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Displayed below are some selected recent viaLibri matches for books published in 1800

        The Dyer's Assistant in the Art of Dying Wool and Woollen Goods. [bound with] DELORMOIS [also DE LORMOIS], M. Suite Du Nouveau Teinturier Parfait, ou L'Art De Faire L'Indienne...

      London & York 1800 and Liege: F.J. Desoer 1773. . Two volumes in one, 12mo, 256, xvi, 84, viii pp, ink stamp to title and one stain to a preliminary leaf of the first work, half title of second work soiled, rebound in recent half calf over contemporary marbled boards, spine with period gilt decoration and red label. Haigh was a dyer in Leeds, and the first edition of his work appeared there in 1778. Several editions followed including this one, all are scarce. Wellcome III p547 lists 4 editions of De Lormois' work between 1767 and 1786. This edition not located.

      [Bookseller: Bow Windows Bookshop, ABA, ILAB]
 1.   Check availability:     UKBookworld     Link/Print  


        The Novels of Victor Hugo: Les Miserables Part One, Volume II (Profusely Illustrated with Elegant Wood Engravings)

      Peter Fenelon Collier Publisher. Hardcover. Rare! no print or copyright date. Circa mid to Late 1800's. Peter Fenelon Collier Publisher., 447 pages. (Quarter Leather and Burgundy Cloth Boards with Beautiful marbled endpapers and marbles edges of page blocks) Very Good Condition. no dust jacket, light edge/cover wear, Text is Clean and Unmarked! Binding is Tight! Next day Shipping with tracking! The Novels of Victor Hugo: Les Miserables Part One, Volume II (Profusely Illustrated with Elegant Wood Engravings) by Victor Hugo. Highly Collectible! Biblio . Very Good. 1000. 1000 Edition.

      [Bookseller: Jemi Books]
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        Tagebuch einer Reise durch die östliche, südliche und italienische Schweiz. Ausgearbeitet in den Jahren 1798 und 1799

      Kopenhagen, Brummer 1800. 19 cm. (8), 540 Seiten mit 3 Kupfertafeln von J. A. Darnstedt. Grüner Halbmaroquin-Band mit Rückenschild und und Rückenvergoldung. - Goed. V, 431, 7, 5 - Engelmann, Geogr. 923 - Griep / Pelz 117 - Erstausgabe. "Die Autorin reist mit ihren Kindern und schildert hauptsächlich ihre Begegnungen mit bedeutenden Persönlichkeiten und romantisch-schwärmerische Natureindrücke. Die Helvetische Revolution animiert sie zu Vergleichen mit dem vorherigen (ihrer Meinung nach bessern) Zustand der Schweiz und einer Fülle von konservativen Revolutionsmetaphern" (Griep / Pelz). Die Tafeln mit Ansichten: Wallenstädter See, Seebucht nach Flüele mit Tellsplatte, Lago Maggiore. - Schönes Exemplar in zeitgen. Erhaltung, auf stärkerem grünlichem Papier gedruckt. -

      [Bookseller: Wenner Antiquariat]
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        Zimao, The African. Translated by the Rev. Weeden Butler, M.A., of Sidney Sussex College, Cambridge

      London: Vernor and Hood, 1800. First edition. Hardcover. Very Good. London: Printed for Vernor and Hood by S. Rousseau, 1800. First edition. [i-v], vi-x, 105,[1]pp.,+ [2]pp. ads. ESTC: 2/1 (BL, Bodleian, and NY Public Library). ESTC attributes the book to the Rev. Weeden Butler the elder [1742-1823] (the author's father), and notes "this appears not to be a translation". Two subsequent editions appeared: Dublin, 1800; and a "corrected and enlarged" second edition, 1807. §Published in the guise of a translation from a contemporary account by the invalid friend of a kindly slave-owner (the supposed translation is problematic: the narrator is clearly either British or American, as was the "translator"). The story is set around a Jamaican slave revolt, part of it in the words of Zimao, the leader of the uprising, tracing his history from his upbringing, through his capture, to the present day. A 32 page appendix follows "consisting of extracts from the evidence delivered at the bar of the House of Commons, when that subject [the slave trade] was under the consideration of Parliament" [Monthly Review, Sept. 1800], that leaves no doubt as to the author's humanitarian motive. The book sets its stall at the outset, with this radical dedication: "To a Lady [possibly Mrs. Fitzherbert] eminent for her private qualities and her public station... The truly illustrious personage whose favour you enjoy, patronizes the sale of his fellow-mortals... His royal heart is kind and generous. Too long, however, has his royal ear been open to rich and crafty individuals, hackneyed in the traffic: to men, whose whole fortunes are exhaled from the holds of slaughter-houses, and whose avarice is drenched and glutted with blood-potations." §A significant, quite early, and extremely rare anti-slavery narrative. A very good copy, lately neatly rebound in quarter-calf, contrasting label, marbled boards. (**PLEASE READ CAREFULLY: This item will require special carriage arrangements - please contact us directly via e-mail or telephone for further details and to order**).

      [Bookseller: JAMES HAWKES]
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        The Holy Bible the Old Testament Embellished with Engravings from Pictures and Designs by the most Eminent English Artists [with:] the New Testament - [and the Apocrypha

      London: Printed for Thomas Macklin by Thomas Bensley; and Cadell and Davies by Bensley [Apocryha], 1800; and 1816 [Apocrypha]. (BIBLE, ENGLISH) 7 vols., Folio (464 x 368 mm). 71 plates after Reynolds, Stothard, West, and others, numerous engraved head- and tailpieces. Full contemporary English red straight-grained morocco, with wide gilt borders, richlly gilt spines with raised bands, lettered in two compartments, a.e.g., frequent light shadow of offset from plates to text, frequent spotting to plates, but mostly in margins and on tissue guards. Overall, a beautiful set. Herbert 1442; Updike II, 121-22 and 188 . In 1789, Thomas Macklin, the London print and picture dealer, announced his plans for publication by subscription of an edition of the Bible to promote "the glory of the English school" of painting and engraving and "the interest of our Holy Religion." For the edition, a new type was cast, a special milling of fine paper ordered, and Macklin set about commissioning the paintings, as well as their rendering as engravings. The artists involved in the project included Jacques de Louthenbourg, Hugh Douglas Hamilton, John Opie, Richard Cosway, Benjamin West, Richard Westall, with additional contributions by Fuseli, Kauffmann, Reynolds, and Stothard. Slightly over seven hundred subscribers rose to the occasion, including among them the King, the Queen and the Prince of Wales. Macklin died in October of 1800, just five days after the completion of the last engraving, and the subsequent edition of the Apocrypha, emulating both the format and style of the Old and New Testaments, was published in 1816 by Cadell and Davies. "The Macklin Bible endures as the most ambitious edition produced in Britain, often pirated but never rivalled" (DNB)

