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Displayed below are some selected recent viaLibri matches for books published in 1750

        AUGSBURG. - Waisenhaus. "Das Evangelische Waisenhauß in Augspurg von Abend her anzuschauen samt dessen Prospect". Blick von der Franziskanerkirche über die Dächer der Stadt bis zur Ulrichskirche. Im Himmel Spruchband, gehalten von zwei Putten.

      - Kupferstich von Matthäus Sigmund Sallomusmüller, um 1750, 37,5 x 42 cm. Schefold 41531. - Seltenes Ereignisblatt mit drei Kartuschen im unteren Rand. - Insgesamt angegraut, leicht fleckig, unten etwas knapprandig.

      [Bookseller: Peter Bierl Buch- & Kunstantiquariat]
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        AUGSBURG. - Waisenhaus. "Das Evangelische Waysenhauß in Augspurg von Abend her anzuschauen samt dessen Prospect". Blick von der Franziskanerkirche über die Dächer der Stadt bis zur Ulrichskirche. Im Himmel Spruchband, gehalten von zwei Putten.

      - Kupferstich von Matthäus Sigmund Sallomusmüller, um 1750, 37,5 x 42 cm. Schefold 41531. - Seltenes Ereignisblatt mit drei Kartuschen im unteren Rand. - Alt auf Karton aufgezogen, die Ränder etwas berieben. Gerahmt. [Attributes: Soft Cover]

      [Bookseller: Peter Bierl Buch- & Kunstantiquariat]
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        Gesamtansicht, darunter Erklärungen v. 1 - 36, "Königsberg".

      - kol. Kupferstich n. F.B. Werner b. Probst in Augsburg, nach 1750, 30 x 99 Marsch, F.B. Werner, S. 141 Königsberg 1b. Gesuchte, übergroße, von 2 Platten gedruckte Ansicht, nach einer 1727 erstellten Vorlage von F.B. Werner. - Das schöne Kolorit wohl nicht zeitgemäß, am rechten Rand zwei kleine Einrisse am Plattenrand hinterlegt.

      [Bookseller: Antiquariat Nikolaus Struck]
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        Gesamtansicht, "Dresden".

      - Kupferstich ( v. 2 Platten ) b. Johann Friedrich Probst in Augsburg, um 1750, 30,5 x 99,5 Nicht bei Fauser; Marsch, Friedr. Bernh. Werner, S. 138/139 ( 2. Zustand ). - Im Himmel Schriftband mit Titel und ein großes Wappen. Unter der Ansicht Erklärungen von 1 - 16. Rechts unten Nr. 47. - Angelika Marsch konnte von diesem 2. Zustand kein Exemplar nachweisen. Restaurierte Einrisse im Rand außerhalb der Abbildung.

      [Bookseller: Antiquariat Nikolaus Struck]
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        Allgemeine Historie der Reisen zu Wasser und Lande; oder Sammlung aller Reisebeschreibungen, welche bis itzo in verschiedenen Sprachen von allen Völkern herausgegeben worden, und einen vollständigen Begriff von der neuern Erdbeschreibung und Geschichte machen; Worinnen der wirkliche Zustand aller Nationen vorgestellet, und das Merkwürdigste, Nützlichste und Wahrhaftigste in Europa, Asia, Africa und America, in Ansehung ihrer verschiedenen Reiche und Länder; deren Lage, Größe, Grenzen, Eintheilungen, Himmelsgegenden, Erdreichs, Früchte, Thiere, Flüsse, Seen, Gebirge, großen und kleinen Städte, Häfen, Gebäude, u.s.w. wie auch der Sitten und Gebräuche, der Einwohner, ihrer Religion, Regierungsart, Künste und Wissenschaften, Handlung und Manufacturen, enthalten ist; Mit nöthigen Landkarten nach den neuesten und richtigsten astronomischen Wahrnehmungen ... Durch eine Gesellschaft gelehrter Männer im Englischen zusammen getragen. Sechster Band.

      Leipzig, Arkstee & Merkus, 1750. Gr.-8°. Titel + 3 n.n. Bll. + 608 S. + 16 n.n. Bll. OLd. der Zeit, auf fünf Bünden. Mit allen 44 Beilagen (Karten bzw. Tafeln), ohne die angegebenen drei Karten für den 5. Band. Einer von 21 Bänden. Apart. - Ebd. berieben, stockfleckig bzw. fleckig, Gbrsp., Gelenke etw. gelockert, Besitzeinträge a. fl. V., eine Tafel tlw. koloriert. - Behandelt die \"Beschreibung von China\" sowie \"Beschreibung von Korea, der westlichen Tartarey und Tibet\" u. a. - Schwabe, (1714 - 1784), war nach dem Studium der Theologie in Leipzig zunächst Privatlehrer und Hofmeister, seit 1750 Kustos der Universitätsbibliothek. 1765 wurde er a.o.Prof. der Philosophie an der Univ. Leipzig. Der überzeugte Anhänger von Gottscheds poetischen Lehren war einer der vielseitigsten Übersetzer, Herausgeber und Publizisten der deutschen Aufklärung. Er übersetzte Werke von Voltaire und Swift, ferner pädagogische, geographische und naturwissenschaftliche Schriften und publizierte 1747 eine Neuausgabe von Daniel Georg Morhofs Polyhistor. Für Gottscheds unvollendete Literaturgeschichte bearbeitete er das Kapitel über den Roman. Als Herausgeber der \"Belustigungen des Verstandes und des Witzes\" bot er ein Forum für kritische Beiträge von Karl Christian Gärtner, Johann Adolf und Johann Elias Schlegel, Christian Fürchtegott Gellert und Friedrich Wilhelm Zachariae. (DBE) Versand D: 7,00 EUR Reise

