The viaLibri website requires cookies to work properly. You can find more information in our Terms of Service and Privacy Policy.

Displayed below are some selected recent viaLibri matches for books published in 1814

        The Excursion, Being a Portion of The Recluse, a Poem

      London: Longman, Hurst, Rees, Orme, and Brown, 1814. First Edition. Quarto (29cm.); full contemporary calf triple-ruled in blind, hinges expertly reinforced, gilt spine in 6 compartments, red gilt morocco spine label; xx,[2],447pp. Edges a bit rubbed, bottom fore-edge corner of textblock a bit dampstained slightly affecting preliminaries; bound without half title, else Very Good. Errata leaf present. Provenance: Engraved bookplate to front pastedown of the late 19th-century novelist and author of the essay The Platonism of Wordsworth J[oseph] H[enry] Shorthouse.

      [Bookseller: Lorne Bair Rare Books ]
 1.   Check availability:     ABAA     Link/Print  


        The Calumnious Aspersions Contained in the Report of the Sub-Committee of the Stock-Exchange, Exposed and Refuted, in so Far As Regards Lord Cochrane, ... the Hon. Cochrane Johnstone ... and R. G. Butt

      London : W. Lewis, [1814], 1814, Hardback, First EditionDate on t. P erased. Finely bound in modern aniline calf over marble boards. Raised bands with the title blocked direct in gilt. An exceptional copy - scans and additional bibliographic detail on request.; 62 pages; Physical desc. : pp. 62. 8º. Subject: Cochrane, Thomas 10th earl of Dundonald. Stock exchange - sub-comm. Relative to the late fraud. Securities fraud - England - London.

      [Bookseller: MW Books Ltd.]
 2.   Check availability:     Bookzangle     Link/Print  


        The Art of Angling

      London: B. and R. Crosby, 1814. Tenth edition. Engraved frontispiece. 1 vols. 12mo. Uncut in publisher's printed wrappers (spine defective). with 4-page publisher's catalogue. Ownership inscription of A.H. Bartlet. Preserved in solander box. Contains a section on weather forecasting and the use of the barometer, as well as Nobbes' 'Treatise on Trolling.' "Best was Keeper of His Majesty's Drawing-Room in the Tower of London" - Westwood & Satchell. Scarce in wrappers.

      [Bookseller: James Cummins Bookseller]
 3.   Check availability:     Biblio     Link/Print  


        Sic Tu, Germane, Triumphas!", vermutlich nach einer unbekannten Vorlage von Friedrich Wilhelm von Thiersch.

      1814 1814 - Kreidelithographie in Sämisch mit Lichtern, 1814, auf festem Velin. 32,9:33 cm. Inkunabel der Lithographie. – Bugfalte geglättet, Einriß am Unterrand. Literatur: Nagler 6; Thieme-Becker S. 444; Dussler 6; Winkler (Stuntz) 833.5 und Abb. 39; Freyberg L 4. Tochter des Landschaftsmalers, Kunsthändlers und Musikers J.B. Stuntz (1753-1836), der zusammen mit J.N. Strixner (1782-1855) und F. Piloty (1786-1844) in München eine Steindruckerei gegründet hatte. Ausgebildet bei ihrem Vater und seinen beiden Kompagnons, arbeitete sie erst in der lithographischen Anstalt. Hier hatte sie mit eigenen Folgen großen, auch finanziellen Erfolg, weshalb sie für die Familie einen Sommersitz in Thalkirchen bei München erwerben konnte. 1813 ging sie zum Studium der Historienmalerei an die Münchner Akademie und war Schülerin von J.P. von Langer (1756-1824) und dessen Sohn R. von Langer (1783-1846). Bereits 1815 sollte sie mit ihren ersten ausgestellten Ölgemälden große Anerkennung finden. 1818 folgte eine Reise nach Paris, wo sie die Werke der Alten Meister studierte und vor allem nach Raffael kopierte. Ein dreijähriges Reisestipendium ermöglichte ihr anschließend einen Aufenthalt in Italien. Hier begegnete sie Louise Seidler (1786-1866) und entdeckte, auch durch F. Overbeck angeregt, die religiöse Malerei. 1821 wurde sie Ehrenmitglied der Accademia di San Luca. Nach München 1822 zurückgekehrt, heiratete sie 1823 den ihr seit 1818 bekannten Kgl. Bayer. Vize-Oberstallmeister Wilhelm Frh. von Freyberg. Danach wechselnde Aufenthalte in München und Thalkirchen sowie Fortsetzung ihrer künstlerischen Tätigkeit. Sie schuf ein großes Œuvre an Landschaften, Porträts, Historien- und Genrebildern sowie religiösen Motiven. Von der in ihrer Zeit als eine der besten Zeichnerinnen und Malerinnen gerühmten Künstlerin besitzen zahlreiche Museum und Graphische Sammlungen Werke, so in München, Berlin und Wien.

      [Bookseller: Galerie Joseph Fach GmbH]
 4.   Check availability:     AbeBooks     Link/Print  


        The Letters of Lord Nelson to Lady Hamilton ; with a Supplement of Interesting Letters, by Distinguished Characters

      Printed by Macdonald and Son, for Thomas Lovewell & Co, London 1814 - VERY GOOD CONDITION AND INTERESTING PROVENANCES2 volumes in 1. xii, 273pp. & viii, 264pp. 8"x4". Rebound in 19th century half brown calf and black cloth, raised spine bands, ruled, titled, and decorated top edge in gilt. In attractive period rebinding with modest rubbing and a soil spot to bottom spine; two bookplates and one label with a poem affixed to front endpapers. A few small offset spots to endpapers, edge toning to flyleaves, bibliographical pencil notes to first half-title page, penciled ownership signature to both title pages. Occasional foxing else very good+. Two Bookplates. One of William Whateley Q.C., the treasurer of the Inner Temple, and the other of Alfred Heacock Whittaker who wrote "Occupational Health in America" in 1962 with Henry B. Selleck. Penciled name of F??? Palmer to each title page as yet another an owner. Scarce collection of letters from Lord Nelson to his mistress Lady Emma Hamilton."The publisher, Thomas Lovewell, went bankrupt in 1817 and was forced to put the letters up for sale. They were purchased by Croker acting on behalf of the Admiralty and Government who were anxious that they were kept out of public circulation. Harrison is often cited as the editor but my own research years ago suggests that Oliver (a servant with whom Emma had quarrelled} was the culprit - although Harrison may have been involved too." quoted from Michael Nash, UK.The supplement in volume II, running from page 107 on, contains letters from Lord Nelson to Miss Horatia Nelson Thomson, Miss Charlotte Nelson, letters from Alexander Davison, Esq. to Lady Hamilton, a letter from Lady Hamilton to Alexander Davison, Esq., a letter from Lady Hamilton to Viscount Sidmouth, letters from Sir William Hamilton to Lady Hamilton, and numerous letters from Sir William Hamilton to Lord Nelson, and finally a number of letters from Lord Nelson to Sir William Hamilton. [Attributes: First Edition; Hard Cover]

      [Bookseller: Lord Durham Rare Books (IOBA)]
 5.   Check availability:     AbeBooks     Link/Print  


        Kriegsschiff und Segler im befestigtem Hafen mit Matrosen und Soldaten.

      - Radierung, auf Bütten. 11,9:17,9 cm. Aus der Folge„Vue d Italie". Literatur: Bartsch (pièces citées dans le dictionnaire de Fuessli. Edition von 1814), aus 1; Nagler 9; Andresen 5. Bartsch kannte die Radierung nicht aus eigener Anschauung. Abdrucke mit der Signatur unten links, die dieses Exemplar besitzt, sind sehr selten. Im Illustrated Bartsch konnte nur das Exemplar aus dem Bestand des British Museum in London abgebildet werden, das unter Verlust der Signatur beschnitten ist. – Ganz vorzüglicher, toniger Abdruck. Links und unten ein winziges Rändchen um die Plattenkanten. Rechts oben teilweise auf die Einfassungslinie geschnitten. Mit drei kleinen Löchlein links im Himmel. Vereinzelte Stockfleckchen, sonst vorzüglich erhalten. Selten!

      [Bookseller: Galerie Joseph Fach GmbH]
 6.   Check availability:     AbeBooks     Link/Print  


        "Ancient chateaux de Allemagne" (Rückentitel).