      [Bookseller: James Cummins Bookseller]
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        Oiseaux dorés ou à reflets métalliques

      Paris: Crapelet for Desray, [1800-]1802. 2 volumes, folio. (20 x 13 inches). Half-titles, section titles, 2pp. list of subscribers. 190 fine engraved plates, printed in colours, by and after Audebert, printed by Langlois (all with the plate captions printed in gold, most with gold highlights to the birds, 1 plate double-page). Contemporary diced russia, expertly rebacked to style, spines in seven compartments with raised bands, black morocco lettering-piece in the second compartment, red morocco in the fourth, the others with elegant repeat neo-classical design, gilt turn-ins. First edition, deluxe folio issue with the plate captions printed in gold: limited to 200 copies. A fine copy of "one of the most beautiful books of its era" ('Fine Bird Books) and the best early work on humming-birds, jacamars, promerops, tree-creepers and birds-of- paradise. The "colours of the birds and their handsome appearance have evidently been the cause of their selection for inclusion in the book. The plates ... are in beautiful colours ... [and] are among the best colour prints found in ornithology" (Anker). They were etched by Audebert from his own designs and those of the "very best painters of Paris and London." He received help with colouring from Louis Bouquet and with the printing in oil-colours from Langlois. The exact method used in the printing of the plates was of Audebert's own invention and involved the extensive use of gold for both the captions and the highlights. As Fine Bird Books points out, it is these "gold reflections of the plumage that renders this book unique and wonderful." The plates include three plates of details, 19 of Colibris; 50 of Oiseaux-Mouches; 6 Jacamars; 9 Pomerops; 88 Grimpereaux and 15 Oiseaux de Paradis. The text is largely by Vieillot who saw the work through to completion using Audebert's notes following the latter's death in 1800. Anker 14; BM (NH) I, p.71; Balis 52; Buchanan Nature into Art 105; Cottrell 19; Ellis/Mengel 93; Fine Bird Books (1990) p.73; Nissen IVB 47; Ronsil 103; Zimmer 17.

      [Bookseller: Donald Heald Rare Books]
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        THE NORTH-COUNTRY ANGLER; or, the Art of Angling as practiced in the Northern Counties of England

      Leeds, printed by Thomas Gill for John Smith, and sold by F. & C. Rivington and others, 1800.. Third edition, 1800. 8vo, 170 x 100 mm, 6¾ x 4 inches, engraved frontispiece by C. Livesy after W. Wade, pages iv, 87, rebound nicely in quarter calf, marbled sides, gilt dividing lines, 2 raised bands to spine, gilt rules and lettering, new endpapers. A little water-colour has been applied at some time to the fins on the frontispiece, slight offsetting from frontispiece onto title page, a little brown spotting to fore-edge of title page, also slightly affecting following 3 pages, minute nick to lower edge of title page, tiny closed tear to lower edge of frontispiece, pages slightly age-toned, 2 small pale brown stains affecting 4 pages, binding tight and firm. A very good copy. First published in 1786, It includes chapters on rods, lines, landing nets, trout, salmon, fly-fishing and fly-dressing, angling at night, and flood-fishing. Westwood, Bibliotheca Piscatoria, page 13. (Westwood does not mention the engraved frontispiece). MORE IMAGES ATTACHED TO THIS LISTING.

      [Bookseller: Roger Middleton]
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        Faunae Suecicae a Carolo à Linné Equ. inchoatae pars prima sistens Mammalia, Aves, Amphibia et Pisces Sueciae quam recognovit, emendavit et auxit Andreas Joannes Retzius (..) Cum tabula aeri incisa.

      Lipsiae. Apud Siegfried Lebrecht Crusium. MDCCC 8.o. X pp. + 362 pp. + 1 engraved hand coloured plate + 5 pp. contemporary or near contemporary handwritten index, never completed. (The 10 pp. advertisment is not present). The plate is placed on an extension paper at the end of the book. Contemporary half calf. Title label with gilt title at the spine. Gilt bands and rectangles at the spine. Marbled boards. A small loss (ca. 2 mm.) at the top of the spine. A little rubbing and a couple of scratches to the boards. Worn board edges and joints. Most of the back joint cracked. Small chiping to the title label. An ink spot covering the "u" in "Suecicae" at the title. A little smudging to the title and a couple of more leaves.The white at the bellies of the birds have oxidated into brown, as frequently is the case. Folds to the outer and inner margins of the plate. The inner fold touching 2 mm. of the image. A nice copy.. The present edition of Linné´s Fauna Suecicae - published by Retzius - comprise of vertebrates only. It was published by the very energetic professor Retzius at the University of Lund in southern Sweden. He specialized in several subjects, one of them natural history. The plate depicts Fringilla Flavirostris and Fringilla Lulensis. Engraved by Gapieux in 1800. The book was published in Leipzig in 1800. Scarce

      [Bookseller: Hammarlunds Antikvariat]
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        Raccolta di testi manoscritti. livorno, pistoia, pisa, siena, 1800-1852.