      [Bookseller: Antiquariat Weinek]
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        Il carro di Pulcinella o Pulcinella felice

      1750 - Acquaforte, 1750 circa, firmata in basso a destra ‘Joan. Aug. Ratti Pictor Sanueasis inv. et fec.’ Bellissima prova, impressa su carta vergata coeva, una piccola macchia nel bordo bianco inferiore, qualche piega di carta, nel complesso in ottimo stato di conservazione. Questa rara incisione del celebre pittore ligure Giovanni Augusto Ratti fa da pendant con un altro foglio che rappresenta Pulcinella infelice che abbandona la casa con la propria famiglia. Il tema di Pulcinella era stato rappresentato da Ratti non solo in queste due incisioni ma anche, in qualità di pittore ceramista, su maiolica. Il savonese Giovanni Agostino Ratti (Savona, 1699 - Genova, 1775) nella sua carriera di pittore ha prodotto numerosi quadri di soggetto sacro e profano che ornano chiese, oratori e palazzi di tutta la Liguria, dove principalmente operò nella sua vita. Fu padre e maestro di Carlo Giuseppe Ratti e frequentò a Roma la scuola di Benedetto Luti. Protagonista della pittura a Savona nel Settecento, il Ratti a metà del secolo rappresenta anche nel più vasto panorama culturale ligure un riferimento di spicco, soprattutto per l'impegno nella costituzione e nell'incremento - anche attraverso gli influssi sul figlio Carlo Giuseppe - dell'Accademia Ligustica di Belle Arti. Sono note 22 incisioni, quasi tutte realizzate durante il suo soggiorno romano. Le due incisioni di Pulcinella, però, furono realizzate una volta rientrato in Liguria, dove continuò a lavorare tra Savona e Genova, fino alla sua morte. Etching, 1750 circa, signed on platea t lower right ‘Joan. Aug. Ratti Pictor Sanueasis inv. et fec.’ Good example, printed on contemporary laid paper, below small spot in the white border, otherwise in good condition. A very rare etching by the famous Italian painter Giovanni Augusto Ratti is a pair with another sheet showing Pulcinella, sad, who leaves the house with his family. The theme of Pulcinella was represented by Ratti not only in these two recordings but also, as a ceramist, on majolica. Giovanni Agostino Ratti, from Savona, came early to Rome, where he studied for several years in the studio of Benedetto Luti. Most of his 22 well-known etchings originated mainly in Rome, but the motifs of the Pulcinella did not arise until after his return to the homeland, where he pursued various orders between Savona and Genoa until his death. De Vesme 20 Dimensioni 292 230mm [Attributes: Signed Copy]

      [Bookseller: Libreria Antiquarius]
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        Veduta della Piazza della Rotonda

      Roma 1750 - Bella veduta tratta dall'opera "Les Plus Beaux Edifices De Rome Moderne, Ou Recueil Des Plus Belles Vues Des Principales Eglises, Places, Palais, Fontaines &c. Qui Sont Dans Rome Dessinees Par Jean Barbault Peintre, Ancien Pensionnaire Du Roy a Rome, Et Gravees en XLIV. Grandes Planches et Plusieurs Vignettes; Par D'Habiles Maitres. Avec La Description Historique De Chaque Edifice", le cui illustrazioni furono incise per la massima parte da Dominique Montagu su disegni di Jean Barbault. La raccolta fu pubblicata per la prima volta da Bouchard et Gravier Libraires nel 1763. Incisione su rame all'acquaforte, in ottime condzioni. Beautiful view taken from "Les Plus Beaux Edifices De Rome Moderne, Ou Recueil Des Plus Belles Vues Des Principales Eglises, Places, Palais, Fontaines &c. Qui Sont Dans Rome Dessinees Par Jean Barbault Peintre, Ancien Pensionnaire Du Roy a Rome, Et Gravees en XLIV. Grandes Planches et Plusieurs Vignettes; Par D'Habiles Maitres. Avec La Description Historique De Chaque Edifice", with plates and signed by Jean Barbault as draftsman, and most of of these engraved by D. Montagu. Ething in good condition. Dimensioni 540 395mm [Attributes: Signed Copy]

      [Bookseller: Libreria Antiquarius]
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        CHESS MADE EASY: or, The Games of Gioachino Greco, the Calabrian; with additional games and openings, illustrated with remarks and general rules. The whole so contrived, that any person may learn to play in a few days, without any farther assistance.

      London, J. & P. Knapton; and W. Sandby, 1750.. SECOND EDITION 1750. 12mo, approximately 122 x 75 mm, 4¾ x 3 inches, engraved frontispiece by I. S. Miller after C. D. Moor showing an interior with a chess game in progress, plus a defective folding plate of a chess board ( the outer half missing), pages: xxiii, [3], 212, errata start on page xxiii and finish on page (2), bound in modern full mottled calf, panelled with lighter leather, gilt raised bands, gilt rules and richly gilt in compartments, gilt lettered red morocco label, new endpapers. Small pale stain to lower margin of prelims, minute tip missing from upper corner of prelim leaves, small light stain to margin of last 2 leaves in the volume, otherwise contents clean. Binding tight and firm. A very good copy of a scarce chess book (chessboard plate defective as noted). First published in English in 1656 as The Royall Game of Chesse-play, translated from Trattato del nobilissimo giuoco degli scacchi (c. 1625) by the celebrated Italian chess player Gioachino Greco (c. 1600 – c. 1634), also known as Il Calabrese. Greco is credited with developing some gambits and published this collection of short games to illustrate his theories. ESTC T128171. MORE IMAGES ATTACHED TO THIS LISTING, ALL ZOOMABLE. FURTHER IMAGES ON REQUEST. POSTAGE AT COST.