      (München), ca. 1814/26.. Sammelband mit 48 kolorierten lithographischen Tafeln von J. C. Cogels mit Ansichten von Burgen und Kunstdenkmälern vorwiegend aus Deutschland, mit montiertem handschriftlich betitelten Vorderumschlag, 6 eingebundenen weissen Blatt mit 5 montierten handschriftlichen Erläuterungen (französisch) der jeweils folgenden vier Tafeln (ein handschriftliches Erklärungsblatt fehlt), Halblederband der Zeit, 48 x 32 cm,. Einband leicht berieben und etwas lichtrandig, innen sauber und farbenfrisch. Umfangreiche Folge der bei Winkler als Inkunabeln der Lithographie aufgeführten Ansichten im Querformat (Bildgröße ca. 20 x 28 cm), teils im Stein monogrammiert oder signiert, das Blatt "Eginhardsburg" auch datiert "1826". Winkler listet 60 Nummern auf, Maillinger (I, 2923) eine Folge mit 46 Ansichten. Der Landschaftsmaler Joseph Carl Cogels (geb. 1785 in Brüssel, gest. 1831 in Leitheim) kam 1810 nach München und wurde von König Max und dem Herzog von Leuchtenberg mit Aufträgen betraut. 1824 fand er Aufnahme in die Münchner Akademie. Die Tafeln in Reihenfolge der Bindung: Wittelsbach, Wilhelmstein, Schönforst, Frankenberg, Graisbach, Burghausen, Haag, Eginhardsburg, Wasserburg, Hohentrüdingen, Grünwald, Kessel, Mangoldstein, Schimpheren, Falkenstein, Wellheim, Hohenbogen, Altenburg, Salvatorberg, Godesberg, Andechs, Spielberg, Andernach, Bacharach, Wertheim, Neuötting, Bayerthurm, Wartthurm, Trausnitz, Streitberg, Otting, Amerang, Birkenfeld, Newemburg, Altenburg, Halle, Hohenrechberg, Lechsgemund, Frauenchiemsee, Seligenthal, Altötting, Demaele, Vals, Freising, Nürnberg, Pappenheim, Stein, Gand.

      [Bookseller: Antiquariat H. Carlsen]
 7.   Check availability:     ZVAB     Link/Print  


        Neue Blumenstraüsse, oder Muster zur feinen Stickkunst.Nuremberg, Joh. Bernh. Geyer, [1814]. Oblong folio (24 x 37 cm). Samplebook of flower engravings comprising title-plate with wreath of flowers, and 5 sample plates with 6 engravings, the plates numbered [1], 2-6. Hand-coloured. Contemporary marbled wrappers with engraved orange title-label.

      KVK (1 copy); neither artist nor book in ADB; Nagler; Nissen, BBI; Thieme & Becker; WorldCat. First instalment (of two) of a beautiful and very rare engraved sample-book of flowers by the artist Caroline von Freudenberg, apparently a commercial flower artist in Nuremberg, and the engraver (Georg Friedrich?) Vogel. On the title-page, the artist's name, title, engraver's name and imprint are engraved in a wreath of flowers showing a wide variety of types and colours, leaves 2 to 3 show three examples of flowers arranged to form bands as they might be to make a floral border, leaves 4 to 5 show bouquets and leaf six shows roses in a neoclassical vase. The book calls itself "New Bouquet, or Samplebook of fine Engraving", and probably served to show publishers what sort of decorative flower engravings they could order from the artist and engraver. Some foxing, mostly in the margins, and with the five sample plates detached as a block. Very good copy.

      [Bookseller: ASHER Rare Books (Since 1830)]
 8.   Check availability:     NVvA     Link/Print  


        Autograph letter signed to M. de Vielch, lieutenant de vaisseau

      Paris: 6 August, 1814. One-page autograph letter, written on a single sheet, folded to letter-size 230 x 185 mm., written and signed to the first page, the fourth page an address panel, others blank; some wear at folds, but very good indeed. Vielch of the Lys. An interesting letter from Louis de Freycinet to Lieutenant de Vielch of the Lis (more properly Lys), then anchored at Brest. At the time, Freycinet was living at the house of Madame Pinon, Rose's mother; a note in the bottom corner give his address as "Barrière Pigal, Maison Pinon."Dated from Paris, where Freycinet was still working on the Baudin voyage account, he details the efforts that have been made by the Ministre de la Marine partly at Freycinet's urging to find Vielch a new position. They have tried to get him the job of "capitaine de port" of either Ile Bourbon (= Reunion) or Pondichery (India), but sadly his formal application arrived too late and all important positions in the colonies had already been filled.Freycinet thanks Vielch for his congratulations on his new posting, which he finds extremely pleasant. This seemingly refers to the position he held while writing the Baudin voyage account, and it is interesting to see Louis enjoying his status in the years preceding his appointment to the Uranie.The letter wishes Vielch and their mutual friend Lamarche an excellent voyage. Freycinet is referring to the voyage of the Lys to the Antilles, which took place shortly afterwards. However just a few weeks earlier the ship had made an important short journey to the British coast, marking the beginning of the Restoration. Previously known as the Polonais she had been renamed more appropriately the Lys (as in fleur de lys, the traditional symbol of the French monarchy) in order to collect Louis XVIII from exile and bring him back to France. Lamarche would later sail with Freycinet on the Uranie voyage, but Vielch does not appear in the crew list for either voyage and must have been know to Freycinet from another source. We can find little trace of him in the historical record.

      [Bookseller: Hordern House Rare Books]
 9.   Check availability:     Biblio     Link/Print  


        La Fontaine's Tales: Imitated in English Verse

      London: C. Chapple, 66 Pall-Mall, 1814. First full English verse edition. Extra-illustrated with two frontispiece portraits of La Fontaine in volume I, portrait of Jean Duplessis-Bertaux in volume II and 76 engarvings by Duplessis-Bertaux in two states (in contemporary color and uncolored). xxii, 286; [ii], 360 pp. 12mo. Bound in later 19th-century three-quaters brown morocco, a.e.g., fine. Extra-Illustrated with Plates by Duplessis-Bertaux in Two States The first complete verse translation of La Fontaine's Tales in English, extra-illustrated with 76 plates by Duplessis-Bertaux in colored and uncolored states.

      [Bookseller: James Cummins Bookseller ]
 10.   Check availability:     ABAA     Link/Print  


        Views of Australian Scenery. Painted by Westall. Engraved by Byrne. Nine Very Fine Plates. Price Fifteen Shillings [label title]

      London: G. & W. Nicol, 1814. Oblong folio, nine engraved plates, without a title-page as issued; original white wrappers with titling label printed in gold on black gloss paper bound in, full red morocco by Sangorski, gilt. Separately issued suite of Flinders views. An attractive copy of the separate publication of views of Australia made by William Westall, the official artist on the Flinders voyage. These are the first records of Australian landscape to be made by a Royal Academy artist.William Westall (1781-1850) was recommended by Benjamin West, president of the Royal Academy, for appointment as landscape artist to Matthew Flinders's voyage in the Investigator. Their circumnavigation of Australia from 1801 to 1803 was a momentous undertaking and the views prepared on the voyage constitute in most instances the earliest European depictions of parts of Australia.Westall completed about one hundred and forty sketches and watercolours during the voyage. In 1811 Matthew Flinders, in conference with Sir Joseph Banks and the artist, chose just nine of them to be worked up into oil paintings for the Admiralty. The selected views were also engraved by Byrne as illustrations for the official account, published in 1814. The views are: Kangaroo Island, Malay Road, Wreck-Reef Bank, Murray's Islands, King George's Sound, Port Jackson, Port Bowen, Gulf of Carpentaria, and Port Lincoln.There were two issues of this separate publication of the views: this one, which sold for fifteen shillings, and a larger paper issue which sold for one guinea.

