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Displayed below are some selected recent viaLibri matches for books published in 1810

        \"Pont de Munic à construire sur le torrent de l`Isar\". Ansicht der Ludwigsbrücke mit hübscher Personenstaffage, im Hintergrund Türme der Frauen- und Peterskirche. Unter der Ansicht (16 x 72 cm) 12 Konstruktionsdetails, Aufrisse und Profile der Brücke.

       Kupferstich von F.W. Bollinger aus K.F. Wiebeking, um 1810, 53 x 72 cm. Lentner 1484; Slg. Proebst 521. - Breitrandig und gut erhalten. Versand D: 6,00 EUR BAYERN, Oberbayern

      [Bookseller: Antiquariat Bierl]
 1.   Check availability:     buchfreund.de     Link/Print  


        Historisch-geographisch politischer Versuch über Ostindien nebst der Schilderung von dessen Handel nach Le Goux de Flaix. Mit Noten, Anmerkungen und einer Vorrede von E. A. W. v. Z[immermann].

      Leipzig, Heinrich Gräff, 1810. Two volumes in two. 8vo (17.5 x 10.7 cm). 892 [I: viii, 444; II: iv, 436] pp., one folded engraving of the Jagrenat temple. Contemporary uniform tree-calf resembling paper boards with ruled borders, olive and brown gilt-lettered morocco labels on spines.= The very rare German edition of "Essai historique, geographique et politique sur l'Indoustan" by Alexandre Legoux de Flaix, published in 1807 in Paris. "Ostindien" therefore is eastern India, not the East Indies. The French edition itself is rare, but this German edition is really obscure and even difficult to find among German libraries. This edition was edited and contains an introduction by Von Zimmerman, then famous as publisher of the "Taschenbuch der Reisen" series. Boards a bit worn, small old stamp on title page verso, some offsetting to the plate, otherwise a very good copy.

      [Bookseller: Antiquariaat Schierenberg]
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        Ueber die Verkrümmungen des menschlichen Körpers und eine rationelle und sichere Heilart derselben. Von Dr. Johann Christian Gottfried Jörg, practischem Arzte, Geburtshelfer und academischen Privatlehrer an der Universität zu Leipzig, Ehre- Mitgliede der Leipziger ökonomischen Societät.

      Leipzig, Mitzky und Compagnie, 1810 - Mit 6 Kupfertafeln., XIV + 170 Seiten., Einband stark berieben und beschabt. Buchrücken teils etwas aufgeplatzt. Papier altersbedingt gilb und stockfleckig, unbeschnittenes Exemplar, sonst guter Zustand. Sprache: Deutsch Gewicht in Gramm: 1200 4°. Halbleinwand der Zeit mit Leinwandecken.,

      [Bookseller: Antiquariat an der Nikolaikirche]
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        CARTA CHE DIMOSTRA LA FIGURA DELLO STATO DI LUCCA. Deliziosa carta policroma, disegnata a mano, raffigurante i confini del Principato di Lucca in epoca napoleonica. 1810 circa.

      1810. Gradevolissima carta, disegnata in policromia, raffigurante il territorio lucchese in epoca napoleonica, in formato cm.43x32. Sono evidenziati la Prefettura di Lucca, il Vicariato di Pietrasanta, la Prefettura di Massa, la Prefettura di Castelnuovo e di Castiglione, il Vicariato di Borgo a Mozzano e di Barga. In alto sono raffigurati la bandiera francese e lo stemma di Elisa Baciocchi. Carta di estremo sapore e genuinità, conservata in cornice moderna. Codice libreria 127105.

      [Bookseller: Studio Bibliografico Pera]
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        Veduta dell'Isola Bella dalla parte di levante Quest'Isola fu fatta costruire dal Conte Vitaliano V l'anno 1665 di poi ampliata da suoi successori

      1810 ca., Lago Maggiore - Isola Bella 1810 - Bella veduta panoramica dell'isola, presa da levante con la riva di Stresa sullo sfondo, in primo piano barche che trasportano turisti mm 264x489

      [Bookseller: Sergio Trippini]
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        Bulletins of the Campaign 1809

      London: A. Strahan,, 1810. Octavo (158 × 93 mm). Contemporary finely sprinkled calf, red morocco label, flat spine, gilt in compartments, armorial featuring the neck badge of the Order of the Bath, pendant, gilt to the centre of both boards, single rolled gilt panel, fine milled edge-roll, edges sprinkled blue, marbled endpapers. A little rubbed, lower corners bumped, light toning, a very good copy. First edition. Reprinted from the London Gazette, this annual publication offers detailed reference for the campaigns of the Peninsula War, in this case covering Corunna, and the Second Portuguese Campaign. Extremely attractive copy.

      [Bookseller: Peter Harrington]
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         Partie méridionale de la Russie.

      [circa 1810]. 225 x 225 mm. Rare carte de forme hémisphérique, probablement destinée à un jeu de l'oie. Les bordures de la carte contiennent des cases de deux couleurs, ainsi qu'une boussole divisée en 32 airs de vents. Très bel exemplaire finement aquarellé à l'époque.

      [Bookseller: Librairie Le Bail]
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        Le Parfait Chasseur. Traité général de toutes les chasses, avec un appendice des meilleurs remèdes pour la guérison des accidents et maladies des chevaux de chasse et des chiens courants ; et un vocabulaire général à l'usage des chasseurs.

      Paris, Demonville, Imprimeur-Libraire et Ferra aîné, Libraire, 1810. In-8°, demi-percaline verte, dos lisse orné de doubles filets dorés (reliure fin XIXe). VIII-431-16 pp. Remise en vente, à la même date, de la deuxième édition de cet ouvrage classique avec un titre et des feuillets préliminaires modifiés ; la dédicace au prince de Conti a été supprimée. Avec 16 pp. de fanfares et 12 planches gravées sur bois (pieds de cerfs, de chevreuil, de loups, fumées, etc.). (Thiébaud, p. 269).Une petite tache d'encre sur la tranche inférieure, coins frottés, quelques rousseurs, sinon bon exemplaire.

      [Bookseller: Librairie Blomet]
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        Code d'Instruction Criminelle. Edition originale et seule officielle.