      Biblioteca Fisica o Memorie di Fisica, Chimica e Storia Naturale compendiate, tradotte o copiate... Firenze e Livorno, 1800-1824. Ventidue volumi di cm. 21, pp. 10.000 ca. complessive. Sono presenti 21 volumi di testo (su 22, manca il numero III) + un volume finale che riporta l'indice metodico delle Memorie comprese nei 22 volumi. Insieme a: Zibaldone... in supplemento ai di lui repertori. Livorno, Pistoia, Pisa, Siena, 1817-1842. Ventiquattro volumi di cm. 21, pp. 14.426 complessive. Un centinaio di tavole manoscritte e/o disegnate fuori testo (anche a colori). Insieme a: Biblioteca filologica ovvero memoria di varj autori concernenti la letteratura, la storia e la filosofia, copiate, tradotte o compendiate... Quattro volumi manoscritti di cm. 21,5, pp. 402; 286; 529 (1); 376. Insieme a: Miscellanee Scientifiche e Letterarie in Supplemento ai Repertorj ed allo Zibaldone... Siena, 1841-1852. Sette volumi di cm. 31, pp. 5312 complessive. Insieme a: Repertorio I° (e Repertorio II°). Firenze, 1804-1824. Due volumi di cm. 32, pp. 1592 complessive. COMPLESSIVAMENTE 57 VOLUMI legati in cartonato alla rustica ed in mezza pergamena con punte e piatti con carta marmorizzata, titoli e numerazioni manoscritte al dorso. I volumi, INTERAMENTE MANOSCRITTI, si presentano freschi, genuini, in barbe, con ottima carta, complessivamente molto ben conservati e con grafia sempre molto leggibile. Alla preliminare del primo volume dello Zibaldone vi è un avvertimento datato 10 settembre 1817 in cui l'autore spiega la nascita di questo Zibaldone e promette un indice. In una nota a fondo pagina, avverte invece che l'indice non vi sarà, rimandando per questo ai due volumi di indici dei suoi repertori scientifici e letterari. Per i quattro volumi della biblioteca filologica, invece, troviamo un indice al primo volume. Francesco Pistolesi fu primo nonché perpetuo segretario dell'Accademia Labronica i cui statuti di fondazione furono sottoposti a Ferdinando III da Giuseppe Vivoli nel 1816. Assieme a Pietro Parenti, primo presidente, l'impegno fu quello di una biblioteca sempre più ricca, che attorno alla metà del secolo venne poi donata al comune di Livorno. Lo zibaldone consiste interamente di materiali trascritti (ed anche tradotti) da giornali, riviste, gazzette, pubblicazioni scientifiche dalle provenienze più disparate, in lingua italiana e francese, di argomenti prevalentemente naturalistici, con una preferenza per ciò che riguarda la geologia, la meteorologia, i terremoti, i vulcani, i mari.

      [Bookseller: Studio Bibliografico Benacense]
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        Titan. 4 Tle. (Und:) Komischer Anhang zum Titan. 2 Tle. Zus. 6 Tle. in 3 Bänden

      Berlin, Matzdorff, 1800 - 1803.. Mit 4 gest. Titelblättern. Grüne Pappbde. d. Zt. mit rotem Rückenschild.

      [Bookseller: Antiquariat Turszynski]
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        Systeme des Connaissances Chimiques, et de leurs applications aux phénomènes de la nature et de l'art

      Paris, An IX-X, 1800-01.. First Octavo Edition, published simultaneously with an edition in quarto format. Contemporary vellum, gilt lettered spine-labels, 10 volumes in 5. With the stamped signatures of Fourcroy and the publisher on verso of titles for authentication purposes, and the publisher's voucher for the separately published index tipped in Volume I. Institutional stamps on titles, generally very clean. Fourcroy's magnum opus.

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
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        [preses]. Nova analysis aquarum Medeviensium.

      A.a. Uppsala, J. F. Edman, (1800). 4:o. 15 s. Tagen ur band och insatt i modernt gråpappersomslag.. Holmberg Bibliografi över J. J. Berzelius 1800:1. Marklin Catalogus disputationum 4. Berzelius debut! Denne hade under sommaren 1800 varit medhjälpare till Sven Hedin som var läkare vid Medevi brunn

      [Bookseller: Mats Rehnström]
 12.   Check availability:     Antikvariat     Link/Print  


        Mappemonde ? l'usage de l'instr.on (instruction). Par Guillame Delisle et Philippe Buache. Premiers G?ographes (du Roi) et de l'Acad?mie des Sciences. Revue et Augment?e des Nles (nouvells). D?couvertes par D?zauche en 1800.

      Paris, Dezauche, G?ographe, Successeur des S.rs. De Lisle et Phil. Buache, Rue des Noyers, 1790. Incisione in rame, confini in colore d'epoca, cm 47,5 x 67,7 (alla lastra). Titolo e Autori entro cartiglio svolazzante, in alto, a percorrere la carta nella sua lunghezza. Questa grande carta, tipica della produzione cartografica della Francia di fine secolo, raffigura il mondo diviso nei due emisferi. In un cartiglio posto in bs., al centro, fra la convergenza dei due globi, si legge un Avvertimento che spiega come si siano aggiunte a questo mappamondo le nuove scoperte fatte dal Capitano Cook nei suoi tre differenti viaggi, oltre a quelle fatte, dopo trent'anni, dai pi? celebri viaggiatori sia al sud del Capo di Buona Speranza, sia al nord del Grande Mare, chiamato volgarmente il Mare del Sud. Buon esemplare, con una minima mancanza all'angolo inferiore sinistro, peraltro pulito e a pieni margini.

      [Bookseller: Studio Bibliografico Botteghina D'arte G]
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        THEATRUM POETARUM ANGLICANORUM: CONTAINING THE NAMES AND CHARACTERS OF ALL THE ENGLISH POETS

      Canterbury London: Canterbury, 1800. First Printing of this Enlarged, Updated Edition. Owned by George Daniel, then Mark Pattison 203 x 121 mm (8 x 4 3/4"). lxxix, [i], 336, 6 pp. Edited by Sir Samuel Egerton Brydges. Appealing recent brown quarter morocco over linen boards, raised bands, red morocco label. Front flyleaf with ownership inscription of "G. D. / Canonbury"; title page with small, discreet embossed stamp of "Mark Pattison, Lincoln College, Oxon" (see below for both). In exceptionally fine condition inside and out. This is a series of brief biographies of 165 English poets who flourished between the years 1270 and 1603, beginning with Robert of Gloucester and ending with Queen Elizabeth herself. According to DNB, "it includes considered accounts of Shakespeare and Marlowe, a well-written introductory ‘discourse on poets and poetry';, a panegyric on his brother John, and a reticent allusion to his famous uncle," John Milton. Phillips was educated by Milton and later served as his uncle's amenuensis, after the poet's eyesight failed. The editor here, Sir Samuel Egerton Brydges (1762-1837), had a great desire to achieve literary fame, but "he was unhappily led to mistake his delight in reading great works of literature for an evidence of his capacity to produce similar works himself," and his original imaginative works are undistinguished. (DNB) He nevertheless did good service for British literature by producing a number of useful bibliographies, and by seeking out and editing for re-publication both the works of standard authors and rare works which had previously been accessible only to a few wealthy collectors. The provenance here does a great deal to distinguish our copy. Our earlier owner, "G. D. / Canonbury," is surely George Daniel of Canonbury Square, Islington, who amassed one of the most extensive and outstanding collections of dramatic literature, early Shakespeare editions, and Elizabethan ballads. Our other known owner, Mark Pattison (1813-84), was the head of Lincoln College at Oxford University from 1861 and an author and editor of considerable importance. According to DNB, "he had the reputation of being the most learned man in England.