      [Bookseller: Roger Middleton]
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        Africae Pars Meridionalis cum Promontorio Bonae Spei,

      Augsburg 1750 - Carta geografica dell'Africa Meridionale con i particolari di Cape of Good Hope, inserite nei cartigli in basso. Incisione in rame, coloritura coeva, in ottime condizioni. A map of Southern Africa by T.Lotter [1717-1777]. The coastline still provides inaccurate information, while Hottentot tribes are illustrated throughout the mainland. There are three detailed insets of the Cape Fort (castle), Saldanha Bay and the Cape of Good Hope, all with a legend. There is a cartouche dedication to Domino Wilhelmo. O. I. Norwich, "Norwich's Maps of Africa", map 177 Dimensioni 590 500mm

      [Bookseller: Libreria Antiquarius]
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        Europa delineata iuxta observationes.

      Augsburg, 1750 - Incisione in rame, coloritura originale d'epoca, mm. 485x575. Seutter, dopo un apprendistato presso Homann a Norimberga, trasferitosi ad Augsburg verso il 1720, aprì la propria attività superando esteticamente il maestro: le sue carte hanno sempre colori brillanti e cartigli elaborati. La sua attività fu rilevata da Lotter. Buon esemplare con buoni margini che presenta qualche traccia di piega. cartografia.

      [Bookseller: libreria antiquaria perini Sas di Perini]
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        Tabula Synoptica Totius Fluminis Danubii.

      Ausburg 1750 - Grande carta geografica in tre fogli, anticamente uniti, raffigurante tutto il corso del Danubio ed il Mar Nero. Il Lotter, incisore ed editore tedesco, sposò la figlia del cartografo Matthaus Seutter, del quale era collaboratore e a cui successe nell’attività editoriale. Incisione in rame, bella coloritura coeva, difetti minori, nel complesso in ottimo stato di conservazione. Molto decorativa. Great geographic map in three sheets, joined together in the past, depicting the course of the Danube and the Black Sea. Lotter, German engraver and publisher, married the daughter of Matthaus Seutter, a cartographer with whom he had worked and from whom he inherited the publishing business. Copperplate engraving, fine contemporary colour, minor defects, otherwise in good condition. Very decorative. Dimensioni 1720 500mm

      [Bookseller: Libreria Antiquarius]
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        Illustrated manuscript scroll "Haseo Soshi Emaki" [trans.: "Narrative Picture Scroll of Haseo Soshi"], complete, emakimono, manuscript on paper, five paintings in color, five manuscript texts, top & bottom edges of scroll in gold, 38 x 1127 cm., brocade endpapers, in a fitted wooden box

      - No colophon: n.d. [ca. 1750]. An illustrated scroll of great quality of the famous story about Ki no Haseo (845-912), a courtier in the Early Heian Period. Written ca. 13th century, the oldest surviving scroll of this story - ca. 14th century, the Kamakura era - was preserved by the Hosokawa Family, formerly the ruler of the Kumamoto Fiefdom (today the Kumamoto Prefecture). The scroll rests now as an "Important Cultural Property" at the Eisei Bunko Museum in Tokyo. There are other scrolls of this celebrated story, some of which are incomplete or condensed versions, including those at the National Institute of Japanese Literature (Tokyo), the National Diet Library, Kyoto University, the Imperial Household Agency Library, Tokyo National Museum, and the Kyoto Prefectural Library. Our scroll illustrates the five scenes of this story: "1. One evening when Haseo was about to go to the Imperial Palace, he was visited by a stranger with shrewd eyes, who challenged him with a sugoroku (backgammon) game, saying that there was no other who could rival him in the game. Suspicious but tempted by curiosity, Haseo went out with the stranger, who took him to the Imperial gatehouse, Suzaku-mon. 2. The stranger helped Haseo up to the upper story of the gatehouse. Before beginning the game, he offered a 'girl of unearthly beauty' on bet, whereupon Haseo offered his entire property. As the game turned hopeless for the stranger, he betrayed himself as an awesome goblin, but Haseo at last won the game. 3. Deep in the night of the promised day, the man brought to Haseo a beautiful young lady, telling him never to touch her within one hundred days. 4. Eighty days passed. Unable to resist the ever increasing charm of the girl, Haseo embraced her, whereupon she became water and flowed away. He repented, only in vain. 5. About three months later, Haseo was going home in the night from the Imperial Palace, when the stranger came to his vehicle and blamed him for breaking the promise. Haseo barely escaped danger by his prayers to the god of Kitano Tenjin. The stranger was a goblin inhabiting the Suzaku Gate, who had created the girl by assembling beautiful parts of dead women. If she had been left untouched for one hundred days, she would have become a real human being."-Tanaka, Ichimatsu, Nihon emakimono zenshu. Japanese Scroll Paintings, Vol. 18, p. 3. "Pictorial representation of literary materials is one of the most important aspects of Japanese art, for in Japan, pictorial images have always been viewed as an indispensable means of communication. Emaki, the art of narrative painting in handscrolls, reached its peak from the twelfth to the fourteenth century, yet the large number of exciting and beautiful examples from later periods are ample testimony that this art never lost its creative energy, or patronage."-Murase, Miyeko, from the "Introduction" of Tales of Japan. Scrolls and Prints from The New York Public Library (1986). The production of luxury scrolls such as ours employed the finest illustrators and artists of the period. Provenance: stamp of the "Kuyo Bunko" library of the Waseda University scholar Koichi Nakano, a specialist in early Japanese literature. In fine condition. There are several small defects. The first text has two carefully repaired holes, slightly touching three characters. The first painting has two small holes carefully repaired. Hase's sword in the first painting has oxidized. The second text has a little dampstaining and defect touching one character. The fourth painting has a small defect well repaired. The example at the National Institute of Japanese Literature is closely related to our scroll. ? Komatsu, Shigemi, Nihon emaki taisei (1977), Vol. 11, pp. 74-89. Komatsu, Shigemi, Nihon no emaki (1994)-a facsimile of the earliest scroll of this story.