      Imprimerie Impériale 1810 - in-4, [4]-310 pp., exemplaire entièrement interfolié, veau fauve raciné, dos lisse orné de guirlandes, chaînettes et fleurons dorés en nids d'abeille, pièce de titre verte, (reliure de l'époque). Coins et coupes frottés, quelques petites piqûres, mais très bon exemplaire. Véritable édition originale, au format in-4, sortie concurremment avec les formats in-8 et in-12, de ce monument de compromis entre les héritages de l'ancien droit de type inquisitorial et les procédures accusatoires introduites sous la Révolution, et mal maîtrisées à l'époque. Dans notre exemplaire, les feuillets intercalaires ont servi à coucher d'importantes annotations manuscrites, écrites d'une écriture fine, serrée, mais parfiatement lisible, et qui, en général, donnent en regard des divers articles du Code, les décrets impériaux et les décisions de la Cour de cassation qui en complètent ou modifient les dispositions. Dupin (1832), 2310. Une petite fente à la charnière inférieure sans manque de peau sinon très bel exemplaire. [Attributes: Hard Cover]

      [Bookseller: PRISCA]
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        ALFRED DE MUSSET - Lettre autographe signée

      - Alfred de MUSSET (1810 - 1857), poète, dramaturge français Lettre autographe signée à un directeur de théâtre. Lundi 17 ; 1 page in-8°. « Pourriez-vous me donner pour ce soir quatre places de galerie ? Je vous en serais bien obligé. Vous avez joué deux fois Juré de rien. A la dernière reprise, avec Mme Vix, il me semble qu’on l’avait joué trois fois » « Il ne faut jurer de rien » est une pièce de Musset écrite en 1836 [Attributes: Signed Copy]

      [Bookseller: Manuscripta]
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        \"Ansicht von Mariä-Zell\". Hübsche Gesamtansicht von einem Hügel, im Vordergrund Bauern und kleine Prozession.

       Altkol. Umrißradierung von J. Ziegler nach Runk, Wien, um 1810, 27 x 41 cm. Nebehay-Wagner 578, 128. - Aus der von Friedrich Ferdinand Runk, Laurenz Janscha und Johann Ziegler herausgegebenen Folge \"Vues de différens Bourgs Villages et Villes de Autriche\", Wien bei F.X. Stöckel, um 1810. Die gesamte Folge umfaßt 207 Blätter. - Diverser kleinere Mängel wegen auf Chinapapier aufgezogen; Himmel aufgefrischt. Von schönem Gesamteindruck. Versand D: 6,00 EUR Europa, Österreich

      [Bookseller: Antiquariat Bierl]
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        Autograph letter signed "Spontini" to [Johann Valentin] Teichmann

      Spontini "dominated serious grand opera of the early 19th century in Paris and later in Berlin... Although Fernand Cortez was taken out of the repertory in 1810, that year proved to be the peak of Spontini's career. In February he was appointed directeur de la musique de l'opéra buffa at the Théâtre de l'Impératrice and was able to put his ideas for repertory - concentrating on performances of Cimarosa and Mozart - into practice at the Théâtre Italien. In July he was awarded a newly created prize for the best opera of the decade, for La vestale, and in the same month he married Marie-Cathérine-Céleste Erard, daughter of the pianoforte maker and publisher Jean-Baptiste Erard. After Napoleon's fall from power Spontini withdrew from the public eye for some time, but he greeted the return of the Bourbon kings in August 1814 with Pélage and he was restored for a time to the position at the Théâtre Italien which he had given up in 1812." Anselm Gerhard in Grove Music Online. His last opera, Agnes von Hohenstaufen, was first performed at the Königliches Opernhaus in Berlin on June 12, 1829. After extensive revisions, a second version was performed on December 6, 1837; the present letter most probably refers to a production of the second version of the work. Spontini was the Generalmusikdirektor and leading musician at the court of King Friedrich Wilhelm III in Berlin at this time, where he was welcomed by such prominent intellectuals as E.T.A. Hoffmann. A devotee of the theater, Johann Valentin Teichmann (1791-1860) was in close contact with prominent artists, musicians, and dramatic poets in Berlin. His literary output included a history of the Royal Theatre in Berlin from 1740 to 1840 and a collected edition of letters from writers, such as Goethe and Schiller, who corresponded with the Royal Theatre.. 1 page. Octavo. Dated [Berlin,] December [?]28, 1834. In French (with translation). Spontini asks Teichmann to thank those involved in a production of his opera, Agnes, for which he would also like seats for that evening's performance. "I beg Councillor Teichmann to convey my regards to the choir members, extra choir members, the two choir directors and Mrs. Hochstetter, as well as to several assistants who led the rehearsals of Agnes with zeal and talent, to which Mr. Henning, the music director, contributed the most of all." Slightly worn, browned, foxed and stained; creased at folds and somewhat overall; several edge tears; some show-through; remnants of former mount to verso.

      [Bookseller: J & J Lubrano Music Antiquarians LLC]
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        Das Käthchen von Heilbronn oder die Feuerprobe ein großes historisches Ritterschauspiel. Aufgeführt auf dem Theater an der Wien den 17. 18. und 19. März 1810.

      - Berlin, Realschulbuchhandlung, 1810. 198 S., 1 weißes Bl. Alter Pappband, Rücken überklebt u. mit neuem Rückenschild (etwas berieben). Seltene erste Buch-Ausgabe der umgearbeiteten Fassung. 1808 hatte Kleist einige Fragmente im "Phöbus" veröffentlicht. - Anregungen zu diesem mit märchenhaften Elementen durchsetzten, doch auch umstrittenen Drama erhielt Kleist aus der englischen Ballade "Graf Walther" (übersetzt von G. A. Bürger), aus Wielands Erzählungen und aus Schuberts "Ansichten von der Nachtseite der Naturwissenschaften", worin sich der Naturphilosoph u.a. mit dem Problem des Somnambulismus beschäftigt. - Goed. VI,102,6; Sembdner 8. - Braun- u. fingerfleckig, stellenw. stärker u. mit Tintenflecken. Titel verso blasser Sammlerstempel, S. 167/68 mit geklebtem Einriß. [Attributes: Hard Cover]

      [Bookseller: Buch & Consult Ulrich Keip]
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        Eigenh. Brief mit U. Rom, 24. II. 1810.

      1810. 4 SS. auf Doppelblatt. 8vo. An einen namentlich nicht genannten Adressaten: "Ihren l. Brief vom 28t. Nov. v. Js, den ich ganz unbegreiflicher Weise erst den vergangenen Mittwoch als am 21t. Febr. d. Js. von der Post empfieng, erbrach ich mit frohen Erwartungen zu erfreul. Nachrichten von Ihnen , und leider mußte ich Ihn mit sehr traurigen Gefühlen aus der Hand legen, da er nun durchaus ahnden läßt, daß Ihre eben so gerechten als billigen Erwartungen zu einer Lage, die Ihren hohen und schönen Kunstsinn ruhiger u. sorgenfreier nachleben läßt, noch immer unerfüllt geblieben sind. Könnte ich doch mehr thun als Sie theurer Freund mit bloßen Worten trösten. Sie nehmen mir leider damit die schöne Hoffnung mit Ihnen hier noch vereint unserer Kunst zu leben [...]".

      [Bookseller: Antiquariat Inlibris]
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        Hand-Boekje voor Pelgrims, Die geneygd zyn, haar waare Vaderland, zynde God en de Zalige eeuwigheyd, met Ernst te zoeken. Bestaande in korte Erinneringen, Zugtingen en eenige Pelgrims Liederen. Benevens een Twede Deel, bevattende zeer gewigtige Grond-Regelen, uit J.B. Louvigny en M. Gujon. Tweede Druk.