      [Bookseller: Hordern House Rare Books]
 11.   Check availability:     Biblio     Link/Print  


        The Spirit of the Public Journals

      London: James Ridgway, 1797-, 1814. Seventeen volumes, duodecimo, in excellent condition, in attractive modern wrappers with double spine labels to each volume. Bennelong won't fight the French. A marvellous long run of an intriguing late-Georgian journal, with a good deal of interest to contemporary Australia, perhaps most notably printing a letter said to have been penned by Bennelong in London. There is also an (unrecorded?) poem about marriage in Tahiti based on Cook's first voyage, and a remarkably poor poem commemorating the death of Jonas Dryander, the botanist who worked with Sir Joseph Banks at Soho Square.A note accompanying the recent publishing of an electronic version comments aptly that the journal is a 'fascinating but relatively untapped source for Romantic Studies... founded and edited in 1797 by Stephen Jones.' This set includes the first seventeen volumes of the journal. The preface to the first volume summarises the project with the comment that "the idea of this compilation was suggested by the great value that has frequently been set upon collections of scraps cut out of newspapers." Although this might seem a humble ambition, each of the annual volumes as a result gives a strikingly complete overview of the popular scandals and events of the day, and it is intriguing to see how New South Wales is viewed through its prism.Without doubt the most important inclusion is in the first volume, the "Copy of a letter from Baneelon, one of the natives of New South Wales, now in London, to his wife Barangaroo, at Botany Bay" (pp. 114-6). Almost certainly a satire, this is nonetheless an important (because unusual) appropriation of Bennelong, who was only vouchsafed the most fleeting references in the contemporary press, and is also notable for the adoption of several plausible details which show that the author did have some close knowledge of Bennelong's visit: the addressing of the letter to Barangaroo, the use of the suffix "gal" in reference to nationality, and the perfectly convincing - but no doubt fictional - neologism of him calling the soldiers at Botany Bay "the red men". The letter-writer was evidently not averse to Bennelong, having him say at one point that he has refused to join the army against the French, "as the French never took away my wife, or stole my fishing-nets, lines, and throwing-stick, I was not angry with them; and that I could not fight without being angry." The letter concludes with his hope that Barangaroo will be saved from "lightning, sharks, and red men."Other equally important articles include:A four-page poem "On Marriage" based on Cook's visit to Tahiti ("Hail! Beauteous land that crowns the southern seas...", vol. II pp. 227-30);A printing of one of Southey's "Botany Bay Eclogues" (vol. II pp. 260-3);The "Botany Bay Resolutions", written in an anti-Jacobin vein and said to have been taken 'At a very numerous and respectable meeting of his Majesty's faithful and loyal subjects of Botany Bay, held at Port Jackson, the 20th October 1792; George Barrington, Esquire, in the Chair' (vol. II pp. 397-9);Two articles on "Panopticon Prisons" (vol. IV pp. 14-7 & vol. V pp. 335-7) which are fiercely critical of Bentham and prison reform;A contemporary printing of the famous "Barrington" prologue in 1804 (vol. VIII pp. 89-90);"Anticipation. Extract of a Letter from the London Courier, dated Monday, the 26 th September 1904 (sic)" (vol. VIII pp. 91-2), purporting to be letters showing revolution, dated Botany Bay and other places;"Pidcock and the Premier!" (vol. XI pp. 305-6), a most unusual satire on William Henry Cavendish-Bentinck, 3rd Duke of Portland and then Prime Minister, announcing that there is no truth in the rumour that Portland has "lately received several presents of Ourang-Outangs, or Men-Mountains, or some Strange Wild Creatures, &c. &c. from Botany Bay!" Pidcock was the owner of the famous menagerie in London, which had exhibited kangaroos in the 1790s, and which took a fervent interest in the latest curiosities from Botany Bay; the connection was enough for the anonymous wit to attack Portland for his attempts to monopolise the colonies;"Epitaph on Dryander" (vol. XV pp. 78-9), an overlooked poem on the death of Banks' long-serving assistant, "Beneath this humble tombstone lie / The mouldering bones of honest Dry; / A learned Swede of Linné's school, / Long us'd o'er botany to rule."The first volume in the third edition (published 1800), the others all first.

      [Bookseller: Hordern House Rare Books]
 12.   Check availability:     Biblio     Link/Print  


        The Velvet Cushion

      T. Cadell and W. Davies, 1814, Hardcover, Book Condition: Very Good, First editionA Very Good copy of the first edition, first printing bound in three-quarter leather and marbled boards (boards curved, rubbing to the each board's surface and rubbing to their respective edges, old white tape repair to the margin of one page, scattered foxing). Published anonymously, the book presents a memoir about the Church of England given by a vicarage cushion who begins its tale by stating: "The first place in which I remember to have seen the light was in the shop of an upholsterer in Fleet-street, in the days of bloody Queen Mary." Originally published anonymously, later editions name the author as J. W. Cunningham, A. M. Vicar of Harrow. John William Cunningham was and evangelical clergyman of the Church of England and, from 1850 to 1858 also served as the Editor of The Christian Observer. He served as Vicar of Harrow, the presentation to which his father-in-law purchased, from 1811 until his death in 1861, and was a member of the Clapham Sect of which two of the leading lights were William Wilberforce and Wilberforce's cousin, the important Banker and Parliamentarian, Henry Thornton. Presenting the evangelical point of view of the parties in the church of England since the English Reformation, The Velvet Cushion was quite well-received and went through ten editions in a mere two years. [Nevertheless, the book did not meet the approval of all and a response to this work was written by Rev. John Styles titled "A New Covering to the Velvet Cushion" (1815) wherein Rev. Styles gives his views on the Church presented through the same cushion with a new covering.] This rapid production of new editions of The Velvet Cushion evidences not only the book's popularity, but also indicates that not many copies of the first edition, first printing, were issued and, in our experience, the first edition, first printing is quite scarce. A Very Good copy of the first edition, first printing. QUITE SCARCE.

      [Bookseller: Allington Antiquarian Books, LLC]
 13.   Check availability:     Bookzangle     Link/Print  


        The Excursion, Being a Portion of The Recluse, a Poem

      London: Longman, Hurst, Rees, Orme, and Brown, 1814. First Edition. Quarto (29cm.); full contemporary calf triple-ruled in blind, hinges expertly reinforced, gilt spine in 6 compartments, red gilt morocco spine label; xx,[2],447pp. Edges a bit rubbed, bottom fore-edge corner of textblock a bit dampstained slightly affecting preliminaries; bound without half title, else Very Good. Errata leaf present. Provenance: Engraved bookplate to front pastedown of the late 19th-century novelist and author of the essay The Platonism of Wordsworth J[oseph] H[enry] Shorthouse.

      [Bookseller: Lorne Bair Rare Books]
 14.   Check availability:     Biblio     Link/Print  


        Defence of Fort McHenry [The Star-Spangled Banner]

      Philadelphia: Thomas Moses, 1814. Pamphlet. Very Good. 8vo - over 7¾" - 9¾" tall. A very early printing, published on two pages within the Analectic Magazine in November, 1814. Clean pages with very light wear. Francis Scott Key first penned what was to become the national anthem of the United States on 15 Sep 1814 as a prisoner on a warship the day after watching the British fleet's failed bombarment of Ft. McHenry in Baltimore Harbor. Key gave his hand-written poem, which he titled "The Defence of Fort McHenry," to his brother-in-law, Joseph H. Nicholson, who had a number of broadsides printed (only two survive). On the 20th of September, the poem was printed in two Baltimore newspapers, and shortly thereafter it was republished in a handful of newspapers along the east coast as well as a piece of sheet music by a Baltimore music store. After it's first public performance a Baltimore tavern in October, the song's rising popularity caught the attention of Washington Irving, the editor of the Analectic Magazine, published the lyrics in the Novemeber edition of his journal.

      [Bookseller: Read 'Em Again Books, ABAA]
 15.   Check availability:     Biblio     Link/Print  


        TRACTS HISTORICAL AND STATISTICAL, ON INDIA; with Journals of Several Tours Through Various Parts of the Peninsula: also, an Account of Sumatra, in a Series of Letters.