      [Bookseller: Jonathan A. Hill, Bookseller Inc.]
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        Vollständiges Bücher-Lexicon enthaltend alle von 1750 bis 1910 in Deutschland und in den angrenzenden Ländern gedruckten Bücher. 36 Bände (gebunden in 27) sowie 4 (der 6) Registerbände.

      Lexikonformat. Orig.-Halblederbände. *Originalausgabe von Kayers Bücherlexikon. Erfasst wurden alle deutschsprachigen Verlagspublikationen der Jahre 1750 bis 1910. Die ersten 6 Bände umfassen den Zeitraum 1750 bis 1832 alphabetisch, danach in 5-Jahreszeiträumen. - Hervorragendes Quellenwerk, das auch dann noch wichtige Informationen liefert, wenn alle anderen Bibliographien versagen. Nur das GV ist vollständiger. - Vollständig in der Hauptreihe (und inklusive 4 der Registerbände, die für den Gebrauch eigentlich nicht benötigt werden). - Alter Stempel auf den Titelblättern, Rücken teils etwas berieben und Kapitale bei einigen Bänden bestoßen (4 Bände mit kleineren Fehlstellen an den Kapitalen). Teils leichte Gebrauchsspuren, insgesamt ordentliches und innen sauberes Exemplar.

      [Bookseller: Antiquariat Bernd Braun]
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        Besondere Post und Reise Carte der Wege durch Teutschland':.

      - Kupferstich v. Gottfried Jacob Haupt in Augsburg, um 1750, 31,5 x 39,5 Gier-Janota, Augsburger Buchdruck und Verlagswesen, S. 1278 (G. J. Haupt); Tooley's Dic. of Mapm. Rev. Ed. E - J., S. 289 (Gottfried Jacob Haupt, engraver and publisher in Augsburg). - Seltene Post- u. Reisekarte (Straßenkarte) Deutschlands. - Die Karte mit Titelkopfleiste. - Oben links Kartusche mit Putte u. Erklärungen. - Unten links Kartusche mit Merkur u. Gesamtansicht von Hamburg. - In der Karte zahlreiche Gebietswappen.

      [Bookseller: Antiquariat Norbert Haas]
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        The Trial of Capt. Edward Clark, Commander of His Majesty's Ship.

      1750 - London, 1750. Only edition. Sentenced to Death for Dueling, But Pardoned Soon Afterwards [Trial]. Clark, William [d.1779], Defendant. The Trial of Capt. Edward Clark, Commander of His Majesty's Ship the Canterbury, For the Murder of Capt. Tho. Innes, Commander of His Majesty's Ship the Warwick; In a Duel in Hyde-Park, March 12. 1749. At Justice-Hall in the Old Bailey; On Thursday the 26th of April 1750. Being the Fourth Sessions in the Mayoralty of the Rt. Hon. Sir Samuel Pennant, Knt. Lord-Mayor of London. London: Printed, And Sold by M. Cooper, 1750. 18, [2] pp. Text in parallel columns. Second leaf, a publisher advertisement, misbound at rear of text. Quarto (8-1/2" x 6-3/4"). Disbound stab-stitched pamphlet. Light soiling to title page, small chip to its bottom edge, moderate toning, edgewear and minor stains to a few leaves, two clean tears to leaf C4 (pp. 13-14) with no loss to text, internally clean. $650. * Only edition. Captain Clark was convicted of murder and sentenced to death after he fatally shot Captain Innes in a duel. He received a royal pardon almost immediately afterwards. The trial, reported in detail and apparently verbatim, is remarkable for the number of distinguished character witnesses produced for the defence. These include Lord Southwell, Admiral Martin, Admiral Bing, Admiral Fox, Lord Montague Bertie, Sir John Cross and several naval captains. This account was reprinted in Dublin in 1750. Both are scarce. Concerning the London edition, OCLC locates 11 copies, 3 copies in North America, 1 in a law library (University of Minnesota). English Short-Title Catalogue T25541.

      [Bookseller: The Lawbook Exchange, Ltd., ABAA ILAB]
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        Liste de Messieurs les Conseillers d'Estate ordinaires pour les Conseils du Roy

      N. P., 1750. Within ornamental border. 1 vols. ca 9 x 14 inches. Broadside. Folded, some light discoloration and soiling, penned emendments, else very good. Within ornamental border. 1 vols. ca 9 x 14 inches. Listing members of the Consellors of State including Messieurs Daligre, De Morangis, De Lezeau, D'Estempes, Des Hameaux, De Marilac, Poncet, Bouvherat, De Seve, La Fosse, Voisin, Pussort, and several others including the Bishop of Chartres, and of Sées.