      Rotterdam, N. Cornel (ca. 1810) - 2 werken in 1 band, (4) 224, 108 p. Origineel Papieren Band, 16° (De rug is aan de onder- en bovenkant wat sleets. Zeldzaam bundeltje van 2 werken, het bevat verzamelde teksten van Gerhard Tersteegen, Thomas à Kempis, Jean de Bernieres-Louvigny, Jeanne Marie Bouvier de La Mothe Gujon, en Jan Luyken.)

      [Bookseller: Antiquariaat de Roo]
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        "VALOR ECCLESIASTICUS: temp. Henr. VIII. auctoritate regia institutus." Volume 1[only, of 6) with three hand coloured folding maps by Arrowsmith) - Printed by George Eyre and Andrew Strahan, by command of His Majesty King George III in Pursuance of an Address of the House of Commons of Great Britain.

      "VALOR ECCLESIASTICUS":A survey of the finances of the church in England, Wales and English controlled parts of Ireland made in 1535 on the orders of Henry VIII. In 1534 King Henry broke with the Pope and by the Act of Supremacy made himself the supreme head of the church in his lands. One of his first actions in his new role was to impose taxes on the clergy. Taxes traditionally paid by clerics to the Pope were now to be given to him, and Henry also decided in late 1534 to create a new annual income tax of 10% on the income from all church lands and offices. To properly assess the new tax a survey of all church property and revenues had to be made. In January 1535 the government appointed commissions throughout the country to conduct the survey. All clergymen, parish priests, heads of monasteries, colleges, hospitals and other institutions under church auspices were commanded to give sworn testimony before their local commissioners as to their income, the lands their establishments owned and the revenues they received from all other sources. The commissioners were to examine documents and account books and from these and the testimony provide a full financial statement for every religious institution. The work of collecting the information was ordered to be completed by 30 May 1535 and the results sent in to the Exchequer in London. The commissioners were unpaid and untrained, mostly local gentry, mayors, magistrates, bishops and sheriffs but they approached the vast task with speed and, by the summer of 1535, the government had in its hands a detailed accounting of the property and wealth of the church. A slip is bound-in explaining that the 'General Introduction & General Map' will be delivered with the 'last volume' (but they are not present). Latin Text. In 1800 an Address of the House of Commons requested that the "preservation, arrangement & more convenient use of Public Records" be facilitated by the reprinting of such records resulting in the publication in 1810 by order of King George III of this volume.

      [Bookseller: Bookbarrow]
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        Versuch über die maltesische Sprache zur Beurtheilung der neulich wiederholten Behauptung, dass sie ein Ueberrest der altpunischen sey, und als Beytrag zur arabischen Dialektologie.

      Leipzig, Fr. Chr. Wihl. Vogel, 1810. - In-8 broché, couv. de papier brun, XVI-78 pp. Braunpapier provisorischer Umschlag (leicht ausgefranst am Ränder). Einige Lage ungeheftet. Selten Stockflecken. Rare édition originale de cette étude sur la langue maltaise. [Attributes: First Edition; Soft Cover]

      [Bookseller: Librairie Le Trait d'Union sarl.]
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        Traité complet, théorique et pratique, sur les ABEILLES.

      Mme Huzard Paris 1810 In-8 de 2 ff.n.ch. IV 460 p., pleine basane racinée de l'époque, dos lisse richement orné, pièce de titre de maroquin rouge, roulette dorée en encadrement sur les plats. Edition originale (Casteljau 715). Ouvrage agrémentée d'une grande planche gravée, représentant 18 figures d'abeilles et de ruches. Reliè à la suite : - LOMBARD (Charles-Pierre). Manuel nécessaire au villageois, pour soigner les Abeilles et en tirer du profit sans les nuire. Paris, l'auteur, 1805. In-8 de X 1 f.n.ch. 159 pp. Troisième édition ornée de deux planches gravées (Casteljau 1076). Très bel exemplaire.

      [Bookseller: Livres anciens Kronis]
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        SIGNOR TOPSY-TURVY'S WONDERFUL MAGIC LANTERN; or, THE WORLD TURNED UPSIDE DOWN. By the author of "My Mother" and other poems.

      London, Tabart & Co., 1810. FIRST EDITION 1810, 16mo, approximately 125 x 100 mm, 5 x 4 inches, engraved frontispiece of magic lantern show, and 23 unusual amusing engraved plates, pages: (4), 5-71, (1) - R. Phillips Elementary Book List, bound in modern quarter red morocco over marbled boards, gilt rules and lettering to spine, 5 tiny gilt ornaments in compartments, new endpapers. Heavy ink initial on verso frontispiece with slight show-through to upper margin on recto, margins to frontispiece slightly dusty and a little spotted, slight brown offsetting onto title page and all text adjacent to plates, printed price (3s. 6d.) at foot of title page inked out with a couple of minute ink spots offset onto lower margin of frontispiece, frontispiece and title page reinserted on old paper tabs, 45 mm (2") closed tear to title page from inner edge, neatly repaired on verso with no loss of print at all, another small repair to lower part of title page verso, title page very slightly worn at fore-edge with small chip to lower corner, following Advertisement leaf, and C7 similarly affected, thumbing to most lower corners, some pages slightly browned, occasional small pale spot to margins, small ink mark to lower blank corner of page 7, a few very pale fox spots on many plates, tiny piece of surface paper stuck on image of 2 plates, hardly noticeable, due to adhesion to facing text page, in each case with loss of a couple of letters, all easily legible, 'Bee turned Drone' plate reinserted after B15 instead of before it, fore-edge of B16 slightly worn and strengthened with archival tape, inner edge of 'Horse turned Driver' plate slightly browned (due to tape removal?), tiny amount of pencil (most erased) on 'Boy turned Giant' plate, giving him a few extra strands of hair, very small closed tear to lower margin of final plate, neatly repaired on verso. A good copy of an uncommon children's book by the Taylors, nicely rebound. It seems the Taylors were inspired by The World Turned Upside Down published by Edward Riley in the second half of the 18th century. Moon, Tabart, No.171: "This is an excellent production. The verses are neat, pointed and ... easily to be understood by children.....The plates (by Isaac Taylor, jun.?) are among the more proficient illustrations in children's books of the period and amusingly depict 'The horse turned driver', 'The ass turned miller', etc."; Stewart, The Taylors of Ongar, Volume I, page 135, A9a; Gumuchian, 1157: "24 remarkable engravings, inspired by the French 18th cent. popular prints of Le Monde Renverse"; Oppenheimer Part VI, 2450. MORE IMAGES ATTACHED TO THIS LISTING, ALL ZOOMABLE. FURTHER IMAGES ON REQUEST. POSTAGE AT COST.