      London, printed for Robert Baldwin; and Black, Parry, and Co. Booksellers to the Hon. East India Company, 1814.FIRST EDITION 1814, 4to, approximately 295 x 210 mm, 10½ x 8¼ inches, engraved frontispiece and 4 engraved plates, of which 1 of diamonds hand coloured, 2 large folding hand coloured maps, 1 of Mysore and the other of The Circars, plus 5 diagrams in the text, pages: xi, [1], 462, tables of the thermometer and barometer as observed in different parts of the peninsula of Hindostan, pages [446] - 460, handsomely rebound in full red morocco with decorative gilt band to edges of covers enclosing a narrow patterned border with small corner ornaments, gilt raised bands to spine, gilt decoration in 4 compartments, gilt lettering in the other 2, new endpapers. Pale triangular stain to frontispiece and title page on top inner corner, quite unobtrusive, persisting faintly through prelim pages, plates 2, 4 and 5 lightly browned in the margins and with same pale damp stain to upper inner corner, damp stain showing slightly more on plate 4 and text pages adjacent to it, neat old repair to fore - edge margin of plate 4, not affecting image, a few text pages lightly browned in upper margin. A very good tight clean copy in an attractive modern binding, housed in a custom made sturdy cloth slipcase. Benjamin Heyne, M.D. F.L.S., (1770 - 1819), was a Scottish surgeon, naturalist and botanist, member of the Asiatic Society of Calcutta and the Learned Societies of Bombay, Berlin, &c. and surgeon and naturalist on the establishment of Fort St. George. MORE IMAGES ATTACHED TO THIS LISTING, ALL ZOOMABLE, FURTHER IMAGES ON REQUEST. POSTAGE AT COST.

      [Bookseller: Roger Middleton P.B.F.A.]
 16.   Check availability:     maremagnum.com     Link/Print  


        "The Defence of Fort McHenry" [later known as "The Star-Spangled Banner"] in The Analectic Magazine of November, 1814

      Philadelphia: Moses Thomas, 1814. The first appearance in magazine or book form of the "Star-Spangled Banner" (entitled "The Defense of Fort M'Henry"). In Volume Four of The Analectic Magazine, July-December, 1814. Engraved general title, and 4 frontispiece portraits for Aug., Sept., Nov. and Dec. issues. 524 pp. 1 vols. 8vo. Contemporary sheep with red lettering piece, worn and scuffed. Lacking blank end papers and pp 317-18. Contemporary notes on pastedowns, and an amateur pen-and-ink caricature of Sir George Lyttelton. Closed tear across p. 421, with no loss. Contents foxed and browned, with some marginal chipping. Pp. 433-4, in which "Fort M'Henry" appears, are lightly foxed. Three relatively insignificant words cancelled in a contemporary hand (to better fit the meter of the tune, "To Anacreon in Heaven"?). The National Anthem's First Magazine Appearance Penned on the occasion of the successful defense of Fort McHenry against the British in September, 1814, Key's lyrics - set to the tune of an old British drinking song known as "To Anacreon in Heaven" - were initially published as a broadside, only two copies of which have survived. It appeared in newspapers that same month, and was first published here in magazine form in November of that year, because, as the editors of the Analectic put it their introduction, the song's "merit entitles [it] to preservation in some more permanent form than the columns of a daily paper." Key' poem was collected in two anthologies later in 1814 (THE NATIONAL SONGSTER, and THE AMERICAN MUSE), but this is its very first appearance in "a more permanent form." Indeed, here's one copy which has survived of what ultimately became known as "The Star-Spangled Banner", adopted as the official national anthem of the United States in 1931. A landmark piece of American mythmaking.

      [Bookseller: James Cummins Bookseller]
 17.   Check availability:     Biblio     Link/Print  


        The Poems of Thomas Gray. With Critical Notes, A Life of the Author, and An Essay on His Poetry, by the Rev. John Mitford

      London: Printed for White, Cochrane & Co. by S. Hamilton, 1814. First edition edited by Mitford. Engraved portrait by C. Heath & J. Holl after Eckhardt. 1 vols. 8vo. Full contemporary green straight-grained morocco, single fine gilt fillet border outside running floriated blind-tooled border, center panel consisting of seven fine gilt fillet borders with elaborate gilt floral cornerpieces all outside blind-tooled double fillet border, spine in five compartments with rich gilt designs of flowers and lyres in three and gilt lettering in two, a.e.g., with a contemporary fore-edge painting. Expertly rebacked, else fine. Bookplate of Stuart Schimmel. The fore-edge painting depicts a country setting, with trees and a river in the foreground and a palatial manor in the background amidst more trees. A fine example of the art.

      [Bookseller: James Cummins Bookseller]
 18.   Check availability:     Biblio     Link/Print  


        The Wanderer; or, Female Difficulties

      London: Printed for Longman, Hurst, Rees, Orme and Brown, Paternoster-Row, 1814. First edition. xxvii, [i]; 443; 458; 438; 359; 395 pp. Strahan and Preston, Printers-Street, London. 5 vols. 12mo. Contemporary half brown calf and marbled boards. Bookplates. Nice copy.

      [Bookseller: James Cummins Bookseller]
 19.   Check availability:     Biblio     Link/Print  


        Festoons of Fancy, Consisting of Compositions Amatory, Sentimental and Humorous, in Verse and Prose ?

      Louisville, Kentucky: From the Press of William Farquar, 1814. First edition. [2], 180 pp. (pages 3-10, 13-18 and 179 in facsimile). 12mo. Contemporary sheep, varnished, leather label. Text somewhat soiled and stained, new free endpapers. "The first humorous book produced West of the Alleghanies [sic]" (Howes) "Festoons of Fancy is not only the first important book of poems printed west of the Alleghenies, but it is almost certainly the first book of any kind printed in Louisville" (Streeter). Littell (1768-1824) was a lawyer and author who, after a stint in western Pennsylvania, settled in Kentucky in 1801. He published several import law reference works that were early efforts to codify Kentucky law. His satires, Epistles of William, Surnamed Littell, to the People of the Realm of Kentucky (1806) and Festoons of Fancy (which includes the earlier work), were not well-received at the time, and were seen as "proofs of his eccentricity, frivolousness, and immorality. Today they are acknowledged as important first examples of frontier humor" (DAB).

      [Bookseller: James Cummins Bookseller]
 20.   Check availability:     Biblio     Link/Print  


        Eigenh. Brief mit U.

      Rudolstadt, 21. V. 1814. - 1 S. 4to. Mit eh. Adresse (Faltbrief) und Siegel. An die Redaction des Morgenblattes ("Abzugeben an die Buchhandlung des Herrn Cotta"): "Euer Wohlgeboren erhalten hierbey die Composition eines Liedchens von Herrn Hanz, welches ich vor Kurzem in Ihrem Morgenblatte fand. - In mehreren hiesigen, munteren Gesellschaften wurde dieses Liedchen mit Vergnügen gesungen, und mir von mehreren Seiten der Wunsch geäußert, diese kleine Composition Ihnen mitzutheilen [ ]". - Seit 1797 als Violinist an die Rudolstädter Hofkapelle verpflichtet, unternahm Eberwein 1803/04 eine Studienreise nach Italien, wurde in Neapel von Fedele Fenaroli unterrichtet und 1810 zum Kammermusikus in Rudolstadt ernannt. Seit 1817 dort Kapellmeister, lernte er im gleichen Jahr auf einer Reise in Wien Beethoven und Salieri kennen. - Fehlstellen (ohne Textberührung).

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
 21.   Check availability:     AbeBooks     Link/Print  


        The Fiery Flying Serpent Slander, And The Brazen Serpent Charity, Delineated: or a Saint and a Slanderer As Opposite As the Ancient of Days and the Genius of Darkness. Being a Selection from Vocabularies, Digests of Law, and Approved Authors Upon Divinity, Both French and English, to Restrain Slander and Promote Charity

      Winchester, Virginia: Printed by Jonathan Foster for the Publisher, 1814. FIRST EDITION. 12mo. 252 pp. Bound in contemporary American sheep, red spine label gilt (a little worn and rubbed), paper stock somewhat browned on account of the paper stock. Preserved in a fitted folding case. IN GOOD ANTIQUARIAN CONDITION The author, a Methodist Episcopal Church pastor, here presents a rather bizarre quasi-legal work against slander, citing legal dictionaries and law codes. The book strays far its initial legal assessment of the laws of libel and slander, and the focus turns to Christian charity. "Slander and defamation have for ages been spreading their baneful influence thro' every clime; and indeed it would seem that time serves only to increase our appetite for this pernicious vice, so injurious to the character of others, and so destructive to domestic happiness and peace." See also Richard Beale Davis "Intellectual life in Jefferson's Virginia, 1790-1830" p. 141. PROVENANCE: two interesting contemporary inscriptions appear inside front cover and on first blank leaf: "Thomas P. Adelis, His Book, bought from Berry in the year of our Lord 1822." -- "Joseph Bunn's book, bought at J.R. Phillips, May 1838." On the final leaf are inscribed the name of Thomas Adelis and Jane Neely Lutz. Early 19th-century American books are almost never found in good condition. Of this work there are two other copies on the market, one lacks two leaves, the other is "worn" and "stained." Shaw and Shoemaker 31471. Catalogue of the library of the Law School of Harvard University (1909), Vol. I, p. 680. Not in Haynes, Swem, Eberstadt, Decker, or Sabin. A copy of "The Fiery Flying Serpent Slander" was in the famed Brinley Library; the compilers of the sale catalogue, writing in 1886 (!) then described the book as "scarce and curious" (lot 7528). Although Ferguson's book is cited in Morris L. Cohen's magisterial "Bibliography of Early American Law" (Vol. 3) it would appear that there is no copy in the Yale Law Library (sic). Not in Emory and Bridwell.