      [Bookseller: James Cummins Bookseller]
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        Letters on Greece being a sequel to letters on Egypt, and containing travels through Rhodes, Crete, and other islands of the Archipelago with comparative remarks on their ancient and present state, and observations on the government, character, and manners, of the Turks, and modern Greeks. Translated from the French.

      Tit., Nebentit., 407(1) S. u. 4 Bll. (Index). Mit 1 gef. Karte u. 1 gef. Taf. (Labyrinth of Cnosus) in Kupferstich. Alter zeitgen. Lederbd., von einem Laien unschön m. Papier bezogen. Einbd. stark angestaubt u. stellenw. wasserfleckig Ecken bestoßen u. berieben Karte u. ersten 2 Bll. im Falz z. Tl. ausgerissen Tit. etw. staubfleckig d. ersten 18 Bll. am oberen Seitenrand wasserrandig Karte etw. gebräunt. Vgl. dazu Peignot III, 348 (hier irrig Nicolas Savary) u. Graesse VI.1, 278 (nennen franz. Ausg.). Claude Etienne SAVARY (1750-1788), Orientalist u. Grammatiker, bereiste von 1776 bis 1781 Ägypten und das griechische Archipel. Das Ergebnis seiner Reisen waren die Lettres sur lEgypte (3 Bde.) u. die Lettres sur la Grece, die durch den vorzeitigen Tod des Verfassers nur in einem Band erschienen sind. Bei der vorliegenden Ausgabe handelt es sich wohl um die erste Ausgabe der anonymen Übersetzung in englische Sprache.

      [Bookseller: Antiquariat Löcker]
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        Padua

      Augsburg 1750 - Spettacolare veduta panoramica di Padova progettata da Friedrich Bernhard Werner (1690-1776) . Con il titolo in un cartiglio in alto, affiancato a destra dallo stemma della città. Werner (1690-1776) è nato in Slesia. Durante la sua gioventù condusse una vita avventurosa, lavorando come ingegnere militare e cartografo, viaggiando come medico ciarlatano, lavorando come operatore con un teatro a Praga e traducendo libretti per un gruppo di comici erranti. Ma dopo il suo matrimonio, nel 1718, iniziò una nuova vita e si concentrò sullo sviluppo delle sue innegabili doti artistiche e cartografiche. Queste abilità lo mise in contatto con diversi rivenditori importanti d'arte ed editori in Augsburg, soprattutto gli eredi di Jeremias Wolff (1663-1724). Iniziò a delineare una serie di panorami di città europee, che riscossero un notevole successo commerciale nelle derivazioni a stampa pubblicate in serie da diversi partner della società di Wolff, principalmente di Johann Friedrich Probst ( 1719 o 1721-1781 ) , e poi da suo fratello Georg Balthasar Probst ( 1732-1801). Incisione in rame, margini coevi aggiunti, in ottimo stato di conservazione. Molto rara. Dimensioni 325 990mm

      [Bookseller: Libreria Antiquarius]
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        Etrennes Divertissantes ou Collection d'historiettes agréables; ornée de jolies gravures, qui ont rapport au sujet pour la présente année.

      Maillard de Bresson, [n.d., c. 1750-65]., Paris - Not found in any of the usual online or printed sources, a delightful juvenile almanac, containing ten moral verses each with a vignette, engraved throughout. Though the publisher Maillard de Bresson produced several other almanacs, and this one is quite typical of the genre, it seems to have eluded bibliographers, including Grand-Carteret. The Journal historique et littéraire (January 1756) gives a useful account of the publisher's business: 'M. Maillard de Bressan continue a vendre des caractéres, des desseins & vignettes, des armes à jour, des papiers peints, des sentences, des devises, & forme avec succès la suite de ses fables morales, & instructives pour la jeunesse de l'un et l'autre sexe. It fait des envois auc Communautés Religieuses & à toutes personnes chargées de l'éducation des enfants, ou à des Marchands qui s'adressant à lui. Il demeure actuellement au Collége de Cambray, pres de la rue Saint Jacques, à Paris'. 8vo (150 × 110 mm, leaf size 150 × 95 mm), 11 leaves, including engraved title and 10 plates each with vignette and text, contemporary hand colouring. Each leaf neatly mounted on guards in a later (early twentienth-century) half cloth binding, preserving original Dutch paste paper wrappers. Old manuscript shelf label to verso of upper wrapper. [Attributes: Soft Cover]

      [Bookseller: Justin Croft Antiquarian Books Ltd ABA]
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        Memorie degli scrittori cosentini

      1750. SPIRITI Salvatore. Memorie degli scrittori cosentini. In Napoli, nella Stamperia de' Muzj, 1750. In 8vo; cc.8n.nn., pp.190, cc.9n.nn. con index ed errata. Pergamena coeva, tassello al dorso con titolo e fregi in oro. Edizione originale. Raro. Lozzi,1355; Minieri Riccio, Memorie storiche degli scrittori nati nel Regno di Napoli, pag.337; Somma, Meridionalia, 5359. Legato con: Idem. Per l'avventuroso nascimento di S.A. Serenissima Filippo Antonio di Borbone principe reale delle Due Sicilie. Canto genetliaco dell'istesso autore. In Napoli, nella Stamperia de' Muzj, 1750. cc.13n.nn.