      [Bookseller: Phillip J. Pirages Fine Books and Mediev]
 14.   Check availability:     ABAA     Link/Print  


        Dictionnaire raisonne, universel d'histoire naturelle: Contenant l'histoire des animaux, des vegetaux et des mineraux, et celle des corps celestes, des meteores, et des autres principaux phenomenes de la nature; avec l'histoire des trois regnes, et ... une table concordante des noms latins, ...

      Lyon: Chez Bruyset aine et ce., 1800.. 15 Vols., cont. mottled calf, contrasting labels, a couple of head bands a little chipped.

      [Bookseller: Forest Books]
 15.   Check availability:     UKBookworld     Link/Print  


        Traduction en vers des Métamorphoses d'Ovide, poëme en quinze livres, avec des commentaires; par F.

      Desaintange. Avec XVI figures. 1-2. Paris, de l'imprimerie de Crapelet, chez Deterville, 1800. 8vo. Engr. front,+ (4),+ xlv,+ (2),+ (blank),+ 406 pp.+ 7 engr. plates; (4),+ 495,+ (2) pp.+ 8 engr. plates. Ink spot on the frontispice. Spotting on pp. 227-232 and 321-322 in second part. Well preserved contemporary red half morocco bindings, richly gilt spines with green labels and yellow edges. Two volumes. From the library of Ericsberg. Cohen de Ricci pp. 773. Very fine copy. Engravings by T. Jourdan after B. Picart

      [Bookseller: Centralantikvariatet]
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        (Holland?), 1649.

      12:o. 110 s. Enstaka lager- och småfläckar. Fina marginaler. Fint rött halvmarokängband från mitten av 1800-talet, guldornerad rygg, röda pappärmar med förgylld ram, något blekt rygg. Äldre namnteckning "Recklin"? på titelbladet. Ur Ericsbergs bibliotek. Collijn sp. 778. Se Runeby s. 410ff. Detta är duodesupplagan, som troligen är tryckt i Holland. I Paris trycktes tidigare samma år en upplaga i kvarto. Detta är ett konstitutionellt ställningstagande av Rosenhane mot enväldiga tyranner, personifierade av kardinal Mazarin, vilken Rosenhane i skriften direkt angriper. Rosenhane förfäktar här samma åsiker och synpunkter som han framfört i den svenska debatten, nämligen att makten skulle delas mellan monarken och rådet, dvs högadeln. Diplomaten, riksrådet och hovmannen Schering Rosenhane (1609-63) skickades 1647, efter att ha varit observatör vid fredsförhandlingarna i Münster, som svensk minister till Paris, med uppdrag att skaffa franska subsidier till Sverige. Rosenhane sympatiserade dock med Frondens opposition mot Mazarin, vilket misskrediterade honom hos denne, och efter att ha publicerat denna broschyr, vilken fick mycket uppmärksamhet, blev situationen för Rosenhane omöjlig i Paris och Kristina fick återkalla honom till Sverige. Han skickades dock genast ut på nya uppdrag. Närmast hamnade han som medlare mellan Sverige och ärkestiftet Bremen

      [Bookseller: Centralantikvariatet]
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        The Blue Passion Flower [pl. XVII]

      London: Jan. 1800. Hand-coloured and colour-printed aquatint, stipple and line engraving by Caldwell. Sheet size: 21 1/2 x 16 1/2 inches. One of the most strikingly beautiful flower plates ever to be printed in England. "[Passiflora caerulea L.] The species of Passion Flower depicted in this plate, a native of Brazil and Peru and known in Europe since 1699, was the first discovered that was hardy in the cooler regions of the earth and could therefore, in Thornton's time, when glasshouses were less common, be more easily grown over a larger area of the world. Its flowers are only faintly scented and last but one day, but they are produced over several months, and plants flowering first in June often continue until October. In this plate both flowers and leaves have been depicted by the painter, Philip Reinagle, with life-like accuracy and engraved by Caldwell with a masterly fidelity. The delicate stipple of the flowers and their modelling, and that of the leaves is of a standard not often reached." (Ronald King, The Temple of Flora by Robert Thornton, 1981, p. 80) Thornton's The Temple of Flora is the greatest English colour-plate flower book. "...[Thornton] inherited a competent fortune and trained as a doctor. He appears to have had considerable success in practice and was appointed both physician to the Marylebone Dispensary and lecturer in medical botany at Guy's and St. Thomas's hospitals. But quite early in his career he embarked on his...great work. What Redouté produced under the patronage of L'Héritier, Marie Antoinette, the Empress Josephine, Charles X, and the Duchesse de Berry, Thornton set out to do alone... Numerous important artists were engaged...twenty-eight paintings of flowers commissioned from Abraham Pether, known as `Moonlight Pether,' Philip Reinagle, ...Sydenham Edwards, and Peter Henderson...The result...involved Thornton in desperate financial straits...In an attempt to extricate himself he organized the Royal Botanic Lottery, under the patronage of the Prince Regent...It is easy to raise one's eyebrows at Thornton's unworldly and injudicious approach to publishing...But he produced...one of the loveliest books in the world." (Alan Thomas, Great Books and Book Collecting, pp.142-144) Second state of three of this plate from The Temple of Flora. "Three very definite states...First state: the main stem and the stems of the bud and the leaf in the upper centre have a pronounced shadow with hard outlines. The dark patch of shading to the left of the base of the column has a hard upper edge. The part of the leaf to the right of the fruit is in aquatint only and so is the leaf projecting to the left beyond the column. The dark shading to the right of the column above the leaf has a jagged edge and the cloud above has an indistinct edge. Second state: the shadows of the stems of the upper centre are smaller and the edges are softer. The dark patch of shading is softened. The aquatint on the leaves mentioned above is strengthened with cross-hatched lines. There are added horizontal lines on the base of the column near the fruit. Third state...aquatint on the leaves and buds; the indistinct cloud has now a white edge, and there is...line rework[sic.] on many of the leaves. The flowers are no longer all printed in colours as before." (Handasyde Buchanan, Thornton's Temple of Flora, London, 1951, p.18)

      [Bookseller: Donald Heald Rare Books ]
 18.   Check availability:     ABAA     Link/Print  


        TOMMY TRUELOVE'S PRESENT; containing A Variety of Pictures, with suitable Verses and Applications, Moral and Entertaining.

      viii, (1), 10 - 42 2pp. book list. Pastedown wood-engraved frontispiece with verse beneath, and sixteen cuts within the text. Original Dutch floral wrappers. 10.x6.5 cm.Slight cropping to title of frontispiece; small pin hole running through blank margins; corner turned over on one leaf with the excess paper from an original production fault. Else a near fine copy of a rare book.

