (1785-1859) kennen, von der er zahlreiche Porträts anfertigte. In November 1808 zog er nach Landshut zu Brentano und dessen Schwager Friedrich Carl von Savigny (1779-1861). Auf ihre Vermittlung ging er nach München und erlernte Kupferstechen bei Carl Ernst Christoph Heß (1755-1828). Zugleich studierte er an der Münchner Akademie unter Andreas Seidl (1760-1834). Unterbrechung des Studiums 1814 durch Teilnahme an den Freiheitskriegen. Mit Georg Brentano reiste er im Frühjahr 1816 nach Italien, wo er zwei Monate blieb. 1817 kehrte er nach Kassel zurück. 1824 reiste Grimm zum ersten Mal nach Willingshausen und wurde zum Mitbegründer der Willingshäuser Malerkolonie, eine der ersten Malerkolonien Deutschlands. 1832 wurde er an die Kasseler Kunstakademie als Lehrer berufen.

      [Bookseller: Galerie Joseph Fach GmbH]
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        Encyclopaedia Britannica. Fourth Edition and Fifth Edition Supplement. Volumes I - III A-E in 6 volumes

      Edinburgh Archibald Constable & Co 1816. G: in Good condition without dust jacket as issued. Covers rubbed and marked. Rebacked with new endpapers. Some foxing and edge-wear to some plates Fourth and fifth edition supplement Grey hardback board cover with grey cloth spine 270mm x 220mm (11" x 9"). 650pp; 682pp; 726pp. 73 copper plates plus 3 maps. Published: 1816 - 1819. N.B.: Heavy set - shipping supplement applies - please ask for shipping quote stating country of destination.

      [Bookseller: Barter Books]
 25.   Check availability:     TomFolio     Link/Print  


        History of the Decline and Fall of the Roman Empire, the

      Philadelphia: Abraham Small, 1816. Book. Very Good. Hardcover. 2nd US, 8 volumes (originally published in 1776 in six volumes), all calf leather, usual wear, some foxing in each volume, frp of Gibbon in Volume 1, f/o engraved maps in Volumes 2 and 3, includes Memoirs of the Life and Writings of Edward Gibbon, composed by himself (Vol. 8), 130pps; also index in Vol 8 of 64pps, double columns. All books intact with no loose covers, some wear gives them a patina of venerability. Volume 8 has small piece missing to top of spine. Red leather spine labels..

      [Bookseller: BohemianBookworm]
 26.   Check availability:     Biblio     Link/Print  


        Siege & Defence of Fort Erie Booklet - 1816 report with scarce Battle Plan Map

      Philadelphia: Port Folio Magazine, 1816. 1st Edition. Soft Cover. Good+. 5 1/4" x 8 1/2", 26pp., [97]-121, plus folding map with self-cover paper wraps and paper label on front.Folding map 8 1/2" x 16 3/4". Image: 7 1/2" x 14 1/2" Black aquatint engraved print. Drawn by D. B. Douglass, U.S. Engineer and Engraved by J. VallancePaper repairs and some browning, with small hole in filed area at top. Map has been cleaned and deacidified. Good+ condition. Full text article from the 1816 Port Folio magazine with this item. Over 20 pages including the index for this map! The Port Folio (PERIODICAL). 1816. Fourth Series. Vol. I. This disbound section booklet contains a discussion of the attack on Fort Erie in 1814, with a rare folding battle plan (cleaned and repaired) of the siege and defenses including a legend. Plan of Fort Erie showing fortifications, bastions, and battle plan. Includes scale and some topographical details. Items in the image are lettered for identification however no legend on the map.Fort Erie, across the Niagara River from Buffalo, New York, was the first British fort to be constructed in what was formerly French land following the French and Indian War. During the War of 1812, the fort was held by United States' forces after it was abandoned by British troops in June 1813. On August 15,1814 the British launched a four pronged attack against the fortifications. A well-prepared American defence and an explosion in the North East Bastion destroyed the British chance for success with the loss over 1,000 men. A full scale siege set in and it was broken on September 17 when American troops sortied out of the fort to capture and wreck the British siege batteries.

      [Bookseller: Lord Durham Rare Books (IOBA)]
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        Topographischer Plan der Gegend um Berlin. Entworfen von D. G. Reymann.

      . altkol. Kupferstich n. Reymann, 1816, 37 x 51,5. Schulz, Stadtpläne von Berlin, Nr. 242. - 1. Ausgabe, in 18 Segmenten auf Leinwand montiert. - Der Plan zeigt das heutige Stadtgebiet von Berlin. Gebiet: Niederschönhausen, Mahlsdorf - Köpenick, Marienfelde, Teltow - Spandau - Tegel. - Leicht fleckig.