      [Bookseller: Michael Laird Rare Books LLC]
 22.   Check availability:     Biblio     Link/Print  


        The Journal of Andrew Ellicott, late commissioner on behalf of the United States during part of the year 1796, the years 1797, 1798, 1799, and part of the year 1800: for determining the boundary between the United States and the possessions of his Catholic Majesty in America, containing occasional remarks on the situation, soil, rivers, natural productions, and diseases of the different countries on the Ohio, Mississippi, and Gulf of Mexico .

      William Fry, Philadelphia 1814 - (10 x 7 3/4 inches). vii,299,151pp. Errata leaf. 14 engraved folding maps and charts. Contemporary tree calf, flat spine divided into compartments by gilt fillets, red morocco lettering piece in the second compartment Provenance: Samuel Mickle (early signature on title) The first thorough American survey of the lower Mississippi, and one of the earliest American reports on West Florida. Following his work on laying out the plans and surveys for Washington, D.C., Ellicott was appointed commissioner to determine the boundary between the United States and Spanish Florida. His travels, occupying four years, covered the Mississippi Valley, Florida, and the southern hinterlands. First published in 1803, the text provides a detailed summary of his work, while the maps show the borders and the region in far more detail than they had been illustrated previously. At the time of the Louisiana Purchase, this was one of the foremost authorities available on the region, and Ellicott's surveys and mentoring would have a profound influence on Meriwether Lewis, whom he advised at the request of Thomas Jefferson. The present copy is a scarce example of the first edition, second issue: i.e. comprised of the sheets of the 1803 first edition, but with a cancel title page on wove paper bearing the 1814 imprint of William Fry. Graff 1230 (1803 edition); Howes E94; Sabin 22216. [Attributes: First Edition; Hard Cover]

      [Bookseller: Donald A. Heald Rare Books (ABAA)]
 23.   Check availability:     IberLibro     Link/Print  


        La Fontaine's Tales: Imitated in English Verse

      London: C. Chapple, 66 Pall-Mall, 1814. First full English verse edition. Extra-illustrated with two frontispiece portraits of La Fontaine in volume I, portrait of Jean Duplessis-Bertaux in volume II and 76 engarvings by Duplessis-Bertaux in two states (in contemporary color and uncolored). xxii, 286; [ii], 360 pp. 12mo. Bound in later 19th-century three-quaters brown morocco, a.e.g., fine. Extra-Illustrated with Plates by Duplessis-Bertaux in Two States The first complete verse translation of La Fontaine's Tales in English, extra-illustrated with 76 plates by Duplessis-Bertaux in colored and uncolored states.

      [Bookseller: James Cummins Bookseller]
 24.   Check availability:     Biblio     Link/Print  


        Defence of Fort McHenry [The Star-Spangled Banner]

      Philadelphia: Thomas Moses, 1814. Pamphlet. Very Good. 8vo - over 7¾" - 9¾" tall. A very early printing, published on two pages within the Analectic Magazine in November, 1814. Clean pages with very light wear. Francis Scott Key first penned what was to become the national anthem of the United States on 15 Sep 1814 as a prisoner on a warship the day after watching the British fleet's failed bombarment of Ft. McHenry in Baltimore Harbor. Key gave his hand-written poem, which he titled "The Defence of Fort McHenry," to his brother-in-law, Joseph H. Nicholson, who had a number of broadsides printed (only two survive). On the 20th of September, the poem was printed in two Baltimore newspapers, and shortly thereafter it was republished in a handful of newspapers along the east coast as well as a piece of sheet music by a Baltimore music store. After it's first public performance a Baltimore tavern in October, the song's rising popularity caught the attention of Washington Irving, the editor of the Analectic Magazine, published the lyrics in the Novemeber edition of his journal.

      [Bookseller: Read 'Em Again Books, ABAA]
 25.   Check availability:     IOBABooks     Link/Print  


        Commonplace book of original drawings, engravings and transcribed poetry

      1814. Numerous engravings, mostly 18th-century portraits of royalty, some hand-colored, 10 ORIGINAL WATERCOLORS (3 x 2-1/2 in.) in the style of Henry Corbould, and one additional watercolor portrait (8-1/4 x 6-1/2 in.) of a young woman. 4to. Contemporary red straight-grain morocco, covers gilt-tooled with a wide roll border, gilt ruled frame with corner decorations made up from small tools, spine gilt in six compartments, a.e.g., by Comte de Caumont (ticket on verso of ffep). Light scuffing to edge of covers, glue burn to engravings, some engravings loose. A fine binding from the shop of the French-born Auguste Marie, Comte de Caumont, dating from his period at 1 Frith Street, which he occupied from 1803-1814. It is generally accepted that de Caumont was not himself a binder, but rather managed the shop, tended to customers and kept accounts. He hired some of the great London binders of the day, including Cordeval and Kalthoeber.

      [Bookseller: James Cummins Bookseller]
 26.   Check availability:     Biblio     Link/Print  


        Travels to the Source of the Missouri River and across the American Continent to the Pacific Ocean. Performed by Order of the Government of the United States, in the Years 1804, 1805, and 1806

      London: Printed for Longman, Hurst, Rees, Orme, and Brown, 1814. First London edition, published the same year as the Philadelphia edition. Large folding map and five charts on three plates. xxiv, 663, [1, ad] pp. 1 vols. 4to. Late nineteenth century three quarter dark brown morocco and pebbled cloth over boards, marbled endsheets and edges. Early owner signature at upper margin of title. Faint traces of inkstamp removal from title leaf. Joints repaired. Very good plus copy, internally clean and fresh. The "definitive account of the most important exploration of the North American continent" (Wagner-Camp).

      [Bookseller: James Cummins Bookseller]
 27.   Check availability:     Biblio     Link/Print  


        The Poems of Thomas Gray. With Critical Notes, A Life of the Author, and An Essay on His Poetry, by the Rev. John Mitford

      London: Printed for White, Cochrane & Co. by S. Hamilton, 1814. First edition edited by Mitford. Engraved portrait by C. Heath & J. Holl after Eckhardt. 1 vols. 8vo. Full contemporary green straight-grained morocco, single fine gilt fillet border outside running floriated blind-tooled border, center panel consisting of seven fine gilt fillet borders with elaborate gilt floral cornerpieces all outside blind-tooled double fillet border, spine in five compartments with rich gilt designs of flowers and lyres in three and gilt lettering in two, a.e.g., with a contemporary fore-edge painting. Expertly rebacked, else fine. Bookplate of Stuart Schimmel. First edition edited by Mitford. Engraved portrait by C. Heath & J. Holl after Eckhardt. 1 vols. 8vo. The fore-edge painting depicts a country setting, with trees and a river in the foreground and a palatial manor in the background amidst more trees. A fine example of the art.

      [Bookseller: James Cummins Bookseller ]
 28.   Check availability:     ABAA     Link/Print  


        Autograph letter signed.

      Portoferraio, 4. XII. 1814.. 1¾ pp. Bifolium with integral address panel.. To her son Luciano de Bonaparte, explaining why she is sending her letters only now and complaining about not having any news of her sons: "vi accludo molte lettere che vi avevo scritte e che Ramolino doveva rimettermi, ma il suo viaggio essendo stato sospeso profitta di una occasione [ ] per farvele pervenire; e da gran tempo che non ho ricevute delle vostre lettere vi prego di scrivermi e darmi non solo le vostre notizie e quelle della vostra famiglia, ma anche quelle di tutti i miei figli - presenti ed assenti [ ]. Noi siamo tutti bene e la salute e alquanto buona. [ ]".