      [Bookseller: Studio Bibliografico Casella]
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        Tutti i trionfi, carri, mascherate o canti carnascialeschi andati per Firenze dal tempo del Magnifico Lorenzo de Medici fino all anno 1559 In questa seconda Edizione corretti, con diversi MSS. collazionati, delle loro varie lezioni arricchiti, notabilmente accresciuti...

      1750. Due parti in un volume di cm. 20, pp. lx, 594 complessive. Con bel frontespizio figurato all'inizio di ciascuna delle due parti, una tavola con due medaglioni (rifilata) e 42 tavole f.t. di ritratti incisi in rame. Legatura coeva in cart. alla rustica con titoli ms. al dorso. Un timbretto parrocchiale. Esemplare complessivamente genuino ed in buono stato di conservazione.

      [Bookseller: Studio Bibliografico Benacense]
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        Habit de Cuisinier'.

      - anonymer Kupferstich b. N. de Larmessin (?), um 1750, 26,5 x 18,5 Koch gekleidet mit seinen Küchengeräten und Produkten. - Sehr selten!

      [Bookseller: Antiquariat Norbert Haas]
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        La Grande Ruota

      1750 - - RARISSIMO SECONDO STATO DI OTTO, dalla PRIMA EDIZIONE delle CARCERI - Acquaforte, bulino, tinta allo zolfo e bruniture, firmata in lastra in basso a destra. Tavola della PRIMA edizione delle 'Carceri'. Esemplare nel secondo stato di otto secondo Robison. Magnifica prova, impressa su spessa carta vergata coeva, margini di circa 8 mm, in ottimo stato di conservazione. Le 'Carceriì in prima edizione sono di eccezionale rarità. Secondo un censimento fatta da Andrew Robison, solo 16 esemplari completi dell'opera in prima tiratura sono noti nelle raccolte pubbliche di tutto il mondo. Senza dubbio la serie più nota e celebrata fra le opere del Piranesi. La serie è databile intorno al 1745, e comprendeva quattordici tavole, includendo il frontespizio che portava il titolo di Invenzioni Capric di Carceri all’acquaforte datte in luce da Giovanni Buzard in Roma, mercante al Corso. Una seconda stesura delle stesse, subito successiva, recava il titolo con il nome dell’editore giustamente corretto in Bouchard. E’ fuori di dubbio che l’idea, assolutamente innovativa, per la realizzazione di questa opera nasce da un collegamento molto stretto con la serie denominata Prima Parte di Architetture non solo per la vicinanza di tempo che intercorre tra i due lavori, ma proprio per il preciso intendimento ideologico che l’artista aveva in quel periodo in fatto di architettura. La serie venne ripubblicata dopo ben quindici anni, nel 1761, ampiamente riveduta e corretta. Il Piranesi non era nuovo a ripensamenti e variazioni sulle proprie opere, ma molto interessante è analizzare il motivo che lo indusse a riproporre, cambiandolo nella forma, questo importante lavoro. Le esperienze archeologiche condotte nello studio che porterà alle Antichità Romane (1756), le polemiche con architetti e le loro teorie del periodo, la consapevolezza di aver affinato ancora la propria tecnica stilistica, e il variato concetto architettonico lo indussero a mettere mano alle Carceri. E’ con questa nuova ed arricchita sapienza incisoria che l’artista va a ripescare le vecchie lastre, e dopo la rielaborazione, le ripresenta nel pieno della figura polemica e della lotta ideologica in fatto di architettura che in quegli anni conduceva. La riproposizione della serie rappresenta per il Piranesi un aspetto ben preciso, ovvero ripresentare, rinforzandolo, il messaggio polemico e di polemica architettonica già affrontato quindi anni prima. Lo scardinamento degli spazi e della prospettiva, della logica e di tutti i principi comuni affermati nei trattati, rottura totale con le leggi tradizionali e gli insegnamenti accademici dell’architettura. Due sono le tavole aggiunte nella seconda edizione, che quindi comprende il frontespizio e quindici lastre. Notevoli le differenze stilistiche tra il corpus dell’opera e le due nuove lastre, dove notevoli sono la complessità di struttura e di composizione architettonica, che dimostrano il cambiamento avvenuto in seguito allo studio archeologico dei grandi monumenti romani. Di diverso aspetto l’effetto emotivo che suscita la visione delle singole opere che compongono la serie, che con il loro aspetto malinconico costituiscono un elemento di perenne richiamo, di inesausta vitalità, e di estrema modernità. I ponti sospesi, le reti, i ballatoi, le scale e quanto altro presente nelle Carceri sono stati esame di numerosi studi, che una copiosa letteratura ha colto sin dal romanticismo, dando loro una grande popolarità, esaltandone le molteplici reazioni emozionali che le stesse conferivano. - THE VERY RARE SECOND STATE, from the FIRST EDITION of CARCERI - Etching, engraving, sulphur tint and burnishing, 1750, signed at lower right. From the Carceri set, from the first edition, first issue. Example in the second state of eigth described by Robison, from the contemporary roman edition. A magnific impression, printed with black ink on contemporary thik laid paper, with small margins (about 8 mm), very good condition. The first edition of 'Carceri' is [Attributes: First Edition; Signed Copy]

      [Bookseller: Libreria Antiquarius]
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        Essay d'une Carte Reduite contenant les Parties Connues du Globe Terrestre