      [Bookseller: Roger Middleton P.B.F.A.]
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        CODE D'INSTRUCTION CRIMINELLE, Édition originale et seule officielle

      , Paris, Imprimerie Impériale 1810, très petit in-8, plein veau brun moucheté, tit. doré sur pc. havane, dos lisse orné de frises dorées, tr. mouchetées, (mors marqués, coins et coiffes émoussés, plat sup. taché et frotté), intérieur frais, 324p.

      [Bookseller: La Mémoire du Droit (Librairie - Edition]
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        Irtiza Khan Farhang i Irtiza. No place, 1226 H (= 1810 CE).

      1810. Folio. 383 ff. Ms. in red and black. Modern half calf. Pashtu-Hindustani dictionary. - First 23 pages with contemporary ms. foliation (skipping a leaf between 15 and 16). Upper corner waterstained throughout.

      [Bookseller: Antiquariat Inlibris]
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        Vertraute Briefe geschrieben auf einer Reise nach Wien und den Oesterreichischen Staaten zu Ende des Jahres 1808 und zu Anfang 1809. 2 Bände.

      Amsterdam (recte Leipzig), Kunst- und Industrie-Comtoir, 1810. 8°. XXII, 40, 470 S., 1 Bl.; XV S., 1 Bl., 446 S., 6 Bll., Marmor. Ppbde. d. Zt. m. goldgepr. Rückenschildern. Erstausgabe; mit der häufig fehlenden 40-seitigen Verlagsanzeige am Beginn des ersten Bandes. - „Mit interessanten Berichten über Wiener Musik- u. Theaterverhältnisse“ (Hayn/G.). - „Sehr selten. Geschätzt wegen der musik- und kunsthistorisch interessanten Schilderungen, besonders in Hinblick auf Beethoven“ (Slg. Mayer). - Reichardt beschreibt u.a. seine Begegnungen mit Goethe, Haydn, Salieri, den Brüdern Schlegel und Beethoven, aber auch besichtigte Gemäldesammlungen, Ausflüge, Theaterbesuche usw. - Einbände (bes. Kapitale) tlw. berieben u. bestoßen. Rückenschilder m. Fehlstellen (jenes des zweiten Bandes fehlt ca. zur Hälfte). Im ersten Band einige Bll. verbunden. Durchg. etw. gebräunt bzw. braunfleckig. - Slg. Mayer 2386; Hayn/G. VIII, 490; MGG XI, 154; Eitner VIII, 164. Versand D: 12,00 EUR Reichardt, Vertraute Briefe geschrieben auf einer Reise nach Wien und den Oesterreichischen Staaten zu Ende des Jahres 1808 und zu Anfang 1809

      [Bookseller: Antiquariat Wolfgang Friebes]
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        UNCLE'S PRESENT

      BEWICK. EARLY AMERICAN. (BATTLEDORE) THE UNCLE'S PRESENT, A NEW BATTLEDOOR. Philadelphia: Jacob Johnson (147 Market St.) (on flap), Philadelphia: Sold by Benjamin Warner (on rear cover), no date circa 1810. 3 3/4 x 6 1/2", brown pictorial wrappers, some darkening of covers else near fine. The front and back covers have woodcuts attributed to W. Mason on the front and A. Anderson on rear. The cover heeds "Read and be Wise" and the flap adds "Come, read and learn." The inside is composed entirely of an alphabet. Unlike most battledores, this has an extra leaf inside allowing for one large illustration for each letter of the ABC. The woodcuts are particularly charming depicting various Cries and the text of the cries use words for the particular letter they represent. Rosenbach says "The Cries illustrating the alphabet are a very pretty set, and are probably an early set of Newcastle or York Cries by BEWICK.... The letters J and U are omitted in order to have 24 letters for 24 compartments." Battledores were learning vehicles that served double duty. Inside the classromm they were used for learning the ABC's but at recess they could be used to play a pre-baseball type game of battledore and shuttlecock. This is one of the best examples of a battledore. Welch 1363. Rosenbach 428 (also pictured).

      [Bookseller: Aleph-Bet Books, Inc.]
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        Sammlung von teils eigenh. Notenhandschriften eigener und fremder Werke. Verschiedene Orte, ca. 1810-1930.

      1810. Zusammen 433 SS. eigene Werke bzw. Werkfragmente, Entwürfe u. dgl. und 1329 SS. Werke bzw. Werkfragmente, Entwürfe u. a. anderer Komponisten in Abschriften. Josef Schneider, geboren 1866 in Bad Reichenhall, kam 1888 als Schulleiter ins niederösterreichische Hautzendorf, wo er unterrichtete und die dortige Musikkapelle leitete. Sein kompositorisches Schaffen umfaßt zahlreiche Märsche, Mazurken, Gavotten und Walzer wie etwa "Der Lenz", "Im Mondenschein", "Maiglöckchen", "Mühlgang", "Kellergeister" und "Prinz Karneval" sowie Hymnen und sakrale Werke. Seinen Ruhestand verbrachte er in Wolkersdorf, wo er als Chormeister den Gesangsverein Wolkersdorf und als Dirigent das Hausorchester leitete und sich besonders mit dem Singspiel auseinandersetzte. So vertonte er etwa Ludwig Anzengrubers "G'wissenswurm" und zahlreiche andere Texte. Der Stadtgemeinde Wolkersdorf ist der Hinweis auf einige weitere Details aus seinem Leben zu danken, etwa auf das heute in und um Wolkersdorf noch bekannte Weihnachtsspiel "Christkindlein kommt" mit Text von Ernestine Berger und auf das Weihelied "Zu Euch Ihr Brüder", das Schneider anläßlich der Enthüllung des Kriegerdenkmals 1923 gleichfalls zu einem Text von Ernestine Berger, der Tochter des langjährigen Bürgermeisters Josef Berger, schuf. - Nach seinem Tode im Jahr 1940 geriet sein Werk kriegsbedingt in Vergessenheit, der hier vorliegende Bestand gestattet somit zumindest eine Übersicht über sein eigenes Schaffen wie über die Musik, mit der er sich im Rahmen seiner Tätigkeit als Kapellmeister und Musiker beschäftigte. Einige seiner Werke wurden von Josef Pleil für das Bläserquintett "Brass for Fun" arrangiert und seither regelmäßig aufgeführt. Die Stadtgemeinde Wolkersdorf benannte ihm zum Gedenken 1976 die verlängerte Krexnerstraße nach ihm. - Detaillierte Verlistung auf Anfrage.

      [Bookseller: Antiquariat Inlibris]
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        Hoch-Deutsches Reformirtes ABC und Namen-Büchlein für Kinder,

      Conrad Zentler, Philadelphia 1810 - "Verbesserte Ausgabe" (Improved edition.) Thin 8vo. 3o pages Unpaginated. Illustrated with cuts. Leather spine; binders board.Loose in binding and with the pages worn and soiled. The first and last pages are used as pastedowns. The board papers have entirely perished from the upper board and only a remnant (showing a bit of a rooster) remains on the rear.Rare. In German. Early American Imprints, 20353. Housed in a custom sclamshell case. [Attributes: Hard Cover]

      [Bookseller: Thorn Books, ABAA]
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        Kasen e sho [trans.: Pictures of Some of the Immortal Poets].