      [Bookseller: Antiquariat Inlibris, Gilhofer Nfg. GmbH]
 29.   Check availability:     ZVAB     Link/Print  


        "Carte des Iles Britanniques ou Royaume-Uni de la Grande Bretagne & d'Irlande. 2e Edition".

      Paris, Piquet, 1814.. Grenzkolorierte Kupferkarte auf Leinen gestochen von Blondeau und Aubert, in 48 Segmenten, 145 x 154 cm, in Pappschuber der Zeit, 27 x 21 cm,. Schuber etwas lädiert, Kartenrückseiten etwas angestaubt, sonst gut.

      [Bookseller: Antiquariat H. Carlsen]
 30.   Check availability:     ZVAB     Link/Print  


        TRACTS HISTORICAL AND STATISTICAL, ON INDIA; with Journals of Several Tours Through Various Parts of the Peninsula: also, an Account of Sumatra, in a Series of Letters

      London, printed for Robert Baldwin; and Black, Parry, and Co. Booksellers to the Hon. East India Company, 1814.. FIRST EDITION 1814, 4to, approximately 295 x 210 mm, 10½ x 8¼ inches, engraved frontispiece and 4 engraved plates, of which 1 of diamonds hand coloured, 2 large folding hand coloured maps, 1 of Mysore and the other of The Circars, plus 5 diagrams in the text, pages: xi, [1], 462, tables of the thermometer and barometer as observed in different parts of the peninsula of Hindostan, pages [446]-460, handsomely rebound in full red morocco with decorative gilt band to edges of covers enclosing a narrow patterned border with small corner ornaments, gilt raised bands to spine, gilt decoration in 4 compartments, gilt lettering in the other 2, new endpapers. Pale triangular stain to frontispiece and title page on top inner corner, quite unobtrusive, persisting faintly through prelim pages, plates 2, 4 and 5 lightly browned in the margins and with same pale damp stain to upper inner corner, damp stain showing slightly more on plate 4 and text pages adjacent to it, neat old repair to fore-edge margin of plate 4, not affecting image, a few text pages lightly browned in upper margin. A very good tight clean copy in an attractive modern binding, housed in a custom made sturdy cloth slipcase. Benjamin Heyne, M.D. F.L.S., (1770-1819), was a Scottish surgeon, naturalist and botanist, member of the Asiatic Society of Calcutta and the Learned Societies of Bombay, Berlin, &c. and surgeon and naturalist on the establishment of Fort St. George. MORE IMAGES ATTACHED TO THIS LISTING, ALL ZOOMABLE, FURTHER IMAGES ON REQUEST. POSTAGE AT COST.

      [Bookseller: Roger Middleton]
 31.   Check availability:     Biblio     Link/Print  


        The Profitable Planter: A Treatise on the Theory and Practice of Planting Forest Trees, in Every Description of Soil and Situation; More Particularly on Elevated Sites, Barren Heaths, Rocky Soils, &c and The Forest Pruner; Or, Timber Owner's Assistant: A Treatise on the Training or Management of British Timber Trees; Whether Intended for Use, Ornament, or Shelter Including an Explanation on the Causes of Their General Diseases and Defects, With the Means of Prevention, and Remedies, Where Practicable (Two volumes bound together)

      London: J. Harding. 1814 and 1810. Fourth edition and Third edition. Hardcover. Very Good. Two volumes bound together in handsome early tree calf! Fourth and third editions, respectively, 1814 and 1810, octavo, 267pp. and 277pp., illustrated with handsome plates, some of which fold out. Book VG with boards showing edgewear, rear board splitting at top hinge, outer spine hinges worn, spine cracking from age, small scuff near bottom of title on spine, binding tight, previous owner's plate and withdrawl stamp to front pastedown, text shows some toning and foxing. In protective mylar wrap.

      [Bookseller: Caliban Books ABAA-ILAB]
 32.   Check availability:     Biblio     Link/Print  


        With Napoleon exiled to Elba, the Dutch press pokes fun at it's former ruler

      Etching and Aquatint after Johann Michael Volz, 10.5" x 12", one page, c. 1814 caricature, tilted NAPOLEON. DE EERSTE en LAATSTE... [or] NAPOLEON. THE FIRST, and LAST... The print bears Dutch and English text below the image. Light soiling and creases, moderate mat burn at lightly worn margins.The main text, also in Dutch and English respectively, pokes fun at Napoleon's titles after his defeat and exile to Elba: "NAPOLEON The First, and Last, by the Wrath of Heaven Emperor of the Jacobins, Protector of the Confederation of Rogues, Mediator of the Hellish League, Grand Cross of the Legion of Horror, Commander in Chief of the Legions of Skeletons left at Moscow, Smolensk, Leipzig, &c. Head Runner of Runaways, Mock High-Priest of the Sanhedrim, Mock Prophet of Mussulmen, Mock Pillar of the Christian Faith, Inventor of the Syrian Method of disposing of his own Sick by sleeping Draughts, or of captured Enemies by the Bayonet; First Grave-Digger for burying alive; Chief Gaoler of the Holy Father and of the King of Spain, Destroyer of Crowns, and Manufacturer of Counts, Dukes, Princes, and Kings; Chief Douanier of the Continental System, Head Butcher of the Parisian and Toulonese Massacres, Murderer of Hoffer, Palm, Wright, nay, of his own prince, the noble and virtuous Duke of Enghien, and of a thousand others; Kidnapper of Ambassadors, High-Admiral of the Invasion Praams, Cup-Bearer of the Jaffa Poison, Arch-Chancellor of Waste-Paper Treaties, Arch-Treasurer of the Plunder of the World, the sanguinary Coxcomb, Assassin, and Incendiary......to MAKE PEACE WITH!!! "The explanatory text at the bottom explains the heavy symbolism in the caricature: "This hieroglyphic Portrait of the DESTROYER is faithfully copied from a German Print, with the Parody of his assumed Titles. The Hat of the Destroyer represents a discomfited French Eagle, maimed and crouching, after his Conflict with the Eagles of the North. His visage is composed of the Carcases of the Victims of his Folly and Ambition, who perished on the Plains of Russia and Saxony. His Throat is encircled with the Red Sea, in Allusion to his drowned Hosts. His Epaulette is a Hand, leading the Rhenish Confederation, under the flimsy Symbol of a Cobweb. The Spider is an Emblem of the Vigilance of the Allies, who have inflicted on that Hand a deadly Sting!" Listed in Broadley, Napoleon in Caricature 1795 - 1821, Vol. 2, 417., (Appendix H: "Dutch Caricatures", No. 69).

      [Bookseller: University Archives]
 33.   Check availability:     Biblio     Link/Print  


        The Letters of Lord Nelson to Lady Hamilton ; with a Supplement of Interesting Letters, by Distinguished Characters

      London: Printed by Macdonald and Son, for Thomas Lovewell & Co, 1814. 1st Edition. Hard Cover. Very Good. VERY GOOD CONDITION AND INTERESTING PROVENANCES2 volumes in 1. xii, 273pp. & viii, 264pp. 8"x4". Rebound in 19th century half brown calf and black cloth, raised spine bands, ruled, titled, and decorated top edge in gilt. In attractive period rebinding with modest rubbing and a soil spot to bottom spine; two bookplates and one label with a poem affixed to front endpapers. A few small offset spots to endpapers, edge toning to flyleaves, bibliographical pencil notes to first half-title page, penciled ownership signature to both title pages. Occasional foxing else very good+. Two Bookplates. One of William Whateley Q.C., the treasurer of the Inner Temple, and the other of Alfred Heacock Whittaker who wrote "Occupational Health in America" in 1962 with Henry B. Selleck. Penciled name of F??? Palmer to each title page as yet another an owner. Scarce collection of letters from Lord Nelson to his mistress Lady Emma Hamilton."The publisher, Thomas Lovewell, went bankrupt in 1817 and was forced to put the letters up for sale. They were purchased by Croker acting on behalf of the Admiralty and Government who were anxious that they were kept out of public circulation. Harrison is often cited as the editor but my own research years ago suggests that Oliver (a servant with whom Emma had quarrelled} was the culprit - although Harrison may have been involved too." quoted from Michael Nash, UK.The supplement in volume II, running from page 107 on, contains letters from Lord Nelson to Miss Horatia Nelson Thomson, Miss Charlotte Nelson, letters from Alexander Davison, Esq. to Lady Hamilton, a letter from Lady Hamilton to Alexander Davison, Esq., a letter from Lady Hamilton to Viscount Sidmouth, letters from Sir William Hamilton to Lady Hamilton, and numerous letters from Sir William Hamilton to Lord Nelson, and finally a number of letters from Lord Nelson to Sir William Hamilton.