      L’Aia 1750 - Magnifico esemplare del mappamondo di Bellin, realizzazto in proiezione mercatoriana. Inciso da J. Van Schley, fu pubblicato all'Aia da Pierre de Hondt, con testo in inglese, francese e olandese. Tratta dal "Histoire Generale des Voyage", Pierre de Hondt, 1757. La mappa riflette le conoscenze dell'epoca, così l'Australasia e il Pacifico nordoccidentale ancora inesplorati, e il Giappone è rappresentato in modo rudimentale. Incisione su rame, grande cartiglio decorativo con il titolo, in ottime condizioni. A beautiful example of Bellin's world map on Mercator's projection. Engraved by J.Van Schley and published in the Hague with English, French and Dutch titles, the map accurately reflects the knowledge of the time - pre-Cook Australasia and the Pacific Northwest remain uncharted, with Japan mapped in a rudimentary way. North America displays the mythical River of the West potentially linking the Pacific to the Great Lakes. From Prevost's "Histoire Generale des Voyage", The Hague, Pierre de Hondt, 1750. Engraving, with decorative rococo and foliate titlepiece, in very good conditions. Dimensioni 680 495mm

      [Bookseller: Libreria Antiquarius]
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        L'Empire du Japon

      Parigi 1750 - carta geografica trata da "Atlas Universel." edito a Parigi nel 1750. map of the island taken from the "Atlas Universel.", published in Paris in 1750. L. Walter, "Japan a cartographic vision", p. 223, 100 (cat. N. 86) Dimensioni 570 505mm

      [Bookseller: Libreria Antiquarius]
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        Ihrer Königl. Maj. in Pohlen, [et]c. als Chur-Fürstens zu Sachsen, [et]c. [et]c. Mandat, Die Einschränckung der Anzahl derer Juden und ihres Handels betreffend. Ergangen De Dato Dreßden, den 16. Augusti, 1746

      2, in privater Leinenmappe, ohne Paginierung, 8 Bl. - Titelblatt etwas angestaubt, Bl. 4-8 m. kleinerem Fleck im unteren Randbereich. Ansonsten in sauberem Zustand. Äußert seltenes Exemplar in sehr kräftigem Druckbild dieses wichtigen Dokuments, mit dem die Juden erstmals die Möglichkeit erhielten, eine Wohnberechtigung in Sachsen zu erlangen. Beigebunden: Ihrer Königl. Majest. in Pohlen etc. als Chur-Fürstens zu Sachsen etc. Kleider-Ordnung. Ergangen De Dato Dreßden, den 21. Februarii 1750, Königl. Hof=Buchdr. Stößelin, 1750, Dreßden, 6 Bl. - ebenfalls in sehr kräftigem Druck

      [Bookseller: Graphem. Kunst- und Buchantiquariat]
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        Introduction a l'Analyse des Lignes courbes algébriques.

      Geneva: the brothers Cramer and Cl. Philibert 1750 - FIRST EDITION, title printed in red and black, with 33 folding engraved plates and 1 folding letterpress table, rather foxed at the beginning and less so intermittently, a few leaves and plates a little browned, pp. xxiii, 680, xi (Index), [1, errata], 4to, with, loosely inserted, a page of additional errata in a contemporary hand (only as far as p. 254 however), contemporary Continental mottled calf, spine richly gilt, lettered direct, marbled edges matching the splendid pastedowns and endleaves, good. Cramer's major work, an important and scarce book, is 'less well known than it merits . The first chapter . defines regular, irregular, transcendental, mechanical and irrational curves and discusses some techniques of graphing, including our present convention for the positive directions of coordinate axes. The second chapter deals with curves, especially those which simplify their equations, and the third chapter develops a classification of algebraic curves by order of degree, abandoning Descartes's classification by genera. Both Cramer's rule and Cramer's paradox develop out of this chapter. The remaining ten chapters include discussions of the graphical solutions of equations, diameters, branch points and singular points, tangents, points of inflection, maxima, minima, and curvature . He . states that he has found a general and convenient rule for the solution of a set of v linear equations in v unknowns; but since this is algebra, he has put it in to appendix 1. Figure 2 [in the D.S.B. article] shows the first page of this appendix. The use of raised numerals as indices, not exponents, applied to coefficients represented by capital letters enabled Cramer to state his rule in general terms and to define the signs of the products in terms of the number of inversions of these indices when the factors are arranged in alphabetical order. Although Leibniz had suggested a method for solving systems of linear equations in a letter to L'Hospital in 1693, and centuries earlier the Chinese had used similar patterns in solving them, Cramer has been given priority in the publication of this rule. However, Boyer has shown . . . that an equivalent rule was published in Maclaurin's Treatise of Algebra in 1748. He thinks that Cramer's superior notation explains why Maclaurin's statement of this rule was ignored even though his book was popular. Another reason may be that Euler's popular algebra text gave Cramer credit for this "très belle règle"' (D.S.B.)

      [Bookseller: Blackwell's Rare Books ABA ILAB BA]
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        Traité des Sections Coniques, et Autres Courbes Anciennes

      Traité des sections coniques, et autres courbes anciennes, Appliquées ou appliquables à la Pratique de différens arts, tels que l'Artillerie, l'Architecture, la Construction des Miroirs ardens, des Téléscopes, des lunettes, des Porte - voix, des Echos, des Cornets acoustiques, ou des instruments qui servent à corriger les défauts de l'Ouïe, etc. Avec un petit Traité de la Cycloïde, où l'on fait voir comment cette Courbe a contribué à perfectionner les Horloges à Pendule. LA CHAPELLE, Abbé Jean - Baptiste de. Paris, J.F. Quillau, 1750. Edizione originale. In - 8°, cartone coevo con titolo impresso sul dorso. iv, xxi, xvi, 330, (4) pp. con 10 tavole più volte ripiegate f.t. Ben conservato.