      [Bookseller: David Miles]
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        Reports from the Select Committee, appointed to inquire into the State of the Public Records of the Kingdom

      The two reports which began the monumental effort to publish England's public records, principally devoted to determining which records had survived and where they were; with twenty full page engravings, many folding, including Magna Carta. Calf-backed marbled boards, gilt, rubbed and showing some wear, but a very good copy. Printed by Luke Hansard, Great Turnstile, Lincolns-Inn Fields, London, 1800.

      [Bookseller: Meyer Boswell Books, Inc.]
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        Essays, Political, Economical, and Philosophical; 3 Vols

      A. Strahan / T. Cadell Jun. and W. Davies London: A. Strahan / T. Cadell Jun. and W. Davies. 1800. Later printing. Hardcover. Very Good. Three volumes, complete--vol. I. a 5th edition from 1800; vol. II. a "new edition" from 1800; vol. III. a "new edition" from 1802 (though presumably a first edition). Vellum-backed boards, spine labels, clean unmarked texts, 464 + 496 + 498 pp., illustrated (including a fold-out), Very Good set, some foxing/soil/discoloration to the contents, some rubbing and wear to the covers including minor scuffing to the boards and a bit of edgewear, covers also with some soil/discoloration to vellum. Digital images sent upon request. A rare fourth volume came out from another source in 1812.

      [Bookseller: Caliban Books ABAA-ILAB ]
 21.   Check availability:     ABAA     Link/Print  


        System Followed During the Last Two Years By the Board of Agriculture

      Printed for W. Miller, U.K., 1800. Second Edition. Signed by Author. Binding: Leather Binding. Book Condition: Good. Dust Jacket Condition: No Jacket. 'Further Illustrated With Dissertations on the Growth and Produce Of Sheep And Wool, As Well Spanish As English. Also , Observations Upon Laws. To Which are Added, Remarks On The Modes Of Culture And Implements Of Husbandry, Used In Portugal. And An Inquiry Into The Causes Of The Present Scarcity, And Means Proposed To Remedy It In Future. John Lord Somerville,' President of the Board of Agriculture, and founder of the Smithfield Club. This being the Corrected Second Edition, 300 pages, size 8.5 inches tall by 5.25 inches. Illustrated with tables & 8 fold out plates: Plough - showing 'movable mould-plate; Man+Bull & Knife (Removal of Horn?) Windmill (cloth not wooden sails); Portuguese Hoe; Ducket's Hoe x 4; Carter with Double Ox Cart; French Method of Yoking Oxen, 3 views; A One Ox Cart which by three Screw & Nuts a.a.a. changes to a Horse cart; . Book - in Good original leather binding with a black leather label and gilt lettering and gilt decoration to the spine - light marking and darkening to the brown leather binding, light bumping and rubbing to the extreme corners, usual cracking to hinges but binding & boards still tight. Contents, in original/contemporary endpapers, light browning to some pages, early previous owner's neat annotations to a couple of the pages, previous owner's bookplate with his coat of arms, otherwise clean, and tightly bound. DEDICATION TO THE FREE FRONT ENDPAPER 'W. MILLS 1ST MARCH 1801 THE GIFT OF THE AUTHOR'. An excellent copy of this important agricultural study, complete with it's beautifully executed plates. Quantity Available: 1. Shipped Weight: 251-750 grams. Category: Farming & Rural Life; Antiquarian & Rare. Signed by Author. Inventory No: 001347.

      [Bookseller: John T. & Pearl Lewis]
 22.   Check availability:     UKBookworld     Link/Print  


        Felis Leo Foemina / La Lionne

      Paris: circa 1800-1. Copper engraving, printed on laid paper. Good condition apart from some overall light soiling and minor foxing. Trimmed virtually to top platemark. 12 x 16 5/8 inches. 13 x 19 1/2 inches. A beautiful plate from Lacépède's "La Menagerie du Museum National d'Histoire Naturelle," an important scholarly work and one of the finest examples of eighteenth-century French natural history illustration. A professor of zoology at the Museum of Natural History, the French naturalist Bernard-Germain-Étienne Delaville, Comte de Lacépède (1756- 1825) was a versatile and precocious scholar who published a number of books on zoology, physics, and music. He was greatly influenced by the pioneering naturalist Georges Louis Marie Leclerc, comte de Buffon, whom he succeeded as Intendant at the Jardin du Roi, which later became the Musée d'Histoire Naturelle in 1793. During his tenure, Lacépède completed a comprehensive study of amphibians and reptiles, Historie Naturelle des Quadrupèdes Ovipares et des Serpens, which was published as a supplement to Buffon's magnum opus on animal classification Histoire Naturelle, Générale et Particulière. In 1800-1, he published the first edition of La Menagerie du Museum National d'Histoire Naturelle, a thorough survey of the various species of quadrupeds, reptiles and amphibians in the impressive collection of the Museum of Natural History. This magnificent work was comprised of descriptive text written by Lacépède and his colleague Georges L. C., Baron Cuvier (1769-1832) as well as a number of finely rendered plates after the most eminent natural history artists of the period, Nicolas Maréchal (1753-1803), Nicolas Huet (1770-1830) and Léon de Wailly (1801-1824). Painted from life on vellum, these beautifully detailed illustrations faithfully captured the appearance of the wondrous animals in the Paris menagerie. A pupil of J. G. Wille and C. N. Cochin, Simon Charles Miger was a royal academician and a talented engraver, who executed numerous portraits and natural history plates. Benezit, Dictionnaire des Peintres, Sculpteurs, Dessinateurs et Graveurs, vol. 9, p. 611; Anker 275; BM(NH) IV, p. 1517; Brunet III, 725; Nissen ZBI 2353.

      [Bookseller: Donald Heald Rare Books ]
 23.   Check availability:     ABAA     Link/Print  


        Femme du Gouggisberg prés de Berne (&) Paysan des environs de Berne.