      [Bookseller: Lord Durham Rare Books (IOBA)]
 34.   Check availability:     Biblio     Link/Print  


        MEMOIRS OF MILITARY SURGERY, AND CAMPAIGNS OF THE FRENCH ARMIES, ON THE RHINE, IN CORSICA, CATALONIA, EGYPT, AND SYRIA; AT BOULOGNE, ULM, AND AUSTERLITZ; IN SAXONY, PRUSSIA, POLAND, SPAIN, AND AUSTRIA

      Baltimore: Joseph Cushing, 1814. Two volumes uniformly bound. Black leather spine labels. Spine extremities and corners frayed. Covers rubbed. Previous owner's name in ink on front preliminary and top of title-page both volumes. Peripheral browning of many pages with mild to moderate foxing throughout, moreso on title-pages. (See photos).. Faint water-staining top and bottom tips of the first few pages of Volume 1. Front free endpaper loosened Volume 1. Both volumes are tightly bound and easily readable throughout. Erratum slip laid-in Volume 2. This first American edition is derived from the Second Paris edition, translated with notes by Richard Wilmott Hall, M.D. Bound with 10 of 11 plates. Plate 2 was not published. Plates 10-11 show damp-stain at bottom third. Half-inch hole a mid-plate of Plate 7. 415-434pp. Dominique Jean Larrey (1766-1842) was one of the great military surgeons in history. He was preesent at all of Napoleon's great battles. He was one of the first surgeons to successfully perform an amputation at tghe hip, the first to describe therapeutic effects of maggots on wounds, invented the "ambulance volonte" or flying ambulance for the battlefield, among many other innovations in the care and treatment of military injuries and conditions. See Garrison-Morton 2160. This edition is abridged from Larrey's five-volume set, being Volumes 1-3 in two volumes.. First American Edition. Full Brown Mottled Calf. General Cover and Corner Wear/No Jacket. Octavo.

      [Bookseller: Glenn Books]
 35.   Check availability:     Biblio     Link/Print  


        Eigenh. Brief mit U.

      O. O. u. D.. 1 S. auf gefalt. Doppelblatt mit Adresse am Gegenblatt verso (Faltbrief). Kl.-8vo.. An seinen Freund, den aus Pest gebürtigen Pianisten Stephen Heller (1814-88), wohnhaft 62, rue Neuve-des-Mathurins, Paris: "Mon cher Heller / J'ai cherche dans toute la rue de Laval sans pouvoir trouver M. de Vesma [?] qui a eu la bonte de m'ecrire ce matin et que je voudrais bien voir avant son deport pour la campagne. Savez vous son adresse numerotee?" - Die Unterschrift aus Platzmangel am Briefkopf untergebracht.

      [Bookseller: Antiquariat Inlibris, Gilhofer Nfg. GmbH]
 36.   Check availability:     ZVAB     Link/Print  


        EXPERIMENTAL RESEARCHES CONCERNING THE PHILOSOPHY OF PERMANENT COLOURS; AND THE BEST MEANS OF PRODUCING THEM, BY DYEING, CALICO PRINTING, &C

      Philadelphia: Thomas Dobson, 1814. original paper covered boards with paper spine labels. Marbling. 8vo. original paper covered boards with paper spine labels. xlv,(iii),401,(3); (iv),394,(2). 2 volumes. First U.S. edition (of the London 1813 edition) The first volume was issued in 1794 and the second volume in 1813. When the second volume was issued, the first volume was reissued and dated 1813 (Cohen #36; Lawrie #26; Wolfe, Marbled Paper: Its History, Techniques, and Patterns, 167 and 225, n.3; S&S 30738; Rink 1851. Ron's Bibliotheca Tinctoria #67 ). Bancroft was an English physician-chemist, a Fellow of the Royal Society of London and the American Academy of Arts and Sciences, of the State of Massachusetts Bay. Wolfe cites this work in his discussion of the production of marbling colors, specifically "the earths and the lakes" (Wolfe 225, notes 7, 8, 10, 14, and 15). Includes a preface, explanation of terms, introduction, list of errata, and general index. Table of contents in each volume. Cohen notes two publisher's catalogues present in this copy (2 pages at the end of each volume) were also found in the copy owned by The Library Company of Philadelphia. Covers rubbed and spotted and worn along hinges and edges. Ink ownership inscription on back cover of volume one. Front cover of volume two detached and back cover lacking. Extremely rare to find in original publisher's binding.

      [Bookseller: Oak Knoll Books/Oak Knoll Press]
 37.   Check availability:     Biblio     Link/Print  


        North America [Original 1814 Map]

      London: Thomsons New General Atlas [Drawn and Engraved For] 1814. () Very good. 21" X 26" (53.34 X 66 cm). Printed on thick paper. The edges of the land masses have been outlined by hand in colour (pink, yellow and green). Vertical crease down center with some very slight darkening to either side. Light soiling near edges (with the tips of the bottom two corners darkened). Border has been coloured a very subtle orange, which gets darker near to the top right corner; also No. 53 sticker furthur into top right corner. Bottom edge untrimmed with a couple of small closed tears. A very interesting map. Map shows North America (with the borders being: the easternmost tip of Asia / the islands of Alaska, the western most tip of Iceland and New Mexico). Distance is given in British Statute miles. It is impressive to note the large differences between this map and one of today..

      [Bookseller: Aquila Books]
 38.   Check availability:     Biblio     Link/Print  


        Eigenh. Brief mit U.

      O. O. u. D. - 5 SS. Folio. An einen namentlich nicht genannten Adressaten: "In der Hoffnung dass es vielleicht von einigem Nutzen seyn dürfte wenn ich diejenigen Bemerkungen welche ich während meines Aufenthaltes in Breslau über den dortigen Zustand der Musik gemacht schriftlich mittheilte, so fand ich Gelegenheit in den zehn Tagen welche ich dort verweilte, folgende Erfahrungen in obiger Hinsicht zu machen. In Breslau angekommen ging ich zuerst in das königl. evangelische Seminar, um Herrn Hientsch, den ich von Berlin her kannte, wieder zu sehen. Er machte mich mit dem Äußerlichen der Anstalt gleich etwas bekannt. Auch probierte ich die Orgel, welche aber leider nur ein Manual hat und gar nicht von dem Umfange, von welchem ein solches Instrument für eine solche Anstalt billig seyn sollte. Auch ist eine Orgel für eine solche Anstalt, wo 80 und wohl noch mehr junge Leute sich zu Organisten bilden sollen, gar nicht ausreichend. Es ist daher höchst preiswürdig, dass ein hohes Ministerium dem Katholischen Seminario eine zweite Orgel bewilligt hat. Es steht daher zu hoffen, dass auch dem evangelischen Seminario eine solche 2te Orgel zu Theil werden wird [ ]". - August Wilhelm Bach, zunächst von seinem Vater im Orgelspiel unterrichtet, studierte bei Karl Zelter, Ludwig Berger und Karl Wilhelm Henning. 1814 wurde er Organist an St. Gertraud, 1816 an der Marienkirche in Berlin. 1822 berief ihn Zelter als Lehrer an das neugegründete Königliche Institut für Kirchenmusik; 1832 wurde er dessen Nachfolger als Direktor. Er lehrte auch an der Berliner Akademie der Künste und war Orgelsachverständiger im preußischen Kultusministerium.

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
 39.   Check availability:     AbeBooks     Link/Print  


        Picturesque Representations of the Dress and Manners of the Russians

      London: James Goodwin. Full Morocco. Very Good. 4to, 9.5 by 7 inches, 24 by 17 cm. 64 plates, each accompanied by a page or two of description (on separate leaves). Colas 2358. This is derived from the same title published by John Murray in 1814, which itself was based closely on the work published by Miller in 1803 and the plates of Georgi from the 1770s (Colas 1223). Notwithstanding the derivative nature of the plates, as hand-colored stipple prints they are exquisite, with color that to this day springs off the page and delights. Leather on spine is dried out and rubbed by extremities. Rubbing of gutter areas. Boards' leather still healthy. Binding is tight, and notwithstanding some minor scattered soiling of leaves, text and plates overall quite clean and fresh. Gilt foreedges.