      [Bookseller: Antiquariat Nikolaus Struck]
 28.   Check availability:     ZVAB     Link/Print  


        Glenarvon

      London: Henry Colburn, 1816 - Lady Caroline Lamb's notorious and deliriously written roman à clé, to exact her revenge on Byron for her seduction and abandonment. When our protagonist Calantha encounters Ruthven Glenarvon (i.,e., Byron), her helplessness is described thus: "The eye of the rattle-snake, it has been said, once fixed upon its victim, overpowers it with terror and alarm: the bird, thus charmed, dares not attempt its escape; it sings its last sweet lay; flutters its little pinions in the air, then falls like a shot before its destroyer, unable to fly from his fascination. Calantha bowed, therefore with the rest, pierced to the heart at once by the maddening power that destroys alike the high and low; but she liked not the wily turn of his eye, the contemptuous sneer of his curling lip, the soft passionless tones of his voice . " First edition. 3 vols., 12mo. [ii], 295; [ii], 390; [ii], 322 pp., lacking half-titles. Contemporary half calf and marbled boards, spine of vol. I defective (missing top half); vol II neatly rebacked; endsheets of all three volumes slightly spotted. A good copy, however, with a contemporary provenance: from the libraries of Dowager Lady Vernon, with her signature, dated 1816, on each title page; and Edward Lord Suffield, with his bookplate (both likely acquaintances of Lamb and Byron). Wolff 3938 (lacks half-titles) [Attributes: First Edition; Hard Cover]

      [Bookseller: James Cummins Bookseller, ABAA]
 29.   Check availability:     AbeBooks     Link/Print  


        The Complete Herbal; to Which is Now Added Upwards of One Hundred Additional Herbs with a Display of Their Medicinal and Occult Qualities Physically Applied to the Cure of All Disorders Incident to Mankind: etc

      London: Richard Evans 1816. vi, 398, [iv] pp., illustrated 40 lovely hand coloured plates. Late c20th grey brown leather binding with a red morocco title label, marbled endpapers . Various marks and rubsd throughout, but an attractive looking copy . Good. Full Morocco. 1816. 4to..

      [Bookseller: Stephen Foster Books]
 30.   Check availability:     Biblio     Link/Print  


        Le Promerops moqueur Male, No. 1 (Mocking Bird)

      Paris 1816 - Jacques Barraband’s (1767-1809) engravings of birds are masterpieces of French ornithological illustration. This stunning portrait, Le Promerops moqueur Male, No, 1, measures 20.75" x 13.75" and is in very good condition with light staining and foxing in the margins and cropped margins. This image was done for the distinguished ornithologist Francois Levaillant, who commissioned the artist to illustrate his landmark works on exotic birds, including the lavish and striking "Histoire Naturelle des Promerops". This bird, commonly called the Mocking bird, is expertly hand-colored in deep, rich shades of blue, purple and maroon with patterned tail-feathers and dark crimson beak and legs. Precise lines define and detail each feather and give dimension and depth to this beautiful bird. Mocking birds are well know for their memory and ability to mimic the songs of other birds. The collaboration of Levaillant and Barraband represented a departure from previous ornithological texts in its emphasis on beauty and luxury, with sumptuously colored and flawlessly rendered birds. Apart from their undoubted beauty, Barraband’s engravings display a scientific accuracy that few ornithological artists have matched since. The meticulous hand-colored engravings in Levaillant's publications were unmatched for the delicate modulations of tone and color, fine lines and perfect draftsmanship, making them exceptional in their richness and tonal variation. Each feather is described by dozens of parallel lines, providing remarkable detail and naturalistically textured color. Some of the prints are embellished with touches of gold leaf on the feathers of the cheeks and shoulders of the birds, emphasizing the preciousness of the plates and reproducing the iridescence of the birds’ feathers. The present selection of images represents an opportunity to acquire spectacular engraving by a foremost 19th-century natural history artist.

      [Bookseller: Arader Galleries San Francisco]
 31.   Check availability:     AbeBooks     Link/Print  


        Playbill for "Pitcairn's Island; a New Romantick Operatick Ballet Spectacle..."