      36 finely color-printed woodcut illus. in the text. 23 folding leaves. 8vo, orig. gold-flecked wrappers (rubbed), orig. printed title label on upper cover, new stitching. N.p.: Preface dated "1810." First edition of this finely illustrated work by Kita Busei (1776-1856), a student of Tani Buncho. It is the first masterpiece by Kita; Hillier, describes the present book as "an attractive colour-printed book of poets" (The Art of the Japanese Book, p. 640). The images of the 36 poets, each of which occupies two-thirds of a page, are finely printed in color using a series of woodblocks. The backgrounds are delicately tinted and the images of each poet are richly color-printed, employing different colors in a series of printing runs. Outer margins with a small dampstain just touching the images, but a fine copy. ❧ Brown, Block Printing & Book Illustration in Japan, p. 119. .

      [Bookseller: Jonathan A. Hill, Bookseller, Inc.]
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        The uncle's present, a new battledoor.

      Philadelphia: Jacob Johnson 12mo (16.3 cm, 6.4"). [4] ff. (see below).. n.d. [ca. 1810] Dr. R explains the unusual way in which the pages of this publication were put together: There are "[f]our leaves, the first and last pasted down to the covers, the 2 inner ones pasted together making 4 pages in all." These four pages contain 24 letters of the alphabet, each with a "cry" illustrating it, 6 compartments to a page. Dr. R supposed the cries to be those of Newcastle or York, but Welch dissents and says they are London cries. In addition to the interior four pages, the covers are integral to the educational purpose of the publication: The front cover has a heading "Read, and be wise" and below is the alphabet in majuscules, then a center cut of sheep below a tree with children in the distance, with the numerals one to zero below the cut. Dr. R attributes this cut to A. Anderson. The rear cover has the same heading and below is the alphabet in minuscules, then a cut of horses and handlers and a building, with the alphabet in italic minuscules below, and then the numerals again. The flap with "Come, read and learn" on the outside and the title and publication data on the inside is present and integral. It is not uncommon for this fragile flap to have been lost. Publisher's olive printed paper?covered wrappers. Minor chipping to one top margin of rear cover; adhesion of olive paper from a different copy to the underside of the flap! A very few light stains. A very nice copy of this fragile item.

      [Bookseller: Philadelphia Rare Books & Manuscripts Co]
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        L'art de conserver, pendant plusieurs années, toutes les substances animales et végétales; Ouvrage soumis au bureau consultatif des Arts et manufactures, revêtu de son approbation et publié sur l'invitation de S. Exc. le Ministre de l'intérieur.

      - Paris, Patris et Cie, 1810. In-8, cartonnage moucheté à la Bradel, pièce de titre de veau rouge (rel. Devauchelle), xxxij, 116 p., une planche dépliante. Edition originale de premier tirage, avec la signature autographe de l'auteur au dos du faux-titre. Le compte rendu de l'invention de la conserve alimentaire, par stérilisation à chaud dans des contenants hermétiques et stériles "En juin 1810 un ancien confiseur parisien publie un livre qui va révolutionner la gastronomie et entraîner la création, sur l'ensemble de la planète, d'une nouvelle industrie (.). Son auteur, Nicolas Appert, natif de Châlons-en-Champagne, est installé à Massy. Le procédé de conservation des aliments par la chaleur en récipient hermétiquement clos, qu'il a découvert en 1795, est dévoilé, et dans le monde entier, à partir de cette date, des conserveries vont prospérer" (J.-P. Barbier). "The first workable process for canning foods. In 1795 Appert began developing the process under Napoleon's auspices as a way to maintain food on military expeditions. For strategic reasons he was not allowed to publish the secret method until 1810. Appert's method was strictly empirical. Pasteur eventually discovered a scientific explanation for the process and refined its operation" (Garrison-Morton, 2467.1). (Bitting, 13. En français dans le texte, 220. Norman 59. Oberlé, 184. Vicaire, 34). Quelques infirmes rousseurs. Très bon exemplaire, bien relié. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Librairie HATCHUEL]
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        Eigenh. Brief mit U. Berlin, [1810].

      1810. 1 S. 4to. "Euer Wohlgeboren / ersuche ich mich gefälligst umgehend hier nach Berlin - Hotel de Brandenburg - benachrichtigen zu wollen, ob Sie auf meinen letzten Brief von Coblenz (vor ungefähr 6-8 Wochen) bereits die von mir verlangten Sachen nach Coblenz geschickt haben. Sollte dieses der Fall sein, dann bitte ich mir ein Verzeichniß davon zu senden, so wie überhaupt von den Karten u.s.w. welche ich gewünscht habe; sollten Sie noch nichts abgeschickt haben, so wäre es mir lieb zu erfahren, welche Nova ich von Ihnen zu erwarten habe [...]". - Papierbedingt gleichmäßig gebräunt; im Rand leicht beschnitten. Provenienz: 1913 bei Karl W. Hiersemann, 1913, als Nr. 33 der Slg. H. Buhrig ("Napoleon I. und seine Zeit") versteigert (alter Katalogausschnitt beiliegend).

      [Bookseller: Antiquariat Inlibris]
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        Gedr. Konzertplakat. Wien, zwischen 1810 und 1829.

      1810. 378:450 mm. Ankündigung eines Konzerts mit "Vocal- und Instrumental-Musik", das am Donnerstag, den 13. Mai, im "Institut-Hause in der großen Steingasse nächst der Mariahülfer-Linie Nro. 182" stattfinden sollte. - Das Blindeninstitut, 1804 als Privatinstitution vom Armenbezirksdirektor der Josefstadt, Johann Wilhelm Klein (1765-1848), gegründet, war 1810 aus dessen Wohnung in die Große Steingasse 213 (6, Stumpergasse 6) übersiedelt und wurde 1816 in ein Staatsinstitut umgewandelt (erstes Blindeninstitut

      [Bookseller: Antiquariat Inlibris]
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        The Travels of Mirza Abu Taleb Khan in Asia, Africa, and Europe During the Years 1799, 1800, 1801, 1802, and 1803

      Longman, Hurst, Rees, & Orme, London 1810 - Substantial foxing to text. Translated from the Persian language text. [Attributes: First Edition]

      [Bookseller: Ground Zero Books, Ltd.]
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        A General History of the United States of America

      New York: Williams & Whiting, 1810. First Edition. Hardcover. Very good. 8vo. viii, 9-442pp. Restored. Original publishers boards with paper paste downs. New brown cloth spine with paper title label. Hinges repaired. Untrimmed page edges. Old pencil gift inscription on front free end paper. A very small period ink note written at bottom of title page states " * the only volume printed" Howes T 367. Complete. Volume 1 was the only volume ever published. The full title is "A General History of the United States of America; From the Discovery in 1492, to 1792: or, Sketches of the Divine Agency, In Their Settlement, Growth, and Protection; and Especially in the Late Memorable Revolution. In Three Volumes. Vol. 1. Exhibiting A General View of the Principal Events, from the Discovery of North America, to the Year 1765.