      Original watercolour, Schweiz/Switzerland(?) c. 1800-1810. 22,5x28 cm. In fine condtion. Unframed.. Charming and most decorative picture of a Swiss peasant girl carying a chicken and a peasant in red waistcoat with detailed backgroun with a hamlet and green hills

      [Bookseller: Vangsgaards Antikvariat]
 24.   Check availability:     Antikvariat     Link/Print  


        PETITE GALERIE Dramatique ou recueil des differentes costumes d'acteurs des theâtres de la capitale. Volume 3.

      Martinet, Paris no date (c. 1800). 8vo. With 96 hand-coloured full-page engraved plates numbered 201-300. Two have double numbers (213-14 and 223-24) and two are double page engravings (255-56 and 261-62). No text leaves or titleleaves - just the plates. Bound in a contemporary red paper binding mounted on modern red cloth. The engravings are almost all stainless and without foxing - one plate (204) has a minor stain across. Bookplate on pastedown (the Danish scholar of theatre history Klaus Neiiendam).. Beautiful and lively engravings of theatre scenes in Paris in the early 19th century. They give an impression of not just the costumes but also the scenography

      [Bookseller: Vangsgaards Antikvariat]
 25.   Check availability:     Antikvariat     Link/Print  


        An album containing ten watercolour and gouache drawings of botanical arrangements

      [circa 1800]. Oblong folio. (9 1/2 x 12 7/8 inches). 10 original watercolour and gouache drawings on Chinese pith paper (each approx. 8 x 11 1/2 inches), most with small areas heightened with gum arabic, each tipped onto a backing sheet at each corner and bordered by strips of pale blue paper that are also tipped to the backing sheet (four with insignificant splits to the pith paper, as usual). Original gilt-patterned paper over pasteboard, green cloth ties. A lovely early album of fine Chinese flower paintings, in remarkably fine condition. Despite its entirely Chinese origins this album was almost certainly produced for a western patron: perhaps a gift from an East India Company employee to his wife, or a Yankee clipper captain for his daughter. It contains a very fine selection of watercolours executed on pith-paper: a material that rarely survives in anything approaching fine condition. The drawings are all of arrangements of sprigs from flowering plants together with individual blooms. The intention of these drawings was not to provide dry scientifically-accurate botanical drawings, but to produce designs that were pleasing and harmonious. Flowers include Hibiscus, Gardenia, Chrysanthemum, Quince, Morning Glory, Camellia and two butterflies. It later became the custom to instruct the Chinese artists in the art of western botanical drawing and also supply them with good quality western paper to work on. The apparent lack of any foreign materials or method suggest an earlier date for this album, although the style of drawing did remain popular through most of the 19th century.

      [Bookseller: Donald Heald Rare Books ]
 26.   Check availability:     ABAA     Link/Print  


        The Entrance to the Elephanta Cave [vol. V, plate VII]

      London: Published as the Act Directs for Thos. Daniell, Howland Street, Fitzroy Square, "March 1. 1800" [watermarked 1809]. Aquatint by and after Thomas & William Daniell, coloured by hand, on 'Whatman' wove paper. 20 7/8 x 29 inches. A stunning view of the cave-temple on Elephanta Island in the middle of Bomay harbour, from Thomas and William Daniell's celebrated book "Oriental Scenery". This "rock-cut Hindu sanctuary ... is generally attributed to the 6th-century Shilahara rulers. The main entrance is through a columned hall entirel;y hewn out of the basalt hill that rises in the middle of [Elephanta] ... island. Known to the Portuguese ... the Elephanta cave-temple was a popular excursion for European visitors at the time of the Daniells" (India yesterday and today p. 183). The Daniells' Oriental Scenery is considered one of the finest illustrated works on India. Thomas Daniell and his nephew William spent nine years in India making studies, sketches and drawings of the scenery, architecture, and antiquities that graced the countryside. They then devoted a further thirteen years to publishing their remarkably accurate aquatints. In Britain, the impact was explosive. A cult of Indian architecture, landscaping and interior decoration arose, with the Royal Pavilion at Brighton as its centerpiece. The Daniells gave the English public their first accurate look at the exotic sub-continent. Their great achievement still lies in their ability to blend the picturesque with the real, resulting in images that capture the European taste for the sublime landscape, while still remaining faithful to their subjects. The Daniells brought the romance of the English landscape to the antiquities of India and provided England with an accurate vision of this wondrous country. Consisting of one hundred and forty-four views, published in six parts, the work was issued in seven stages: three sets of twenty-four plates titled Oriental Scenery with title dates of 1795, 1797, and 1801; twelve plates titled Antiquities of India dated 1799; twenty-four plates titled Hindoo Excavations dated 1803; twenty-four plates titled Views in Hindoostan dated 1807; and twelve further plates of Antiquities of India published without a title page in 1808. All plates were engraved by the Daniells and all are taken from their drawings save the twenty-four plates of Hindoo Excavations, which are after drawings by James Wales. Abbey Travel II. 420 no. 58 ; Martinelli and Michell, India: Yesterday and Today, p. 183, no. 117

      [Bookseller: Donald Heald Rare Books ]
 27.   Check availability:     ABAA     Link/Print  


        Travels in the interior Districts of Africa, performed under the Direction and Patronage of the Africa Association, in the Years 1785, 1796, and 1797.

      London, (printed by W. Bulner and Co, for the Author), 1800. Engraved portrait frontispiece, 3 folding maps, 5 engraved plates (all). XX + 551 p. Brown full calf, rebacked with new gilt spine. 22 X 13,5 cm. Frontispiece with some spotting to margin. 1 map with repaired tear and some foxing. Plates and interior with some foxing. Label from an old antquarian book store. Owner´s notes on first free end paper

      [Bookseller: Antikvariat Röda Rummet AB]
 28.   Check availability:     Antikvariat     Link/Print  


        Virillard de la Foret noire (&) Paysan du Conté de Gruyere Canton de Fribourg, portant du beure.