      London: C. Lowndes, 1816. Small folio broadside, 29 x 16 cm., clipped at bottom with loss of a line of text referring to the performance of "The Prodigal"; some old tears and a little dusted, but very fine. New Romantick Operatick Ballet Spectacle. Exceptionally rare playbill from the very early "Ballet Spectacle" staged in London in response to the news of the discovery of the remainder of the Bounty mutineers on Pitcairn Island.Amaso Delano's Narrative of Voyages and Travels (Boston, 1817), is traditionally regarded as the first bookform announcement of the discovery of Pitcairn, but it did not actually appear until the following year. In fact, public notices regarding the discovery of the mutineers were published in late 1815. As this playbill and the following item in the catalogue attest, the discovery was quickly seized on by theatrical entrepreneurs: the bill here advertises a performance at the Theatre Royal in Drury Lane, for 25 April 1816. This is, the advertisement notes, the seventh performance of the work (with an eighth and ninth - at least - said to follow).As always with these ephemeral playbills, there is a wealth of tantalising information regarding the actual staging of the 'romantick operatick Ballet Spectacle, (Founded on the recent Discovery of a numerous Colony, formed by, and descended from, the Mutineers of the Bounty Frigate,) called Pitcairn's Island'. Particularly noted are the 'new and selected Musick, new Scenery, Dresses & Embellishments. The Action and Dances composed by, and produced under the direction of, Mr [Oscar] Byrne'.It is interesting to note that the production evidently dates from the earliest reports, because rather than the famous John Adams, for example, the lead role of the "Chief of the Colony" is "Christian" (but it is not clear whether this refers to Fletcher or his son Thursday October). Nor have the names of the islanders been updated; rather, most of the characters evidently borrow from earlier South Seas performances, as the named characters include old favourites like "Otoo" (Mr Coveney), "Ereeco" (Mr Ebsworth), as well as "Otaheina & Oberea, (Sisters, and Grand-Daughters to Christian)" (Miss Johnson & Miss S. Halford).

      [Bookseller: Hordern House Rare Books]
 32.   Check availability:     Biblio     Link/Print  


        Werke.

      Bey Chr. Kaulfuss und C. Armbruster, Stuttgart. In der J.G. Cotta0schen Buchhandlung. Gedruckt bey Anton Strauss, Wien, 1816 - 20 (von 26) Bänden. Wien, Bey Chr. Kaulfuss und C. Armbruster, Stuttgart. In der J.G. Cotta0schen Buchhandlung. Gedruckt bey Anton Strauss 1816 - 1820. 8°. Jeder Band mit einem gestochenen Titel mit gestochenen Titelvignetten meist nach L. Schnorr von Karolsfeld. Halblederbände der Zeit mit schwarzen goldgeprägten Rückenschildern und Rückenvergoldung mit Lyra- und Kranzmotiven. Blauschnitt. Hagen 22. - Goedeke IV/3, 10(B1). - Von Cotta in Absprache mit Goethe autorisierter Nachdruck für den österreichischen Markt. In identischer Bandzusammenstellung wie die Ausgabe von Cotta von 1815 - 1819, jedoch, auf Grund der Wiener Zensurbestimmungen neu gesetzt, und offenbar in Orthographie und Interpunktion stärker abweichend zur Stuttgarter Ausgabe und entgegen dieser mit je einem gestochenen Titel. - Auf gutem Papier gedruckt. Exemplar in hübschen dekorativen Einbänden. Die fehlenden 6 Bände mit dem "West-östlichen Diwan", "Winkelmann", dem 2. Teil von "Aus meinem Leben" und "Wilhelm Meisters Wanderjahre" - Vorsätze mit Leimschatten, Ecken leicht bestossen und Rücken beschabt. Titelblatt von Band 20 lose. Sprache: N Halblederbände der Zeit mit schwarzen goldgeprägten Rückenschildern und Rückenvergoldung mit Lyra- und Kranzmotiven. Blauschnitt. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Daniel Thierstein]
 33.   Check availability:     AbeBooks     Link/Print  


        Plate 13, Helonias Bullata (Swamp Pink)