      [Bookseller: Americana Books ABAA]
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        The Cyclopaedia; or Universal Dictionary of Arts, Sciences, and Literature (40 volume set, lacking plate volumes)

      Philadelphia : S.F. Bradford, and Murray, Fairman and Co. 1810 - 40 volume set. Bound in contemporary 1/2 leather. Spine heads worn, chipped. 2 volumes have heavier wear to the spines. Many of the boards are detached. Scattered foxing. See our pictures. Two columns to the page. Small institutional stamps. *Lacking plate volumes and Volume 41.* BMC. vol 21, p. 287(1). Sabin 68634. Abraham Rees (1743-1825) was a British clergyman best known for this, his outstanding encyclopedic work, The Cyclopaedia. (Initially published 1802-1820 in parts in Great Britain.) Rees' work not only featured theological and humanistic issues, but also extensive articles on mathematics and natural sciences. The Cyclopaedia, "is the richest work for technology of the period, with detailed text and handsome, carefully prepared plates." Ferguson, Eugene. "Contributions to Bibliography in the History of Technology (part II)". Technology and Culture 3.2 (1962): 169 p. "Rees was convinced that the important progress made during the last decades of the eighteenth century, especially in the fields of history, geography, geology, natural history, and the physical sciences senu lato, required a new type of encyclopedia with the accent on these fields as well as the still relatively undeveloped domains of biography and the history of sciences. The Cyclopaedia thus became one of the first works of its kind to be compiled with the help of 'persons eminently distinguished in these branches of science to which they had devoted their talents.'" (Taxon Vol. 35, No. 2 (1986) This is an oversized or heavy book, that requires additional postage for international delivery outside the US. [Attributes: Hard Cover]

      [Bookseller: Sequitur Books]
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        SIGNOR TOPSY-TURVY'S WONDERFUL MAGIC LANTERN; or, THE WORLD TURNED UPSIDE DOWN. By the author of

      London, Tabart & Co., 1810.. FIRST EDITION 1810, 16mo, approximately 125 x 100 mm, 5 x 4 inches, engraved frontispiece of magic lantern show, and 23 unusual amusing engraved plates, pages: (4), 5-71, (1) - R. Phillips Elementary Book List, bound in modern quarter red morocco over marbled boards, gilt rules and lettering to spine, 5 tiny gilt ornaments in compartments, new endpapers.  Heavy ink initial on verso frontispiece with slight show-through to upper margin on recto, margins to frontispiece slightly dusty and a little spotted, slight brown offsetting onto title page and all text adjacent to plates, printed price (3s. 6d.) at foot of title page inked out with a couple of minute ink spots offset onto lower margin of frontispiece, frontispiece and title page reinserted on old paper tabs, 45 mm (2") closed tear to title page from inner edge, neatly repaired on verso with no loss of print at all, another small repair to lower part of title page verso, title page very slightly worn at fore-edge with small chip to lower corner, following Advertisement leaf, and C7 similarly affected, thumbing to most lower corners, some pages slightly browned, occasional small pale spot to margins, small ink mark to lower blank corner of page 7, a few very pale fox spots on many plates, tiny piece of surface paper stuck on image of 2 plates, hardly noticeable, due to adhesion to facing text page, in each case with loss of a couple of letters, all easily legible, 'Bee turned Drone' plate reinserted after B15 instead of before it, fore-edge of B16 slightly worn and strengthened with archival tape, inner edge of 'Horse turned Driver' plate slightly browned (due to tape removal?), tiny amount of pencil (most erased) on 'Boy turned Giant' plate, giving him a few extra strands of hair, very small closed tear to lower margin of final plate, neatly repaired on verso.  A good copy of an uncommon children's book by the Taylors, nicely rebound.  It seems the Taylors were inspired by The World Turned Upside Down published by Edward Riley in the second half of the 18th century.  Moon, Tabart, No.171: "This is an excellent production.  The verses are neat, pointed and ... easily to be understood by children.....The plates (by Isaac Taylor, jun.?) are among the more proficient illustrations in children's books of the period and amusingly depict 'The horse turned driver', 'The ass turned miller', etc."; Stewart, The Taylors of Ongar, Volume I, page 135, A9a;  Gumuchian, 1157: "24 remarkable engravings, inspired by the French 18th cent. popular prints of Le Monde Renverse"; Oppenheimer Part VI, 2450.  MORE IMAGES ATTACHED TO THIS LISTING, ALL ZOOMABLE. FURTHER IMAGES ON REQUEST. POSTAGE AT COST.

      [Bookseller: Roger Middleton]
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        LE NOUVEAU TESTAMENT DE NOTRE SEIGNEUR JESUS-CHRIST, EN FRANÇAIS, SUR LA VULGATE. TRADUCTION DE L. M. DE SACY

      Boston, 1810. Two volumes bound in one. 403; 326,[1]pp. Contemporary calf, spine gilt, leather label. Extremities worn, spine and boards rubbed. Contemporary ownership inscription on front pastedown. Light to moderate tanning throughout. Good. In a half morocco box. First American edition of the Bible in French. De Sacy's translation was the most widespread French Bible of the 18th century. SHAW & SHOEMAKER 19531. O'CALLAGHAN 1810:4a.

      [Bookseller: William Reese Company - Americana ]
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        Das Ganze der Nelkenzucht. 2 Teile in 1 Band.

      Leipzig Industrie-Comptoire 1810 - (20 x 12 cm). XVI, 56 S.; SS. (57)-218 (richtig 226), 3 Bll. Anzeigen. Mit 2 Frontispizen, 8 (6 kolorierten) Kupfertafeln und 1 gefalteten Tabelle. Halblederband der Zeit. Einzige Ausgabe. - Im ersten Teil wird das System der Nelken beschrieben. Der zweite Teil enthält eine gründliche Anweisung zur Pflege der Nelken. Die beiden Frontispize zeigen den Garten und die Gewächshäuser von Heuslingen; die kolorierten Tafeln mit je 4 nach der Natur gemalten Nelkenblättern von J.F.C. Robert. - Titel mit Besitzvermerk von alter Hand. Gering gebräunt bzw. braunfleckig. Rücken im Stil der Zeit erneuert, sonst gut erhalten. - Dochnahl 13; Nissen BBI 123 [Attributes: Hard Cover]

      [Bookseller: Antiquariat Gerhard Gruber]
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         Mappe-monde.

      circa 1810 350 x 642 mm. Belle mappemonde gravée à deux hémisphères avec contours aquarellés à l'époque.