      [Bookseller: White Fox Rare Books and Antiques ]
 40.   Check availability:     ABAA     Link/Print  


        Les Oeuvres d'Euclide, en grec, en latin et en francais, d'apres un manuscrit tres-ancien qui etait reste inconnu jusqu' a nos jours. Par F(rancois) Peyrard. 3 Bände.

      Paris, Patris, 1814-18.. (26 x 20 cm). XLII (statt XLIV?) 518 (2) S./ XLIV, 518 (1) S./ (4) XVIII, 616 S. Mit zahlreichen Textholzschnitten. Moderne Pappbände im Stil der Zeit.. Erste Ausgabe dieses hervorragenden Werkes, der einzigen trilingualen Edition der euklidschen Werke. - "Das dreibändige Hauptwerk von Peyrard, mit dem er den Höhepunkt seiner Quellenforschung zu Euklid erreicht und die Grundlage für die abschließende Ausgabe der Heiberg-Menge u.a. schafft, indem er die ortheonische Redaktion der Euklidischen Elemente in einer griechisch-lateinisch-französischen Ausgabe bietet" (Steck). Peyrard ist der Erste, der auf die Vatikan-Handschrift "Vaticanus Graecus 190" zurückgreift; sie ist die einzige vollständige vortheonische und damit die älteste bekannte Fassung der 'Elemente'. - Vereinzelt leicht stockfleckig. Die ersten Blätter von Band 3 in der rechten oberen Ecke mit kleinem Fleckenrand. Möglicherweise fehlt ein Blatt der Vorstücke von Band 1. Insgesamt gut erhaltenes Exemplar. - Steck VI.6; Riccardi, Bibliografia Euclidea S. 484

      [Bookseller: Antiquariat Gerhard Gruber]
 41.   Check availability:     ZVAB     Link/Print  


        The Seats of the Nobility and Gentry

      1814. WATTS, William. The Seats of the Nobility and Gentry, in a Collection of the most interesting & Picturesque Views. Engraved title-page and 84 plates, each with a leaf of descriptive text in letterpress, 1 f. ("Alphabetical Index"). Oblong 4to., 210 x 265 mm, bound in contemporary English red morocco, board edges gilt, spine gilt, a.e.g. London: John & Josiah Boydell, [ca. 1814]. The delicate engravings in Watts's famous work, Seats of the Nobility and Gentry, offer present-day viewers a record of English stately homes and the late-eighteenth-century gardens that surrounded them. The engravings were executed by Watts after his own designs, as well as those of Inigo Jones and others. John Harris has shown that these views offer valuable contemporary evidence of the architecture and gardens of each estate. Among the famous homes are: two views of Chiswick House, Middlesex, the seat of the Duke of Devonshire, another of Chatsworth in Derbyshire with modifications by Lancelot "Capability" Brown; Burghley House in Northamptonshire, the seat of the Earl of Exeter, with alterations by "Capability" Brown; Wilton House, the seat of the Earl of Pembroke; Alnwick Castle, the seat of the Duke of Northumberland; Charlton House in Wiltshire, the seat of the Earl of Suffolk, which was designed by Inigo Jones; and many others. William Watts (1752-1851) obtained his art education from such noted artists as Paul Sandby and Edward Rooker. His Seats of the Nobility and Gentry, which was originally issued serially in the years 1779-1786, is his best known work. Also a popular work, it was reprinted throughout the beginning of the nineteenth century, this copy with paper watermarked 1814. Preliminaries lightly creased, overall a fine, handsome copy. John Harris, The Artist and the Country House, pp. 156, 258, 261, 282. Bryan V, 347. Bénézit X, 656. Ian Mackenzie, British Prints, p. 342 (recording 80 plates only).

      [Bookseller: Ursus Rare Books]
 42.   Check availability:     Biblio     Link/Print  


        Opera d'Architettura ossia progetto sul foro che doveva esegursi in Milano

      Milan: Fratelli Bettalli, [1814]. - Folio (20 6/8 x 17 inches). Engraved vignette of the Foro Bonaparte on the title-page, 14 MAGNIFICENT double-page sepia aquatints plates by Antolinini, Sanquirico and others, and 10 uncoloured double-page engraved plans and aquatints. Contemporary marbled paper boards (rebacked with blue cloth in the 19th-century, worn). Provenance: acquired from Marlborough Rare Books, 1973 by Arthur and Charlotte Vershbow, their sale, Christie's 19th June 2014, lot 113. First edition, issued by subscription. A superb collection of Antolini's designs for the Foro Bonaparte, a grandiose plan to modernise the Castello Sforza, Piazza del Castello, Piazza d'Armi during Napoleon's occupation of Italy. Napoleon had first entered Milan on May 15 1796, by the end of June, the ancient Castello Sforza was under French rule. Napoleon decided to restore and improve the old fortress in spite of local Milanese opposition who wished to see the remains of old tyranny destroyed. In April 1799, Milan was back under Austrian and Russian rule, but on June 14 1800, Napoleon defeated the Austrian army in Marengo, and Milan was proclaimed capital of the Cisalpine Republic. Again, "the castle was used as a barracks and was further damaged. The Ducal Chapel was transformed into a stable, the Ducal Apartments used as a dormitory and the frescos painted during the Sforza period were covered in lime. At the beginning of the 19th century, the population exulted as the old Spanish ramparts were demolished. Great architects such as Luigi Canonica and Giovanni Antolini were called in to redesign the big area in front of the deteriorated Sforza Castle. Antolini designed a circular square with a diameter of about 570 meters. In it were classic-design public buildings (e.g. the Pantheon, the National Museum). Around it were arcades with warehouses, stores and private buildings. This square was named Foro Bonaparte. In the middle of the Foro survived the Sforza Castle, which became the residence of the Government. On one side, the Foro Bonaparte faced the city. The other side opened on a big square in the way to Parco Sempione and Paris. However, after April 1801, the project was set aside and the whole area underwent gradual changes, which led to transform it into a vast square (700x700 meters) called Piazza d'Armi" (Castello Sforzesco online). The extraordinary aquatints include images of the entire square, the Foro Bonaparte, the Faciata Princepale, Barriera Sempione, Faciata del Terme, Spaccato dei Bagni, Spaccato delle Sala delle Terme, the Facciata del Pantheon, Teatro, Borsa, et Museo, the Spaccato del Pantheon, Spaccato per is lungo del Teatro, Spaccato dell Borsa - Facciata posteriore, Spaccato del Musea, Spaccato della Logaria, Facciata, e Spaccato di una delle S. Sale di Publica Istruzione, and the "Monumento decretato dalla commissione provisoria di Governo li 5. Messidoro an.o 8° era francese, per eternare la memoria dell'eroe Bonaparte ; scelto dalla commissione degli artisti istituita per il giudicio del concorso ; e destinato da erigersi nel Foro-Bonaparte in Milano". Antolini is best remembered for his work in the Piazza San Marco, Venice. Berlin Kat. 2649. The first of the large double-page aquatints is an early example of the work of Allessandro Sanquirico, architect, decorator, restorer, inventor, and practiced artist of perspective and lighting, and the chief scenic artist and stage designer at La Scala from 1817 to 1832. While there he instigated a new aesthetic of stage design that was to become indissolubly associated with the art of 19th-century grand opera, and which continued to influence operatic set dressing well into the 20th-century. Sanquirico recorded all of his major stage designs in a series of meticulous aquatint engravings and disseminated them throughout Europe. They were often copied, and so were a major vehicle of his influence, which extended even to fashions in furniture, interior decoration, and clothing. For more information about thi [Attributes: First Edition; Hard Cover]

      [Bookseller: Arader Galleries]
 43.   Check availability:     IberLibro     Link/Print  

______________________________________________________________________________


      Home     Wants Manager     Library Search     562 Years   Links     Contact      Search Help      Terms of Service      Privacy     


Copyright © 2018 viaLibri™ Limited. All rights reserved.