      Paris 1816 - This exquisite, hand colored stipple engraving, “Plate 13, Helonias Bullata” measures 20.5” x 13.5” and is in excellent condition with slightly cropped edges. This fragrant flower, commonly called a Swamp Pink, is the only flower in its genus Helonias. Naturalistically depicted, it is colored with a long stem and dark green leaves with clusters of small purple flowers at the top. The bulb of the flower is also finely detailed showing the roots. Swamp Pinks prefer wetland areas to grow in, without being staurated. Also illustrated on the engraving are records of the anatomical features of this species including the bulb and flowers, so that the flower could be identified with precision and cultivated to perfection. In each illustration, the flowers are classical "portraits" which lack backgrounds or settings. The regal simplicity of the compositions allows the viewer to focus without distraction on the beauty and delicate complexity of the plants themselves. Les Liliacées was Redouté’s largest and most ambitious work and is generally considered his masterpiece, arguably rivaled only by Les Roses. Produced under the patronage of the Empress Josephine, for whom Redouté worked as botanical artist at her estate at Malmaison, these pristine examples represent landmark works in the field of flower illustration. The title Les Liliacées is misleading, as the work was of a much broader scope, including representatives of the lily, amaryllis, iris, orchid, and other families. The plates were executed by means of stipple engraving, a method that the artist himself perfected when he was unsatisfied with the effects garnered by traditional copper-plate engraving. As Redouté shrewdly observed, the delicacy and subtle elegance of his compositions could only be captured using a printing method equally fine. The luminosity of stipple engraving is particularly suited to the reproduction of botanical detail. The medium involved engraving a copper plate with a dense grid of dots that could be modulated to convey delicate gradations of color. Because the ink rested on the paper in miniscule dots, it did not obscure the "light" of the paper beneath the color. After this complicated printing process was complete, the prints were finished by hand in watercolor, so as to conform to the exquisite models Redouté provided.

      [Bookseller: Arader Galleries San Francisco]
 34.   Check availability:     AbeBooks     Link/Print  


        "Ingolstadt im Jahre 1816". Großer Stadtplan, die Stadt noch von Wällen und Bastionen umgeben.

      . Kupferstich von Anton Falger ("Contour.") und Joseph Päringer ("ausgearbeitet"), um 1816, 54,5 x 64,5 cm.. Nicht bei Hofmann/Reissmüller. - Detaillierter Stadtplan, knapp um die Bordüre beschnitten. Kleiner Ausriss am oberen Rand fachmännisch restauriert. Etwas fleckig

      [Bookseller: Peter Bierl Buch- & Kunstantiquariat]
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        Stadtplan, "Ingolstadt im Jahre 1816".

      . Lithographie n. Anton Falger und Jos. Päringer, dat. 1816, 54 x 64,5. Inkunabel der Lithographie ( Nicht bei Winkler ). Sehr seltener, sehr detailierter Stadtplan von Ingolstadt aus der Frühzeit der Lithographie. Jeder Häuserblock ist dargestellt. Die Strassen sind meistens benahmt.

      [Bookseller: Antiquariat Nikolaus Struck]
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        Dialogues Between a Mother and her Daughter: In French and English. With a fine plate / Conversations d'une mere avec sa fille: en francais et en anglais. Avec une jolie grav

      London: And sold in Paris by F. Louis, Book-seller. 1816. First. First edition. Frontispiece engraving. Quarter calf and marbled papercovered boards, red morocco spine label gilt. Early owner's name ("E.H. Suydam"). joints splitting, paper well-rubbed, tops of a few pages of text bumped, a good copy. Instructive dialogues on life between Mrs. Melville, her ten year-old daughter, and her maid, in both English and French in opposing columns. Author attribution from OCLC, which along with Copac locate a single copy between them, in Germany (Staatsbibliothek Zu Berlin). .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
 37.   Check availability:     IOBABooks     Link/Print  


        Fifteen Splendid Portraits of Royal Personages. Engraved in Mezzotinto.

      Published By S. Woodburn, & Printed By Mccreery 1816. Each Plate has an identical blank page infront of it. PLEASE VIEW THE IMAGE FOR A FULL LIST OF THE PLATES. BINDING: Contemporary Full leather with raised bands and gilt decoration to spine. CONDITION: Front cover detached, but present; the Bookplate of William Stirling to front pastedown; as mentioned earlier, WITH FOURTEEN PLATES ONLY OUT OF THE FIFTEEN (LACKING ONE); occasional light foxing except for the first and last plates, where it is a little more; the occasional small smudge and small tear to margin ( well away from the images); on the whole the Plates are clean and images sharp.