      [Bookseller: Librairie Le Bail]
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        Eigenh. Brief mit U. ("Iffland"). Berlin, 13. I. 1810.

      1810. 2 SS. auf Doppelblatt. 4to. Mit eh. Adresse (Faltbrief). An den Schauspieler und Theaterdirektor Jakob Herzfeld (1763/69-1826) mit der Bitte, ihm doch "den Cromvell [!] des Krugmann" zurückzustellen und über Theaterangelegenheiten. - Papierbedingt etwas gebräunt und mit einem kleinen Ausschnitt auf Bl. durch Siegelbruch (dieses wohlerhalten). - In altem Sammlungsumschlag.

      [Bookseller: Antiquariat Inlibris]
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        Untersuchung über die Natur und die Ursachen des Nationalreichtums. Breslau & Leipzig, W. G. Korn, 1810.

      1810. 8vo. 3 vols. CIV, 412 pp. VIII, 631, (1) pp. VIII, 422 pp. Contemp. marbled boards with spine label. Third German edition of this classic of economy, the first good German version (cf. Roscher). The translation, based on the fourth English edition, was prepared by Chr. Garve and A. Dörrien, including for the first time "Stewarts Nachricht von dem Leben und Schriften des Autors". - Microfilmed by Research Publications in 1976; OCLC lists only 4 copies of the printed book. - Some browning due to paper, otherwise fine. Kress B 5757. Humpert 12751. Roscher, 603. Cf. PMM 221.

      [Bookseller: Antiquariat Inlibris]
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        "Oesterreichs Patrioten bey der Vermählungs-Feier Kaisers Napoleon des Grossen mit Kaiser Franz des Gütigen Prinzessin Tochter Marie Luise von Oesterreich im Jahre 1810 | gesungen von Mich. Max. Hainzmann". Wien, 1810.

      1810. Eigenh. Manuskript mit Namenszug im Titel. 10 SS. auf 6 nn. Bll. 4to. Fadengeheftet. Hainzmann war - wie aus dem Namenszusatz am Titel hervorgeht - "Assessor der K. K. n.oe. Banc. Administr. Wien". Enthält weiters einen einseitigen "Plan zur Titel-Schilderung" und zweiseitige "Ideen zur Beleuchtung bey dieser Trauungsfeyerlichkeit". - Schönes zeitgenössisches Dokument über den Beginn der nicht sonderlich geglückten Verbindung. Vgl. Kosch VII, 162 u. Goedeke VI, 540 sowie VII, 126 (wie im

      [Bookseller: Antiquariat Inlibris]
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        Autograph letter signed "G. Spontini Conte di Sant' Andrea" to Benigni Ghisilieri

      Spontini "dominated serious grand opera of the early 19th century in Paris and later in Berlin... Although Fernand Cortez was taken out of the repertory in 1810, that year proved to be the peak of Spontini's career. In February he was appointed directeur de la musique de l'opéra buffa at the Théâtre de l'Impératrice and was able to put his ideas for repertory - concentrating on performances of Cimarosa and Mozart - into practice at the Théâtre Italien. In July he was awarded a newly created prize for the best opera of the decade, for La vestale, and in the same month he married Marie-Cathérine-Céleste Erard, daughter of the pianoforte maker and publisher Jean-Baptiste Erard. After Napoleon's fall from power Spontini withdrew from the public eye for some time, but he greeted the return of the Bourbon kings in August 1814 with Pélage and he was restored for a time to the position at the Théâtre Italien which he had given up in 1812." Anselm Gerhard in Grove Music Online.. 1 page of a bifolium. Quarto (ca. 260 x 217 mm). Dated Paris, June 20, 1845. In ink on dark ivory paper with integral address panel and remnants of original seal to verso of second folio. In Italian (with translation). Spontini asks Ghisilieri to convey his thanks to a certain Consul Petrini. He mentions Giovanni Paggi, a well-known Italian oboist, composer, tenor, and mutual acquaintance. "... The most accomplished Signor Paggi will tell you that he has listened to me saying constantly that I am still awaiting answers from Rome, Iesi, and Maiolati! Without this, I would not know that I am boring my friends with vague, useless and fruitless matters! I have repeatedly asked him, and would indeed ask you also, to convey my infinite thanks to the most kind Consul Petrini for the admirable offer he saw fit to make to me, of providing a friendly retreat and hospitable asylum for the many centenary festivities. I would be too afraid to accept, or be judged perhaps indiscreet or ungrateful. I am not in a position to make up my mind or to take such a decision, which no one should expect in such a state of uncertainty... " Slightly worn and soiled; creased at folds; edges trimmed with short tears and some fraying, slightly affecting several letters; minor loss to margins of second folio, corresponding to seal, not affecting text or address panel. Together with: An intriguing autograph letter signed "Ch. de Lonchamps" to Spontini. 2 pp. of a bifolium, ca. 249 x 190 mm. Dated Naples, June 7, 1810. In ink on ivory paper with integral address panel with remnants of original seal, and "Il Soprintendente Generale de' Teatri, e Spettacoli Ciambellano di S. M." printed at head. In Italian (with translation). Lonchamps attempts to lure Spontini back to his native Italy with a commission for a grand opera and an opera buffa, to be performed at the Royal Theatre of S. Carlo in Naples. He reminds Spontini that, although he may enjoy unprecedented advantages in Paris, it is only in his own country that he may see his friends and family - as well as fulfill the desire of the Queen of Naples to have him in her city. "Having received your letter, my dear Spontini, I have been reflecting on the most suitable method of repaying you for your services. In consequence, I have summoned the impresario for the Royal Theatres, for whom you might like to set some drama to music, as much for honor as for profit. In doing so, knowing the benefit that could accrue from the graciousness of your action, I have engaged him to propose to you the composition of a major serious drama for the Royal Theatre of S. Carlo, for which you will be offered, in reward, the same as has been offered in the past to the most famous composers. Following the success of this composition (of which there can be no doubt), the above-mentioned impresario will propose an opera buffa, which will also be rewarded as above. This is what I have been able to obtain for the moment. I am sure that the impresarios of the Fiorentini and Nuovo theatres will not miss the opportunity to profit from your coming to Naples, by offering in their turn projects for their theatres, which are also enjoying fame at this time... " Creased at folds and corners; occasional small ink stains and smudging, just affecting final pen stroke of greeting; minor worming to upper inner margin, affecting one letter. Spontini was one of the leading composers in Paris when Lonchamps made his proposal. It is unclear whether Spontini accepted. After Fernand Cortez (1809), Spontini seems to have produced no new operas, either in Paris or Italy, until Pélage, first performed in Paris in 1814.

      [Bookseller: J & J Lubrano Music Antiquarians LLC]
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        Eigenh. Manuskript "Die heilige Dorothea" mit U. O. O., 26. IX. 1810.