      [Bookseller: Brighenti libri esauriti e rari]
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        Herbarium Blackwellianum.

      Vermehrtes und verbessertes Blackwellisches Kräuter-Buch das ist Elisabeth Blackwell Sammlung der Gewächse die zum Arzney-Gebrauch in den Apothecken aufbehalten werden deren Beschreibung und Kräfften aus dem Englischen übersetzt ... Mit einer Vorrede ... Herrn D. Christoph Jacob Trews. Verlegt gemahlet und in Kupfer gestochen von Nicolaus Friederich Eisenberger. Nürnberg, J.J. Fleischmann/ C. de Lannay, 1750-1773. 6 volumes, bound in 3. Folio (410 x 260mm). With 6 handcoloured engraved frontispieces, heightened with gold, and 615 fine handcoloured engraved plates. Contemporary calf, richly gilt ornamented spines in 7 compartments with red gilt lettered label, sides with gilt lines and fleurons at corners (one volume with minor repair to hinges). A very scarce Large Paper copy of the most important and comprehensive early German work on medical plants. We have never before seen and were unable to trace such a large copy, ordinary copies measure 355 x 235mm and are thus considerably smaller. The 'Herbarium Blackwellianum' is an enlarged edition of Elizabeth Blackwell's "A Curious Herbal", a work which she undertook to get her husband out of prison. She succeeded in freeing her husband, although to no avail, he was later beheaded for his part in a political assassination plot./The text, which is both in German and Latin was completely enlarged and revised by C.J Trew, a Nürnberg doctor and celebrated patron of botanical art and artists (the best known of his protégés being Ehret). In this German edition the Linnaean nomenclature is followed and the plates were re-engraved by N.F. Eisenberger, who was 'among the best artists of Nürnberg engaged in the illustration of works on natural history' (Nissen, Herbals, p. 76). He added 115 extra plates and embellished Blackwell's original plates with details of flower parts and fruits. The fine fold-out plates without any foxing. One plate is smaller, but is uncut and bound in at the time the work was bound. Most likely the publisher had run out of stock. This special Large Paper copy has more refined colouring than ordinary copies. A mint copy without any foxing.//Nissen BBI, 169; Great Flower Books 50; Ludwig, H. Nürnberger naturgeschichtliche Malerei im 17. und 18. Jahrhundert pp. 326-7.

      [Bookseller: Antiquariaat JUNK B.V. (Natural History]
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        La Tomba di Nerone

      1750 - Acquaforte, bulino, puntasecca e bruniture, firmata in lastra in basso a sinistra. Della serie denominata 'I Grotteschi'. Esemplare nel terzo stato di sei. Magnifica prova, impressa su carta vergata con filigrana " doppio cerchio e giglio con lettere CB" (Robison 33), con margini, in eccellente stato di conservazione. Nel 1750 il Piranesi raccoglie in un volume miscellaneo pubblicato a spese dell’editore Giovanni Bouchard una raccolta delle opere incise da lui prodotte sino a quel momento, alcune già pubblicate, altre inedite. Il volume veniva edito con il titolo serie "Opere Varie di Architettura Prospettive Grotteschi Antichità sul gusto degli antichi romani Inventate e incise da Giambattista Piranesi Architetto Veneziano". I quattro grandi fogli oggi denominati appunto 'Capricci' o 'Grotteschi' , furono appunto contenuti per la prima volta in questa raccolta, con il termine grotteschi, parola che deriva dalla tradizione pittorica con figure bizzarre ed elementi ornamentali, così appellata dalle sale (dette grotte) della Domus Aurea di Nerone, venute alla luce negli scavi in epoca rinascimentale. Sebbene pubblicati per la prima volta in questa raccolta, le quattro fantastiche tavole appartengono al gusto dell’artista degli anni 1743/45, nel periodo immediatamente successivo al ritorno a Roma dal viaggio a Venezia. Proprio per la luminosità generale dell’impianto è evidente l’influenza dell’incontro con Gian Battista Tiepolo, il quale aveva appena dato alla luce le sue prime tavole dei Capricci; tuttavia immancabile è il raffronto delle stesse con le opere di Marco Ricci, Antonio Canal e Giovanni Benedetto Castiglione, i cui lavori furono osservati dal Piranesi nella collezione veneziana del Conte pittore/magnate Antonio Maria Zanetti. Ma a parte l’importanza che documentano questi quattro fogli nell’ambito della formazione artistica del Piranesi, c’è da sottolineare come questa serie rimanga isolata, nell’ambito del corpus piranesiano, dalla splendente luce veneziana che emana. Etching, engraving, dripoint and scratching, signed at lower left. Frem the set of four called 'Grotteschi'. Example of the third state of six described by Robison. A fine impression, printed with tone on contemporary laid paper with "double encircled fleur de lys with letter CB" watermark (Robison 33), with margins, very light spots at the upper right edge, otherwise vey good condition. Robison 23 III/VI, Focillon 22, Wilton Ely 23. Dimensioni 545 395mm [Attributes: Signed Copy]

      [Bookseller: Libreria Antiquarius]
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