      Original watercolour, Schweiz/Switzerland(?) c. 1800-1810. 22,5x28 cm. In fine condtion. Unframed.. Charming and most decorative picture of two different Swiss peasants, one shown cordially raising a glass of red wine, and one shown with a carrier

      [Bookseller: Vangsgaards Antikvariat]
 29.   Check availability:     Antikvariat     Link/Print  


        The Book of Common Prayer, and Administration of the Sacraments, and other Rites and Ceremonies of the Church, according to the Use of the Church of England: together with the Psalter or Psalms of David

      Edinburgh: Printed by Sir J.H. Blair and J. Bruce 1800 Edinburgh: Printed by Sir J.H. Blair and J. Bruce, 1800. (FORE-EDGE PAINTING) 18mo. . Near contemporary blue cloth with floral gilt tooled border, rose silk endsheets with gilt tooled braid borders, title page with ornamental gilt tooled border, a.e.g. wih a vertical fore- edge painting of a flower. Provenance: Ownership signature of "Mary Lister May 18, 1804" on first blank . An early cloth binding with the unusual addition of gilt tooling on the endleaves and title page

      [Bookseller: James Cummins Bookseller ]
 30.   Check availability:     ABAA     Link/Print  


        BIBLIOTHÉQUE DES ENFANTS. Tom. 11.

      [32] pages. Illustrated with 13 woodcuts. Original paper-covered boards with shaped labels to both boards. 6 x 5 cm's. Spine expertly repaired; one illustration coloured; some doodling here & there through; else a very good copy of a rare French edition. Marshall's Infant's Library, which numbered 16 volumes, was issued in French, German and Latin, as well as in English.

      [Bookseller: David Miles]
 31.   Check availability:     Direct From Bookseller     Link/Print  


        BIBLIOTHÉQUE DES ENFANTS. Tom. 3.

      [32] pages. Illustrated with 13 woodcuts. Original paper-covered boards with shaped labels to both boards. 6 x 5 cm's. Bookplate; spine expertly repaired; one manuscript correction; else a very good copy of a rare French edition. Marshall's Infant's Library, which numbered 16 volumes, was issued in French, German and Latin, as well as in English.

      [Bookseller: David Miles]
 32.   Check availability:     Direct From Bookseller     Link/Print  


        De Magnitudinibus et Distantiis Solis et Lunae.Pesaro: Franciscanus, 1572. First seperate edition..

      This treatise is the sole extant work of Aristarchus - the first proponent of a heliocentric system - and marks "the first attempt to determine astronomical distances and dimensions by mathematical deductions based upon a set of assumptions." (DSB). <br/><br/> Aristarchus "was the first to put forward the heliocentric hypothesis. In order to reconcile the apparent immobility of the fixed stars with the revolution of the earth around the sun, he assumed that the sphere of the fixed stars was incomparably greater than that containing the earth's orbit. That is, the universe conceived by him was incomparably greater than that conceived by his predecessors. In his only extant treatise On the Sizes and Distances of the Sun and Moon he gave a scientific method to make these measurements. His results were grossly inaccurate, but the method was sound." (Sarton, I:156). <br/><br/> "Some 1800 years before Copernicus, Aristarchus (c.310-c.230 B.C.) ventured the hypothesis - Archimedes is our source - 'that the fixed stars and the sun are stationary, that the earth is borne in a circular orbit about the sun,' and that the sphere of the fixed stars bears the same relationship to the sphere of the earth's orbit as the surface of a sphere to its center. In short, the earth is a planet and the sphere of the fixed stars motionless! Aristarchus also argued that the stars are so distant that the earth's motion produces no apparent shift, or parallax, in their position. This heliocentric or sun-centered universe attributed to Aristarchus seems to have received little attention among the ancients, but Copernicus was aware of the hypothesis, according to a deleted passage in a manuscript version of De Revolutionibus. The present translation of teh De Magnitudinibus was prepared at the request of the Duke of Urbino's son by Frederico Commandino (1509-1575), who added extensive commentaries." (The Barchas Collection, 1985, no. 5). <br/><br/> "After using sophisticated geometric calculations to estimate the size of the sun and moon, Aristarchus asserted that the former was much larger than the earth and that it was therefore more logical for the earth and the other planets to revolve around the earth. He wrote no treatise on the subject, but his claim was reported by Plutarch and earlier by Archimedes (who contested it) in his Arenarius, or Sandreckoner [see PMM 72 and Dibner 137]: 'He supposes effectively that the sun and stars remain still and that the earth revolves around the sun in a circular path, the sun being at the centre of that circle.' In his treatise On the Size and Distance of the Sun and the Moon Aristarchus calculated that the sun was some 18 to 20 times as far from the earth as the moon." (Celestial Treasury, Oxford 2001, pp.31-32). <br/><br/> "This treatise is also of great mathematical interest because of it containing the calculation of ratios which are in fact trigonometrical ratios." (Sarton, I p.156-57). "The propositions of Aristarchus are also of particular mathematical interest because the ratios of the sizes and distances which have to be calculated are really trigonometrical ratios, sines, cosines, &c., although at the time of Aristarchus trigonometry had not been invented, while no reasonably close approximation to the value of pi had been made (it was Archimedes who first obtained the value 22/7). Exact calculation of the trigonometrical ratios being therefore impossible for Aristarchus, he set himself to find upper and lower limits for them, and he succeeded in locating those which emerge in his propositions within tolerably narrow limits." (Heath: Aristarchus of Samos, The Ancient Copernicus, p.328). <br/><br/> "The first printing of a Latin translation included [Aristarchus'] text tucked away in an eclectic volume by Georgio Valla of 24 works in philosophy, medicine, music theory, and mathematics (printed by Strata 1488, and reprinted by Bevilaquam 1498). The first significant Latin text is the translation and commentary made by Commandino (1572) near the end of this life [the offered edition, which is also the first to include Papus' commentary]. The work appears as an independent treatise based around redrawn and mathematically coherent diagrams and accompanied by commentary fleshing out the mathematical argument. This publication has shaped the way the treatise has been read ever since. In fact, Wallis (1688) included Commandino's translation, diagrams, and comments in his edition of the Greek text." (Arch. Hist. Exact Sci. 61 (2007) 213-54). <br/><br/> Sparrow, Milestones of Science 10; Barchas Collection 82; Stanitz Sale 19; Sotheran's 1360 in 770/1917; Houzeau & Lancaster 820.. 4to: 181 x 127 mm. ff. [iv], 38. Provenance: The Macclesfield copy, fine 17th-century calf with crowned monogram of Gaston, Duke of Orléans (1608-1660), initials F.S.L.A. on title. Exceptionally fine and clean throughout

      [Bookseller: Sophia Rare Books]
 33.   Check availability:     Antikvariat     Link/Print  


        "I Tisdededahlen, m. af E. Pauelsen - St. af H.A. Grosch."