      [Bookseller: ELY BOOKS]
 38.   Check availability:     Booksatpbfa     Link/Print  


        Untitled

      Paris 1816 - Jacques Barraband’s (1767-1809) engravings of birds are masterpieces of French ornithological illustration. This stunning portrait, [Untitled], measures 22.75" x 16.25" and is in very good condition with light foxing and staining throughout. This image was done for the distinguished ornithologist Francois Levaillant, who commissioned the artist to illustrate his landmark works on exotic birds, including the lavish and striking "Histoire Naturelle des Promerops". This bird is expertly hand-colored in a beautiful shade of dusty pink with a black crown on the forehead. The wings are interestingly colored with a red stripe and blue, black and white patterns down to the wing tips, and white and black tail-feathers. This extraordinary bird is perched on a well detailed branch, allowing the viewer to appreciate the fine lines and color that give this bird great dimension. The collaboration of Levaillant and Barraband represented a departure from previous ornithological texts in its emphasis on beauty and luxury, with sumptuously colored and flawlessly rendered birds. Apart from their undoubted beauty, Barraband’s engravings display a scientific accuracy that few ornithological artists have matched since. The meticulous hand-colored engravings in Levaillant's publications were unmatched for the delicate modulations of tone and color, fine lines and perfect draftsmanship, making them exceptional in their richness and tonal variation. Each feather is described by dozens of parallel lines, providing remarkable detail and naturalistically textured color. Some of the prints are embellished with touches of gold leaf on the feathers of the cheeks and shoulders of the birds, emphasizing the preciousness of the plates and reproducing the iridescence of the birds’ feathers. The present selection of images represents an opportunity to acquire spectacular engraving by a foremost 19th-century natural history artist.

      [Bookseller: Arader Galleries San Francisco]
 39.   Check availability:     IberLibro     Link/Print  


        Linodorum Tankenvillae.

      Paris: Didot Jeune, 1802-1816. - Mounted size 53.5 x 73cm In fine condition. Stipple engraving. Original colour. Pierre Joseph Redoute was born in Belgium, he became a favored artist at the court of France, patronized by kings from Louis XVI to Louis-Philippe.His delicate illustrations were not only framed as pictures but also used for China. Engraved by Lemercier. Les Liliacees.

      [Bookseller: Peter Harrington. ABA member]
 40.   Check availability:     AbeBooks     Link/Print  


        View of the Fair Merchant Yard from East and View of the Fair Cathedral from South.

      mid. XIX c. - Pair of engravings (app. 21.5 by 29 cm), contemporary hand colour. The history of the fair in Nizhniy Novgorod spans more than five centuries. From the mid-XVI century it was known as Makaryev Fair and was held annually near Makaryev Monastery in the Nizhniy Novgorod region. Following the destruction of the fair by fire in 1816 it was moved to the Nizhniy Novgorod city. Famous French architect Auguste de Montferrand, best known for constructing St. Isaac's Cathedral and Alexander's Column in Saint Petersburg, was entrusted with designing a fair complex and a cathedral that later became known as Staroyarmarochny. The project was completed in 1822. Gradually, the groundwater eroded the artificial ground on which the cathedral stood and caused numerous cracks in its walls. It was restored by the architect Robert Kileveyn and re-consecrated in 1888. The bell tower standing next to the cathedral was also replaced by a new one constructed in the same design. The fair itself played a major role in the Russian trade and by the mid-XIX century it became a centre of the commerce of the Empire, where merchants would sell up to half of the total production exported outside Russia. It attracted many foreign merchants from India, Iran, and Central Asia making it a place where the East met the West. As a result of the economic instability in Russia in the beginning of XX century the fair business started to stagnate, which eventually led to the closure of the Nizhniy Novgorod Fair in 1929. Nowadays, Spassky Cathedral belongs to one of the few surviving original fair buildings, until the XXI century.

      [Bookseller: Shapero Rare Books]
 41.   Check availability:     IberLibro     Link/Print  


        A collection of ornaments in the antique style. Comprised in XXXVII plates designed & engraved by G. Richardson.

      London 1816 - Quarto (37 x 28cm), no text, engraved throughout with decorative title and 36 plates, all aquatint, title very lightly browned, skilfully rebound in half calf gilt preserving original paper-backed boards, slightly worn and rubbed, paper printed label on upper cover. Richardson (1737-1813), architectural draughtsman and designer, worked for the Adam Brothers in Edinburgh. They heavily influenced his design and style. He then set up his own practice but his archtiectural output was small. However his publishing and engraving career, by contrast, was prolific. He produced many patten books which he engraved in aquatint often with help of his son William. His designs were aimed at the "elegant villa" and "small country house" (DNB). This "pattern book" is a good example of Richardson's exquisite taste and elegance of style. Abbey Life 61; DNB; Harris 739; Not in Berlin Kat. [Attributes: Hard Cover]

      [Bookseller: Shapero Rare Books]
 42.   Check availability:     IberLibro     Link/Print  

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