      1810. 2 ½ SS. auf gefalt. Doppelblatt. 8vo. Insgesamt 10 Strophen. "Als unser Meister, Herr Jesus Christ, | Zum Heil für ewige Zeiten | In den bittern Tod gegangen ist, | Da bekannten sich viele Heyden. | Und in Griechenland lebte ein Mägdlein zart, | Die lebte gar freudige Tage; | Der hatte der Herr sich offenbart | In des Frühlings Blüthensprache. | Sie pflegte der Blumen so lieb und hold, | Sie waren ihr Lust und Schmerzen, | Und der Glaube wuchs wie reines Gold, | Lebendig in ihrem Herzen [...]".

      [Bookseller: Antiquariat Inlibris]
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        Eigenh. Manuskript. (Fragment). Wien, Sommer 1810.

      1810. 1 ½ SS. 8vo. Beschäftigt sich mit Stilfragen in der Gattung des Romans. - Mit Fehlstellen; gering gebräunt. - Loeben begann das Studium der Rechte in Wittenberg, widmete sich nach seiner Übersiedlung nach Heidelberg 1806 aber vor allem seinen literarischen Interessen. Beeinflußt durch die Schriften von Novalis, sammelte er einen kleinen Dichterkreis um sich, zu dem auch Joseph von Eichendorff gehörte. Nach Aufenthalten in Wien und Berlin und kurzer Teilnahme am Krieg gegen Napoleon lebte Loeben seit 1814 wieder in Dresden, wo er Novellen und Gedichte für verschiedene Zeitschriften schrieb.

      [Bookseller: Antiquariat Inlibris]
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        Specimens of Arabian Poetry, From the Earliest Time to the Extinction of the Kaliphat, With Some Account of the Authors. The Second Edition. London, W. Bulmer for T. Cadell and W. Davies, 1810.

      1810. Large 8vo. XVI, 143, (1), 70 pp. With 1 engr. plate of music. Contemp. full calf with giltstamped cover borders, attractively gilt spine and green gilt spine label. Second, posthumous edition, first published in Cambridge in 1796. Poets include Lebid ben Rabiat Alamary, Hassan Alasady, Abd Almalec Alharithy, Abu Saher Alhedily, Hatem Tai, Jaafer ben Alba, Alfadhel ibn Alabas, Meskin Aldaramy, Nabegat Beni Jaid, Imam Shafay Mohammed ben Idris, Ibrahim ben Adham, Isaac Almousely, Abu Mohammed, Abd Alsalam ben Ragban, Ibn Alalaf Alnaharwany, etc. The Arabic text follows the English translation (with separate page count). J. D. Carlyle (1759-1804) was professor of Arabic in the University of Cambridge. He was appointed chaplain by Lord Elgin to the embassy at Constantinople in 1799, and pursued his researches in Eastern literature in a tour through Asia Minor, Palestine, Greece and Italy, collecting in his travels several valuable Greek and Syriac manuscripts. - Occasional browning to text; covers sunned in places. A handsome copy from the library of John Pulteney with his engr. armorial bookplate to front pastedown. BMC 4:1258.1197. Gay 3436. Graesse II, 49. OCLC 2770074.

      [Bookseller: Antiquariat Inlibris]
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        Eigenh. Brief mit U. Dresden, 30. I. 1810.

      1810. 1 S. 4to. An einen namentlich nicht genannten Adressaten: "Heute gedachte ich nach Teplitz abzureisen, aber das Schicksal hat es anders bestimmt. Nachdem schon seit einigen Tagen ein böser Geist in meinem linken Fuße gespukt hatte, ist endlich ein heftiges Podagra darin ausgebrochen, so daß ich unter heftigen Schmerzen auf einer Stelle liege u. es mir Mühe kostet, diese Zeile zu schreiben. Sobald das Wichtigste vorüber ist, was sich doch wohl bis Ende der Woche verziehen möchte, werde ich aber meine Badereise antreten [...]". - Weiters über das (hier nicht beiliegende Manuskript) zum "8ten deutschen Heft des Augusteum". - Wilhelm Gottlieb Becker war seit 1795 Inspektor der Dresdener kurfürstlichen sächsischen Antikengalerie und des Münzkabinetts und erhielt 1805 die Aufsicht über das "Grüne Gewölbe" und den Titel eines kgl. sächsischen Hofrats. "Becker schrieb Lyrik ('Gedichte an Elisen', 1775), übersetzte u. a. Dandré Bardons 'Costume der ältesten Völker' (4 Hefte, 1776/77) und war Herausgeber einiger Periodika, darunter 1794-1814 des 'Taschenbuchs zum geselligen Vergnügen'. Er war ein Verfechter des englischen Landschaftsgartens in Deutschland. Sein kunstgeschichtliches Hauptwerk 'Augusteum. Dresden's antike Denkmäler enthaltend' (3 Bde.) erschien 1804-11" (DBE).

      [Bookseller: Antiquariat Inlibris]
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        Autograph letter signed. N. p. o. d.

      1810. 8vo. 4 pp. To the organist of the Graz cathedral, Ludwig Carl Seydler (1810-88): "I should ask you, dear Mr Seydler, kindly to exchange the 16-stave music paper for another with only 14 or even 12 staves, should that be finer than the 14-stave one, because the 16-stave paper puts too great a strain on my eyes for my new work [...] I would also ask you to return to me my Lamentationes, my three-voice Miserere and my Tenebrae, because I wish to include the latter, as I would the Jerusalem convertere from the Lamentations and the Miserere, in my new Passion Week [...]". - Neukomm, a student of Michael and Joseph Haydn, went to Russia in 1804, serving as conductor at St Petersburg's German Theatre. In 1809 he went to Paris as a pianist with Talleyrand; his Requiem written in memory of Louis XVI was performed at the Vienna Congress. In 1816 he accompanied the Duke of Luxembourg to Rio de Janeiro, where he remained until 1821. He then returned to Talleyrand, remained in his service until his death in 1839, and travelled throughout Europe as a conductor, composer, organist, and pianist.

      [Bookseller: Antiquariat Inlibris]
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        Marie Louise Impératrice des Francais et Reine d'Italie

      1810 ca. Immaginario monumento a Maria Luigia Imperatrice dei Francesi e Regina d'Italia. Al centro il mezzo busto dell'Imperatrice appoggiato su di un piedistallo recante la scritta "Anagramme / Marie Louise Impératrice des Francais / et Reine d'Italie.", e più sotto "Sa Majesté / I. R. / A entrepris, / Ecrirat-je, / la félicité / du monde.". Ai lati due figure femminili: a sinistra Atena e a destra la probabile raffigurazione allegorica della Francia. Sotto l'incisione al centro si legge "Sur cete auguste front vois respirer la paix / Symbole des vertus où ton bonheur se fonde, / Mortel! avec respect contemple dans ces traits / Et l'Epouse de MARS et l'Idole du Monde.". Ottima impressione. mm 458x322

      [Bookseller: Libreria Trippini Sergio]
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