      Samtidig håndkolorert akvatint, 29,5x38,5cm København c.1800 Sjeldent såkalt "førstetrykk" utført av Heinrich August Grosch etter en tegning av Erik Pauelsen. Bildet fra Tistedalen ved Halden er ett av åtte norske motiver som kan knyttes til Pauelsen.. For svært lenge siden er bladet beskåret inn til motivet og montert på papir. Teksten under motivet er sirlig kopiert for hånd med blekk. Margene med aldersbruning, selve trykket er i god stand. Schiøtz 791 - 7, Schnitler "Vore Oldeforeldres Land" nr. 5

      [Bookseller: Kunstantikvariat PAMA AS]
 34.   Check availability:     Antikvariat     Link/Print  


        On the Electricity excited by the mere Contact of conducting Substances of different kinds.PMM 255 - The Electric Current. London: W. Bulmer & Co. for Peter Elmsley, 1800. First edition.

      "The first announcement of the voltaic 'pile', or electric battery" (Grolier/Horblit 37b). "The voltaic pile revolutionized the theory and practice of electricity, so that within one hundred years of Volta's invention more progress was made than in the two thousand four hundred years between the tentative experiences of Thales and the publication of Volta's letter addressed to Sir Joseph Banks, President of the Royal Society. ... The indispensability and ubiquity of electricity, in one form or another, in western civilization today emphasize sharply the fact that before 1800 human environment and existence were closer to life in ancient Egypt than to our own." (PMM). "This paper, in French, was sent by Volta to Sir Joseph Banks in London for communication to the Royal Society. In it Volta describes the pile of alternating dissimilar metals (silver and zinc) which, when moist, generated the flow of constant-current electricity. With this new force, water was decomposed, metal was electro-deposited, the electro-magnet was created and the electrical age was begun" (Dibner). PMM 255; Evans 35; Grolier/Horblit 37b; Dibner 60; Norman 2164; Evans 34. Translated in Ostwald's Klassiker no. 118. [The Norman copy sold in 1998 for $9,000; the latest auction record we can locate is Swann 2009, an extract in modern binding, which sold for $8,400].. Contemporary extract in old wrappers: Philosphical Transactions, vol.90, pp.403-431 with 1 folded engraved plate by James Basire illustrating the first electric battery. 4to: 270 x 214 mm. A fine and clean copy

      [Bookseller: Sophia Rare Books]
 35.   Check availability:     Antikvariat     Link/Print  


        Young man Wot keeps an Horse"

      London c. 1800 London, [c. 1800]. Image 11 x 8-1/2 inches, matted and framed to 17-3/4 x 15-1/4 inches overall. Pencil and watercolor on paper, signed "G. M. Woodward, Delin.".

      [Bookseller: James Cummins Bookseller ]
 36.   Check availability:     ABAA     Link/Print  


        Fabulae graecae latinae conversae. parmae, ex regio typographeo, 1800.

      In-folio (cm. 46), pp. (8) 176 (4). Legatura in cart. rigido arancione con titoli su etichetta al dorso. Legatura novecentesca ad imitazione (felice) dell'originale. Esemplare genuino e molto marginoso, in barbe. Cfr. Brooks (796): ""Stampate a 2 colonne, il testo greco e la versione latina accanto""; Geering: ""D'une simple beaute incomparable""; Brunet: ""Edition de luxe"".

      [Bookseller: Studio Bibliografico Benacense]
 37.   Check availability:     maremagnum.com     Link/Print  


        Aesopi phrygii fabulae graecae latine converse. parmae, ex regio typographeo, 1800.

      In-4 gr., bella legat. mod. in stile bodoniano, tit. su tassello impresso al dorso, 6 cc.nn., 344 pp.num. Vi sono raccolte 149 favole, senza commenti. Cfr. Brooks,797: "E' quasi più bella questa edizione in-4, stampata a singole colonne: testo greco colla versione latina a fronte. Dopo il frontespizio vi è Ex Aphitonii Sophistae exercitamentis (gr. - lat.)". (Nello stesso anno il Bodoni stampò la stessa opera in folio, a 2 colonne, in edizione di lusso) - Brunet,I,87.Fresco esempl. con barbe ben conservato.

      [Bookseller: Libreria Antiquaria Malavasi]
 38.   Check availability:     maremagnum.com     Link/Print  


        BUCOLICA, GEORGICA, ET AENEIS

      1800. Good. (VIRGIL). Publius Virgilius Maro. BUCOLICA, GEORGICA, ET AENEIS. Londini: A. Dulau, 1800. Printed by T. Bensley, London. Illus. Two volumes: [iv], 246; [iv], 276pp. Royal 8vo., full morocco, marbled endpapers, all edges marbled. The text is taken from that of the Didot folio edition, published at Paris in 1798. Illustrated with fifteen engravings by Bartolozzi, James Fittler, J. Neagle, and Sharp, after Gerard and Girodet. There is one plate in each book of the Aeneis, one in the Bucolica, and two in the Georgica. The impressions are good and the plates are clean. Two leaves in volume I (pp. 241-244) have closed tears to the top corner, not affecting text. Ink ownership to half-titles. Both volumes have been skillfully rebacked in maroon leather, which matches the original leather covers, and have replacement endpapers. Covers are diced with a gilt single-fillet outer boarder and a single-rule gilt panel with ornamental scalloped corners; the board edges are gilt- stamped with leaves and flowers. The covers show some rubbed spots and wear to extremities. The spines are in six compartments with two lettering pieces and ornamental tooling in the rest. This is an elegant edition and an attractive set. (Brunet; Lowndes).

      [Bookseller: Boston Book Company ]
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        THE TRUE HISTORY OF THE CONQUEST OF MEXICO, BY CAPTAIN BERNAL DIAZ DEL CASTILLO, ONE OF THE CONQUERORS. WRITTEN IN THE YEAR 1568

      Printed for J. Wright London: Printed for J. Wright, 1800. 514 pages + errata leaf. With engraved frontispiece map, titled "A Plan of the City and Lake of Mexico with an elevation of an Ancient Temple." Quarto, 10 3/4 x 8 3/4 inches. Paper spine, blue boards, paper label. Uncut and in original binding.First English language edition. A spectacular copy, completely original and in excellent condition.

      [Bookseller: Margolis & Moss ABAA/ILAB ]
 40.   Check availability:     ABAA     Link/Print  

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